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The Essentials of Job Analysis: A Comprehensive Overview
Job analysis is a critical process in human resource management that involves systematically studying a job to determine its duties, responsibilities, necessary skills, and the environment in which it is performed. This analysis provides essential insights that help organizations optimize their workforce, improve recruitment strategies, and enhance employee satisfaction. In this article, we will explore the significance of job analysis, various methods used to conduct it, and the benefits it offers to both employees and organizations.
The Importance of Job Analysis
Clarifying Roles and Responsibilities Job analysis plays a vital role in clearly defining the expectations and responsibilities associated with a particular position. By outlining what a job entails, organizations help employees understand their roles better. This clarity reduces confusion and ensures that everyone is aligned on expectations, leading to improved job performance and satisfaction.
Enhancing Recruitment and Selection A well-executed job analysis provides the foundation for creating accurate job descriptions and specifications. These documents are crucial for attracting qualified candidates during the recruitment process. By identifying the essential skills and qualifications required for a job, organizations can tailor their recruitment strategies to find the best fit for each role.
Supporting Performance Management Job analysis contributes to effective performance management by establishing clear performance criteria. When performance appraisals are based on well-defined job responsibilities, it becomes easier to assess employee contributions objectively. This structured approach allows for more targeted feedback and development discussions, promoting continuous improvement.
Informing Training and Development Understanding the specific skills and competencies required for each job enables organizations to design targeted training programs. By identifying gaps in knowledge or skills, employers can provide employees with the resources they need to grow and excel in their roles. This targeted development enhances employee capabilities and, in turn, boosts overall organizational performance.
Establishing Compensation Structures Job analysis is crucial for developing fair and equitable compensation systems. By evaluating the responsibilities and requirements of each position, organizations can ensure that salaries are aligned with job complexity and market standards. This transparency in compensation can help attract and retain top talent while reducing the risk of internal inequities.
Methods of Job Analysis
Organizations can employ various methods to conduct job analysis, each with its own advantages:
Interviews One-on-one or group interviews with employees and supervisors can provide rich qualitative data about job responsibilities and functions. This method allows for in-depth discussions that can uncover nuances in job duties that may not be captured through other methods.
Questionnaires and Surveys Standardized questionnaires can be an efficient way to gather information from a larger group of employees. These surveys often include a mix of closed and open-ended questions, enabling both quantitative and qualitative analysis of job tasks and skills.
Observation Directly observing employees as they perform their tasks offers firsthand insights into job functions and workflows. This method can be particularly effective for jobs involving specific physical tasks or interactions, providing a clear view of the work environment.
Job Diaries Asking employees to maintain a log of their daily activities can yield detailed information about job responsibilities, time management, and the skills utilized throughout the day. This method captures a more accurate representation of the job over time.
Focus Groups Conducting focus groups with employees allows for collaborative discussions about job roles. This approach encourages dialogue and can help identify common challenges and insights that may not emerge from individual interviews.
Benefits of Job Analysis
The advantages of conducting a thorough job analysis extend to both employees and organizations:
Increased Job Satisfaction When employees have a clear understanding of their roles and responsibilities, they tend to experience higher job satisfaction. Knowing what is expected fosters a sense of purpose and achievement.
Informed Decision-Making Accurate job analysis provides data-driven insights that support various HR decisions, from hiring to promotions and performance evaluations. Organizations can make better choices based on a thorough understanding of job requirements.
Enhanced Efficiency Clearly defined roles help reduce redundancy and improve team efficiency. When everyone understands their responsibilities, teams can collaborate more effectively, leading to increased productivity.
Effective Succession Planning Job analysis aids in identifying the skills and competencies needed for future leadership roles. This foresight allows organizations to develop talent internally, ensuring a pipeline of qualified candidates for critical positions.
Compliance and Risk Management A well-documented job analysis process can help organizations adhere to labor laws and regulations. By ensuring that job descriptions accurately reflect duties and qualifications, companies can mitigate legal risks associated with employment practices.
Conclusion
Job analysis is a foundational element of effective human resource management that influences various organizational functions. By systematically identifying job responsibilities and required competencies, organizations can enhance recruitment, performance management, training, and compensation strategies. As the workplace continues to evolve, maintaining a robust job analysis process is essential for ensuring that organizations are well-equipped to meet the changing demands of the workforce while maximizing employee engagement and productivity. Through thorough job analysis, organizations can create a work environment that fosters growth, clarity, and satisfaction for all employees.
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I think one of the biggest tragedies of Laios & Falin and their relationship is how much his actions impact her life. But like. Specifically how much they WOULDN’T impact her life as much if they weren’t both stuck in such a shitty abusive situation.
This part of the Falin-tries-makeup daydream hour comic is what got me thinking about it again because truly it just... it seems like such a like an offhand comment that I'm sure Laios didn't mean to be cruel or anything. That's just like. A little kid not thinking about what they are saying. ESPECIALLY when the kid in question is Laios.
But man they depended on each other SO much as kids. Too much. It really feels like they didn't have any other source of positive reinforcement, or anyone else to share themselves with. So of course an offhand comment like that has a huge impact on Falin.
Or this little bit from one of the flashbacks:
This tears me apart. Do you think it tears him apart to think about? I think it does. I think Laios holds every small failure to care for Falin against himself.
And then there's the Bigger stuff. The way that him coping with his own trauma ended up impacting her.
Like his interest in monsters. Like him going to find a ghost, and accidentally revealing Falin's magic to the whole village in the process.
Like him needing to leave. And leaving her behind.
He shaped her life so much, and he carries so much guilt for it. And again, there should have been other people there to help. The same things that made Laios need to leave home are the things that made his leaving so hard on Falin. She ate alone after that. She shouldn't have had to eat alone just because Laios wasn't there.
She was 9 when he left for school, and he was 11.
Nine. And Laios feels like he failed her because he didn't stand by her through this better. As an eleven year old.
Both of these kids deserved so much better from the world.
#dunmeshi analysis#dungeon meshi#delicious in dungeon#falin touden#laios touden#dungeon meshi spoilers#AND this isn't even getting into her leaving the academy & how much it seems like that was directly tied to how poorly he was doing#there's a comic in the adventurer's bible where marcille is like 'yeah she had a job lined up and everything'#and like. do you think he feels bad for that too#like he wrecked her life by leaving#and wrecked her life by showing up#what do you even do at that point. if you feel like a failed protector when you are away & and a burden when you return#unable to make yourself accept. unable to make yourself resist#Laios strongest moment is when he lets himself accept that. the contradiction of his life & his relationship with Falin#that he has to kill her to save her#as a small note this came out a little more focused on Laios' POV with this stuff but Falin's experience of it is v important to me too#didn't mean to sideline her but her feelings about stuff are more speculative and probably need a post of their own
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Themes in a work do not actually require the author's permission to exist . Imagine how boring that would be
#baz talks#certainly authors can intentionally include themes#but they are not the sole arbiters of whats important in the text#that's the audience's job#responding to an odd form of analysis ive seen around
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"undyne was a cop in undertale" cold take. undyne was a soldier. they say multiple times that the royal guard exists because of the war and that when they don't have to fight humans the royal guard disbands. in the neutral pacifist ending the guard is disbanded because it's a tool of war with the humans, not of control over the monster populace.
there's plenty wrong with soldier being a profession and with standing armies in general and with keeping a populace in a state of constant cold war, but it's not the same things that are wrong with police, and the willingness of even Asgore (after the true pacifist ending) to disband the guard is a super positive sign.
Undyne cares deeply about the welfare and the freedom of monsterkind in a way that cops do not care about you. The fact that she doesn't in Deltarune is as much of a red flag as the fact that Toriel lets Kris' half of the room go empty or that Asgore doesn't remember that they don't like hugs or that Alphys prefers grim and joyless anime.
#sorry for vagueposting#and discourse#this is just really really important to me#the politics of undertale/deltarune are fascinating and complex#but undertale is largely more about war in general than it is about fascism#hence why it has kings and soldiers#while deltarune seems to be at least somewhat about modern american religious and political fascism#hence why it has churches and cops#now this isn't saying toby is going to do a *good* job addressing these topics but hes clearly trying#(btw undertale does broach the topic of fascism a couple times in neutral endings! but it treats it as a consequence of war)#undertale analysis#CWs:#police#us politics#fascism
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This is a shameless pitch for my field of work but if you like biology and you like coding...consider bioinformatics as a career 👀 Especially if you live in the US, as it's well-known for its bionformatics scene.
#musings#bioinformatics#stem#computer science#python#biology#i was just thinking about how not a lot of people know that a career like bioinformatics exists#hence my little post#most people i tell my job too just look at me confused like they didnt realize you could mix these fields#and a lot of people studying biology forget about how important it is to have a quantitative skill like math or computer science or physics#simply because the programs dont teach those skills#to do any sort of custom data analysis its important to have quantitative skills#and if you're passionate about genomics especially...and dna and the genome...then this may be the field for you!#good money especially in the states#of course a graduate degree is needed#masters minimum phd preferred#i have a masters
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you’re thinking about how easily massive numbers of the wildly antisemitic tankies would have been pulled into the actual political tenets of (esp early to mid 20th century) armed Zionism and you’re laughing?????
#This folks is why analysis of ideology and the structures of an ideology is important#Rather than just random ass ethnic signposting#A lot of people see Zionism as something suspicious and jewy that had to do with Jews - I don’t like them#But the reality of Zionism as an initially distinctly leftist branch of political ideology that sought to liberate an oppressed people#With that tiny niggly wiggly issue of the fact people might#Already have lived on that land???? Ohhhh boy#All these cottage core back to the land the world would be better if I could reject modernity and return to the ancient ways of Farming#Society is broken it cannot be fixed the only option is to found a New Tough society that will fix all our previous problems#And we’ll get round to it in heavily armed leftist commune farming settlements#Which we will defend with violence because any violence in the name of an oppressed people is justified and our legitimacy comes from the#Rifle!!!#The only reason you see this ideology as inherently removed and bizarre is antisemitism and the only reason you see yourself removed from i#Also antisemitism!!!#You would have done numbers in ahdut ha-avoda you would have called Ben gurion abbaleh/#Remember: a bunch of the people who got sucked into this of ideology weren’t the *rich Republican aipac Jews*!*’ your head#They were broke often very secular Jewish leftists working dead end gig economy jobs in farms and sweatshops for whom the idea of a Brave#New World with a. Brave new culture was very appealing and liberating#It offered something new to the broken.#It’s important to talk about this stuff to talk about how it can be undone#But also. The world is not divided into the Oppressed and the Unoppressed#Your political ideology does not stop you from hurting others#No political ideology even anti capitalism or leftism is innately pure- all can harm others#No ethnic and cultural identity no matter how oppressed is free from the potential to subjugate others#No identity or ideology is greater than the right of other people to live freely#Cycles of oppression and the pyramid structure of many empires result in oppressed people harming other oppressed people#Many many goyim think that they’re removed from the logic of Zionism because they aren’t Jews because it’s something wierd and jewy#But I see a lot of the most destructive logics parroted by leftists every day
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idk if there's anything in stories i get more petty about than poorly-written "main character shows up to a new place and meets everyone" character introduction scenes
#personal#they make me SO ANGRY ahglkmsfkl#it isnt just the trope of showing up and meeting everyone either#like it works for me in some things!#i think pacific rim does a really good job with characterization for example#and it's got a sequence of scenes where raleigh arrives and the audience is introduced to the shatterdome & important characters basically#my working theory until i do some more analysis is that stories that do it well leave some mystery#like in pacrim you don't find out mako's whole deal immediately upon meeting her#pentecost doesnt go ''this is mako mori. one of our brightest. her whole family was killed by a kaiju and she wants to be a pilot''#he says she's in charge of the mk 3 restoration program#and she doesn't immediately offer up her backstory because why would she. real people dont do that#the russian pilots dont show up and go ''hello we are russian''. pentecost just tells raleigh briefly who they are#etc. newt & hermann's intro scene is one of my favourite bits of characterization Ever and you don't learn that much about hermann during i#all the info you get is from newt being chatty and ridiculous and mocking hermann and putting his foot in his mouth. i.e. newt being newt#and that's what makes it good!#when chuck and herc are introduced you learn absolutely nothing about chuck. hes just there in the background#he and raleigh look at each other for a second and you kinda go ''who's that guy''#AND THATS ENOUGH TO ESTABLISH HIM AS ''PROBABLY IMPORTANT LATER''#idk idk but so many books do this kind of scene so badly that it pisses me off#so many POPULAR books too. like i either am uniquely annoyed about this or other people are way more willing to overlook it lol#as far as examples go. the house in the cerulean sea and every heart a doorway were the books where i got so annoyed i immediately DNFed#i feel like the long way to a small angry planet does it a little bit but not as bad. i cant remember for sure it's been a while#i did finish that one but i had extremely mixed feelings about it#and now im reading a big ship at the edge of the universe and. once again it is happening#aaaargh
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me reading this 35 page 'good omens 2 is bad on purpose as Clues that the big twist of season 3 is that the metatron is a bad writer who's rewriting reality poorly' fan theory written by a published author: oh c'mon, season 2 wasn't that bad
#this is impressively terrible analysis i'm enchanted by how silly and accidentally vicious it is lol. rip to blonde lesbian's actress#(like eg one of their points rests on the reasoning that the job sequence can only be important to the story if it hints at this#like hello have you ever heard of a theme? very minor example but it's the paragraph i just read before stopping to write this#and it's v emblematic of the whole vibe. like there are reasons for story beats existing other than 'set up for twists')#marley on good omens#good omens spoilers#text post
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some assorted insights I have gained from analyzing the wanted posters shown at various points throughout the show: (this is gonna be mega-long as i am allergic to concision. to be fair I did issue a clear warning about inflicting text posts on everybody)
from episode 1. One and Three are listed as having the same height and weight (both 6'0" and 210 pounds).
who do they think they are kidding. I do not buy this for either of them
unless they weighed Boone while he was carrying multiple holstered guns. Which, y'know, maybe.
I can buy 6'1" and 210 pounds for Six, but uh. What's up with the race there?
African American? My man is not from Earth. He doesn't even know what planet America is on
ALSO Jones and Boone have the same NCIC number. This might be a mistake on the showrunners' part but I think a funnier interpretation is that the GA just never bothered to assign his fake persona a real number so they just copy-pasted Boone's
Alternatively maybe it is actually Jones' and there's a weird glitch in Boone's GA profile where it just displays other people's ID numbers. supporting evidence is this shot from S3 where he inexplicably has Ryo's ID number (while Portia doesn't get her number listed at all)
this is from the blink drive scientist in the past who downloaded the GA database. fun fact: since Portia is in prison clothes but Boone does not yet have terrorism added to his charge list, it seems that the scientist left for the past at some point during S2. neat!
Also both Boone and Portia have a note on their profile that says 'not permitted to carry weapons or firearms under any circumstances.'
yeah, good luck with that one.
getting into charges (these are all S1):
for some reason Jones is never charged with terrorism despite the fact that he is an undercover agent and they could literally charge him with anything they want, it's not like they'll have to prove it.
he was literally part of a terrorist cell and instrumental in bombing 10,000 people. why was he never charged with terrorism.
also can you imagine being the poor merc who gets knocked off the 10 most wanted list in favor of an undercover cop's secret identity created to fool like four people. your rep would never recover
Corso is the only one with a trafficking charge, which I assume refers to human trafficking. I'm gonna be real, I'm amazed Boone hasn't scored one of those by now, given that we see main universe Boone exactly twice and both times he immediately attempts to sell the first person he sees into slavery. maybe he's just never been successful but is really gunning for that so he can fill out the fifth charge slot on his most wanted poster with something cool.
Boone does get a kidnapping charge, which I'd wager is probably from his old crew, since 'snatch kids to blackmail parents' seems to be their M.O.
this one's from S2E11, 'wish I'd spaced you when I had the chance.'
They finally got Ryo's name right! It was still under Tetsudo when he was arrested so I assume when Misaki showed up she was like 'hey man you know that's not his name right?' and the GA folks updated it
Nyx just has theft, assault, and fraud charges, none of which seem to warrant imprisonment in the most maximum security facility in the galaxy, so I'm assuming she was sent there because she kept beating people up in min sec
Also, damn, Two is really racking up the charges. New extortion, kidnapping, armed robbery, and corporate espionage. Wow.
However, she has inexplicably been cleared of the piracy charge. Absolutely no idea what's going on there.
I'm assuming kidnapping is from when she snatched Tabor, and armed robbery is basically a normal Tuesday for them so whatever.
The corporate espionage and extortion could theoretically be old charges- the wanted posters list charges in descending severity, with violent crimes first, so it's possible they just got left off for space purposes
But I think corporate espionage is actually related to when they snuck into Dwarf Star to steal the nanites
Also, that's such a cool crime. Five would probably be wildly jealous if she knew Two had gotten an espionage charge. Five definitely deserves one with all the hacking she's done
theoretically Six and Three could also earn that charge since they did the same stuff as Two. We never find out if Six was charged with it.
I can't put subtitles on this or make it into an actual gif but the robot reads his list of charges as murder, assault, kidnapping, piracy, and terrorism.
Hey, he finally filled out that fifth slot on his wanted poster!
He might also have a corporate espionage charge (if so, lucky him) that the robot left off for concision (couldn't be me)
That said, the terrorism charge raises its own set of questions. Or mostly one question, which is 'why is he the only one who got charged with it'
Obviously it's from the white hole bomb, but why didn't Two or Four get charged with it? My best guess is maybe Three was visible on security footage somewhere, or in the memory stores of the male android if the GA got access to those? Or maybe just left his DNA at the scene since he got bloodied fighting the Android while the others (except Five) were elsewhere. God only knows and he has not deemed to share his secrets with me
and for a final note we're going back to lovely Five!
she's not on the 10 most wanted list but she does still get an actual wanted poster, so score
that said. uh. as previously established, crimes are supposedly listed in descending order of severity
so this shot implies that out of all the sketchy shit Das did, while illegally stowing away on a space station, hacking into restricted areas, and surviving through thievery and pickpocketing for literal years. of all the things she did.
the crime that the GA is most concerned about
is truancy
can you imagine being such a notorious criminal that you get your own actual wanted poster that cops all over the galaxy are expected to study and know your face. and the primary thing that you are charged with is truancy. if i was her I'd be pissed
'ah. yes. the most wanted criminals in the galaxy: mercenaries, murderers, space pirates, terrorists, and also this random teenager who hasn't shown up for class in like four years. we have got to get this terrifying criminal off the streets ASAP.'
anyways nobody at the GA appreciates Five's diversified criminal portfolio. charge her with espionage, cowards. she'll be thrilled.
