#in case anyone was wondering what episode

[accirax]

Danganronpa: Despair Time Chapter 2 Episode 14 Dissection

I can't think of how to introduce this dissection other than just saying "god damn??". This chapter-- especially its second part-- has been a wild ride, and one that it appears we're nearing the end of. However, we still have one important question left to answer, which I'm sure I'll talk about here. So, let's chat.

SPOILERS for Danganronpa: Despair Time Chapter 2 Episode 14.

Also, I will be discussing Ace and Eden as equally likely blackened candidates in this post. If it will upset you to hear about the prospects of either or both of them being the killer, you might want to sit this one out.

Given what happens later in the episode, it's very interesting that the episode began with (more or less) Ace "admitting" that he has no idea how the murder mechanism worked. A truthful method of disqualification, or a masterful play by Ace to ask Teruko to ask him about the murder method only to pretend that he has no idea what it was? Time will have to tell on that one, because I honestly have no leads.

Similarly, is this Eden being genuinely shaken up and not remembering what transpired in the Gym, or trying to play the helpless innocent card to get out of having to help Teruko explain the murder method that she stole? Spoilers for my thoughts later in this dissection, I guess: they're so evenly matched that it's crazy.

I've always thought that Hu is the prettiest DRDT character, and this episode did nothing but prove me right. Hot damn, ma'am.

The insistence that this questioning is "traumatizing [Nico]" makes me think that Hu could be projecting her own experiences on to them. Perhaps she was once an innocent in a situation for which she kept taking the blame? That would be interesting as another connection between Hu and Nico, of both of them having taken the blame for someone else's follies.

This was a hilarious comeback; never change, Ace. Or, maybe you do need to change slightly, to become a less cowardly and impulsive person. Or maybe I should at least be rooting for you to have the chance to change in the sense that you live long enough to have that work out for you.

Yet another instance of J being the one to say that murder is bad. I wonder if this has to do with her character/backstory in some particular way (although given what we know about her past I have no idea what that would be), or if DRDTdev just needed a judgmental and confrontational person who would snap back at anyone to take over these kinds of lines.

(That's not me dunking on J's character btw she's valid for this)

This was a really clever way for Charles to phrase this to make Hu listen and settle down. I appreciate the out-of-the-box yet logical thinking. (Also I missed hearing Charles' voice :,D)

Woah, I was not expecting to get a Closing Argument comic for the Gym murder, but I am obviously delighted that we have one! Also, OH MY GOD, THE CEILING GRATE. How did none of us even think to consider that as part of the murder mechanism?

However, there are still some aspects of the state of the Gym that haven't yet been accounted for with this version of the murder timeline. I don't really think it's anything that would stop Nico from being Ace's would-be killer at this point, but I'll list them out here in case they are or in case they turn out to be relevant to Arei's murder. I'll also be trying to debunk them, though.

Moved Benches: Some of the benches near the pullup bar were knocked over. These probably fell either in some sort of struggle while knocking out Ace, or when Ace's body fell from the fan.

Moved Weight Rack: The weight rack was moved closer to the bench press and flipped on its back. I guess this really was also knocked over in the same fashion, no matter how unrealistically difficult it should have been to move due to its weight? Or it really was "workout preferences"???

Nico's Missing Cowl: When Teruko and Eden found Nico at the scene of the crime, they weren't wearing their typical dark cape thing. I have no clue why. You could say that Nico was trying to look less instantly recognizable, but it's not as if anyone (other than maybe Teruko) who saw a dark-haired 5'5" individual in a blue shirt instead of a gray cowl would think it was anyone other than Nico. There's also ye olde theory that they might have used it to soak up blood somewhere, but 1) Ace seems to have lost less blood than it may have seemed, and 2) the cowl was still not seen anywhere in the crime scene. I think I remember speculating that after Nico hypothetically used it to soak up blood (or, on second thought, maybe used it to gag Ace with the turpentine), they then stuck it in the fridge to hide it for the time being, at which point MonoTV discarded it and Nico got a new cape from their room. Maybe if it was used to apply the turpentine, Nico also could've put it away to prevent themselves from being affected by the fumes? I guess that's what I'm going with.

Lack of Tape on Pullup Bar: So, this one is obviously relevant to the murder already because Rose not being able to do a pullup is part of what tips off Teruko to the fact that something is off with the tape. However, I have no idea why the tape actually got removed from the bar. I still maintain that I don't think anyone could have stolen the tape off of that bar and repurposed it elsewhere-- most online sources seem to agree that kinesiology tape isn't reusable, and the fact that it was already wrapped around the bar in such a tight spiral would make it difficult to conform to any new specific shapes. My best guess is that Nico might have tried to use the bar instead of the light grate at first, determined that the tape was preventing the wire from sliding properly, and then removed the tape before determining the bar still didn't work. Or, Nico could have tried using the bar before settling on the broom, and thinking that it wouldn't work with tape on it... for some reason? Kinda scratching my head here.

I wonder how long ago it was. It's been four days since the Chapter 2 motive was revealed, although Ace was attacked only two days after the motive. Furthermore, Ace had started bullying Nico to some level already by the end of Chapter 1. I'm sure that Nico must have known what their secret was and probably didn't want it to be shared. My guess would be that they probably started cooking on murder pretty shortly after the new motive was released. That would also work with Charles-via-Whit letting everyone know what the custom weapons were in the first Class Trial.

This was the perfect response for Nico's character. They don't understand why an untruthful "sorry" would actually serve as a courtesy for most people, so they try to say what they feel and get ostracized for it.

Gotta say though, Ace, that was a pretty aggressive reaction from someone who said he "didn't need other people to tell him lies just to keep him happy" ;) (/j)

Damn, way to throw Levi under the bus. I can see why, for someone like Nico, they would want to assert themselves as not the most abnormal person here, though. I just want them to be neurodivergent buddies :(

If that's the case, then I'd have to imagine that we won't be seeing Nico as a killer again down the line. However, they could also just mean "getting caught"/"going in without a solid gameplan," so it's still possible we will. There's also the possibility of them doing something more like a sacrifice kill, although it would take a lot of character work to make something like that feel within Nico's nature.

Sorry to keep screenshotting every little thing Nico says but they keep saying really interesting things. The fact that Nico specifically mentions their father as opposed to "parents" or "family" makes me think that we'll hear more about their father specifically sometime in the future. Or, who knows, maybe their other parent left or died.

Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

This was very interesting as an addendum to the above screenshot. What exactly did Nico "ask for" forgiveness for in the past? Was it just more social blunders, as they described in ch2-e2, or did they get into more trouble closer to this level than we realized? It could also be an indication that Nico has spent time with people who believe that being nonbinary is a crime that Nico needs to feel sorry for. Fascinating stuff, indeed.

Points for Ace being the killer. We know that he went into this trial looking to suspect Nico ("[...] I'm pretty sure I know who the murderer is. It's not David, it's Nico"), so if Ace is the killer, it would make sense if he'd want to make the crime scene resemble Nico's to make his bait more credible.

Hey, it's the aforementioned T A P E T I M E, motherfuckers :D (still /j) Personally, it's quite gratifying to hear that it wasn't just a visual malfunction or a minor detail blown way out of proportion.

You're, uh... getting to this point much faster than I expected, queen. I don't think she's now going to go down the exact same distrustful rabbit hole that she was in before, but there's definitely still potential for her hopes to be crushed by the end of this chapter. Or, maybe she will accept some people as genuine friends, and instead in the future have to confront how she feels when she loses a genuine friend, or not blaming herself for the effects of her luck, or something along those lines. I like that Teruko isn't a static edgy protagonist, though. Like, don't get me wrong, I've always known and appreciated that she has depth, but it's refreshing that she isn't someone who's so stubborn about her own way of thinking that she refuses to admit when she's in the wrong. Teruko really wants friends, guys.

TERUROSE REAL??????

(Also Rose's speech was excellent as well I just didn't have anything in particular to say about it other than "wow" at the moment)

Yahoo, lockdown logic strikes again! Also, a quick

Is Teruko Correct In This Assumption?

Personally, I fully think yes, only Ace or Eden could be the culprit at this point. MonoTV confirmed that it tried to restore the Gym to the best of its ability but couldn't return the tape, which means both that there was no tape in the Gym to be taken and that there was never any spare tape in the Storage Room that MonoTV could have used to replace the roll. I guess you could say that there was an extra roll of tape in the Storage Room that someone else took before the murder took place, but that level of coincidence seems implausible at this point in the Trial.

No, for anyone other than Eden or Ace to have acquired the tape, they must have either stolen it from one of those two or asked for it from one of those two. Asking them seems very unlikely-- for starters, if it was Ace who took the tape, I don't think he'd be giving free hand-outs to anyone. And, if Eden isn't the killer herself, that means all of her fright regarding stumbling upon Ace's body was genuine. I don't think she's naive enough to then hand over what was used in Ace's murder to anyone asking... or at least not without bringing it up now. Beyond that, anyone who would ask either of them for the tape would have to know that the tape was used in the murder attempt, knowledge of which was very limited. This episode went to lengths to establish that Nico was the sole culprit behind the attack on Ace, and while it's still possible it could all be an elaborate lie, the explanation Nico gave felt very in character and important for their characterization moving forwards. So, while Nico would obviously know it was used, if Nico asked either of them for the tape, surely neither Eden nor Ace would trust them. Otherwise, I think Rose is the only one who could have found out it was gone, but even so, given that neither Eden nor Ace have tried to argue that Rose asked them for the tape, I don't think that happened.

