#in my class we were talking about the concept of a ‘single story’ based on your personal experience with a particular community

[bluebelleisabelle]

Gentle PSA for those who say that Frankie’s non-binary identity is “forced” because they specify their pronouns when introducing themself:

It’s important to remember that your experience with the trans community and gender identity is a singular experience. Where you’re from, people may not introduce themselves with pronouns, but I’m just gonna go out and say that, where I live, I am fortunate enough to witness EVERYBODY introduce themselves with pronouns. First day of classes? Introduce yourself with pronouns! Meeting someone for the first time? Say your pronouns!

So I just wanna go out and say that Frankie’s gender identity and them sharing their pronouns is not “forced”. For me, it’s actually something I witness frequently, and I think it’s wonderful. Both cis and trans people can introduce themselves with pronouns. I’m in no way saying that your place of origin is “wrong” for having introductions that lack pronouns /gen, and I know that people come from different places with different beliefs. It’s something that should be respected. Just putting out there that if you’re someone who has stated with contempt that Frankie’s gender identity is “forced”, it’s important to remember that, for many people, pronouns are part of introductions.

Thank you for listening to this djjdjd :)

[annabelle-creart]

Dear Trollhunters, Wild Robot, Dragon Prince and Rescue Bots fans

I have this concept of multiverse in my head where all the characters of series, games and movies I have watched exist in different universes, completely separated but united my magic

One of the many characteristics of this multiverse is the fact that some characters share something named essence, this is what souls, sparks and spirits are made, and if someone of another universe has your same essence, is because they are variants

What is my point?

I’m a fan of the four series and movie I just told you, and based in both canon and headcanons, I truly believe Arrrgh, Rozz, Aaravos and Boulder are variants

And the rest is pure headcanons, analysis and shit like the ships across the multiverse I did time ago, so, read if you can or want and if not, oks

I will also talk about Heatwave, Sissi and Salvage’s variants

Also, is stupid to say that this includes spoilers for the ones who doesn’t know about the other media

Ok, so, I think with Rozz, Boulder and Arrrgh is pretty obvious, the three of them didn’t knew a single shit about life, stayed two days and ended up liking it, even getting friends and families out there, so, why Aaravos? The motherfucker who, because of the death of his daughter, made an entire sea with his tears and later got up to fuck the lives of the ones who made that possible, including all the beings who crossed on his way

Well, it’s actually because of that

Let’s remember Arrrg wasn’t always a pacifist, he was a gum gum before, Rozz first was made to be just a robotic maid with programed responses and (mostly headcanons because we never got any info of the bots back on Cybertron) Boulder lived on a society that constantly denigrated the classes depending on the job, Aaravos literrally said “fuck you” to the system and did whatever he wanted, for both love and revenge, Arrrgh, Rozz and Boulder did the same, Arrrgh leave the gum gums and befriended Blinky, Rozz adapted to became mother of Brightbill and Boulder leave behind their past on Cybertron to start a new life painting and gardening, the difference is that Aaravos committed murder and magic crimes while Arrrgh, Rozz and Boulder preferred to be good people :v

So, yes, I truly believe those four are variants and I love them that way so much, and Aaravos could learn a lot about those three, same for the rest from Aaravos, I want to believe Aaravos can still be good but he gave so much priority to his plan revenge that forgot that and now uses his good part to manipulate people

Wrath: you can’t be actually serious

Writer: OH I CAN! WATCH ME, DRAWER!

Drawer: gimme a sec…

(Reminder this was made in a rush with 0 references or sketch, only quick lineart)

Drawer: Done!

Writer: IT’S SO CUTEEEEEE!

They also made a grupal therapy to see if they could help Aaravos with his angry issues!

Even Aaravos was puzzled about looking at Arrrgh act so chilly and laugh about his own trauma as a gum gum general, not even Boulder knew what to say or what to do about it. Rozz could only share a listener shoulder

But hey! They shared a lot of funny tales! And they even discovered their respective partners were also variants!

Because yes, I believe Heatwave, Fink, Blinky and Avizandum are variants too

Researcher: but Avizandum is not Aaravos partner

Writer: not their normal partner, their hate partner! Aaravos was so dammed angry when he found out he’s friend with Avi in another universes! Like, play it please!

——

Aaravos: you can’t be serious!

Boulder: why not?

Aaravos: because we’re not even friends! He caged me in a magic pearl at the button of the sea I did myself!! He’s egotistical and believes he’s more than anyone else for the mere fact he’s a damn dragon!!

Arrrgh: …am

Rozz: Well! Not because we are variants our stories are the same, haha

Boulder: exactly! I’m sorry Avizandum did that, but Rozz is right, my Heatwave would never caged on a pearl… it sounds weird when I say it out loud

Aaravos: I know, right? It took me some centuries to get accomplished to the fact and say it out loud normally

Rozz: Fink had the chance to leave me at my luck but he didn’t… well, whatever, the point is, yes, he did bad things and hurt you but now he can’t, right?

Arrrgh: the best is to let go

Rozz: Exactly!

Aaravos: …hm, you’re right, he’s dead after all, is not like he can do much

Rozz: Exactly- wait, he’s dead?

—

Drawer: Rozz definitely didn’t expected that

—

So… yes, that’s mostly of what I can say about them, I just think they’re cool and I love them, I wanted Rozz, Boulder and Arrgh to be friend and Aaravos deserves to heal. I mean, a domestic robot, an alien transformer, a troll and a touchstar elf in the same room is all I wanted to see today(their dynamic remembers me a lot of those comics where Bill Cipher is sent to Gravity Falls to pay for his shit and heal his traumas)

And also

Aaravos with braids and flowers in his head because of those three is so 🌟 🌟 🌟

And then we have Heatwave fighting the flames Mandrake made because Fink won in poker while Blink is hidden behind the table in the other room :v

And I decided to use Mandrake from the movie Epic instead of Avizandum because I truly believe he and Aaravos are the drama queens of the club and definitely I think they would be good friends (and they both lost a child, so…)

And also because Avi is dead

…

Writer: guys-?

All: no

Writer: But-

Researcher: THEY AREN’T EVEN FROM THE SAME STUDIO, MANDRAKE IS FROM BLUE SKY AND AARAVOS IS FROM WONDERSTORM

Reader: you’re intrusive crack ships thoughts scare me sometimes

Writer: WELL, WHATEVER! THE POINT IS THAT THOSE FOUR ARE SO DIFFERENT FROM EACH OTHER AND THAT’S FUNNY

Like, can you imagine the hothead of Heatwave, Blinky who is such a nerd, Mandrake who is an edgy bitch and Fink the sassy fox?

I just can think of them like (featuring Avi’s ghost)

And then we have Sissi and Salvage talking and playing Five nights at Freddy’s with Brightbill, Zym, Toby, Jim, Dagda and Leola because the fuck, the little girl likes terror and the teens had passed through a lot to get scared easily-

[yoonglespringles10]

All That We Love | JJK, KMY | Part One

TITLE: all that we love

PAIRING: jeon jungkook x fem!reader | kim mingyu x fem!reader (jungkook, mingyu and mc are best friends)

GENRE: angst, fluff, best friends to lovers, love triangle, college au, non-idol au

SUMMARY: love blooming from close friendships can both be the most beautiful feeling and the grandest mess ever.

WORD COUNT: 3.5k words

WARNINGS: love triangle, jungkook is emotionally constipated, mingyu is pathetically in love with mc, everyone's emotions are all over the place, good amount of angst, fluff in the later parts, jungkook and mingyu are athletes (volleyball), mc and mingyu are both sociology students, jungkook majors in music.

AUTHOR'S NOTE: hiii, i'm back yet again. this fic was inspired by three things. one, my newly growing love for seventeen, two, jungkook and mingyu's two-minute live and three, all the angst i felt while watching the second season of single's inferno. the title has been taken from the drama "all that we loved" not because the story is identical but because the show has a love triangle as well and is based in school too so i thought it fit the fic. hope you guys enjoy this one!!

lowercase is intended

TAGLIST IS OPEN, COMMENT OR SEND AN ASK TO BE ON IT!

Series Masterlist

Next Part

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2004

"ow!" 7-year-old mingyu falls into the sandpit with a thud as a boy much bigger than his size pushes him, everyone around him laughing at him.

"i asked you to take out your lunch box, didn't i? what's your problem you freak?" the scary senior spits as he bends down and grabs mingyu by the collar of his shirt, about to throw a punch at his face. mingyu closes his eyes and winces, anxiously waiting for the evil senior's knuckles to make contact with his face.

"hey!" a shrill but firm voice echoes through the playground. you appear out of nowhere and push the bully off mingyu with full force. mingyu opens his eyes and looks at you, he is mesmerized. even if his young 7-year-old self wasn't aware of the concept of love at first sight, he felt it. he feels his heart beat loudly inside his chest, he rubs his eyes twice to make sure that the bright halo he's seeing around you is not just a figment of his imagination. he has never felt like this before, the feeling extremely alien to him but he likes it. no, he loves it.

"stop bothering him. bring your own lunch if you're that hungry," you scream at him as he stumbles back, not expecting anyone to stand up to him. especially not a girl half his size. his stance slightly falters but he is quick to regain it, not ready to look startled in front of you.

"what did you just say?" he threatened walking towards you. once the adrenaline in your system settled and you became aware of your actions, you did get a bit scared about what's to come. but you were not going to let yourself show that to that boy. you kept your head high as you watched him come closer, not breaking eye contact with him.

"you heard what i said. go away" you said with as much confidence as possible.

"is this how you talk to a senior, you brat!" he shouted in your face. he grabbed a handful of your hair and tugged at them. you yelped in pain, shouting for him to let go. tears begin to form in your eyes from pain and the fear of what's going to happen next starts to creep up. mingyu gets up from the sandbox and is about to intervene when suddenly the bully is yet again pushed away from you.

this time it was a boy, mingyu had seen him before. the boy is in his class but they've never talked. mingyu is not that good at forming friendships, it takes him time to get comfortable so he prefers to just stick to his own thing. but he knows this boy enough to recall that his name is jungkook. jungkook is a popular kid, even at 7 years old. he's kind and loves making his friends laugh. however, the reason why he's always in the limelight is that he is the younger sibling of seokjin, a senior who is extremely famous for his broad shoulders and handsome face.

"get away from her!" jungkook screams. the bully looks at jungkook and immediately retreats when he realizes who the kid is, running away from the playground without a single word, his friends running after him.

"are you both okay?" jungkook asks you and mingyu as he turns around. the both of you look at each other, checking to see if the other is okay, and turn back to jungkook nodding. awkward silence loomed over the three of you for the next minute. that one minute was enough for any third person to see what the three of yours equation is going to be like in the years to come.

mingyu is unable to move his eyes away from you, his young and innocent self is captivated by your adorable but fiery personality. he is grateful to you for saving him from the bullies and is sure that he wants you in his life for a long time. in that one minute, his naive brain goes as far as wanting to marry you when you grow up. the same goes for you too, you can't help but keep your gaze targeted on one person. but unfortunately for mingyu, that person is not him but jungkook.

meanwhile jungkook just looks around the playground, thinking of what to do next. suddenly all of you hear the familiar bell-like sound coming from outside the park's entrance and you immediately look at each other and smile. it is the ice cream truck.

"you guys wanna go get ice cream?" jungkook asks. mingyu and you nod with excitement. the three of you run together towards the sound, excited to eat the cold dessert on a warm summer evening.

and that is how you find your best friends ever and possibly the love of your life on the same day.

-----------------------------------------------------

2020

"ew, jungkook get that thing away from me!" you scream as you run and hide behind seokjin's broad shoulders. jungkook has a giant stinking sea bass in his hands whose eyes you feel are staring directly into your soul. he knows you hate seafood, especially the smell of seafood but of course he gets a kick out of it, that cheesehead.

"come on, y/n look at it. it's so cute and it wants to be friends with you." jungkook giggles as he advances towards you again. the only barrier between you both is a very unamused seokjin, who is clearly tired of this constant back and forth.

"you fucking clown, get away from me! jin please help me out here." you plead to the older man from behind his tall frame as you continue to use him as a shield.

"yes, that's it jungkook stop it. please stop it before y/n rips my shirt off. i just bought it." seokjin finally says. jungkook obviously does not want to stop, but how can he deny his precious jin hyung's request. so, he sighs, nods, and finally retreats. you hug jin from behind and thank him before moving towards jungkook and hitting the back of his head.

"ouch! see hyung, this is why I bother her." jungkook whines. you giggle as you make your way towards the kitchen counter and take a seat on one of the bar stools. you continue to look at jungkook, he rubs the back of his head dramatically as if you had hit him really hard. you smile to yourself as you remove your gaze from him.

you really don't know how you do it. hell, you can't understand how you've done it for over almost two decades now. every time you look at him, your heart bangs against your chest like it's going to jump out any second. he's your best friend, you know him inside out and that somehow makes it worse because you've grown to love every single habit of his. not just that, you have the know-how to entertain his flaws too. when you were young, you didn't understand your emotions. you thought he was your best friend ever. so was mingyu, yet you didn't understand what it was that was different when it came to jungkook.

as all three of you grew up stuck to each other with an imaginary glue, you began to realise how jungkook was definitely more than a friend to you. if not then there's no other explanation for the weird feeling you get in your stomach every time he smiles at you, or the urge to kiss him every time he acts possessive over you.

somehow over the years, you've managed to keep your feelings at bay. you don't want to ruin your friendship with him, having him in your life is the most important thing for you and you prioritise that over your own emotions. that being said, it really doesn't mean that it's easy. you've struggled a lot over the past few years. jungkook definitely sees you only as a friend. hell, he probably doesn't even look at you as a woman.

lately though, it has been harder to remain still inside the box called "friend zone". ever since high school jungkook has dated around here and there but all of always stayed as casual flings and nothing more. as much as he loved to deny it, jungkook is a hopeless romantic. he loves the idea of "one true love" and so as soon as he feels that the girl he's with is not "the one", he steps back from the relationship. some may call him a player, but that's never been his intention.

however, this time it feels different. it was four months ago on this exact day when jungkook met chaewon for the first time. they had the most perfect meet cute which was something jungkook had always wanted. they bumped into each other in a hallway at college which made chaewon drop her books. apparently, according to jungkook's narration of the incident (which you think might have been a bit exaggerated), they both bent down to pick the books up and their hands touched while accidentally going for the same one. jungkook had felt sparks that day, the exact ones they show in romantic dramas. ever since that fateful day, both of them have been inseparable.

earlier, jungkook more or less used to keep his love life out your friendship group. no matter how serious his relationships got, he still always made time to hang out with you and mingyu outside and only used to bring his dates to certain plans when it wasn't too much of an intimate setting. it's been a different case with chaewon though. since day one, she was there in all the plans. whether it was movie nights, weekly arcade visits or a simple hang out at the cafe you part-timed at, chaewon was always there. not that you minded her company though, honestly chaewon is a really nice person who's also really fun to hang out with. although, the only problem remains is the fact that watching her and jungkook get all cozy with each other makes you sick to the stomach. thankfully, mingyu is always there to keep you company. god, you're grateful to that giant puppy.

"guess who?" suddenly you are startled out of your deep train of thought as two large hands cover your eyes from behind you.

"mingyu, my man" you laugh as you take his hands off of your eyes and turn around to pinch his cheeks. "thank god you're here, kook's being a menace yet again." you say as if you're super annoyed by jungkook but mingyu knows. you've never said it out loud but he knows how utterly in love with jungkook you are and have been for years now. honestly, anyone with a pair of eyes would know, you think you're sly and hide your feelings really well but the moment your eyes fall on jungkook your face literally turns into the real life human version of the heart-eyes emoji. literally everyone and their mother is aware of the crush you have on him and so, the fact that jungkook himself can remain this clueless about it is bizarre to mingyu.

a deep sigh leaves his mouth as he settles into the bar stool next to you. maybe he's wrong. maybe it's not that obvious to anyone but him. maybe he's the only one who's able to see you yearning for jungkook's love because one, he can read you like an open book and two, he gets it. he gets it because he feels it too. he too, feels a very similar kind of yearn you feel, but his object of affection is not jungkook. it's you.

growing up, mingyu was always the kind of person who cares for everyone around him. he has always been a giver by nature. ever since the three of you were babies, mingyu had always been a softie. always being the one who was there for everyone was his way of feeling happy. when it came to you, however, there was always something more to it. mingyu is a nice and kind man, but he's definitely not a pushover. when the person in question is you though, he somehow feels like he's ready to give the world.

"so guys, wonnie and i were planning to go to the new amusement park that's just opened up tonight. do you guys wanna tag along?" jungkook asks as he leans on the counter across you and mingyu. you do everything in your power to not let your fall at jungkook using a nickname for chaewon. mingyu turns to look at you and raises his brow indicating that the ball's in your court.

you ponder over it for a couple of moments, contemplating whether you would be able to digest jungkook and chaewon acting all lovey towards each other. your emotional side knows that it's going to be hard but the rational side wins and decides for you that this is something that you can't escape. chaewon makes jungkook happy and above everything, he's your best friend, you truly wish for him to be happy. sooner or later you would have to get over your feelings for him and take whatever form of relationship you can get.

you smile your best casual smile and nod, "sure, sounds good. what time?" even seokjin, who's busy deboning the stinky fish notices how the smile does not reach your eyes.

------------------------------

"do you all wanna go on the merry-go-round first? it's so pretty!" you ask the three in front of you excitedly. yes, you are bummed about the fact that jungkook is practically glued to chaewon's side like someone had tied the two together with an invisible rope. but that definitely does not mean that you are going to ruin the night for yourself in only the world's most fun place ever. you've always loved going to fairs, you love everything about them; the rides, the food, and just the overall vibe of warmth and happiness the place radiates.

you're also determined to at least start the process of trying to get over your feelings for jungkook. you are almost 100% sure that he does not feel the same way and you want to stop feeling so restless and sad over it all the time.

you continue to look at them expectantly as they all agree one by one. you're quick to catch mingyu's hand as you drag him to the ride while skipping like a child. he sprints along with you as he laughs at your goofiness. he finds it super endearing. however, the both of you miss the way jungkook's mouth falls in a faint frown for only a split second when he watches the two of you running away from him, almost forgetting that he was even there. though, he's so quick to regain his composure and himself deny his own feelings that even he does not seem to notice his own mood going down a notch.

"you okay, babe?" chaewon asks him, quick to catch on to the slight shift in the air. her small voice brings jungkook's awareness to the present. a small sigh leaves his mouth, as he unconsciously shakes off the weird feeling before he turns to her. he smiles at her and nods,

"yeah, i'm alright. just zoned out for a moment." he chuckles.

time flies as all four of you go around the fair, riding various rides, eating all the junk in the world, and laughing your asses off when mingyu almost pisses his pants during the haunted house. when it starts to get late, you all decide to end your night by enjoying the majestic view of the city on the ferris wheel. the carts of this ferris wheel are big enough to fit two people in one, so it only made sense for chaewon and jungkook to go on one and you and mingyu to go on another one after them.

there was a comfortable silence between you and mingyu during the ride. you look around, enjoying the peaceful vibe of the night and the breathtaking view of the lights twinkling around the city. as your cart makes its way down your vision moves from the view to the cart in front of you where jungkook is sitting. biggest mistake ever. unable to move your eyes, you watch as both of them cozy up to one another. jungkook whispers something in chaewon's ear and she throws her head back laughing before she leans against his shoulder. jungkook moves his head just enough to look at her before he also leans against her head.

suddenly your chest begins to feel extremely tight and you feel like your heart is going to explode. mingyu notices the sudden change in your mood.

"y/n, you okay?" he asks as he gently places his hand on your arm, wrapping it around your wrist when he sees that you have your hands balled into tight fists, your knuckles almost turning white. he quickly learns the reason for your behavior when he follows your gaze and looks at the cart in front of yours. you release a huge breath that you had possibly been holding in for ages. your breathing suddenly becomes heavy and tears start to form in your eyes.

you thought you were doing okay, you thought you could handle the man you loved with your entire heart being with someone else. for the most part, you did okay the entire night. then what was this? why are you feeling this now? you don't want to feel like this. you just wish you could become numb to any feeling at all, that would be better than feeling this way. you feel so betrayed by your own self. you feel pathetic for acting like this but you can't help it.

"y/n, my love?" mingyu tries again as he gently shakes you, trying to get you out of the trap of your own emotions. his heart aches for you. he doesn't even, for one second, think about the fact that you feel so deeply for jungkook and not him. instead, he wants to do everything in his power to make you feel better. he just needs you to be okay.

"i'm sorry i need to get off this ride, please." are the first words that leave your mouth when you finally break out of your trance. tears are rolling down as you wear the most pained expression mingyu's ever seen on your face. he nods. luckily, your cart is about to come towards the ground. he acts quickly as he turns and waves his hands, motioning for the operator to stop the ride. the wheel comes to a halt and you both get off. jungkook watches the whole thing, confused as to why the ride suddenly stopped in the middle. he's only able to see you run off, mingyu running behind you before the wheel starts moving again.

after coming a good distance from the ride, you finally stop to catch your breath. you realise that you have ended up in the parking lot of the fair. you turn around when you hear footsteps behind you to see that mingyu has come after you.

"thank god, you finally stopped. my lungs were going to give out if i ran any longer," he said, trying to lighten up the tense mood. you continue to look at him. a moment passes by and he realises that you are very close to having a breakdown. mingyu gives you an expression that speaks a thousand words without actually saying anything. it means that you're safe, it means that he's here for you and it means that it's okay to feel how you're feeling. that's all that it takes for you to break out into a sob. you cry your eyes out as you run toward him and hug him as tight as you can. you feel safe and warm as his arms wrap around you.

and for the first time, you admit it to someone verbally. you admit the feelings you have kept hidden in a small dark corner of your heart for as long as you can remember to mingyu.

"i love him, gyu. i don't know how to stop. i have been trying for years. it hurts so much. he doesn't feel the same way and i know that. i'm aware of it but i can't stop no matter how much i try. i'm so scared it's going to ruin everything for us and i hate that i feel this way but i can't help it. i just can't. i'm just so in love with jungkook that it's impossible for me to st-" you don't even get to finish your monologue and lighten the weight you've constantly been feeling on your chest the entire night before you hear a very familiar voice.

"what did you just say?" jungkook says.

god, you're fucked.

------------------------

Taglist is open, comment on this post or send in an ask to be tagged in the next part!

aaaand that's it for part one. leaving it on a bit of a cliffhanger hehe.

thanks for reading, see you in part two!!

[dicebound]

RPG Spotlight

✨ A game I wish more people were talking about.

Free From the Yoke Is a Slavic Fantasy TTRPG by UFO Press based on their other game, Legacy: Life Among the Ruins 2nd Edition. The players takes on roles of Houses as well as Characters in that house, dealing with the aftermath of a revolution in which they regained their independence from the Empire. I recently purchased this game and have been diving deep into its rule book and I am terribly impressed with it. It seems like the most comprehensive system for collaboratively building a world with your players and playing both the small and big players in its political sphere. It only has one actually play series and a single review on Youtube. I need more people to know this game! 🌱 An unreleased game I’m looking forward to. I recently backed Dolmenwood by Necrotic Gnome on Kickstarter after seeing it talked about here on Tumblr and covered by QuestingBeast on his Youtube Channel. It's a beautiful OSR Style Fairy Tale RPG inspired by Celtic and Irish Folklore. The artwork is absolutely stunning and the setting has been lovely crafted for over 10 years. Its got highly detailed, useful information to run a game in its world and I literally cannot wait to get my hands on the full version. You can get the free Quick Start here. 🌠 A game with a mechanic I love. I recently got ahold of Household by Two Little Mice when it was on sale on DrivethruRPG and I have been engrossed in reading the books cover to cover. I've already covered it on this blog, but it's basically a High Fantasy Setting about little fairies living in an abandoned house complete with tiny cities, saddle mice, and spider hunters. After reading the Core Rulebook, I discovered a quite lovely aspect of their Aces mechanic. Aces are metacurrency players get and their tied to the four suites (Hearts, Diamonds, Spades, Clubs) as well as a Joker. The Aces can be spent to do things like get an additional die to your dice pool for a check, remove a condition, get a another use out of a once-per-session move etc. The Joker is all that and more with one aspect I found very fascinating. It can be spent by another player to prevent someone else's character from Bowing Out. Bowing Out removes a character from the story for a while and can be as serious as dying depending on the fiction. The Idea of a Meta Currency used to prevent character "death" that can only be used for others was really fascinating to me and I'm looking forward to seeing it in play.

You can get the pay-what-you-want Quick Start rules here. 📖 My favorite class or playbook from a game. We played Dungeon Crawl Classics by Goodman Games for the first time a while back, using the critically acclaimed Sailors on the Starless Sea adventure. It was my first time encountering the concept of the 0th-level funnel, in which you each player controls 3 or even 4 no-class no-powers peasants, such as farmers, chicken chasers, and cheese makers, and tries to take their 1st level in adventurer without dying. We had 15 characters overall and lost all but 3 of them by the end and it was a BLAST. So, I'm gonna say 0th Level Classless is my favorite class from a game and I'd like to see more system implement this. I was begging to play more DCC by the end. Free Quick Start Rules here. 🌺 A game with stunning layout or visual design. Frontier Scum by Games Omnivorous is the first thing that came to mind. It was the 2023 Silver Ennie Winner for Best Layout & Design and it absolutely deserved it. Frontier Scum is an Acid Punk Weird West Rules-Light Western TTRPG inspired by Mork Borg. It is an absolute blast to play with wild and weird characters but the book's layout is absolutely stunning. It really looks like a diegetic chapbook from the setting complete with odd ads and interesting locals laid out in a similar fashion to an old-timey newspaper. It is an overall treat to look at.