#if you spot anything I didn't please share#dark matter#dark matter syfy#analysis#rourke og#i miss my computer so bad guys. cant even make a proper gif#also I can't do my actual job but what's Really important is how it impacts my dark matter posts#s2 spoilers
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The Ending of Good Omens S2: An Ineffable Analysis
So I wrote this analysis of the ending of Good Omens S2, and the duck situation... Its quite long, my apologies... Unless you like reading long essays, in which case enjoy!!
The Ducks
Before we begin, I would like to take a moment to acknowledge the ducks.
Throughout both the book and the show, there has been a running theme. Ducks. It all began back in the 1990s when Good Omens was published. Around the start of the book, Crowley attempts to use the analogy ‘Like water rolls off a duck’s back’, except he has a lapse of memory. He struggles to find the word to complete this simile. The conversation moves on after a few lines, Crowley apparently resigning to not ever reach the satisfying end of the thought. We read the next two pages and forget that anything ever happened.
DUCKS! Two pages later we are interrupted by this remark from Crowley. This short joke made it’s way into the television programme and has since become the recognised epitome of humour.
On July 28th, Good Omens Season 2 is released on Amazon Prime. In Episode 1, Crowley and Shax are seen on a bench. Crowley remarks that one should not feed bread to ducks. He is asked what, if not bread, one should feed ducks. This question is ignored.
The Ending
The Kiss
The kiss is something that lends itself to be analysed. I would like to begin by quoting part of something Mr Gaiman talked about on Tumblr. He said “I don’t think kissing scenes have much to do with love… Crowley’s kiss is about a lot of things but it's not to show they're in love: if you haven't got it by then you'll never get it.” This is vitally important to recognise, in my opinion. I do read Crowley and Aziraphale’s relationship as not purely platonic: it is my belief that they are in the middle ground between a romantic and platonic relationship. The general name given to this is a Queer Platonic Relationship (a QPR for short).
FROZEN PEAS!
“Frozen peas, that’s what you should feed ducks.” Thus the joke returns, and the appreciation for ducks and duck humour is doubled. Duck!! No, seriously, duck, I’m throwing a book at you.
I agree with Gaiman. The kiss was never about romantic love. Crowley was frightened of what a world without Aziraphale would look like. He was gripped with fear about him leaving. He needed to do something that could convey to Aziraphale just how he felt, why, exactly, he could not face life without him. And they have been on earth for so long. They know how humans work, how they express love. In kissing Aziraphale, he attempted to not only remind him of humanity’s capacity for love, but to reinforce that they are on their own side. They are more human than ever before. They understand people in a way that angels and demons never will. And in showing that they are more human than them, Crowley is telling Aziraphale that the beings in heaven and hell will never understand him as well as Crowley does.
We also see evidence of this throughout their lives in other ways.
Crowley calls Aziraphale 'angel' much more frequently than is absolutely necessary. You see, it must be acknowledged that Crowley understands human culture. He instructs Shax on complex human interaction, such as sarcasm. There is no way that he does not know that ‘angel’ is a term of endearment for humans. He understands this, and uses it for perhaps that reason.
Yet there is another perspective to be looked at here. We have already seen how Crowley might use human behaviours to persuade Aziraphale, but what if in this case he is using them to remind himself of something.
It is true that Aziraphale is an angel, the literal meaning of the word. What if Crowley uses this term to remind himself that Aziraphale will always be an angel, no matter how much Crowley wants otherwise. It is a reminder to himself that despite what he may want, how far he is willing to go, Aziraphale will never stand down from his position as an angel. We have seen how they have discussed being on their own side before. It is always Crowley who initiates the idea.
Despite knowing this, despite reminding himself of the fact near-daily, he has the courage to ask once more if Aziraphale will leave them for him. And Aziraphale says no. We see the pain on both of their faces as they realise the real implications of him saying no. And we must remember that this is not the first time Crowley has asked this of Aziraphale. He knew that there was a real chance of him saying no: he has said it before. Yet that time Aziraphale denied him because he wanted to save earth, he was on humanity’s side. This time? This time Aziraphale is saying no so that he can go back to heaven’s side.
"You could be an angel.... my second in command."
The heartbreak and pain they, Crowley especially, must be feeling is ineffable. Crowley laid his heart bare for Aziraphale. He dared to hope, to be optimistic, and it didn’t work. How will this affect him in the future? Will he allow himself to be vulnerable again? I don’t think so. It will take Aziraphale apologising, coming back and confessing too, to let Crowley be vulnerable again. But even then, will that be enough? Only time and Mr Gaiman will tell.
Aziraphale’s Point
After watching Season 2, and having our hearts broken by Aziraphale, it is all too easy to put the blame on him. But honestly? I think he has a point.
Crowley explicitly states “We don’t need heaven. We don’t need hell. They’re toxic!” And while it is true that they don’t need them, the rest of the world is deeply affected by them. Aziraphale understands this, Crowley, however, does not.
I’m not entirely sure what Crowley’s stance on saving the world is, but it’s certainly not the same as Aziraphale’s. Crowley has shown that he has a tendency to run away from the big problems. He suggests going to Alpha Centauri instead of preventing the apocalypse in S1, and again in the infamous S2 ending. So given this information, we must call into question who is correct.
Aziraphale is technically the person trying to achieve the best outcome for the most people. He is going to be in charge of heaven, and believes that he can make a difference in the system, even if it means sacrificing his own happiness and life with Crowley. (Whether or not this will actually be the case is yet to be seen, but I am going to discuss a little further into that later.) He wants to use the new position to do actual good, not the ‘Good’ heaven is obsessed with. We could read Crowley’s actions as selfish: he is potentially sacrificing the lives of everyone on earth so that he can be with Aziraphale. In fact, we see him acknowledge that that may well be the fate of the earth: “Earth will be just as dead if heaven causes it as it would be if hell did.” (or something to that effect).
Is Crowley being selfish here, or just pessimistic? Perhaps he is wanting to leave Earth so that he doesn’t have to worry about that, leaving the humans at the mercy of the wills of the powers up above and down below. But equally, perhaps he truly believes that nothing can be done, and so is faced with the choice of going away with Aziraphale or being subjected to whatever hell will do with him after the second coming. Good Omens has taught us that there is no black and white, just shades of grey. Therefore, I cannot be an absolutist about who is in the wrong. However, I also feel that it has taught us to hope, to believe in the possibility so we can act in the best way possible.
I think that Aziraphale is right to want to make change. He has an opportunity here, given to him by the Metatron, to do something to prevent the second coming. He is not running away, and is sacrificing his own happiness to do what he believes is best.
But beneath all that, the part of me that just wants them to live happily ever in a QPR as soon as possible is inordinately angry at him for not running away with Crowley. The message? Saving the world is important but I need you to be happy.
Aziraphale’s Communication
Whilst I mostly agree with Aziraphale’s motivations, some time must be spent analysing his communication. There are many problems with it, and I think when analysed it will bring to light some of the more nuanced and less good parts of why he chose this path.
There is a moment where Crowley states that he said no to hell, and Aziraphale responds with “Well of course you did. You’re the bad guys”. I think that this line really speaks to the way that Aziraphale sees the world still. He uses the word ‘you’re’, not ‘they’re’. He still sees himself and Crowley on opposite sides of the line. After all of their conversations about the nuance of good and bad, how they are on their side, this idea is still entrenched in Aziraphale’s thinking. Let’s take a second here to think about the future.
For a proper character development, we need to see Aziraphale overcome this. He has been pretty stagnant in his character throughout the story so far. We saw Crowley undergo some significant development in that final episode. He finally admitted his feelings, and spoke about what was actually on his mind. So we know that they are both on a character arc. Surely Aziraphale will have a moment like this? There was not one in S1 or 2, therefore it is safe to assume that this will come in S3. I think that in S3 we will see Aziraphale finally recognise that the structural Good and Bad is not the right way of looking at things, and this will lead to a character change that will allow him to do what he must to stop the second coming.
Aziraphale also doesn’t lead the conversation with the fact that he can make a difference. He leads it with “We can be together, in heaven. It can be just like old times, except nicer”. There’s a lot to unpack in this line. To Crowley, ‘nice’ has never been something he aspires to be, at least not openly. He seems to despise the idea of ‘nice’, as evidenced by “I’m not nice. I’m never nice. Nice is a four letter word.” He has also just shown that he does not want things to go back to the way they were before, which Aziraphale seems to have not listened to. In this scene, Aziraphale seems to fundamentally misunderstand where Crowley is coming from. He does not address anything that Crowley says, apart from perhaps “Oh Crowley, nothing lasts forever.”. But even in this he comes across as a little dismissive, and maybe a little patronising? And it still doesn’t address Crowley’s proposition.
There is the question of whether or not Aziraphale is really in control of his actions in this scene. The Coffee Theory suggests that the Metatron drugged the coffee that he offered to Aziraphale, making him obey him. However, this is not my belief. To say that Aziraphale is not in control of himself here is to misunderstand the conversations he and Crowley have previously had, and to undermine his character. Yet, I do not think that he was aware of everything the Metatron was doing.
The Metatron
We are first introduced to the Metatron in S2 when Crowley is looking at the records in heaven. He is introduced as someone more concerned with the appearance of heaven than how it is actually run. We see him as cruel, and unmoving in his positions.
The next time we see him on screen is when he enters the bookshop, having just ordered a coffee. He interrupts the conversation without introduction, immediately asserting authority. No one, apart from two characters, appears to recognise him. This is intriguing because the archangels should have known who he was. Why this is, I do not know.
Two characters appear to recognise the Metatron. The first is Saraqeal. This is not confirmed, but judging by the lack of shock and indignation contrasted with their other angelic counterparts, we can assume that they do recognise him. Neil Gaiman said on Tumblr: “Paul Chahidi wasn't available when we were shooting. It was a pity. We had some secret things for Sandalphon to do. Saraqael did some of those things, and not others.” What are those secret things, we must ask ourselves? Is one of those the recognition we see from Saraqeal? And what will these secret things mean?
The other character is Crowley. The Metatron asks him directly who he thinks he is, and Crowley answers correctly. This is very interesting for a few reasons. Why does the Metatron ask Crowley of all people? Perhaps to establish power - he knows who knows who he is, he is proving his omniscience so as not to be questioned later. And how does he know that Crowley knows?
Anyhow, I digress. The point is that from the moment he walks in, he establishes his power and makes everyone else feel shameful. As a person who is admired by the angels, this is an interesting move to make. It makes the angels feel as though they have slighted him in some way, and so will feel compelled to make it up to him - remember that Aziraphale is an angel too (we established this previously in the essay). He then reinforces the idea that they have done something wrong by demanding the archangels leave, but keeping the lowest angel present. This makes the archangel Uriel question if they have done anything wrong, and the Metatron purposefully gives a vague answer so as to maintain power. This display of power is interesting because it is not the people he is exerting power over who are his target. His target is Aziraphale.
The aforementioned tactic is done to impress his power into Aziraphale. His intention is that Aziraphale will feel less power because of this, therefore more willing to do as instructed. The Metatron’s next manipulation tactic is to ignore Crowley. He knows Crowley is not one to stick to the rules (“Ah, well, always did want to go his own way. Always asking damn fool questions, too.”), and will likely help Aziraphale see the truth. The Metatron needs Aziraphale to be convinced before Crowley can tamper with his plan. Therefore, he ignores Crowley, both making Aziraphale feel more important, and making Crowley feel less powerful. He then removes Airaphale from Crowley and onto neutral ground. This is a known technique in manipulation. The conversation then ensues in the restaurant across the road.
During this, the Metatron describes the characteristics he sees in Aziraphale that would make him a good replacement for Gabriel. This flattery is intriguing because they are not characteristics necessarily seen in Aziraphale. He then pulls out the Crowley card, saying Aziraphale could reinstate him. He obviously knows about their relationship, and so is trying to assure Aziraphale that he can still have everything he wants, yet if he knows that then surely he will know Crowley’s response. The Metatron is giving Aziraphale false hope so as to convince him to join him in heaven.
The thing that I think is most vital to understand is that Aziraphale never explicitly says yes. Infact, at the end of the conversation Aziraphale asks for more time to think it through, which is answered with a ‘yes, of course’, yet followed with a ‘Why don’t you go and tell him the good news?’. This is a way of making the manipulated feel as though it was their idea, that they said yes, whilst in reality it was the manipulator all along.
The final straw is how he enters after the ‘breakup’ scene. Crowley walks out, and Aziraphale’s life is left in tatters. After this scene, he is left the most vulnerable and broken we have ever seen him. And that insidious Metatron walks in and acts as if Aziraphale had the moral upperhand. After all that hurt and pain, the Metatron is the one to bring some comfort, to pat Aziraphale’s back and say “Ah, well, he always did want to go his own way.”. Of course Aziraphale is going to follow him now, he has given Aziraphale an opportunity he almost couldn’t resist before, and now the main thing that tied him to Earth is gone. And the Metatron knew EXACTLY what he was doing. He knew that Aziraphale saying all this to Crowley once he’s been mostly convinced would be enough to tear them apart. He knew their weaknesses and exploited them in order to get exactly what he wanted.
So we know that the Metatron manipulated Aziraphale - the evidence is blatantly there - but the question is why? Every manipulator has a goal, what is the Metatron’s? To answer this is to speculate about Season 3.
Why?
The Metatron manipulated Aziraphale into getting him exactly where he wanted him to be. But the question is why? Aziraphale is not the obedient servant he would find in Micheal, Uriel, Saraqeal, or Sandalphon, nor is he as easy to get on side. The Metatron knows that he has knowingly gone against the will of god before, and so why is he deciding to reinstate him, higher than before?
I think that the Metatron is afraid. He knows about the partnership between Crowley and Aziraphale, we have already established that, but why might this be a threat to him?
We saw the power of the miracle with Gabriel, it was enough to raise someone from the dead 25 times. And Crowley acknowledges that this is likely because it was performed by both of them, together. And the Metatron is scared by this, of what the ineffable husbands can do together. And so he orchestrates a way to separate them. The idea of keeping your friends close but your enemies closer is pertinent here. If he is as threatened as it is made out that he is, then having Aziraphale directly beneath him at all times might just protect him.
#good omens#go2 spoilers#good omens spoilers#good omens analysis#good omens meta#This doesn’t have the most satisfying ending#my apologies#but I have spent much too long doing this instead of actual important things#such as writing the essays I need to for school#So I hope you enjoyed my lil analysis!!#I am not sure how I can express the pure enjoyment I got from writing this#can I just write good omens analyses as a job?#is that a thing people can do?#Aziraphale#Crowley#ineffable husbands#ducks#also yes this is based on some of the posts I have posted before#I fleshed them out and made them a little more eloquent#own post#analysis
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Eating is truly the privilege of the living
I'm very sorry to ask something like this, I've really been struggling with this question, and I wanted to ask the combined wisdom of the people on this site
I would like to know why you keep going, and what drives you to keep living. I know there are a lot of reasons to stay alive and enjoy life, I can think of a few that personally resonate with me, but I really want to know what your reasons are
You do not have to comment on this if that's too big of an ask, and I'm very sorry for asking something like this, I really need someone's help, I feel like I don't have much purpose
Also if I may ask, please don't post any suicidal ideation in the comments of this post, I really can't handle something like that right now
#ooh this is a very good one#i think thats a really important part of maturing for me#is slowly uncoiling the ideas i have around purpose and significance#because it really does end up feeling like a job#and when you work a job you feel hates you. you want to get away from it#i try to see the significance in all the small things#and i do my best to be acceotibg of the cards i have#and how i have dealt them#its like that robert frost poem that everyone misinterprets all the time#i took the “path less travelled”#which was not#in fact#a totally unpopular path#it was just the one i saw to be justified#in truth#i cant really know how much one path has been tread#i cant tell how much success others have had#but it is a path worth taking#and THAT makes all the difference#i think tumblr tags are a kind of poetry#its the meaning or the lack thereof of a need of meaning that makes it really special#like idk#im just being silly on a website#is it a website that deserves my time?#well yeah#as much as i enjoy it#and thats life#more or less#less meta-analysis#and more simple principles
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been on a lot of infinite jest reddit lately and havent been super convinced but this one thread i actually really like
#jestblogging#like for me when it comes to literary analysis of this sort of course little details etc. are super important but#what resonates with me the most is an appeal to major themes etc. and this does a really nice job of that and in a simplistic way#gets to the heart of who hal is and his function in the story.#man i just love hal. ughhhh#like yes i buy that the dmz/mold makes sense either way#it's about the themes for me. like what draws it together
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lyric analysis of wide eyes by badflower and how it fits jason todd's vibes. long post incoming. (tw: implied/referenced sa, character death)
starting with the pre-chorus and chorus rather than the lyrics from the verses because these are the most easy to understand.