You could also say the same of neither Eden nor Ace claiming to have had the tape stolen from them-- but I could see either of them feeling like claiming to have taken the tape at all right now would be a death sentence, so I understand why they wouldn't say it. Still, I don't know if the narrative is there to support the tape having been stolen from them. On the day after the Gym murder (Day 7), Eden isn't seen in the daily life at all. If someone stole the tape from Eden on that day, I would think that DRDTdev would at least want to show us who Eden was spending time with on that day (given that he put in the effort to make the tape sprite disappear from the Gym at the time it did), so that we would have any idea who might have done so. Ace is seen once in the Day 7 daily life, arguing with Hu, Nico, Levi, Veronika, and Arei. However, having just been attacked, I imagine he'd be hyper-aware of anyone getting close to him, and therefore would be more likely to notice if someone was rifling around in his pockets (if he has pockets?).

Really, I think the only possible candidates for who could have stolen tape from Ace or Eden would be Levi (mostly just for Ace) and Arei (from either of them). Levi might have had an opportunity to take the tape from Ace on the night he was attacked, the night of Day 6. Eden said last episode that Levi "kept trying to help him" after Ace was attacked, which could imply that Levi was the one to put bandages around Ace's neck. Furthermore, he does have a criminal past, which could make him better at stealing. Similarly, Arei is confirmed to be a good pickpocket, stealing Min's pen without Min noticing at all. I think she's the only one with the proper buildup to have taken the tape from Ace at that breakfast, and would be the most likely to have spent time with Eden when Eden was off-screen. (Although, it would have to have been before lunch, because Eden says the last time she saw Arei was at lunch.)

However, I don't think many people think that Levi is the killer anymore, and if Arei stole the tape from Eden or Ace only for the killer to then steal the tape from Arei, I would start to wonder why DRDTdev even made the tape such a scarce resource in the first place. Remember that, if the killer was purposefully trying to recreate Nico's idea, they likely knew in advance that they would need the tape to pull off their plan. It was used in enough places that seizing the opportunity to take it off of Arei seems unlikely, as it was too fundamental to the plan's inception. Besides, for the killer to replicate Nico's plan in the first place, the killer likely needs to be Nico, Eden, Ace, or Teruko, who are the ones who could have most easily taken the tape on their own.

I've already seen people accuse this Trial of being bloated, and while I strongly disagree (I only think cases are bloated when they're stalling for time and have nothing of interest to discuss, and we've still had PLENTY of interesting stuff to discuss), if we spent a whole 'nother who-knows-how-many episodes reversing all of the progress we just made to say that either Nico wasn't actually the one to kill Ace or that someone who didn't see the crime scene killed Arei, that bloating problem would only seem worse to those people.

I understand if you don't want to believe that Eden or Ace has to be the culprit for whatever reasons-- whether that be that they're your favorites and you don't want them to die or you really like your theory and don't want it to be false-- but I really think that this episode cemented that either Ace or Eden will be voted for as the blackened for all of the reasons above. Therefore, I shall be proceeding accordingly.

She was WILD for this. Hilarious line of reasoning.

What's Up With the Body Discovery Announcement?

The "reveal" of this line of logic was no surprise to me. As someone who's believed that Eden is the culprit for quite a long time, we've had to figure out ways to get around this thing before, and besides perhaps "not witnessing the murder," someone else seeing the body before the BDA rang is the most obvious way to cheese it.

However, in order for this to be a thing, we have to ask ourselves-- who would have actually seen the body first?

David claims to, but he has an alibi starting at 7:30 AM with Veronika and J. Both because Arei theoretically wasn't dead before then and because we've been operating off of the assumption that a meal takes about 30 minutes to eat, I don't think any of the three of them could have stumbled across Arei in the morning. Nico and Hu both have an alibi, which I'm going to consider solid enough to remove them from possibility-- one of them spotting the body would be helpful to make Eden the killer, and I think the only people who believe that Hu and Nico are lying only believe so under the condition that one of them is the killer. Whit is out, because him seeing the body beforehand doesn't actually accomplish anything, and so is Charles, because we can assume that, if he saw the body, he would be out of commission. I'm also going to strike Rose from seeing the body before breakfast, both because she's very likely to have been asleep and because if she had already seen Arei's body in the Playground, she probably wouldn't have refused to draw a diagram. That would leave only Ace, Levi, and Arturo as non-blackeneds who could have helped facilitate culprit!Eden from not being caught by the BDA.

However, we also have to consider that "before 8 AM" isn't the only time someone could have stumbled across Arei's body. They also could have seen it before Teruko, Eden, and Whit did while everyone was looking for Arei. So, what do we know about what happened during the search for Arei? Not much. Hu says that they should split up, while J says she's going to check Arei's room. Teruko says that most people are probably searching the first floor, an assumption that's supported by Teruko, Eden, and Whit not seeing anyone else while they check the second floor. You might think that would eliminate the possibility of anyone else seeing Arei's body during the search, but Teruko did say most people, not all. There's also what MonoTV said when Teruko and Veronika were investigating the Gym.

MonoTV: It's too high! If you stood in the movie screening room on floor one and started punching through the walls, you'd fall into the playground.

This not-yet-addressed piece of evidence got me thinking about the possibility of someone seeing Arei's body from above, standing in the Motive Screening Room. It still probably couldn't be Teruko, Whit, Charles, Rose, or J, but anyone else would theoretically be back on the table if that were the case. That being said, I can't find any visual differences in how the Motive Screening Room looks between the beginning of Chapter 2, when the search for Arei begins, and when Teruko goes to check the motive secrets (other than a curtain being added over the screen in the third case). So, unless there was already a heretofore unmentioned hole to peek through in the room, I wouldn't count on that being the case. The connection between the Motive Screening Room and the Playground will probably just be relevant to a different chapter.

Therefore, that leaves us once again with Ace, Levi, and Arturo. The main problem with believing that any of them could have seen the body beforehand is why they wouldn't have brought that up at this point in the Trial. Here are my best guesses as to why:

Ace: I have genuinely no clue why Ace wouldn't have brought up that he saw the body in the morning (assuming that he actually did) to defend himself at this point. It's not like it would make anyone more suspicious of you.

Levi: Levi does seem to be a bit dense regarding what is and isn't helpful behavior in a Trial, so the most likely possibility to me is that he just didn't realize that confirming he saw her was helpful. Like, "oh, I didn't realize that me confirming that I saw Arei would help us pin down Eden as the killer. I was just trying to figure out how David and I both saw Arei's body this morning and I didn't see him." "Wh-- David was obviously lying!" "He was?" "I already told you he was lying before..." "Levi... we talked about this..." Bonus points for it not being out of character for Levi to be unfazed by seeing a body, though.

Arturo: In Arturo's case, I think it would have to be that he'd still be worried about people seeing him as suspicious for saying he found Arei's body in the case of accusing Eden specifically. They already have a past history of conflict, and I could see someone brashly accusing Arturo of throwing Eden under the bus just to get revenge on her for the secret thing (even if I don't think he would actually do that). He also made an enemy out of Arei, so I don't think he would be particularly fazed by seeing her corpse either-- similarities to Felicity's cause of death notwithstanding. However, I also find it likely that he trailed after J in going to check Arei's room.

So, what's our conclusion here? Does this mean that Eden is basically fully cleared by triggering the BDA? I wouldn't count her out just yet, but the evidence isn't looking great for her. It's quite possible David only brought up this argument to A) hold out suspension of disbelief that it's not just Ace for a little while longer, B) drop this logic as foreshadowing for a future killer's plan, C) characterize the kind of logic he uses in a Class Trial, or D) bring up this argument in canon so that the people who theorized that the BDA might not clear Eden or Whit wouldn't be like, "wait, but what about...?" However, it's also possible that one of the possibilities I listed above, something I might have missed, or the "see no evil" idea (as FF put it) could keep Eden in contention. That dynamism is part of what makes Ace and Eden feel so evenly matched.

See, this is what I assumed David was getting at after Nico reminded me of his early-morning alibi. But then he just kept talking...

I'm not going to delve into what David was thinking here too much, because I already have an anonymous ask about what I think David's rationale was that this will almost certainly come up in. However, as a short version, I imagine that David is trying to get everyone angry at each other in the hopes that it'll incite another murder that he can get the class to fail? Or to cause enough discord in the group that they just fail this one. That would be why he also rags on Rose for not remembering the tape, and insults Arturo's sister-- he wants no one to trust anyone so that the murder-solving process will be as un-streamlined as possible.

The fact that he targets Teruko so specifically is probably because he (accurately) assesses her as the only real threat there. Charles and Rose can help, sure, but their mental struggles make them easy enough to eliminate if you play your cards right. Teruko's main flaw is her lack of trust, so if David wants to weaken her, it makes sense to go right for that jugular. Furthermore, by stating his plans so plainly and publicly, it might incite other people to fight back against him and say that Teruko should trust them. However, that kind of olive branch might make Teruko even less inclined to get close to them, if what Teruko said to Eden at the end of ch2-e03 can tell us anything. Didn't stop Eden from trying at the end of this last episode, though!

After taking some more time to think about what David was up to this chapter, I might change my mind on those being his goals. But, this post does serve as my initial thoughts of sorts, and that's what I initially think about this scene.

I wholeheartedly agree.

Does Ace Have Nothing To Do With Arei?

What Ace has to say is more or less true-- barring the breakfast in which Arei didn't talk at all (AKA, no conversation), Ace has literally never been in a small group event with Arei. However, although they didn't talk to each other, Ace did overhear the conversation between David and Arei, which does give him a connection to Arei. Quite relevantly, Arei did say this to David during their conversation:

Arei: You said that sharing our secrets would help fight against the motive. But when I think about it, not a single good thing has come out of that. Eden was stupidly naive, as usual, and tried to talk to Arturo, so now I have to protect her.

From this, Ace could probably surmise that Eden had Arturo's secret, she talked to him about it, and that Arei stepped in to save her from Arturo. He was one of the few people who could have known that Eden and Arei grew closer before the murder occurred: another connection Ace had to information about Arei.