💡 A game that inspired my own creative process. I tend not to play an RPG if it doesn't creatively inspire me, but I'm going to call out Warhammer Fantasy Roleplay 4th Edition by Cubicle 7 as it is the system my group is currently playing as we work through the Evil Within Campaign. Starter Set Here. I was very inspired by this game's "Class" system, in which you're very likely to start off as a Rat Catcher or a Servant but slowly work you way into being a Knight of the White Wolf or a Duelist. It feels like the best of both worlds between classes as jobs and classes as feature grab-bags. I desperately want to see this type of profession system implemented into an more OSR style game or a PbtA Game, or even base DnD, the longshot that it may be. It inspired me to start conceiving how I might make such a thing a reality and really consider which games I plan to run might benefit from said system.

🔥 A game designer whose whole design corpus I admire.

City of Mist by Son of Oak Games is just an all around impressively design game and piece of narrative fiction. The core idea is that all the players are living in a world covered by the mist, which obscures the supernatural happenings of the world. Additionally, they're all vessels for legendary stories and powers, walking around and influence by the tales. We're talking a journalist rift of Don Quixote, a guttersnipe rift of Little Red Riding Hood, a Mob Boss rift of Hades, etc. Their Theme Book, Logos vs Mythos, and Power Tags system is so versatile that you could build literally anything with it and get a mechanically balanced, narrative focused and interesting character. It can be a bit difficult to get your head around it at first, but once you do you'll likely find City of Mist as revelatory as I did. Free Quick Start Rules Here. 🔮 One of my favorite memories playing a game.

After a decade of playing all sorts of TTRPGs its so hard to call out a single memory. I'll call out a more recently one, that occurred Chaosium's Call of Cthulhu 7e system in which we played the one-shot adventure the Lightless Beacon. Quick Start Rules Here.

My Character was Horse Driver and Trick Shooter by Trade in an Wild West Show (look it up, it's a real thing). She was also a Catholic. Myself and another PC were being chased by fish men after they'd swarmed and killed our other companion. We had no way off the island, but saw a boat in the distance rowing towards us. When we signaled for help, it was then that it tried to turn around. I was very nervous about shooting an innocent person and it was only after my GM assured me that the rower was also a fishman that I proclaimed, in character, "Wait, You aren't made in the image of God!" and shot the fishman dead where he sat. We all broke out in raucous laughter and we still quote the phrase from time to time.

[bookwyrminspiration]

hi curious baha'i anon again !! I got busy w school and didn't get a chance to properly look at Tumblr until recently 😅

I would LOVE to know about the music though, and what the children's classes were like/what was generally taught. I've always thought the religious education my family's church and grandparents (separate) church provided was lackluster and actually taught very little so I'm curious if that differs in other religions.

you mentioned feast days and other specific worship days, idk if you know about Catholic holy days of obligation but it's basically there's a ton of feast and celebration and worship days but there's a specific list that's the Most Important and you Have to attend mass on those days if you're physically able otherwise it's considered a sin (Xmas + Easter being the biggest, but technically every Sunday is also an obligation), is there something like that in bahá'í with the feast days and worship days? like certain ones are "lower stakes" compared to others? And along that same line of thinking, is it viewed (socially or religiously) as bad and/or a sin (unsure if the concept of sin is even prominent tbh) to miss days?

also I want to reiterate that it's totally fine if you don't want to answer these asks ^^ I don't want to burden you or anything

You're good! I'm also a little busy currently--gonna write an entire essay tomorrow so, fun. and don't worry, I answer and offer because I'm entirely willing to talk and share about it :)

To answer your question, music would be done a few different ways. Frequently it'd be on CDs, which people would bring to feasts (my family has a few), or it would be sung live. If it was a children's class, it'd usually be a song in English, often the adaptation of a prayer to make it more memorable for kids (sometimes with made up dances, too). Then, on holy days during the equivalent of mass, there'd frequently be singing/chanting live in Farsi (because the faith originated in Persia/that area). Just community members--and they were always great at it, too

This isn't one of those, but this song in particular is ingrained in my memory, because they'd play it on the big projecter every single time the Martyrdom of the Báb came around. And since I don't speak Farsi I can't recall any specific ones of those, but here's an example chant. Also in looking through YouTube playlists, I found this song, Strive, and we 100% watched this video and sang this song at some point. Same with this one. So those are a few examples, but there's a lot more.

As for children's classes, they'd go something like this: everyone shows up, mingles until the hour starts, then all the kids get together in a circle in the big room at the back. There, this one old lady who's been there as long as I can remember (who I won't name) would lead us in a few prayers, those prayers turned into songs I mentioned--maybe full songs from time to time if the adults joined in. Chatting a little, touching base. Then the littlest kids (under 5) would go with their teacher to mostly do crafts with some stories told about the faith, mostly just keeping them occupied.

Those 5-10 would go to the actual children's classes, where what you learn depends on who you're with. That lovely old lady was my teacher from 5-10, and every week she'd prepare these worksheets for us to read through. usually it would be about different prophets (abraham, mohammad, etc) and different important events in the faith's history (e.g. what is Ridván and why do we celebrate? who was martyred and why?). An emphasis on Bahá'u'lláh and the people closest to him (like his son 'Abdú'l-Bahá), as he's the main figure of the faith. She'd tell us stories with the handmade worksheets as references to take home. And every week she'd have some kind of craft for us to do (suncatchers, making pillows, etc.) while we talked about the topic of the week. I might have the worksheets buried somewhere in my house. Ah, here's a couple photos:

Then there's 11-14, which is Junior Youth classes; these are much smaller because there's fewer people in that age range. My classes were held at the center (same place as the children's classes), but there would be other groups that would meet at people's houses or other places. Once again, depends on who's teaching what you learn, but in mine we went off this series of workbooks. They were basically about practicing virtues (patience, generosity, etc.) in one's life. They'd present a scenario and ways it could be handled, and then we'd do little written exercises discussing the choices made--which were virtuous, how others could be better, what we would do, etc. Lot of discussion. There would also be different prayers/writings to memorize or read. I unfortunately don't think I have these still to take pictures, so you'll have to imagine.

Then when you hit 15 you're an adult in the faith, and until you're 30 you're considered a Youth. There are Youth groups and such where you continue this kind of thing, just with other Youths as a full. equal participant instead of being taught. I never did that, but I do think I would've been adequately prepared; I've forgotten a bit since, but I had a pretty thorough understanding of the foundation when I turned 15. Of course there's always more to learn, but it was solid--in my opinion

As for obligation, based on my experience, I wouldn't say it was ever like you HAVE to attend or you're sinning. The concept of sin...exists, I suppose? Like the word appears in some writings, but not like what I've seen of Catholic and Christian sin--and we don't have a hell or damnation. It's less that you're sinning and more like it's a poor choice/action to make, and you should stop and reflect on it and the distance this puts between yourself and God. And then make better choices that bring you closer to God. Because in the afterlife there's no heaven/hell, it's more just how close you are to God. if that makes sense. I'd never hear the word sin spoken, the closest thing we'd have was talked about in terms of having an absence of God

And there's no one way to measure how close you are, so not attending the celebrations of certain Holy Days doesn't solely determine that. Some are more important than others--e.g. the Bicenntenial of the Twin's births was within the last decade, which was really really big, so people really wanted to attend. But people missed children's classes all the time. And feasts. No one was ever pressed about someone missing--unless you were a kid looking forward to seeing someone your age who turned out to be absent. Attend when you can, but you can be incredibly close to God even if you don't, which is between you and him, so there was no judgement I saw (again, reminder. this is all my personal experience raised Baha'i in America). Though often the most devout people attended more often--not because it's sinning not to, but because they wanted to attend more. If that distinction makes sense.

Anyway, that's a little snapshot of what it was like--I'd be happy to answer further questions from anyone if there are any. I could go through the children's class workbooks and share some of the people covered, explain some of the holy days (like Ridvan), share some of the prayers, etc. hope this helps :)

[amberunit06]

FMP Planning and theme generation

We were tasked with generating 20 exhibition theme ideas, we then had to single them down to 5, as to help decide which theme to use.

When planning for my exhibition ideas, I focused on subjects that I had a prior interest in, so that I have motivation and drive to explore further into each theme and topic, as well as the determination to spend time designing an exhibition space that properly encapsulates my feelings, ideas and concepts surrounding each subject for an audience.

For me, it is very important to be motivated in what I am doing, as I have found it fairly hard with previous projects to find consistent personal interest and motivation in them, making it harder for me to work to the best of my ability and to find enjoyment in what I'm doing, with this project I'm hoping to avoid this by primarily focusing on what I enjoy throughout the planning, design and execution stages for the exhibition.

An example of me following through with this mindset is that most of the subjects I brainstormed were ones I hadn't been able to incorporate into any previous projects, as I believe FMP is a great opportunity to experiment with techniques and subjects that are individually important to the maker and are created through individual passion.

When singling out which ideas I preferred the most for the exhibition, I took into account which themes would be able to be accurately presented and explained in a concise way for an audience to understand and connect with, through this most of the more vague and niche subjects were dropped, as with most I'm unsure if it'd connect with a wide enough audience as I would hope and may alienate some audience members due to the subject being dedicated too heavily for a certain age demographic or fan base.

In the end, we had to single down our ideas to five as to have the class and tutors give feedback on which ideas they preferred and why. With my five ideas, I chose them based on how well I could envision a exhibition themed on each premise and how I could keep each theme concise.

With this concept, I chose it as I have an interest in Cryptozoology, folklore and urban myth. Through this, I believe it'd be interesting to delve into how different cultures view and depict fear and the reasons behind each myths inception. The problem with this idea however is that it's too constrained in it's premise as the outcome would have to be wholly visual, depicting each beast in a strict alphabetical order. This isn't as loose as a premise could be and doesn't allow much experimentation space.

This concept was the one I ended up choosing as my final idea, as its a subject that I'm very passionate about and believe it hasn't been spoken about in the exhibition art world much. As well as this, it has a lot of potential visually and conceptually, as the basis of optimism and beauty in accepting death with life has a lot of talking points that stem off it, involving culture, religion, history, change, etc.

With this concept, I chose it as I believe it could have a fun outcome with a strong visual interactive exhibition layout, however this does limit experimentation on layout design as the concept is already fairly thought out. As well as this, due to the exhibition focusing on conspiracy in a satirical way, I would have to be very careful as to make sure that the exhibition is shown in a comical way and not intended to be taken at heart, as there is a fine line between satire and realism when it comes to the state of conspiracy theories.

With this concept, I chose it as I have wanted to tell this story concept I've had for a while and believed the FMP would be a great chance to tell it, as well as this I believe the messages discussed and touched on are important and worth being looked at for inspiration in an exhibition space. However, the issue with this idea is that the themes, visuals, story and presentation has already been thought up and determined by me before-hand, not allowing much experimentation in its execution.

With this concept, I chose this as I have an interest in evolution and pre-historic wildlife, I also want to spread my thoughts on positive change and how change should be embraced through the visuals on how far humanity has progressed and how things have to be left behind in life to change for the better shown humorously through how strange life on earth looked before adaptation and change took place. Although I believe this is still a strong concept, I don't think it has a wide enough selection of visual motifs to pick from with the concept being pre-historical wildlife, not allowing much variety in visual presentation.

In the end, through peer evaluation it was decided that the 'Life Itself' concept was the best, I am happy with this outcome and believe it was the best decision as it has the potential for experimentation and message.

[randomraytrash]

Okay, I'm not trying to argue here, but bigoted people will always see the worst. And I learned that in the hard way, real bigoted people dead set on their view don't change, don't grudge, don't look a positive lesbian ship and see it as normal.

If the representation is good, they will mark it down as woke garbage, forced representation or straight up ignoring it. Or the peculiar brand of bigoted way (as I grew up) of coffing really loudly during scene where people of the same sex love eachother and looking away ashamed by what they're watching and never talk again about it.

If the representation is like this, a queer relationship that broke up because unreconciled views (stemmed out mostly by different social class issues, a real issue and unrelated to the queerness of the couple) than it's confirmation of their bias of the lesbian relationship and the lesbian predator trope mostly because they will see only that and not the real causes of their break up.

Lesbophobe...by definition were already doomed from the start to see the lesbian relationship as a lesser one, or not real (bc, lol, wlw outside porn what a concept to have /sarcasm) or disgusting.

And here my question is: how can we win?

Because we cannot. I cannot see a single way of balancing normalizing queer ship (and that include having problems and not be in a constant honeymoon phase, like representation in non queer media) and not falling down negative trope, because if we check every fucking box we end up with very little to work with.

Also, unrelated to Writingway-in-writinghell (btw, I absolutely love your blog name) reblog, I'm tired, really tired of walking on eggshells because cis straight people could interpret everything in the wrong way. Why should we always embrace their media illiteracy and ignorance?

Was it Ted Lasso plan to make the lesbian relationship a bad trope? No, it was about class issues, capitalistic view, shaming women for being women and how usually the worst criticism comes from inside the house, the clear parallel from women who help women (Rebecca and Keeley) and women who shame women (bc internalised misogyny is still a big problem) (Jack and Keeley).

Would I preferred that Barbara was used for this parallelisms instead of Jack? Absolutely. But the problem with Jack was always tied down to how much rich she is and how she doesn't have the same world view (because born in richness) as Keeley (as much as we can see born in a working class or even lower).

But I'm tired that my immediate thought is but what the straight will think of this flawed lesbian ship? (Because I shamelessly thought about that, because I was trained all my life of being shamed about my queer relationship, so my first thought is always: but how the cis straights will see it? How they will react? Will I be safe?)

Was this bad representation or just a representation of how a real couple could act? It's Ted Lasso fault if people with already bigoted view just see the world through their distorted lenses? If this was endgame, if Jack was introduced in season one and changed during the show, could have worked? Would have made the difference in the view fan base or they would just being sexualised by the bigoted instead?

What is the balance between normalized lesbian ship and straight up writing a idealisation of a queer ship in a constant honeymoon phase just to avoid negative association with its queerness, but at the same time sacrificing its authenticity and relatability?

I have no idea and that's why I'm asking.

(( All I know it's I would love a fanfiction with a Jake changed as Writingway-in-writinghell wrote, because that's look like a lovely and amazing story to read. ))

The canon queer characters we have are:

Keeley, who is a positive character and always has been

Colin, who was a dick and now is slightly better with some grey areas

Trent, who was a dick and now is happy and making friends with the team

Will, who is been perfect all along (the threesome thing made him canonically queer I'm sorry)

And then we have Jack, who is a dick with grey areas

So you're telling me the representation isn't good because the woman who just arrived doesn't have a redemption arc? I'm sorry, I thought you could be a dick or a good person independently from your sexual preferences, and people aren't just "good" or "bad", sometimes they're just "people". If you have a bunch of not heteros it can happen that not all of them are good? Also, Jack is a dick because she's corporate, not because she is a woman or bisexual.

Edit after I read some tags: I don't remember a single post, it was a general vibe from some posts about Jack and bad rep, you know that fandom wave thing

[lunarticxenia]

Moon Signs Pt. 1

My take on moon signs based off people I know! Now personally, I tend to have more strong opinions on my favorite moon signs than favorite sun signs. I feel like moon signs really indicate more about a person’s personality than their sun sign, imo. It does rule emotions and behavior after all. With sun signs I struggle with picking favorites because I do genuinely have people I like of every zodiac sign. I just go by the number of people I like from each zodiac sign. Anyhoo, here’s my view on each moon sign! 

Note: These are p long bc I have such strong thoughts on moon signs so I’m splitting it into two parts. :) 

🍂 Aries Moon: Ahhh, my moon sign. I won’t be biased though, I promise. So Aries moons based off other people I know is that we low-key got anger issues LMAO. Every single Aries moon I’ve met besides myself has anger issues, with the exception of one person and she still gets irritated easily. Aries Moons are also extremely sensitive, and they tend to be overlooked for that since they’re fire signs. I’ve found that a lot of what they get angry about has to do with their feelings, if they feel they’ve been wronged this really can make them angry as they are super sensitive. They also get angry when they feel like people aren’t listening to them, as they take this very personally. I’ve also noticed that Aries moons are EXTREMELY honest, they will tell it how it is and they are extremely blunt. They don’t like to beat around the bush, and they are very direct with how they feel about something. Aries moons are also extremely passionate and spontaneous especially in relationships; they’re the ones who wanna kiss in the rain and ride horses into the sunset, that is if you can get them to settle down with you LMAO. Nah all jokes, they’re picky about who they want, but once they really fall for someone it’s very hard for them to let go. They’re also so competitive, they will play dirty. My grandpa used to let me win in checkers as a kid, my dad (who’s an Aries moon) NEVER let me win. He said me losing would help build character LMFAO. He just didn’t wanna lose.They also have strong personalities and can be SUPER impulsive. Also, if they wanna do something, they WILL do it. No one is gonna stop them. If they wanna go somewhere at 3am, they’re doing it. Sorry. You can’t stop them. LMAO. Aries moons also love to be in touch with their inner child, my dad is an Aries moon and bought himself an arcade machine out of nowhere LMAO. I also like to collect shells and watch Disney movies to remind me of my childhood. They also tend to change their views and opinions on things a lot, and mind you they have intense emotions about these things. So it can be hard to keep up w them. 

🍂 Taurus Moon: Taurus moons are just so calm, it’s scary LMAO. I know a few of them, and even if they’re anxious about something you can never tell. They always have this calm demeanor and just seem so unbothered by everything. Taurus moons also LOVE money and the finer things in life. The male Taurus moons I know work a lot just so they can have a lot of money. One of them literally said to me “Money talks” after explaining to me why they work 7 days a week, 12 hours a day doing two jobs. The crazy thing is, despite doing all that extra work, he just seemed so unbothered about it LMAO. The female Taurus moons I know tend to love really expensive clothes and dressing up. This Taurus moon I work with has such nice clothes and always dresses like she’s on a Vogue cover. Like I said, Taurus moons LOVE money and the finer things in life like expensive clothes. If they aren’t the types to dress up or be workaholics, they desire comfort. They would rather lay in bed and take hot bathes than be bothered to do all that extra stuff. They also might like to eat out at expensive restaurants, and are “foodies”. They also might be big lovers of music and have lots of different music tastes. Also, Taurus moons? STUBBORN. Good luck trying to get them to change their mind on something. Also, despite them wanting all the luxuries and comfort of life, they are SUPER grounded. They do not live in a dream world, they see life for what it is, and prefer to be on the ground than have their heads in the clouds. Also, Taurus moons, I’m sorry, but y’all can be lazy. I work with three of them, and they can be lazy. They will not do more than the bare minimum. Also, their anger is low-key scary. Especially since it can come out of nowhere since they’re calm all the time, you never know when they’re angry and if you catch them at the wrong time... well, rip. They also tend to be introverted- even if they’re social, you will not know anything about them unless you’re besties with them or related to them. Doesn’t matter how well you know them, they don’t air their dirty laundry and keep their private life private. Also one last thing, omg these people sing all the time. They love singing to themselves, every single one I’ve met does that LMAO. Anyway, love my Taurus moons. 

🍂 Gemini Moon: Gemini moons love to make people laugh LMAO and love to just sit down and have good talks with people. Their minds NEVER stop working. Good luck trying to get them to stop talking once they know you. They can and will talk about anything for hours. Now, I do admire that, but sometimes I just wanna relax and they won’t stop talking to me LMFAO. My dad’s girlfriend is a Gemini moon and at family gatherings she loves to dance around and try to get everyone else to dance. I find that Gemini moons are very active and love to move around, and try to get everyone to have fun. Definitely the life of the party. They’re super amusing and also love to tell jokes and funny stories. Now not all of them are extroverts especially if they have an earth sun sign. So that is something to consider. My cousin is a Gemini moon and tends to be more introverted, however, once she’s comfortable around someone and knows someone she’s super goofy and loves to make people laugh. Gemini moons also love to learn, they’re always teaching themselves about something. My cousin who’s a Gemini moon just randomly started teaching herself how to do sign language (she’s good at it also)! These people are also SUPER adaptable, they can get along with any kind of personality and can adapt to any situation. I’ve also noticed that they love to playfully roast people and annoy them LMAO. I have noticed that they struggle with reading the room, they tend to just continue to annoy someone and can take it too far, which can get kind of annoying. They’re also extremely curious and are always asking questions. They love to ask random questions without any context. It’s a quirk a lot of them have. Trying to tell a story to them can be frustrating because if you mention certain terms they’ll ask you what they mean LMFAO. My dad was telling a story about how he used surfing to explain physics concepts in class and his girlfriend asked what the concepts were and what they mean. Also, they’re really good at giving advice. These people would make great psychologists imo. This girl I used to talk to (who’s a Gemini moon) actually is becoming a psychologist, so there you go LMAO. 

🍂Cancer Moon: Oh Cancer moons...you guys are so sensitive. They feel everything and anything. I haven’t met a Cancer moon that isn’t an empath. They are extremely good at reading other people and sensing their motives. My mother is a Cancer moon, and she’s always been able to tell who’s toxic in my life. She doesn’t even have to meet them either, just based off of stories I tell her, she can pick it up right away. Now, everyone always says Cancer moons are super close with their family and that’s definitely not always the case. The Cancer moons I’ve met have actually had a lot of problems with their family. Now the thing that I’ve noticed with these placements is that despite how toxic their family is, they always stick by them. Even if they’re not close. So I wouldn’t say they’re all super close with their families, but they always stick up for them, which can be an issue if their family is toxic. Also, Cancer moons, SUPER MOODY. I’m sorry but like I’m a Cancer sun and they’re ten times more moody than I am LMFAO. I’ve always said they act more like the stereotypical Cancer than Cancer suns. Also, this is a super underrated placement for humor. Every Cancer moon I’ve met has been super funny. Also, a super underrated placement for anger issues. Everyone says oh yeah Aries moons have anger issues, like yes, BUT HAVE YOU GUYS SEEN CANCER MOON ANGER?! Y’all Taylor Swift is a Cancer moon and wrote a whole album about how fed up she was about the media mistreating her and the whole Kimye thing (rightfully so) but y’all see my point. They can and will fight you. They also tend to be introverted, even if they’re social, (which I rarely see), they would much rather keep to themselves. I’ve also noticed that they’re very nostalgic a lot. My Cancer moon ex used to just randomly go through childhood photos and would show them to me. They’re also EXTREMELY protective over people they love, they will KILL for the people they love. They also love to talk about their dream homes and interior decorating a lot? My Cancer moon ex was OBSESSED with coming up with his dream house and would literally draw out diagrams for me to see. My mother too, she wants to redecorate her apartment and was showing me all the potential furniture that was gonna be put in. Oh Cancer moons, LMAO. 

🍂 Leo Moon: Oh Leo moons. You guys can be so dramatic LMAO. Every Leo moon I’ve met is so dramatic; these are the types of people who get up and move around when telling a story and also do dramatic hand gestures. These are the types of people who post a black screen in middle school on Snapchat saying “Don’t hmu.” LMAO. My Leo moon friend gets so mad when I make that joke, but it’s so true. These people are also naturally super creative, the Leo moons I know love to decorate and draw. Even if they don’t do any outright creative hobbies, they have a creative streak to them. It’s weird though because despite them being very dramatic when it comes to them being angry, they struggle with expressing their personal problems to other people. (This however can be changed with other placements, but I’ve found this to be true in many cases). They don’t want people to think that they’re weak, so they put up a tough front to hide that they’re hurting. Also, Leo moons, are indeed the hype friends. My Leo moon friends gas up my Instagram posts so much. They’re also extremely loyal and don’t like to leave people out, they hate that kind of shit. They’re also extremely accepting of others, my Leo moon friend was the first person I came out to, and they accepted me right away. They also love to take pictures of EVERYTHING. Like when you go out with them, they will make you wait before eating your food so they can take video of your food together LMAO. They love to capture every moment, I personally find it very endearing. Also, a lot of people say Leo moons are super cocky. I don’t find this to be true. They can come off that way, but I’ve found they tend to actually be pretty insecure and they try to hide it by coming off as confident. I feel like Leo moons tend to put on a show a lot to hide how they truly feel, which makes it hard to get to know them. It makes me sad because they truly are such kind hearted people and all they want is to feel validation. I also found that they love to go above and beyond to make sure everyone else is happy and tend to put themselves last. I wish y’all didn’t do that, you deserve to be happy too. ;( 

🍂 Virgo Moon: Workaholics. That’s how I’m starting this LMAO. My friend is a Virgo moon and works her ass off. She goes above and beyond in school for starters. For this anatomy course we had together, she sent me a whole diagram she made of the human brain on Notability and it was so intricately made. She also works her ass off at her job and takes care of her siblings. I feel like this falls into Virgo placements putting others before themselves. Virgo moons are definitely the types to be like this. They want to make everyone happy and they want to feel useful so they do all these extra things to feel that way. Virgo moons are also super smart, and have the best study methods. Low-key jealous. They have this incredible drive and are always on top of things and have a routine. Also Virgo moons LOVE animals. My friend who’s a Virgo moon, works at a dog sitting business and has 6 pets at home. They LOVE animals. They also like honesty and bluntness; they will provide you with that as well. They don’t like beating around the bush or lying to make other people feel better. You wanna know if you look bad in a dress? Ask a Virgo moon, LMFAO. I’ve also found that they struggle with wanting to be perfect all the time, and struggle with anxiety. As I said, they want to be the best at everything, and this can be a big source of anxiety for them. These people also find themselves attracting people who they want to “fix”. They also give amazing advice and are super reliable. Also, last minute plans? They HATE them. Want a Virgo moon to hate you? Try making spontaneous plans with them LMAO. Virgo moons also have great memories; they’ll remember every little detail about you. Also Virgo moons are the types to take charge in a group project and run the whole thing because they don’t trust anyone. Virgo moons also always appear to be calm and collected, even though many of them frequently deal with anxiety a lot. Also, they’re low-key underrated for humor. They have a very dry and self-deprecating sense of humor LMAO. They also go above and beyond in relationships because they enjoy seeing the people they love being happy. 

Anyhoo, this wraps up part one!  Also these are just my opinions, so don’t get offended I tried to praise and drag all of them equally <3 

Part 2 here. 

