#important development in my life

[tardis--dreams]

Proud owner of a rice cooker now btw

[tomfrogisblue]

i forgot to post this during june but i think one of the reasons qsmp was so important was how unapologetically Gay it was

for starters, the number of creators and admins involved who are irl queer of some variation, just chilling in a place where any kind of phobia would get Philza's legendary ban hammer faster than you could say "rainbow jelly"

and then the characters.

i remember showing up that first day and being shocked that somehow foolish had an ex-boyfriend already (I had missed the squidcraft lore apparently)

that server. gay. all the gay. all kinds of gay.

govermentally assigned platonic husbands that stayed together the whole time (despite one of them being gone for months at a time), not a chance in hell of infidelity. Proud fathers of two wonderful children.

governmentally assigned partners who yelled full volume at each other about cheating any time they were in the room together and between the two of them killed two children.

a grieving father and ex-convict becoming one of the most solid couples in the server, with a beautiful wedding and consistent public displays of affection via the in-game chat.

a demon ashamed of who she was and a lonely detective struggling with family trauma, now with a lil girl of their own, to love together and take care of, with more moms than could ever allow the little girl to ever be lonely herself.

a 2b2t warrior coming to terms with his sexuality with the support of his beautiful baby boy at his side, slowly but surely opening up to his eventual Brazilian Boyfriend. Where they went from the most cautious couple (baby steps) to the most sickeningly sweet couple on the server.

- and this list doesn't even scratch the surface.

gay characters, trans characters, ace characters, aroace characters, gender fluid characters, all kinds of relationships and families.

all presented without negativity or shame.

the point of the server was to exchange languages and cultures, without the biases and barriers seen so much in both the content creator scene and the wider world.

it also had a beautiful little side effect, practically by accident.

our lgbtqsmp.

[outer-stars]

"hey, it's that waybright kid"

[jesuis-assez]

Tim unconsciously sending/showing signals of his feelings for Lucy

[iamhereinthebg]

๋࣭ ⭑unexplainable sorrow⭑ .

[acesandocs]

Happy Fathers Day!

color ver under cut

also Ace's dad reveal

[galacticlamps]

actually wait

hierarchy of queer relationships but POV you're Edwin Payne

(original)

[wexhappyxfew]

oh goodness, what about soft john and annie with "it’s okay, you can touch me. i won't break." ?

AH HELLO!!!!! first of all; a massive thank you for sending this prompt in and for stopping by the askbox!!! it is so greatly appreciated in my lil corner of the world. and second - SOFT JOHN AND ANNIE!!!! coming *right* up! this was such a good prompt for them and i immediately saw it and was like - i need to do this Right. Now. and here we are! sincerest thank you's for this! please enjoy! <3

cold hands

(a/n): annie x brady girlies i am in shambles over this please know. a whole lot of annie's internal monologue and how greatly she is affected by her traumatizing youth - and her struggle to break free from that. and brady is a part of that healing process <3 annie bradshaw you will always be famous girl - never change! :D

Seeing him sat there, head bowed, body completely frozen had to be one of the worst feelings she had experienced in a long time.

And she'd grown up with a mother who hardly had wanted a thing to do with her, much less take care of the children that were in her care.

A part of Annie saw him as a little boy for the first time, in a way. Knowing that behind this strong facade of an Air Force Captain, who had flown B-17s all over Europe, over Germany, down to Africa, training his heart out, there was still that little boy who lived inside of him.

Annie stood in the doorway of the empty bunk room, entirely unsure of her next moves.

She was her own command pilot, a Lieutenant!

She'd gone through hell and back in her youth, gone through training where she was viewed as nothing more than the bottom of the barrel, fighting her way to both be respected and viewed as a pilot in the Air Force, and equally gone through constant doubt, grief and dismissal because of the fact she was a woman. She'd gone through multiple ranges of situations she'd been lost and confused in; but she'd found a way. She had commanded Silver Bullets on nearly 20 missions, risking her life day in and day out, she'd shown herself in every possible light and proven herself time and time again.