PRE-CHORUS ANALYSIS.
my innocence was taken / i'll never be that boy again
the first line is the loss of his childhood. unlike other children he witness violence and addiction at home, as well as around his neighborhood. he took care of his mother and slowly watched her die because of her "illness". he lived on the streets after losing both of his parents (the grief for his mother was like a knife, the space where his father used to be was filled with relief). jason wasn't allowed to be a child, he grew up too fast because he had to. it was the only way for him to stay safe. for so long he lost that childlike innocence that tells you that the world is good and your parents will always love and protect you. he saw the world through the eyes of an adult when he shouldn't have had to; in an ideal world someone would've shielded him from this. from all of it.
it can also be used in the same context as the song, which has been interpreted as being about sa. in that sense his innocence was taken when talia manipulated him and brought him into her bed when he was under her care. in that sense it was about the blurred out faces and half remembered hands from his childhood.
the second line, to me, is about his death. he's not going to be who he was before, no matter how much he wants to. he can't go back. he's changed too much to be that boy anymore. he doesn't even view that boy as him anymore, it's easier to think of robin as someone else, as a ghost, than it is to admit it's him. jason todd and robin might be one and the same in reality but not through the lens of his trauma. this can even be seen in canon, when he's reliving his death and disassociating. he sees himself at fifteen, dying on the warehouse floor, being between to death, and he calls him robin, not jason. because it isn't him, not really.
i guess i'm only speculating / but there's no use in hearing the truth from a liar
this one is less specific but to me, it's about how he feels like the other bats don't trust him. mainly how bruce doesn't trust him. it feels like no matter what he says or how much he works with them, there will always be the sense that none of them trust him. if he says he won't kill then he's lying. if he says he's fine he's lying.
he has lied before. many times in fact. that was what red hood was in the beginning, a lie spun to hide his identity until he was ready.
CHORUS ANALYSIS.
true was the bride at the turn of our time
in the song the bride is referring to the catholic church, with that context, i think this line for jason's character is a bit hard to interpret.
but to me, it feels like it's about bruce's crusade and his time as robin. things were good and he believed in everything bruce stood for when he was robin. after his death nothing is the same, least of all him. he no longer believes in batman or his methods, the life he lived under bruce's roof is no longer true, it hasn't been since he ended up in that warehouse. it's almost like a loss of faith.
holding my, holding my / holding my life in your body
this one is obvious & not so obvious. there's different things it could mean but the most in your face one is: bruce finding his son's body in the wreckage and holding him, wishing that jason would open his eyes. it's so reminiscent of the every image of bruce finding his son in death in the family; jason’s limp body in his arms, him the picture of the devastated father.
its batman protecting his robin when they're out on patrol. jason's full trust in his dad to keep him safe. every night out as robin was a risk and bruce was always there beside him, pulling him back when it was too dangerous or picking him up when he was too hurt or too tired to carry on.
its jason holding a gun to the joker's head and demanding his dad make a choice: him or his murderer? one of them was going to die there and it was all in bruce's hands, whether he wanted it or not.
it was the way the batarang sliced his throat and sent him stumbling, releasing his murderer so he can grasp at his throat. a timer is about to go off and he's trying to stop the bleeding. this was his dad holding his life in his hands and choosing wrong. this was jason keeping himself alive, the only person he could depend on anymore.
in a meta sense it's the poll that killed him. his life hinged on the votes of fans. he would live or die based on whatever they called in and said. they held his life in their hands and voted against him. voted to see him dead. voted to see batman's world shatter with the loss of a child. they could've saved him.
i bottled up the pieces of the lie, of the lie
it's about putting his past behind him, or trying to. it's the distance between him and the rest of the bats. he's not part of them and his time with bruce was a lie, it wasn't real, that wasn't his family. he thinks he knows that now. he was replaced, they're happier without him. so he keeps his distance and he keeps all those feelings inside until they spill out and he's confronting a bat and it gets explosive. because he does want to be part of the family, he wants his old life back even if he can't have it.
its about all the things talia told him while he was healing and training. the whispered half truths that she used to manipulate him, so he would become a more willing pawn. she told him about tim and twisted it, told him that bruce never loved him, didn't even miss him. jason's body had barely been in ground before a new kid was going out in the colors that killed him. she doesnt tell him how his dad was self destructing, how tim thought he had to step in to keep bruce alive, how tim was just a kid taking responsibility for a man so lost in his grief he took it out on the world. she tells him how his death has gone unavenged because no one cared enough about him to avenge him.
she doesn't tell him how his dad almost killed the joker, he would've too. he was going to put his rules behind him and rid the world of his son's murderer. but superman stopped him (there might have been valid reasons but does it really matter?). she doesn't tell him how dick wanted the joker dead as soon as he heard about jason's death, how fucking outraged he was that bruce was letting him sit in arkham instead of six feet under. she doesn't tell him how dick beat the joker to death for him and tim and barbara and the only reason he's still alive is because bruce brought him back. she doesn't tell him that he was loved.
everything she's says is lies wrapped up in a thin layer of truth and he takes it as gospel because why would she lie to him? she's in charge of him, she saved him.. right? she should have no reason to lie to him.
who am i, who am i / to ever love you with wide eyes?
so much of this song is about his relationship with his dad and how it's changed since he came back to life. he's not the same kid he was, he's angry and wrong and he hates bruce for replacing him and for letting his murderer go on living. there should be no love left for him to give. but there is. there's enough left that it has him coming when his family calls and agreeing to nonlethal methods, anything to make his dad happy, to make his dad love him.
jason doesn't feel like he deserves to love anyone, least of all the family he doesn't fit into. he's the extra puzzle piece, one that came from another box and was so obviously out of place there was no mistaking it as part of the bigger picture. just like jason is with the family.
this line is him quite literally asking himself if he's allowed to love bruce now that he's broken all the rules. is he allowed to still think of him as his dad and want his love if he's not part of the family anymore, if he's not robin anymore.
going into the verses now, this part might be more select lines rather than the entire verse. we shall see.
VERSE ONE.
my love was only temporary / i aged, but kept the memory / and still it makes me shiver cold
this is all about losing the two most important parental relationships he's ever had and how it'll never stop being an open wound.
he had three years as robin, as bruce wayne's son, he knew it wouldn't last forever. he was so loved during those years, he wanted it to be forever, he wanted to know what it was like to grow up happy. but he died and he lost it. to him, the love he experienced then died with him. and now, as red hood, he knows it has. all he has left is memories of a time when he was happier and it's mostly his fault. it keeps him up some nights, nights where he's alone and nightmares won't let him sleep and he wakes up in a cold sweat wishing he could slip out of bed and walk the hall to his dad's room, seeking out comfort like he used to.
it's losing catherine when he was so young. it's the constant desire for more time with his mom that he'll never get to have. no matter how old he gets he'll always be that little boy shivering and laying beside his mom, hoping she'll wake up.
if i really wanted to, i could also tie it back to talia honestly. she made him feel loved so she could mold him into a pawn and then she betrayed him in the worst possible way. jason will never forget what she did and she will star in those nightmares that wake him up at night.
theres no place to hide the past we bury / so like the virgin mary / she lied to save the family
for the most part the latter part of this line is about catherine to me. it references how she tried to shield jason from the worst of things. she told him she was sick, not an addict. her drugs of choice were medicine to make her better, not the things actively killing her. she lied to him to spare him, to save him.
the first line is pretty on the nose to me. try as he might jason will never be able to run from his past – whether that's being robin or living on the street or being raised in an abusive household or his time spent with the league. nothing is gonna be able to hide it. even six feet of dirt wasn't enough for him to be rid of it.
VERSE TWO.
i am the dust behind the window / the darkness in the shadow / the stain under the pillow
the most standout line here is the darkness in the shadow because that's what he is, isn't it? he's the dark spot on the otherwise clean history of robin. (it means nothing that every robin has had their problems, none of them are innocent, but jason will bear the curse of that alone.) and when he was first starting as red hood, he was hiding in the dark and going through with his plan for revenge. no one knew, or could've known, that jason was back in gotham. he should've been dead, he should've been a ghost.
the first line is referring to his memorial in the cave. the suit he died in – that should've been destroyed, it never should've been kept, it just like robin should've ended with jason – is displayed behind glass. the suit is all that's left of a ghost.
and i'll be the perfect silent witness
this is a bit more of a loose interpretation than some of the other parts but this to me would be referencing the deal he makes with bruce about not killing in gotham. his attempts to repent and be the son bruce wants again.
i stink from all the bullshit / so feed me and i'll hold my tongue
the first part of this is similar to some of the things i've written about jason's internal monologue. where he's thinking about how he's not able to rid himself of where he grew up, like his neighborhood left a permanent stain on him. it's something he felt most intensely when he was attending gotham academy. he felt like the students and the teachers could smell the stink of crime alley on him, that they knew he was not from the same kind of people, that he was only there by chance – not by birth.
finally to finish up, here's the bridge which is so so fucking fitting.
BRIDGE.
rage! / i'm the bad guy, i'm the bad guy / i'm the cynical kid, i'm the rage
this is red hood. this is all red hood is. all of jason's anger wrapped up in a neat little bow and hidden under that helmet of his. he makes himself the villain in the family. he kills people even though he knows it breaks his dad's number one rule and it'll make it so he can never be part of that family again.
he comes back so disillusioned to bruce's methods because he knows! they don't work! gotham is still just as bad as ever! there's no way the city will ever get better if someone doesn't start cleaning up the streets and laying down rules and getting rid of the worst of the worst. which is what jason does.
as a kid he wasn't full of so much doubt. he genuinely believed he was making a difference but now he knows better.
i'm the big lie / i'm the goddamn shame of the goddamn pride!
jason todd was the good soldier! the plaque on his memorial says so! but that isn't true now is it? no, jason was the soldier who wouldn't listen in the end, who turned his back on the cause when he was shown the truth.
he was the angry one, wasn't he? that's what everyone wants to believe.
jason todd the good soldier. jason todd the angry robin. the robin who was always destined to go down the wrong path. it's true because bruce said it, isn't it?
his past is all hidden behind the lies of a man he still calls dad. he warps the memory of a dead boy to suit his needs, ignoring the truth of jason's life because it makes his death easier to deal with. it makes his return and his crimes easier to deal with.
because he's batman's greatest failure. his soldier, his fault.
he's the bat that makes them all look bad. he wears their symbol and he kills people. he thinks he's something that they're all ashamed of (and maybe they are. maybe he deserves that for what he's done.)
rage! / i'm the bad guy, i'm the nice try / i'm the typical bitch with the rage on my face!
pretty much the same as the first part of the bridge but i want to focus on the i'm the nice try part. because i feel like it reflects thoughts on his life and death. his time as robin was cut short but he did good during it, didn't he? he helped the people of gotham and he did so much good but it wasn't enough.
and then his death! it didn't stick! his resurrection is basically the universe's way of saying nice try! not even death could stop jason todd.
i'm the goddamn beast of the goddamn pride!
this!
jason is the member of the batfamily that's willing to go further, he's capable and ready to kill if it means protecting his city and his family. he's the violent one now and he accepts it. that's his role in the family now.
#red hood // musing#red hood // lyric analysis#jason is my oc now and i get to project on him if i want to#also there's like vague canon support for some of it#and again. my guy i make the rules now </3#it also means a lot to me to project certain things onto him and esp when the fandom hcs it as well bc he's still seen as such as#such a strong character#no one makes him into Just A Victim#idk it's also important to me bc dc does a terrible job handling subjects like sa#like in general but also with male characters#society also handles it pretty terribly#so it's big to have a character who isn't seen as less than or weak just bc of something in his past#and his trauma is not invisible just bc he's a guy#jason in general is such an important character to me#he also represents the side of victims of any kind of abuse that's not always seen#you're not always gonna be scared and panicky and jumpy#sometimes you will be#other times you're gonna be angry and you're gonna be hateful and you're gonna wish you could change things#you're gonna feel all your emotions so big and wild and it'll feel like your anger is gonna consume you#and that's jason for me#he's rightfully angry about the things that have happened to him and he should be!#tw sa#tw sa implied#tw sa mention#tw csa implied
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yes, doctors suck, but also "the medical ethics and patient interaction training doctors receive reinforces ableism" and "the hyper competitive medical school application process roots out the poor, the disabled, and those who would diversify the field" and "anti-establishment sentiment gets applications rejected and promotions requests denied, weeding out the doctors on our side" and "the gruesome nature of the job and the complete lack of mental health support for medical practitioners breeds apathy towards patients" and "insurance companies often define treatment solely on a cost-analysis basis" and "doctors take on such overwhelming student loan debt they have no choice but to pursue high paying jobs at the expense of their morals" are all also true
none of this absolves doctors of the truly horrendous things they say and do to patients, but it's important to acknowledge that rather than every doctor being coincidentally a bad person, there is something specific about this field and career path that gives rise to such high prevalence of ableist attitudes
and I WILL elaborate happily
#theres so much that contributes to this#and its such a traditional field that any change takes ten years to take effect even when its not as controversial as disability rights#ive no lost love for doctors as a whole#but the deeper causes here need to be examined to understand how this problem manifested and what can be done to fix it#disability#chronic illness#ableism#premed#medicine#salt baby talks
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This applies to the legal field as well.
Like dealing with rules? That's literally the name of the game. Well, they're called "laws", but they're just rules with Societal Consequences (TM).
Like arguing about the exact wording of the rules and whether that wording can be interpreted as allowing or forbidding a certain action? That's legal analysis you're doing there.
Like combing through documents and sorting through them and seeing if things are missing or anything just doesn't seem to fit in? Welcome to discovery work, you'll do great.
It does tend to require some interpersonal interaction, whether with clients, opposing counsel, or even official court employees... but there's legal work where that's minimized, and if you work remotely, like yours truly, that's 95% emails and 5% a mix of phone calls and texts.
I have worked for the same office for almost a year and have not met my boss or coworkers, let alone clients, judges, etc. We had one (1) video call and that was strictly optional and not really work-related. (We played trivia.)
My boss frequently praises my work because I'm very good at reading through documents and going "Uh, you didn't give us the bank statements for March and May, and also you said you had a car but there's no documents for it here, what gives?"
Turns out being a natural-born rules lawyer also works well for being a natural-born lawyer lawyer.
I've seen so many posts about how hard it is to get work as an autistic person which honestly just makes me wonder if a big part of my success in my current job can be chalked up to the fact that underwriting as a profession just scratches a lot of autistic itches
#disclaimer: i am not actually a lawyer#but i work for some!#i am in fact a paralegal#aka lawyer lite#aka the assistants nobody can live without#when describing what paralegals do... it gets difficult#but i usually say 'i do lawyer work except for the stuff only lawyers are allowed to do'#so like. no getting up in front of the judge to argue my case#(thank god)#no signing off with my own name on important documents unless it's 'i personally affirm that i sent the thing'#but legal analysis? drafting documents? all that fun discovery work?#that's part of the job babey
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COMPASS
bad boy!Sanemi • gang AU • NSFW
A/N: Peach?? Not having any self control when it comes to writing a fic?? It’s more likely than you think.
This was supposed to be a bad boy!Sanemi takes your virginity drabble that spiraled into a meta-analysis of Sanemi’s self hatred that then blew up into a fic with plot. All of those elements are still present but surprise!! Enjoy 24k words of my brain rot.
Inspired by @homo-homini-lupus-est-1701 ‘s wonderful meta analysis of Sanemi’s self hatred and his scars.
CW: 24k • explicit sexual content • MDNI • gang-related violence • mentions of blood and broken bones • mentions of murder/death • loss of virginity • creampie • vaginal fingering • some angst
I have plenty more of this AU written, so if y’all want more, just let me know 🫡
MASTERLIST HERE
There are three rules to surviving life in the Corps.
The first is simple: once you’re in, you’re in.
Never outwardly confirm or deny rumors; let others talk, but don’t even think about opening your fucking mouth about the things you see or the whispers you hear.
And don’t be stupid enough to think you can cling onto any vestiges of your old life. There’s no splicing your life within the Corps with the one you’d had before. No separation. You’ve whored yourself to their cause, and for better or worse, you’re there until either someone important says otherwise or you end up in a morgue.
This is especially true for someone like Sanemi, so hopelessly entrenched within the organization that he’d allowed himself to be branded at the age of seventeen upon his ascension from rank-and-file street member to full-blown Hashira — the elite of the Corps, just short of the higher-ups who ran it.
The hot sear of iron between his shoulder blades had hurt like hell, but it was a welcome pain. A reminder that he’d not only outlived his father, but had actually made an impact, enough to be noticed and entrusted with more strenuous duties.
Each Hashira is assigned to a particular field. Uzui, silver haired, boisterous and extravagant, deals in bodies — mostly women, but men too, and he runs all of the strip clubs and escort services west of center city. Kocho, a child prodigy in chemistry, leads an intricate narcotics network.
And then there’s Sanemi: the debt collector.
Largely monetary debts — collecting on behalf of loan sharks, gambling debts, or that which is owed to his fellow Hashira, when their customers forget that there are no friends in business.
But the brand seared into his flesh has nothing to do with money — it is a reminder that above all, he is to ensure debts of another kind are paid.
Life debts.
In the three years since his initiation, Sanemi has only had to carry out this oath twice. Both had been scum, responsible for the deaths of innocents.
Their executions had been quick and without fuss — or much mess. A quick trip to an overpass abridging the Wisteria River. A march to the barrier in the dead of night, when no other cars were out and about to see or hear pleading sobs and bargains for their pathetic lives. A bullet to the head would quiet them, and Sanemi would let the rapids below take care of the clean up for him. Job done.
But even though the spray of their brains hadn’t touched him, their blood still stains Sanemi’s hands.
He will never be able to wash them clean.
But this is the life he chose, so Sanemi will endure the consequences — for the sake of his brother, the only living person on earth he gives a damn about. For whom he’ll do anything — be anyone — if it means Genya does not have to pick up a gun and sell himself to the very gang that owns his elder brother.
The second rule is simpler: no patterns. Patterns signal comfort and comfort may as well be a target on your back, begging for someone to come and take their shot (or several).
And finally, the third and arguably the most important rule, is don’t get attached. Keep your circle small so there’s less collateral to be used against you — against the organization that owns you.
This rule applies to both Corps members and civilians alike.
For the longest time, Sanemi Shinazugawa found Rule Three to be the easiest one to follow. He has his brother and no one else. His parents are dead; he has no friends beyond those in the Corps with him, and he knows better than to get overly invested in any of them. His inner circle is as tight as it can get.
But then he’d chosen your bookstore to hide in and that’s when everything falls apart.