[writingwithcolor]

Arab Character Joining Corrupt Superheroes, Police Parallels

Anonymous asked:

I’m writing a story with a Arabian diaspora main character. The story is about corrupt superheroes, and how they affect an oppressed superpowered minority. The main character is one of these superheroes, naively joining them in his teens believing he’s going to help people. Doesn’t help that his parents are having money trouble. Eventually he ends up fighting a superpowered crook, and gets a bystander killed.

1)I know portraying an Arabian character committing violence is a pretty touchy subject, even if accidental. Is there any way I can write this that makes it clear to the reader that the action itself is messed up without the unfortunate implication that Arabs are violent? 

2)A large part of the story is the MC’s parents reaction. They are loving parents, however after this incident happens, they are confused and ashamed. While they still love him, they temporarily cut ties with him. Eventually they reconcile and start to be a family again. In my research (they are diaspora Saudi Arabians), Family is very important and tight-nit. Shame towards the family is to be avoided at all costs. However I’ve also read that disowning a family member rarely ever happens. Is there a way to write this kind of narrative with respect to this aspect of Arabian culture?

Let us begin with some terminology.

- If a person is from Saudi Arabia, they are Saudi Arabian, or more commonly, Saudi. This is their nationality.

- They may or may not be Arab. Arab is an ethnicity. Not all Saudis are Arab. Not all Arabs are Saudi.

- Arabic is a language. Lots of people across the world who are neither Saudi nor Arab speak Arabic.

- Arabian on its own is a word used to refer to a specific breed of horses.

If you are referring to humans, you want to either say "Saudi Arabian" (both words) or “Saudi” to indicate nationality, or "Arab" to indicate ethnicity. If you’re looking to describe your character’s culture, you probably want to call it Saudi culture. (While grammatically correct, talking about “Arab culture” doesn’t make much sense because Arabs are an incredibly diverse ethnic group and there is no such thing as a single monolithic Arab culture).

Now for the first question. In my mind, the issue is less about the character committing violence, and more about the premise of the story and how it mirrors real-life oppressive structures. You have an organized group of superheroes who think they are doing good by fighting “crooks” but in reality are enacting systemic oppression upon a marginalized group. This immediately brings to mind police violence, racial profiling, and the way that policing in North America is used as a tool of white supremacy while glorified in propaganda as a force for good. Essentially, you are telling a story about a character who joins an oppressive policing force, enacts violence upon a marginalized group as a result, and (I’m assuming) eventually realizes that they are not, in fact, the good guys. This is very close to being a “bigoted character learns not to be bigoted” story. I recommend re-examining your premise in light of the real-life parallels and asking yourself whether this is the story you want to tell. 

The issue is compounded by the fact that your character is an Arab teen, who in real life is more likely to be the one facing racial profiling from the police. Taking this character and making him the oppressor in your story makes the already flawed premise even more problematic, especially if the characters in the oppressed group are white.

As for your second question, it seems believable to me that a teen’s parents might reject him if they learned that he committed a crime. However, when the family in question is Arab, you are suddenly feeding into harmful tropes about oppressive and violent Arab parents. You are asking if there is a way to write this respectfully. I believe that there is, but it requires a great deal of care, nuance, and cultural awareness. While it is possible to write a Saudi Arab character grappling with the consequences of violence and familial estrangement in a compelling way, the way your ask is phrased leads me to believe you are not equipped to do it justice. 

- Mod Niki

Think about why Arab people committing violence is a touchy subject, and then think about the general propaganda narrative that came about from the act that made things so touchy. 

It’s going to sound one hell of a lot like what you have here.

Military and police use buckets and buckets of propaganda to continue hooking in young, impressionable teens to commit state-sanctioned colonialism and oppression. That propaganda looks suspiciously like “we have health insurance, we will pay for your education, you just have to do what we tell you even if that means hurting or killing others, but it’s okay because you get to be the hero in the situation.”

Now, propaganda is a very powerful tool. I was taught, in my media classes, that controlling the message means shaping reality. The media is built as a propaganda machine, and when you start to see who owns what media properties you start to see some really disturbing patterns (Rubert Murdoch owns a lot of right-wing sources across America, the UK, and Australia, and he’s too rich to investigate his culpability in spinning terrible narratives found in right-wing publications. He owns the big names).

As Niki said, this situation mirrors police violence and police-sanctioned terrorism. And the very, very unfortunate implications of making the target of police violence be in that wheel. But I want you to look at the media situation that has made the plot happen.

Because even if you swapped out ethnicities, you’d still have a reckoning to do with the American culture that their primary social safety nets involve killing people.

I am not kidding.

Some of the most well-funded unions in the country are police unions. These people have pensions. They have health insurance. It’s damn near impossible to fire them. They get overtime very well mandated, and it’s a known thing among defence lawyers that arrests happen right before a cop’s shift will end so they get the overtime of filing the paperwork. They absolutely go into poor neighbourhoods and recruit based off people needing an escape, and them having the money to provide it.

A similar sentiment is true for the military, except they push for college education a bit more and don’t really have overtime, but they do have deployment bonuses. So the way to get extra pay for yourself is to go out and do colonialism outside the borders. The military doesn’t necessarily like it when the economy is doing well, and don’t like the idea of college being affordable, because they rely so heavily on poverty and fear of college debt to recruit. 

The story you’re telling here goes so far beyond an individual’s actions and instead taps into America’s single biggest cultural investment: that oppressing others makes you a hero. 

The Pentagon funds most military media out there as a propaganda tool, including most superhero movies and a large number of video games. This is in their budget. They will also go so far as to literally commission the games to exist. Part of getting that funding is you cannot critique America’s military, basically at all (the only exception I’ve seen is Ms Marvel, but that’s set in the 90s). This turns any sort of military-using media into a potential propaganda tool.

And the thing is? Even if you fall for that propaganda and were part of the military or the police, you still have to reckon with the fact you put whatever your own desires were above a huge track record of those groups being terrible. You still have to reckon with the fact you didn’t realize they were wrong, and were complicit in a lot of crimes.

This goes very far beyond “the action is terrible” and goes into “the system is rotten to its core, and you chose not to believe it, or to believe you could change what was built with blood.”

“Good” police officers get fired. If you try to question anything, if you try to say this action is wrong, you will absolutely get destroyed. Military’s much the same. You need some degree of buy-in to the concept of white supremacy to sign up for the military or the police, because you need to see their actions as not deal breakers instead of actions that violate multiple international laws. 

In short: you need to see the people being oppressed as deserving of being oppressed to some degree in order to participate with police and the military.

Marginalized people can hold this belief, it happens. But that is a very sticky situation that outsiders shouldn’t touch. 

It’s possible but difficult for you to write a white person having this sort of arc, but it would be extremely challenging to have it not come across as a white guilt story. To not have a socially aware audience roll their eyes at how long it took. You’d definitely not be writing a story with a diverse audience in mind, because you’d mostly appeal to those who saw the propaganda as just fine and not that bad.

This isn’t even getting into the oft-cited adage that boys who bully others become cops, while girls who bully become nurses. And the more police atrocities become mainstream news, the less and less people can convince themselves that becoming a police officer is a good thing.

Which brings me to the point of: how well-documented is this oppression? Is this character walking around in an oppressive situation like, say, pre-social-media where there was no direct access to the oppressed groups and you could close your eyes and look away even if it made national news? Or is this in a media connected world where these oppressed populations have a voice in the narrative?

The former has an angle of the character slowly realizing the horror and it’s slightly more forgivable for their early ignorance. But in any sort of world where there’s access to the people getting hurt? Things get more and more “ignorance is indistinguishable from maliciousness.” And keep in mind, these stories are read in the real world, where police brutality and war crimes go viral, and a lack of knowledge is getting harder and harder to defend as a position.

Media plays a huge role in shaping our perception of what’s happening. Cameras on a situation makes different activism tactics work, as we can see with how activism changed in the 60s and 70s as tv reached the masses. Social media has made it possible for you to look up firsthand accounts of discrimination within seconds. 

This is a factor you are absolutely going to have to consider, when you want to look at how nice your hero is seen by marginalized or otherwise socially-aware people. If there is a way to find out how bad this superhero organization is before you sign a contract with them? Then that doesn’t look particularly good on the “hero”. You’d really have to establish them as super idealistic, super sheltered, super desperate, and/or just swallow the knowledge that they really don’t see anything that happens “over there to those people” as that bad. 

All of the above is more than possible. And they’d still be seen as complicit no matter what justification you gave, because they are.

Does this mean all corrupt organization stories are off limits? No. The reason these stories have such deep cultural resonance right now is because of the propaganda I outlined above. 

But you as the author are going to have to examine your own engagement with the propaganda narrative and do your own private reckoning so your own sense of guilt and compliance doesn’t bleed through the narrative too strongly, so you can tell a good story instead of an overt message story that’s you working out your own feelings.

By all means, write a story where police and the military are taken down, where propaganda is weaponized and the media is controlled (because that’s sure as hell the modern world). 

But know that stories where the hero discovers the corruption already have a ticking clock because we, in the real world, are slowly being faced with a mountain of apathy instead of ignorance. The knowledge of oppression is out there so much that marginalized people are tired of the ignorance defence. 

As the saying goes, “privilege is the ability to ignore the oppression of others.” 

Propaganda, centralized media, and strategic cultural investment made it possible for police and the military to have a chokehold on their public perception. But that’s changing. The chokehold is starting to fade, people are starting to question their beliefs. 

The past year has shown that knowledge isn’t the issue; it’s white supremacy. People don’t want to believe that any of this is that bad. People want to believe that oppression is justified, that if people just followed the law they’d be fine. They don’t want to question themselves. And marginalized people are tired of these narratives where, suddenly, people snap out of it. Because there was so much evidence to show it was bad, but it was only when you do one of the worst crimes imaginable that you realize this is bad? It’s only when it becomes personal that things are worth looking at critically?

No. And you need to examine where you are in processing your own complicity before writing a story where you’ve swapped around the ethnicities to try and distance yourself from the problem, where in the end you made the target the oppressor.

~Mod Lesya

[earthstellar]

Transformers Analysis: Folklore and Folk Magic in the Mines of Kaon

thinking about Miner Megatron again, as always. here we goooo 

So I've been doing some folk magic, as I usually do, and it got me thinking:

Surely, the lower class/caste bots wouldn’t feel welcomed into the more organised Cybertronian temples etc., or might even be outright banned from joining in shared spiritual spaces or rituals. 

So it’s time to teach y’all some working class magic history and how we can apply that to Cybertronian spirituality: 

Working Class History: Casting Spells on the Job (Just Call it Prayer so the Boss Doesn't Find Out)

Here's a quick history of rural Appalachian folk magic, for some context:

1) The Christian Bible has been used for spellcasting all up and down the rural East Coast in the USA from day one of colonisation.

In Pennsylvania you have Hexenmeisters and the Pennsylvania Dutch practices, for a well-documented example.

2) The working class has done spellcasting with the Bible from the very first day shitty bosses started

This is for several reasons, but primarily because Bibles were common and cheap, you didn't have to know how to read in order to follow along with or change the lyrics of popular hymns and prayers to fit your own needs, and it was very easy to sneak what is essentially localised witchcraft under the radar when it just looks like you're reading the Bible to everyone else.

Catholic materials were used a lot for this, because they were often provided for free by any local churches, and a lot of working class people in Appalachia were Italian (Roman Catholic) or Eastern European (Eastern Orthodox Catholic), which meant there was no shortage of all sorts of votive candles and the like to utilise for what we would now identify as spellcasting.

It's important to note that it wasn't called spellcasting outright by anybody; Sometimes it was called "hexing" or "sweet talking", among other terms, but if you called it spellcasting it was heavily frowned upon.

A lot of people were uncomfortable (and are still uncomfortable) with verbalising it or identifying it as such due to stigma from the more mainstream religious communities or their own religious backgrounds, and of course, historically if the boss found out that all the workers hated their jobs so much they were doing fucking witchcraft about it, it would not have ended well for the workers.

So, stealth it is. And that's why there are so many specific folk practices in a lot of historically working class rural regions/communities-- Not just in Appalachia, but similar things happen in similar communities around the world.

What does this have to do with Megatron?

Everything we know about the lower classes on Cybertron, the lower caste members, and the mines/industrial regions in Tarn and Kaon suggest that a similar folklore likely existed within these working communities.

And any local folk practices likely developed for the exact same reasons that this type of folk practice developed in the real world:

Workers are fucking miserable, "mainstream" religion isn't satisfying their spiritual/emotional/social/material needs or concerns, and close-knit people in small communities spending most of their time together naturally start to sort of do their own thing based on their collective situation.

People get desperate, there's nowhere to turn and nothing to do, so spirituality becomes a lifeline in that it builds solidarity and creates a more appropriate sort of support system.

For example: If we aren't allowed time off work to mourn our friend who was killed by heavy machinery, and we aren't allowed any time to process that or deal with it or take care of each other, then we will invent a ritual that allows us to grieve on the job.

This was, and still is, a common thing.

Which brings us to...

St. Barbara and the Mines + Solus Prime

St. Barbara's backstory can be summarised, roughly, as such (based on the version of this story that I know; keep in mind the details can vary):

She was kept isolated from others by her father, who became furious that she refused an arranged marriage. When she fled, he chased her; She ran into two people working in a field, the first who helped her, and the second who gave her path away to her father.

She was captured, and brought to a prominent local figure (the title varies based on different versions of this story), who had her tortured for escaping and disobeying her father.

However, when imprisoned, they tried to kill her again and again, and every morning she was healed. Fire intended to be used to burn her would cool the second it got near her skin, and daggers used to cut her would go dull when brought near her.

Snakes thrown into her room intended to bite her would then die the instant they went to approach her, and ropes intended to be used to bind and choke her would spontaneously fray and snap before they could be tied.

Eventually, she was condemned to beheading, and a special sword was used to cut her head off, which finally killed her.

Her father is the one who beheaded her, and as divine punishment, he was hit by lightning-- A single bolt that lasted so long that his entire body went up into flames, and his ashes disappeared.

Her gravesite became a place of veneration, where people prayed for protection and safety.

She became known as the patron saint of all people with dangerous jobs or jobs where the bosses don't care about the worker's wellbeing or safety, for obvious reasons: Nothing but the hands of her own father could ever harm her.  

(The imagery of St. Barbara being slain only by a special sword is very reminiscent of Solus Prime being slain only by a special sword...)

Workers, especially those with particularly dangerous or shitty jobs but also just anyone working class in general, can interpret this story in several ways which can make it additionally relatable:

Her father = A controlling and aggressive boss who abuses or neglects their workers to death.

The field workers = A pro-union worker (a helper) and an anti-union worker or scab (a betrayer).

So you can see how St. Barbara became immediately adopted as a common worker's saint, and was used in a lot of regional working class folk magic practices (where such folk magic developed within local working communities).

And this is still going strong as a tradition; Crossrail tunnel borers in London consecrated the drilling site in the name of St. Barbara in 2013:

"Several hundred contractors and senior management attended the St Barbara's Day ceremony at the Thames Tunnel (pictured) which will link Plumstead and North Woolwich when completed. The site was so large, that sound engineers put in place an amplification system for the ceremony." - Article here. 

"As a long-standing tradition, one of the first tasks for each new tunnelling projects is to establish a small shrine to Santa Barbara at the tunnel portal or at the underground junction into long tunnel headings. This is often followed with a dedication and an invocation to Santa Barbara for protection of all who work on the project during the construction period." - Article here. 

And here's a related example of a worker's prayer for St. Barbara, from here: 

So this is very much a tradition that is still going strong, and it isn't just Catholic workers who engage with these types of things!

To accommodate more diverse groups and communities of workers, folk practices (including what eventually becomes folk magic) increasingly develop even further away from any one specific religious origin, in order to become more inclusive for the majority of people who can be from all kinds of different spiritual or cultural backgrounds.

Hence, more folk magic is made-- And I believe something like this could absolutely have evolved in a similar way in working communities on Cybertron.

Cybertronian Spirituality: The Primes, The Knights, The Titans

My personal theory/headcanon, and there is not much in canon to support this particularly so please keep that in mind, is that given the average type of manual labour working environment in Tarn and Kaon (dangerous, dark, and deep), it would make sense for the legendary Titans to become worked into some kind of folk practice.

We have this concept of the Titans as these giant and very particular beings, which reminds me somewhat of the Jewish Golem of Prague, in that the Titans are made from raw materials in some kind of mystical or cosmically spiritual manner, then eventually ally themselves to at least one respective Prime who then acts as a director of their actions to achieve victory over cosmic evil(s).

The Titans then go forward and act as guardians of Cybertronian life by combating the origins of these cosmic evil(s) as protectors of their respective polities and regions and eventually colony worlds, called into action by what is essentially a metaphysical and possibly outright spiritual pull of the need of their Prime(s) and later on the needs of the Cybertronian and colony world populations in times of threat or desperation.

These details are peppered throughout canon and vary based on media/franchise, but most recently Titan lore was covered again in IDW’s Optimus Prime series, issue 10, literally titled Origin Myths. 

What is interesting is that while the Golem association could be reasonably made, you could also reasonably say that the Three Original Titans (Metroplex, Chela, and Metrotitan) could be associated just as easily with the Catholic concept of the Holy Trinity. 

Lots of different interpretations could be applied to this stuff!

Class Stratification Within Cybertronian Religious Institutions

No matter how you may interpret it, we know that the Titans have a similar mystical presence in Cybertronian history and cultural lore to that of the Primes and Knights, and it would make sense for those spurned and disparaged by "mainstream" spiritual practices (which were likely just as stratified by class and caste as everything else was on Cybertron during Megatron's youth) to go ahead and create a folk practice based more around Titans.

This is because the Primes would like be associated directly with their oppressive rulers and upper classes, and the Knights, who are said to be the first Cybertronians to come from the Well, thusly represent a very high class onto their own which may have repelled working class bots who were very likely sick of essentially worshipping those venerated in their class stratified society solely due to the conditions of their creation; The Knights were "born with silver spoons", essentially, and it's hard to sell that to people who suffered due to the conditions of their own creation.

Therefore, the Titans are the other most likely Cybertronian figures of historical lore that could reasonably be adapted into a sort of folk religion for the working classes and lower social caste bots.

The imagery is strong, and relatable: In Megatron's case, the manual labourers and miners all have large frames compared to the average Cybertronian, they all toil invisibly and in relative silence, and they are kept away from the end products of their labour and yet without them, Cybertron planet wide would instantly struggle to sustain their raw material demands. 

They are critical workers, yet many of them have no names/designations; It is noted at least once in canon that some Titans are so old or so little known that their designations are not recorded. Yet without these unseen/unknown Titans, it could be the case that cosmic evil could have achieved victory.

While the Titans are critical, they are largely a mystery and unknown in any real detail. They do not normally engage with average Cybertronians, and when they do, it is usually indirectly-- Even though their actions actively impact the lives of nearly everyone.

And though the Primes and Knights are generally never physically present, at least not within living memory, there is real and physical proof of Titans. I feel like that aspect alone may well appeal more to people who are very physically oriented; We also see a stark realist mentality from many of the lower class/caste bots, who are sometimes realistic to the point of nihilism (which is part of why Megatron's writings were so revolutionary, in that they re-introduced hope to people who had previously concluded that there was no realistic possibility of ever rising up).

The Titans being a known, tangible physical reality may well have endeared them as a more interesting folkloric or spiritual focus to this particular cohort of bots.

Just like with St. Barbara in real life, you can see how the Titans may have been interpreted in certain ways by the lower class/caste working bots which may have made them more appealing or more easy to structure into a framework of sorts for their own practices within their local cultures.

A Little Meta: There's a Lot of Various Religious Imagery in Transformers

Like with all media, especially Western media, inevitably some Jesus sneaks in there.

Which usually sucks, because it can be alienating for literally anyone who isn't familiar with Christianity in some way (as some references or parallels are inevitably not going to be as obvious or even detectable at all to people who didn't grow up with all this sometimes very specific shit, resulting in missed thematic elements and so on due to no fault of the viewers but rather the tendency for Western shows to overwhelmingly be written and designed by primarily Western white middle aged cis straight men who tend to throw some Jesus in there when there should not necessarily be any Jesus in there, but I could yell about this all night).

Transformers as a franchise altogether is not immune to this; As with all media, it is made by people, and people are influenced by their social/cultural upbringing, and that includes religious influences.

We could read some of this into the TFP/Aligned Continuity, in regards to the idea of the Thirteen Primes and how that concept is interpreted in TFP.

Transformers Prime: Alpha Trion is Essentially Paul the Apostle

The TFP Primes resemble both the Apostles as well as various Saints, and especially the Fourteen Holy Helpers; These fourteen Saints in particular are elevated above the others in many cases and contexts-- Similar to how the Primes are held up as elevated over other Cybertronians and other figures in Cybertronian history and presumably within certain Cybertronian spiritual practices as well. 

For example, Alpha Trion is strongly reminiscent of the Christian figure Paul the Apostle, who was a writer/scribe known for documenting early Christian concerns of faith in his letters, which became extremely important to theological historians in regards to determining early Christian discourse and attempting to create a timeline of early Christianity.

His letters are included the New Testament in thirteen (!) sections called epistles, which are archived forever in various iterations within the Christian Bible. 

Now, let’s take a look at the symbolism, using the TFP main illustration of Alpha Trion as featured in the Covenant, and a popular Icon image of Paul the Apostle: 

Beard, cloak, book-- Even the pose they are in here is very similar, look at the feet and the way they are both standing. Even the halo of Cybertronian glyphs around Alpha Trion’s head resembles the gold filament of Paul’s halo. 

And much like Alpha Trion's questionable ability to write/re-write history and determine events through some kind of cosmically divine power of foresight, the timeline of Paul's letters will likely never be fully verifiable, and of course, there are so many translations and interpretations of these letters along with the rest of the New Testament that while key points remain fairly consistent, there is still no "true" version or exact outline of events or discussions as recorded by Paul-- Primarily because in at least a few cases, Paul's letters are the only allusion to certain events or conversations.

This is extremely similar to how Alpha Trion states outright in the Covenant that he himself doesn't know if what he writes is actually factual anymore, or if he has changed things so many times to try to construct a more favourable narrative of actions and events that reality itself may have been warped by his Quill, either forwards or backwards in time...

You could also argue that Alpha Trion is presented as a God-like figure in TFP (especially when he appears to Optimus in the form of an echoing voice and shimmering spectral figure in a vision caused by what is essentially the equivalent of a holy relic), and Orion Pax would then be comparable to Jesus pre-Crucifixion, with his reformatting into Optimus Prime post-Matrix heavily resembling Jesus in the eyes of his followers post-Resurrection.

The main cast of Autobots in this comparison would then roughly correspond to the Apostles, of whom there were twelve, with Optimus then making Thirteen... And of course, canonically, Optimus is the resurrection of the Thirteenth Prime. 

You can also see visual similarities in the depiction of Thirteen in the Covenant; It reminds me heavily of the Divine Mercy image of Jesus: 

Both have their right hands raised, their chests emitting a holy/cosmic light. 

I'm just saying, it is totally possible to make connections between fictional lore/spiritual figures and real world ones, and TF is loaded with content that can be re-contextualised in this way. 

(I also want to point out at this time that it is not my intention to offend anyone with any of this analysis; I am writing from the point of view of someone who grew up with folk spirituality, and I am also a Quaker Attender, just so you are aware of my own personal background. I would love to hear any other interpretations of any spiritual imagery in Transformers media, because there’s a ton of possible ways to read into this stuff!) 

In Conclusion: Cast a Hex on Your Boss by Calling Upon the Titans

Just for fun, as someone who has actually done folk magic for my entire life, I've adapted a hex against bad bosses to fit this headcanon. I think this is something that lower class/caste bots would absolutely engage in; It's common in real life as well.

The original I'm basing this off of was actually something I found in one of our old family Bibles before I moved out, and was written in Girard, Pennsylvania sometime between 1920-1930. I believe it was written by a relative of mine who worked either on the farm or on the railways.

Remember that folk magic like this is for and by working class people, so there are no fancy supplies needed; Don't ever buy shit to do magic, you can do it with anything laying around you. No need to spend money.

If you have a shitty boss, please let me know if you hex your boss with this. I always encourage witchcraft, fictional or otherwise.

Here's what you do, if you want to actually try this:

1) Using any old paper that you have lying around, cut it roughly into a square (doesn't need to be perfect.) It doesn't matter what type of paper it is.

2) Grab any pen you like, it can be any type of pen, any type of ink.

3) Draw a square outline on the paper, making a border on the page. This can be big or small as you like, and you can decorate it if you want; Just leave enough space to write inside the square.

4) Fold this paper into a square, any way you'd like as long as it's a square, and take this paper while it's still blank to work in your pocket.

Carry the paper with you for at least one full day at work. If you can, place it in a chest pocket or a pocket where the paper will be fairly close to your body.

It doesn't matter if the paper gets dirty or smudged or torn; In fact, that's even better.

(Some people who do variations of this spell in real life even use the paper to wipe dirt off their hands etc. throughout the day, to really get the energy of a work day settled into the paper. As long as it can still be written on, you can do this if you'd like.)

5) At the end of the work day, take the paper out, and write the following:

Where I have put [X], the word "Lord" was in the original version of this hex which was in my family Bible, but to contextualise it within the fictional headcanon lore here, you can replace this with the word "Titan". (Or you can replace it with anything else that may be appropriate as well, if you would like to actually use this hex!)

"Give us pay for our work, or the poor will plea to the [X] against you, and you will be struck down, cast down.  

If you do not give to those who give to you, you will be cursed coming in, and going out.

Just as the [X] can raise you up and lead you to prosper, so too can the [X] turn away from you, and you will be left to have your walls destroyed, your fortress ruined.

Us servants will rejoice, but you will cry out in anguish, you will be put to shame.

Without the toilers, the land is made desolate, the haunt of jackals.

[X], turn your gaze to us, we labourers of all kinds, see our tears and our sweat.

Lay curses upon those who use their hands to hold us down; Kept below water, our tears lost in the flood.

Raise the waters, and surge the shores of their ill-owned kingdom; Bring forth to their memory that the [X] stewards the land, and that all among the land are equal in spirit.