However, before you use that evidence to call Ace the killer, let me remind you that he still doesn't have enough information to write the note from just eavesdropping on this conversation alone. As I outlined in this theory (same as the one I just linked above), whoever wrote the note had to specifically know that Arturo's secret was about his sister, which Arei doesn't divulge (quite possibly because she didn't even know) to David. Therefore, although Arei mentioning Arturo and Eden in this conversation is interesting, it doesn't actually make Ace any more likely to be the killer, because he still would have needed to find some way to spy on Eden's secret and/or Arturo and Eden's conversation to write that note. (Unless mentioning the sister specifically was an oversight plot hole, but I never want to use that as my reasoning.)

So, do I get what Arturo is getting at? Yeah, Ace and Arei were never particularly involved, and Eden clearly has a greater connection to the victim. However, there is more to the Ace/Arei bond than it might first appear, and it's possible that could come up in the Trial moving forward.

This distinction-- between "Arei was my friend" and "Arei could have been my friend"-- could be very telling down the line. Eden pauses mid-tear-filled rant to distinguish that Arei is not her friend, not because she's dead, but because they hadn't reached that point yet. Arei is not Eden's friend in death. What can that possibly mean other than that Eden killed Arei?

... BUT THEN HOW THE FUCK CAN EDEN GO AND SAY ALL OF THIS, BE THE KILLER, AND THEREFORE PROVE DAVID RIGHT???

AND THE "BECAUSE THAT'S WHAT FRIENDS DO" REFERENCE??? AT THIS HOUR????? I DON'T EVEN KNOW IF THAT MAKES HER SEEM MORE OR LESS SUSPICIOUS!!!!

OUGH AND THE MIN PARALLELS TOOOOOOO

MIN WAS TERUKO'S FRIEND BUT ALSO A KILLER. DOES THAT MEAN EDEN IS GOING TO BREAK THE CYCLE OR DOES IT MEAN THAT WE'RE STUCK IN A DOOMED STORY IN WHICH TERUKO IS THE PROTAGONIST? IT COULD GO EITHER WAY!!!

Jumping back in time for just a moment...

A Piece of Evidence That Lines Up to Them Only

I thought about making this its own separate post, but decided not to. If you guys want me to make this part it's own separate post so it's easier to find/comment on directly, let me know, and I'll set that up.

But before you can make your decision, I suppose I have to explain what I aim to do here. Basically, Teruko has told us that she's still torn between Eden and Ace (mood), and that, while she'll start off attacking Ace, she's looking for any pieces of evidence that could prove that only one of them could have committed the crime. Problem is, we have no indication of what that specific piece of evidence could be, and, trust me, it could be a lot of them. Thus, what I'm going to do in this "mini" theory is list out every piece of evidence that I can think of, and say whether it points to Eden being the culprit, Ace being the culprit, or it can't point to either of them. Perhaps once we're done, you'll see why I'm so conflicted on which of them it would be.

I'm going to tier these pieces of evidence in terms of least likely to be the missing piece to most likely to be the missing piece, starting with all of the aforementioned unexplained gym evidence. The knocked over benches and weight rack were not part of the replicated crime scene, and I have no idea how Ace or Eden would have wound up with any version of Nico's cowl. The missing tape on the pull-up bar has the greatest likelihood to be relevant, but as we're already suspecting both of them for having the tape, I don't think it'd be a decision maker. Any of those pieces of evidence would be likely to come up in proving that Nico wasn't the one behind Ace's murder, but this theory is operating under the assumption that Nico is the one who tried to kill Ace, and either Ace or Eden killed Arei. If you want the answers for your own theory, do your own homework. (/lh)

Ace or Eden will get a point for any evidence that I think would better be used to accuse them as being the culprit. Therefore, winning points is actually a bad thing if you want to be innocent. For convenience of "scoring," Eden will be purple because of her shirt and Ace will be pink because of his "maroon" hair... and because I needed red and orange for the likelihood ranking.

UNLIKELY FINAL PIECES OF EVIDENCE

Arei's Body Swinging: This evidence has already been used to establish that Arei was killed in the morning, not at night. Either Ace or Eden could have killed Arei at 7:30 AM, so point to neither of them.

Ace Trying to Assign Himself to Guard Duty: This one is obviously a point for Ace if it were the final piece, but it's such a minor happenstance that I doubt Teruko would think to bring it up as the main thing against him. Like, she could bring it up in general, but I don't think it'd be her crowning jewel. Still, it's a piece of evidence we haven't discussed yet, so credit where credit is due.

Arei's Bound Wrists: Bound by the grippy tape that either of them could have stolen. Point to no one.

Broken Playground Lights: The lights in the Playground are broken, likely from the mechanism being hung up through the ceiling rafters. You could argue that this is a point for Ace's strength, but I don't think throwing a ball that high requires so much strength that Eden couldn't do it, especially if you might be able to use the see-saw to launch it somehow. Point to no one.

Dried Up Puddles: This has nothing to do with either of them. Point to no one.

Carousel Wrapped in Tape: Again, either could have had the tape, so point to no one.

Two Pieces of Rope: Either of them could have taken the rope from Storage and cut it; point to no one.

Food/Utensils/Napkins in Trash: Probably David's dinner. Possibly evidence of Eden and Arei having breakfast together, but that's a stretch. Point to no one.

Cups/Tissues/Palette in Trash: Rose says these were hers. Point to no one.

Incense in Trash: I know thebadjoe had (has?) theories about this being used to conceal the scent of Arei's body being hidden in the Relaxation Room a day earlier than anyone thought, but I find that to be too much of a stretch to accost Eden for it here. I think it's just filler. Point to no one.

Grippy Tape in Trash: I should just stop writing out tape evidence. Point to no one.

Broken Jugs: The killer used jugs of water to make Arei heavier, which broke when she fell. They probably had the fish water in them, but we're not talking about the fish themselves at the moment. I'll say point for Ace because the jugs are probably from the Gym, and we've seen Ace in the Gym far more times than we've seen Eden.

Needle and Black Thread: This evidence... might have to do with the ball of clothes, which we'll get to later. However, if this is relevant to the murder, it's probably from the Dress-Up Room, in which we've seen Eden but never Ace. Point to Eden.

Construction of the Note: After a bit of internal debate, I'm going to call this a point for no one. Why? Well, it's because Eden would have reason to help construct the note whether she was the killer or not. If she is the killer, she might have wanted to guide the discussion that followed its reconstruction, to urge to Rose and Whit that she's innocent and that someone must have framed her. It would also give her reason to come into the Trial already having a handwriting sample on her. However, if Eden is innocent, she also easily could have just wanted to help out. Most importantly, Eden already brought up the note being constructed in her initial defense, so I doubt Teruko would reuse it as the nail in someone's coffin.

Splashing Arei With Water: Either of them could have thought of this and accomplished this. Point to no one.

SOMEWHAT LIKELY FINAL PIECES OF EVIDENCE

Body Discovery Announcement: While this may very well play an important part in solving the case, I don't think it'll be the final smash, so to speak. That's mostly because we already talked about it a lot in determining whether Eden could have done it. In the end, I think we'll either have to come up with a way to justify Eden having cheated the BDA-- by Levi or Arturo having seen it or via see no evil-- or we'll accuse Ace without the BDA being a problem. I guess I have to call this a point for Eden because if the BDA were to be the damning evidence, I think it'd have to be for her. However, in my heart, this is totally evidence supporting Ace being the killer.

Arei's Broken Neck: I'm using this as a stand-in for the strength of the killer, in the sense of lifting Arei up and being able to stop the carousel. This is a point for Ace, because he's a professional athlete and Eden is generally the weakest person in the cast.

Scratches on the Ground: This evidence certainly seems to indicate that there was a struggle at the Playground, but is there anything more to it than that? I'm more willing to believe that Ace could have beaten Arei in a fight, but does that point to Eden because there would've been more of a struggle, or Ace because Eden wouldn't have wanted to fight Arei at all? Ace also normally wears heels (while Eden and Arei don't), which is what Hu cites will naturally scratch up the floor. This evidence is vague enough that I don't think it'll be used to point to either of them, but if it did, I think it's more likely to be Ace.

Ball of Starched Clothes: For starters, I'll share (I think it's) thebadjoe's theory that the ball was adhered together using starch from the Relaxation Room that's sprayed on the plants at night, because I saw some people questioning how the clothes could have been stuck together. Anyways, the ball of clothes itself is definitely a point for Eden, because we saw her in the Dress-Up Room specifically looking for Teruko's clothes. Although, Ace certainly saw Teruko and Hu's new fits, so he could have figured it out for himself.

Actual Acquisition of the Tape: I don't think this will be used as the final piece just because I feel like the narrative is pointing towards the damning evidence relating to Arei's actual murder as opposed to Nico's. However, it's relevant to discuss, so I'll list it here. Although Teruko says that Ace and Eden had equal odds at the tape, on the surface, it really makes much more sense if Eden was the one to take it. Star explained it well here, but I'll add my own recap: in the moments when the tape must have been taken, in between when Nico leaves and when MonoTV kicks everyone out, Ace is recovering from unconsciousness, covered in blood, full of rage, and has all eyes on him. Meanwhile, Eden is scared, sure, but she had a clear moment to actually examine the scene of the crime and is also knocked to the ground-- potentially right next to the tape-- with all her wits about her. While it's not impossible to believe that Ace sleight-of-handed the tape, Eden had a much clearer path to taking it. Point to Eden.

