#in character. ⸻ conversations.

[cronchy-baguette]

I promise

[ghost-in-the-corner]

One thing I appreciate about Barbie was the emphasis on age.

I was emotional when Barbie told the old woman how beautiful she was, and when Ruth came in and helped her become human.

It was also the fact that America Ferrera was the one having the crisis that caused Barbie to do the same.

The whole concept of the toy doesn't end in childhood. Cause she is an idea; Barbie is forever. She's everything. She's meant to inspire women to keep going for what they dream. You don't age out of these ideas, they grow with you, just like how Margot Robbie grew with America Ferrera.

[homoquartz]

a show doesn't necessarily have to be ABOUT queerness to BE a queer show. it's a cultural dialect that cishets don't quite speak.

edit: i gotta clarify that the shows do indeed still have to have actual queer characters in them to count

[quantumshade]

there's an interesting thing rtd said from the commentary about the "real mom" line:

i get not liking the line but like. it's an intentional mistake and an intentional character choice, and something we'll return to in the future, and that seems like important context to have when talking about the episode.

[wizard-loving-wizard]

misfits and magic is NOT about analyzing the PCs actions and deciding who's right and who's wrong. it's about watching four autistic wizards wreak absolute havoc on each other and the entire wizarding world using the power of friendship

[shaykai]

Still thinking about Gortash’s coronation and how smoothly he cuts a Durge off from their companions (and wishing we had a follow up with that)

The first words out of his mouth are that he cares about them- anybody else who remembers Durge has only distain for them, but not him- he’s happy to see them, he missed them, they’re his favorite assassin and he’s only glad to see them alive

And then he takes it a step further by providing insight into their past, something Ketheric refused to do for them- and Gortash isn’t dumb. He knows exactly how Durge’s companions will react, knows that he’s effectively outing Durge when he so easily could have pulled them to the side instead

And when their companions snap at them and refuse to look at them, Gortash is still smiling. Suddenly, he’s the nicest person in the room. Suddenly, everything is unstable and dangerous- but he likes you. He’s sitting there with open arms while the companions are rightfully so mad with Durge, but Gortash is more than happy to resume their alliance

He’s more than happy to be their sole source of comfort again, and isn’t he just so sweet for that?

[demonir]

Apparently I didn't know but Fields of Mistria had an update that added more pronouns options for the player and ngl I'm tearing up a bit because no game ever had let me do he/she or she/he pronouns together before and I've always had to conform to one or the other or just they so this is like... huge to me, it's insanely important no matter how small it is so I'm just like- on my knees rn

[fussypaws]

When you wake up and you just wanna talk so much but your partner is not awake enough yet...

[technically-human]

Ooh, now that we’ve seen N!Edwin and DP!Edwin talk about Feelings could we see the same with N!Charles and DP!Charles?

As simple as that.

Edwins version

ko-fi

[benevolenterrancy]

~ Extremely Unwilling Magical Protagonists Attempt To Outrun The Plot And Not Fucking Die ~

(@takofukkatsumi this tag is from a while ago but it hasn't left my brain -- L-Space got very weird all of a sudden)

[shikisei]

pretty please draw Trucy casually telling Edgeworth her dad’s feelings about him and then Edgeworth is like: I-I uhh…

(Alternatively) Phoenix is just like: TRUCY I TOLD YOU NOT TO TELL HIM THAT-

realistically i dont think trucy would tell edgeworth about phoenix's feelings. but she would tell edgeworth about edgeworth's feelings which is a lot funnier

[castielsprostate]

breaking the sign in two by how hard im tapping it

[redysetdare]

Make more Sex repulsed characters. Make more Romance repulsed characters. Make more loveless aro characters. Make more Non-Partnering characters.

and most of all: don't make these identities flaws. Don't "fix" them by the end of the story. Don't make them obstacles for the characters to overcome. let them be fully complex people without treating their repulsion, lovelessness, or non-partnering identities as a flaw that needs to be fixed. Let these characters exist in a genuine and positive way that is not looked down upon or shamed.

[zenruu]

if you're still boiling a character as complex as alistair down to anything along the lines of: himbo, idiot, soft baby without an idea of his own, haha funny cheese man i'm straight up burning your house down with lasers and sending you directly to hell.

if you genuinely believe that man is stupid, all you're doing is admitting that you yourself cannot see beyond the incredibly transparent veil he wants to put over your eyes.

what he is is insecure, and he wants you to think he's stupid so that he doesn't have to live up to expectations he fears he won't meet. shortly after meeting him you can call him out on using humor to deflect and make himself smaller and he ADMITS IT.

he repeatedly shows you just how intelligent he is and how aware of the ways of the world he is. his history knowledge, his understanding of the chantry and its control of templars and mages that goes far beyond nearly anyone else we as the player speak with, his emotional intelligence when it comes to understanding others' intentions and needs... and this is just a thoughtless little post with quick examples i conjured up in five minutes! i'm not even doing a deep dive here! how do so many people miss all of this?

this is not advanced reading of subtext, it's incredibly simple and i'm completely unsure how people don't understand this about him.

he's such a great character for so many reasons - his flaws being some of those reasons - but a lack of intelligence is simply not one of those flaws no matter how you spin it.

[pygmi-says-hi]

writing tips - banter

I LOVE BANTER WE ALL LOVE BANTER HIP HIP HOORAYYYY!!

Banter is a lovely addition to dialogue between characters. It means a lot of different things - sass, genuine insults, flirting....all sorts of options.

But overusing banter can make conversations sound circular. It's a fun 'fluffy' piece of dialogue, but doesn't do the best job conveying plot.

Pedantry vs teasing

Pedantic speech is basically nit-picking. Somebody who can't bear to let anything slide, no matter how small. This is an interesting character trait and one that adds depth, but if it's unintentional it sounds frustrating. Sassy characters are fun, especially when they go off in an inner monologue.

If a character has a quip for everything, it adds a layer of whiny-ness. Sarcasm is a fun way to tease and complain. Constant complaining gets on a reader's nerves after a while. Soon there becomes so much commentary it's hard to dissect what is actually being described.

Unless your OC has no sense of social boundaries, there's usually a break in between jokes to read the room.

How do I know when enough is enough?

Think about the character. If they have that wonderfully sardonic rapport with their peers, that's great! Why do they act like that? Is it a sense of humor? Is there a running joke? When you incorporate the banter, keep it in the confines of those parameters. It'll still enrich the conversation without overwhelming it.

It's a learning curve!!!!!

I like to do it this way:

write the dialogue as banter-y and indulgent as possible. When the scene is finished, I reread and pick out the really funny bits and discard the rest or move it to a different scene.

Sometimes those indulgent character moments help the really good stuff push to the front of your mind. Go for it! You know your story better than anybody else; if it's telling your story the way you want, that's all that matters.

[knifearo]

ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story