The [X] will cast fury upon the unrighteous and conniving, cast rage and stand among us mightily, each motion casting winds against the oppressor who weakens like fractured stone under the onslaught of rain.

The [X] will make a storm from our anguish, which brings us higher, raises us from desolation. Our tears, become the rain that withers the false tower looming high above us.

Our hands will raise from our tools and duties, and offer high praise to the [X], who guards the disparaged and lowly, who enacts justice against those who have done wrong against us.

Let us be brought high, and those who revel in our struggle, may they be cast down."

6) You may flip the paper over once the ink is dry, and on the back, put three Xs in the upper corners of the paper. You may also add three more XXXs to the centre of the paper, where the crease in the paper is from folding it.

7) Re-fold the paper, and put it in the bottom of your right shoe. If this is too uncomfortable, carry it in any pocket on your right side.

You can also place it in your wallet for safe keeping, as your wallet contains money and possibly a work ID or something similar, which are all tied to work and working.

And there you have it! Fuck shitty bosses, both fictional ones and real ones. Join a union, do some witchcraft. 

This post was long as always, but I hope it's interesting to someone out there! <3 Thank you to anyone who actually reads through all of this! <3

[nockergeek]

As someone who has played in a couple of decent-length 3.x campaigns, ran a 4e campaign for a year, and ran/is running a couple of 5e campaigns, I will say that 4e isn’t my least favorite edition, but it’s definitely one I wouldn’t choose to run again.

First, though, let’s give it some praise:

Anyone who tells you that it didn’t allow for roleplay doesn’t know what they’re talking about. It didn’t have mechanics to support roleplay, sure, but you don’t need mechanics. You just need players who want to engage with the world you’re creating and the story you’ve presented. You can do that with any system, or with no system. 4e was fine in this regard. Not great, not terrible.

Encounter building was easy. XP budgets, monster roles, minions - it was very easy to build mechanically balanced encounters (and while they had to update the math on that later, the concepts were better solid).

But then there’s the things I don’t like

Encounters were all big set pieces. There was no support for small encounters, like a pair of guards watching the entrance to somewhere, or a lone wandering monster. The way encounters were balanced didn’t allow for it. Everything had to be a Major Production.

No support for Theater of the Mind. I hope you like grids and minis, because 4e was unplayable without them. Now, for my campaign, we did have all the bits and bobs - minis, dungeon tiles, the occasional dry erase map for when tiles didn’t work - but sometimes it’s nice to just describe things rather than plotting them on a battle map. If something like Roll20 had existed back in the day, it would’ve been perfect.

The Christmas Tree effect was I n full force. Brought to us by way of 3.x, the game was balanced around players having exactly the right gear with the right bonuses in the right slots. Because of this, there wasn’t much room left for the fun miscellaneous items, because they didn’t have balance-able effects. At least it’s not as bad as Pathfinder in that respect.

Combat actions were very same-y. Almost every single one was Weapon Damage (sometimes 2 or 3 times) plus a movement effect or debuff. Sure, less repetitive than “I hit it with my sword”, but only just (and with good roleplay, even sword hits can be interesting).

Speaking of actions and moves, character creation and updates needed an app to be remotely manageable, especially as more options were added from more and more sources. (Side note: why split the “primal” classes like Druids into their own PHB, other than to make more money?)

A lot of these things are personal preference, and a couple of them seem like just being ahead of their time (like needing a character management app, or benefitting from a digital tabletop). Still, though, those forward-looking ideas bother me because they’re not optional. They’re not nice-to-haves; they’re practically requirements.

4e isn’t a bad system. If you want a fantasy grid-based tactical battle system that can inspire roleplay, it’s a solid choice. It’s just not what I want out of a game anymore. (But at least they did have books for on of my favorite setting, which both 3.x and 5e lack, so that’s something.)

I’ve lost four followers since this morning and while it’s most likely bots being cleaned up or people just coming to the shocking realization that most of my posts are bad, I think it’s funnier to think that people got mad about me calling D&D 4e the best WotC edition.

[dmsden]

A History Lesson - Looking back at D&D’s history

Hullo, Gentle Readers. Well, this is the 5th Monday in March, and that means I get to write about anything I want! It’s also my birth month, which means it’s my anniversary of getting into D&D (42 years!), and that has me feeling nostalgic. Coupled with a discussion I had recently with some friends, I thought it would be fun to look back at the various editions of D&D and give you all a bit of history. I’m not going to get into Gygax vs Arneson or any of that. I’m only talking about the published game itself, not its creators or its storied origins.

The original D&D (or OD&D as it’s sometimes called) came in a small box. It had three booklets inside - Men & Magic, Monsters & Treasure, and The Underworld & Wilderness Adventures - along with reference sheets and dice. Each was softcover and roughly the same dimensions as a DVD/BluRay case. The game was pretty rudimentary - for one thing, it assumed you already had a copy of Chainmail, D&D’s direct wargame predecessor. It also recommended you have a game called Outdoor Survival for purposes of traveling through the wilderness. It had only three classes - fighting man, magic-user, and cleric - and nothing about playing other races. It did have the insane charts that 1st edition would ultimately known for, and it was possible to play a pretty fun game of D&D with it, as its popularity would come to show.

The game expanded through similar chapbooks - Greyhawk, Blackmoor, Eldritch Wizardry, Gods Demigods & Heroes, Swords & Spells. With the exception of the last one, each brought new facets to the game - new classes like Thief and Monk, new spells, new threats. It was clear the game was going to need an overhaul, and it got one.

I consider this overhaul to yield the real “1st Edition”, as so much of the game didn’t exist in those original games. The game split into a “Basic” game, just called Dungeons & Dragons and Advanced Dungeons & Dragons.

The basic game was a boxed set that included a rulebook, a full adventure module, and dice...or, well, it was supposed to contain dice. The game was so popular and new in those days that demand for dice outstripped production. My copy of D&D came with a coupon for dice when they became available and a sheet of “chits” - laminated numbers meant to be put into cups (we used Dixie Cups with the name of the die written on it), shaken, and a random number pulled out without looking. It was meant to introduce new players to the game, so it was a trimmed down version. Races were human, elf, dwarf, and halfling, and classes were fighter, cleric, magic-user, and thief. The box only included rules for going up to 3rd level, with the intention that players would then graduate into AD&D. This is where I joined, with the old blue cover box set and In Search of the Unknown, before Keep on the Borderlands even existed.

AD&D was the game in its full glory. Along with the races I mention above, we got half-elves, half-orcs, and gnomes. The four basic classes also had sub-classes, like paladin and ranger for the fighter, druid for the cleric, illusionist for the wizard, and assassin for the thief. There were rules for multi-classing, as well as “Dual-classing”, a sort of multi-class variation for humans only, which, when done in the correct combination, could yield the infamous bard...which didn’t actually yield any bard abilities until around level 13 or so.

This edition had 5 different saving throws for things like “Death Magic”, “Petrification & Polymorph”, “Spells”, and so on. It had the infamous Armor Class system that started at 10 and went down, so that having a -3 AC was very good!  It also had specific attack matricies for each class; you would literally look on a table to determine the number you needed to roll on a D20 based on your class, your level, and your opponent’s armor class. It was fun, but it was very complicated.

It also had some, frankly, shitty rules. There was gender disparity in terms of attributes, which my group totally ignored. Because the game designers wanted humans to be a competitive the game, and because non-humans had so many abilities and could multiclass, non-humans were severely limited in the levels they could achieve in most classes. In fact, some classes, such as monk and paladin, were restricted only to humans.

As the years went on, things got a bit muddled. It probably didn’t help that the rules in Basic D&D and AD&D didn’t perfectly line up. In D&D, the worst armor class was a 9. In AD&D, the worst armor class was a 10. All of this led to an overhaul, but not one considered a separate edition. AD&D mostly got new covers and new books, like the Wilderness Survival Guide and Dungeon Survival Guide, Monster Manual 2, and the Manual of the Planes. It got a number of new settings, too. In addition to the default Greyhawk setting, we got the Forgotten Realms setting for the first time, details of which had been appearing in Dragon Magazine for years, thanks to the prolific Ed Greenwood. We also, eventually, got the whole Dragonlance saga, which yielded the setting of Krynn.

In this new version, Basic D&D broke off into its own game system to some degree. Elf, Dwarf, and Halfling started being treated like classes rather than races, with specific abilities at different levels. Higher level characters could be created using progressive boxes - Expert, Companion, Master, and Immortal, each with its own boxed set and supported by Mystara, a completely different setting that got its own updates over the years. It was odd, because D&D essentially was competing for players with AD&D, and I remember arguments with friends over which version was better (I was firmly in the AD&D camp.)

In 1989, when I was in college, they finally brought forth 2nd edition D&D. This streamlined things a little. Armor Class still went down, but now attack rolls boiled into a single number called To Hit Armor Class 0, or THAC0. It made the whole process of figuring out what you needed to roll a bit less cumbersome, but it was still a bit awkward. The classes got a lot of overhaul, including making Bard its own core class. But what I remember best about 2nd edition was the boom in settings. This was the age of settings, and many beloved ones got started, including Dark Sun, Planescape, Ravenloft, and Spelljammer.

It was also the age of the “Complete Handbooks”. They brought out splatbooks about every class and race in the game, as well as books expanding several concepts for the DM, such as the Arms & Equipment Guide, the Castle Guide, and the Complete Book of Villains. There were also splatbooks about running D&D in historic periods, such as Ancient Rome, among the ancient Celts, or during the time of the Musketeers. The game got new covers for the rule books again, and a bunch of books about options started coming out. It was a boom time for books, but many people complained there was too much.

Without going too deep, TSR ended up in severe financial troubles. They declared bankruptcy, and there was real fear of the game going away. And then Wizards of the Coast (WotC) stepped in. They helped TSR get back onto its feet, and they helped produce some modules specifically engineered to help DM’s bring an end to their campaign...possibly even their whole campaign world...because something big was coming.

That something big was, of course, 3rd edition D&D. The game got majorly streamlined, and many sacred cows ended up as hamburger. AC finally started going up instead of down. Everything was refined to the “D20″ system we’ve been playing ever since. Races could be any class. There were no level or stat limits for anyone. After years of the game being forced into tight little boxes, it really felt like we could breathe. I had stopped playing D&D, but 3rd edition brought me back into the fold. I often say that 3E was made for the players who’d felt constricted and wanted more flexibility.

The trouble with 3E, and its successor 3.5, is that it was still a dense and difficult game for newcomers to get into. It’s been acknowledged that D&D essentially created many of the systems we see and know in other games - experience points, leveling up, hit points, etc. But trying to break into the experience for the first time was difficult. The look of 3E was gorgeous, but I understood that it must seem awfully daunting to someone who’d never played.

4E and its follow-up, Essentials, was an attempt to course correct that. They tried to make this edition incredibly friendly to new DMs, and, frankly, they succeeded. By creating player classes and monsters and magic-items that were all very plug and play, they did a great job of creating a game that someone who had never DMed before could dive into with no experience or mentor and start a game pretty easily. Encounter design was given a lot of ease, and there were promises of a robust online tool system that would help out with many of the more tedious aspects of playing.

There was also a lot of shake up in terms of choices. Suddenly, new classes and races were proliferating like crazy. We got the dragonborn, the tiefling, and the eladrin right in the core book, but we said good-bye to the gnome and half-orc at first. Suddenly the warlock was the new class everyone wanted to try. We got paragon paths and epic destinies that would really shape a character as time went on. The game went very tactical, as well, which some of us loved. The concept of rituals came into the game. Later books like the Player’s Handbook 2 and 3 gave us back gnomes and half-orcs, and also gave us minotaurs, wilden, shardminds, and githzerai. We got new psionic classes, brand new class concepts like the Runeknight and the Seeker...

But there was a tremendous backlash. People felt that, in making the game so very plug and play, they’d taken a ton of choice away from the players. Without the tools (which were never that robust, frankly), it was almost impossible to navigate the massive panoply of options. And, worse, it was harder and harder to develop encounters without those tools. People complained that the game had gone more tactical in order to sell miniatures and battlemats. Given that I have never played the game without miniatures and battlemats (since I started in the days when D&D was still half-wargame), I found this odd, but I also understand my style of play isn’t everyone’s.

The one argument I will never understand is that it didn’t “feel” like D&D, or it was somehow ONLY a tactical game and not a role-playing game any more. Again, given that the original game didn’t even call itself a role-playing game, this felt odd. Personally, I roleplay no matter what game I’m playing. If I’m playing Monopoly, I’m roleplaying, doing voices, and pretending to be something I’m not. I honestly enjoyed 4E, and I know a lot of folks who did, too. A lot of it may simply come down to style of play. But I also enjoyed all the games that came before, including Pathfinder. To paraphrase the YouTube content creator The Dungeon Bastard, “Does your game have dungeons? Does it have dragons? Great. I wanna play.”

As a sidenote, in the months leading up to 4E’s release, a lot of internet videos were released by WotC emphasizing the nature of change and talking about differences in the rules. They also released some preview books showing the direction they were heading. WotC must have anticipated that people were going to find this edition very different indeed. They also cleverly brought in some very funny folks - Scott Kurtz from PVPOnline and Jerry Holkins & Mike Krahulik from Penny Arcade - and got them to play D&D for podcasting purposes. Looking back, this must’ve brought in a lot of listeners who might never have played D&D and given them a reason to try it out.

After its release, WotC clearly noted that missteps had been made, as this edition of the game was losing them players. They began work on what they referred to as D&D Next, and, this time, they did massive amounts of playtesting, some of which I participated in.

I don’t feel like I have to describe 5E to any of you, Dear Readers, as you could go to virtually any store and pick it up. I am a big fan of 5E’s simplicity and elegance, and I suspect this is the edition of D&D we’re going to have for some time to come, especially given its popularity. Given the effect of podcasts like Critical Role (and I might save an article on Critical Role’s importance to D&D until my next Freestyle article), D&D is likely more popular now than it’s ever been, with a much wider and more diverse audience than ever before.

I know I’m painting with broad strokes here, but I hope this was, at least, entertaining, and maybe you learned something, Gentle Readers. Until we next meet, may all your 20s be natural.

[feralphoenix]

SWEET DREAMS ARE MADE OF THIS: The Mechanics of the Infection

welcome back to feral’s essay tag where the hot takes don’t stop from keep being hot!

this particular meta has a Lot of citations from canon, and my plan is to have them as actual footnotes in the dreamwidth mirror when that goes up (as i always crosspost my meta there in case my layout text is too small for any folks accessing these from computer and not mobile).

CONTENT WARNING FOR TONIGHT’S PROGRAM: This essay contains discussion of body horror, cancer, and many of the darker aspects of Hallownest’s society.

ALSO, AS USUAL: I read Hollow Knight as anti-colonialist fiction and all of my meta approaches the text from that angle. This essay is strongly critical of the Pale King and Hallownest, and affords sympathy to pre-Hallownest societies & native characters, including Radiance. If you come from a Christian cultural background (regardless of whether you currently practice the religion or not), some of the concepts I am going to discuss may be challenging for you. Please be responsible in your choice whether to engage with this content, and also, be respectful here or wherever else you’re discussing this essay. Thanks.

SWEET DREAMS ARE MADE OF THIS: The Mechanics of the Infection

If you’ve ever looked through my Hollow Knight tags, you have probably seen me joke about the Infection like a lot, usually along the lines of Radiance casting Level 9 Inflict Tang on Hallownest, or “(radi voice) the End of EVA will continue until you Let My People Go” or some such. In addition to being some of the most beautiful body horror I’ve yet seen in fiction, its appearance also makes it a veritable meme factory.

It is also something that inspires a lot of very wild theorizing amongst fans, because canon tells us WHY the Infection exists but doesn’t ever directly explain WHAT it is. To name just a few of the guesses I’ve seen, people have posited that it could be some sort of pupa juice, or maybe some type of parasitic fungus.

I have my own guess, though, and it’s based on hints we can find in-game. I would like to share it with the class today, so let’s take a quick look through the sauce, starting with what we already know!

WHY

We learn why the Infection happened from Seer and Moss Prophet, and this is also summed up more directly in Team Cherry’s dev notes attached to Seer.

The Pale King wanted to be the only god of light in the crater,* so he tried to kill Radiance by thralling her children - attracting the moths with his light and making them forget about her,** assimilating them into Hallownest. Radiance survived because some moths still remembered and tried to preserve what they could of their original culture,*** and eventually she attempted to reassert her existence and communicate with the bugs of the crater by speaking to them through their dreams. However, the Pale King realized what was happening and ordered his worshippers to shut her out.****

Radiance did not give up, and continued to broadcast her message through dreams. This unstoppable force VS immovable object conflict could not last forever - something eventually had to give, and what gave was the mortals.***** The Infection was an accident that Radiance did not initially intend, but presumably chose to weaponize after the fact as a way to attempt to pressure TPK into releasing the moths and leaving her alone (or, barring that, a way to thoroughly destroy his kingdom at the very least).

SOURCES:

* “No blazing kin. Only one light shall shine against the dark.” - Lore tablet hidden beside the Pale King’s throne in the White Palace.

** “None of us can live forever, and so we ask those who survive to remember us. Hold something in your mind and it lives on with you, but forget it and you seal it away forever. That is the only death that matters.” - Seer’s 1200 Essence dialogue.

*** “But the memories of that ancient light still lingered, hush whispers of faith... Until all of Hallownest began to dream of that forgotten light.” - Seer’s 2400 Essence dialogue.

**** “The King and the bugs of hallownest resisted this memory/power and it started to manifest as the infection.” - from Team Cherry’s dev notes attached to Seer.

***** “Light is life, beaming, pure, brilliant. To stifle that light is to suppress nature. Nature suppressed distorts, plagues us.” - Moss Prophet's dialogue.

HOW

Now that we’ve recapped why the Infection exists, let’s examine the process of how the Infection works. We see some examples of this with various characters in-game, and the Hunter also shares his observations of the Infection’s mechanics in his commentary on the Infected Crossroads entries.

Since we’ll be bringing up the Hunter's Journal here, I want to first examine three entries to establish its dual authorship and how trustworthy it is: The Shade’s entry, the Lightseed’s, and Radiance’s.

We know that the bottom section of the Hunter’s Journal is the Hunter’s personal notes on each creature because the game itself tells us so. So who writes the notes on top that give a brief explanation of what each creature is? It’s a common fan theory that Ghost writes these, which I believe is indeed the case.

First let’s look at the Shade, which is automatically unlocked when we receive the Hunter's Journal in-game regardless of whether we have died and fought the Shade or not. Mechanically this is important because if the Shade weren’t unlocked by default it would be impossible to attain the Hunter achievements without dying at least once - this would REALLY suck for anybody who likes to suffer enough to try to complete the journal in Steel Soul mode.

The Shade’s entry reads:

Echo of a previous life. Defeat it to retake its power and become whole.

-

Each of us leaves an imprint of something when we die. A stain on the world. I don’t know how much longer this kingdom can bear the weight of so many past lives...

Notice that the top text knows exactly what the Shade is and how it works. In story terms, this would imply that Ghost has died and come back enough pre-game to understand the mechanics of how their revivals work.

The Lightseed’s entry reads:

A single-celled organism, completely infected. Scurries about simple-mindedly.

-

Strange air has been seeping down from above for years. Some of the air became liquid, and some of that liquid became flesh, and some of that flesh came to life. I don’t know what to make of it.

In this entry, the top text assumes that Lightseeds are a Lifeseed-like creature that has been infected, and the Hunter’s notes reveal that this is incorrect and the Lightseeds were actually born from the Infection itself. From this we learn that the top text isn’t omniscient and can be mistaken: It’s written from a limited perspective.

And here’s Radi’s entry:

The light,* forgotten.

-

The plague, the infection, the madness that haunts the corpses of Hallownest... the light that screams out from the eyes of this dead Kingdom. What is the source? I suppose mere mortals like myself will never understand.

Here, the top text has information that the Hunter doesn’t, and which only a handful of bugs are privy to anymore.

From these three examples, I believe it is safe to say that Ghost is in fact the author of the journal entries’ top segments.

It’s important to remember that the observations these characters make can be not wholly correct, and I’ll bring that up when I believe it to be relevant, but for now let’s build a picture of how a case of the Infection generally progresses by looking at the Hunter’s commentary on Infected Crossroads enemies, and at a handful of characters whose Infection we directly observe: Bretta, Sly, Myla, and Moss Prophet.

The Hunter describes the broad arc of Infection progression in the Violent Husk's entry: “First [the bugs of Hallownest] fell into deep slumber, then they awoke with broken minds, and then their bodies started to deform...”

The two NPCs who we can save from becoming Infected, Bretta and Sly, are initially found emitting orange fog and mumbling to themselves. In Bretta’s case, when listened to, she initially talks about being left behind and forgotten** as she assumes that all people will treat her this way even though she craves affection and attention; Dream Nailed either before or after being listened to, she mentions a “shining figure”.***

Meanwhile, Sly speaks about his pupil Oro and someone named Esmy, and when his symptoms subside he identifies that he was led to the Crossroads village ruins by a dream.****

Listening to Bretta and Sly completely brings them back to reality, after which they leave the underground area entirely to return to Dirtmouth. However, when the player encounters Myla after defeating Soul Master and obtaining Descending Dive, listening to her does not cause any change in her condition despite that she is not yet hostile.

During these encounters, Bretta is surrounded by orange fog, Sly is surrounded by orange fog and his eyes have also begun to turn orange, and Myla's eyes are glowing but there is no fog around her. So, we can deduce that for as long as the orange fog is present, a bug may still be awoken and cured (Bretta and Sly both show no signs of relapse over the course of the game), but once the fog disappears the bug can no longer be saved by external means.

The "deformation" that the Hunter mentions in the Violent Husk entry refers to the large blobs of Infection that develop on the bodies of creatures that have been infected for a long period of time. We observe these upon the Infected Crossroads enemies, as well as on Hollow and the Moss Prophet. We also see that these Infection tumors can eventually kill bugs once they grow too large and impede bodily functions, just like real cancer: The Moss Prophet and Mossy Vagabonds are all discovered in this state after the Crossroads become infected, as are the Husk Guards in the Crossroads.

So, the progression we can see here is that bugs become infected through their dreams, and while they can initially be woken, if left alone they will fall into too deep a sleep to wake up. Some time after this they will start to move around again but will be hostile to any creatures that are not infected. And, if left in this state for a very long period of time, they will develop tumorous growths which are potentially fatal.

Potentially fatal. This is an interesting contradiction to a basic assumption that most players - and even Ghost and the Hunter - seem to hold about the Infection: That is, that the Infection functions like a pop-culture zombie plague, and infected creatures are all undead (reanimated dead things that can't be killed); thus that the enemies that respawn after resting or going offscreen are the same ones that Ghost just murdered, and have simply been reanimated by the Infection once again.

But infected creatures can die of the Infection. What’s more, bosses and unique instances of generic enemies (such as Myla and the Moss Knight at the pier of Unn’s lake) do not respawn once killed. And it’s definitely not that Ghost killed them that counts: Traitor Lord dies whether Ghost fights him solo or whether Cloth is brought along, in which case she always gets the final blow. This creates the argument that the respawning generics are NOT in fact the same individuals reanimated over and over, but different individuals of the same enemy class, and that their different respawn rates speak to how plentiful those creatures are - small animals respawning faster because a new one will arrive in the recently killed one’s territory sooner, for instance.

Ghost and the Hunter both seem to assume that infected enemies are all undead - many creatures are identified as “husks” or “the remains of [whatever specific bug]” in the Hunter's Journal. But we’ve already established that sometimes Ghost and the Hunter are wrong.

So, if infected creatures aren’t undead, then what are they?

SOURCES:

* I find it a very interesting tidbit of characterization for Ghost that they refer to Radiance as the Light, as native bugs do, rather than calling her the Old Light, as Hallownest bugs did. This has some fascinating implications for where Ghost feels their allegiances to be, but that's neither here nor there right now lol.

** “Ohhh... please... don’t leave me behind! You... forgot about me...? I knew you would... everyone always forgets about me...” - Bretta’s dialogue, Fungal Wastes encounter

*** “...Shining figure...So bright...” - Bretta’s Dream Nail dialogue, Fungal Wastes encounter

**** “...ugghh, Oro you oaf.... You wield your nail... like a club... ...Esmy... how much deeper do we have to go... Oh! What?! Who are you?! ...I see. This old village. What a strange dream, to have led me down here! If you hadn’t found me, I don’t think I would’ve ever woken.” - Sly’s dialogue, Crossroads village encounter

WHAT

In a move very on-brand for Hollow Knight, there’s actually a line from Seer that gives the whole game away - and I mean this incredibly literally, she declares her loyalty to Radiance and says Fuck Hallownest and also hints at what she hopes for from Ghost all in two breaths!! - except that most players are never going to see this line because Seer only says this if you screw up platforming in the Forgotten Dream and yeet yourself off a platform before picking up the Dream Nail.

I do not doubt that I could wring a whole essay out of this one line by itself (and Seer deserves an essay from me so maybe I will), but today the part we’re concerned with is the third line of this dialogue, i.e. how she describes the Dream Nail to Ghost: “The power to wake this world from its slumber[.]”

Its slumber.

The Infection doesn’t only spread through dreams. It is a dream.

To put it in a more meta/video game mechanics sort of way, the Infection is a status ailment. Sleep exists as a common status ailment in RPGs, strategy games, and even some adventure games and platformers. Usually the status ailment of sleep is a mild nuisance that wears off after time, when a character is struck, or if the requisite curative is used; in comparison the Infection is Sleep But Bass Boosted. Appropriate, for a glorified status ailment that’s inflicted by the literal actual god of dreams.

The Infection can only be cured in the very early stages. Once an infected creature has fallen into a coma, there’s no longer any hope of a third party breaking the curse... and also, infected creatures sleepwalk. Violently.

This may also provide an explanation for why mummified bugs in the catacombs have been infected, too: If they were freshly dead and their lingering spirit was still attached enough to their corpses, and that lingering spirit retained enough of a mind to dream...

