#in season 5 they both implied to each other that they want to leave

[handfulofmuses]

I like how he is just .... constantly pulling Xever aside to discuss this. It clearly bothers him and he is constantly the one who instigates it too.

It's just interesting because even though Xever is bothered by it as well, he is more subtle about it. But Bradford makes what he is feeling obvious and tells it Xever each time.

The only time when Xever did it was:

When the whole cult started.

[poughkeepsies]

Not to make this 1000 times worse for everyone but actually, 614 and 615 were the episodes for both Buck and Eddie mutually rejecting each other and the other's place in their lives by implying that they are lacking in the area that is the other's love language. Lemme see if I can hold my pieces together long enough to explain.

614 with Eddie rejecting Buck was much more subtle and didn't show a reaction from Buck beyond general jealousy because I fully believe that Buck doesn't know he's in love with Eddie, because he never even allowed himself to consider it as an option. He is too petrified of people leaving and too incapable of accepting that he can be loved to ever put himself in a position to hope for something that has the potential to devastate him so thoroughly. But whether he knows he's in love with Eddie or not, over the past 5 seasons he has thrown himself completely and utterly head-first into being there for Eddie and Christopher, being their best friend and their safe place. He exists as a part of their lives that no one but Shannon has ever even come close to occupying. Buck doesn't do grand declarations like Eddie does, but he shows his love through quality time and acts of service and all of that boils down to making sure the Diaz boys are never, ever alone. And yet, just last episode Eddie decided that he wants to start dating because he doesn't want to be "alone" anymore. Eddie is scared of dying alone when Buck has proven time and time again that there is no mess, battlefield, or locked door that could keep him from Eddie if he's ever in danger. So if Eddie is still feeling alone, still scared of dying alone, then maybe the kind of partnership and presence Buck brings to their lives simply isn't what Eddie is looking for, at least in a romantic sense. Even if he isn't aware of his feelings yet, even subconsciously Buck would take that as a door closing in his face before he even had the chance to knock. And so continues the pattern of Eddie jumping back into the dating game and Buck diving in seconds after him.

Now, of course, Eddie isn't saying that because Buck isn't enough. Buck is everything he wants or needs in a partner, but that scares him because Eddie is aware of his feelings and that makes him so acutely aware of the fact that Buck will find someone else to settle down with and start his own family with any day now, and when that happens Eddie really will be well and truly alone. He can't break his own heart, he needs to start being proactive because he doesn't want to spend the rest of his life alone after Buck has moved on.

And in 615, when Buck says that Natalia really sees him, he's discounting the way Eddie has always unspokenly expressed his love for him. Because maybe Eddie hasn't ever used those exact words before, but every one of his major declarations, including "there's no one in this world I trust with my son more than you" (THE TO BE SEEN, TO BE FOUND SCENE?? HELLO???), "I love him enough to never stop trying and I know you do too", "I forgive you", "I know", "It's in my will if I die you become Christopher's legal guardian", and especially "you act like you're expendable, but you're wrong", have been just another way of Eddie telling him I see you for all that you are and I love you for it. The expandability line is a particularly unsubtle standout because it's absolutely paralleled with both Taylor and Margaret telling Buck "you think you're invincible but you're wrong," and there Eddie was again, paired against Buck's mom and his girlfriend, two of the people who should know him and love him the best and yet just don't. And oh shit I'm realizing this just as I'm typing this but Eddie is yet again being paralleled against Buck's mom and his girlfriend (the girlfriend now being Natalia). In 6x10 when Margaret calls him a "miracle baby" and the way Natalia gushes about his death - Buck's death and his birth, two of the most traumatic things that have ever happened to him and Buck is someone who so desperately wants everything to be okay, wants the trauma to have some grand meaning, so he takes the out and takes the win and he lets them let him hide behind the superficial positive bullshit. But Eddie, Eddie sees Buck and Eddie knows him and loves him enough that he can tell just how not okay all of this is, not just for Buck but for all the rest of the people who love him as well, and he doesn't want him to hide away from it because Buck shouldn't have to pretend to be unchanged but he should acknowledge the way he's changed. Eddie is seeing Buck more than Buck can handle being seen right now and Buck is unconsciously rejecting it by placing preference over the way Natalia sees him. Except to an Eddie who is already convinced Buck doesn't feel the same, who is so scared of being alone after Buck has moved on, this feels like just another way he won't be enough for Buck and the time when he'll really well and truly be alone is more and more drawing near. There's even something to be said about the fact that we see Eddie visibly realize just how much Buck has been affected as he's talking - the fact that he's realizing this so late may be making him even more sure of his inadequacy.

[jedineedlove]

Pigsy's Noddles

I wanted to get into Pigsy's Noddles and try to get into the history and look at the details we don't get much on Piggsy himself so it's good to look at his home, like I kind of did with Sandy's boat but more about the chef himself. We never see his apartment so the shop is the next best place.

Sign:

From the sign, you can see the sign that all Piggsy till you look in the upper left-hand corner and see an addition of MK with Season 5 Piggys finally admits to being MK's father but this photo was from an episode long before that (since a hero is born). Though this addition was probably from MK from the font style. The artistic way looks like a signature of MK like he would put on one of his drawings. It could have been a prank idea from Mei and they just wait for him to see it. Maybe he already has and is just not saying anything. Along with the signature the rest of the sign: "Secret Family Recipe, Variety of Food, and Takeaway 20% off" Instead of paying more for take away he actually lowers the price. Probably due to his love and dedication to freshness, he knows it won't be as fresh by the time it reaches their tables so take money off their orders.

Piggsy's Life: The Beginnings:

The pictures we see in Sweet & Sour show Piggsy's early life from a baby helping his mom (L Photo Top left) (R Photo bottom) and growing up cooking the family recipe noodles with her (L Photo middle) to either just himself or both him and his mom opening the shop. With his mom at the ribbon-cutting ceremony. (L Photo Bottom Left) From Pigsys' appearance, it looks like it wasn't too long after graduation that he opened the shop. (The mustache)

He also seemed to have spent some time on a farm from the photo on the left at the bottom right with him on a horse. Maybe it's a family farm it's hard to tell when it was taken he lakes a mustache like the Piggsy we know now but it could have been before he grew it and he was much younger but he looks full-grown compared to the size of the horse. which means it was after he opened the shop and the only reason that Piggsy would leave the shop would be for family so it could be a family farm. That would also explain his attitude toward "fresh ingredients" and the right shape carrots. He shows his love for his family when dedicate the shop to being about family recipes and he adds things like his grand mother's unique windows.

The Shop Layout:

Mostly booth seating with a nice cozy atmosphere. The shop is filled with things, the walls are filled with pictures, advertisements for the noodles, along with awards and newspaper clippings probably filled with the shop's accomplishments. Each clipping probably has a new accomplishment that Piggsy has worked hard for, for both him and the shop.

Menu and Food;

Show:

Pigsy's Noodles has the longest noodles in the world.

Pigsy's serves mostly noodles but also has, noodle soup, baozi, and more.

The family recipe for zha jiang noodle soup included: bamboo shoots, peppercorn, and fresh noodles, all prepared in a szechwan pepper broth.

Pigsy's Noodles serves pork! (Not sure what to think about this?)

Toys:

80009 Pigsy's Food Truck menu:  noodles, sausages, and baozi 

80026 Pigsy's Noodle Tank menu: dumplings, noodle soup, a red bean bun, and lettuce wraps.

Other:

In "Calabash", it was implied that Pigsy's Noodles opens at 9AM or sometime before, as MK mentioned that he was late for work after seeing his alarm clock read "9:01"

[lady-of-the-english]

Tommy and Grace and Marriage Part 1

Something that always struck when when originally watching, and then rewatching, Peaky Blinders was how much Tommy wanted to marry Grace and thus how resentful he was that "work" (i.e. Russians) crashed the day he'd been looking forward to for years.

We first get to see Tommy's desire back in 1919, in season 1, episode 5, after they sleep together. We see that he defines their relationship as a true partnership.

After sleeping with her and next to her, for the first time since the war, he doesn't "hear the shovels against the wall," and he asks her to "help me with everything. The whole fucking thing. Fucking life...business. I found you and you found me. We'll help each other."