“Fuckin’ Christ,” Sanemi mutters, anxious eyes tracking the large hand on his watch as it ticks the seconds by.
They were late.
The job was simple, and well within Sanemi’s capabilities. Maeda, a local dealer in stolen goods, had run up a sizeable bill at one of Uzui’s joints that he’d yet to pay. And while the slippery lech was quick to come sniffing whenever news spread that Iguro, a fellow Hashira, had managed to hijack a semi-truck full of luxury items, he was surprisingly difficult to connect with when it came time for him to pay for company he couldn’t get elsewhere.
He glanced down at his bruised, swollen knuckles and smirked. Sanemi couldn’t say he loved that his worth was measured in the number of bones he could break, or the amount of teeth he could punch out, but he’d be lying if he said he didn’t relish the chance to smash the pervert’s face in whenever the opportunity arose. Nor could he deny the rush of satisfaction he’d felt when he’d thrown open the steel door of the Maeda’s small office, crowbar in hand, and watched the snot-nosed pervert piss himself, stumbling over his words as he’d begged for mercy Sanemi hadn’t been hired to give.
The stupid, greasy fuck.
By the time he’d finished, Maeda had been little more than a quivering, helpless lump curled in on himself on the sticky, slate floor. His office had been left in shambles, drawers yanked out and emptied, only to be thrown aside (or cracked over the vermin’s back as he sobbed). But he’d had found the money, right down to the last dollar, just as he knew he would.
And that’s how Sanemi finds himself standing in the alley tucked behind Maeda’s small warehouse, Uzui’s payment split into two rolls that he’d shoved down into boots. All that was left was for the two junior Corps members he’d brought along for watch to bring the car around, and then they’d return to the abandoned factory that served as their headquarters.
Normally, this would have been a solo job, and Sanemi would already be on his bike, speeding off to safety. But he’d received an order to take along two, new Hinoe so they could get experience with higher level jobs.
Conveniently, his instructions had omitted the part the fact that the two lugs were utterly useless, bumbling idiots, contrary to what their recent promotions otherwise suggested.
Because neither of the two juniors are anywhere to be found. Nor is there any sound signaling that his getaway ride is approaching.
Sharp, lavender eyes scan the alley before him, but to his dismay, it remains empty — disquietingly so.
Leave it to a couple of rookies to set his teeth on edge.
Sanemi’s eyes drop down to follow the large hand of his watch as yet another minute ticks by. It’s been six minutes and their window had only allowed for four.
He knows how to be patient when the circumstances call for it, but now is not one of those times.
One minute, he decides, shifting his weight between his feet. They get one more fucking minute and then he splits —
A sudden screech of tires at the opposite end of the alley makes his stomach flip. Sanemi looks up just in time to see his escape car grind to a sharp halt, its rear jolting up as the driver slams on the brakes.
The passenger door flings open, and one of the Hinoe stumbles out, his feet barely connecting with the pavement before the car guns away, the side door flapping open.
The familiar howl of police sirens accompanied by distant shouts is enough for Sanemi to know this simple little debt collection has now gone tits-up.
“Pigs!” The Hinoe who stumbled out of the getaway car calls to him. “Pigs!”
“Shit,” Sanemi growls. No doubt Maeda’s bruised ego sold them out. He should’ve taken the time to smash the asshole’s phone.
He’ll be dealt with later — and with relish. But right now, Sanemi needs to get the fuck away.
Part of following Rule Three means not worrying about your fellow comrades when the cops come. None of them are stupid enough to actually risk talking to law enforcement about the Corps’ operations, but the fewer of them who get caught, the better.
So Sanemi takes off, adrenaline pumping fast and jot in his veins as he hears the swine behind him split off. He can’t be sure, but he can make out two, maybe three pairs of footsteps trailing behind him.
He scowls; shaking one cop is a breeze; having to shake off three is a bitch.
He hurtles over a pile of wooden crates and shoves a stack of delivery pallets over behind him as he runs, darting down random alleys and side streets that he knows will eventually lead him to a safe house.
The backstreet he shoots down is a fork, but only the path straight through will lead him to a rust yard of abandoned warehouses and shipping containers that Sanemi knows like the back of his hand. He could lose them there, could vanish between freights and wait the bastards out, and once clear, he could slip back into the district marking the outer territory of the Silo and get back home.
Iron pumps hotly in his veins. Almost there, almost there —
A car skids to a stop at the end of the middle ting of the alley, police lights flashing and alarms blaring.
No good.
“Fuck.” It isn’t the end of the world, but the blocking of the alley meant he had to reevaluate his escape. While he’s familiar with the path now obstructed by the police cruiser ahead, he hadn’t the chance to fully scope out his only other two options — the side streets to the left and right.
Without much thought, Sanemi darts sharply left and prays to whatever deity is listening that he hasn’t fully fucked himself.
Only one shop remains open; a tiny hole in the wall, tucked in between two old apartment buildings at the end of the street — one that borders the city’s western wing.
It’ll have to do, he decides, especially as the police sirens grow louder with each passing second.
He explodes through the front door, wide eyed and panting. Vaguely, it registers to him that this is a bookshop — a thankfully empty, cluttered bookshop.
But his abrupt arrival does reveal that the shop is not totally empty. There is one other — the store’s lone employee, who startles out of her seat behind the clerk’s counter, nearly knocking over a small cup of coffee.
He regards her for a moment, and she him, with matching expressions of wariness and shock at the presence of the other.
Behind him, the police sirens grow louder; more urgent.
It’s now or never. And, because he’s desperate enough to try, he risks a move he knows better than to take.
“You got someplace I can hide?”
——-
You blink, stunned as you stare at the frantic, pleading man anxiously looking between you and the door behind him.
His name registers dimly in the back of your mind. Here. In your store. And, evidently, on the run, if the distant echoes of police sirens growing steadily closer to your store is any indication.
Sanemi Shinazugawa.
You know him; you’d known him most of your life, even if you’d never spoken to him. You’d gone to the same school in your youth — all thirteen years of it, in fact. He’d been an abrasive loudmouth in the hallways, but a quiet, even polite boy in the classroom.
You know he’s from the Silo — a worn down, derelict part of the City that housed only the poorest residents. A cruel nickname meant to mock the poverty of its population.
But the Silo was also well known for being the epicenter of operations for the notorious group known only as the Corps.
It was the Corps who owned a majority of the City, its reach extending from the Silo, through the West and East wings, and all the way into Midtown. And, as was the case with most leeches, the Corps relied on the most desperate and hungry to carry out its biddings, offering some level of protection and security for the poor souls who needed it most.
Hence, its presence in the Silo.
So you hadn’t been surprised when you’d heard Sanemi had joined the Corps. Most kids from the Silo did; what had surprised you were the rumors that he became a high-rank member by the ripe age of seventeen, before he’d even graduated high school.
You shudder to think what he had to have done — what he’d become — in order to achieve such status and notoriety.
If he’d been anyone else, you wouldn’t have helped; you would’ve screamed, alerted the police to his presence, maybe even outed him as a suspected Hashira.
But you owed him.
Years ago, before either you or your siblings could drive, you all relied on the city bus to get to and from school.
But one afternoon, when you’d had to stay late for a club meeting, your little sister accidentally got on the wrong bus. Rather than being dropped safe and sound a block away from home, she’d ended up in a bad part of town that just so happened to have been the stomping grounds of the scowling delinquent now shoved under your cabinet, contorted between boxes of blank receipt rolls and stacks of returns.
Had anyone else found your sister, there would be no telling what would have happened to her. The Silo was not a place known to be kind to lost little girls.
But it was Sanemi who discovered her, sniffling and red-faced at the dilapidated bus stop. And though he’d been nothing more than a scrawny ten year old, he’d put your sister on his back and carried her not just the six miles back to safe part of town, but the additional two that led right to the front doorstep of your parents’ home.
You’d watched him curiously from the stairs as your parents profusely thanked your sister’s white-haired savior. They’d offered Sanemi dinner, or at least some sort of reward for his efforts, but he’d only waved them off, briskly telling them it was “no big deal.” As though carrying a six-year-old nearly eight miles was par for the course, as far as he was concerned.
His eyes had flitted over to you once during the exchange, briefly lingering before he turned and left, a single hand held up in casual farewell.
You’d been ten at the time. And now, here you are, twenty years old, running a shabby bookstore, and the opportunity to pay him back has finally arrived. The chance to show your gratitude for sparing your sister of a fate he himself, had not been able to escape.
Quickly, you motion him to you and without explanation, you cram him under the clerk’s counter, holding the cabinet door shut with your knee just as the police burst through the store entrance.
There are three of them, and they do not bother announcing themselves to you. Instead, they begin to prowl through your aisles, flashlights out and guns drawn while they comb the quiet corners of the store, searching for signs of anything that did not belong; anything misplaced.
A bead of sweat slides down the back of your neck, but you keep your face and your stance casual. Below the counter you cross your fingers, hoping and praying that the criminal stuffed inside your cabinet isn’t stupid enough to try and shift.
One officer rounds back into the main part of the store and locks in on you, stiff and anxious behind the counter.“You haven’t seen anything suspicious?”
“I’m sorry, sir. I don’t know what you mean.”
The cop grimaces. “You haven’t seen anyone who looks out of place? Maybe seems like they’re running?”
You feign an easy, sweet smile, even as the leg holding the cabinet door shut begins to tremble. “I’m afraid you’re my first customer of the day, sir.”
The officer grumbles under his breath something along the lines of not your customer, but he questions you no further. He only waves to his comrades and the three of them shuffle out through the door, one muttering into the walkie strapped to his shoulder.
Several moments pass, tense and thick. The silence is broken only by the sound of your heart hammering against your sternum. You remain still, fingers curled tight against the counter’s edge listening for any sound signaling the cops have returned, that their stiff departure had been a ruse to lull you into a false sense of security, as they waited for you to reveal your deception.
But all remains quiet. And you cannot stomach the silence any longer.
“They’re gone,” you mutter, finally moving aside to let the cabinet door below you swing open.
There’s a faint thumping and a few, muffled curses as the scar-speckled fugitive unfolds himself and spills free from the under-cabinet.
In a way, Sanemi still resembles the boy of your memories. His eyes and hair have always been distinctive: a shocking contrast of violet framed by thick, dark lashes that do not match the mop of silvery-white atop his head. But it’s the faint scowl he wears as he stands, the tinge of annoyance that tugs at the corners of his mouth, that scrunches his pale eyebrows, that feels familiar.
That expression, a portrait of vague irritation with the world around him, was one you came to know well — at least, at a distance. One that remained constant even as you grew; his default.
However, it is still not nearly as memorable as the shy embarrassment that had turned his cheeks slightly pink, had made him cast his eyes down as your parents showered him with gratitude.
But that earnest bashfulness is nowhere to be found now.
He wears a patterned, short-sleeved button down. Though rumpled and a tad dirty, you suspect the top three buttons were left open intentionally, rather than being the product of whatever scuffle he’d found himself in before he decided to make it your problem.
You try not to linger on the very obvious hint of the well-defined muscles revealed by his open collar. Nor do you let yourself consider the bulging mass of his biceps as he runs a hand through his cornsilk hair.
He has scars he’d not had in your youth — jagged, silvery lines that cut halfway across his cheek and forehead. Yet their presence does not dull his good looks.
A scrawny ten year old no longer; Sanemi Shinazugawa is now tall and roguishly handsome. But his infuriating good looks aside, your debt to him has been repaid; now, he needs to get the fuck away.
“Can’t thank ya enough,” he shoots you a devilish smile as he straightens his shirt. “You really saved my ass —“
“Get out of my store.” You order, your voice hard. “Take your trouble somewhere else and leave me out of it.”
Sanemi’s eyes narrow at your use of the word trouble, but he says nothing. Instead, he only rounds the counter with a loping, infuriating swagger, his hands shoved in his pockets.
“As you wish, Princess,” and you bristle at the sarcasm dropping from the word. He pauses to scan the shelf marked New Releases. “Just need somethin’ for the road.”
He snags a small novel — a fantasy story, judging by the cover - and he tucks it under his arm.
“Later,” he calls, waving a lazy hand over his shoulder.
You stare after him, slack-jawed and incensed. “You have to pay for —“
But the door bangs shut behind him, and Sanemi Shinazugawa disappears into the night.
—-
By the time Sanemi returns to his shabby apartment, it is well after midnight. He’d met up with Uzui and forked over Maeda’s payment. Though, the Corp’s head pimp hadn’t been particularly pleased that his money rolls had been shoved deep down in his boots, his nose wrinkling as Sanemi dropped the crumpled, slightly damp wads of cash into his waiting, magenta-nailed hands.
As it turned out, Maeda hadn’t sold them out. Rather, one of the Hinoe had stupidly gotten into a scuffle with some brash, young teenager and in his anger, pulled his gun on the kid.
Right in front of two, marked cop cars.
One of the idiots had been caught and cuffed, and was now spending his evening locked in the damp, cold jailhouse pending bond. The other — the driver — had managed to escape, though he’d been carted off to Iguro for punishment.
There’s a reason he prefers working alone, he thinks bitterly as he kicks his boots off. He fucking loathes incompetence.
He pulls his gun free from its place in his waistband and sets it gently atop his ratty kitchen table. Sanemi then trudges over to his futon, collapsing heavily on it with a groan. A shit day, he decides, pulling the stack of cash he’d received as his cut for the job free from his pocket, thumbing through it. A shit day with shit juniors.
He shifts against a lump that sits under his ass. Frowning, he reaches into his back pocket and pulls out the book he’d swiped from your store and turns it over in his hands. Surprisingly, it has managed to remain in pristine condition despite its rather unceremonious storage in his pocket.
Your face flashes in his mind, but before he can fully appreciate it, your words echo in his ears.
Take your trouble somewhere else.
Sanemi scowls, tossing the book onto his coffee table, annoyed. The implication underlying your use of trouble and the venom with which you’d spoken it is a thorn in his side he cannot ignore.
You know what — who — he is. In Sanemi’s world, that’s a liability.
Though, in fairness, he can’t really be surprised that you do. Gossip is a free commodity in this town, and it’s a coveted one. It wouldn’t be a stretch to conclude that you’d overheard one of the rumors about him and his ties to the Corps.
What concerns him is he doesn’t know what your connection is, if any, to his world. Maybe you’re really just a girl in a bookshop who paid back a decade-old favor.
Or maybe you’ve got an in with them.
The Corps isn’t the only gang operating within the city; there is another, crueler and far more violent that had arisen west of the Silo.
The Kizuki.
In the last six months, the Kizuki have managed to overtake the Western Wing, nearly expanding their reach into center city.
Their takeover had been swift; practically achieved overnight, following the systematic execution of every known Corps members in the area. And their violence hadn’t been limited to active members; the Kizuki had brutally maimed and murdered anyone tangentially connected to those Corps members.
Neither women nor their children were spared. And now, it seemed the Kizuki had set their sights on the Silo.
There are whispers that they’ve expanded into their operations into the neighborhood adjacent to the one in which the bookstore sits. That alone is enough to make Sanemi suspicious — perhaps you’re in league with them, and you’ll hand him over the moment it’s most convenient for you to do so.
Admittedly, that theory seems doubtful. You’re a bookseller. Not the kind of girl he knows is prone to becoming involved with the seedy underground world of organized crime. And your apparent disdain for him and his trouble only supports that theory.
But that’s an assumption, and in his line of work, assumptions are precarious; risky. Too much so for comfort.
Either way, he doesn’t know, and that uncertainty is a breeding ground for the parasite that is doubt. Toxic enough that were it to take root in his brain, his judgment could be compromised, leading him to mistakes he can’t afford to make.
Sanemi doesn’t tolerate blind spots. He will keep you on his radar until he determines the threat you pose and once he knows its severity, he’ll decide how to proceed.
He eyes the book he’d swiped from your store. He likes reading, though he hasn’t had much time for it lately (or, ever). But, if he’s going to hang around you while trying to identify the threat you pose, he might as well have a strategy for getting you to talk.
Sighing, he grabs the novel from his table and thumbs to the first page as he pads into his kitchen, in search of something to quell the grumble in his stomach.
—
His inquiries into you and your life reveal shockingly little.
You work at a bookstore. Your parents sold off your childhood home and retired to some beach down south. Your siblings are spread out across other cities and don’t visit home often, if ever.
Only you remain, abandoned by your family to fend for yourself in a crumbling city with only a shabby bookshop that sits on the furthest end of an otherwise safe street to keep you busy.
Truthfully, the bookstore probably is more interesting than you, at least on paper. But it’s that dirge of information that piques his interest; makes him look at you more as a mystery worth unraveling.
Besides, the smart thing for him would be to keep a tab on you until he can confirm you are in fact, as boring as you appear.
Or so he tells himself.
The image of a ten-year-old you peering at him from your parents’ stairwell flashes through his mind once more.
He’d felt your gaze burning a hole into his head, and shyly, he’d looked back at you, only to find himself unable to look away. Only your mother’s prodding about him joining your family for dinner had broken your temporary enchantment over him.
The memory of how you’d looked at him — a mixture of curiosity and awe highlighted by a faint blush in your cheeks when he’d met your stare head on — remained fixed in his brain for years after.
And though the two of you never spoke, you always smiled at him whenever you locked eyes in the school hallway or cafeteria. A real, genuine smile.
He wonders if he ever smiled back and finds himself irritated that he can’t remember if he had. He should’ve; especially now when it seems as though he’s unlikely to ever see that gentle, radiant smile again.
Sanemi’s phone pings and all thoughts of you come to a screeching halt. The message that flashes on his screen — instructions, only by way of an address and an amount — chase away the images of you and your sweet smile, like a hand scattering smoke.
With a sigh, Sanemi dials the number for two, lower-ranked Corps members to serve as scouts. With watch secured, he shoves his phone into his pocket and runs a tired hand over his face.
He wonders what will kill him first — whether it will be a bullet or whether it will be because there’s nothing left of him to whore out on the Corp’s behalf.