Yet, in this moment, she had no idea what to do.

She was usually great at this; dealing with her little siblings, answering their questions as to why Mommy was in bed again, or where Dad was, or why they didn't have anything for breakfast - yeah, that'd been easy, she'd gotten good at it.

Enough to convince herself that it almost wasn't true (even though it was).

This though? She couldn't stop standing there and looking at him and seeing nothing but that young boy.

Annie took a tentative step forward and it didn't take him even less than a second to look up from the ground and towards her, his hardened gaze immediately growing gentle at the sight of her there in the threshold, his white knuckles releasing the built-up tension that had been there previously.

She didn't miss the reddening hand-mark on his cheek or the bruising underneath his eye - something Bucky had warned her about before going in - she did miss him though.

Even if he was right there in front of her, she'd miss him. Those weeks apart, knowing he was here and she was back in Thorpe Abbotts - that had been enough for her heart to pull into two.

"Hey," she said, her voice quiet, immediately splitting the silence in the room into two, as a small smile darted onto her face, "was looking for you." Brady watched her, his eyes, which had turned soft and delicate like they always did when watching her, darted across her face, as if searching for a hidden wound he couldn't uncover. The corners of his lips rose upwards the slightest bit, the smile tight of his face as he sat up a bit straighter. He was always sitting up straighter, putting on the brave face, trying to do things for her instead of himself.

"Everyone's outside." she said when he didn't say anything - which, admittedly, had made her heart hurt a bit, "The sun came out. It may be gone before you know it." Annie watched Brady's face; she was getting to the point of noticing even the most minute of details about his facial expressions, down to the shifting of his eyes, the way his eyebrow would twitch, even when the corner of his mouth darted upwards or downwards depending on the mood.

She remembered when she was younger and her parents would get into a fight - Annie, at the peak age of 13 - would be shuffling her siblings off to bed, her older brother, Roy, still at work, playing peacemaker with fire and water. She could get to the point when she knew a fight would start - her mother's lip twitch, the blank look in her eye that slowly shifted to despair and guilt. Her father half alive on his feet, yelling about the bills and the house and that damn leaky faucet. She could picture those faces in her mind. Even sensing the slightest change in someone's face made her go into fight-or-flight; she was trying to get better at it.

"Annie." She blinked. Shifting her gaze towards Brady, he was slowly standing to his feet from the bunk, his tall frame coming towards her as he gently placed his hands on her arms, getting a good look at her face as if she was under a light.

"You okay?" he asked her, that worrying look immediately crossing his face like it always did. Annie looked up at him and nodded quickly.

"I should be asking you that," she said softly back to him, the corner of her lip perking upwards again in an attempt at a smile, "are you okay?" Brady watched her and nodded.

"Yeah," he said quietly, "just needed a minute to sit, ya know?" She watched him. "Keep my mind thinking, things like that." Annie quirked out a grin at him.

"Whatcha thinking about?" she asked him, her voice lighthearted as she gazed up at him with that softened gaze even she knew she used on him when it was just them, alone. That got Brady grinning wide, his usual smile a natural comfort to her at this point.

"C'mon, you can tell me," Annie said softly, leaning towards him, tilting her chin upwards with a smile, "I'm being serious."

"Just….things," he said, incredibly nonchalantly and off-handedly, catching her gaze and grinning slightly, "why are you still giving me that look?" Annie smiled at him, relishing the closeness of him, the feel of his hands on her arms, that look in his eyes, him simply there, staring right back at her.

Moments like this she reveled in and drank up. Because in her life, no one had ever taken the time to care for someone like her in a situation like this. She had always worried about the kids, her parents (despite their blunders) and especially Roy who had worked himself nearly to death for the Bradshaws. Now, someone was stood here, caring for her.

She couldn't help but wonder what went on in their brain.

"How'd you get that?" Annie asked him quietly, nodding to his slightly bruising cheek, the faint redness following. She watched him expectantly and held his gaze as he watched her back.