MOST LIKELY FINAL PIECES OF EVIDENCE

Arei's Missing Glove: To my memory, Arei's glove hasn't been brought up in the Trial at all, which is definitely strange, because it must be missing for a reason. If DRDTdev is crafting so much detail into the BDA that the swinging of the body is plot-relevant, there's no way he would have just missed giving Arei her glove. The question is, what was this used for? Those who are familiar with my theories should know that I've never been a fan of dress-up theories, so I'm going to discount that possibility. The thing I thought was the most likely was that the killer donned the glove so that their hands wouldn't get super scratched up from grabbing the grippy tape-d carousel bars, before gleamingtempest reminded everyone that both Eden and Ace already wear gloves. Still, looking at them, Eden's gloves are probably made of something more like cotton while Ace's gloves likely have some sort of tougher grip on the inside. So, Eden would probably be more likely to need something else to protect her hands. Also, given that both of Arei's wrists have marks on them, the glove was likely taken off before her wrists were tied. I can't figure out why Ace would have taken off Arei's glove before restraining her or how he would have gotten Arei to take it off otherwise, while for Eden, at least, I can imagine her asking Arei to take off her glove. Therefore, I'm going to call this one a point for Eden, while also throwing out that it might just be missing if Arei didn't bother putting on her glove for the early morning meetup.

Fish on the Playground: You've heard it from me before, Eden has an alibi through the entire time the fish could have been taken. With seemingly no accomplices (other than possibly Arei) in sight, I don't know how Eden would have gotten her hands on those fish. Meanwhile, Ace had a great opportunity. Point for Ace.

Pieced-Together Note: This evidence is very confusing, because I don't see how/why either of them would have implemented it. For Ace, I wrote that entire theory (I'm not going to link it a third time) about how, based on the information in the note and the layout of the first floor, it really seemed like eavesdropping was impossible, and the person who wrote the note had to be Arturo or Eden. Then there's what thefandomenchantress pointed out about Ace's pedantry making it seem like he wouldn't misspell "responsible" in the note, and that he just doesn't give me the vibes of someone who writes in cursive. By all accounts, it really seems like Ace can't have written that note. But then again, why would Eden have written that note? Okay, bad phrasing; she wrote it to get Arei to come to the Playground. But still, why would she sign it? Or if she were to sign it, to make sure that Arei knew it was her, why include so much detail about what Arturo's secret was? More importantly, why wouldn't Eden have just stuffed the ripped up note into her belt, or her pockets, or her room if it would serve to incriminate her? Put it wherever she put that glove! Hell, why not eat the note, if it's a life or death situation? There's the "reverse psychology" argument, but similar to what Teruko said this episode, it would have been much simpler for Eden to have pretended that Arei came to the Playground for some other reason without the killer planting some sort of note meant to frame her. And it's not like I think Eden is really the type to misspell "responsible" either. So, I'm kind of at a loss. It's such a major piece of evidence that I feel it has to come into play again somehow, but I'm not sure how. I think I'm going to call this one a point for Ace because at the very least I understand why he would want to leave this evidence here, even if I don't know how he created it. For Eden, I don't get why she'd leave it lying around, even if in pieces. You can call it revenge for Eden getting the point on the BDA, if you wish.

So, what are the results? If you add up all the points together, you wind up with 6 points for Ace and 6 points for Eden. Funny. If you tier the points, however, with 1 point for unlikely pieces, 2 points for somewhat likely pieces, and 3 points for the most likely pieces, you get 12 points for Ace and 10 points for Eden. Of course, that's using my tierlist of which pieces of evidence are most likely and on top of that, assigning the BDA and the Note the way that they are (if you flip them it's 11-11), but still. If you're invested in my findings, these are the results.

Needless to say, I hope you can understand why I'm having such a hard time determining which one of them will turn out to be the killer. Although, I must add...

If we're suspecting Ace first before we've done our Debate Scrum, that's not a good look for Eden never being suspected again in this Trial.

Concluding Thoughts

What? A conclusion? I've never done one of these on a dissection before?!!

Yeah, well, this time, I have stuff to say that I couldn't really correlate to one image in particular! And also I ran out of images, so this is what you get!!!

I spent that whole "A Piece of Evidence" section talking about the physical evidence that could support Ace or Eden being Arei's killer, but in it, I really didn't get to talk about the narrative implications of either of them being the killer at all. I know that Narrative Defenses are typically Venus' thing, but I have my thoughts on this, too. Namely, that both of them are riddled with narrative problems for being the killer at this point.

(Note: I don't mean "problems" in the sense that DRDTdev has written anything poorly. What I mean is, my own perception of how the characters are conveyed has me currently raising red flags about how either of their stories will pan out as a killer or how the rest of the story will pan out without them. At the time the answer comes, I have full faith that I'll be satisfied with the results.)

Let's start by looking at Eden, the spotlight character of the end of this episode. After that whole heartfelt speech with the CGs and the tears and the brilliant voice acting and the everything, how could Eden possibly be the killer?! I'm the one who was trying to defend the possibility of her still being the culprit after her little rant last week, and while I could probably do that again with this speech, it just felt so... I dunno, sincere. You can really feel Teruko's reluctance to put her faith in Eden, but her choice to do it anyways. Teruko already showed signs of growth this episode by admitting that she can't always solve mysteries by herself, so could that be a sign that she might come around on the group faster than we initially anticipated? If Eden was the killer, it would crush Teruko so hard. Is there any recovering from that? Can we really prove David right?

On the other hand, Ace is, quite possibly, one of the most intertwined members of the cast. He's probably Levi and Nico's #1 correspondent, and he's up there for Hu as well-- assuming they both survive the chapter, I'm sure their animosity towards each other will only grow in Chapter 3. With Ace just having given up on Levi, having just been the target of Nico's battery and Hu's verbal lashes, can the story really work without him in it at this point? Eden hardly has connections with anyone other than Teruko-- Hu's probably next, but Eden probably ranks, like, fourth on her list after Nico, Ace, and David-- which should make her more expendable. Is it really Ace's time already?

However, despite my complaints, I also think that both of them could be really good options as the killer here-- the two options I prefer over anybody else.

Eden is the character who's most connected with Arei. She plays into the chapter themes of being a good person beautifully. She's a good person, a tragic figure, that killed not because she wanted anybody dead, but presumably because she had something back at home that she had to get back to at all costs. Killing her off would break Teruko-- would break everyone. With the reveal of everyone's secrets, next chapter is going to be a living hell, so why not make that hell worse by removing the biggest conflict de-escalator here? It would force other people to step up to bat. It would give everyone a chance to change, what Eden wanted for Arei most of all. Eden's development isn't an arc, per say, but a fall-- a reminder that even the "most good" people can do the unspeakable.

Meanwhile, Ace has perhaps the most obvious reason to kill someone: he literally almost fucking died himself. Ace's execution would be a reminder of the physical reality of the killing game. That actions have consequences. Even if the guy who started all those fights is dead and gone, you can still feel his presence lingering in the arguments between the others. The guy you underestimated most of all-- not for being kind, but for being dumb-- can send you into a multi-hour spiral in which you accuse even the sweetest of participants. Ace's development isn't an arc, per say, but a fall-- a reminder that reveling in your own distrust and anger might lead you to do the unspeakable.

For someone who's spent so long believing that Eden is the culprit of the chapter, it's really amazing how down-to-the-wire DRDTdev has made the end of the case, where either option feels so believable that it's like you can picture the rope in their hands. Whether my theories, old or new, were right or wrong, I am highly looking forward to watching next week's episode and discussing it with you all. See you on Friday-- just try not to freak out too much before then, alright? (/aff)

[poorly-drawn-mdzs]

Hey now, Let her cook!

[last-laments]

I’ve been watching Breaking Bad and I was not built for this kind of show it’s so stressful and that one just hit so much harder than anything else that I’ve seen in this show my fucking god

[your-turn-to-role]

you know while we're doing all this beautiful meta writing about perc'ahlia because of lovm s2 - and this is not intended to disparage them btw this makes me like them even more - i would just like to remind everyone that in addition to having some of the genuinely best and most romantic moments on this show, they're also the couple that pined for ages and only had the courage to say something to each other about it after one of them died, upon which they:

got together near immediately

broke up a few months later

got together again

had the equivalent of a vegas wedding literally because one of them dared the other and they both refused to back down

(taliesin and laura also didn't remember who made the dare and who said yes because they're both equally likely to do that)

didn't tell anyone they cared about that they got married bc it was too awkward to bring up so they just kept it a secret for months until a god made them say it

and then had a formal wedding a year later because what were they going to do, not throw a huge party and dress up fancy about it? come on.

they have the range, and also they're disasters i love them so fucking much

[taubinator-md]

I'm gonna run him over with my lawnmower

[tyquu]

I absolutely adore UAF action scenes because they have this sorta pacing issue like nothing I've ever seen before.

A character will get shot on the face, roll on the floor for what feels like three extra seconds too long, stop for another few more seconds, then react. It's beautiful.

[redbootsindoriath]

I’ve finished the third Fëanorian Week drawing.  Only four more to go....  In the meantime, here’s another Star Trek post for you because 1. it’s April Fool’s Day which makes me want to post something funny, and 2. I just recently finished the third TOS season and am in denial about having run out of new episodes.  But now it’s on to the movies!

I’m sure this joke has been made before, but I can’t believe this was literally a plot point in an episode.

Transcription:

[Garth as Kirk:] “Shoot him, he’s the clone!” [Spock:] “The real Kirk would never pass up an opportunity to die!”

[hauntingblue]

Zoro was about to tell luffy off for making a scene but luffy just says some guys spilled red bean soup and he starts to make a worse one. Amazing

[zoeykallus]

Since I watched TLOU, I'm obsessed with Depeche Mode again 😍

[januaryembrs]

oblivious!reader x downbad!spencer who’s not even nervous to flirt with reader anymore cuz she just doesn’t get it (probs older episodes spence)

CLUELESS | Spencer Reid x reader

description: Spencer's got a crush, too bad you're entirely clueless to his dilemma. (S3!Spencer in mind)

length 1.2k

At first he’d thought it was the world’s gentlest form of rejection, how you would dodge his questions, barely bat an eye at him laying himself bare for you, thought that maybe you were pretending not to see the way his hands shook and voice quivered to save him some face. 