Tommy offers both a plea and a promise. With Grace, he found a true sense of love, home, and safety. He is willing to be his most vulnerable with her. As "people look different at home," in seeing her there, he hopes and asks to stay. For the first time, "life" comes before "business" with Tommy. He wants to provide her with all that she gives him. With Grace, he has the strength and courage to truly live.

The episode thematically ends with "Bring it On" by Nick Cave," emphasizing his sense of feeling strongest with Grace with the following lyrics:

"This garden that I built for you/that you sit in now and yearn/I will never leave it dear/I could not bear to return/and find it all untended/with the trees all bended low/this garden is our home, dear/and I got nowhere else to go/So, bring it on/Bring it on/Every little tear/Bring it on/Every useless fear."

In the following episode, Tommy shares with Grace his fantasy and plans - that they will share a life and "home."

He promises her that at "the next family meeting, I'll make sure you're there." When Grace argues that she's not family, he says back, "That could change," implying a future proposal and marriage.

He continues that flirtation. When Grace asks when they can talk so she can confess to him, he teases her, saying, "Oh, is this how it's going to be, eh? You waiting at home for me, saying 'What time do you call this?'".

Seeing that Grace is upset as she is wiping away tears, Tommy walks it back, reassuring that "I was joking" and that "I'm not talking about marriage," but I think that is a lie.

I think he is absolutely is thinking about marriage and the rest of their lives together. And he is afraid that he is scaring her off.

When Grace tells him, "When you come back from the races, I won't be here," he asks, "What are you talking about?" But he doesn't let her answer.

He immediately jumps in with reassurances, trying to convince her to stay and be with him. He assumes that she is afraid of being with him and that the life he can offer her isn't one she is used to or interested in.

His own insecurities and plans come out: "Grace, I know you weren't born to be with a man like me. But I'm turning things around." He emphasizes that he's going off to get the "biggest legal racetrack syndicates in the country and I'm going to close down some of that other stuff."

He touches her face to get her full attention and asks her to "remember" that her contract is with a legal "real limited company," asserting that he'll keep her safe and away from the illegal business that he wants to get out himself.

When Grace replies that she "remembers everything," we see Tommy's full desperation. He swears, repeating, "I am going to make a success of this. I am going to make a success of it. I am."

And then he switches to what is most important to him about their relationship. If marriage scares her, then he asserts that "I'm not talking about marriage," as he is willing to wait for that. For he does stumble and hesitate after saying this. He trails off, saying, "I'm so..." as he doesn't know what to say, as marriage absolutely is what he was talking about at the start of this conversation.

Tommy gathers himself, defining the strengths of their relationship. As they hold hands, he reminds her that "we know each other. We can talk. We're the same."

The end of the season emphasizes Tommy's heartbreak and confusion, but also the love they still have for each other and how they still know each other.

When he returns to Grace, she asks, "What exactly can I say?...if I tell you who I really am?" Will it matter and change anything?

Tommy replies, "I think I know who you are" highlighting his uncertainty. He finally knows her true identity and motives for being there, but he still also knows the true her since she shot the IRA man (both in revenge for her father and fear of Tommy dying the same way in my opinion).

Grace reiterates that idea. She argues that they know and love the true versions of themselves and the rest is "circumstance" and "just uniform."

And Tommy does seem to accept that. When she tells him, "I love you," he believes it despite the betrayal and lies. He tells her, "away it goes," but doesn't argue that it wasn't real in the first place.

With that belief in their love, we still see how Tommy holds onto the fantasy of their future, even if it is one that he no longer sees as feasible, at least in the near future.

Where before, he assured Grace that he'd begin shutting down some of the illegal businesses, with the mess of Kimber and Campbell and the loss of Danny, that becomes a "someday." The hope is still there that "someday I will throw this gun in the canal," and with it the implication that they can have the life and marriage he dreams of.

He reassures her multiple times that he does love her even if they can't be together now. He says that "we can say" they love each other as much as they want "but there is still no chance."

In his closing letter, he confesses that he never "loved" an enemy before her and that the idea of going to New York to be with her is "interesting" and appealing. In his heartbreak, he reverts to putting business first. In telling her no, he cites "responsibilities" as the reason he must stay.

But even in telling her no, the hope of someday is still there. He tells her he used to flip a coin to help him make decisions, and "perhaps that is what I will do again." The decision he just made is one that can easily change "within three days, " as the love they have for each other is real.

He ends the letter reassuring her that he does believe that she loves him as "Polly is never wrong about matters of the heart," and with that, he offers her "all my love."

Thus, the desire to marry Grace is not dead or forgotten, and season 2 will show us that time, in fact, does heal these wounds that leave him uncertain and unable to commit right now.

[conflictofthemind]

Can we Please Re-Open the Petergate?

Ever since learning about Petergate in its entirety, it has been breaking my brain. There’s obviously something incredibly important happening here, enough so that it has to be hidden until the final season of the season.

For those not in the know, Sam Owens has / had a son named Peter that was first name dropped in Season 4. For some reason, the military wants his old schoolwork as evidence in the investigation of the Chrissy murder in Hawkins.

We also pretty much know that Peter is dead. The way Owens acts around Will in Season 2 as the only scientist who is actually determined to save his life, and the implications he makes that he understands the plight of Joyce both heavily imply he has lost a child. This also adds a layer to the whole ‘taking away your son’s precious school projects’ if that son is dead and those are some of the only memories you have left.

Okay so: Sam Owens lost a child, which explains his character motivations in the show. But it’s not quite interesting just ending it there, is it? And why leave this to be seemingly be a reveal in the fifth season where we already have so much else to take care of? Would Sam Owens’ son dying really be that impactful towards the narrative? Would that warrant the copious amounts of references (at least seven just in season 4) to Peter that exist within the show and are still coming out even in recent ST5 BTS pictures?

Something about Peter Owens has to be crucial information in the fight against Vecna.

Let us also remember that those military agents took Peter Owens’ schoolwork as some kind of evidence in relation to the Henry Creel murders, and it was important enough to highlight to the audience.

Let’s go over some facts:

1) Sam Owens has a house in Ruth, Nevada where he lives with his wife. Population irl of only a few hundred people.

2) Henry Creel lived in Rachel Nevada which uh didn’t exist in the 50s during his childhood where he encountered:

3) The Nevada Experiment. Henry happens upon related equipment and is briefly transported into Dimension X before coming back with powers and an altered personality.

4) In TFS, Henry is mentioned to have put a classmate from Nevada in a wheelchair following the events of his trip to Dimension X.

5) Henry was in the care of different doctors before he met Dr. Brenner and moved to Hawkins.

We curiously get no more explanation on this matter; whatever happened in Nevada is probably some of the most crucial information and is thus saved for Season 5. We’ve already gotten most answers that are relevant to Henry’s backstory in Hawkins… but not for Nevada.

Some of the major questions for S5 include:

1) What is Dimension X?

2) What is the actual origin of the Mindflayer and is it an independent sentient being?

3) How did Henry develop powers while in Dimension X?

4) What was the Nevada Experiment and the original Project Rainbow?

Since the military took Peter Owens’ schoolwork as evidence… it means Peter is at least connected in some way to this mystery, if not directly to Henry and probably implies the two knew each-other and were even classmates who worked on projects together.

Here’s the basis of what I propose (to be expanded upon later of course):

Henry and Peter were classmates in their youth fairly likely at this point. Henry and Peter were working together on a project that had them investigating the Nevada cave system. Or perhaps something relating to Area 51 / secret US government stuff. The project has to be relevant evidence since the military took it. This is what led to Henry stumbling upon the dimensional equipment in the cave that transported him to Dimension X.

My question is - what if Peter was also involved in Henry’s disappearance? Maybe he disappeared with him, and this was covered up by the government. Or he was simply exposed to the event but didn’t get transported with Henry, just became severely ill because of this Dimension X virus, and died as a result.

Or maybe Peter was meant to disappear as part of Brenner’s Project Nevada experiment. They didn’t plan for Henry to be there as well, and sure didn’t plan for him to be taken. The whole “rogue staff member stealing the equipment and hiding it inside a cave where Henry just happens upon it I guess” has been weird for a while. Maybe Peter was actually older and involved with P. Nevada, and he was the rogue staff member who hid the equipment? But then how did Henry conveniently get there and why was the schoolwork taken.