Aside from those mummified bugs, though, I believe it likely that most if not all of the infected enemies in-game are very, very much alive.

Beyond all the dialogue and lore crumbs pointing to the Infection simply being a cursed sleep, this explanation makes the most sense when thinking about Radiance as a character. She is the literal embodiment of dreams as well as the sun, so inflicting eternal slumber with bonus malignant sleepwalking is a natural extension of her power and a way to use it offensively without being directly violent.

(I've written about this at length elsewhere, but signs point to Radiance having been a pacifist prior to the Pale King’s invasion. Short version: The Moth Tribe were pacifists and Radiance was the center of their culture so it would be odd if she were an exception; she is incapable of inflicting any physical harm whatsoever in a game where lack of contact damage from an active enemy indicates helplessness and such enemies always flee from Ghost unless they have a tool they can use to fight with; her behavior in her boss battles indicates a lack of combat experience, and her nail-generating spells seem to be based on Hollow’s abilities. Real-life adult moths cannot fight - they defend themselves with flight, camouflage, mimicry, and I’m Poisonous So Fuck Off coloring.)

Now, I don’t want to downplay the harm the Infection causes - it doesn’t have to turn bugs into literal undead zombies to be devastating. What we can glean of Hallownest’s ruins suggests that as a state it was heavily dependent on labor to run its industry, so incapacitating the laborers would have turned the whole country on its head, especially because those laborers cannot be woken. The Infection also created an intense atmosphere of terror throughout Hallownest as bugs tried to discover ways to cure it or at least protect themselves. And as the Hunter observes,* because of how the Infection is caused, the harder you try to block Radiance out, the worse the Infection will get.

(A sidebar: Interestingly, the Infection's progress seems to be very slow when a creature willingly accepts it; Moss Prophet has Infection tumors when met but doesn’t die of them until the Crossroads is infected, though many Crossroads bugs are found dead of tumors immediately. Traitor Lord and his followers opted in to the Infection long ago, but Traitor Lord is still at the “orange fog” stage and could theoretically be cured, if he wanted to be. Both Traitor Lord and Moss Prophet are still completely lucid, too.)

Radiance may not have committed any direct violence against Hallownest, but the Infection does incite violence: infected creatures become hostile to and will attack the uninfected. And as we’ve discussed, the Infection itself can become fatal once it’s progressed far enough for tumorous growths to form.

A god smiting the shit out of her people’s oppressors by nonviolently but thoroughly disrupting their kingdom, Especially if that kingdom is a genocidal colonialist slave state,** as a Let My People Go And Leave Me Alone :) ultimatum is not unreasonable. (And Moss Prophet tells us point-blank that literally just listening to Radiance in the first place would have prevented the Infection before it began!) But despite that Hallownest as an institution is unambiguously awful, Hallownest bugs victimized by their own state (such as the maggot slaves and other menial workers) probably saw much less benefit from Hallownest’s genocides than the rich and nobility, and likely deserved the smiting way less than said rich and nobility.

Meanwhile Hallownest’s neighbors - all native nations who are just as much victims of TPK’s bullshit as the Moth Tribe - did not deserve to get caught up in the smiting at all.

Lateral harm in Hollow Knight is another topic that deserves its own essay - and more than that, lots of in-depth conversation! - but, again, that’s not the topic we want to focus on today. I do want to make it clear, though, that infected creatures being alive and theoretically wakeable if the curse should end doesn’t suddenly mean the Infection was actually no big deal. If you want your jimmies rustled, try Dream Nailing enemies that pull from the generic Dream Nail dialogue pool: They are on some level aware that they’re dreaming and can’t wake.***

Clues that the Infection is literally a dream are littered all over the game, from Elderbug’s initial dialogue**** to the name of ending 3, Dream No More - not only named that because that’s the ending where Ghost sacrifices Radiance’s life as well as their own to end Hollow’s suffering rather than only sacrificing their freedom.

Some of what Bardoon and Moss Prophet have to say about the Infection is suggestive of the nature of this dream, though. Moss Prophet appeals to their audience to find unity through the Infection,***** and Bardoon also remarks on this, though he cautions that this comes at the cost of being reduced to instinct.****** Dreaming does tend to come hand in hand with lack of inhibition and suggestibility, but I’m more interested in what Moss Prophet and Bardoon mean by unity, since infected creatures’ thoughts are different depending on what they are and what they were already doing while awake.

There's less specific hard evidence for this aside from how we can observe that Infection blobs are connected to Radiance, transmitting her heartbeat and birthing the Lightseeds, her unintended creations. But given that those blobs do originate from Infection fluid according to the Hunter... Radiance is not just the embodiment of dreams but the heart of THE Dream. So could the Infection be a forcible pseudo-immersion into that capital-D Dream, the Dream Realm itself?

Whether my hunch here is right or not, I can’t in good faith end this essay without bringing all y’all’s attention to absolutely my favorite bit of The Infection Is A Dream foreshadowing: The way multiple parties mention the fact that the Infection smells and tastes sweet.*******

You know... it’s sweet... it’s a sweet dream... get it.........

And now that you can no longer unsee that brilliantly awful pun, I think I'll see myself out!

SOURCES:

* “The infection that swept through Hallownest so long ago... they say that the harder you struggled against it, the more it consumed you.” - Hunter’s commentary, Slobbering Husk Hunter’s Journal entry.

** I’m referring, of course, to the maggots. See: “Weakest members of the kingdom of Hallownest. Generally looked down upon and forced to do menial labour.” (Ghost’s commentary) and “If they try to bargain for their life, just ignore them. They have nothing to offer.” (Hunter’s commentary) from the Maggot Hunter's Journal entry as well as False Knight/Failed Champion’s backstory. Remember also that maggots are the larval form of flies like Sly (you’ll see the resemblance if you compare Sly’s features to the maggot siblings’), meaning Hallownest employs child slavery. In more cheerful news Sly’s backstory must be absolutely goddamn wild.

*** “I’m not...Dead..” “Am I...Sleeping?” “I can’t....Wake up...” - Dream Nail dialogue from generic Hallownest bugs (Wandering Husk, Leaping Husk, Horned Husk, Husk Bully, Husk Warrior) and from God Tamer for some reason

**** “Perhaps dreams aren't such great things after all...” - Elderbug’s initial dialogue

***** “Embrace light! Achieve union!” - Moss Prophet’s dialogue

****** “Theirs is a different kind of unity. Rejection of the Wyrm’s attempt at order. I resist the light’s allure. Union it may offer, but also a mind bereft of thought... To instinct alone a bug is reduced...Hrrm...” - Bardoon’s dialogue (Listen four times, not counting other dialogue flags)

******* “A thick orange mist fills these walking corpses. It has a sweet, sickly taste to it. I find it foul. After you kill these creatures, I suggest you do not eat them.” - Hunter’s commentary, Husk Bully Hunter’s Journal entry, just for one example.

[taleasnewastime]

Flatmates | Part 1

Summary: You need to find a spare room after deciding to move out of your flat that you share with your best friend and her boyfriend. Stumbling upon an advert for a room that seems almost too good to be true, you decide for once to not over think and go for it. But who is the mystery flatmate you are now living with that you hardly see?

Pairing: Hoseok x reader

Genre: Fluff, angst.

Word count: 19.7k

Part 2

Warnings: Mentions of alcohol consumption (though just for fun). 

Authors Note: So, I wrote a thing and it turned out to be very long so I have decided to split it into 2 parts. The second part isn’t currently finished but it is not far off so hopefully won’t take me too much longer. This has taken me a while to write and it’s not perfect by any means, but I like it so whatever. It’s based off the same concept as the book “The Flat Share”. I hope you all enjoy it!

Flicking through the ads for a spare room seemed like second nature to you now. You felt like an expert on the topic. You could easily create a presentation detailing the common mistakes people made when advertising a room, how you could easily spot if something was too good to be true, and when someone was probably a hidden psychopath, just from what they’d written about their spare room. You could probably draw a map of the city and detail the average prices of a room in each area, how fast some rooms went in some areas compared to others and which areas were best to look at. Having lived in the city for two years you felt like you knew it pretty well, but as soon as you started to search for a room to rent you realised how little you actually knew about it.

When you moved to the city it was with your best friend Lily. You had rented a two bedroom flat together and the first few months were amazing, the whole two years were amazing, but after living in the city for just 3 months Lily found a boyfriend. So after he basically moved in with her, and you effectively becoming a live in third wheel, and even though you were the one to find the flat in the first place, you decided you should move out. You didn’t resent Lily for it, and it was your decision to move, but it still made you sad, the end of a chapter in your life. You would still be in the same city and would still see each other all the time but it felt like a new chapter, one where she was getting serious with a guy and where you were still single and sharing a house with someone. It’s almost as if you hadn’t left university.  

Finding a spare room was easier said than done. You had asked around at work whether anyone was looking for a flatmate but everyone was either in a serious relationship or already tied into a contract with other friends. You’d even been desperate enough to ask friends of friends, putting it out on your Facebook that you were looking for someone to live with hadn’t helped, so you turned to looking for spare rooms online.  

Again, this was easier said than done. But you still looked, every day and night refreshing your search in the hopes of finding the perfect room or roommate, not wanting the perfect room to slip through your fingers. You had even looked around a few places, one that was an actual dump, clothes and dirty plates laying around the flat, one that was nice but a bit small and a 40 minute commute to work and one that was almost perfect if not for the fact the other people living there were doing drugs as soon as you walked through the door.  

You had even wondered whether you should just up your search to find a flat of your own, you were on a good wage, you felt like a young semi-successful business woman, why couldn’t you have your own place? Well due to extortionate rent, that’s why. So after considering getting a flat to yourself for approximately 10 minutes it was back to looking at spare rooms.  

Continuing to scroll down a page listing rooms you reach the point where you had already seen all the rooms past that point. You pause and stretch your back, twisting your neck slightly to ease some tension, and reach to take a sip of your drink. You had decided to come to a coffee shop early on a Saturday to do some searching, finding you were way more productive and less likely to get distracted in the public place. And though you had been good so far, that didn’t mean you had found any results. Deciding to refresh the page one more time before giving up for a bit, you set down your cup.  

Scrolling to the top of the page you click refresh and watch as the pictures disappear for a second before popping back. You are shocked to see a new ad, one that wasn’t there a second ago. From the small icon it looked good, the description detailing a rough location and a price that seemed almost too good to be true. Clicking it to expand the details and see more pictures you were shocked at what you were seeing. A spare room in a flat that was probably double the size of where you currently lived, in one of the most sought-after areas in the city, and the price of the room wasn’t through the roof. You read through the details looking for some sort of catch but couldn’t see anything, just a number at the bottom of the page saying to call with queries or interest.

Instinctively you pick up your phone and type in the number given. This was so unlike you, normally someone to not make a quick decision, to mull over everything before acting, but even you could see that this could be something too good to miss. You were willing to risk looking into it more given how long you’d been looking, even if it was just to find out they’d accidentally missed a zero off the end of the rent price. It took 5 rings before someone answered the phone.

“Hello,” a female voice sounded out.  

“Hi I’m Y/N, I’m calling regarding the ad that has been placed on spareroom.com,” you put on your most formal, chipper voice.

“Oh, that was quick,” you can hear the surprise in the voice.

“Yeah, I guess I was just looking at the right time,” you say, not wanting to sound too desperate in admitting that you basically live on that site.

“Well, is there anything you wanted to ask? Any details I missed from the ad?” She asks.

“I was actually hoping I could come and have a look at the room. The pictures and description make it sound great but it would be nice to see it in person,” you reply.

“Oh, yeah, sure. I’ll have to have a look when it’s free,” she pauses and you can hear the flicking of pages as if she is looking through a diary. “You see it’s not actually my flat, I’m just putting it up for a friend, I guess. It’s kind of complicated actually, but I can talk you through it all when we meet,” her tone and what she says worries you slightly, you knew that there had to be some sort of catch. This was definitely too good to be true. “We could actually go look this afternoon if you’re free?” She says.

“That would be great,” you say. Even though there was some doubt seeping into your mind from what she had said you decided that it was still worth going to look around. The worst that could happen is that it’s awful and whatever complicated situation she was talking about was a deal breaker and then you would continue your search. But this complicated situation might not be that bad and then you may finally have a place to live. It was worth spending some of your Saturday looking around a flat, plus you got to snoop in someone's house which was always a perk.

“OK, I’ll text you the address and a time, I’m guessing this number is ok?” She says.

“Yep, this number is perfect. I look forward to meeting you later,” you say.

“I’m Rosie by the way. Should have introduced myself earlier,” she gives out a small laugh at her words. “Anyway, just come to the address later and tell the doorman you’re meeting me and he’ll point you in the right direction. I’ll put all of this in the text, don’t worry.”

“Great, see you later,” you reply before you both hang up.

Placing the phone down on the table you go over the conversation you just had. A doorman? The place looked fancy from the pictures and you could tell by the address that it was in a good area but a doorman? Maybe this place was out of your league.

Just as you are think this a text comes through and you look at the message.  

Hi Y/N, this is Rosie. It was nice speaking to you and I look forward to meeting you in person. As I said just let the doorman know you are looking for me and he will help you out.

At the end of the text she lists the address and you immediately open a new tab to look into the building. A few news stories pop up with a list of famous people who are rumoured to live in the building, a few pictures of them entering and leaving the building. Next there were a few websites that list the prices of the flats and you suck in a large amount of air, eyes widening at the price. You would never earn that sort of money in your lifetime let alone be able to spend it on a flat. Maybe Rosie was right when she said there was a complicated story behind this spare room. Why the hell was someone, that was obviously rich, listing their spare room for some stranger to live with them?

Looking down at what you were wearing and then at the clock you decide that you have enough time to rush home and change into something that could be classed as a bit nicer than your current attire. Almost slamming your laptop shut, you shove it into your open bag before downing your drink and rushing out of the café.

Your eyes pan up the side of the building, your head falling backwards on your neck so that you can see the top. It was shear glass and you imagine that the views of the city from the upper floors are beautiful. After taking in the building you look down and slowly move towards the door, continuing to question how you managed to find this place advertising a spare room. Glancing down at your phone and then at the fancy plaque by the door, you check for the tenth time that you are at the right place. Confirming the words do in fact match each other you reach for the door only for it to swing open for you, a man in a smart black suit holds the door and looks down at you. There is a small forced smile on his lips and you can see by the look in his eye that you would not want to be on the wrong side of him.

“Can I help you?” He questions, his voice just as stern as his demeanour.  

“Hi,” you almost stutter the words, intimidated by the man. “I’m here for Rosie. I mean Rosie said to meet her here?” Your voice is full of the nerves that are currently swimming around your stomach and you curse yourself for not asking what Rosie’s second name was.  

The small forced smile is replaced by a more genuine smile, the man's eyes softening as he looks at you. “She told me you’d be coming. Come on in,” relief washes over you as the man steps out of your way, holding the door open so you can enter the building.  

Giving him a small smile as you walk past him, you step into the lobby. The ceilings are tall and light floods in through the windows. There are a few sofas scattered for people to sit, some coffee tables with magazines and books on top. A small desk is by the door, some buttons and papers scatter the desk and you assume that is where the man who had just held the door open for you sits. At the far end of the lobby there are some elevator doors and placed around the edge of the room there are large leafed plants. If this was just the entrance to the building what the hell do the flats look like, you think. This room alone was nicer than any other room you had stepped foot in in your life. The doorman steps past you and heads towards the elevator and you slowly follow him.  

“You will be going to the 14th floor. When the doors open there is a small room, almost like a porch and there you will see the front door to the flat. Rosie is already up there so if you knock, she should come meet you,” he gives you the details after having pushed the button to summon the elevator and you nod at his words.  

There is a small ding as the doors open revealing a small mirrored room. Looking to the man for reassurance you step in and say thanks just before the doors close, leaving you on your own. You can feel your heart thump in your chest as you push the number 14. The elevator feels like it's hardly moving as it ascends and you rub your sweaty palms on your trousers as you near your destination.  

Just as the man described, when the doors open there is a small room. Again, a small sofa with some plants welcome you, just as they had in the lobby. Stepping out of the elevator you head to the door and knock hard before you can over think the situation you have found yourself in. It only takes a few seconds but each one feels like an hour before the door opens. A girl stands before you, her dark hair cascading over her shoulders, a well fitted black dress on, light make-up on her face. She beams at you as soon as the door is opened and you feel her energy infectious, a smile appearing on your own face as you look at her.  

“Hi, it’s Y/N right?” She says as she extends a hand for you to shake. “I’m Rosie, it’s nice to meet you.”  

“Nice to meet you too,” you say as you shake her hand, nerves slowly dissipating as you do.  

Stepping out of your way and holding the door open, much like the doorman had earlier, Rosie silently invites you into the flat. Taking a step in you slip your shoes off before looking around. The place looked exactly like the photos you had seen, if not slightly better.  

“So I thought I’d give you a quick tour and then we can have a chat and go over a few points,” Rosie says and you nodded.

You silently follow her around the flat, where she shows you the kitchen, a modern open plan space with a big island in the middle where you could sit and eat. A living room with a light grey square sofa that could easily accommodate 20+ people, this faced a TV that covered nearly half the wall. Then you moved onto a hall where you walked past several doors before she opened one that held a large bed and had an attached ensuite. The whole place seemed like it was over the top, there was everything you would find in a normal flat but it seemed to be doubled in size here. Pictures and art lined every room that you went into and the decor looked like it was straight out of a high-end magazine.

Walking around you felt like you didn’t belong here, it was the most amazing place you had ever seen and you were unsure what the catch was. You would never in a million years be able to afford a place like this. When you had seen your could be room, Rosie leads you back towards the living room but carries on past the door to another room. Set up as a snug come library of sorts, it was definitely your favourite room you had seen, it felt the homeliest and the view of the city was amazing, if you really focused you could make out your office and current flat.  

Rosie takes a seat on one of the armchairs and indicates for you to take one of the other seats.  

“So that’s a quick look at the flat. What do you think?” She asks.  

“I mean it’s beautiful. I’m kind of wondering why the rent is so low and why the spare room is being advertised in the first place,” you admit, hoping to get to the point quickly.  

“Yes,” Rosie sighs and looks out the window which makes your heart pick up in slight panic. “Well like I said I don’t actually live here I’m just doing this for a friend. And as you will have also noticed the flat is empty apart from us. Basically, the person who owns the flat, my friend, he is a busy man and doesn’t actually live here that much. He often is travelling on business for long periods of time and when he is in the city he works a lot so even then he is hardly home,” she pauses to gage your reaction which is pure confusion, unsure where this is headed. “Well he doesn’t like the idea of the flat sitting empty all the time. He wants someone to move in and live here, keep it clean, use the appliances so they don’t seize up or anything.”

“So he wants a live-in house sitter. The rent is so low because I’ll be expected to do jobs around the place?” You question, slightly confused by the explanation. Was this guy making the rent so low because he was expecting the person to almost work for him in return. You already had a job, you didn’t need to be coming home to work some more. “Could he not just hire a cleaner to come here every day?”  

“No, no, that’s not what I meant,” Rosie is quick to reassure you. “He just wants someone to live here. You wouldn’t be expected to do any jobs, if something broke then someone else would come and fix it just like in a normal contract. And a cleaner comes here once a week already, so you would only be expected to keep the place tidy,” she pauses again, obviously searching for the words to explain what she means. “He just wants someone to live here, to enjoy the space, to make it homely, to just appreciate the flat in the ways that he can’t.”  

You remain confused. The person that lived here was obviously rich, they were obviously successful, why would they want someone to invade their space just so that the space is enjoyed. Didn’t they want to enjoy the space themselves without someone lurking around. It didn’t really make any sense to you.  

“You would hardly see him,” Rosie continues seeing the unease on your face. “To be honest you may never meet him, like I said he is hardly here and when he is, he is a pretty private person.”

“That’s what's confusing me,” you admit. “I’m not going to lie, this flat is amazing and beautiful and I have never seen anything like this in my life and I don’t think I will ever be able to afford to live in a place like this. But if I could, I wouldn’t want anyone living here, even if I was hardly here, I’d want it all to myself. And the rent is so ridiculously low for a place this nice, he could be charging through the roof and still have people paying him to stay here,” you have to stop yourself from rambling, remembering that you are still being considered to live here, you didn’t want to blow your chances by saying the wrong thing or convincing them of raising the rent to a figure you couldn’t afford.  

“I think that’s the thing, he doesn’t want just anyone staying here, he wants someone normal. It’s not about the money for him, like you said he has money. Listen, I can’t speak for him about his reasonings for doing this, and to be honest I tried to convince him to not do it, like you said he could get any crazy living here. But I guess that’s my job, to find the best person to live here for him,” Rosie says.  

“And have I passed the checks?” You smile at her, the tension in the room lessening slightly.  

“I’m not sure yet,” she laughs faintly.  

“To be completely open and honest with you, I googled this place when you sent me the address,” she raises an eyebrow at your confession a small smile on her face and you can tell that she was expecting this. “It’s seems like a popular building, lots of well-known people living here. Am I allowed to know who my potential flat mate is?”  

“It’s a very nice building, and like you said lots of very famous people live here, but unfortunately the person who lives here is not one of them. Just some hot-shot business man,” you can tell the speech is rehearsed and you are unsure whether to believe her, but to be honest you are secretly glad it’s not a famous person. And it made sense they weren’t, a famous didn’t need some crazed fan living in their flat.

“Suits me,” you nod at her and you can see relief wash over her face. “To be honest I’m not the sort of person that is into the whole fame thing anyway. I don’t really keep up with the latest gossip or news about what people I don’t know are doing,” you admit, and it was true. Sure you could recognise some famous people and you could pick out certain faces from a line up, but that was just because it was impossible to avoid all celeb news. You honestly had no interest in what a person you didn’t know was doing with their life.  

“You don’t read TMZ and scour the internet over whether Taylor Swift has got a new boyfriend on your weekends?” Rosie says and you can hear the sarcasm in her voice.  

“I didn’t know Justin Bieber was married until last weekend, and I honestly have no idea who he is married to,” you admit and you see the smile on her face widen at your confession. “But then I do know who Leonardo Dicaprio is and I know he is into environmental issues and finally won an Oscar a few years ago,” you say with a shrug giving her an insight into your level of celeb knowledge.  

“But then who doesn’t know that,” she laughs at your statement. “So you may not even know if you bump into a famous person here?”  

“Honestly when I saw the list of names online there was a few a recognised but not many. I’d possibly recognise their face but may not be able to place it,” you say and she hums in response her faced scrunched in thought as she looks at you. You were being honest with her and you hoped she could see that and didn’t think you were saying all of this just to secure the room.  

After that the conversation moves onto some questions about you; where you work, why you are looking for a room, questions about cleanliness and general upkeep, normal questions someone would ask a potential new flatmate. When Rosie finishes her questions you both get up and head to the door, she stands at the door and watches as you call for the lift.  

“Thanks for coming today,” she says.

“Thanks for letting me look around so quickly. It really is a lovely flat,” you reply.

“I’ll be in contact with you to let you know our decision either way, obviously I will have to discuss this with Hobi,” she slips up and reveals the name of the man that lives here. You try to remain passive at the name though you can see the slight panic in her eyes at her mistake, though you honestly don’t recognise the name. “And there are a few other potential people that are going to come have a look around to,” she carries on as if nothing had happened.

“Of course, I don’t expect it to be a quick decision,” you say. “Do you have any idea when I’ll hear by?”  

“I’ll get back to you by the end of next week,” she says.

You nod at her and hear the ding of the elevator from behind you.

“It was nice to meet you. I look forward to hearing from you,” you smile as you back into the elevator.

“You too, Y/N,” Rosie says before the doors close.

As you stare at your reflection in the mirror heading down to the lobby you are a bit in shock. What the hell was that place and who the hell was this Hobi that owned a flat that he hardly lived in? The situation all seemed so strange, something you could never have imagined. As you head down to the lobby you imagine living here, and as amazing as it was you wonder whether it is even somewhere that you’d ever feel comfortable. You feel out of place just stood in the elevator and would probably walk around on egg shells in fear of breaking anything in the flat. It was all in Rosie and the mysterious Hobi’s hands now so there was no point even thinking about it until you heard a reply, you reason as the doors finally open to the lobby.  

“So let me get this straight. Some rich ass man wants you to live in his expensive ass house where you will basically have the place to yourself and all you have to do is make sure the place is tidy?” Lily says.

“I mean, kind of yeah,” you reply.  

After meeting with Rosie you had come home and after changing into some comfier clothes you had collapsed on the sofa and told Lily about your crazy day.  

“When do you move in?” You can hear the excitement in Lilys voice.  

“I’ve already told you, today was just me looking at the place. They need to tell me if they want me first and then I have to decide if I want to live there,” you explain for what feels like the fiftieth time.  

“I’m still not understanding why you would turn down this offer. It sounds too good to be true, an amazing flat that will basically be yours for basically shit all money.”

“That’s the point,” you sigh, your brain slightly aching from all the thoughts that had been running through your head since you left the flat. “It’s too good to be true, there has to be some sort of catch.”

“And what if there isn’t? What if it is exactly how it looks? You over think everything Y/N, please just this once don’t over think it,” Lily pleads.  

“I’ve not even been offered the room yet,” you say, but when you look at Lilys face you give in. “But fine. If they offer me the room, I promise I will not over think it.”

Lily squeals slightly and leans in to give you a tight hug. “I can’t wait to see this amazing flat,” she says into your ear.

You simply roll your eyes at her, unwilling to correct her statement, you may never move in.

Over the next week, however, you can’t get the flat out of your head. You continue to look at possible rooms online, as you still might need to find something, but as you scroll you never really take in anything, nothing living up to what you had already found. By the Tuesday you all but stop looking, deciding that if everything falls through and you don’t get offered the room then you could pick up your search again. A few days off wouldn’t kill you.