"I talked back. To the Germans, I don't know....I shouldn't have." Brady said quietly, "I hear the way they talk sometimes, Annie. Just….couldn't keep it in this go-round." Annie watched him, before slowly bringing her hand towards his cheek before hesitating. Brady smiled shakily.

"It's okay," he said with a hint of a smile, "you can touch me." He grinned wider, more genuinely. "I won't break." Annie softly encapsulated his bruising cheek in her hand, her thumb brushing against the fragile reddening skin on his cheek and met his gaze again.

"I could try and get you some ice," Annie said quietly, her mind spinning to get an idea going in her head, "or….I don't know, freeze water or something. It's cold as hell here anyway." Brady chuckled at her words and melted a bit more into her touch.

"I'd be fine just like this," he told her with another smile, "are your hands always this cold?" Annie let out a small laugh at his words and brought her other hand up to hold his other cheek, her thumbs brushing against his slightly stubbled cheeks, her touch evidently one of comfort for the both of them.

This.

Whatever this was between them. Holding each other like this, looking at each other like this, being this close without any sort of expectation or explanation.

"Considering how cold it has been outside," Annie started softly, "I wouldn't be too surprised. I did grow up where we were constantly snowed-in in the winter."

"That doesn't mean you need to have cold hands," Brady said softly, bringing his own hands up from her arms and layering his own hands over her own, grasping gently around her wrists and dancing his fingers over her exposed skin, peaking out past the cuffs on her coat, "this'll heal up in no time." Annie gave him a look.

"I'm getting you ice still," Annie said quietly, tilting her head to the side, the feel of his, admittedly, very warm hands, over her own, making her body ache for every part of him in more ways than one - along with the need to take care of him, "no ifs, ands, or buts about it, got it?" She caught that look on his face that told her that he was about to brush himself off again.

"I see that look."

"What?" Brady said with a small smile, as she tapped her thumbs lightly against his cheeks again, "You're reminding me a lot of my mom right now, Annie." Annie watched him, with a smile that warmed up her entire being.

"I had enough little siblings to take care of," Annie said, watching him with an almost more sorrowful look in her eyes than intended, "I guess taking care of others is what I do best." Brady's smile fell the slightest bit, and the room seem to turn into both a stale-air and stilled environment.

"You're the best at a lot of things you do, An, you know that." Brady said - his questioning sounding more like an adamant statement.

And this is why John Brady meant more to her than most - he seemed to notice those moments that she fell back on herself or undermined whatever accomplishments or bettering for herself that she might get.

He always reminded her of who she was.

"A damn good pilot, you could give me a run for my money any day," Brady said with a small, light-hearted chuckle, his fingers still dancing over her exposed wrists, over the few scars that were still there and scabbing, "and you know how to make the perfect cup of coffee." Annie let out a laugh she couldn't hold back. "It's true!"

"You just want a good cup of coffee, huh?"

"Annie." Brady said, almost adoringly as he watched her, his hands still on her wrists and cold hands, "I'll take the ice."

"Good!" Annie exclaimed with an uncontrollable grin on her cheeks, before standing to her tiptoes and bringing Brady's head to her lips, a soft kiss pressed to his forehead, something so damn maternal that she wasn't sure if she was even in her right mind, "I'll go get one of those metal tins. Fill it up." She looked at him with a smile. "And we'll get you healing up with that ice pack." Brady watched her with a slightly halted and dazed look in his eyes, gazing at her like she was a shining light.

"You're amazing, you know that?"

"You don't have to butter up to me, John," Annie said, brushing her thumbs across his cheeks again in a soothing manner, "I'd do it either way." She grinned. Brady watched her and grasped her hands tighter this time; firmer, more confidently.

"Really though, An," he said softly, "you're really amazing." Annie watched him for a moment, her eyes searching his, trying to figure out a way to respond to his words without sounding like a complete, wordless idiot.

Because standing there, she wanted to tell him the same thing right back.

Even more so.

He was beyond amazing - if there was even a word to describe someone like him that was beyond words a dictionary could provide.