I don’t want to make this post too long; but something about this gives me major Will and El parallels in a way I can’t really illustrate quite yet. Boy gets taken under suspicious circumstances that could imply HNL meddling, but this time the supernatural kid is able to save him and bring him back. Owens becomes interested by this and comes to study Will in S2.

Owens also mentions that he has risked his family’s lives for the sake of their research, which I feel is relevant here. He’s talking about the current day NINA Project… but it could of course be a reference to the fact that this happened before, and ended in tragedy.

So wow, that got long! I didn’t even get to mention the Fringe parallels that people have brought up. This is just going to be Part 1 into my investigation of Petergate.

There’s so much promise in this potential storyline that I think really needs to get investigated, so I hope this interested people regardless of whether or not they’ve already come across Petergate. The fact that Henry’s time in Nevada is such a major gap in his backstory really fascinates me as to what they’re hiding from us.

[kacievvbbbb]

I'm not sure they were necessarily trying to imply Klaus and Allison always had that relationship. They've been living together for 5 years by the time we catch up with them, only three of which he was sober. That leaves him with two years of getting into trouble and asking Allison for help. For all we know that's exactly how he came to live in her basement in the first place.

It would have really helped if s4 hadn't wasted so much time on useless storylines and focused on the character relationships instead... The Klaus/Allison/Claire dynamic was so interesting, I wanted to see more of them.

I thought that was the route they were going down as well and I enjoyed that relationship. The gaslighting I feel was mainly from the argument they had while Klaus was speaking of the last 5 years Allison was saying that she had been dealing with his shit since they were kids and she was always the one dealing with it which is just not substantiated by anything from the previous seasons. Also the flash back to when they were kids with the Jennifer Incident they purposefully add a little scene of teen allison corraling a drunk/high teen Klaus, trying to back up her earlier assertions. Which is just weird. And I would have honestly preferred if they just focused on the 5 years they've spent relying on each other and building a new sibling relationship that would have given the argument more impact on both sides I think.

I agree the Klaus/Allison/Claire dynamic was really fun and I really enjoyed it but it honestly felt like it went nowhere. Klaus became an extreme germaphobe got his powers back blew up at allison they get in a fight and then she saves him that's so surface level of the complex family dynamics we got a glimpse at especially with Ray walking out and Allison's stalled movie career. it was just such a missed opportunity. I'd have liked to have all the siblings interact with the kids more really show that this new life they've built for themselves isn't all bad and that further complicates the decisions characters have to make. the birthday party scene was really great to me and I wish we could have seen more like it.

[yuurei20]

Jamil Info Compilation part 5: Jamil and Azul

Azul and Jamil are in the same homeroom and share a number of electives. Azul describes Jamil as demure, poised and someone who hardly ever ventures opinions of his own.

We see Jamil finally share his true opinions about Kalim after Azul helps bring down Jamil in Book 4, and Azul says that he likes the authentic Jamil much more.

(Leona makes a similar comment in Book 6 saying that he, too, prefers it when Jamil shows his emotions, as it is an improvement over his "usual, sycophantic attitude.")

Jamil says that Azul’s “ingratiating smile” grosses him out and Azul says that he has been curious about Jamil ever since their first year, inviting Jamil to transfer to Octavinelle.

Jamil responds, “Not on your life,” lashes out at Azul for “monologuing” and says that he will be “perfectly content” never being friends with Azul.

Having added a “new truth” to his secret collection, Azul does not press the matter.

When Azul is pretending to be mind-controlled by Jamil, Jamil says that he “made the right call” by not making friends with Azul, implying that he has been avoiding Azul for just as long as Azul has been interested in him.

Azul and Jamil overlap briefly in Book 5 with Azul again offering him a place at Octavinelle (Jamil: “Octavinelle is the last dorm I would ever transfer to,” and in his second birthday vignette he says that if he were to transfer to anywhere, it would be to Ignihyde, as well as that he would like to avoid Octavinelle at all costs as he would never get a moment's peace.)

Azul is Jamil’s judge in Culinary Crucible and offers him a job in the Mostro Lounge kitchen, which Jamil also refuses.

In Jamil’s lab wear vignette Azul happily declares to Riddle that he and Jamil were brought together by their “deep and enduring bond as classmates,” but Jamil follows with, “Don’t listen to him. We just happened to run into each other when we were both on our way to the lab room.”

Azul reiterates his curiosity about Jamil, saying that he gets the feeling that they could do “some wonderful business together,” while Jamil says he feels the exact opposite.

In a PE vignette Jamil is assigned to teach Azul how to fly by Vargas, but Azul refuses his assistance on the basis that he does not trust that Jamil does not have an ulterior motive.

Vargas refuses to let either student leave the field until Azul can fly straight for 50 meters, and Jamil insists, “if Kalim can learn to fly with my advice, then you can, too.”

Jamil eventually gives in and pretends to want an exam study guide. In exchange, and Azul accepts his advice.

In Floyd’s ceremonial robes vignette we see the two overlap again with Azul visiting Scarabia for the express purpose of helping Jamil explain the shambles that result from a performance by Floyd to the headmage (“And yet I doubt you offer your services for free.”)

Jamil seems constantly cautious of Azul, saying during Halloween that he is suspicious of how little Azul eats.

(Azul has issues with food stemming from his childhood, but he deflects Jamil’s line of questioning by claiming that he is just an “honest businessman” who is scoping out the catering.)

Jamil is even suspicious of the way in which Azul wishes him happy birthday.

Jamil has a voice line about receiving seasoning that he’d wanted as a birthday gift from Azul, but he is uncomfortable about it because he has no memory of telling anyone he’d wanted it.

[roboreviewer]

"You call being chased by a lunatic snowman scary? You twit."

Name: The Computer

(Mental) Age: Adult (implied)

Pronouns: He/Him It/It's

Appearance(s): Courage The Cowardly Dog, The Fog of Courage, Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog

Fandom Activity: dead at the moment. More on this later

Fanon accuracy: Man.. it's too complicated to say here

------In Canon------

Computer (yes that's its name) is the computer owned by the Bagge's located I'm their attic. Courage uses him to search for how to defeat the monster of the day, research specific items, with occasional off screen NORMAL computer activities

Computer appears in every season if the show: 9 times in season 1 (one being a cameo), 5 times in season two, 3 times in season 3, and four times in season four. He makes two quick appearances in The Fog Of Courage and Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog movies.

The Computer will usually say a snippy one liner before and or after actually giving the information Courage wants.

Courage (searching for a cure): "What should I do?"

Computer: "if I were you, I'd get a big mallet and-" (smash them presumably)

Courage: "No no NO! A cure! A cure!"

Computer: "Oh....... That's easy, get a little hair from the mole that bit you."

(Courage gets ready to leave)

Computer: "just don't get bitten!~" (teasing tone meant to shake courage up)

The Computer has a masculine British voice DRIPPING with sarcasm, having a new voice actor in every new appearance: Simon Prebble, Paul Schoeffler, and Jeff Bergman respectfully

------Analysis------

- The computer is most likely based off of a Amiga 3000

You can see the resemblance yes? Cube monitor that sits on top the rectangle (I forgot the name sue me) with the clunky keyboard (ho mama) honestly perfect for a cartoon. Although he is still simplified, without a mouse and numpad (fair enough)

- In season 2 episode 14 he gains an off switch meant only as a gag. The Computer makes fun of Courage for.. being a cowardly dog and Courage flips the switch turning it off. It then disappears for the rest of the season until season 3, where it now has the words "OFF" under it.

- In season 3 episode seven, Muriel presses a random key on the Computers keyboard. Which then plays [SENSUAL TRUMPET NOISE] and presumably shows something in his screen, it isn't shown to the audience and Courage covers it up embarrassed. The Computer then says "Hey, push that button again!" in a..flirtatious??? Tone, To which Courage responds by ripping out the key and tossing it.. did Courage have a P@%# Hot key?? Was it giving The Computer physical satisfaction?? Gross.