Ultimately, he knows it doesn’t really matter. He won’t die as himself; as Sanemi, the boy from the Silo who wants a life that’s anything but this. He’ll die only as Shinazugawa the Hashira. He’ll die under the mask he’s forced to wear so often, he wonders if it hasn’t yet bonded with his skin.
But as long as he remains in one piece, he must continue on as a puppet in this this tedious show. So, Sanemi grabs his gun from where he’d placed it on atop the cheap plastic of his kitchen table and he tucks it into his waistband.
And by the time his apartment door slams shut behind him, Sanemi has slipped the mask down over his face, and he is Shinazugawa once more.
—
Two weeks pass before he ends up back in front of your bookstore.
Sanemi doesn’t really remember how he got here. He awoke well before sunrise to his phone chiming with orders that he go collect on a sizeable gambling debt owed by one of Iguro’s regulars, an owner of some pawn shop.
The sun was already high overhead when he finally left the pawn shop, knuckles bruised and arm aching. He’d kicked his bike into gear in a familiar daze, one that always slipped over him after he completed a job. A kind of numb quiet that settled into his bones, a dull static in his brain that did not fade until the tremor in his hands subsided.
That paralysis needs to be broken. Contrary to popular belief, desensitization was not an ideal state of being for someone like him. It made him apathetic and careless to the world around him, and that was little better than painting a giant target on his back, begging his enemies to come and do their worst.
So, when the numbness still lingered by the time his bike roars past a rusted water tower that marks the outer limit of the Silo, Sanemi knows of only one cure. His go-to.
His bike is still hot by the time he lifts his phone to his ear, just outside his shithole of an apartment.
He doesn’t know her by name — only by description, as told by the series of emojis that accompany her number on his phone. But it’s surprisingly easy to charm her, though perhaps that’s because she’s looking for an escape just as much as he is.
Less than ten minutes later, the girl pulls up beside him in the parking lot.
Her hands are already roaming down his chest and playing with the buckle on his belt as Sanemi unlocks his door and pushes her inside.
At some point between the front door and his bedroom, the girl has stripped herself of her outer clothing, leaving her only in her undergarments as she tugs Sanemi down by his neck and into her kiss. She’s licking and nipping at his lips in a way he’s not sure he likes, but he allows it because his cock is painfully hard and throbbing where it strains against his pants.
And, after all, he’s the one desperate for relief.
“I’ve only got ten minutes,” she warns, kicking off her underwear as she falls back onto his bed. Sanemi only smirks as he slides his hand down the length of her leg, gripping her by the ankle and flipping her to her stomach.
He shifts away long enough to quickly wiggle free of his pants. He grabs a condom from his nightstand and rips the foil with his teeth. Fingers toying with the girl’s clit as she moans into his mattress, Sanemi rolls the latex down his cock. Protection secured, he reaches for her again, yanking her by her hips until her backside is flush against him. One hand pushes down between her shoulder blades while the other snakes up her neck, and Sanemi nudges the tip of his cock up against her entrance.
“Don’t worry, darlin’,” he winds the long tresses of her hair around his fist and gives her a sharp tug. “We’ll be done in five.”
—-
Even an hour after he tossed the girl her clothing and not so casually suggested she leave his apartment, Sanemi still feels restless.
He cannot shake the images of the afternoon from his mind, and so, Sanemi resorts to walking.
He does so without thought as to destination or the rapidly setting sun. Sanemi only focuses on the activity itself. One foot in front of the other; pace even and quick, each step accompanied by a flash of that day’s sins.
The crash of a garage door as it slammed back against the wall. Wide eyes that quickly filled with panic at the sight of him and the flash of metal tucked against his hip.
Step.
A plea; a desperate promise to pay, one that he’d heard a thousand times from a thousand different mouths. None of them ever seemed to understand their word wasn’t worth shit when they’d already defaulted on their obligations. Yet still, they begged.
Step.
The breaking of teeth beneath his fists.
Step.
The crush of bone under the iron pipe he’d found discarded on the garage floor. The agonized futility of trying to scoot back and away from him, despite a shattered leg.
Green; the color of the money he’d found stashed in a duffel, the debtor’s desperate attempt to hoard the wealth owed to the Corps.
Step. Step. Step. All the way down the street leading until he finds himself on a distantly familiar stretch of pavement that ends at the bookstore’s front steps.
For a moment, he lingers outside the shop, hesitant. He should turn around; there is no reason for him to be here. His investigation into you is not a priority by any means, especially where whatever poking he has done has revealed so little.
The book he lifted from the New Releases shelf is tucked carefully in his jacket pocket. He doesn’t know why he’s carried it around with him, all this time. Sanemi finished the novel the very night you’d helped hide him from the cops.
He should leave; but then his feet carry him up the walk leading to the store, and he’s pushing the door open.
His arrival is punctuated by a cheerful ring of the old bell nailed above the door. At first, the store appears deserted; but then you pop up from under the counter, surprise coloring your features.
That surprise melts quickly into cold disdain that makes something in his chest flutter as he strolls toward you. With every step, that numb haze of his disperses and instead, Sanemi feels himself returning to normal the closer he brings himself to you.
“This isn’t a library,” you chide when he plops his borrowed novel back down on your counter. “You have to pay for the books here.”
It’s incredible how easily he is able to slip back into the skin of the suave, smug playboy, and your adorable glare only makes him smirk. “I brought it back, didn’t I? Look — didn’t even crack the spine.”
“It doesn’t matter,” you reply coolly, snatching the book up and tossing it on a small cart marked Restock. “That loss came out of my paycheck — which is scant enough.”
That piques his attention. “Didn’t you say this was your store?”
His question makes you turn pink, and you’re quick to put your back to him, pretending to shuffle through new releases waiting to be shelved. “I work here,” you mutter quietly, but when you turn back around, you stick your chin out, defiant. “But I am the only employee, so it is my store, in a sense. The owner doesn’t ever come by.”
You wrinkle your nose. “So yes, lost profits affect me, and me alone, you thief.”
Sanemi cocks his head, his eyes running over you in consideration.
You’re beautiful; he’s always found you cute, even as a kid, but the transition between your teen years and adulthood have been kind. Even if you’re glaring at him like you would a crushed bug stuck to the bottom of your shoe.
But your words strike a chord in him. His job is to collect money from those greedy lowlifes who waste it; who use money to carry out their bad deeds, who use it to fuck over others.
He doesn’t take it from those who need it; from those who are barely scraping. by. Sanemi knows the agony of having to choose between keeping the lights on or feeding a hungry stomach far, far too well.
“Fine, here,” he tosses a random novel on your counter and a crumpled twenty dollar note. You ring him up, eyes flicking up to glare at him every so often as you count out his change.
He only continues to watch you, the heat of his stare ignites an itch under your skin that makes you squirm.
Your restlessness boils over. “What?”
“Nothin,” he shrugs. “Just think it’s interesting that you of all people are still lingering in this shit hole.”
Your head snaps up, your task of totaling out his change forgotten. “I live here, idiot.”
He snorts. “Didn’t you want outta here? Do somethin’ different?” He leans forward, elbows propped on your counter as he rests his chin on his fist.
“I don’t see how that’s any of your business.” He’s dancing dangerously close to a sore spot of yours — that you are alone in your hometown, working at a failing bookshop, with no one and nothing to justify your stagnancy.
“This can’t be your dream life.”
You don’t have to answer; you know that. But his line of questioning is puzzling. Because, no matter how casual he manages to keep his tone, his nonchalance is betrayed by his eyes, sharp and inquisitive.
Like he’s waiting to dissect whatever answer you give him.
Sanemi continues. “It’s strange for people not to want for more — to not dream about somethin’ different.”
“And who are you to say I don’t?” You bristle, slamming your cash drawer shut with more force than necessary. “I have a dream of my own. Just because it’s not one you would pick for yourself doesn’t mean it’s wrong.”
He blinks, taken aback. “Woah, woah, I never meant any offense.” He pushes back from the counter. “My bad.”
His response feels genuine but your ego is already bruised. Stiffly, you finish counting out his change and drop it into his waiting palm.
You slide his book across the counter. “Have the day you deserve.”
His surprise morphs into amusement at your iciness. So haughty, he winks. “You too, Princess.”
You turn aside in clear dismissal. He makes a show of taking out his wallet and stuffing his change inside, but your pointed ignorance of him means you don’t see him toss another note on the counter.
He’s already halfway out the door when you call after him, urgent. “Sir, you dropped your —“
“Nah, I didn’t,” he raises his hand in farewell as the bookstore door bangs shut behind him, leaving you to stare open-mouthed after him.
Clutched tightly in your hand is his crisp, one hundred dollar note.
—
His next visit is unplanned, but not in the way that Sanemi avoids routine. It’s unplanned in that he’s annoyed and it’s partially your fault, so that means the onus is on you to fix it.
You’re in the process of double checking delivery logs to ensure all your new inventory has arrived when a large thud against the clerk’s counter startles you.
You frown. It’s him again — all ivory hair and silvery facial scars that somehow are less imposing than the irritated scowl he wears.
“This book was shit,” he scoots the novel across the counter to you with distaste. “I want a refund.”
You level his pout with a frosty glare of your own. Wordlessly, you lean over the counter and tap a single finger against a laminated sign duck-taped to its edge.
Return-exchange only. No refunds.
“But it was shit,” he repeats, as though that will somehow spur you to change a policy you didn’t create. “You let me waste twenty bucks.”
“I did nothing,” you rustle the pages of your delivery log in pointed dismissal. “You’re the one who decided to buy a book before checking it out.”
You glance down at the discarded novel. “Figures,” you scoff. “He’s not even an author. He uses ghost writers and takes all the credit.”
“Woulda been nice if you’d told me that before you let me give him my money.”
You hum idly as you cross off the log’s boxes for new releases. “I suppose I was too stunned that you even knew how to read. Guess I wasn’t really paying attention to your shit choices.”
“Oh?” And you glance up to see Sanemi smirking at you. “The Princess has claws, does she?” He leans against the counter, propping his cheek under a loose fist. “So, what are your recommendations, gorgeous?”
“I’m not your Princess,” you snap imbuing the nickname with as much venom as you can muster. “Call me by my name or call me nothing at all.”
His eyes drop to your name-tag, pinned neatly on the front of your sweater. That insufferable smirk of his only widens. “Alright, alright. What are your recommendations, Y/N?”
The syllables sound rich and honeyed and suddenly, you wish you’d let him stick with Princess, as grating as it was.
Because your name should not sound so sweet, should not roll off his tongue so seamlessly, as it just did.
You’ve never been one to indulge in rumors. But in this city, as economically fractured as it is, gossip is a currency everyone keeps in their back pocket. And though you keep your head down and mind your own business, even you have heard the rumors swirling around town about the eldest Shinazugawa child.
Rumors that he has ascended the ranks of the same Mob that claimed the life of his deadbeat father long before the bastard was shived in the back for a debt he’d owed (their words, never yours).
Rumors that he holds a unique position within the gang, known clandestinely only as the Corps, and that position requires him to do things most won’t speak about.
But the rumor that screeches to the forefront of your mind has nothing to do with his alleged status with the Corps. It’s his reputation as a flirt; a rumored womanizer, through and through, that is a splinter under your skin.
Determined to pick him out, a wicked idea blossoms. “Fine, here.” You stalk purposefully to the section marked Literature. Your finger drags down a line of titles before finally settling on one. You pull it free with a soft grunt, the book sitting thick and heavy in your hand as you dump it into Sanemi’s.
“Read that.”
His eyes flick between its cover and you, incredulous. “This ain’t a book; it’s a brick.”
“It’s a classic,” you counter. “One that examines age-old question of destiny versus free will, generational curses.” Your head cocks to the side, a challenging smirk tugging at the corner of your mouth. “Love and lust.”
His eyebrow raises and you cross your fingers. If he falls for it and ultimately ends up hating the book, then perhaps he’ll decide your taste in reading material is indeed shit, and maybe then he’ll leave you alone.
Sanemi considers you for a moment but then he takes the bait. “If you say so,” he sighs. “But if it’s shit, I’m taking my refund.” And then he leans in close, so close that you can feel the warmth radiating off his body.
His breath is hot against your ear. “Regardless of your shitty little policy.”
You refuse to let him see how much he’s knocked you off-kilter. “So I can expect to be robbed? Will it be at gun or knifepoint? Just so I’m prepared.”
His chuckle, low and dark sends goosebumps skittering down your arms. “Worse,” he promises before he draws back. His grin is wolfish, all teeth and feral hunger. “You’ll owe me a date.”
He looses a low, appreciate whistle as he steps back and takes his eyes over your rigid form. “Though, I might just take you out anyway.”
“You assume I’ll say yes — or are you planning on kidnapping me? I’m sure you’re rather proficient at it, given your occupation.”
Something dark flashes across his face, and it’s enough to make you step back, a sudden fear creeping up the back of your spine.
Stupid, you chastise yourself. You never know when to keep your mouth shut.
But the shadows in his features recede as quickly as they appeared, and Sanemi’s mouth eases back into that same, cocky smile.
“You’ll say yes, Princess. You won’t be able to resist the temptation.”
“Temptation?” You force out a laugh. “And what makes you think I can’t?”
Sanemi’s eyes find your current read, open flipped over on the counter, marking your current page.
It’s a mystery novel. Your third of the month, born of a new hyperfixation on the genre.
You want nothing more than to wipe that smug grin of his clean from his face. He gives an affectionate snake of his head as he turns and makes his way toward the door. “Habits, Y/N. It all comes down to habits.”
You should throw it at his head, but Sanemi exits the store before your hand can find its spine.
——-
Over two weeks pass without so much as a whisper from the enigma that is Sanemi Shinazugawa.
Loath though you are to give him that sort of credit, you cannot deny that he utterly confounds you. He is everything you expected while simultaneously nothing at all what you’d imagined. He is brash and cocky, and he struts around with an insufferable self-importance that can only come from years of being at the top of his game (no matter how he got there).
Yet, he also reads. Enough to have opinions, even decent ones, about certain authors, and he’s open minded enough to accept your recommendation even if it feels as though he has an ulterior motive for doing so.
And, he’d been bothered by the dock in your pay as a result of his mischief; so much so, that he’d slipped you more than enough to make up the loss. That is the action that puzzles you the most, even weeks later. You’d assumed that someone like him, so used to ensnaring people into various schemes, wouldn’t have given two shits if he’d stolen money from some broke girl at a bookstore. After all, his business was all about money — and the lengths some would go to keep it.
Yet he’d paid you back — paid you more than you needed, if you were honest.
Since that day, you’ve had your ears tuned to any mention of his name, any whispers of the mysterious, scarred gang-member who has occupied nearly all the open space in your head. You’ve managed to glean small things here and there. That he’s a Hashira, and Hashira means he’s only one step below what is known ominously as the Master Family — the heads of the entire organization.
That he’s rather feared, even among seasoned Corps members; that he’s known for his swift brutality.
That he’s more than just a flirt; he’s a virile lover. Not picky in the slightest about who warms his bed, though no one has ever been able to pin him down longer than a handful of one-night stands.
You stop poking around after that particular revelation, embarrassed that you now know exactly what makes him so popular.
Apparently, his flexibility pairs well with his near inhuman stamina. And he’s said to be very well-endowed.
It’s more information than you care to know, but you can’t deny that your curiosity lingers.
You brush aside your inquisitiveness as nothing more than a natural side effect of your own inexperience. And you’ll be damned before admitting that your interest in Sanemi Shinazugawa isn’t limited to rumors of how good he is in bed. That, perhaps your curiosity stems from something deeper, from a desire to know if that bad boy persona is authentic or a mere facade, and boy on the stoop still lurks somewhere beneath his mask.
—
“You look like shit.”
You startle up from where you’d been resting your head on your arm, wavering between consciousness and sleep.
You know that gravelly voice before you lay your eyes on him, and your irritation is quick to flicker to life.
Nearly a month has passed since your last encounter, and for a moment, you’d thought you’d been freed from his nuisance. But now, Sanemi stands in your store, wearing a half-amused expression on his stupidly handsome face.
“Is that the only descriptor you know?” You ask miserably, hands working quickly to smooth down your mused hair. “Is everything either shit or not-shit to you?”
Sanemi shrugs. “Pretty much,” and he holds something out to you, waiting. “Here.”
It’s a to-go bag from a cafe two blocks away. One known for their almond croissants, for which you have a particular penchant.
Your stomach grumbles fiercely. You’d foregone eating breakfast when you realized you’d overslept your alarm, and had to rush out of your apartment to ensure you’d be here in time for the weekly delivery truck.
The sweet scent of butter and sugar wafting from the bag makes your mouth water.
But this is Sanemi Shinazugawa, and you should think to know better. “Is it poisoned?”
He rolls his eyes. “If I wanted to drug you, sweetheart, I’d pick a far more convenient way to do it — and one that didn’t involve me getting up at the ass crack of dawn for some overpriced pastries.”
Warily, you accept the paper bag, and Sanemi surprises you again by handing you a to-go cup of coffee. He watches as you, ever the dramatic, sniff tentatively at the lid and frown, apparently dissatisfied that you can discern nothing but the rich, aromatic scent of espresso.
Sanemi takes a deep drink from his own cup. “It’s a thank you. For that book you recommended,” He smirks. “It wasn’t shit. It was good.”
You fish a pastry out of the bag, and nearly drool as you behold its buttery, flaky goodness. “You sound surprised.”
“Maybe I was. Your success rate was only fifty-fifty. I had every right to be skeptical.”
“You’re the one who grabbed that last book,” you take a large bite out of your croissant and you fight to keep yourself from moaning. “That had nothing to do with me.” You swallow thickly before taking a large sip of coffee to wash down the pastry. “So, no date, then?”
The smile he gives you is almost apologetic. “Sorry, beautiful. I don’t actually date.” And you nearly double over at the bewildering taste of disappointment creeping sourly up the back of your throat. “Gotta keep things casual in my world.”
The once-over he gives you is razor-sharp. “And you don’t look like a casual girl.”
You resist the urge to cross your arms. “You seem awfully certain, Shinazugawa.”