But your lack of searching only increases your thoughts of the flat. You remember the details of the city out of the window, it never looking quite as beautiful from where you stood on the ground. You remember the big kitchen, and curse whenever you were in your own and Lily walked in, making it feel cramped. You remember the room that could be yours, the bare walls and how you would decorate them, the big bed you could be sleeping in, the shower that would surely have amazing high pressure that wouldn’t cause the water to be just a trickle. You remember the little snug room that you spoke to Rosie in, the books and CDs that lined the walls and the different comfy chairs that all had contrasting patterns. As much as you tried not to think about it, you couldn’t get it out of your head.

What you also couldn’t get out of your head was this mysterious man. Though you had caught the name when it slipped out of Rosies mouth you decided to respect his privacy and did not look into the name. If he wanted to remain unknown then so be it, as Rosie said you would probably never meet him anyway so it made no difference to you. And although Lily had asked several times you only told her that you didn’t know who owned the flat and that it was just some business man, that is essentially all you knew anyway.

As the week started to draw to a close you became more and more attached to your phone. Any notification or noise that came from it sent your heart racing at the possibility of it being Rosie. Yet none of them were her. As Sunday started to draw to a close you gave up hope entirely. To be honest you had expected to hear by Friday night so the fact it had been two whole days and you still hadn’t heard anything, you had essentially given up hope.

By Monday you were slightly annoyed. After work you opened up your laptop and started to scroll through your frequented websites in search of a possible new room. You were annoyed that Rosie hadn’t even messaged you to say that they weren’t offering you the room. When you had left her she had said that she would let you know either way, yet here you were without a word.

You became slightly grumpy at home too, pushing your bad feelings onto Lily and her boyfriend Eddie. Every time you caught yourself snapping or being moody you would apologise, but Lily understood and didn’t blame you for your behaviour. You were in a complete funk by Tuesday evening, annoyed at yourself now for getting your hopes so high. You should have been realistic and realised that the flat was too good for you. That of course they would offer it to someone else. That you were right from the start, you didn’t belong in a place like that.

As you sit on your bed your phone rings, you didn’t even look at the caller ID before answering, head somewhere completely else.

“Hello,” you say. Hearing your own voice sounded weird, it came out flat and devoid of emotion, not your normal self.

“Hi, Y/N? It’s Rosie,” you perk up at the voice and have to pull the phone away from your head to check the number. Sure enough it was Rosie. “Have I caught you at a bad time?”

“No, no, sorry,” you stutter out, coughing slightly to make your voice sound more normal. “Sorry, I wasn’t expecting a call.”

“That’s my fault sorry. I said I’d let you know by last week and it’s my fault entirely that I am so late, there’s been a lot going on recently. But again my fault, no excuses,” she says.

“No, it’s OK,” you reply, feeling your bad mood drift away, only to be replaced by nerves. The anticipation of what she was about to tell you made you feel like you were back at school waiting for your exam results, were you going to pass and feel elated or fail and go back to your funk.

“So, as I assume you have guessed, it’s about the room you viewed the other week,” she explains as if you have no clue what is going on. You remain silent letting her fill it with an answer. “So I have spoken to my friend and as I said we did have some other people come and look at the flat, to be honest we had quite a bit of interest,” her words were not filling you with hope and you had to will yourself to sound positive when she lets you down. “But me and my friend both agree that you would be the perfect match and he would like to offer you the room.”

You almost drop the phone at her words. Your mouth pops open in shock, eyes go wide as you stare at the wall in front of you. No words escape your mouth and your brain fails to come up with anything to say. The line stays quiet.

“Obviously if you have found something else in the meantime, we understand. As I said it’s completely my fault for getting back to you so late,” Lily fills the silence.

“No,” you managed to say when there is another pause for you to speak. “I mean yes,” you almost shake your head in an attempt to get your brain to shift into gear. “Sorry. I mean you don’t have to apologise. And yes, I would love to accept the offer,” you are shocked at how calm your voice sounds as you feel anything but calm. 

“Great, that’s amazing, Hobi will be so pleased,” she says the name this time with purpose as you will now be sharing a flat with him. “I’ll have to draw up some paper work which we can go through together, and there will be a few house rules that I should tell you, and I’m sure you will have lots of questions. Otherwise, I think everything is all set up for you to move in.”

“Great,” is the only word you can think to say as already everything seems to be moving at break neck speed.

“I’ll get everything sorted and text you about meeting up so we can go through everything,” Rosie says.

“I look forward to it. Thanks for getting back to me,” you reply.

“I promise I won’t leave it so long this time,” she laughs down the phone.

You both say your goodbyes before you hang up and drop the phone on your bed in front of you. Sitting there for a minute in silence, you stare at the wall, your mind seemingly racing but also unable to have any thoughts. After a second you leap into action, quite literally jumping off the bed. Running out of your room you start to scream Lilys name.

“What is it,” Lily burst opens her bedroom door, popping out into the living room just as violently as you had seconds ago.

“I got the room,” your voice is still loud and sounds out around the room.

“Oh, my, effing, god,” Lily stomps over to where you are stood and engulfs you in her arms. Looking over her shoulder you see Eddies head poke around the door.

“What's all the screaming about?” He says.

“She got the room,” Lily screams your earlier statement, jumping up and down with you still in her arms. You both laugh as you spin around in circles.

“What room did she get?” Eddie questions, still stood in the door way.

“THE room. I told you about this. She got the room,” Lily says, pulling away from you to look at Eddie.

“Oh right, the room,” Eddie says, and you are unsure if he is saying it just to appease the two of you. “Congrats Y/N,” he gives you a smile.

“Thanks, Eddie,” you say. “Hey, shall we pop something open? To celebrate? Me moving out, you guys finally having your own place, lots to celebrate.”

“Hell yes,” Lily replies, already walking over to the fridge to get something to drink.

It had been a mere two weeks since you had the call with Rosie to say that you had the room and in that time you had packed up your belongings, signed the paper work that Rosie had set up for you and gotten the keys to your new flat, well the room within the flat.  

When you had met up with Rosie she had gone over some of the things that your flatmate would be expecting from you. How he expected the flat to remain tidy, he didn’t want to come home to dirty dishes left out or dirty clothes dumped over the flat. He wanted all his things to stay where they were, you weren’t allowed to go into his room or two of the other rooms that Rosie hadn’t shown you on your tour. She gave you details of people to call in the cases of emergency, of people that would come round to the flat such as the cleaner, and let you know the doorman was called Keith and he could help with almost anything. The only number she didn’t give you was that of your new flatmates. She told you that overall Hobi had said to make yourself at home and to treat the place like it was yours. Though after all the rules she had listed you felt like you may struggle to do that.

At the end of your meeting though you signed the documents and she handed over the keys to the flat. She gave you a date that you could move in and said she would meet you there to make sure you settled in and check that you had no final questions. As you left the meeting you felt like the whole thing seemed very formal, it felt like you were buying the flat not renting a room, even when you had rented your flat with Lily you hadn’t had to jump through this many hoops. You had just over a week to pack up all your belonging and move into your new flat.

That’s where you stood now, with Lily and Eddie outside your new building, each with a couple of bags in your hands.

“I kind of thought you guys were joking when you were describing this place,” Eddie says as you all head towards the door.

“I’ve seen pictures and even I thought Y/N was joking,” Lily says.

“I’ve been here, and even I thought I was joking,” you laugh with them.

Keith, the doorman, opens the door for you as you approach and welcomes you in, obviously now informed on the fact you’d be a new resident. Thanking him you make your way to the elevator and after all cramming in with the bags you had, you head up to the flat. You excitedly pull out your new key and twist it in the lock, and sure enough the door swings open. You give a small squeal as it does, it all finally hitting you that this was real.

“This is fucking insane,” Lily says after she dumps the bags she was carrying at the door and starts wondering around the flat. “Like fucking insane,” she emphasises, opening random doors in the kitchen. “Theres actual food in here,” she says.

“It’s almost like someone else lives here,” you say in mock wonder.

“But can you just help yourself?” She asks as she continues to open every door that is within reach.

“I have no idea. Rosie is coming over at some point so I’m sure we can clear all that up,” you reply. “Anyway, stop snooping. I want to give you both a tour.”

You grab her hand and start dragging her around the flat, Eddie diligently following you both around. They are both the perfect people to show around, providing the right sound effects when needed, ooing and ahhing when you open a new door. You end the tour where you had with Rosie, in the snug and you each take a chair.

“I will never stop saying how amazing this place is,” Lily says. “Maybe I should move in and you can stay in the flat with Eddie.”

“Hey,” Eddie mocks offense. “I think I should move here and you two can go back to sharing the flat,” he jokes and you both laugh.

“The one big thing I notice is a lack of pictures,” Lily says and you nod, having noticed the same thing. There were paintings and pictures on the wall but those were art, no personal pictures, no pictures of friends or family or of the man himself. “Do you not think that’s a bit strange?” Lily questions.  

“Maybe he prefers art, I know people who don’t have pictures in their houses,” you defend your new flatmate.  

“Name one,” Lily challenges and when you don’t offer any answers she carries on. “Maybe they’re in those secret rooms that we’re not allowed in.”  

“You mean his bedroom,” you roll your eyes at her. “I wouldn’t want him going in my room when I’m not here,” you reason.  

Lily puts her arms up in defence, doing a fake surrender. “Well the place is amazing,” she moves the conversation on and you’re glad of it.

“It’s pretty sweet,” you reply.  

“I will miss living with you though,” Lily says with a small pout.

“We’ll still see each other all the time though,” you reason with a smile and she gives a reassuring nod.  

Lily and Eddie help you unpack your belongings in your room. You hadn’t bothered to bring any pots and pans or plates as Rosie had said all of that was communal and you were more than welcome to use it. You had also left behind some of items that would be too big to fit in your room, deciding that the flat was fully furnished anyway and the stuff you owned would look cheap. So, it didn’t take the three of you long to unpack.  

As promised Rosie popped round at one point to go through a few final points with you, show you some things she had missed on the original tour and answered any questions you had.  

Eddie and Lily stayed for some food, otherwise they headed home and left you alone in the flat for your first night. The place felt big, bigger than normal, when you were along in it and after clearing up the food you decided to just stay in your room, the living room feeling too intimidating for you on your own.  

It had been a few weeks since you moved into the flat. The first few days you felt like you were tip toeing around, not wanting to touch anything or put anything out of place in fear of getting some sort of telling off. After a couple of days and after seeing no one in the flat you started to care less, it started off small, not putting pots and pans back perfectly, leaving a book on the side, leaving one of your blankets on the sofa. And after no one magically appeared to tell you off, you started to care less and less. Sure, you kept everything tidy and in its place as promised, but you stopped caring about everything being perfect.  

Though you started finally living as if the flat was somewhere you lived and not just somewhere you slept, you did start to feel lonely. Having always lived with someone it felt weird to come home from work and the flat be empty. Weekends when people were busy were hard, having to stay in a flat that was so quiet. You enjoyed being able to speak to someone, to walk out of your room at any moment and be able to just say hi to someone, to ask a basic question, to laugh at a film together, to comment on something that had happened in your day. You had to admit it, you missed actually living with another human being.  

It was late on a Tuesday night, you were tucked up in bed and just about drifting off to sleep when you heard the front door slam close. You jump up in bed and pull the covers tighter around your frame. Your sleepy mind not comprehending what was happening in the moment, you listen for further sounds to confirm your suspicions. Sure enough, someone was in your flat as you hear footsteps sound out along the hall outside your room. It take you far too long to connect the dots and realise that it was your flatmate and not some random person breaking in. Slightly embarrassed at the fact that you had completely forgotten that you don’t actually live alone, you stay sat in bed with your covers wrapped around your frame unsure what to do. Should you go out there and introduce yourself? Should you stay hidden away in your room? Would he even remember that he had a flatmate, or will it have slipped his mind just as it had yours? What if he came in here because he had forgotten too and sees you sat in bed?  

As the thoughts and possible scenarios run through your mind you continue to listen to his movements. You could hear him dragging a suitcase to his room earlier, and now you hear his footsteps making their way back towards the kitchen. Seconds later you hear the distinctive noise of a plate being taken out of the cupboard and placed on the side. He must have got some food from somewhere. Finally, you hear him head towards the living room and briefly hear the TV before the volume is turned down. It’s then that you realise that of course he has remembered you live here, and unlike you he is not being weird about the situation, instead being considerate and trying not to be noisy.  

Laying back down in the bed, you turn and pull your knees into your chest. The adrenaline still pumps through you from the thought of your flatmate being so close. If you were to just open your door to go and get a glass of water you might see him, might finally get to meet the man you had thought so much about. But even that simple act caused nerves to wrack through you. Him coming home this evening was so out of the blue you didn’t feel mentally prepared for a situation in which you meet him. Though you would never know his schedule, the fact you had no way of contacting the man not helping. Instead, you decide that sleep is the best option, chickening out of trying to meet him. It doesn’t come easily but eventually you do fall asleep.  

The next day you wake to your alarm and as you get dressed for work you almost forget that you may not be alone in the flat. Once you open your door and head for the kitchen however it becomes blaringly obvious. Although everything is clean and put away, you can’t help but notice how things have moved. Again, you start to tip toe around the flat, quickly making and eating your breakfast before tidying away. You are unsure if the man is even still here, but if he was you didn’t want to do anything to disturb him. Being ready for work in record time you leave.  

By Thursday night and after having heard the late-night entrance of your flatmate for two consecutive nights you decide to leave him a note. You had made too much pasta for tea, which was a common occurrence, but rather than Tupperware the excess up and store it for a future meal, you decide to plate it. It was a spur of the moment decision and as you look at the two plates in front of you, you wonder what you were doing. What if he didn’t even come home tonight, maybe he’d gone off on another business trip. You stop yourself from over thinking and decide to just go with it, if he wasn’t here then you could just have the pasta yourself tomorrow.  

After eating your meal, you place the spare plate in the fridge and then go in search of something to write on. It doesn’t take you long until you are back in the kitchen with a post-it note in your hand. Now it was time for you to over think everything you could possibly write down. Should you go for, made too much food, left you some. Or maybe, hope you didn’t have too hard a day, food in the fridge. They all sounded personal, as if you knew the guy, which you definitely didn’t. You spend a good 10 minutes thinking of all the things you could say and all of them sounded personal, you decided that there was no way around it so just settled on: There some pasta in the fridge if you want it.

Trying to not back out of it you place the note on the counter in a place that couldn’t be missed if you walked in the room, and then you left the room in a rush, as if you might be caught doing something you shouldn’t be. Watching a film in bed, one ear listening out for your flatmate, you eventually fall asleep without hearing any noise. 

Getting ready for work the next morning and walking into the kitchen you see a note on the side. He must not have come home last night you think as you head over to get rid of the note. As you get closer however you notice that it is not your handwriting on the note. Instead a gentle scrawl is on the page. 

Thanks, it was delicious.

Four words. Yet your heart manages to pick up speed in your chest due to nerves. Opening the fridge, sure enough the pasta you had put in there the night before was gone. A smile comes to your face at the thought of your flatmate enjoying the food you made, and you are glad that you decided to leave the note. 

Over the next week the food cooking and note leaving continue. You still had not seen anything of the man, but you would hear his late night clangs as he came home from work. You started to wonder what it was he did that meant he got home so late. But, although you were unsure, he would still be in bed when you left for work, so maybe he just had a weird shift pattern compared to you. Every morning you would wake and look forward to reading the notes he left you. They started to get longer, as yours had, he started to give you ‘tips’ or requests for how to make it better next time. Things like less spice next time, please and the peanut sauce was great, add more next time! They never failed to bring a smile to your face, and over the week where the exchanges happened you felt your mood picking up, deciding maybe the flat wasn’t so lonely after all.  

It had been two weeks since your first post-it note exchange and as you walk into the kitchen you can't help the smile that comes to your face at the sight of a new note. The smile falters slightly when you read the particularly long note however.

Delicious food, as always, next time you could add some mozzarella to the top? Won’t need food for the next few days, though I will miss it, off on a trip for work. Also, it still feels like I live here alone, where is all your stuff? Please feel free to move anything around or put up your own pictures. “See” you in a few days.

There was so much to take in. Your heart sank slightly when you read that he was going away again, the weekend was coming up and though you hadn’t seen him the previous weekends, part of you hoped that you would bump into him, thinking the weekend was the most likely time for it to happen. He hadn’t said how long he was going away for, just a few days, which could be anything from 2 days to a week. You wish you had a way of contacting him outside of these notes, you wanted to ask when he would be back so you could go back to leaving him food. The thing that really got you though was that he wanted you to add your own stuff to the flat. So far the only item that was yours outside of your room was a stray blanket, and even that wasn’t very you, having chosen the most beige one you could find that would fit with the décor. Pulling out your phone you open your messages with Lily composing a text.  

Y/N: Fancy coming to the flat this weekend to help me decorate?

You get a reply almost instantly.

Lily: I thought you would never ask. I’ll come Saturday with some wine and pyjamas.  

You smile at the text, that’s why you loved Lily, she was never shy and said exactly what she wanted.

“So you still haven’t met him yet?”

You were sat in the flat after having a day of shopping with Lily. Your purchases were still in bags on the floor as you sit in the living room.  

“No,” you confirm.  

“But you’ve spoken over post-it note?” Lilys face scrunches slightly at her words showing how weird she finds the situation you are in.  

“It’s just notes about things around the flat, like if I leave him food or something,” you shrug trying to normalise the situation. “I don’t have any other way of communicating with him.”  

“Maybe you should just ask for his number then.”

“He obviously doesn’t want me to have it or Rosie would have given it me from the start.”

“But now you actually live here and have for just over a month, maybe he’s changed his mind.”

You just shrug at her statement not knowing how to reply.

“Or you could just meet him,” Lily pushes. “You said you hear him come home. You could easily just come out of your room and introduce yourself.”

You regret ever telling Lily any of this, mainly because you know she has a good point. You could easily just walk out of your room and introduce yourself and not make it weird. But you knew yourself and you knew you would make it awkward and uncomfortable, just the thought of doing it brought out a cold sweat.  

“Yeah, not going to happen,” you say.  

“You’re going to meet him one day,” she says. “Why don’t you just do it now, on your own terms rather than when you are least expecting it.”

Again, she had a good point.  

“We’ll see,” you respond as a way to show that you were not going to give in and wanted the conversation to move on.  

“Alright, but when you do eventually meet him, you know I want all the details,” she says.  

“That’s the only reason you want me to meet him isn’t it, so you can finally know what he looks like,” you roll your eyes at her.

“It’s killing me. How is it not killing you? How do you not just want to see what he’s like?” She asks and you can hear the desperation in her voice.  

“You have a boyfriend,” you laugh at her.

“I didn’t say I wanted to get with him,” it was her time to roll her eyes at you. “I don’t care if he’s ugly or the hottest guy on planet earth. Are you not the smallest bit curious what he looks like?”

“He could be some old man for all I know,” you reply, trying to act indifferent, though you agreed with Lily, you were dying to know who you were living with. You had images in your mind of what the guy looked like, and with the lack of pictures around the house, your imagination grew even more, some days picturing some hot business man, other days imagining an older gentleman with a long beard.  

“An old man living in a house like this?” Lily flings her arms around for effect. “No, he’s 30 max.”  

You hum in agreement. “What do you think he does then?” You give in and start to play along with Lily.  

“Some hot shot banker? Or maybe a lawyer,” Lily throws out some guesses.  

“Or a spy?” You do a fake gasp.  

“A spy who lets some random woman come and live with him? I think not,” Lily laughs.  

“He is always travelling. Off chasing all those bad guys,” you laugh along.  

“Humm, living with James Bond? I could be on board with that idea,” she nods, a wide smile on her face.  

“James Bond it is,” you agree, your face mirroring hers.  

“So come on then, how are we changing James’ flat?” She stands up and heads over to the bags of stuff you had bought.  

You both spend the rest of the weekend changing around items in the flat. You don’t go wild and change anything too dramatically, small changes here and there, a few more vibrant coloured cushions on the sofa, some colourful blankets, a few more house plants strategically placed. You added a fruit bowl in the kitchen as well as some more jars on the side full with teas and coffee, a vase that you could fill with flowers on the kitchen island. You did change one piece of art, taking down the piece that you hadn’t liked since you first arrived, a dark colourless abstract painting. You placed it by your flatmates bedroom door so that he could decide what do you with it, placing a note on top of it that just read: you did say I could change things around.  

As promised Lily stayed the night and you were so glad she did, having the best time with her. You drank wine, watched films, talked and decorated the flat. It was the best you had felt in weeks and by the time she left on Sunday you felt like you were more at home. Walking around the flat you were glad that the man had suggested you put your own stamp on the place. Though you were no longer tip toeing around you still had a feeling that you didn’t live here. But now looking around you felt like you finally lived here, like you could relax.  

There were no new notes over the next week, the painting and its note remained outside the mans bedroom, indicating he hadn’t returned. The few days he said he would be away obviously meant longer than the weekend you had assumed. You didn’t mind, with the flat feeling more homely you felt like you relaxed more into the space, spending less time cooped up in your room.  

When you woke up and went to the kitchen each morning your heart would drop when there was no new note however. Though you always wondered why, they were always short thank you’s, maybe the occasional longer note about something in the food he enjoyed or would change, never anything that special. You reasoned that the feelings were just because it made you feel less alone in the flat.

Eventually though the notes returned. Walking into the kitchen one morning you saw the distinctive post-it note lying on the counter top and had to stop yourself from running over to read it. Picking it up you read over the now familiar handwriting.

I’m back. The place looks a lot better. You were right about that painting, I have always hated it and don’t know why I kept it up for so long. Yours looks so much nicer.

The smile that you were suppressing came to your face. Such a simple note with hardly any information, yet it lifted your mood instantly. You were glad that he liked what you had added to the flat. It was his suggestion in the first place, but a small part of you did worry he would change his mind when he saw what you had done. Your style did seem brighter than his, apart from the much-loved snug room which you had not changed at all.

That evening you did as you had been doing whenever you knew your flatmate was home, you cooked extra and plated it up for him, leaving a note to let him know on the side. The days passed like this, you leaving him food, him leaving a thank you note in the morning. The notes started to get longer in length, sometimes you would find notes in other places around the flat. A note on a DVD recommending you watch it, a new colourful cushion with a note on it saying that he thought it would go with the ones you had added, some ingredients in the kitchen with a note asking if you could make a certain dish that evening. You returned the notes, leaving reviews of the films he had suggested, recommending books in the snug, adding your own in the collection that lined the walls, leaving notes on a new plant you bought that detailed the plants name and a fake greeting from said plant.

The post-it notes became an almost scavenger hunt, your heart leaping every time you saw the bright colour from corner of the room. Though you had still never met the man, you feel like you were slowly getting to know him better. Though you could walk past him in the street and not realise it was your flatmate, you knew what foods he liked, his favourite films and that he was prone to over loving plants accidentally killing them.

It was a Tuesday when you woke up early, your body aching all over. Your throat felt like it was on fire, your chest tight. You had felt a bit rubbish the night before but had gone to bed early and thought you’d wake up fine this morning, but as you lay in bed you felt like pure shit. Literally rolling out of bed, you groan as your feet hit the floor. You attempt to head to the kitchen but only make it so far before deciding to go lie down in the living room instead.  

As you lay there, you wonder why you moved from your bed in the first place, it was much comfier there. You attempt to go back to sleep, having a few hours until you needed to get ready for work. This goes out the window fairly quickly as your body feels like it’s on fire, your head pounding, your limbs aching. You hadn’t felt like this in so long and you are unsure what had caused you to become so ill, and for it to get this bad so quickly and out of nowhere.

Getting up again you make it to the kitchen just to down some paracetamol and water before heading back to the sofa. Laying down you flick through Netflix, shoving a random film on in the hopes it would lull you to sleep. Opening your phone you text your manager, apologising for the hour but saying that you didn’t think you’d make it to work. With that you watch the film and it's not long before you drift back into sleep.  

You wake hours later, the film long finished, TV off and a blanket over your body. Your mind struggles to function as you blink at the bright light streaming into the room. Your body still aches and you head continues to pound. Sitting up you catch sight of the cup of water and pills on the coffee table, a distinctive bright post-it note next to it. The temperature you were running at made it near impossible but your face still manages to heat up when you realise what had happened. Shrugging the blanket off, which you now realise you didn’t fall asleep with, you lean over to grab the water and pills, taking those before doing anything else. Taking a deep breath, you pick up the note your flatmate must have left.  

Left you some water and paracetamol, looks like you might need it. Theres soup in the fridge. Don’t worry about cooking tonight.

The note confirms your suspicions that your flatmate must leave for work after you. It also confirms that he must have found you asleep in here this morning and put the blanket over you. Your face remains hot at the thought, not just because you were running a temperature. You’d never met this guy and the first time he sees you is when you feel like crap and are passed out on the sofa.  

The next thing that has your mind racing is the fact that he said not to worry about cooking tonight. Why would you cook in your current state? You had obviously got into the routine of you cooking him dinner, but surely he wouldn’t want to eat anything you made in fear of contagion. He probably just wanted to make it obvious that he wasn’t expecting any food that night.  

You don’t think about it for too much longer, your head starting to not hurt as much, the paracetamol you took earlier slowly kicking in. Putting something random on the TV again, it isn’t long until you fall back asleep.  

Waking up from what felt like a deep sleep, you already feel slightly better, the sleep helping. Without opening your eyes you hear the noise of the TV and are surprised that anything is still playing, it felt like you had been asleep for hours, but maybe it hadn’t been that long and the film you had put on was still playing. Groaning at you aching body, you roll over, eyes still closed as you curl in on yourself. Deciding that you should check the time to see if you could take some more paracetamol or not, you slowly sit up, another groan leaving your lips as you do so.  

“Sorry, did I wake you?” A deep voice speaks out.  

Your eyes bolt open, head shooting towards the voice, you almost forget the pain your body was in as you go rigid with shock. You find the source of the voice. A man was sat on the opposite side of the sofa to you. Concern is written all over his face as he looks you, he is sat with a big oversized sweater on, a top poking out of the bottom, grey jogging bottoms on his legs that are crossed underneath him. He has dark brown hair that is slightly messy and parted to show off his forehead, his dark brown eyes look at you as you remain sitting in shock, you mind not comprehending what’s happening, wondering whether you were in some dream.  