- Anyway in this episode The computer has three keys near both sides of the space bar (unlike the images shown above before this episode, which has two keys on each side)

Courage rips out the one in the bottom right of the keyboard. Here's an image of the Amiga 3000 keyboard

As you can see it doesn't HAVE a third key at the bottom. The quality is s$!÷ but the closest one is the right ALT key. Meaning the 'button' is either the ALT key in earlier episodes or (going off of other keyboards) the right CTRL key in this episode

- the Computer regularly says suggestive S#!÷ in a suggestive tone. In Straight Outta Nowhere: Scooby-Doo! Meets Courage the Cowardly Dog: he outright flirts with Velmas iPad and asks if later she would want to do some "Downloading and updating"

Yeah I don't even know man

- The computer is a lot nicer in the Scooby-Doo movie. When I say a lot nicer I mean he only insults someone like once

-----This part------

Okay so when I first looked up the computer, I just did a quick search on Tumblr and saw only a few posts. So like a sane person I just assumed he wasn't very popular and moved on.

BUT NO! F#@%!×$ NO!!

For S#!+$ and giggles I did one lazy search and found All things End: A Computer x Courage slow burn

If you use your eyes you can see 3 things: one, this has 144 chapters, 2 this has 415,955 words, so those aren't SHORT chapters, and three-

THIS IS PART F@#$%!÷ ONE!!!

This series has 3 parts, the final STILL BEING WRITTEN. it started in 2010-07-31. As of writing this that's 13.86 YEARS! This series would be getting ready for high-school!

The plot is about courage falling Ill with a rare fatal disease that will soon kill him. So he and the computer go on a quest to get the cure. The Computer gets a dog body, and the creator has drawn posters for each volume (although only volume one's showed up for me)

The first volume has 415,955 words

The second volume has 474,148 words

The final volume as of writing has 110,744 words

The total word count of the series 1,000,847 words. Giving it 217,770 more words than the kings James version of the Bible which- may I repeat the final is STILL GOING. I hope to one day finish reading this masterpiece. Godspeed Couragefan09 o7

------My Opinion------

10/10 this all started with a video on my YouTube recommended, which I use for most of the pictures. I came out of this having a new fanfic to read for the summer.. and probably fall too. With that being said his character actually made me laugh out loud and I'm SO F#@%!$# PISSED NO ONE TALKS ABOUT HIM! WATCH IT, WATCH IT NOW

[fatcatlittlebox]

I see so much discourse on X about Celeborn and as a multi shipper it's quite annoying. I don't think people realize that Haladriel isn't going anywhere. In fact, when you compare all the established canon couple fanworks against all the protagonist/antagonist (even anti-heros) fanworks in ALL SERIES/BOOKS/SHOWS/ETC TO EVER EXIST, there will always be more of the latter simply because of 2 reasons: the what if's to be explored and the forbidden aspect of it. I wish ppl would calm down. I also find it silly when I see my own mutuals dunk on Haladriel over the 'toxic' aspects and it bothers me too since I like both ships. Unlike Celedriel, you guys can take a Sauron & Galadriel relationship (in all sense of the word, not just in a pairing context) and take it in ANY direction you want, with enough creativity. You can write them as friends in an AU, or even before they became known by their names (like her meeting Mairon before he became Sauron). You can write S1 and S2 (even 3-5) divergence fics, redemption arcs, dystopia fics, crack fics, dead doves, or even fluff (like off-stage AU where they're not enemies off screen). Heck, since you guys got the mind palace thing, and with her growth over the ages, you can even find ways to make non-AU fluff/hurt&comfort (maybe when they're both tired of this endless fight of the ages because it's a stalemate and he wants to repent but he can't due to Morgoth's corruption and he knows it?). Haladriel has a cosmic connection, and I think this implies that even if one of them dies, it will still exist somehow even when they pass into the Undying lands. Haladriels don't understand how much advantage they have with being portrayed by actors with amazing chemistry, an established and growing fanbase, an entire season without any kind of background conflict that takes the focus away from them as their relationship was explored and developed, having it all: UST, 'acquaintances fighting alongside each other to become friends' and the 'friends-to almost?-to enemies' aspect, and there are even Tolkien's writings that confirm he is capable of redemption. I've even seen well-written fan theories on ways that he can redeem himself too. It's like star-crossed lovers baked into every kind of trope that ppl like to explore. Really, I don't understand how it's not obvious enough. Yes, she ends up with Celeborn, and they are happily married and their relationship is secure and comfy. I know that may sound boring to some, but that's why I like Haladriel too, because their relationship isn't confined to only one narrative, unlike Tolkien's works. Yes, you can argue that Haladriel has a doomship narrative because they don't end up together, but the appeal of doomships is that you can DO so much with it in fanon, even completely reverse it (as I've seen in fanfics already). If you tried to do something similar with an established canon ship where they are supposed to be happily married, it doesn't make much sense, unless it's for angst. Celeborn is just a humble normal elf and he doesn't have any that. He just trying to vibe, support Galadriel, and not piss anyone off lol. And I say all of that as a pro-Celeborn fan lol. Sorry for this long rant, I just wish they would leave my poor silver clam alone ;_; and for fans to stop fighting.

I agree 💯 with all of this. That’s why I can happily digest all forms of haladriel. Modern AU, canon divergence, coffee shop fluff, Sauron redemption arc, socially awkward Mairon. All of it. And thank peanut butter and bagels the fanfic writers in this fandom are bar none some of the best fucking writers I have ever read. We are so lucky.

[hootgrowlhootgrowl]

I need these men to talk. I need Stede to take his own advice and not fucking bottle it up. There are so many insecurities and misconceptions between them and they need to start at the beginning, they need to talk about why Stede left (and why he came back)!

Both Mary and Ed referred to him returning home as a whim and i think that's unfair. 'Whim' implies a certain amount of carelessness and shallowness, which I feel doesn't apply to what happened. Stede had been feeling immense amounts of guilt about abandoning his family the entire season (which he didn't talk about or try to work through at all), then he caused the death of another person after being told he ruins everything he touches, then he walked all the way back to his house and it was clear he wasn't all there. He didn't just wake up that night and decide 'you know what? I'm not interested in Ed anymore and I'd rather go back to my wealth and nice things and pretty wife.' Like yeah, it wasn't planned, but I don't think it's fair to call psychological trauma a whim.

And Ed needs to know this! Have they talked about this at all? Does he know anything about what Stede went through that night? Does he know that Stede and Mary were so happy separated but so miserable together that she tried to murder him? That it was after Mary helped him realize how much he loved Ed and how much happier he was that he decided to leave? That he renounced his title, his land, his money, faked his own death, burned any bridges back to his old life to find Ed again? That he gave up everything he had not for piracy or the crew, but for Ed?!

If they would just fucking talk to each other about the actual important shit, how they both feel like they've ruined each other and aren't good enough for each other and like the other loves a version themselves that they don't want to be. I loved the kiss scene in ep 5 and the 'let's take it slow' not because I felt like that in itself was the paragon of communication, but because it implied further communication. It implied they would have the big conversations, but they're both trying to move past everything because they're too scared to be emotionally vulnerable about their insecurities with each other.

Initially I thought it was good they were staying together while working stuff out, but now I feel like maybe a couple weeks apart would be really good for them and give them time to think about what needs to happen and what needs to be shared for this relationship to move forward. Also, Ed's been through a lot of shit the past week, maybe some actual alone time would really do him good.

Best case scenario for me at this point is the season ends with Ed and Stede sitting together after all the action and Ed holds his hand and says "Stede, I love you and want to be with you, but I think we need to talk about our shit first." And Stede squeezes his hand and says, "I think you might be right." And then the camera pans away from them with a slightly open but hopeful ending.

[zadien]

If you could rewrite 5 chenford scenes, what would they be and why? 😊❤️

Oh gosh, okay anon, let me think. (also thank you for the ask!!)

I may come back to this later if I think of something better. tl;dr in no particular order (because this is an essay):

Do you want to come in?

5.08/5.09

The hotel room and basic biology

The break up in season six

The final elevator scene

Do you want to come in: I didn't love this moment because it implied they'd cheat on their partners and both of them have been cheated on before so it felt a little off, BUT it happens, so you know, it wasn't a deal breaker or anything. I just felt there should have been more build up if that was the way they wanted to go. If I were rewriting it, I'd have had a more charged moment at the door, a bit more swaying and leaning into each other's space, obviously not wanting to leave each other after spending that time one on one together, but there wouldn't have been that line and they'd still be toeing the "we're just casual colleagues and friends line (otherwise known as up denial creek without a paddle). Tim would have left, a bit more pining with a look back over his shoulder, Lucy could have had a moment of closing the door and leaning back against it, a wistful sigh and then covering it quickly when she saw Chris. Then she screams and Tim comes running. You know? Still getting the moment but not being so overt with it.