“I-I was wondering if you wanted to go see Zodiac at the movie theatre?” He stammered, obsessively tucking his hair behind his ear because it felt like it was ticking his cheeks, or perhaps that was just some residual sweat gathering on his temple because you were just so pretty when you looked at him like that, your eyes wide and excited, waiting for him to finish speaking because you always loved to listen to him, “I was thinking we could try comparing it to the actual case and figure out how accurate their hollywood version of it is,” 

Your face lit up like the fourth of July, and your smile was blinding, “Oh, I love the movies! It’s going to be so fun, Spence!” You chirped, whirling around in your desk chair to meet Emily’s bored stiff expression as she scrolled through her computer, “Em, Spencer wants us to go see Zodiac, you in?” 

Spencer paled, because that was not what he’d meant by we whatsoever. It wasn’t that he held anything against Emily, nor JJ or Penelope as they were quickly roped into the plans as well, he just hadn't had them in mind when he thought to ask you out on a date. From what he could tell you hadn’t escaped spending time with him alone on purpose. He just hadn’t quite been specific in his question, it was an easy mistake to make. 

But you looked so excited as you organised who was getting what snacks, quickly dibsing the seat slap bang in the middle of everyone so you wouldn’t feel like anyone got left out. He thought his chest stuttered when you grabbed his hand and asked if you could sit with him since he’d remember the most about the original case, and you’d need his big brain for the little game he had planned. 

Spencer agreed, instead of trying to make it clear what he’d meant by his original question, because he hated disappointing people and the other girls seemed just as thrilled to go see the movie as you were. It wasn’t until Morgan slapped him on the back with a chuckle, having watched the whole thing from his own desk that Spencer felt truly dumb. 

“You’re going to have to try better than that, pretty boy,” He exclaimed, and Spencer bit his lip in thought, “Try asking her to do something in a way that leaves no room for confusion, girls like it when you’re direct,” 

And he nodded vehemently, because dating advice from Morgan was usually sound and bulletproof, how else would would he have garnered the ladies man reputation?

Direct, he could be direct. Sure, Spencer could be direct. 

He swallowed heavily just thinking about it. 

–

“These are for you,” Spencer jumped in before you could get sidetracked by chatting his ear off about the squirrel you’d nearly ran over on your way to work, and your expression flitted into surprise. 

He handed you the big bunch of pink roses and baby’s breath, and your mouth cracked into a smile immediately. “Oh, Spencer, these are beautiful, you shouldn’t have. My birthday’s not for another week,” 

“And I booked us a table at that Thai place on your block that you always get- wait birthday?” Spencer stumbled over his script, the words he’d been practising all morning coming to an effective halt as he realised once again his intentions had flown right over your head. And yet before he could set his record straight, just like you had last time, you’d jumped at the chance of spending time with him without understand just what you were agreeing to. 

“I love Thai food, that’s so thoughtful of you, Spence,” You said, hopping up out of your chair to give him a bear hug around his lithe waist, the flowers still tightly in the palm of your hand. He reciprocated, even if his expression was a terrible mix of frustration and confusion. 

It was like someone had cast some sort of spell over his words so that he’d never be able to ask you out on a date, like he was trying to speak in a dream, the words never really coming out. You weren’t dumb, not by any means, you could be a little naive sometimes, but never cruel. Spencer had no idea what the answer was. He guessed he was right back at square one.

–

“I don’t know man, I tried asking her to the movies, she thought it was a group thing. I tried taking her out for dinner, she thought it was for her birthday, I even asked if she wanted to come over to mine and she thought I meant a sleepover. What’s romantic about pillow forts?” Spencer sighed, leaning his head into his palm as he watched you swan around the office without a single inkling of his affections, “I mean, don’t get me wrong, I had fun at every one of them, but I just want there to be more. Maybe she just doesn’t feel the same,” 

“Don’t lose hope, pretty boy,” Derek comforted, the seemingly appointed love Guru that had had to witness two weeks of Spencer’s advances get sidelined. He followed Reid’s gaze to where you hummed a song to yourself as you collected files from Emily’s desk to take them over to your own. He bit his lip in thought, “I don’t think it’s personal, honest, I don’t think she means anything by it. You just need to be clearer,” 

“Clearer?” Spencer said with raised brows, using a single prod of his converse to swivel himself around to face you, and your expression perked into a smile just from seeing him. Derek watched the two of you closely, his theory all but game set and match as you seemed genuinely excited to see their resident genius who was convinced there was nothing there, “That shirt is really cute on you. It makes your eyes look really pretty,” Spencer said, in his most direct tone possible, because the nervousness seemed to dissipate when he knew you wouldn’t pick up on his intentions. The only sign you’d heard him at all was the way your fingers ruffled his hair affectionately. 

“Aw, thank you, Spencer,” You said, a little bounce in your step as you passed his desk to your own, running a gentle hand over his arm, where his blue striped shirt bunched around his biceps, “I like your purple one the best, but this one’s quite handsome too,” You replied, grabbing the other wad of papers from your drawer without much of a reaction and heading up the stairs to Hotch’s office, and he turned back to Morgan, throwing his hands up in exasperation. 

Morgan laughed, shaking his head and yanking his cup of coffee towards him, “She’ll figure it out some day, lover boy. I give it a month, tops,” 

And Spencer huffed, wheeling himself back to his desk, his eyes naturally trailing up to the large window that divided them from Hotch’s personal space, the two of you discussing something jovially as if you were none the wiser to his internal predicament. 

He made a note to wear his purple shirt more often.

[voxiiferous]

Some screenshots of Bill Cullen, the host of The Price Is Right, May 31st, 1957 episode. Full episode here.

[lizardkingeliot]

Hoooo boy okay let's do this. 2x06 was a goddamn doozy, you guys. There was a very strong theme here throughout the episode of makers and fledglings being able to feel one another through their shared blood even when they can't read each other's minds. Louis says he can feel Madeleine is out of town because she is his fledgling. Likewise, Madeleine calls out the fact that she can feel Louis after acknowledging she can't read his mind. But there's something else happening here too....

She looks to Armand. Says she can feel Louis' love for him through their blood. Then calls out the fact that... Louis won't tell him? Only... Louis HAS told Armand "I love you". That was a pretty important element of 2x04. The casual way he said it with the vision of Lestat laughing at the bedside all the while. The one Louis actually couldn't say it to...

Was Lestat. We all remember, but just in case anyone forgot...

But what does Madeleine ascribe this feeling to? Why does she think she can FEEL Louis loving Armand? Because of the blood they share. The blood they share that comes from Lestat. The blood Claudia didn't want Madeleine to have BECAUSE it's Lestat's. The episode did a really great job of reminding us about the blood bonds and just what it means to have a connection to your maker. And when that maker is also your lover..... hoooooo boy.........

Anyway. The love. The blood. The bond with your maker. I can understand why Madeleine would be confused about the love Louis is feeling. She sees Louis with Armand. She assumes they're in love. She doesn't realize...

Her maker is sitting there thinking about his own maker the entire time. To the point he almost quotes him word for word before he stops himself...

And of course he's thinking about Lestat. He's just become a maker himself. Why WOULDN'T he be thinking about Lestat? Even after saying goodbye to Dreamstat, he can't get Lestat out of his mind. Even after becoming a shadow of who he used to be. Someone cold and distant. He's trying so hard, but it's never going to work. He's never going to be able to shove Lestat away completely. And he's certainly never going to be capable of loving Armand in the way Armand desperately wants Louis to love him. Because while Armand might say he belongs to Louis. If you ask Louis if he belongs to Armand, well...

And honestly... I feel so horrible for Armand here. Because there's nothing he could have done that would have made this particular outcome any different. He never stood a chance. Louis and Lestat are bonded not only in their blood but in their hearts and their souls. Lestat was not only Louis' maker but the love of his life. His first love. The first man he ever allowed himself true intimacy with. The one he shared a coffin with. The one he shares a heart with. Louis is trying so hard to be who he was before Lestat, someone closed off and cold. But he cannot sever the bond in their blood and in their hearts with all the coldness in the world...

Which leads me to wonder... did the love Madeleine detect in Louis not only have to do with his blood bond with Lestat/the fact that he was thinking about Lestat the whole time, but also the fact that Lestat was already in Paris? Could Louis feel it? Was he aware of feeling that innate connection but was so determined to make himself a hardened shell of who he once was that he just brushed it of? Thought it was residual grief? Is that why his visions of Lestat before he banished him in 2x04 were so vivid? Because Lestat was in Paris for years, and despite not really knowing that, Louis felt it all the same?

Anyway. Moving on. Circling back to Armand and Louis and the topic of love. When they're discussing Armand not being aware of what Santiago was truly up to, Armand blames being distracted on being in love and Louis just... outright scoffs at the idea?

We sure are a long way from "meet the vampire Armand, the love of my life" territory this deep into season 2, that's for sure. And sure, in Dubai Louis is feeling bitter and doesn't trust Armand for many reasons this particular post aren't about. But even looking back on it, on the time that should have been their honeymoon phase before it all went to shit, Louis just... doesn't see love there. Or at least not being In Love. Because the only one Louis was in love with in Paris was his maker. The one he was bonded to in blood.

And the one he's about to have to sit on a stage with next week and never once be permitted to touch. Never once be permitted a moment of truth with. But the bond is still going to be there. They'll still feel each other's hearts, beating as one with their shared blood. And we have to assume after that... they just never see each other again after Paris? And just thinking on that point alone... it truly is no wonder Louis is still so unwell in Dubai. Locked away in his tower that is his prison that is his forgetting. I wasn't sure I believed Armand when he said Louis asked him to take the memory of San Francisco away from him. But I think I actually do? It makes sense. That he would want to forget something like that. And it also makes me wonder...

What else did Louis want to forget? And how much of that forgetting is related to this agonizing, unbreakable blood bond he shares with Lestat? I truly have no clue how far they're going to take this, so I guess we'll just have to wait to find out...