“Experience,” he offers easily. “I know casual women.” He turns his head away before quietly adding, “And you ain’t one of ‘em.”
It’s odd; you know of his rather wild reputation among women, and yet he seems almost embarrassed by its acknowledgment. But as you’re slowly learning, Sanemi Shinazugawa is a conundrum you haven’t yet been able to pick apart.
You could throw it in his face; you could spew some barb about his experience, rub your salt right into his obvious wound. You have no reason to spare his feelings, not when he’s been such a consistent pain in your ass.
Your eyes drift to the empty pastry bag and coffee cup before they find him again, and suddenly, you don’t see the swaggering, cocky Corps member with a reputation for being just as dangerous and violent as he is flirtatious.
You see only the boy on your stoop; the one who’d gently removed your sister from her place on his back and handed her back to your tearful, relieved parents.
And it’s because you cannot stop seeing that boy, that you offer before you lose the courage to ask, “So, friends, then?”
Sanemi whips back to you, surprise coloring his features that quickly melts into a smile — a real, genuine smile.
And thus, Sanemi Shinazugawa, ruthless member of the Corps and a ranked Hashira, befriends a girl who runs a bookshop.
—-
In retrospect, Sanemi knows he’s probably fucked himself.
His only intention in visiting your shop after that first day had been to discern what level of threat you posed to him, if any, and to address it accordingly. Befriending you was never his goal. After all, he prided himself on his staunch ability in following the unspoken Rules of the Corps — number Three, in particular.
But he has always interpreted Three has a warning against forming bonds within the Corps. And though he knows it’s good practice to keep his circle outside its operations small as well, he rations he’s entitled to indulge his curiosity in you. He doesn’t have friends, not really. Just Genya, and his little brother lives well over an hour away, enrolled in a school in a far better — far safer — city.
It would be nice to have someone a little closer to home that he could relax around.
Yet, he can’t recall whether Rule Three would bar him from associating you outside work hours. Caution would dictate he shouldn’t, but Sanemi never claimed to be a careful man.
He never visits the same day or at the same time. Rule Two says no patterns, and though he’s steadily blurring the lines of Rule Three with each passing day, he convinces himself that as long as he abides by the first two, he won’t be in as deep shit as he, in theory, could be.
It starts out slow; tentative. Despite what he’d thought otherwise, you’re not nearly as prim and haughty as you’d tried to make him believe.
You’re sweet. Genuine, in a way that’s rare for him to encounter in his world.
Gradually, he begins spending more time with you. At first, your relationship is confined strictly to discussions of books. You swap favorites, debate which author is at the top of their genre, and you occasionally needle each other over your respective guilty pleasure: yours, bodice rippers. His, fairytales.
He spends a great deal of his free time at the bookstore, though he’s never consistent with his visits. You never ask him about it, and for that, he’s grateful. But eventually, your conversation turns to other interests — movies, shows, music — and each new mutual interest only further enamors him with you.
And when you invite him over one day after you close the shop to watch an old movie you’d swiped from the store’s limited collection, he can’t find it in him to tell you no.
The first time he visits your apartment, he is appalled.
For starters, the neighborhood you live in isn’t the safest. It’s not the Silo, by any means, but it’s an area he frequents as part of his job and that fact alone sets him on edge. He knows what kind of people linger here; knows that they tend to borrow cash that ends up in Uzui’s business — another Hashira.
And when he sees the shoebox you live in (a studio, you’d proudly boasted, as though the distraction of exposed brick and industrial piping made up for its shit location and shit security), Sanemi finds himself clutching his proverbial pearls.
He supposes he can see its appeal — you’ve certainly turned it into a home.
You’ve made a small living room out of a single couch, thrifted coffee table, and a faintly stained rug. Your TV is laughably small, but he supposes it gets the job done.
A small kitchen stands to the right of the entryway, and there is a bathroom to the left. You have a wall of closets with folding doors, and the wall directly opposite of him boasts three large, arched windows. Sanemi supposes during the day, they provide enough natural sunlight to negate any need for any overhead lighting, of which you have none. But he can’t tell if they open from the outside, so he resolves to furtively check once you’re distracted.
Your bed stands on the furthest wall, tucked into a corner and laden heavy with colorful pillows and plush throws. Books are stacked everywhere — in shelves, in corners, by plants and furniture. All well-worn and loved, their spines cracked and covers stained.
It’s lively; warm. And it has you written all over it. That alone is enough to slightly endear the place to him.
But it’s still a shit apartment in a shit neighborhood.
Worse, your door is little more than a flimsy piece of wood that latches with a single turn lock — the easiest to break, if someone was determined enough to try. He tells you as much and you roll your eyes, brushing aside his concerns as though he’s not precisely aware of what kind of filth might linger around the corner.
The next day, he brings over a deadbolt, a chain, and a drill. He bats off your indignant protests as he installs it on your door. And, because he’s petty, he forces you to sit through a painfully detailed demonstration of how to properly latch and unlatch the chain once he’s finished.
The weeks blend seamlessly into months, and Sanemi finds himself spending more and more of his free time with you. It doesn’t matter whether you’re working at the bookstore or enjoying a night of brain-rotting entertainment on your shitty little television. He just wants to be near you, and he finds himself unable to stay away.
Four months into your friendship, you start a weekly movie night, though the date is always subject to change. Still, Sanemi finds himself craving more of that precious time with you. The hours spent in your store or at your apartment fill a void in his chest he hadn’t realized he’d been harboring, and it’s a fullness he quickly becomes addicted to.
It is an odd thing, this new ritual (never routine) of his. The alternation between visiting the scum indebted to the Corps, to feel bones crush and snap beneath his hands or the iron of a spare crowbar, or blood griming to his knuckles, only to return to your bookshop or apartment, cheap beer and greasy takeout in hand, isn’t the kind of switch he imagined he’d ever make. But you make taking off his Hashira mask so damn easy, and every time he leaves he finds it more difficult to slip back on.
With each passing day, he learns you more and more. He gathers information like a dragon hoards its jewels, each new tidbit a precious gem that he tucks safely away in a mental box labeled with your name.
He learns that, while he prefers tea, you prefer coffee, but you’re picky about your order. If it’s hot, you want it black or with only the faintest splash of cream. If it’s cold, however, you want every sweet syrup and topping known to man, even though it only makes you crash like a freight train once the sugar high wears off.
He learns you think cooking means pouring yourself a bowl of cereal and calling it a day, and it’s a revelation that makes him have to walk away and collect himself, lest he start lecturing you on the importance of proper nutrition, just as he does with his brother.
In exchange, he opens up about the more sacred aspects of his life — namely, Genya. He confides in you the great pride and adoration he has for his little brother, and admits his deep-seated fear that Genya will somehow be pulled into his violent, hostile world of his. And each time Sanemi begins to feel that anxiety rear its ugly head, threaten to settle into the marrow of his bones and send him into a spiral, you’re always there to pull him back.
Sometimes you ask questions, and Sanemi tries to answer them as best he can. But there are some subjects he can never touch. Never wants to.
He can’t tell you whose blood stains his knuckles or is splattered across his shoes. He can’t tell you where he goes when his phone vibrates late at night or at random during the day. He can’t tell you what his fellow Hashira do; the specialties they oversee.
Sanemi does make a point to assure you there is one sacred creed by which they all abide: no kids. This seems to put you at ease, as though this tepid moral line somehow absolves him of the other shit he’s guilty for.
It’s selfish, this thing he has created with you. He knows that. And his blossoming friendship with you likely breaks more than one of the sacred precepts of the Corps. But you’re the first person he’s met since his initiation who knows what he is and doesn’t cower in fear, and that makes him desperate to cling onto you. You know what an ugly, beastly creature he is, and yet you do not run away from him. Even when you probably should.
So, he makes a promise. He won’t show you the Shinazugawa who belongs to the Corps; a formidable member of the Hashira, known because of the things he can do to others to make sure they pay their debts. What he does to them when they don’t.
With you, he wants to be Sanemi; only Sanemi.
And so it goes, for the better part of a year, the two of you learning one another, pretending the ease you feel in the company of the other is merely the product of two people relieved to find a friend in a city that cautions against such ties, and not something in danger of becoming more.
As though the metamorphosis hasn’t already set in.
—
“You never told me what your dream was, y’know.” Sanemi says one night while you finish up inventory at the store.
“What dream?” You hum as you scan the shelves reserved for non-fiction releases, your lips pressed into a firm line as you run your pen down the entries of your log.
He leans against the bookshelf, arms folded across the considerable mass of his chest. “Your big dream — the one you bit my head off for insulting that one time.”
You look up long enough to roll your eyes at him. “Where’s this coming from?”
“Dunno. Curious.”
“Thought you’re not supposed to ask questions in your line of work.” And you shoot him a sly grin. “You ought to be careful.”
Sanemi snorts but he nudges your foot with his. “I’m serious.”
Your eyes dance back and forth between him and the log before you. There’s no real harm in it, you decide. After all, he’s the only friend you have. “I want my own bookstore.”
“Yeah?” He raises a pale brow and waves his hand vaguely around behind him. “Aren’t you practically running this one? That ain’t enough?”
“I don’t own it, though.” You frown, setting your clipboard down. “I just work here. You’ve seen my paycheck.”
And he had, having found a paystub when he’d gone snooping under your counter. You would’ve been furious at his invasion of your privacy had you not been so mortified at the way he’d stared in horror at the pitiful figure reflecting your earnings after two, grueling weeks of work.
His insistence on bringing you meals at any and every opportunity afterward only compounded your embarrassment.
“I want something that’s mine — that I own.” You continue. “I’ve begged the owner to let me organize author meet-and-greets as a way to promote the store for months, and he always says no. If I owned my own store, I wouldn’t need anyone’s permission.”
You pull your bottom lip between your teeth. “I wouldn’t have to live under anyone’s thumb.”
Something shifts in the way Sanemi watches you, a certain profundity creeping into his eyes.
Your cheeks heat. “I know it sounds stupid —“
“It doesn’t,” Sanemi says earnestly. “Wanting your freedom can never be stupid.”
You soften then, as understanding passes between you. Of course he would know all about that — arguably better than anyone you know.
Sanemi clears his throat. “So, a bookstore?” And he gives you a broad smile as he pulls out his wallet and tosses you a twenty dollar note. “Consider me your first investor.”
—
Sanemi spends the rest of the evening watching you work, fascinated by the way you meticulously organize your store shelves, and count the cash in your register. When it comes time for you to heave boxes of excess inventory to the back storeroom so they can be shipped back to their distributors, Sanemi plucks them from your hands, batting off your protests as he carries them for you.
By the time closing arrives, every new shipment has been unpacked and its contents have been shelved.
You flick off the overhead lights in the main store, relying on the backlight of the exit door to light your way out. You tug on your coat and find him watching you, expectantly. “Are you walking me home?”
“Tch. Don’t I always, when I can?”
You grin and it’s enough to chase away some of the sourness twisting in his gut. He shouldn’t do it, as often as he does. He’s risking enough as it is by constantly redrawing the lines around Rule Three to justify the way he’s beginning to bend the parameters around the rule against patterns. But it’s dark and late, and you don’t have a car, and he’ll be damned if he lets you brave the walk home alone.
Better he’s there to protect you from the dangers he can anticipate and see than to stick to his code and risk your harm from those he cannot.
Thankfully, the journey back to your apartment takes no more than fifteen minutes, even when he stops to thumb free a cigarette from the spare carton he keeps tucked in his jacket. You wrinkle your nose at him in mock-disgust as he lights it, the smoke curling out of his mouth reminiscent of a fire-breathing dragon.
He wouldn’t do it if he knew it truly bothered you. But you’d once shyly confessed you liked the faint smell of tobacco that clung to his jacket, especially in cold air like this. So he only shoots you a wink as he brings it to his lips and takes a long drag.
Besides, he thinks as he looses a slow exhale. He needs something to help him take the edge off; to guide him in making that transition between Hashira and Sanemi.
He escorts you all the way to your front door, the two of you trading quips and jokes. And Sanemi savors how utterly extraordinary something as ordinary as walking you to your door feels. Almost as if he’s ordinary, the way he so desperately wishes he could be.
You fidget with your keys, sliding them into your lock. “Did you finish that series I recommended?”
Sanemi grins. “Last night. I think it was your best suggestion yet.”
You duck your head, a bashful smile spreading across your pretty lips and its sight fills him with a golden warmth.
Your door gives way and you turn back to him. “‘Til next time?”
It was what you always said; you never asked him when you could expect to see him again, and he appreciated it. Appreciated not having to explain himself, when most outside his world would likely demand he try.
“‘Til next time,” he confirms, returning your smile with one of his own.
You hover in your doorway, fingers drumming on the frame, eyes roaming his.
“You never told me yours — what your dream is.”
He should leave. You’re treading in murky waters, ones made dangerous because he almost wants to tell you — tell you the truth, at that.
That he dreams of more. More life. More stability. More everything. He’d settle for anything, really; anything at all.
As long as it was more than this.
But Sanemi only responds with a wry grin. “To wake up in the morning, Princess. That’s all I can ask for.”
———
Sanemi’s answer lingers with you long after you emerge from your shower, warm and toweling your damp hair.
To wake up in the morning, Princess.
He’s full of shit and you know it.
Over the course of the last year, you’ve learned a handful of crucial details that make up Sanemi Shinazugawa.
You’ve learned he loves matcha, but he really loves the expensive kind. While you can’t afford to buy the high quality powder, you make do with what you can afford at the grocery, and you make it for him as often as you can.
He drinks it every time, bitter dregs and all.
More importantly, you’ve learned what it means to have a friend involved in the Corps. Not that he’s merely involved with the notorious gang — at least, not any more than the two of you are just “friends.”
Town gossip aside, Sanemi’s affiliation with the Corps is made obvious by his own actions. Like the way the two of you only ever hang out at the bookstore or your apartment; how he never invites you to visit his place, over in the Silo.
Or how he insists on scoping out your apartment every time he comes over, his eyes alert and sharp as his hand lingers at his hip, ready to pull out the gun you know he keeps tucked into his waistband at all times.
It’s evident in the way Sanemi never sticks to a consistent schedule. He varies the days and times of his visits at random, never allowing himself to settle into a routine, even if that means going an entire week or longer without seeing you.
But perhaps the most significant detail you’ve learned about Sanemi over the year of your friendship is this:
He wants out. Dreams of it, even.
This revelation does not come from the scarred Hashira himself. It is the product of months of observation, of studying how his face darkens when his phone pings! while you’re watching some sitcom on television, or when he sees a familiar face pass by your shop window, and suddenly he has to leave because he must be Shinazugawa again, and you won’t see him for the rest of the day.
It is evident in the way he talks of his younger brother, who, by all accounts is a star student and athlete, with a promising future in collegiate archery.
Sanemi is saving every penny he can to send his brother — Genya — to school, far, far away from the Silo. The conviction with which he speaks of Genya’s future, full of college and internships and promise, breaks your heart, because you know Sanemi hadn’t anyone to want those things for him.
Sanemi does not speak of any future of his. You suspect it’s because he doesn’t believe he will have one.
That has to be why he answered your question with his vague desire to wake up every morning. It was an easy answer. One that relied on you making certain connections between his life and his words and deduce that he truly had nothing more to live for other than life itself.
A cop-out, is what it is.
But his reading habits betray his darkest secret — betray the truth — and that’s exactly how you know his flippant answer is utter bullshit.
The book Sanemi carries around the most is a series of classic fairy tales, bought off your sale table a few months back. He’s read the whole thing cover to cover, but he keeps a bookmark on one specific page, and periodically, you catch him flipping back to it.
He made the mistake of leaving the book on your coffee table one night when he excused himself to use your bathroom. Realistically, you knew it was no big deal to flip through it, but somehow, the thought still felt like an invasion of his privacy.
But your curiosity got the better of you so you snatched it up, and thumb quickly to the bookmarked page, desperate to know which story has so captivated him.
You opened to the first page of of a tale — an old French story, about the daughter of a merchant who is sent to life with a beast in a distant castle, as penance for his theft of the beast’s rose.
You smiled to yourself; you were familiar with the story. You know how it goes — the beast everyone believes to be the villain is saved by the woman, and revealed to be a handsome prince. And the two live happily ever after.
Your smile faded as you recalled how the woman saved her Beast. True love’s kiss, or something along those lines.
True love.
And as Sanemi returned from the bathroom and plopped down next to you on your couch to watch a rerun of some old sitcom before he has to leave for the night, you mulled over Sanemi’s apparent fascination with the tale of the beast and the beauty.
And that’s how you drew the series of conclusions which enabled you to see right through his thin facade.
He wants out.
He wants a happily ever after. He doesn’t think he’ll get it.
And, above all, he dreams of love.
—
If any doubt lingered as to the magnitude of his ties to the Corps, it disintegrates one night, about eight months after he’d first burst into your bookstore.
It is well after midnight, but you are still awake, too engrossed in a new fantasy novel to pay particular attention to the lateness of the hour when your phone buzzes on your bedside table.
Sanemi’s name lingers above the notification, which reads simply, Outside.
You untangle yourself from your blankets and pad over to your front door, hastily tugging on a pair of sleep boxers over your underwear.
You open the door and the flutter of excitement you’d felt upon seeing his text is chased away by shock at the sight before you.
There is a bruise forming along Sanemi’s cheek that you almost would have mistaken for dirt if not for the swelling. His hair is rumpled, his clothes in disarray. Though it winks away the second he sets his gaze on you, you swear you were able a cold fury in his eyes; foreign, and violent.
The fury that belongs to a Hashira, not to the friend you know.
Wordlessly, you step back and allow him to limp past you.
“You got liniment?” He rasps, plopping heavily down in your kitchen chair. “And water?”
“You mean icy-hot?” You’re already filling a glass from the tap that you set on the table next to him before you retreat to your bathroom to rummage the cabinets.
You return a few moments later, tub of minty topical gel clutched in hand. You nearly drop it when you realize that Sanemi has stripped himself of his shirt already and is now bare from the waist-up, his forehead resting against his arms where they’re propped up on the back of your chair.