5.08/5.09 - So we know Lucy needed to break up with Chris. He was on chapter twenty of the story of their life and she was only on page 10. And I love Tim talking things through with her, really appreciated that. And I loved him shooting his shot. I just feel like Lucy should have had time to process it before jumping to "give me your playbook!" Like maybe an extra episode in between where she and Tim decide, actually maybe it's not worth it, they could be ruining everything and then have the bomb episode resonate more in making them realise life is short. I dunno. I feel like with The Rookie you really do have to read between the lines a lot but also they do like to smack you in the face with things that could be teased more. Lucy asking for the playbook was fine, it felt a bit off brand for her to do that but then she's never been good at reading herself or her own relationships and she's never had to break up someone before (in the show, it's always someone else breaking up with her), so I can see her messing that up, panicking and taking the Tim route -- that was fine. It was the immediately running to the office to prompt him to ask. Don't get me wrong, that was super cute, but also... that's their work place and that's the centre hub of everything and for the first two seasons IA lived in that building - and Smitty actually does live there.

I think I would have rewrote that to take place later, to maybe have Lucy go to Tim and tell him that she'd broken up with Chris but not raise the question of them going on a date. More just seeking a safe space and realising that, okay she broke up with Chris, but she's not really upset about it, or even talking to Tamara about it. I dunno, there's just something about how fast that happened that threw me a little bit and I'm not a coherent human being who can express herself well. I still find that whole scene very cute in terms of how it's acted and it's my favourite people getting together so I will never complain, but, personally, I would have spaced it out a bit more.

Basic Biology: I wanted a "there's only one bed" trope moment. We got the fake dating, we got them on a double date where they dated each other, we got practice kissing but not an "only one bed"?? (and they've literally had TWO chances to do this!) So for the hotel scene where Tim realises Lucy's back is the best thing since sliced bread (and who can blame him?) I would have extended that whole scene, not had the enemy attack so quickly because, again, what did that episode accomplish plot wise? The bad guys suddenly trusted this random girl on the floor who just got publically humiliated because Jake lost weight too fast??? Okay then. So the bad guys would not have shown up while Lucy was in the shower, Dim and Juicy would have had to stay the night, Tim would realise they're being watched (saw one of the guys lurking in the hall) and say that they need to share the bed. Lucy would joke and say they should put on a show which involves Lucy bouncing on the bed and Tim mortified but amused and aroused, nudging the bed into the wall while Lucy smothers her laugh. Then they climb into bed on separate sides, a gap between them as they try to sleep beside each other AND THEN they end up tangled in each other the next morning with Angela phoning and saying something's happening. ANOTHER charged moment and then they scramble out of bed, flustered and go be action heroes. I have thoughts about this, they're percolating, and I have a prompt, so leave this one with me we'll see what the brain produces. The season 6 parts hurt, so these will be brief. Break up: So I didn't want a break up but we have a break up and honestly, I really liked this scene, it was well done, it well acted, it was in the parking lot as per all their major moments. The only thing I'd change in this is potentially have Lucy go after Tim, or at least fight a little more because she deserves that. She deserves to be worth it, but Tim would still shut that down because she is worth it and he's protecting her from him self because he can and he will. Just a few more lines of dialogue that probably wouldn't actually achieve anything more than let Lucy have a say.

The Final Elevator Scene: I do like this scene, I liked seeing Tim give her a genuine thanks for saving him, and acknowledging the good work she did. But I would have liked to have a moment in this where she pushes back on him thanking her for her kindness, like that's totally Tim, but Lucy didn't do those things because she's kind (she is obviously, that's a core value in her) but she also still loves him. So I think it would have been nice to circle back to that earlier episode and have her walk out after him into the carpark and ask him if he loves her, not to put them back together (that will happen later), but for her to see if there's still hope, can she wait for him? And have him answer with "of course I love you". Which would have connected to that earlier scene in the season that the show hyped so much and give it a little more relevance, and it would have left us, the audience, with a little bit more hope. An I love you wouldn't fix things, it would just be a hopeful moment. Honourable mention to the truck jump because I do wish Tim and Lucy had had a bit more of a moment in that episode, just to talk more but this is the Monica show and Chenford just live in it, so we make do. Oh well. (but this is why we write fanfic and why we're eating so well with fanfic right now, because there's so many moments that can be extended or rewritten - I did do a speculation of the truck jump and I actually like it more so I'll honourably mention it as a scene I'd rewrite.)

So those are my thoughts - let me know what you think? I could be wildly off base, I really probably should have rewatched some scenes again to see what vibes I came out with but, that's what I have off the top of my head. Also thank you Anon! Thanks for including me in the fandom <3 it was a lot of fun to answer this!

[jeffannieftw]

If you had to pick an episode for Jeff and Annie to get together, which one would it be?

Hmmm excellent question

I think that, because it’s community and the focus has never been on relationships too much, I would’ve liked them doing relationship stuff on the sidelines. Like—

Maybe have them just hook up in season 4

add a scene at the end of the Christmas episode where everyone else has gone home and they are laughing about the day and Annie is helping clean.

She says something like “sorry if I made that get out of hand. I know I can be… dramatic… and too much”

And Jeff can say something like “cmon Annie. You’re never too much. You’re a perfect amount and make every situation better even when you make it worse”

He goes to move into the kitchen, or tries to ruffle her hair but she catches his hand, looking gobsmacked, and they look at each other

End episode

Then the next episode is the body switching episode (a lot of people say the best ep of season 4 and that’s fair, except troy treats poor Britta like crap)

Start it with Annie waking up in Jeff’s bed and sneaking out

Maybe they are kind of avoiding eye contact that day

When Jeff has his speech to Troy about how he wishes he was brave enough to commit to a relationship, maybe a line about how knowing troy makes him feel braver? Implied he’s thinking about Annie

At the end of the episode he goes to talk to Annie and it’s obvious he’s going to suggest they actually date but before he gets there she cuts him off and says:

“Jeff, knowing you has really helped me relax. I love that I don’t always have to be thinking of the future! I can just live my life and see where things go. I guess I’m more mature now!”

As she wanders off, it’s clear that Jeff is devastated

Then never address it again in season 4

In season 5, maybe one glance in the first episode that makes it clear that they aren’t sure where they left off

In the polygraph episode just add a line where pierce conveys to the gang

“did you know Mr. Winger and Ms. Edison have been seeing each other since they got back to greendale?”

Everyone is shocked

Jeff cries out “how could he know that”

Annie is like “pierce promised our monthly coffee catch ups were confidential!” Or something

Then when questioned, both insist “we’re casual! It’s casual!”

The rest of the season, their interactions are a bit different. They hold hands when people aren’t looking, he’s shown holding her food or bringing her coffee.

Season 5 finale

in the show has the Jeff-Britta engagement. If we really need to keep that we can have Jeff/Annie say they’ve ended things at the start of the episode.

But I say we get rid of the subplot.

Maybe instead he and Annie are talking about ending things in their casual relationship since it’s ~casual~ and they are going to have to separate when the school is closed.

And maybe she’s like “it works out; Abed wants to downsize to a cheaper place anyway; I’m going to transfer out of the city because city college doesn’t have forensics so I guess I’m moving.”

Both are sad

After Jeff’s burst of emotion that opens the door, Jeff stops Annie at the end of the episode

He says “I’m tired of pretending not to have emotions. I don’t want us to be casual, we saved the school so you can stay” and she’s like “but abed already found a one bedroom”

He’s like “move in with me.” She agrees.

Then in season 6, they just are together but it’s only shown in a few throwaway lines an episode

She can even still leave him for her job in the finale if they want it to be sad, but I’d prefer if in their last scene together, he’s like “I’ve never left Colorado but I’ve always wanted to travel, can I come with you?”

Because I hated that Jeff never got to go anywhere in his life

I think this way would lead to minimal changes, like max one subplot would need changing and like one minute’s worth of scenes for every episode I mentioned.

In conclusion:

hook up in season 4 Christmas ep; get outed in the polygraph episode; make it official in season 5 finale

[amanda-melly]

My Good Omens headcanon - some thoughts on the possible endings

1. Please don't make them human I really, really don't want to see them having their grand finale by becoming humans. That's the whole point. Heaven and hell are equally corrupt and need free thinking angels and demons.