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[ckret2]

Chapter 68 of human Bill Cipher not looking much like the Mystery Shack's prisoner because he's just vibing on the porch: Mabel's riding high on the success of making Bill two whole friends, Ford's dealing with curses... and let's see how that camera got cursed in the first place.

####

Mabel asked, "What about Aaron Laarson?"

"I don't know," Candy said, "Aaron is cute, but he isn't a very good dancer. That's very important to me in a teen pop idol."

"He's a really good actor, though," Grenda said. "You should see him in Hot Models 2: Runway Boogaloo!" Candy looked thoughtful.

They'd spent the last thirty minutes chattering, with Grenda and Candy sitting on Bill, who was now laying his upper body on the couch cushion he'd been assaulted with earlier but otherwise hadn't moved. To all appearances, Bill was sound asleep—he even breathed like he was asleep—but every once in a while, he'd pipe up with something like, "Don't get too attached to Aaron Laarson. He's dying in a kayaking accident next summer."

Grenda groaned in disappointment. Candy said, "He should have spent that time practicing dancing instead of kayaking."

Mabel caught movement in the corner of her eye, and started when she saw Ford and Dipper. "Uh oh. I didn't expect them to come in on this side of the house."

Across the clearing, Ford shouted, "Mabel, what the devil is he doing outside with—!"

Mabel shouted, "It's okaaay, I got permission from Grunkle Staaan, I love yooou!"

Ford hesitated. "Well... if Stan okayed it."

Dipper looked at Mabel and her camera. Mabel looked at Dipper and his camera. They immediately started making the stupidest faces they could at each other's cameras. "Hey," Mabel said, "did you find the nightwigglies? It looks like they found yooou!"

Dipper self-consciously tugged up the vest he was using like a makeshift skirt. "We did! It was so great, we recorded some kind of ritual dance, how they make babies—" At Grenda's outburst of "Ewww!" he quickly clarified, "Not—not in a gross way—and we saw some kind of Nightwiggler god! It was amazing!"

"Wow! That's great!" Mabel said. "We summoned a demon and almost died."

"What?"

"By the way!" Mabel waved her camera at Ford. "Grunkle Ford, I kiiinda used your cursed camera by accident. Could you please uncurse the tape so I can keep the episode I filmed tonight? Goldie said the magic thingy he stuck on it will only keep it tame as long as the tape's in the camera."

"That's because it's technically the tape itself that's cursed, not the camera." Ford wondered if Bill had led Mabel to the camera.

"Can you uncurse it, though?"

"I think so. I'll see what I can do." Ford took the camera from Mabel. He decided not to comment on the girls' interesting makeup choices.

Bill opened one eye a sliver as he felt Ford and Dipper step on the porch, saw Ford's bare calf over his boot, and cracked up. "What happened to your pants! Did you try to join the Hokey Pokey?"

Ford gave Bill a withering look—caught sight of Bill's mismatched tween-girl-pencil-case/airbrushed-hot-rod eyeshadow, and laughed in surprise. "What happened to your face?"

"Aren't I beautiful?" Bill asked, lacing his hands under his chin (and making Ford snort again when he spied the multiple nail extensions on one hand). "Go on! Tell me I'm beautiful. I know I am."

"You're..." Ford was keenly aware that Mabel and her friends were probably behind this makeover, "...certainly colorful."

"Stanford, you flatterer!" Bill cackled.

Dipper headed inside, yawning. "I'm gonna... go to sleep or something."

That was a good idea; but Ford was hesitant to go in. He was loath to trust Bill unsupervised alone with a couple of vulnerable children, with no one to keep him in check but another child he'd already manipulated into helping him escape once.

But who was Ford to judge. Bill had manipulated him into helping him escape, too. He supposed Mabel could handle him as well as anyone else.

Grenda said, "I think we should watch Hot Models 2 anyway! It's got lots of cute boys! And girls, I guess." She turned to Bill. "Hey, do you like girls or boys?"

"Sometimes," Bill said. "Sure, I'm up for it. It's a pretty good satire of Big Fashion and I like the runway fight scene with the big light show."

To Ford, all Bill seemed to be doing was talking about movies, wearing stupid makeup, and being a chair for a couple of kids. It was so... normal.

It was something a person would do.

Ford made himself go inside. Maybe he'd start work on uncursing that tape for Mabel before he went to bed.

####

Bill had written a magic-negation seal on the back of a crumpled Mystery Shack receipt and attached it to the camcorder with an X of clear tape. Ford had only used that seal twice in his life. Once, thirty years ago, when Bill had taught it to him. And once last fall, when Ford had attempted to draw it in the Book of Bill to prevent its anomalous effects. Bill's book had absorbed the seal into its page until it disappeared—then burped. At least the symbol still seemed to work on the camcorder.

Ford tried to rewind the tape to the beginning; something inside the camcorder caught and made a nasty sound. He grimaced and hit the stop button. That wasn't good. He carefully peeled off the magic-negation seal, popped the cassette tape out of the camera, and examined it. 

He pushed up the cassette's guard panel, but where there should have been a strip of magnetic tape running beneath it, there was nothing. The tape must have snapped. As he tried to inspect the damage, the cassette jumped and rattled in his hand, trying to snap the guard panel shut on his finger like it wanted to bite him.

"Stop that," Ford chided. "I'm trying to repair you." Would it listen? In his experience, objects animated by this particular curse tended to be consistently hostile. He might need to re-seal it.

To his surprise, the tape settled down sedately on his desk. That was more like it.

"Can you unreel the damaged ends of your tape?" If it could, that would save him the effort of disassembling the thing entirely.

After a short pause, the cassette flipped up its guard panel and extended two ends of broken tape.

"Thank you."

It looked like something had... burned? melted the tape? But what? The video cassette's casing was completely undamaged, how had something managed only to burn the tape inside?

Ford snipped off the damaged ends of the tape, used a little strip of masking tape to connect them back together, and carefully rewound the tape a few seconds with a pen. This was only a temporary repair; he'd have to transfer the contents of this cassette to an undamaged one. Mabel would probably want it digitized so she could make her video, too. But watching a few seconds wouldn't destroy it; and he wanted to know whether the camera had recorded whatever damaged the tape.

He carefully removed the smallest of Project Mentem's undamaged monitors, moved it to his worktable, plugged in a VHS-C player, and slid the cassette in.

As he started to play back the recording—the first thing on the screen was one of Mabel's terrified-looking friends—the monitor trembled and jumped, banging heavily as it landed back on Ford's worktable.

"Oh, behave." Ford peeled the magic-negating seal off the camcorder and slapped it on the TV. It immediately stilled. Some gratitude for repairing that tape.

When Ford turned his attention back to the screen, Mabel's friend's face had been replaced by Bill's, his curls filling the edges of the screen.

"Gold-O! You came back!" "Hey, Grend-O. Sorry for the wait..."

As Ford watched, Bill grappled with the camera, eventually managed to get a grip on it, and stared it down with nearly enough fury to make Ford forget the goofy eyeshadow. "Now let's get this straight. Everything beneath this shack's roof is my domain and under my protection! If you want to hurt anyone here—you'll have to get through m—"

The scene cut straight to Mabel's face as it skipped over the damaged section he'd had to cut out. "Welcome back to Mabel's Guide to Secret Sleepovers! Weee're—"

Ford stopped the tape. Huh.

Huh.

####

As soon as Candy and Grenda were gone, Mabel flung her arms around Bill. "Thank you for being nice to my friends," she said. "Especially Grenda. I'm so glad you liked them both after all!"

Liked them? He'd been a charming host to them, but. "Did I?"

"Yes," Mabel informed him firmly. "You did."

Well, he figured he must've, then. And Grenda had grown on him. She'd complimented his eyes, she admired gross things, she had very intelligent opinions on amphibians in general and axolotls in particular... "Hey, any friend of my friend is a friend of mine!"

"That's so much better than what I was trying to say." Mabel let go of him, beaming. "Wanna hang out with them again sometime?"

"Sure!" Bill said, shrugging. "We still have to watch some dumb action comedy movies."

"Great! I'll let them know the next sleepover's over here!" She ran upstairs.

Calling her friends to arrange the next sleepover before they'd even gotten home. Yeah—that was generally how Bill planned his parties, too.

Looked like his social circle for the foreseeable future consisted of three little girls. Wasn't ideal, but he could work with that. He'd always liked getting invited to girls' nights. And maybe at future sleepovers he could talk the kids into some real fun. When they weren't trying to keep quiet, he knew, they fed off each other's chaos. And he was sure there was a budding pyromaniac lurking in Candy's heart.

####

Ford nodded as he passed Stan in the entryway. "Just getting up?"

"Yep. Just going to bed?"

Ford shrugged ruefully. "Afraid so. We got some terrific footage last night, though."

"Oh, yeah? Anything sellable?"

"That's up to Dipper, but I think there's good potential. Bare minimum, I'd bet some cryptozoology documentaries would be interested in his findings."

"Hey, all right! Not bad for a night's work." Stan passed by, headed for the bathroom.

And Ford almost headed on to the guest bedroom—but, reluctantly made himself turn toward the kitchen.

Bill was sitting at the table, sipping at a can of cider with an empty one already on the table in front of him, staring out the window at the morning. He didn't usually drink that heavily this early; it probably meant he was heading to bed soon. The girls must have kept him up all night. Dipper had regaled Ford with tales of what Mabel's sleepovers were like.

"Bill."

"Hm?"

He should have gotten straight to business. Instead, he said, "I watched some of Mabel's video from last night."

Bill glanced over at him. (He still had that ridiculous makeup.) "Oh, yeah?"

Under my protection. Did he consider himself the household's guardian—or its owner? "I..." Ford cleared his throat. "I wondered about—the symbol you painted on your hand to disable the camera. That part of the tape melted, and—I assume it was light-activated, which means it must be different from the seal I already know, so...?"