“What time is it?” You ask, your voice coming out croaky and hoarse from your illness and the fact you hadn’t spoken all day.  

A laugh leaves his lips as he looks down at his watch and you notice his perfect white teeth and the way his smile causes his cheeks to squish and small simples to form on his face. “It’s 5.40,” he says, eyes going back to you.  

The statement confuses you even more, if you weren’t ill today you would have just been getting home from work. Something wasn’t adding up in your mind, you had felt like you had slept for a few hours meaning it should be the time the man had stated, but you assumed the man to be your flatmate and yet he was never home at this hour. Maybe he wasn’t your flatmate after all. You put a hand to your head and groan at how much it was pounding.  

“I’ll get you something for that,” the man leaps off the sofa at seeing your distress and almost runs to the kitchen. Reappearing within a few seconds he walks over to you, giving you a pint of water and some tablets, before he sits down on the sofa, closer to you than before.  

You down the tablets and take a few extra gulps of water before looking over at the man, his eyes already watching you. “Sorry, I just feel really crap,” you state the obvious, your voice helping make your point by still sounding hoarse.  

“I found you on the sofa this morning and got a bit worried,” he admits. “Have you had anything to eat today?”  

So, this was your flatmate. Your face heats suddenly at his words, remembering waking up with a blanket over you this morning. Your eyes fall to your lap in embarrassment. “No,” you croak in answer to his question.  

“Are you hungry? I could cook something? Or warm up some soup? Or just order some food?” He fires the questions at you and you bring your eyes back up to him.  

“I’m not really hungry,” you say and you see his face shift to one that looks a bit annoyed.  

“You need to eat something,” he scolds you slightly. “You’ll feel better for it,” he says before pulling his phone out, taping on it. “I’ll order something for both of us, you don’t have to have much, but you’re having something.”  

You watch as he continues to tap on his screen, he doesn’t even bother asking if there is anything you fancy eating, deciding for you. Pulling the blanket tighter around yourself you flop down on the sofa so you’re are lying again. Feeling less nervous around the man, probably due to how ill you felt. You realise that this is the first time you had met and spoken to him in person. This is not how you imagined it happening, you looking like a complete mess, sweating and coughing all over his very expensive sofa. You look over at him from your current position, eyes taking him all in as his eyes are for once on his phone and not you. You had to admit that he looked familiar, you wouldn’t be able to place where you knew him from but you were sure you’d seen him on your TV.  

Putting his phone down, he looks over at you and your face heats at the realisation that he has caught you staring at him. A smile forms on his face as he looks at you.  

“All ordered, it should be here soon,” he says and there is a slight pause before he continues. “I’m Hoseok by the way. I’m assuming you guessed, but I’m your flatmate.”  

Hoseok. Rosie had called him Hobi, but that was obviously a nickname. You give him a small smile before saying your name.  

“I guessed,” he nods at you, his smile widening. “Nice to finally meet you Y/N.”

You hum lowly at him in agreement, your heart pounding slightly in your chest and you’re not sure if it’s due to your illness or the presence of the man currently sat in the room with you.  

“Sorry I look and feel so rubbish, I’m normally more fun than this,” you croak.  

“I think you look perfectly fine,” he shrugs keeping his eyes on you and you have to look away in embarrassment.  

There is a seconds pause before you speak again. “Why are you here anyway?” You ask before realising how rude that must have sounded and continue to clarify your point. “I mean, you’re never normally home at this time. Did you get to leave early today?”  

It was his turn to falter under your gaze, his eyes flicking away from your face and resting on the TV. You see a slight pink creep up his neck.  

“We didn’t have much on this evening and I saw how ill you were this morning that I got a bit worried leaving you here alone,” he shrugs like it’s no big deal, but your heart almost grows in size at the gesture. The man hardly knew you yet he had taken time off work to come and look after you?  

“You didn’t have to do that,” you say feeling slightly bad.  

“Don’t worry about it,” he continues to act as if it is no big deal. “Anyway, it was about time we actually met.”

You hum in agreement, deciding to sit back up again, reaching for your water to take a sip. “I just wish I felt a bit better,” you repeat your earlier statement.  

“Me too,” Hoseok says softly. “Anyway, I wanted to say that I really love what you’ve done with the place. I know I wrote it in a note but I want you to know I really mean it.”

“It’s just a few cushions and plants,” you try to push off his statement.  

“Maybe, but it makes it feel like someone actually lives here. I enjoy coming back here now, rather feeling like I’m living in a hotel.”

“Some hotel,” you mock and he laughs gently. “But it’s seriously nothing. I should be thanking you for letting me stay here and invade your space with my rubbish.”  

He rolls his eyes at you. “It’s not rubbish,” he says. “Just take the compliment,” he smiles at you.  

“Ok, thanks,” you give in. “But I do also honestly want to say thanks for letting me live here. It is a very nice place you have here.”  

“Can I be honest with you?” You watch his face shift in emotion again, an almost sadness coming over his features, and you nod at him. “Most of my friends told me that I shouldn’t do this, let someone live here that is. And I nearly listened to them. But I used to come home and just feel like it wasn’t my home. I thought that having someone else actually live here would make it feel lived in and more like a home, and maybe at the start that didn’t quite happen,” he shoots you a look and you know he is referring to how you didn’t put any of your stuff outside the confines of your room. “But that’s why I’m saying thank you for living here and putting your stuff everywhere, because now I enjoy coming home and I feel like I am somewhere that is lived and loved, and that makes me feel nice.”  

Your heart warms at his words. He had said he liked the decorations on a note before and had obviously thanked you enough times. He had even started to buy more decorations for the flat incorporation with things you had added. But you had no idea that it had this much of an effect on him. You smile gently at him.  

“I don’t know, is that weird?” He says into the pause, obviously worried he had gone too far with his words.  

“No, not at all,” you reassure him. “It’s nice to know that you like my additions. But what about the snug? That always been warm and homely?”

“The snug?” His face scrunches in confusion before being overtaken by realisation. “Oh, the snug, I like that,” he smiles at you. “That’s all my sisters doing. I let her loose on that one room when I moved in and I think it’s where I feel most at home. It’s definitely the most me room. Believe it or not I actually like bright colours.”  

He had a sister? You were slowly learning more and more about the man and everything was interesting to you. You wanted to know more, you wanted to know everything.  

“I think it’s my favourite room. She has great taste,” you say.  

“She’ll be happy to know that.”  

“Are the two of you close?”  

“In a way. We get on and I try to talk to her as often as I can. But as you may have noticed, I have a pretty hectic life so it’s hard to see her and my family.”  

If anyone could understand that it was you, you lived with the man and this was the first time you had seen him. You felt sorry for him, he was obviously very successful and had a lot of money, but you could see that it made him sad that he didn’t get to see his family very often. Was money really everything? But then you still had no idea what his job was, maybe it was worth all these sacrifices he seemed to be making.  

Before you can question him anymore a buzz sounds from the door.  

“Must be our food,” he says and you slowly start to rise. “You stay here,” he leaps up, raising a hand in your direction. “I’ll go get it and bring it all through,” he says before leaving you alone in the room.

Pulling the blanket tighter around your shoulders you look towards the TV. You felt like you were in some sort of fever dream. You had expected to meet your flatmate at some point, but when you imagined it, it was some awkward meeting in the hall that lasted a few minutes, not what was currently happening. You had felt awkward at times, otherwise the conversation had been easy. You couldn’t remember the last time you had met someone for the first time and were able to talk to them as easily as you just had with Hoseok. Normally you would have been stuttering, especially if they looked as good as he did. You reach for your phone and open up your messages with Lily.

Y/N: I just met James Bond.

You send the message, both of you having called your flatmate James Bond ever since you had the joke about you living with a spy. Needing to tell someone about the encounter you had just had you of course told the only person you could. As normal with Lily you almost instantly got a reply.

Lily: WTF!! What’s he like? Send me a picture! I need details!!

Y/N: I am not going to take a picture of him. And he’s nice.

Lily: I need more than that.

Y/N: Can’t talk now, he’s coming back. Will call soon.

Lily: Why did you even bother telling me, it’s like you’re trying to torture me. Call me tomorrow.

You chuckle slightly at how dramatic she could be before looking up to see Hoseok walk in with arms full of food.

“So I know you said you weren’t that hungry, but I thought you might change your mind when everything got here,” he says, placing the banquet of food on the coffee table. “What do you want?”

“I’m honestly not that hungry,” you say genuinely meaning it, but when you look at him and see his stern face you give in. “Maybe just a bit of something plain? Those noodles look good.”

He gives you a wide smile as he picks up the noodles and hands them to you with some cutlery.

“Thanks,” you say taking it off him. “And you’ll know how much I owe you?”

He ignores your comment, instead picking up the remote and looking to the TV.

“What we watching?” He asks.  

“You know when I said I don’t care if he’s the hottest man on earth, I take it back,” Lilys voice sounds through the phone the next evening.  

You had taken the day off work again, although you felt slightly better you still weren’t 100% and when you called your boss he had said it was fine for you to have another day off. The previous night you had eaten a bit of food and watched a movie with Hoseok before falling asleep on the sofa again. You were awoken to him gently saying your name and rocking your shoulder, telling you to go to your own bed to sleep. The following morning he had knocked on your door to check on how you were, dropping some food and medicine off before explaining that he was heading off to work. You had no idea when you would next see him, and he didn’t let you know when he would next be home. After trying to sleep off your illness for the rest of the day you finally called Lily to give her the details that she was craving.  

“You haven’t even seen him, how are you assuming he is the hottest man on earth?” You laugh.

“Y/N, you just described him, you made him sound like a walking god,” you cringe at her words, you hadn’t realised that you had made him out to be like that, but maybe you inadvertently had.  

“He’s alright I guess,” you attempt to back track.  

“Yeah, whatever,” you can almost hear her eyes rolling down the other end of the phone. “So what did you talk about?”

“Normal stuff,” you shrug. “He was mainly just making sure I wasn’t too ill.”  

“Aww, he sounds like he’s the cutest,” she coos.  

“He was probably just making sure I wasn’t infecting his flat, which would then make him ill,” again you try to downplay it.  

“Will you stop. Just admit he ticks all the boxes. He’s hot, he’s sweet, he looks after you and he’s rich,” she lists off.  

“Sure, but I never see him. I live with the guy and I never see him, surely that is the biggest red flag going,” you reply. “Anyway, it’s not like that. We are flatmates, we met last night and talked like normal flatmates and it was nice.”  

“OK, nothing’s going to happen, sure,” she says. “Maybe he has friends? You could definitely settle for a friend.”

“This is not some dating expedition,” you laugh. “Can’t I just talk to a guy without their being any romance or possible intentions behind it?”  

“You’re right, sorry,” she sighs. Lily always did this, you couldn’t bring up a guys name without her questioning you about him. You know there were only good intentions behind it, she just wanted to see you happy, but as you always told her, you could be happy and also single.  

“It’s alright. It’s just he’s basically my landlord so I don’t want any weirdness there.”

“Yeah, you have a pretty sweet set up there, you wouldn’t want anything ruining that,” she agrees. “I just want you to have the best.”

“And one day I will,” you smile down the phone. “Listen, I think I’m going to have a snack and then probably sleep some more. I should probably try and get back to work tomorrow. I love you and will see you soon.”

“Love you too, hope you feel better tomorrow,” she says before the line goes dead.  

After that one encounter with Hoseok, things went back to normal. You got over your illness and started to go back to work. Hoseok went back to his normal life of coming home at god know what time when you were asleep. You’re paths never crossing, except for the post-it notes, which seemed to almost double in quantity. Handwriting become smaller and more cramped on the notes so that more details could be given.

The notes still remain on fairly mundane topics, never straying into anything to personal. You still had no real idea who the man really was, what he did for a living, where he went every day. But you did have a good idea who the man was in the sense of his likes and dislikes. It didn’t feel like much, but you still enjoyed reading his notes every day. Replying to them with your own thoughts.  

It was a Friday night and you had agreed to go out with some friends. It wasn’t common for you and your friends to go out, preferring quiet nights in. Heading over to Lilys to get ready you had both decided to make a bit of effort, sipping on drinks while you both dance around your old flat and slowly put make-up on.

Getting tipsy before heading to the club wasn’t necessarily your intention but you had both got carried away pre-drinking. By the time you met up with the rest of your friends you were on the right side of tipsy, this however quickly changed. You kept up with your friends, drinking drink for drink, and this was not good for either of you. It had hardly turned 1am as you were both jumping around the dance floor in each other's arms.

“I love you so much Y/N,” Lily slurs into your ear.

“I love you too,” you beam back at her.

A laugh escapes you as Lily takes you in her arms and spins you around. Then a hand is placed on your shoulder stopping the spinning and you look to see who it was.

“Eddie,” you continue to smile as you replace Lily with Eddie, squeezing him in your arms slightly. He had said that he was out with friends and that he would turn up at some point to join you, and then be around to take Lily home, so his appearance wasn’t too much of a shock.

“Hey, he’s mine,” you hear a voice behind you before you are almost ripped from the man, Lily taking your place.

“Hey, hey,” Eddie laughs. “There’s enough of me to go around,” he jokes.

Lily leans up to give him a kiss on the lips, Eddie allowing it until she tries to deepen it, when he pulls away.

“You seem happy to see me,” Eddie looks over to you with an apologetic smile. Lily almost seems to go limp in Eddies arms and he struggles to hold her. Rushing over you help him lift her up, looking up at him a bit concerned at the sudden change in her state. You thought that the two of you were on the same level, but you were obviously handling your drink a lot better than she was. While she seemed to be past drunk, you were on the perfect level still coherent to remember everything but drunk enough to not care about anything.

“Let’s go get some air?” Eddie suggests, already starting to drag Lily and therefore you outside.

“I’ll get some water,” you suggest. “I’ll see you outside.”

Rushing over to the bar, you ask for three glass of water and when they’re handed over you head outside to look for your friends. What you see is not pretty. Lily is hunched in a corner, Eddie stood over her with his hand on her back. You feel like you sober up slightly at the sight.

“Here, drink some of this,” you hand Eddie one of the cups to try and he tries get Lily to drink some. “God I’m so sorry, I should have got her to slow down,” you say.

“It’s alright, she’s alright. It’s no one's fault,” Eddie is now having to reassure you and Lily. “You just had a bit too much to drink didn’t you love,” Eddie continues to stroke Lilys back.

You down some of the water that you had got for yourself, your brain spinning at bit due to the alcohol.

“I think we should head home,” Eddie looks up at you.

“Yeah, I think that’s a good idea. Do you want me to come with you?” You ask.  

“No, we’ll be OK, you stay and have fun,” he replies.

You nod at him, but now feel distinctively not in the mood to party. Lily was the main reason that you had come tonight anyway and as she was heading home you saw no need to stay.

“Home sounds good actually, I think I might do the same,” you say to Eddie.  

“Alright, come on, I’ll call you a cab,” Eddie hauls Lily into his arms and helps you both over to the street to go home.

With Eddie calling you a cab it takes no time for you to get to the entrance of your building. You stumble slightly towards the door, and nearly fall on your face as you go to open the door but it opens before you get there. A hand comes out to help you before you fall though.

“Oh, hi Keith,” you smile at the doorman.

“Hi, Y/N,” he smiles down at you, his hand still helping to support you. “Good night?”

“It was great thanks. I just had a few drinks,” you say though you know you both know that is an understatement.

“I’m glad you had a good time,” Keith says as you both make your way over to the elevator, you still clinging to his arm for support. He calls for the elevator and you stand and wait, your head resting on his upper arm as you close your eyes and give a content hum. Over the time that you had been living in the flat you had grown to love Keith. He always seemed to be there and had helped you out many a sticky situation. Whenever you had time you would stop and talk to him about your day, and you had learnt so much about him in the process. But you know when you sober up and think back to this current moment part of you will die of embarrassment.

“I hope you have had a nice night too,” you pout up at him, always saying that he worked too hard.

“It’s been made ten times better now that I have seen you,” he jokes and you laugh at him.

“Always making me blush,” you say as the elevator arrives and you walk into it. “Hopefully see you soon,” you point a finger at him and smile.

He laughs at your drunken state and nods his head. “I’m always here,” he says as the doors close on him.

You have to take a breath to steady yourself as the elevator rises. Fishing in your bag you go on the hunt for your keys as the doors open. You decide to take one of the seats to stop yourself from wobbling around, helping you find your keys quicker. Once you have them you stand up and move towards the door. A hand on the door frame you jab the key at the key hole, missing a few times before you finally get it in the lock and open the door.  

Stumbling into the house you close the door and wince at how loud you were being, only now conscious of the fact you probably weren’t home alone and it was very late. You haphazardly kick off your shoes, and wince again when they make a loud noise when hitting the wall. In your drunken state you continue to the kitchen and stumble around in search of a glass, filling it up with water when you finally locate it.

“Y/N?” A familiar deep voice sounds out and it is only then that you hear other voices in the flat.

“Hello?” You say, cringing slightly at the state you were in when Hoseok obviously had friends around.

“Y/N? Come join us in here,” Hoseok shouts again in the direction of the living room.

You take a few deep breaths as you slowly head to the living room, water in hand. Internally trying to sober up, yet your mind still fuzzy, and your walk a bit wobbly.

When you get to the door you look around the room, leaning against the frame for support. Hoseok was sat on the sofa facing the door and therefore you, a smile on his face. Around him are four other people. One man with blonde hair, and a wide smile like Hoseok, another man with longer brown hair and a boxy smile, a third man that only had a small smile that showed no teeth, and a woman who had long brown hair that nearly reached her hips. Your eyes whip around the people in the room, all their eyes on you, the room silent.

“Hi,” you give a small awkward wave at everyone with the hand holding the water, which sploshes around, some escaping the glass and you give an audible “woops” as you watch it.

“Hey. Sorry I would have told you about this but it was a very last-minute thing so I didn’t have a chance to leave you a note,” Hoseok explains. “I did knock on your door to invite you, but you were obviously out. Been anywhere nice?”

“No worries. I’ve just out with friends, sorry I didn’t leave you a note” you point over your shoulder as if to clarify where you had been, and the boy with blonde hair lets out a small giggle as more water leaves your glass. “I’ll clean that up,” you say stupidly as it’s just water, and Hoseok gives you a fond smile.  

“You guys leave each other notes?” The blonde-haired boy continues to smile as he looks at Hoseok.

“Well, yeah,” he says awkwardly, looking over at you shyly, and you can only join the boy in laughing, realising how stupid it sounded.  

“He’s never given me his number,” you shrug a massive smile on your face. The alcohol causing you to say things you would never normally say.  

“So you leave each other notes?” The boy's eyes are now back on you as he continues his questioning.

“I guess it’s the only way I can talk to him,” you say, eyes going to Hoseok, a red tint coming to his face. “I just say the normal things, good morning, how you doing? What you up to? And then I get a reply 10 hours later, it’s like living in the 19th century,” you laugh at yourself, the blonde man joining you, unsure what the hell you were babbling on about.

“Maybe one of you should have just written your number on one of the notes. Then you would have caught up to the 21st century,” the boy that previously only had a toothless smile was now looking at you with amusement, a small gummy smile on display.

You hum in response. Honestly you had considered it, but you were too scared of the rejection. Hoseok had never provided you with his number and you thought maybe there was a reason behind it. You had left the ball in his court, though you were unsure if he knew that.

“I should maybe introduce you guys,” Hoseok speaks up, trying to move the conversation on. “This is Yoongi,” he points to the guy with the gummy smile, “Jimin,” the blonde-haired man, “Taehyung,” the boy with the boxy smile, “and Liv,” he points to the girl. “And this is my flatmate Y/N,” he introduces you and you do another embarrassing wave.

“We’ve heard so much about you,” Jimin smiles at you and your face heats up at the words.

“Have you?” You say, not believing him.

“Oh yeah lots. Only good things don’t worry,” he reassures you, though it doesn’t do any good, your mind thinking about all the things that Hoseok could have said about you.

You nod your head slowly at him, still unsure if he is messing with you. “I hope he didn’t tell you about how awful I looked when I was ill,” you say suddenly remembering.

“He mentioned it, though I don’t recall him describing you as looking awful,” Taehyung smirks.

“Did you want to join us?” Hoseok cuts in, and when you look at him you can see that his face has turned a slightly darker shade of pink.

“It’s alright, I was just going to head to bed,” you point to your room this time, making it clear where you meant, Jimin giggling at your action again.

“We have alcohol,” Yoongi mimics you by pointing at the bottles set on the table.

“I seriously don’t think I need any more,” you say. “Water should be enough,” you hold up the glass which causes more liquid to fall out.

“Just stay for one. Looks like your waters going to need a refill soon anyway,” Jimin jokes. “I promise we are nice. We want to meet Hoseoks flatmate that he won’t stop talking about.”

You look over to Hoseok to gauge his reaction, you didn’t want to intrude on his mini gathering. He gives you a small nod, letting you know he is ok with it.

“Ok,” you give in, finally moving away from the door you were propped against. “But I seriously do not need any more alcohol. God knows what I’ll start rambling on about then.”

“Just one,” Jimin says as he starts to pour out a concoction of different liquids. “I want to hear your rambles.”

You make it over to the sofa and almost fall down onto it, sat at the far end closest to Jimin. Downing the remainder of your water you place the now empty glass on the table before taking the glass Jimin hands you.

“To new friends,” he laughs as he raises his own glass so that he can cheers you.

You pout slightly as you take the smallest sip of your drink, even that feeling too much.

“So what do you do Y/N?” Liv asks you before you have even taken the glass away from your lips.

“I work in marketing,” you say, a small smile on your lips as you look at her. “Sounds boring I know,” you laugh at yourself. 

“No, marketing's cool. What company do you work for?” She reassures you.  

“I work in digital marketing at a relatively small company. I basically help work on their apps, making them better and more accessible for the customer,” you say and can almost see everyone's eyes glaze over in boredom. “It’s not the best job in the world, but I enjoy it,” you say feeling slightly insecure. Hoseok was in a career that made him a lot of money and he was probably friends with people who also did the same. You are suddenly very aware that you are probably in a room full of people that made more in a week then you do in a year.

“I think it sounds great,” Jimin jumps in. “I love apps.”

You laugh at his attempts to reassure you, thankful for his kindness. “What do you guys do then?” You say it lightly as it seems like the next natural question but you instantly regret it, all eyes in the room shooting to Hoseok who looks worried, and the atmosphere in the room shifts slightly.

“I’m a PR,” Liv speaks up and you are glad that she breaks the tension in the room. “Of sorts anyway. I basically just manage people schedules and what they need to be doing.”

You nod at her words, actually interested in what she was saying. “I’m not sure I would be organised enough for that,” you say.

“But come on, we want to know more about you. How come you’re living here with Hobi?” Liv steers the conversation away from jobs and though you are glad the tension in the room is slowly disappearing, it does not help your curiosity when thinking about what Hoseok does for a living.

“I needed a room, he was providing one,” you shrug, deciding not to go into detail, taking a sip of your drink to avoid talking.  

“And are you enjoying it here?” Liv presses.  

“Yeah, it’s really nice,” you give a smile, taking another sip of your drink. “The décor wasn’t the best, but now I’ve improved it, it’s great.”  

A laugh ripples through the room and that combined with the alcohol gives you some fake confidence.  

“What’s it like living with Hobi? Has his OCD cleaning annoyed you yet?” Taehyung asks.  

“No, it’s late-night snacking that would annoy me,” Yoongi chimes in.  

“Come on guys, it’s surely his singing. I’ve heard him in the shower multiple times and I think my ears are permanently scarred,” Jimin laughs.  

“No, no, what about all his clothes. Has he asked to take over some of your closet space yet?” Taehyung starts to laugh just as hard as Jimin, and you can’t help but let out a small giggle.  

“Go on then, what’s the most annoying thing?” Yoongi asks and all eyes go to you. Under the pressure of the eyes your face starts to heat up, your previous confidence dissipating into the air.  

“We all know it’s my obsession for tea. I go through the stuff so quickly Y/N is probably having to buy the stuff daily,” Hoseok saves you and you give him a small smile to show how much you appreciate it. “Anyway, let’s stop harassing Y/N, she’ll never want to join you guys for a drink again if this is how you treat her.”  

“No, I’m fun,” Jimin pouts at you. “She’ll want to hang out with me again,” he says and you giggle at his words. “Yoongi is the boring one here.”

“Hey. I’m not the one harassing her with questions,” Yoongi shoots back at Jimin.  

“Well at least I’m welcoming and not sat in the corner looking all grumpy,” Jimin continues and you can tell that it is just the way their relationship goes by the smiles on both of their faces.  

“I was the one that offered her alcohol,” Yoongi says.  

“Neither of you are fun,” Hoseok jumps in. “Let’s just play a game.”  

“A game sounds good,” Taehyung agrees, standing up to go and get something, coming back a few seconds later with a pack of cards in his hands.

You end up playing a game that you had never played before, yet somehow ended up winning the two games you played.  

“You know the winner has to drink, right?” Jimin looks at you.  

“That wasn’t a rule last time I won,” you say.  

“That was a practice,” he defends.  

“Why does the winner have to drink?” You look around the table in the hopes someone would back you up, finding no one was going to. You give a small huff and cross your arms in annoyance. “I would have at least tried to not be as good if I had known. Though it would have been hard to not have one you are all so rubbish,” you say with a small smile as they all start shouting out at your insult.

“That definitely deserves a drink now,” Taehyung chimes in, and you give him a small glare.

“Come on, as the newest member of the group you should drink,” Hoseok adds and you open your mouth in mock shock at him.

“If anyone was going to have my back, I was hoping it would be my lovely flatmate,” you say and you see a few eyes flick between you as internally cringe at the fact you had called him lovely. “Maybe you’re not so lovely after all,” you say unsure if you were making the situation any better.

Deciding to end your embarrassment you pick up your glass and down its contents, face scrunching up when it was all gone.