You’ve known for a long while that Sanemi is well-built (obscenely so).
Once, in the early days of your friendship, you’d snapped at him to button his shirt properly if he insisted on hanging around your store, dramatizing over how obscene it was for him to prance around with his chest half-exposed.
Sanemi had only grinned at you before he unbuttoned two more, revealing a generous glimpse of infuriatingly toned abs. Your open-mouthed, scandalized stare was met only with a wink.
He kept his shirt like that for the remainder of the day. You’d hardly been able to look at him without flushing a deep scarlet that only seemed to inflate his already generous ego even further.
But, you’re only human. And as the months passed by, and your friendship with the scarred mobster grew, you found yourself sneaking the odd peek every now and then. A glimpse of pectoral here; a hint of his rigid v-line when he stretched his arms over his head there.
And now, here he is, sitting in your small kitchen area awaiting the relief of the icy hot clutched in the tub that grew more slippery between your rapidly sweaty palms, every mouth watering inch of his upper body on display.
Beautiful. Your mouth goes dry at the sight of him. Sanemi is unbelievably beautiful.
“Need ya to rub it into my shoulder, if you don’t mind,” his voice is muffled against his arm. “I hate asking, but I dislocated the damn thing and had to reset it — fuckin’ hurts, now.”
You know better than to suggest he go get an x-ray. No hospitals, he’d once explained. Not unless you’re bleeding out.
You also know better than to ask how he dislocated it, and so you only pad silently over to him, grateful he’s turned away from you so he cannot see the tremble in your hands or the blush creeping across your cheeks.
Eager to give yourself something to do besides ogling, you focus on unscrewing the lid on the jar of liniment, your nose wrinkling under the burn of its stringent odor. You scoop a generous amount of the salve into your palms and warm it between your hands.
“Motherfucker,” Sanemi hisses as your hands spread gently across his shoulder, your fingers gingerly massaging the topical into his swollen joint. “Shit stings.”
“You’re lucky it’s not broken,” you chide, carefully prodding along the joint in search of anything that may be amiss — an odd lump or gap, signaling something hasn’t been reset properly. “At least, I don’t think it is.”
“Your medical expertise is astounding,” Sanemi drolls, but he winces again as your fingers press against a particularly tender spot. You step away from him with a huff and fish your phone out of your pocket, hands still slathered with ointment.
“I’m not a doctor,” you shoot back. “And since you refuse to go see one, the best I can do it give you the advice of the internet.”
You ignore his grumblings as you search for treatments for dislocated joints. You tap on the first link that appears and scroll, eyes narrowed as you read.
“You’re in luck. It seems like you won’t die,” you say dryly. “But you’re going to have a nasty bruise.” You purse your lips, eyes scanning the article on your phone. “And this says you’re supposed to rest — not overexert the joint.” You reach to tug playfully on a lock of his hair. “I don’t suppose you’re actually going to do that, though.”
He twists and flashes you a mischievous smirk over his shoulder. “You know me too well, Princess.”
You roll your eyes and snort, tossing your phone onto your table in favor of reaching for a discarded kitchen towel to wipe off the excess icy hot from your hands.
You’re about to tell him to put his shirt back on and stop flaunting the muscles he just can’t seem to help but show everyone he has when your eyes snag on a mark that rests squarely between his shoulder blades.
You wouldn’t have noticed it but for the shiny redness surrounding it, a clear contrast to the rest of his skin. But the longer your stare at it, the more clear its abnormality. The mark is puffy and raised, but there’s a distinct pattern to it that makes the hair on the back of your neck curl.
A brand, you realize with horror. Someone has branded him like cattle.
Your finger reaches to trace over the ridges seared into his skin before you can think the better of it. Sanemi twitches under your touch, a small shudder skirting down his spine as he tilts his head back toward you.
“Ugly, ain’t it?” His tone is unreadable. “Like a collar, ‘cept it’s permanent.”
Though he tends to err on the side of caution when it comes to discussing the Corps, you at least know what is role is within it. He told you: debt collector. Mostly monetary debts.
But the brand has nothing to do with money. No, the symbol burned into his skin — the one that stands for Kill — is a neon sign of a reminder that Sanemi’s duties can and do entail another kind of collection.
A chill snakes down your spine. You’d had your suspicions, of course, you’re not stupid. But seeing it confirmed by a brand of all things is a lightning rod through your chest.
Sanemi must sense your stare against his back, and you hear his rueful smile though you can’t see his face. “Guess it’s fitting, since I’m their dog.”
There it is; confirmation of what he is, as though it were possible to forget. You don’t know why you’d held out in letting its weight settle over you. Nor do you know why your brain had refused, for a moment, to reconcile the Sanemi who brought cheap beer and greasy fast food to your apartment for a night of trash television and book reviews with the one before you now, branded with inexorable reminder of what his duties are when he steps outside and debts go unpaid; when scores go uneven.
Your eyes slide to his gun, resting atop your table. It may has well have been smoking.
“It’s barbaric,” you murmur. You never offer much of an opinion on the tidbits of information about his life he shares with you, unwilling to make him feel as though you aren’t someone he can confide in.
But the sight of the brand scorched between his shoulder blades stokes something ugly and angry within you. You’re grateful his back is to you so you can furtively rub your hand over your prickling eyes before he can see you do something stupid, like cry.
He tilts his head back until it rests against your abdomen. “Thank you,” he murmurs, his eyes drifting shut.
You freeze for a moment, your anger temporarily suspended against your uncertainty of whether you should step back or remain. You’ve touched Sanemi a thousand different ways — you’ve grabbed his arm, smacked him upside his thick head, and elbowed him more times than you can count.
But this; this is something far different from your teasing nudges of the past. This small gesture feels infinitely more tender. Gentle.
Intimate.
Sanemi has never not been the picture of cocky brashness, especially around you. His priggish smirk was a constant, only ever dampened by the occasional alert on his phone — the one that meant he had to stop being yours for the night, and go be theirs.
But this Sanemi? This peaceful, eased, vulnerable version of your best friend is wholly uncharted territory. And perhaps it’s because he looks so unguarded this way, his face relaxed and his eyes closed, that you feel so flustered.
You brush his hair away from his forehead. At the first graze of your fingers along his scalp, Sanemi leans further into you with something akin to a moan.
Hot; everything feels so damn hot, the air in your apartment suddenly too thick. Too oppressive.
Yet, you don’t stop; your fingers keep raking through his hair, surprisingly silky.
You think he may have fallen asleep in your chair, but after another moment of your hands carding through his hair, Sanemi stands. You step away instantly, and you avert your eyes while he pulls his shirt back over his head, cursing softly as he works it over his injured shoulder.
Sanemi turns to you and clears his throat roughly. “Thanks again. Don’t know what I would’ve done without ya.”
You wave him off with an exaggerated eye roll, eager to conceal the redness in your cheeks. “Oh please, I’m just your neighborhood book supplier and occasional first aid nurse.”
A sudden sobriety passes over his features, clouding over that all too familiar smirk with something heavier.
“No,” he murmurs and his hand absently lifts to tuck a stray lock of hair behind your ear. “No, you’re more than that.” His palm lingers against your cheek and his voice quiets to a hoarse whisper. “Much more.”
For a moment, you wonder if he’ll lean in; if he’ll show you whether his lips are as warm as his touch.
His eyes drop briefly to your mouth and your stomach somersaults at the thought he might be considering it, too. But the clouds part and Sanemi withdraws from you with an affection flick against the tip of your nose.
And then he turns and leaves.
You sink back against your door after you close it behind him and slide to your floor. You remain there for a long while after, your mind little more than a gnarled tangle of brambles you can’t begin to pick through. But even despite the complicated mess of thoughts and emotions knotted together in your head, one thing stands clear: you’d wanted to kiss him.
And for a moment, you swear he’d wanted to, as well.
An old rumor, one you hadn’t considered since your very first interaction with him, resurfaces in your mind. The one that had less to do with him in the Corps, and more so involved his activities outside of it.
The rumor that he cycles through the bodies he uses to warm his bed more frequently than you change the sheets on yours.
Your cheeks heat, and you shake your head to clear away the sudden, intrusive images of Sanemi tangled in the throes of passion with some faceless stranger that fill your imagination. You don’t care what those blasted rumors claim; you know him. And what’s more, you know that what you feel for him is stronger than anything you’ve ever felt toward anyone.
You’re in love with Sanemi.
It is his face you see at night before you fall asleep; it’s his touch you imagine in those secret moments in your bed or in the shower, when you’re desperate and aching.
It’s he who makes you feel most at ease; the one person you feel truly sees you, thinks you’re actually worth something.
You’ve never really known love before. But it’s because you’re such a novice that you know your feelings are true; powerful. You know what he is — what he thinks he is. And you know that you will never want anyone else; you can’t.
You won’t.
—
Three rules. That’s all he had to do, was follow three simple fucking rules.
Don’t speak. No patterns. And don’t get overly attached.
It had been easy, so easy, to follow them. If there was one thing Sanemi believed he could pride himself on, it had been his steadfast adherence to the Corps’ rules. Number three, in particular.
Until you. Until the day he’d chosen your bookstore to hide in.
Because that was when Sanemi decided that those rules were really more like guidelines; malleable. He’d let himself cast them aside out of a desperation for human connection. And he’d justified his carelessness by convincing himself that as long as he maintained some semblance compliance with the unspoken code of the Corps.
Sanemi had built his own set of rules around the foundation of his friendship with you, a wall of stone around the glass castle meant to ensure you would not be cut by its shards should it ever shatter.
He would not be your liability, nor would you be his.
But now, he’s too deep; Sanemi knows he’s gotten in way too fucking deep with you.
Until this moment, he imagined he’d managed to toe the line of this internal code that applied only to his relationship with you, save a handful of instances when he’d let himself blur it.
As it turns out, he’d been dead fucking wrong. Because he’s pretty sure you just asked him to cross the last major boundary he’d set for himself when it came to you.
So, Sanemi only gapes at you. “What?”
You huff, impatient. “I want you to fuck me.”
You say it like it’s the most obvious thing in the world — as though you haven’t just ripped the floor out from beneath him and sent him falling directly on his ass.
If he didn’t know you were dead serious, he would’ve laughed in your face. And that’s how he knows he’s fucked.
You’re a virgin; he knows that, because you’d drunkenly confessed it to him two weeks prior, tipsy on the cheap beer he’d brought over for your weekly movie night together.
Admittedly, he’d been surprised. You were beautiful — not that beauty was a requirement for a good fuck, but you didn’t seem the type to go for random hookups, unlike him. Still, he would’ve thought you’d had some prior relationship where the opportunity would have arisen.
As it turned out, you’d never been in a relationship, either.
Between long gulps of your drink, you’d asked him to fix it and he’d turned you down — his tolerance for watery beer far surpassed your own, and Sanemi Shinazugawa wasn’t the type to sleep with someone who couldn’t fully consent.
So he’d let you down — but not before he kissed you. It was only once; soft, the way you deserved to be kissed. His lips met yours and suddenly, the gaping hole in his chest felt smaller; fuller. Kissing you felt like coming home, even though Sanemi was sure he’d never fully known what home truly felt like.
And then he parted from you with an affectionate flick on your nose to cover the way his heart clenched at the visible disappointment in your eyes.
He’d boldly kissed you twice more after that night — one a quick, cheeky peck when you went in to hug him, an act done more to fluster you than to sate any desire of his, no matter how he craved more of you.
The other happened only three nights prior, and it was anything but soft and sweet.
One of Sanemi’s fellow Hashira, Kanae, hadn’t been seen in several days, and no one had been able to get in touch with her. When she’d missed a scheduled patrol of one of the neighborhoods in the Silo, he and another member, Iguro, had been sent to check on her.
They’d found her in the kitchen of the small home she’d shared with her two sisters with a hole in her head and her brains splattered across the floor.
Curled under the protective stretch of her limp arms, had been her two sisters, both bearing matching bullet wounds to their skulls.
Kizuki, most likely. They were the only ones brave enough to target someone as high ranked as Kanae.
Their blood had still been fresh, and the stench of decay and rot hadn’t yet set in, which only told them that the girls had been held for several days, forced to endure unknown horrors at the hands of their murderers.
He hadn’t been particularly close with the woman, but as his rank equal, she’d had his respect. But now she and her adolescent sisters were nothing more than smears of brain matter and skull fragments to be scraped off the linoleum of their kitchen floor and quietly buried. Forgotten.
The hours passed by in a blur once Kocho’s death was called into the higher-ups, and Sanemi didn’t remember cleaning up the scene anymore than he remembered the solitary trek back. His mind and his body disconnected, and he only snapped back to reality when he realized he was standing in front of your apartment, unsure of how or when he’d begun walking in its direction.
He knew he should turn around and go home; there was nothing you could do for him right then, he shouldn’t bother you —
His fist was pounding on your door before he could think better of it.
Despite the late hour, you’d greeted him with a broad smile and a shy hi. Your hair had been damp, and he could smell the floral sweetness of your shampoo still mixed with the steam from your shower as it spilled into the hall.
Safe; you were safe.
Your door had still been hanging wide open as Sanemi surged forward, trapping your face in his hands to crash his lips down against yours, his kiss heavy and hot.
You’d broken away long enough to ask, “S-Sanemi — what —?”
“Shut up,” he’d snarled, slanting his mouth back over yours, his teeth nipping at your bottom lip. He’d half expected you to shove him away, perhaps to even aim a knee right at his crotch, yet you’d only buried your fingers in his hair and tugged him closer.
He backed you up against the wall opposite of your entryway, though he’d moved his hand to cup the back of your head to keep it from banging against the exposed brick.
You moaned into the kiss and Sanemi lost whatever shred of sense he’d managed to cling onto. His tongue swept along your bottom lip, and the hand cupping the back of your head loosely pulled at your hair, tugging your head to the side and signaling you to open up — to let him in.
And you did. And the first brush of his tongue against yours as he licked into your mouth ignited an inferno within him that he did not know how to tame.
His hands pushed under your sweatshirt, seeking out the comforting warmth of your skin. Higher and higher they rose, until they came to rest against your ribs, and Sanemi realized you were bare — completely bare — beneath your hoodie.
That you’d allowed him to toe so dangerously close to a line neither of you could cross had clouded every bit of his judgment. The thought that he’d only have to move his hands mere centimeters to touch you in a way no other had before had sent him reeling, and his hips were beyond his control when they pinned yours against the wall and ground into you.
But your single gasp into his mouth broke the spell, and with more regret than Sanemi knew he should feel, he broke away, leaving you both breathless and panting.
Without a word, he’d turned around and stalked right back out of your apartment, closing your door firmly behind him.
He’d sent a text only a few minutes later — a single, ominous reminder to you to lock your door, deadbolt and all.
He hadn’t the stomach to explain his cryptic warning; not as the sight of Kocho remained burned into his retinas.
So, yes, he’s blurred a few lines when it comes to you. But those had only been kisses; heavy touching aside, he’d never allowed himself to go further than that.
No matter how much he wanted to.
And it’s because he knows he can’t cross this last line — can’t open you up to risk more than he already has, that he meets your expectant stare with a rueful smile.
“You’re better off asking someone else, Princess. You don’t want to get tangled up with someone like me.”
Never mind that you’re already tangled up with him — but he’s managed to uphold this last boundary, and Sanemi has convinced himself that as long as it remains in place, he can’t ruin you the way Kocho and her young sisters were ruined.
“I don’t want to ask someone else,” you fold your arms across your chest and cock your hip out, defiant. Normally, Sanemi finds your stubbornness endearing, if not adorable, but not now; not when you should know better.
A low growl of your name is his warning. “You don’t know what you’re asking —“
“It’s you I want. I don’t care what the rumors say, I don’t care what anyone thinks — including you.”
The sincerity in your eyes nearly scalds him. “And I am not asking as a friend. You and I both know this is more than that.”
He wants to throttle you. Not literally of course, he could never — but he wants to shake the sense you’re so clearly lacking back into you until you see; until you understand.
Of course he wants you. He has wanted you for months — so much so, he hardly can focus on anything else. And he’s pent up. He hasn’t had the stomach to fuck anyone else. Not since he began falling asleep and waking up to thoughts of you and your touch, of how you might look under or above him, wanton and desperate. Or how you might feel in his arms; on his tongue.
Really, it’s been quite a blow to his rather wild reputation throughout the Silo. But God knows he has tried to fill the you-shaped void in his heart, but nothing — no one — has come close.
More than anything, he wants you to be his, and for him to be yours. He longs to be the Sanemi who takes you out on dates, who kisses you freely without the compulsive need to check over his shoulder, to make sure there aren’t any enemies watching and plotting to strike him right where he’s weak. He wants to be the Sanemi you come home to after a long day at the bookstore. The one with whom you plan a future, utterly and completely yours.
But he can never be just Sanemi. He is nothing more than the property of the very organization he’s sworn allegiance to; the group whose brand he bears on his skin.
He is not good. He is a curse that will infect you, a poison to your life.
He will rot you from the inside, out.
His friendship with you is selfish. He knows that — he’s always known that, and yet he did not stop. It is selfish because he deluded himself into believing he could actually be someone else when he was with you. Someone worth befriending; perhaps someone worth a little more.
You were right to call him a thief, that day. All he does is take your time and affection when he knows damn well he won’t give you anything in return, no matter how he wishes he could.
Sanemi won’t label that thing he holds deep inside his heart which is formed in the shape of your name; not when it could so easily doom you both. But he knows his feelings for you are dangerous, and he cannot allow you to sniff them out.
Because if he does, then this only ends one or two ways: either he lets you in only for you to abandon him once you realize the truth of what he is, or you’re used as a weapon against him.
In either event, he loses you. So it is better to cut this off now, to force you away before either of you become more invested than you already are.
He will not hurt you, but neither will he allow himself to be hurt by you.
You take a step toward him, and the soft whisper of his name sounds like a holy prayer on your lips and that’s how he knows this is wrong.