And Aziraphale and Crowley love humanity but they don't love the idea of BEING human.

Aziraphale and Crowley like to be an angel and a demon who love each other and love earth and humanity and earthly pleasures and who just love to be an angel and a demon, with their immortal lives, getting to have lots of fun through the ages as humanity develops and changes and comes up with new things for them to enjoy. Both of them have showed us time and time again that they delight in being immortal and being able to make miracles and all that. And, like Crowley says, no dying! It's not on!

This exactly how I want them to end: Aziraphale as an angel, Crowley as a demon. And they get to live happily as an angel and a demon who love each other and earth and humanity etc.

I don't want Crowley to be an angel again and I DEFINITELY don't want them to become human. That would be a cliché and very out of character for both Aziraphale and Crowley, at least the way I see it. Their big character development arc should be that of acceptance of oneself and the other, so a change in their nature would undermine their character development.

2. Make the queer happy please

The way I see it, in my headcanon, by the end of the story Aziraphale and Crowley are overtly a couple (and yes I want them to kiss and I want Aziraphale to take the initiative and I want them to ACTUALLY kiss in a very HAPPY kiss) (and I want it to be implied that they may have sex or that at least they sleep together - or Crowley sleeps while Aziraphale reads right beside him - this image is a fan favorite for a reason). (I know this is a big debate especially for ace visibility but I have also seen people saying that Anathema and Newt got to be a couple almost instantly and that the main couple of the series possibly never got the same treatment because they're a queer couple and I just keep on asking myself how the series could have been very different if aziracrow were played as a straight cis couple) (yes I know that angels and demons are never cisgender but I meant the way the public perceives it) (anyway I'd love to see a nicely handled scene between Aziraphale and Crowley of them experimenting with their sexuality and getting to discover if they are ace or not without moralisms in a healthy scene).

3. I'd like to see in the end the entire system being put into question and blurring the edges of the "sides". The freethinking angels and demons could end up in an alternative corporate/governmental system based on different values - perhaps independent agents, perhaps a democracy?... Maybe Gabriel and Beelzebub would come back for this. Or not. I don't know. I love Jon hamm's portrayal of Gabriel. It's priceless. Please let Jon hamm be in season 3 somehow: flashbacks or whatever.

4. There should DEFINITELY be a suggestion box in the end.

5. The cottage would be cute as long as Aziraphale keeps the bookshop as well. They can have a lovely getaway cottage to spend some time here and there. But, as Crowley says, Aziraphale can't leave the bookshop.

6. I'm still wondering about the whole "book of life" thing. It needs to be important in s3. It can't just be a threat to move the plot of s2 forwards. It needs to make a difference in s3 (or at the very least to be the narrative ticking bomb in s3). If it's already been used, maybe someone important has been erased in the past. Maybe the book of life will be used against someone in s3 and it will create a new timeline and the characters will find out and try to reverse things. But I really don't like this kind of plot device - if the book of life has already been used by an antagonist in season 2 and we don't know it yet, it would imply that everything we have seen so far doesn't have value, because it was manipulated by a mastermind evil puppeteer.

[iheartchv]

Hey Can You Do A Vampire Leo x F!Reader But In Bayverse And With Prompts And Can You Do A 🍋 For It Too

123. “Don’t hold back.” 58. Turtle bedroom 89. Mating season 112. Biting/marking 132. “Argue all you want, we both know you belong to me.” 96. Making out 151. “Do you know how a turtle takes his mate?” 142. “Bite me.” 5. “MINE.” and Turning into a vampire

Alrighty 😊👍

Sorry if anything is too similar to past requests or messy. Running out of ideas and trying to come up with a plot got me like:

Prompts(c) @turtle-babe83

⚠️Leo and Reader are 18+; this was written by an adult for adults. No one under 18 allowed⚠️

A/N: *you have a crush on Leo after being friends for so long, already know about him and his family and them being vampires*

You walked into the lair in the dead of night. You don't know why, you just woke up suddenly from a dream and had to go see Leo. Thinking about it now made your heart race. There was kissing, heavy petting, and caressing, and then it turned into something.... more intimate. It felt like he was calling you. He made your body ache with a burning desire. Truth be told, you wanted him.

You stopped at his door. Your heart continued to pound. You then heard a sound coming from the other side that made you knock.

"Leo?"

You waited before knocking again. It was silent now.

"Leo, are you alright?"

You opened the door and saw Leo sitting on his bed, breathing heavily. His eyes were closed tight, like he was trying to stay in deep meditation. But then his cerulean eyes snapped open and he turned to look at you.

"You shouldn't have come, Y/N."

"I just wanted to see you. I don't know, I had this dream about you and just... got this feeling that I needed to come to you."

He didn't realize that his thoughts could reach you. He stilled and a moment of silence fell before he asked you to close his door. You did as he asked of you and stood there in the middle of the room. There was some sort of tension in the air, because the look he gave you sent shivers through your body, similar to what happened in your dream.

"The dream you had... wasn't a dream. They were... my thoughts, and your conscious picked up on them. Kinda like how telepathy works, or so Donnie has said."

He stood up and made his way to you. His hand cupped your cheek and you just seemed to melt into his touch. His arms wrapped around you. Your body grew warmer with each passing second.

"Leo, I-"

You were cut off by Leo smashing his lips into yours. It caught you by surprise. You tried pushing away from him. You moved your head to one side, tearing his lips away from yours. The kiss took your breath away.

"What're you doing?"

"Claiming what's mine.”

His voice at the end sounded like a growl. You never heard him sound so predatory before. You pushed out of his embrace. "I don't belong to you," you replied, looking away and feeling your cheeks heat up. You knew you were lying to him and yourself.

"Argue all you want, we both know you belong to me.”

You could hear the smile in his voice. He knew your every thought. Damn him for being a vampire, and a ninja on top of that! Nothing could be hidden from him.

“Bite me.”

Leo raised an eye ridge at you. "Oh, I will, don't worry about that~" he seductively implied. He pulled you back into him and took your mouth with his again, gently biting your lower lip and then soothing it with his tongue. Oh, he was teasing you, and no doubt he knew you wanted him. You opened your mouth and let him taste you; your body was acting on its own, following an instinct as old as time.

You could feel your lower stomach heat up, his kiss sending shocks through your whole being and leaving tingles in your most intimate places. You couldn't hold back your moans anymore. A bubbling heat grew in your belly and spread through your veins like fire. He then turned you around and pressed your backside against him, and you felt the hard bulge in his pants pressed into you. His hands traveled all over you, making his way to the place that ached for him. He gently rubbed your covered sex, feeling your panties getting damp.

"Leo~ Mmmmm~"

"You're going to have to use your words"

You whimpered as a shockwave of pleasure shook you. "More~"

His snout nudged and brushed down the side of y/n's neck, and then gave a slow long lick along her beating pulse. He knew what she wanted the moment she walked into the lair. He could smell her arousal, and that awoke the animal side of him as well as the part of him that lusted for blood.

"Before we get to that, there's something I promised to do first."

His hot breath fanned over you. Your knees felt like they were going to buckle under you. You gasped as tiny jolts made your body start to squirm.

"MINE. You're mine."

Leo tried not to hurt you as his fangs pierced your skin, marking you. It was painful at first but then it subsided to pleasure as his wrapped his lips around the puncture wound and sucked the streams of blood that flowed. You cried out in pure bliss as you unexpectedly came. Your left arm reached around to hold onto the back of his neck as you rode your orgasm, and then your world slowly turned black.

💙💙💙💙

You woke up to find yourself in Leo's arms. You stretched to get your body fully awake. He stared at you with a dark desire. You couldn't help but to shiver.

"How are you feeling? You've been out for a while."

"I feel... alright.... except for being a little horny, maybe," you sheepishly said. Your eyes drifted to his cock, already at full mast. Your lower regions tightened again. You slowly let you hand snake down to trace and feel how big and hard he was. You did this to him...

Now that you were a vampire, Leo could mate you like he wanted: hard and deep. His churs sounded like a growl vibrating from his chest. "Y/N?"

"Yes?"

“Do you know how a turtle takes his mate?”

"I have an idea, but... show me anyway?" you smirked.