"You're pretty amazing yourself, John," she whispered back, a tiny voice in her head telling her to accept his words, "thank you." He smiled at her. Beyond amazing, she thought in her head, way beyond anything her mind could conjure.

[wildstar25]

What physical part(s) of Arsay does her partners find the most attractive! Is it the same for all partners or does it differ between them?

(also optional bonus ask of what part(s) of/about Arsay generally do they love the most, physical or not!)

Meanwhile, if you were to ask the same of Arsay:

[mirror-to-the-past]

GUYS. GUYS. 😭😭 Chongyun and Diona development, holy shit. Groundwork laid for more exploration of Chongyun's pure-yang spirit at some point, but anyway AAAA- he's finally becoming more appreciative of his condition, seeing it less as a curse, and perhaps a blessing, because of the possibility it was borne from love. His intense emotions, his ability to be the warmth in spiritual shadows, he's grateful at the idea that it's all borne from love, man. I'm. So normal right now. That was so beautiful. The music in that cutscene gave me chills.

[science-lings]

I don’t really get the need to make Phoenix (or any dad coded characters) bad at domestic tasks? As if this guy hasn’t been the equivalent of a single dad for ten years, he can’t afford to go out for burgers or noodles for every meal, let this man know how to cook and sew and braid hair because it costs too much to be lazy about those things.

He literally doesn’t make enough money to get his daughter a custom made magicians outfit as she grows, or to live off of frozen burritos. As if he wouldn’t put his whole pussy into raising his daughter right even in some pretty terrible circumstances.

My guy goes to his work as a shitty pianist with nails painted different colors every week and he spends those first few years growing his hair out long enough for her to play with it.

Everyone just sees a cluttered living space and a clearly depressed man and decides that he must suck as a parent as if he wouldn’t do literally anything for her.

[sqlmn]

Lightning, water, and fire! Like forever before the plot starts. By the time the plot starts, the lightning and fire deities have been subjected to punishment by the two gods that picked them.

Oh (the fire deity) is first to be punished. They basically decide that since they're going to live for a long time, gotta set some long time goals! And they opt to be the wrath of the gods since most of the other deities are too 'soft' in their opinion. So Oh just. Smites humans. This isn't really a /good/ thing and in their defense mentally, they do it to help Ymber since he's the softest of them all. So their punishment by the gods is to be split in two, effectively halving the power of one into two. (Now they are in a male and a female body and use both male and female pronouns apart since they together make they but apart it feels weird to be they. But prior to the split they use they/them. Also the split bodies go by the names Ohiwe and Ohime.)

Fulj is the second to be punished. She falls in love with a mortal woman and that is a crime according to the gods. Mortals and immortals are not to be together and it will only bring suffering to both sides. So her punishment is her memories of the woman are stripped and her body basically broken to the point she can't remain physical all the time.

Ymber, unfortunately, is the one who blames himself for the discoveries and punishments. If he had only tried to restrain Oh more then maybe they would have chilled out and stopped before being punished. If he had only tried to persuade Fulj to not continue seeing the mortal woman so often perhaps she wouldn't have been punished. So he's just increasing the guilt on his shoulders every day that he remains unpunished since the elder gods have both laid down to rest. They can't enforce their laws anymore and none of the deities are keen on harming one another at this point. They just want to continue existing in peace.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[fictionadventurer]

reversed hot take thing about... music

Music is just...

It's so important, guys.

Music might just be the highest art form. It's almost certainly the most direct line to the emotions.

"Enchantment" literally means "to be inside a song". We recognize that music has an almost magical power over our emotions, our minds, our perceptions.

Music is used in movies, at social events, in shopping malls, to make entire crowds full of people feel certain things. Music can make us cry, make us move, bring us together, open us up to beauty, in ways that almost nothing else can.

That's amazing.

[veliseraptor]

as of today i'm 3/3 for vegas theerapanyakul-inspired shirts that i own thanks to @ameliarating giving me another one for my birthday

[gay-caesar-truther]

I need to stop rotating Gabriel in my mind and actually play fo3