Bill's face had immediately closed off. He turned away. "You're not my student."

Ford was surprised at how much that felt like a slap to the face. He should have been glad—he'd finally managed to get Bill to agree with what he'd been telling him all summer—but he hadn't expected Bill to ever give up. (He hadn't expected Bill to ever change.)

But he probably hadn't really given up. No doubt he was giving Ford the cold shoulder to see if he begged Bill's forgiveness.

"No. I suppose I'm not." He trudged into the kitchen, rummaged in his coat pocket, and dropped a leather pouch on the table. "Anyway, I'm just here to drop this off."

Bill reached for it, stopped himself, and warily asked, "What is it?"

"The rest of my nutrition pills from my interdimensional travels." When he'd lost his trench coat to the lake during the eclipse last week, he'd had to dig out the old tattered one he'd worn during his travels, and he'd happened to find his pills at the same time. It had occurred to him to bring them up while he was working on Mabel's tape. They were tricky to synthesize, but they lasted forever and the ingredients could be found in almost any dimension—whether there was anything otherwise edible for humans or not. 

Bill eyed him suspiciously; but he opened the pouch's snap and peeked into the resealable plastic bag. They didn't look like "pills" so much as small balls of incredibly dense dark brown bread, each about the size of a wad of bubblegum. "Whyyy?"

"To make up the difference in your diet until we figure out the food problem," Ford said. "They're formulated so that four a day meets a human's... well, meets my nutritional needs. I haven't looked into your..." vague gesture, "body... type."

"Is this your emergency stash?"

"It... was." Stan had persuaded Ford to get back onto normal food (as much of a waste of time as it was), but he still had this stash left.

"Why are you giving me your emergency stash."

"Because... I'm not having an emergency and you are?" It was better than a couple of avocados and some hot sauce. Honestly, he should have thought to go looking for his nutrition pills weeks ago. If he'd realized just how severe they'd made Bill's situation... or how stubborn Bill would be about asking for help... or that they'd ever plan to keep Bill around long enough that his nutrition would be an issue.

Bill squinted at him, and for a moment Ford thought he was about to start a fight for some insane reason; but then the air seemed to leak out of him, his shoulders sagged, and he just looked at the nutrition pills. "For starters, they'll need more than twice as much iron."

"That much?"

"And more vitamin D, I don't remember the numbers right now." He shut the pouch, sat back, and lifted his cider can again. "All right."

All right? Ford supposed that was all he was getting. He turned to go.

As he did, Bill said, "Bed?"

Ford glanced back. "Yes?"

"Fine," Bill said. "Have nightmares."

He couldn't help letting out a laugh. "Fine. You too."

"It's too late for you to start trying to sweet-talk me like that, Stanford Pines!" But he tilted his can toward Ford—cheers—chugged down the rest, and cracked open a third.

####

Dipper was already in bed when Mabel charged in. He rolled over slightly, saw she was still in her sleepover pajamas, and mumbled, "Going to sleep too?"

She rummaged around in the closet by the door. "I can't waste that kind of time!" She retrieved a shoe box full of the wooden models of the townspeople she'd crudely whittled last summer at a library arts & crafts program run by Wendy's dad. She dumped them out on the floor, and, for lack of a figure representing Bill, tore a corner off a stray sheet of notebook paper and drew his eye on it. "I've got to capitalize on last night's success!"

She snatched her pyramid prism off the windowsill and taped the paper eye on it. "Hey, you." She poked Bartholomew's cradle. "Why were you a big chicken in front of my friends?"

"What, with you waving that camera around?" Bartholomew said. "I didn't want it to know I have a soul to steal."

"You knew?! You jerk!" She gave the cradle a harder poke, rocking it slightly.

Dipper yawned. "Capitalize on what success? The demon summoning?"

"No! Helping Bill make two new friends!" Mabel sat on the floor, plopped the Bill prism down amidst the other wooden figures, and started setting them upright. Waddles waddled over to sniff at them.

"Oh." Dipper groaned and rolled back over.

"The next stage of his rehabilitation is expanding his social circle. Get him some normal friends that don't want to eat people or destroy moons or whatever!" She grabbed up the notebook paper again, tore it into sections, and wrote on each with the nearest gel pen: "Friends!!!" "Maybe" "NO" "Healthy ☆ Rivals" "♡ Potential dates? ♡" She added thoughtfully, "And maybe get him a love life. We had to chase off his last girlfriend."

Dipper groaned louder. "I don't wanna think about Bill dating. That dumb eye-bat was bad enough."

"She's not dumb, she's into avant-garde experimental films. And she watches them with subtitles. Bill said so." She placed her, Grenda's, and Candy's figures in the Friends section, tentatively placed Dipper halfway between Maybe and No after checking to make sure he wasn't watching, and then started scanning her collection for more likely friends. "Who in town do you think would date Bill Cipher?"

"Nobody. Everyone hates him."

She stuck Wendy and her gang in the "Friends!!!" section, she thought they were a safe bet. "Who do you think would date Bill if they don't know he's Bill?"

"Nobody." Dipper pulled his blanket over his head.

"Pbbt, don't be so negative! You've gotta believe in him." Blubs and Durland? They were probably his friends, right? She sorted them accordingly and added Lazy Susan to the "Maybe" section. "Just you watch. I'll have Bill reintegrated into society before the end of the summer!"

Mabel had picked out several more prospective friends for Bill before Dipper sighed, rolled over again, and said, "Why do you have to make friends for Bill?"

"Bro. Come on. When he's left to his own devices, he keeps talking about pulling people's veins out of their bodies or telling them secret information about their own childhoods. He's probably talking about something creepy right now."

####

"I'm telling you," Bill said, gesticulating emphatically with a cider can. "It works. Your cousins will never argue with you again, and you guarantee they'll be with you forever! It's the perfect way to permanently resolve family disputes!"

"I can see your logic," Stan said, grimacing. "However. I'm not eating my cousins."

"Not all your cousins," Bill insisted. "Just one, to send a message. You don't even need to eat the whole guy! Just half a limb or so. If you want to look like the bigger man, you can even let him choose which one."

Looking faintly nauseous, Stan shoved over his unfinished eggs and pancakes and stood. "What the heck was your home life like?"

"Oh, it was terrific. I was the family golden child." Bill dug into Stan's eggs. "I was everything your family hoped you'd be and was disappointed you weren't!" 

"Was that before or after you started eating your cousins?"

"I didn't say I did it. That's your species' thing." Bill said, with a lofty tone that suggested moral superiority, "We'reinedible."

"Ha!" Stan shook his head. "You talk a big game for a guy who's never eaten one family member!"

Bill snapped the tab off his cider can and flipped it at Stan's head.

####

"He's delightful, but he's an acquired taste," Mabel said. "He just needs somebody else to help mediate when he meets new people! Like letting two cats sniff each other under the door!"

"Okay, but why you?"

She thought about that, staring at the pyramid representing Bill; then she shrugged. "Somebody has to."

"They really don't."

"Somebody should," Mabel insisted. "I just really want to see him make friends with everybody here. It's like... making it up to the town for hurting them last year."

"I think leaving them alone would work better. After what he did, he doesn't deserve to be friends with anyone in town—"

"It's important to me, okay?" Mabel snapped. "It just is."

What was that for? Did she think he was criticizing her for befriending him? He mumbled, "I didn't mean you."

She was quiet a moment. "I know." 

"Sorry." Dipper was too tired for this conversation; he was just sticking his foot in his mouth. He yawned, muttered, "Good luck scheduling him a playdate, I guess," and rolled over.

####

After sleep and lunch, Ford returned to his study, set up a second blank video cassette to copy the damaged one's data, carefully rewound the damaged one all the way to the beginning, and watched it for the first time in over thirty years.

The recording was grainy and distorted now. It looked so old. This technology had been brand new when Ford had bought his video camera—so new that he'd had to order it from overseas, it hadn't been available in the United States yet. How quickly things changed.

The camera turned to take in Ford's own, younger, beaming face. "This is Dr. Stanford Pines, with the first of what will hopefully be many video recordings of the oddities in Gravity Falls." (In the present, Ford snorted.) "The subject of this first video is a series of magic symbols that, when combined, can animate inanimate objects. Any inanimate object."

He turned the camera around. Like a vampire's morbid pulpit, one of Ford's journals was laid open atop the lid of a black casket. Two heavy chains were laid across each side of the book and locked around the casket's handles to keep them tightly secured. A couple dozen pages in the middle of the book had been left free of the chains, but were pinned down by a cinderblock.

All the security measures were clearly needed; the book was thrashing in its restraints strongly enough to make the casket lid rattle. The visible text writhed across the journal's pages, words and symbols appearing and disappearing in the margins. The susurrations of the pages rubbing against each other sounded like the hissing of a trapped animal.

Ford tipped the cinderblock off the journal and pinned the pages down with his shoe instead. "Several days ago, a local director taught me the spell he used to animate clay figures for his movies. I'd thought perhaps he was creating golems, but aside from the superficial similarity of writing symbols to animate figures of mud, there doesn't seem to be any similarity between his ritual and any golem folklore I've ever heard. Furthermore, his creations are intelligent, capable of speech, and seem to remain loyal to their creator simply out of a passion for acting and respect for his directorial talents rather than any sort of magically-compelled loyalty." A wry note entered his voice. "And I can confirm that the spell itself certainly doesn't impart any loyalty."

 The page below his foot erased itself and replaced the text with large, angry text: "WHAT HAVE YOU DONE TO EARN MY LOYALTY?! YOU DOG EAR MY PAGES! YOU USE ME AS A CHOPPING BOARD!"

"Wh—! Who do you think you are, a Sefer Torah?! Don't be so precious! You're made of faux leather and craft paper, I'll dog ear you all I want!" Ford snapped. "And I already apologized for the chopping board thing!"

