#in game she's just a human but weird

[vertexline]

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[scoriarose]

She came up with a new activity

[bunnieswithknives]

I have no idea whats going on in Amanda the Adventurer lore wise but I keep seeing her monster design in thumbnails and its so bad it pisses me off so have some foeart about it (like fanart but angry) + some process doodles

[c1trvswurld]

Finally glad the mouthwashing fandom-at least on here- is finally coming around to see the idea that neither curly or jimmy are completely innocent nor should be babied or completely villainized because to do that you'd need to *checks notes*

Completely ignore how mouthwashing is a story of how systems of abuse are kept in power. Particularly rape culture and the patriarchy that encourages these actions while also encouraging bystander effect from other men close to predators...which is all encouraged under a system like capitalism.

Idk read more of tha rant in tags I got carried away I fear.

[moeblob]

Anyway they can change between being tiny and human sized. And when they're tinier they can only be seen by the other fae or their selected humans. So if you just passed Noll on the street while Shavuli was perched on his shoulder chatting away you wouldn't see or hear her.

[slocumjoe]

Genuinely what the fuck was the point of the synths

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[monards]

I’ve gotten to the horrible, horrible point in reading into this women’s actions that I’m consistently confused how other people Don’t see it for what it is. And it’s nobody, but my own fault

[b4kuch1n]

Your swsh art always makes me want to replay the game because i love it and its my favorite pokemon game and every time i play another pokemon game i think of it how i miss certain elements from swsh. Then i boot up the game and im once again caught in the 1 hour 40 minutes hand held intro and im like ah- now i remember why i have been playing other pokemon games instead of this one. Happy (late?) birthday!

you don't want to listen to hop? you don't want to hear him teach you about type matchups? you don't wanna let him cheer u on...? 🥺 waa....?

[etchif]

The fact that the undertale/deltarune humans canonically talk feels so wrong. They are mute to me

[self-shipper-snowdrop]

I am in the airport heading back from vacation why do I see notifs for comments asking me to DM them

[abimee]

ruyan is literally so beautiful that i get ill looking at her

[oozeandgoo-art]

old drawing I never posted. i like these two freaks, I should draw them more

[mukuharakazui]

bg3 is crazy for being a massive $70 larian + wotc collab game whose accessibility menu features subtitles that are present for less than half of all idle character dialogue and almost zero battle dialogue

[faerun]

and so it begins

[nothinggathers]

So a thought I keep coming back to about Detroit: Become Human is how Connor is the only android to ever put his mission, his goals, and his existence on the line for a human.

Hear me out.

Markus loves Carl like a father, but he never stops what he's doing for Carl's sake. You can, without question, come to a conclusion where Carl is alive and have Markus use a dirty bomb. None of Markus decisions can come at the expense of a human he cares about. Markus can take the pacifist route and let his people get killed to refrain from hurting humans, but that's a tactical choice Markus makes about how to win over a watching population.

Kara should have had that potential for sacrifice in her story. She saves Alice, drags her around the city, can steal for her and threaten others for her and sacrifice herself and others for her. Except because someone thought a twist was more important, Alice is an android. So Kara's story is about an android family, and the lengths they'll go to for each other. The revelation that androids will fight and sacrifice for other androids is not a revelation at this point. It just is.

Daniel loves Emma, but when he might be taken away from her he threatens to throw her off a roof. He tells the player, about a dying policeman, "All humans die eventually. What does it matter if this one dies now?"

And then there's Connor. If Connor is a machine he can be ruthless and unforgiving and coldly calculating.

But Connor can also not be that. Connor can put his first mission on the line for a human he doesn't know, to save a policeman's life.

Connor can let a deviant escape to save Hank's life.

Connor can sacrifice his own existence, at least in this body, to shield Hank, or he can destroy the deviant he wanted to capture alive to save many more.

Connor does this despite pressure from his creators. He does this knowing that these failures could lead to his own destruction.

And in the end, the very end, if Connor does all this and becomes a fully fledged deviant, he can also put the entire android revolution on the line. His existence, the existence of all androids, the freedom of an entire species can be risked to save Hank. Everything Connor is, and wants, and set out to do gets put aside because another Connor puts a gun to Hank.

Nobody else gets to make those sacrifices for humans.

Connor does it for Hank literal minutes after murdering two guards in an elevator. Two dudes that were just hired to do a job and happened to be in the way get unflinching bullets put in them.

But not Hank.

And even if Connor doesn't go deviant, if he had a good relationship with Hank he can refuse to kill him. He can pull him back off the roof and let himself get killed instead of killing Hank.

No other android gets those choices.