He smirked back and rolled you onto your back, kissing you so hungrily. He was careful not to fully put his weight on you as he wanted to feel your soft curves against him. He did what it took to pull out every gasp and moan from you. As soon as he got you both completely naked, he placed a pillow underneath you, angling you more upward.

He spread your thighs apart. Below him was such a beautiful sight: you with stained cheeks, eyes glazed, your pussy glistening for him. He wanted to have a taste of you before mating you. His tongue pressed and licked slow, long and firm up your slickness.

You squirmed under his mouth. "Leoooo, don't tease me~~" you gasped and tried to buck your hips into his mouth. Your womanhood twitched. Your body shook as lust clouded any sane part of your mind. All you could think about was having Leo.

While he talked dirty things in your ear he slowly slid himself in your entrance. "I'm gonna claim all of you, and fill you with so much cum it'll be dripping out of you for days." he ended with a soft sultry voice. You shivered in wicked delight. You felt him stretching you to your limits. His breathing hitched as he inched deeper inside you. When he filled you to the hilt, thats when the fun began.

The movement of his hips would probably left you bruised. The sensations flooding you was unlike anything you ever felt. It was almost overwhelming, but of course if you were human, you probably wouldn't survive this mating dance. You could tell he was trying to hold back

“Don’t hold back. ....Please!~" you cried and whimpered as you neared your climax. The head of his cock hit your cervix over and over. His hands held your hips tightly as he rocked into you faster and harder. So much pleasure washed over you wave by wave that all you could do was grip the sheets underneath you and ride it out.

You both chased your release. Anyone could've heard your moans of ecstasy, but you didn't care about that at the moment. You cried out his name as every muscle clenched. This was the most intense orgasm you've ever had.

Leo followed not too behind, and roared and groaned as he filled you with his seed, and didnt stop thrusting into you until every last drop was spilled into your womb and filled your core. Now covered in sweat, you both lay with limbs tangled, bodies still together. You giggled softly.

"What? What's so funny?"

"Oh, nothing, just that..." you took an inhale, letting him know how good you felt and good everything was. "I've never felt so relaxed, and... I just feel like I'm floating on air."

He softly chuckled and kissed your forehead. "Me, too, y/n." He felt content... for now.

[history-detective]

BlackStar ~Theater Starless translation

Season 1 – Episode 9 (Last Chapter):

Common Chapter 1-5 - Open the gates to darkness.

(Kei, Menou, Rindou, Maica, Yakou, Sinju)

Kei: --This is the outline of the next performance.

Kei: As mentioned earlier, we are considering establishing a new Team C.

Kei: Consider that this performance period will also serve as a test performance for Team C.

Maica: Something like off-Broadway?

Kei: It's safe to say so. Have you heard about Qu being transferred to C?

Rindou: We also understand that. The starting lineup has already been assigned.

Kei: Fair enough.

Yakou: So, is that "Borderline" guy really going to do it?

Yakou: Isn't it too arrogant to fire someone if they don't earn the predetermined points?

Sinju: Well that's true......but Starless is like that.

Menou: It's because it's an unreasonable store to begin with. It can't be helped.

Maica: It's just a matter of crossing the borderline.

Yakou: ..........Are you all convinved?

Sinju: As for the dismissal, Haseyama has said it before.

Sinju: Kei was able to negotiate a deal that saved us from being fired.

Menou: So, have you decided who will do what yet? We're doing a show for another team.

Menou: Different members than usual, a different show than usual. I'm looking forward to it.

Maica: You don't have enough screws as usual.

Menou: Fufufu, I mean it's seems like fun.

Kei: The allocation to each program has been roughly determined.

Kei: However, Heath says he won't sing, so the singer is still being adjusted.

Rindou: Does that mean there is one spot open for Singer? Then- is it okay if I run as a candidate?

Kei: I don't mind. I was considering having you sing.

Yakou: Well, if it's that easy to decide, please consider me as a candidate too.

Sinju: If Yakou is a candidate, I'd be fine too, right, Kei?

Menou: Wow, everyone is so proactive.

Maica: Won't Menou piggyback on it?

Menou: I'm not a pattern person. I want to act, so I'll leave the singing to you.

Kei: .....Hmm. Now, let's use Rindou as a singer.

Yakou: Wasn't that a quick decision? I didn't even try.

Kei: You just rode on Rindou's backside [T/N - Kei is implying that he only put himself forward because Rindou did]. There is no need to consider those who are not prepared to come forward.

Yakou: ......Kuh.

Kei: You have no objection either, Sinju.

Sinju: Ah, yeah, I'm sure I took advantage of it. It's okay, for me.

Maica: But, isn't there an option for Kei to sing?

Kei: Team K's singer is Yoshino. It's not me.

Menou: Indeed, I see. In that case, Kei is divided.

Kei: Of course.

Maica: Also, Yoshino and Akira have been around for a long time, so they perform most of the programs.

Maica: Isn't it too advantageous for the both of them?

Kei: That's right. I admit that there are advantages and disadvantages. So are you going to get off the stage?

Maica: Don't joke around. Who will be there? I'll show you that I can win.

Sinju: It will be me! Because I want to stay in Starless.

Menou: Well, I guess I'll have to try anyway. Hehe, I'm looking forward to it.

Yakou: I don't think I'll enjoy something like this exam.

Sinju: So, should you stop?

Yakou: ......I'll do it. I'm sure I can do it. Can only one person escape?

Kei: As long as I am on stage, I won't allow anyone to pollute it. Go in with that determination.

Menou: ----Rindou? What's wrong? You've not spoken.

Rindou: Oh.....that. Well, Kei.

Rindou: All the other teams already know this story.

Kei: Ah. I've explained it all. And?

Rindou: No....I was just wondering how the other teams reacted.

Kei: I had some trouble with Team B, but not much else.

Rindou: Team W too?

Kei: Ah, it seems like Kokuyou is "going to ride". Is that okay?

Rindou: I understand. Thank you very much.

Rindou: Team B also decided to "take a ride". We cannot back down here.

To be continued.....

DISCLAIMER – This is not an accurate translation! Please do not steal. Please let me know of any corrections and what I translated wrong- I may have just written what I think works best, but if you think otherwise, let me know. :)

[stuckyevanstanfan]

Tumblr is annoying...this was supposed to be under a read more and it is glitching...

So I've mentioned stuff in real life is cutting into my internet time. Sometimes I'll write comments in my notes app that I don't end up posting. 

I've decided to compile them into one large part to get them out of there and hopefully move on from those feelings. The first bunch were written in April pre-hiatus and the second batch in May after 7x07. 

The purpose is to let the thoughts go free so I can feel peace etc. Most of them probably don't apply any longer anyway.

Feel free to ignore this…if you do want to respond they're numbered. 

(I actually have no idea if I posted or commented any of these thoughts before…just went through my notes app and copied and pasted the 911 ramblings I did, so sorry if you've seen one before)

1. I don't get this fandom...I see comments saying they haven't made Buddie cracks since season 2, they are so respectful of buddie's relationship, long-form storytelling, etc. 

Then comments about how the way Buddie fans act will make them not reward Buddie fans with Buddie and that fans don't deserve it. 

This implies they don't respect Buddie or long-form storytelling and they're willing to cut off their nose to spite their face. 

2. I don't know why people say they'd prefer Buck and Eddie stay friends rather than get together in an unsatisfying way. 

I didn't like the way Booth and Bones got together and ended up stopping the show. However I'm still glad to know that they are canon and in love. That's out there in the universe even if I never finished watching their story. 

It would have been so upsetting if Bones and Booth hadn't gotten together at all. 

Unsatisfying is a matter of perspective.

3. I'm very curious to know if all the tuck fics that feature just Buck/Tommy (no pining Buck or eventual buddie) imply that Buck and Tommy are a for now couple or if they're thinking of marriage and spending their lives together.

I won't read any of them though 😂

4. "Tommy can't replace you. No one can. You're the most important person in the world to be, besides Christopher."