The journal stopped moving. "My cover isn't real leather?"

"On my budget?! The closest you've ever come to real cow hide is visiting the Sprott farm!"

While the journal was stunned silent, Ford scooted his foot aside so the camcorder could see a symbol on the opposite page—one of the few bits of ink that didn't seem to shift around the journal's pages. "This is the symbol the director taught me. But it's only supposed to work if you perform an accompanying ritual to activate and power it, which I haven't." He reached down with a gloved hand to flip the loose pages over, then pinned them again under his shoe to let him record another symbol. "This symbol is supposed to power magical artifacts. I suspect writing both these sigils together in the same book has caused them to interact in unexpected ways. But, by themselves, these two are insufficient to bring a book to life—I experimented by copying them both into Journal 1—so perhaps some of the other symbols or spells written in Journal 2 are contributing to—"

"WHAT?!" Journal 2 angrily scrawled around the perimeter of the second symbol. "You tried to bring that teacher's pet to life?! What's wrong with ME!"

"You mean, besides your completely uncooperative attitude, reckless abuse of magic, and murder attempts?" Ford ignored the journal's angry "shouting" as he went on, "But until I figure out what the other symbols are, my... anonymous informant on the occult—"

"You don't mean Creature #326? Tell me it's not Creature #326!"

"—has taught me a sigil that should be able to reverse the effects of the animation spell—"

A series of magical sigils flashed across the journal's page and were quickly replaced by "HA-HA-HA!" The camera shuddered.

"What was that?!" Ford set the camera on the casket where it could watch as he tried to pin down Journal 2's fluttering pages and write on it. "We'll see who's laughing in a minute, you— Stop erasing what I write!" Ford tugged out a sticky note that had been serving as bookmark, hastily scribbled on it, and slapped it into the journal. "Ha!"

The book immediately fell still.

Ford grabbed up a tape dispenser from the floor, pulled off a short strip, and attached the sticky note more securely to the page. "Well. That was effective." He flipped through the journal. "Furthermore, it looks like all the changes Journal 2 made to itself have been reverted. Good. It defaced a lot of data I'd hate to have to reproduce..." As he spoke, the camera slowly rose into the air.

He turned to pick it up, flinched, and quickly got to his feet. "Oh! Uh. Hello."

"Hello," the camera echoed in Ford's voice.

"How did you...?" Ford smacked his forehead, eyes wide with amazement! "Of course! My recording! The symbols my journal wrote! This is fascinating. Recording the symbols on magnetic tape must be just as effective as writing them on paper, even if the symbols aren't visible without specialized equipment. I'll have to experiment with other methods of... of..." Ford petered off as the camera slowly floated higher. He held out a hand hopefully. "Please come back?"

"No," the camera said. "Please give me your soul."

"No." Ford took a deep breath, set Journal 2 on the casket, and flexed his fingers. "Okay. Let's do this again."

As the Ford of thirty-odd years ago wrestled with the camera on the TV screen, the much older Ford sighed. That had been fun. Exploring the bizarre and aberrant had still been fun, back then. That thought disconcerted him; was it no longer fun now? He supposed it still was to an extent. He was just worse at having fun. Harder to dazzle.

He wondered why Journal 2 had been so wary of Creature #326. Bill. It had been right, he was Ford's "anonymous informant"—Ford had told him about his hostile new living journal in a dream, and after Bill had finished laughing, he'd taught Ford how to counteract the spell activating it.

But how did it know?

Could it have warned him about Bill?

Ford would never find out now.

The TV went dark as, in the recording, Ford trapped the camera inside a box. Slightly muffled, Ford said, "Try getting out of that!" Under his breath, he muttered, "I think I prefer writing over narrating anyway."

The screen remained dark for another ten seconds as the camera bumped around and muttered to itself. And then it abruptly cut to a shot of Dipper's bed. Off-screen, Mabel's voice said, "Awesome, still works!" She set the camera on the table under the kids' window—

That was what Ford was looking for. He rewound several seconds and began transferring the recording of Mabel's sleepover onto a fresh tape he'd prepared earlier.

After that, maybe he'd go back to the start again so he could see the other symbols Journal 2 had flashed at the camera and copy them into Journal 5—onto a page already prepared with the magic-negating seal.

####

In the Nightmare Realm, a red book with a golden handprint on the cover boldly labeled "2" floated alone in the void, as it had since it had been tossed in the bottomless pit a year ago.

Its tattered pages were splayed open as it drifted weightlessly through the aether.

On one page near the center of the book, a sticky note with a seal drawn on it was attached to the page with a strip of tape, and surrounded by a warning never to erase the symbol on the sticky note.

The tape had lost its stick after decades buried outdoors; it stuck to the sticky note, but not to the book. The sticky note was barely holding on by a corner.

And as the book slowly wheeled through the void, the last corner peeled off, and the sticky note fluttered away.

Journal 2's pages rustled.

####

(I think y'all who have been keeping up with my posts about this fic know exactly what's coming next. 😎

Thaaat's right. 😎😎

An unrelated flashback chapter!!!

Anyway hope y'all enjoyed, let me know what you think!)

[artemismatchalatte]

Just in case anyone was wondering, I was bringing back a lot of old posts from my archive for two reasons. 

I was inspired by a post about saying how old posts never completely die. I’ve had this account since 2013 so I have followed a lot of pages that are gone now. Many of my earlier reblogs are from blogs that no longer exist on tumblr but did exist in the early to mid 2010s. Some of their posts were cool or are still relevant today (in my opinion) so I’m reblogging those posts to revive some of them. 

The 2nd reason was to celebrate my upcoming tenth tumblr anniversary. I joined in September 2013, a little after I turned 20. So for better or worse, I spent my entire twenties as a tumblr girl. And I’ll probably be here for the forseeable future. 

Now I’m more of a gay bookblr/writeblr/gradschoolblr with some random posting. I used to be more random/fandom in the earlier 2010s. I think I had about the same amount of LGBT content, possibly more in the past from reblogging. I’m going to try to do more original content in the future. But until then, enjoy some more 2010s and 2020s shit posting. XD

Thank you everyone who has supported my blog in the past and continues to do so into the future. <3

[haedalkoo]

The car conversation and grammar: "When I was busy, you were free but you never called me."

After rewatching the episodes a few times (I just couldn't get enough of them) and reading the opinions floating around, I wanted to add my two cents to the car conversation discourse. This post is mostly about language and interpretations. Keep in mind I'm not 100% fluent in Korean, but I understand the language to a significant degree.

Let's get started!

It's time to put on my Korean-is-an-awfully-ambiguous-language cap. Buckle up.

The conversation starts with Jimin saying they haven't gone somewhere in a long time. I would say it's not that they haven't hung out, but that they haven't traveled together or gone out like that. This is just my interpretation, though. JK tells him, "we were supposed to get a drink" (as in, meet up and go for a drink 만나서 (meet and) 술 한잔 하자 (go get a drink)). Then, Jimin says "원래 그런 거 아니겠니" which loosely translates to "isn't that how it's supposed to be originally?" as in, that's what happens, you talk about doing this or that together and it never ends up happening. Like the travel show, if JM hadn't flown to JK. Like the times he tells Tae to meet up but never happens. Life gets in the way.

But this is the interesting part. Jimin's reply to me comes off a little defensive (in a joking manner), as if saying, "don't blame me for not meeting up (it's not like I didn't want to, I couldn't)." but JK keeps pushing him. He says:

"형 바쁠 땐 / 내가 겁나 한가한데 / 안 찾고. 나 바쁠 땐 / 형 한가한데 / 안 찾고."

This sentence is a grammatical nightmare. He isn't using any particles, which help indicate who's the subject or object of the sentence. So you can only guess based in context. I've marked Jimin (hyung) in orange, JK refering to himself ("me") in purple, and "didn't come looking for" in pink. 찾다 (jatda) means to search for, look for.

Many K-armys have been pointing the same thing out, and I agree. The repetition of 안 찾고, to me, feels like he's making the same point in different situations.

When you were busy, I was so freaking (겁나) free

When I was busy, you were free

And in neither of these cases you came looking for me.

That's why Jimin jumps in immediately to defend himself in a whiny tone.

아니지 찾았지! That's not true, I did go looking for you! (The ending 지 indicates a reiteration, something both the speaker and recipient know as true.)

He took that personally LOL. But this makes so much sense in retrospective, think of all of those 2023 lives were JK was asking JM to come over, to do a live together, and JM's response was always "I'm busy" "Hyung needs to go" "You/I have a schedule." Jungkook was lonely without him. Jimin probably felt bad and did as much as he could to see him ("I did reach out!") - to the point he flew fourteen hours to spend quality time with JK. HOWEVER, this is just an interpretation. The lack of clear pronouns and particles makes this really hard to translate, which is why the show translator interpreted it as "when you were busy and I was free, I didn't call you." Both interpretations are valid, but giving their reactions and context, I feel like this one makes the most sense to me.

If we go with my interpretation, after that, I feel like Jimin tries to ease the conversation/justify himself by saying how him and Tae don't meet up either even if they videocall often. As if saying "I'm not pushing you aside, I'm really not meeting up with anyone else either". This makes Jungkook laugh, but he still wonders lightly "I don't think we would be seeing each other (either) if it weren't for this (trip/shoot)." I want to reiterate how lighthearted this comment is, he's simply wondering (but still teasing a little.)

But again, Jimin feels the need to defend himself "yah, that's why I (hyung) came here!" (again, he uses a grammar that highlights the information being said is something the two of them know, something obvious.) To me this felt very whiny/cute, like, "stop saying I didn't make time to see you! I'm literally right here!!" and I think JK gets the hint that if he keeps pushing JM might get upset, so he smoothes things over by repeating over and over again, "that's right, you came, you came."

It's a response to the previous "you weren't looking for me." You did come looking for me. You found me. We're okay now.

Finally.