“Now that’s honestly enough, I don’t want a throwing up Y/N on my hands tomorrow,” Hoseok says. “I’ve already had to look after her once,” he gives you a smile and you look away in embarrassment at the memory.

The night turns to talking. They continue to ask you the occasional question but talk turns to topics and people that you don’t know. While they try to include you at the start, all the alcohol you had drunk starts to make you go sleepy and you end up passing out on the sofa to the sounds of their voices. 

Head pounding, throat dry, a slight queasy feeling in your stomach, it felt like you were ill all over again, but this time it was self-inflicted. It takes you a moment to get your bearings, to realise where you were and what had happened. The last thing you remember is being on the sofa, everyone talking while you struggle to keep your eyes open. But this morning you find yourself tucked in your bed wearing just your underwear and t-shirt.  

Slightly embarrassed about not knowing what occurred last night, you roll over in search of your phone, finding it on your bedside table. 7:10am. You groan, cursing the fact that you naturally wake up so early due to work.  

After failing to get back to sleep, you decide you may as well get up and have some water and see if you can stomach any food. Rolling out of bed you change into your actual pyjamas and head to the kitchen. Downing a pint of water, you pour a second glass and sip on it while you make some toast. Taking a bite out of you, you walk to the living room planning on watching a film. You almost chock on your toast however when you see a figure on the sofa. Having assumed you were home alone, or at least the only one awake at this time, you are surprised to see Jimin tucked under a blanket.  

Though he is fast asleep your face instantly heats up with embarrassment. You stand awkwardly in the door, not knowing whether you should turn on the spot and head back to your room, or go in and watch a film as planned and risk waking the man. You opt for the third option. Turning on the spot you head instead to the snug.  

Settling into your favourite seat, looking out at the barely lit city below you, you continue to chomp on your toast. Placing the empty plate that once held on the coffee table, something catches your eye. Standing up you take a step so you are stood by the wall of books and knick-knacks. But placed on one of the shelves, right in the corner, is a picture.  

Picking it up you pull it closer to your face so you can study it. A family, a man and a woman with a young girl and boy stood in front of them. They all have big smiles on their faces, looking like they are mid laugh. The little boy was unmistakably your flatmate Hoseok. Though he was probably 15 years younger in the photo, he still had the same eyes, the same hair, the same smile.  

“My parents and my sister,” a voice says from behind you and you almost drop the frame.

Spinning round you see the man you had just been staring at in the photo. Hair fluffy and sticking up at odd angles, he obviously hadn’t brushed it, in a pair of long plaid pyjamas, and a pair of animal slippers on his feet. He had obviously just rolled out of bed.  

“I’m so sorry,” you apologise, placing the photo back where you had found it.  

“You don’t need to apologise,” he smiles at you. “It’s your flat too.”

“I don’t usually snoop around your stuff,” you continue to apologise even though he’s already told you that you don’t need to. “I had just never noticed this before and wanted to have a closer look.”

“I told you, it’s fine,” he chuckles slightly at your rambles. Moving closer so he stands next to you he picks up the photo you had just put down. “I decided a few more personal touches might be nice around the flat. You must be rubbing off on me,” he looks over at you and you shy under his gaze, eyes going to the photo in his hands. “My parents,” he points at the two older people in the photo. “And my sister,” he points at the young girl.  

“Very cute,” you say.  

“We were on a day out and my dad asked someone to take this photo. It’s one of my favourites.”

You look at him as he stares down at the photo and can see the almost longing in his eyes. You can tell how happy he is just staring at the photo in his hands. Almost snapping out of a daze, he visibly shakes his head before placing the picture back in its spot.  

“A simpler time,” he says with a pang of sadness in his voice.  

“Things always become more complicated when we get older,” you say. “Which reminds me. What happened last night?”  

He chuckles at your words and you are glad to see the smile return to his face.  

“You had obviously just had a bit too much to drink. I’d blame Jimin’s drink making if I was you,” he says.  

“God, how embarrassing,” you shove a hand over your face in an attempt to hide, unsure what you had done.  

“Nothing embarrassing. You just passed out on the sofa, don’t worry,” Hoseok continues to smile at you.  

“Thats embarrassing,” you say, peaking through your fingers to look at him. “And how the hell did I get into my bed?” You panic slightly.  

“Well, we tried to wake you,” Hoseok’s face goes slightly red at the words. “But you were completely knocked out. So I carried you to your bed.”  

“Oh god,” you groan. “And my clothes?” You almost don’t want to ask but also need to know the answer.  

“That was all Liv,” Hoseok is quick to defend himself, hands in the air in mock surrender.  

“Jesus, I’m a mess. I’m so sorry, your friends are probably wondering why the hell you have me living in your flat.” Dismissing his clear embarrassment over how you ended up in your bed in just a t-shirt and your pants, for your own embarrassment.  

“Forget about it. Let’s just go have some food and watch something,” he doesn’t wait for your answer before leaving the room, you trailing behind him.  

“I think Jimins asleep in there,” you say sheepishly before Hoseok walks into the living room.  

“He’ll be alright,” he shrugs at you before walking in.  

You follow him in, noticing Jimin still sleeping on the sofa, seemingly not bothered by Hoseok clattering around. Being a bit quieter, you sit down on the sofa, legs out in front of you as Hoseok turns the TV on.  

“What we watching?” He asks.  

“I don’t mind.”

“Letting me choose may not be wise,” he warns and you just smile at him, letting him know you honestly don’t care. “The notebook it is,” he says and you can’t help but laugh.  

It takes about 20 minutes of the film to play before Jimin finally wakes up. You and Hoseok had been relatively silent before he woke up, but Jimin is quick to change that. Sitting up you both watch him as he squints around the room in confusion.  

“Looks like you had fun last night,” Hoseok laughs at Jimin with his blonde hair ruffled all over his head, his undercut on show.  

Rubbing a hand over his face, his eyes squint as he continues to look confused. You give him a small smile when he meets your eye contact, before looking away, wanting to give him some sort of privacy haven just woken up.

“Have you guys eaten yet?” Are the first husky words that leave Jimins mouth, and you can’t help but laugh along with Hoseok.  

“Fancy ordering something?” Hoseok asks and as you look around to him you see Jimin giving a silent nod, hand on his forehead.

“Do you want me to get you some water?” You ask Jimin a bit concerned. Nodding he hardly looks at you. “And I still owe you for the food you got me last time,” you say to Hoseok as you get up to get some water for Hoseok.  

“And I told you not to worry about it,” Hoseok calls after you as you walk out the room.  

Reappearing a few seconds later, hands now full with a cup of water and some paracetamol, Hoseok and Jimin are already talking food.  

“Will you at least let me pay for this one,” you plead, handing Jimin the things in your hands getting a small thanks in reply.  

“Don’t worry about it,” Hoseok barely looks at you as he scrolls through food options on his phone. “What about Moose cafe, they do good pancakes?” Hoseok doesn’t even look at you as he aims the question at Jimin.  

“Jimin, tell me what you want, I’m buying it,” you say stubbornly, whipping your phone out.  

“No, I have it,” Hoseok shoots you a glare.  

“Jimin, I just got you that water, the least you can do is let me buy the food,” you say.  

“Jimin, you’re in my house as a guest the least I can do is buy you food,” Hoseok replies.  

“I pay rent to live here, so I could also use that as an excuse,” you roll your eyes at Hoseok. “You are the one that keeps telling me to treat this place like it’s mine,” you raise your eyebrows at him. “Please just let me pay,” you plea.  

“For God's sake,” Jimin finally speaks. “Will you guys just shut up? Listen, he is not going to let you pay, and neither am I.”

“Why have you got to be so nice? I owe you money, why won’t you let me pay it,” you whine slightly. You felt like Hoseok was already doing you a favour by letting you live here so cheaply, you didn’t want him doing you any more favours on top of that. It may not be much money for him, but for you it was, if it was any other friend you would have paid them and they wouldn’t have refused.

“Don’t worry about it, love,” Hoseok repeats, a small smile returning to his face as he realises he may have won. “So, what’s everyone having?”  

“I’ll have the pancakes with bacon,” Jimin says.  

“Y/N?” Hoseok looks at you.  

“I don’t want anything thanks,” you reply.

“Don’t be like that,” the smile falls off Hoseoks face at your stubbornness.  

“I have food in the fridge I need to eat,” you shrug lightly.

“Just add some extra pancakes in for her,” Jimin pipes up and you shoot him a glare.  

“I won’t eat them,” you say.  

“They’ll just go in the bin then,” Jimin says.  

“I can afford to buy my own pancakes,” you slouch into the sofa, letting them know what was getting to you.  

“We don’t doubt that you can’t,” Hoseok voice is softer, realisation hitting him. “It’s just pancakes. Don’t over think it.”  

You don’t reply to him, feeling like you were making the situation more than it needed to be, after all it was just pancakes. But your money insecurities were slightly getting to you. And he takes your silence as compliance to order the food, letting you and Jimin know that the food was on the way.  

“Last night was fun,” Jimin attempts to cut the slight tension that has arisen in the room.  

“Yeah, thanks for letting me crash,” you say. “Your friends are really lovely.”  

“Was nice to have you join, everyone really liked you,” Hoseok says.  

“Even though I passed out?” You cringe at the thought.  

“Especially because you passed out,” Jimin laughs. “Now it’s not just me that’s done it in the group.”

“Great, not sure that’s the best reputation to hold,” you say. “I’m guessing you have the day off work?” You ask Hoseok, noting the fact he was still in the flat when he would normally be gone.  

“Oh yeah, we have a few days off,” he says.  

“You two work together?” You are still intrigued to what your flatmate does, but are also conscious that whenever the topic arises the atmosphere shifts.  

“Unfortunately,” is the only reply you get, essentially cutting the conversation short, and increasing your intrigue on the subject.  

“Have you got any plans with your time off?” You ask.  

“I’m planning on just hanging around the flat, so sorry but you’ll have to put up with me for a few more days,” Hoseok replies. “Maybe Jimin and some of my other friends will come round one night?” Hoseok directs the question to Jimin. “If that’s ok with you, of course,” his head shots in your direction, almost as if he forgot you live here.

“It’s your flat, invite whoever you want,” you say.  

“But you know you can invite whoever you want here too?” Hoseok says.  

“Of course,” you say, though your voice doesn’t sound as sure as your words.  

“Well if Y/N is here, I will be coming round all the time,” Jimin winks at you and you give a hearty laugh in response.  

“Jesus, is there anyone you don’t flirt with?” Hoseok rolls his eyes, and you continue to laugh, feeling slightly embarrassed by the comment.  

Saved by the doorbell, you almost leap up when you offer to go and get the food. Leaving the room, it doesn’t take you long to get the food and plate it up, carrying it all back on a tray you stop outside the door when you hear your name mentioned.

“You haven’t told her?” You hear Jimin ask.  

“How does it really ever come up into conversation? It’s not something you just casually say,” Hoseok says.  

“I’m still on team tell Y/N. And now I have met her, I am even more pro,” Jimin says.  

“I will, I just need the right time,” Hoseok says.  

“And like you said, there is no perfect time. The longer you wait, the weirder it will be,” Jimin says.  

You have no idea what they are talking about. What could Hoseok possibly be keeping from you that Jimin thinks he should be saying? And why does Hoseok think there needs to be some perfect timing for him to tell you?  

Realising you had been stood eves dropping for a second or two too long, you decide to walk into the room, pretending you heard nothing. The two of them seemed oblivious to the fact that you may have heard them, and you keep it that way. Eating your pancakes and chatting with them you enjoy your day off with your flatmate for once.  

[sage-advisor-of-gms]

Oh boy! Banter! I’m so here for this!

Arguable. The Ranger, as released at the beginning of 5e borders on unplayable, and is definitely not very fun to play. It's the only class they had to patch (twice!), which they eventually achieved by bringing the Ranger closer to how it was designed in 4e.

That’s weird. When I played a ranger for a mini arc, I had a great time with my raptor sidekick without having to consolidate the revisions. Nevertheless, to criticize the ranger class for receiving patches still leaves 9 classes on the board with a subclass total of 38, and that’s if you lump all the circles of land together and solely consult the PHB. Also, are we allowed to start talking about the edition that was so bad that we collectively chose to treat it like fight club?

Not to mention, 5e flattened several choices and took away others. You cannot make a martial healer, or a knight distinguishable from both Paladin and Fighter, or a purely psionic caster. All of those options were available in previous editions.

True story: one of the players in a group that has became regular’s at my table ask if we could do an all-monk one shot. I wait for the two players to veto it only to hear them jump on board. One played the way of the elements, one played Tasha’s healing monk, and one played Xanathar’s sun soul. The issue arose when they had too much fun knocking my fools around that they turn my one shot into a two shot. Same group made a band of bards for another supposed one shot, all from different colleges. We all had too much fun and my one shot turn into a short campaign.

And please don't say "just flavor it differently" or "just homebrew it", I see an attitude like that as a major problem. It lets WotC off the hook for designing a shallow game experience.

Got it. We’re not going to glorify Bethesda’s current business model. You and me are on the same page. I will adhere to your taboo rule and will not utter those phrases. Instead I will refer to any instance of those concepts with the video game terminology of ‘Mods’.

The Mystic didn't work, in my opinion, because they tried to cram every single D&D idea of psionics into a single class. MCDM Productions has since approached the idea and created The Talent, which works pretty well for what it's supposed to do.

Wait, I thought we just agreed on no mods. Why does this hyperlink take me to a supplement store with a 14.99 price tag? Is this comic from Marvel or DC? Are you an affiliate marketer? What the return policy in the event that my DM won’t allow me to roll my mystical man and begs me to just go with one of Tasha’s Psionics classes?

I honestly don't see what the problem with that is. Aren't subclasses supposed to add unique mechanics and aesthetics? The aforementioned MCDM Productions was able to do that not once but three times (yes they made two more classes, which are also very well designed). I won't even mention how many well-balanced, interesting classes are available on Dungeon Master's Guild.

I’ll provide an example. So hypothetically, you have hired me on to create a new D&D 5e class to solve the issue of only one class edition. I’m going to save the Kineticist for the final point and say that I’m building this class so that I can finally my SpiderDrow. Now I need three subclasses.

…

Well this is quite the conundrum that I’ve written myself into. Technically I should have one subclass down because it the Spider-Man that I want to play. But do I then make two additional arachnids sub-classes so that players can choose a crab or scorpion route? Or do I base the subclasses off of the spider mens of the multiverse?

This all has to be addressed before I get to question like: What hit die do I use? How do I convey web slinging and web swinging? If they got bit by a magical spider, would that just make them sorcerers? If they built their gear, doesn’t that make them artificer?

May I interest you in the Kineticist in these trying times?

“You can certainly try.” -Matthew Mercer

Pathfinder 2E is in general a pretty decent counterpoint, too: they've been releasing new classes pretty often. Two more are in the playtest as we speak!

Seriously, I looked over the link provided. However, the sudden shift of language due to the presentation of different mechanics hinder me from really enjoying the possibility of playing a Kineticist. And since mods are not allowed in our scenario, the solution to playing a class not found in D&D 5e becomes switching over to Pathfinder 2e.

So, I logged in to my Roll 20 account and decided to search for a Pathfinder 2e game to play on the a free slot that I had on Saturday. That specific search brought up 0 games. I decided to just run the broadest search for Pathfinder 2e on Roll 20 just to ensure that the site wasn’t malfunctioning. I found 4 games that were playing Pathfinder 2e. For comparison, when I put in a basic search for D&D 5e, I received 8 full pages of open games plus a ninth page that contained the overflow of games.

If we’re holding TTRPGs systems in a similar standard as the console wars, I’ll admit that there are some things that Pathfinder 2e does better than Dungeons and Dragons 5e. In terms of mechanics, pathfinder has a much more complex system that allows for more diverse options. However, that same complexity could also be serving as its low audience engagement. The majority of people tend to believe that the D&D 5e system is easier to understand. Adding the influential factor that D&D recieves as a named brand (Stranger Things, Critical Roll, Gravity Falls, Community), D&D gains an audience base that outnumbers Pathfinder. In my opinion, Pathfinder 2e ‘longer official class list’ falls to the sunk fallacy cost when an individual has to invest more time learning an advanced system only to find out that hardly anyone else is playing the system.

Now that D&D 5.5 is drawing nearer... Could we perhaps admit that it's pretty weird there was only one base class released outside of the Player's Handbook throughout the entire lifespan of 5e?

[bloodbenderz]

humaniterations (dot) net/2014/10/13/an-anarchist-perspective-on-the-red-lotus/ this article from oct 2014 is very dense — truly, a lot to unpack here, but I feel like you would find this piece interesting. I would love it if you shared your thoughts on the points that stood out to you, whether you agree or disagree. you obv don’t have to respond to it tho, but I’m sending it as an ask jic you feel like penning (and sharing) a magnificent essay, as is your wont 💕

article

i know this took me forever 2 answer SORRY but i just checked off all the things on my to do list for the first time in days today so. Essay incoming ladies!

ok im SO glad u sent me this bc it’s so so good. it’s a genuinely thoughtful criticism of the politics in legend of korra (altho i think its sometimes a little mean to korra unnecessarily like there’s no reason to call her a “petulant brat” or say that she throws tantrums but i do understand their point about her being an immature and reactionary hero, which i’ll get back to) and i think the author has a good balance between acknowledging like Yeah the lok writers were american liberals and wrote their show accordingly and Also writing a thorough analysis of lok’s politics that felt relevant and interesting without throwing their hands up and saying this is all useless liberal bullshit (which i will admit that i tend to do).

this article essentially argues that the red lotus antagonists of s3 were right. And that’s not an uncommon opinion i think but this gives it serious weight. Like, everything that zaheer’s gang did was, in context, fully understandable. of course the red lotus would be invested in making sure that the physically and spiritually and politically most powerful person in the world ISNT raised by world leaders and a secret society of elites that’s completely unaccountable to the people! of course the red lotus wants to bring down tyrannical governments and allow communities to form and self govern organically! and the writers dismiss all of that out of hand by 1. consistently framing the red lotus as insane and murderous (korra never actually gives zaheer’s ideas a chance or truly considers integrating them into her own approach) 2. representing the death of the earth queen as not just something that’s not necessarily popular (what was with mako’s bootlicker grandma, i’d love to know) but as something that causes unbelievable violence and chaos in ba sing se (which, like, a lot of history and research will tell you that people in disasters tend towards prosocial behaviors). so the way the story frames each of these characters and ideologies is fascinating because like. if you wanted to write season 3 of legend of korra with zaheer as the protagonist and korra as the antagonist, you wouldn’t actually have to change the sequence of events at all, really. these writers in particular and liberal writers in general LOVE writing morally-gray-but-ultimately-sympathetic characters (like, almost EVERY SINGLE fire nation character in the first series, who were full on violent colonizers but all to a degree were rehabilitated in the eyes of the viewer) but instead of framing the red lotus as good people who are devoted to justice and freedom and sometimes behave cruelly to get where theyre trying to go, they frame them as psychopaths and murderers who have good intentions don’t really understand how to make the world a better place.

and the interesting thing about all this, about the fact that the red lotus acted in most cases exactly as it should have in context and the only reason its relegated to villain status is bc the show is written by liberals, is that the red lotus actually points out really glaring sociopolitical issues in universe! like, watching the show, u think well why the fuck HASN’T korra done anything about the earth queen oppressing her subjects? why DOESN’T korra do anything about the worse than useless republic president? why the hell are so many people living in poverty while our mains live cushy well fed lives? how come earth kingdom land only seems to belong to various monarchs and settler colonists, instead of the people who are actually indigenous to it? the show does not want to answer these questions, because american liberal capitalism literally survives on the reality of oppressive governments and worse than useless presidents and people living in poverty while the middle/upper class eats and indigenous land being stolen. if the show were to answer these questions honestly, the answer would be that the status quo in real life (and the one on the show that mirrors real life) Has To Change.

So they avoid answering these questions honestly in order for the thesis statement to be that the status quo is good. and the only way for the show to escape answering these questions is for them to individualize all these broad social problems down into Good people and Bad people. so while we have obvious bad ones like the earth queen we also have all these capitalists and monarchs and politicians who are actually very nice and lovely people who would never hurt anyone! which is just such an absurd take and it’s liberal propaganda at its best. holding a position of incredible political/economic power in an unjust society is inherently unethical and maintaining that position of power requires violence against the people you have power over. which is literally social justice 101. but there’s literally no normal, average, not-politically-powerful person on the show. so when leftist anarchism is presented and says that destroying systems that enforce extreme power differentials is the only way to bring peace and freedom to all, the show has already set us up to think, hey, fuck you, top cop lin beifong and ford motor ceo asami sato are good people and good people like them exist! and all we have to do to move forward and progress as a society is to make sure we have enough good individuals in enough powerful positions (like zuko as the fire lord ending the war, or wu as the earth king ending the monarchy)! which is of course complete fiction. liberal reform doesn’t work. but by pretending that it could work by saying that the SYSTEM isnt rotten it’s just that the people running it suck and we just need to replace those people, it automatically delegitimizes any radical movements that actually seek to change things.

and that’s the most interesting thing about this article to me is that it posits that the avatar...might actually be a negative presence in the world. the avatar is the exact same thing: it’s a position of immense political and physical power bestowed completely randomly, and depending on the moral character and various actions of who fills that position at any given time, millions of people will or won’t suffer. like kyoshi, who created the fascist dai li, like roku, who refused to remove a genocidal dictator from power, like aang, who facilitated the establishment of a settler colonial state on earth kingdom land. like korra! she’s an incredibly immature avatar and a generally reactionary lead. i’ve talked about this at length before but she never actually gets in touch with the needs of the people. she’s constantly running in elite circles, exposed only to the needs and squabbles of the upper class! how the hell is she supposed to understand the complexities of oppression and privilege when she was raised by a chess club with inordinate amounts of power and associates almost exclusively with politicians and billionaires?? from day 1 we see that she tends to see things in very black and white ways which is FINE if you’re a privileged 17 yr old girl seeing the world for the first time but NOT FINE if you’re the single most powerful person in the world! Yeah, korra thinks the world is probably mostly fine and just needs a little whipping into shape every couple years, because all she has ever known is a mostly fine world! in s1 when mako mentions that he as a homeless impoverished teenager worked for a gang (which is. Not weird. Impoverished people of every background are ALWAYS more likely to resort to socially unacceptable ways of making money) korra is like “you guys are criminals?????!!!!!” she was raised in perfect luxury by a conservative institution and just never developed beyond that. So sure, if the red lotus raised her anarchist, probably a lot would’ve been different/better, but....they didn’t. and korra ended up being a reactionary and conservative avatar who protected monarchs and colonialist politicians. The avatar as a position is completely subject to the whims of whoever is currently the avatar. and not only does that suck for everyone who is not the avatar, not only is it totally unfair to whatever kid who grows up knowing the fate of the world is squarely on their shoulders, but it as a concept is a highly individualist product of the authors’ own western liberal ideas of progress! the idea that one good leader can fix the world (or should even try) based on their own inherent superiority to everyone else is unbelievably flawed and ignores the fact that all real progress is brought about as a result of COMMUNITY work, as a result of normal people working for themselves and their neighbors!

the broader analysis of bending was really interesting to me too, but im honestly not sure i Totally agree with it. the article pretty much accepts the show’s assertion that bending is a privilege (and frankly backs it up much better than the original show did, but whatever), and i don’t think that’s NECESSARILY untrue since it is, like, a physical advantage (the author compares it to, for example, the fact that some people are born athletically gifted and others are born with extreme physical limitations), but i DO think that it discounts the in universe racialization of bending. in any sequel to atla that made sense, bending as a race making fact would have been explored ALONGSIDE the physical advantages it bestows on people. colonialism and its aftermath is generally ignored in this article which is its major weakness i think, especially in conjunction with bending. you can bring up the ideas the author did about individual vs community oriented progress in the avatar universe while safely ignoring the colonialism, but you can’t not bring up race and colonialism when you discuss bending. especially once you get to thinking about how water/earth/airbenders were imprisoned and killed specifically because bending was a physical advantage, and that physical advantage was something that would have given colonized populations a means of resistance and that the fire nation wanted to keep to itself.

i think that’s the best lens thru which to analyze bending tbh! like in the avatar universe bending is a tool that different ethnic groups tend to use in different ways. at its best, bending actually doesn’t represent social power differences (despite representing a physical power difference) because it’s used to represent/maintain community solidarity. like, take the water tribe. katara being the last waterbender, in some way, makes her the last of a part of swt CULTURE. the implication is that when there were a lot of waterbenders in the south, they dedicated their talents to building community and helping their neighbors, because this was something incredibly culturally important and important to the water tribe as a community. the swt as a COLLECTIVE values bending for what it can do for the entire tribe, which counts for basically every other talent a person can have (strength, creativity, etc). the fire nation, by contrast, distorts the community value of bending by racializing it: anyone who bends an element that isn’t fire is inherently NOT fire nation (and therefore inherently inferior) and, because of the physical power that bending confers, anyone who bends an element that isn’t fire is a threat to fire nation hegemony. and in THAT framework of bending, it’s something that intrinsically assigns worth and reifies race in a way that’s conveniently beneficial to the oppressor.

it IS worth talking about how using Element as a way to categorize people reifies nations, borders, and race in a way that is VERY characteristic of white american liberals. i tried to be conscious of that (and the way that elements/bending can act in DIFFERENT ways, depending on cultural context) but i think it’s pretty clear that the writers did intend for element to unequivocally signify nation (and, by extension, race), which is part of why they screwed up mixed families so bad in lok. when they’ve locked themselves into this idea that element=nation=race, they end up with sets of siblings like mako and bolin or kya tenzin and bumi, who all “take” after only one parent based on the element that they bend. which is just completely stupid but very indicative of how the writers actually INTENDED element/bending to be a race making process. and its both fucked up and interesting that the writers display the same framework of race analysis that the canonical antagonists of atla do.

anyway that’s a few thoughts! thank u again for sending the article i really loved it and i had a lot of fun writing this <3