#Buddie wish list

(This was presumably something I wrote when we thought the Tommy Eddie friendship was making Buck worry Tommy would replace him. And I had made a note to add it to my buddie wish list tag. As an aside, Tumblr is useless - I know I've had that tag or even mentioned "wish" on my blog before but when I search the posts don't appear

Anyway..... Now I feel I need reassurance in the opposite direction. Buck needs to make it clear that Christopher and Eddie are his priority over Tommy. This is why I don't understand people who want Buck and Tommy to get married, or write fics where Buck thinks Tommy is the one. Just make it clear you don't care about Christopher&Buck and Eddie&Buck and don't care if their relationship changes. If you're writing him to have the thought about Tommy being the one and he wants to marry him and he's the most important person to him, then he can't have the same thoughts he used to have about Christopher and Eddie.

If Christopher and Tommy are both injured in the hospital asking for him, Buck should choose Christopher.)

I’ve seen posts trying to argue the opposite and how they can all be his priorities and how Tommy loves that Buck loves Chris and Eddie, but they’re not good arguments

5. This is what I need Tim to say if he wants to convince me to drop Buddie:

"I know we said we'd leave it open and we like how you interpret Buck and Eddie, but I don't see them in a romantic sense and they never will be. These two men can love each other completely but have no desire to have sex with each other. Even if one or both is queer, I am writing them to love each other in a way that is not sexual or romantic. You may think they complete each other in a romantic sense, but I think it's in a platonic, familial sense. You can't control who you have that sexual spark with."

If he's not willing to say it, then that means buddie canon to me.

If buddie didn't go canon, then he baited fans. Relationship baiting is extremely annoying and I can't stand showrunners who act like that because they must not respect their fans enough. They care more about money than integrity. 

I'd also be willing to accept this:

“I'm really sorry for stringing you all along, but buddie is not something I'll be writing. I know I put in so many parallels to the other canon couples, and that was a dumb thing for me to do when I never intended to make them a canon couple. I realize now that there were other ways I could have written their friendship not to come across as romantic at times. I'm owning that mistake, and moving forward I will not try to bait you into thinking buddie will ever be canon.”

6. Did they ever address Tommy talking about sleeping with grateful victims?? 

No one is willing to talk about it. 

I've even tried using tumblr's search function to find posts about it but there is nothing (I’m not sure if people aren't talking about it or if tumblr's search function is that bad)

7. I always thought they'd be able to make Buck and Eddie get together while still feeling like Buck and Eddie, but something is off

The gifs I saw of 7x04 seemed OOC

8. I know we're getting buddie eventually, not from anything we've seen in the episode (because I haven't seen it - this was about 7x04), but because of Tim's quote in this interview:

Minear much preferred having Buck go through this experience with someone the audience already knew, rather than having to “invent some bi character for Buck to have an awakening with.” Fortunately for Minear, when he finally got them together, “they had chemistry!”

And it isn’t lost on Minear that Buck’s dynamic with Tommy echoes the one he once had with Eddie, calling it “almost a reprise of the dynamic from [Eddie]’s first episode where Buck was super jealous of the new guy. Now he’s jealous for a different reason.”

Tim would not be dumb enough to talk about the bucktommy situation echoing what happened with Eddie if it wouldn't eventually lead to Eddie. 

If he wanted bucktommy to be a valid relationship on its own, he wouldn't piggyback off what happened with buddie and expect it to work. 

9. Why did they have to make Buck and Eddie into pod people? There were better ways to do this storyline than turning thirty something year old men into fanfic teenagers

10. Honestly at this point with some of the sexual posts I'm seeing about bucktommy, I'm expecting those former buddie stans to say that Tommy will be the best sex Buck ever has and that Eddie will be a step down that he'll have to settle for just because he loves him, but he'll always dream of Tommy and hope for a threesome to have a proper dicking down again because Eddie can't find his prostate 🙄

I have no idea why fandom is gassing up an average white dude, none at all

[adding on: I ended up blocking tags during the hiatus so I haven’t seen anything since then and I’m not sure if this is still the case]

11.I know people are enthusiastic about Buck's first kiss with a man, but imagine if it were Eddie - wouldn't it be a disappointing kiss after all this time? It would be like the feeling after that pirate show kiss

12. Buck, who screams out "Eddie! Eddie! Eddie!" every time Eddie gets hurt or is in danger - that Buck, injuring Eddie and having no reaction? Illogical. 

13. People can like the bi Buck storyline without needing to become a bucktommy shipper. People offline do it all the time: watch a show and like it and not become shippers.

14. Buck has been turning down Eddie’s invitations to basketball for a while??? What?? Since when?? Why does that not sound like Buck?

And then the show expects me to believe he has a crush on Tommy so he finally goes when it's not just Eddie but Tommy will be there?

(Apparently some thought it was because he wanted Eddie's attention but someone pointed out he stared at Tommy the whole time?)

Why are they writing Buck to be so annoying just to reach bi Buck?

It feels like they're changing Buck and Eddie's friendship and even minimizing it

15. What are the best buddie scenes and why are they

The shooting

The will

Buck falling asleep on Eddie’s couch

Some of 6x13

16. What were the buddie friendship moments in 7x04 since everyone liked them so much? It seems there were Buck/Tommy and Eddie/Tommy moments but I haven't heard anything good about buddie

I just heard about the 7x05 scene about Buck wanting to help Eddie, but no one was talking about that when the episode aired. So I feel like there were possibly other moments no one decided to talk about. 

17. In what characterization of Eddie would he have Marisol watch Christopher twice in one week to hang out with Tommy instead, then ask Buck for a third time? I really don't get it. 

18. Kristen introduced Marisol

Tim implied it wasn't a good job since he knew nothing about her

Tim wants this storyline to get to know her since he didn't know her

Yet Kristen had the nun idea? 

He threw Kristen under the bus for not introducing her then decides to take her bad ideas?

19. I believe buddie is happening because I like believing the best in people. Based on various comments Tim has made and the way so many scenes have been written (jumping ship, wanting to help, etc.), he would either have to be dumb or cruel if it doesn't lead to buddie. Dumb if all of those insinuations and winks and nudges mean nothing, and cruel if he is doing them deliberately but it doesn't lead to buddie. 

Why would I want to think that he is dumb or cruel?

-> within a day of writing this, I ended up seeing a post that basically said that Tim is cruel enough to do this… I don't understand why people want to think that Tim is gleefully cackling at stringing fans along 🤷🏻‍♀️

20. It's so interesting how both sides think the other is fetishizing:

Bucktommy fans think the other side just cares about a noncanon ship and should support the actual queer couple

Buddie fans think the other side just wants Buck to kiss a man, any man, and don't care who it is

21. So... Controversial opinion... Buck fans don't seem to understand Eddie, Eddie fans don't seem to understand Buck, and buddie fans don't understand either

I say this as a self-owning buddie fan: there are so many things I feel are out of character, but they happen on the show, so the show clearly thinks they're in character, meaning I don't understand their characterization

Those were the initial batch of thoughts I had in April. Here are some May thoughts:

22. Hey, so at least Buck and Eddie are both cheaters 🤷‍♀️

23. Anti-buddies were right but got the reason all wrong... they said Buck and Eddie won't get together because they're both in other relationships and wouldn't cheat....

But Eddie ended up cheating anyway 🤷‍♀️

I assume the Bommy fans are ecstatic whereas the Medisol/Eddisol and Eddie fans are upset

In a way I guess this is more proof for buddie though, since Eddie can't end up with either Marisol or Kim after what happened. Both those relationships are tainted so he needs a new one

24. I know it's supposed to be about the journey as well as the destination, but the journey to Buddie has been horrible so far. 

People who said "Just enjoy the journey on the way to buddie" - how is this Eddie storyline enjoyable??

I really hope the payoff is worth it and not fizzle out like so many other storylines on this show

25.If buddie doesn't happen, how do you fumble such an incredible story? It's honestly like a train wreck. 

26. I’m confused about what bommy fans think about the name for Tommy/Thomas. Earlier they thought it was Thomas and how it was all red string of fate because of the old man Thomas telling Buck not to find it but to make it. Then fans were happy the plaque said Tommy. What made people want Thomas and now want Tommy? It seems very inconsistent. And then out loud they said his name was actually Thomas? 

27. The way people talk about Tim really makes me think buddie will happen because people seem to think he cares more about his reputation and what people think of him. He wouldn't want to be known as the showrunner who fumbled this.

28. Eddie may have been the misdirection/bait and switch (whatever people are calling it) for 7x04, but Tommy will end up being the misdirection on the eventual Buck/Eddie relationship