Your obstinate refusal to recognize him for what he is is a needle digging into his skin, one that whittles away at every wall he has managed to build around his heart, that damnable, soft, dangerous thing that he will not allow you to find; he cannot.
You’re confusing your roles. He is the vulture and you are his prey, not the other way around. he is not here to give. He is here only to take, and you will let him and then he will leave.
And he will not be the carcass you pick clean only to discard once you’ve had your fill.
(A lie, but it’s one Sanemi almost believes. Almost.)
But Sanemi knows you; he knows you better than he knows anything else. You are a constant he has become far too dependent upon, and you are precious — far too precious to him to continue to indulging.
He knows you are too good, too loyal in your feelings to forget about him, even if he disappeared from your life entirely.
A clean break. it is the only thing that will force you to forget him and move on, find another, someone good and whole and not a broken, misshapen thing like him.
He will show you who he really is. He will show you that he could never be just Sanemi, and he sure as hell can’t ever be yours.
Better; you deserve better, so he will become worse.
He advances on you, his step heavy and imposing, and you have enough sense to scurry back from him. But he is too quick and soon he has you caged against the wall of your studio, literally backed into a corner.
“You want me?” He is scathing and he loathes himself for it, but he can’t stop. Not when he’s desperate to save you from the blight of himself.
You shouldn’t; you can’t.
But you nod, damn you. Wide-eyed, you nod and he resents the certainty reflected in your gaze.
His mouth twists into a cruel sneer. “You want to say you’ve had a taste of the lowlife, huh?“
Your eyebrows knit together. “Sanemi, that’s not —“
But he can’t stop his venom. “Bragging rights, that’s all you’re after, right? You want to be like one of the characters in your stories — the good girl who makes an honest man outta the good-for-nothing villain.”
“Stop it,” you bite, and your eyes harden. “You’re acting like an asshole.”
You’re angry. Good. Sanemi knows how to deal in anger.
“Hate to break it to ya, sweetheart, but I’m not acting like an asshole. I am one.”
Your hackles raise, and you step away from the wall and toward him, bold in your fury. “I know you want to believe you are, but you’re not —“
Sanemi’s hand shoots out to grab a fistful of your hair. “Is that so?” You yelp as he wrenches your head back, your neck straining. “Then maybe I oughta bend you over and fuck you like I would any other cheap whore. Then you can tell me what you think I am.”
Your eyes water as the grip in your hair tightens.
Good, he thinks savagely. Let you see the monster he truly was, let you know he was his bastard father’s son, and that he’d be no different, no different at all. He’s a brute, and you don’t want that, you don’t want him —
“You can do whatever it is you want,” you manage, you throat tight. And Sanemi’s eyes blow wide at the soft, watery smile that forms on your lips despite the tears that escape the corners of your eyes. “Do to me what you like; I don’t mind, as long as it’s you.”
All at once, his ire with you and your bewildering devotion to him melts away, leaving nothing behind but a deep well of guilt, bitter and acerbic.
It isn’t that you think he might take you forcefully and harshly; after all, he’s only shown you he’s entirely capable of doing so.
It’s that you would let him. Without a shred of doubt, he knows you would offer yourself to him to use however he wants, and that you’d do it with a smile not unlike the one you’re wearing right now, soft and earnest.
Fuck, you just did.
And it’s that realization that has Sanemi’s hand loosening from your hair, his eyes softening. An errant tear escapes down your cheek and he moves to brush it away, but you close your eyes the moment you spy his knuckle nearing your face.
You do not flinch, but you are steeling yourself in anticipation of expected cruelty, and the front he’s put forth crumbles to dust.
He is a monster, but not for the reasons he’s used to justify this ugly display of his. He’s a monster because he has made you believe that this treatment is acceptable — an unavoidable cost of intimacy, no matter how fleeting.
Worse, he’s done the one thing he’d sworn never to do to any woman, let alone someone as good and as dear as you.
He’d only wanted to disgust you; enrage you, so that you would kick him out of both your apartment and your life, right out on his sorry ass like he deserved.
But this is worse. He has frightened you.
He recoils from you like a kicked dog. “I didn’t mean to scare you.”
He stands awkwardly as you stare at him, wide-eyed and uncertain, and each second that ticks silently by only amplifies the oily well of guilt in his stomach.
He clears his throat. “I’ll go,” he says roughly, too ashamed to meet your eyes. “‘M sorry, I didn’t —“
Your hand grabs his bicep, anchoring him in place. “I want you to stay.”
“You don’t owe me anything —“
“It’s not about owing you,” you interject, lifting your hands to take his face between your palms. “I want you. I want this.”
You prove your point by taking his hand and guiding it to your waist. You hold it there, mouth set in a determined line as you inch closer to him.
“You deserve someone else,” Sanemi can’t stop the admission from rolling off his tongue. “Better.”
But you’re already shaking your head, as though you somehow know different. “There is no one better; I only want you.”
Idiot, he thinks as you rise up on your tiptoes, your arms winding around his shoulders as the distance between your bodies grows narrower. You’re an idiot.
You can’t possibly believe he’s as good as it gets. He’s used you as a distraction this whole time, a chance to forget the things he’s done and what he’ll be required to do in the future. Surely, you must know that.
He will hurt you; it’s in his nature. It’s unavoidable. He can’t be what you deserve.
But then your lips brush gently against his and the last of his resolve crumbles.
Sanemi melts into your kiss. He brings one hand to cradle the side of your face as the one braced against your waist shorts, until he wraps his arms around you and tugs you closer to him.
This kiss is gentle in every way the last was not. Sanemi’s lips are soft moving against yours, his hands almost hesitant in how they hold you. For a moment, he imagines himself not as the selfish, hard brute he knows he is, but instead as the gentle, giving lover he wants so desperately to be. One who is worthy of someone as kind and vibrant as you, and not the trash you’d be better off leaving out on the street.
The tentativeness with which he kisses you tempers some as his tongue flicks out against your bottom lip. You answer his silent request with enthusiasm, your fingers burying themselves in his hair as you haul yourself closer. The moment Sanemi’s tongue sweeps into your waiting mouth, you buckle against him with the sweetest sigh he’s ever heard. One of pure relief, as though you’d been burning and he was your balm.
Ironic, considering he’s only adding gasoline to this fire between you.
But there’s nothing he can do now except allow the flames to consume you both.
Soon, the shy curiosity with which he explores your mouth gives way to a mutual hunger, evident by how he feels as though he’s boiling alive while you gasp and sigh into him, your fingers tugging pleadingly at his hair.
You want more, and he needs you, too.
His nose nuzzles against yours as he bends down, his hands running along the bare expanse of your legs. The ground beneath your feet disappears as Sanemi gathers you up easily into his arms.
One of your arms is looped around his neck while your other hand cups his face, turning it toward yours as he carries you to your bed. Your thumb smooths absently over the scar that cuts across his cheek and then your lips seek out his once more. His kiss is as gentle as the hand squeezing your waist, his fingers slotting into the gap between your sweatshirt and the top of your sleep shorts, stroking your skin.
He lays you out upon your mattress, grateful you’d at least purchased a full bed rather than some shitty twin. Your hands untangle themselves from his hair and instead seek out the waistband of your sleep shorts, but Sanemi covers them with his, halting you.
“Don’t,” he murmurs between quick, messy kisses. “Let me — please.”
Before you can respond, Sanemi sits back and grabs a fistful of his own shirt, yanking it over his head.
Your pupils blow wide at the sight of him and he feels himself hesitate. Sanemi has always felt an easy self confidence when it came to stripping in front of his partners for the night. He’d always been quite proud of his physique, relying on his considerable muscles to mask his deep loathing of his scars.
But in front of you, all sense of self-assuredness goes flying out the window, and suddenly he feels too exposed. His eyes drop to scour the planes of his chest — have his scars always been this prominent? This thick?
“Holy shit,” your soft sigh snaps his attention away from the howling inside his head. For one, petrifying moment, he thinks that you are as disgusted with his body as he is, but then he sees the pink flush staining your cheeks.
Your eyes roam hungrily over him and your tongue darts out to wet your lips. You meet his gaze and your pupils are blown wide with desire — rich, hot need for him.
Your voice is little more than a sultry whisper. “Come here.”
He moves eagerly to cover your body with his, his hair rumpled and his eyes bright as his lips press hurriedly against yours. Your hands smooth over his pectorals and tease down his abdomen until he’s panting, but the moment your nails rake along the skin on either side of his navel, Sanemi moans.
More. He needs more.
He hauls you up from the bed, straddling you across his lap, his hands notched behind your knees as they press into the mattress. You reconnect your lips in a heated kiss, one hand playing with the ends of his snowy hair, the other dropping down his back, settling over the brand seared between his shoulder blades. Covering it.
Yes, he thinks as he nips your bottom lip, urging your mouth to open so he can slide his tongue in to dance with yours. Yes, this is fitting. Because in his ideal world, his life with you would come before any other — including his with the Corps.
Sanemi’s lips begin trailing hotly down your jaw, pausing when he reaches your neck. He finds a particularly sensitive spot with a nip of his teeth that he soothes with his tongue, and he hums in approval at the faint, breathy whimpers that squeak past your lips as you tilt your head, offering more of yourself to him.
The ache burgeoning in his groin in response to your display is enough to drive him insane; he has never wanted anything in his life as badly as he wants this — you.
As his mouth continues its heated path, his hands find the hem of your hoodie. With a gentleness that surprises even him, Sanemi begins charting your skin with his fingers. With every new plane of your body he explores, he pushes your sweatshirt up, up, up, until he guides it over your head.
He tosses it to the side, not caring for where it lands. His attention is focused solely on you as you fall back against your bed, now bare from the waist up.
“Beautiful,” he marvels, eyes running over the slope of your shoulder and tracing the curve of your breasts. “So fuckin’ beautiful.”
He savors every hitched breath, every chill that ripples over your skin as he explores your body with his mouth and hands. Over the years, Sanemi has become well acquainted with the magic of the female body. He’s always liked how soft women were compared to him. He isn’t a picky man; he’ll celebrate them all, regardless of their shape or size.
But you? Celebration isn’t enough; you deserve nothing less than outright worship.
“You feel so damn good,” he mutters against your breast before closing his lips over your nipple and sucking hard. You bow off the bed with a keening moan that gutters out into something more ragged as his hand covers the other, pinching and rolling your stiffened bud between his fingers.
He could spend all night like this, lavishing your soft mounds with his mouth. But Sanemi knows that won’t be enough to satisfy the hunger gnawing at both of you, so with a tinge of regret, he forces himself to move on, descending your body in alternating kisses and nips.
He reaches the waistband of your shorts and his eyes flash to yours as he tugs on it with his teeth. The hot exhale of his breath below your navel sends goosebumps across your skin. Sanemi’s fingers inch below the hem of your shorts until he loops his hands around the waistband, and he yanks them down your legs in a single, fluid motion.
His eyes rake down your body, taking in every beautiful inch. A blush forms on his cheeks as he realizes all that separates you from him is your simple pair of black underwear.
He sits back, eager to join your near-nudity. His hands are quick, if not a little clumsy, as he finds his belt buckle. The instant the metal clicks and the leather around his hips loosens, Sanemi shoves off his pants, eagerly kicking them off your bed until he is left in nothing but his briefs.
Your eyes fall to where the evidence of his desire protrudes stiffly from between his legs. Sanemi watches your throat pulse as you try to stifle your small gulp, your thighs tensing beneath him in an effort to press together.
He can sense your nerves; can see by the way your eyes dart anxiously between his and the rigid tent in his briefs.
With a gentle smile, Sanemi leans in and soothes your unease with his lips. “We’ll take it as slow as you want. I’m not in any rush.”
“N-now?” You murmur between kisses, and he nearly seizes at the hesitant, questioning brush of your fingers against the underside of his shaft.
“Not yet,” he groans against your mouth. “I gotta make sure you’re ready first.”
“I am ready -“
“Not like that,” he cuts off your protest by ghosting his fingers up the covered seam of you. Sanemi circles his finger around where he thinks your clit is, and he smirks when your head tips back against your pillow, your mouth widening in a silent o.
“Found you,” he croons, repeating the movement again until your legs begin to twitch beneath him.
He makes quick work of your underwear, tossing them over the side of your bed without much thought. The sight of you bare beneath him nearly stops his heart dead in his chest. His eyes drop to the neat thatch of curls resting at the apex of your thighs, and his mouth waters.
You blush under the intensity of his appreciative stare, and your legs twitch, as though you mean to close them.
A hand sliding between your thighs restrains you from doing so. “Uh-uh,” he tuts. “Can’t hide from me now, sweetheart’.”
He smooths his hand down the length of your leg until it hovers just outside where he’s most eager to explore. The heat radiating from sends his pulse skyrocketing.
One, tentative finger circles your entrance, testing. Sanemi leans in to capture your lips with his as he pushes in, swallowing your soft gasp with his tongue that he slides into your parted mouth.
A moan vibrates in his chest in time with a faint whimper that sounds in the back of your throat as Sanemi begins exploring you. You’re tight; almost impossibly so, clenching and pulsing around the single finger he gradually sinks inside you, pushing deeper with every gentle pump of his hand.
The thought of your tight, wet heat constricting around the aching length of him just as you were around his finger makes him dizzy with want.
He won’t go down on you, he decides. Not tonight. Not when he’s throbbing this badly after just a couple of fingers; not when your breasts are so plush and soft pressed against his chest where you’re already arcing up into him, sending his mind wild with thoughts of how you’ll move under him; how you’ll moan.
His lips are hot against your neck, trailing down past your collarbone. Left behind are a series of purplish-maroon whorls blooming beneath his mouth, your skin quickly becoming a tapestry for him to display how badly he wants this. You.
You cling to him, one hand buried in his hair, pulling and tugging at him as the other clutches wildly at his shoulder, your fingers digging hard into his muscles. Your teeth are buried into your bottom lip in an effort to stifle your whimpers, but a needy whine slips out as Sanemi sucks one, soft breast into his mouth, his tongue flicking out across your pert nipple.
Another finger slides into your entrance as his thumb works your clit, and before long, you’re vibrating beneath him, unrestrained in how you moan and cry out for him so beautifully.
“Sanemi! I think — oh, I think I’m -“ but then he crooks his fingers, brushing against a rough spot deep within you that makes you writhe. You thrash back hard against the bed, your hips grinding against his hand with abandon.
He smothers a curse into your skin. You’re close and he knows it; can feel it in the way your walls flutter and pulse around him. And as desperate as he is to study how you fall apart, it’s too soon.
“Not yet,” he pants against your breast, circling your nipple with his tongue before imparting a final nip at the soft flesh and drawing back.
Remorseful, he pulls his fingers away from you, leaving you panting and flushed under him. But the hot, searing flames of desire burning beneath his skin intensify still, as he takes your hand and guides it between your legs.
“There. Feel how wet you are?” His voice is husky with want. You peer up at him through heavily lidded eyes as you nod, a whimper vibrating in your throat as Sanemi grinds your hand against your sensitive flesh.
“For you,” your voice is syrupy and warm, and damn if Sanemi doesn’t feel like he could get drunk on it. “It’s all for you.”
His tone sharpens into something possessive; hungry. “That’s right,” and he pushes your hand firmly against your clit and rotates it, eliciting a deep moan from you. “Because you’re mine.“
It’s not fair. But he wants to pretend like it’s true, if only for a while.
Once your fingers are sufficiently shiny with your own wetness, he brings your hand to his mouth, his tongue peeking out from between his lips. Slowly and languidly, he drags it up the side of your digits, and his eyes burn into yours as he slides your fingers into his mouth and sucks them clean.
It takes everything in him not to moan at the sweet taste of you that floods his tongue.
He’d made the right decision in not going down on you. If he had, he’d never be able to pull away; not until his face had become so adorned with your essence that he could not comprehend anything that wasn’t you. Not until you were trembling under him and begging for a break.
The first time you cum will be on him; with him. So as much as it pains him, he resists your temptation.
But not before you know; not before you understand exactly how wild you drive him. How much you threaten his sanity.
“Jesus Christ,” he rasps as he pulls your hand away from his mouth. “Here.”
His hand his gentle but firm as he grips your chin, squeezing your jaw until your mouth parts. The question in your gaze dissolves, your eyes instead rolling back into your head, as Sanemi slides the two fingers he’d just had between your thighs, still covered in your wetness, past your lips.
“Go on,” he orders, his other hand brushing your hair from your face. “Taste how fuckin’ perfect you are.”
The moan that slips free from your lips is one he wishes he could bottle up as your tongue caresses his fingers, your cheeks hollowing so fucking perfectly around him as you dutifully clean yourself from him.
Fuck, you’re trying to kill him.
But some of the burning he feels ebbs as the sobering weight of what’s to come settles over him; the magnitude of what he is about to do. Because no matter what happens after, nothing between you will be the same. Whatever else you are after tonight — whether that’s something or nothing — you will never be just friends again.
Sanemi supposes the punishment fits his crime; this is what he gets for getting in too deep with you, even if it means losing you entirely.
He chases away those thoughts by running his hands down your sides before he pulls back, leaving you in favor of shucking his briefs down his thighs.
Finally bare, he’s quick to drape his body over yours once more, his hands smoothing up and down your sides, unable to quench his need to feel your skin against his. But a foreign uncertainty stills him, and his eyes flash to yours, hesitant.
“Are you sure?”
You answer only by reaching to grip the back of his neck, tugging him down to meet your lips, your kiss feverish and urgent.
He doesn’t have a condom but he’s in too deep now to stop. In a way, what is about to happen is new to him as well. He’s never fucked anyone raw before. No matter who he’d had in his bed, no matter how much they begged him or assured him they were on birth control, he’d always been sure to have protection on hand.
Children are a gift, but he’d be damned if anyone tried to come after him and demand he raise one in his fucked up world. Either Sanemi got out or he never became a parent; there was no middle ground.
But once again, he is blurring boundaries where you were concerned, and Sanemi doesn’t think he knows how to stop himself from having the full taste in the indulgence that was you.
“It might hurt a moment,” he admits against your mouth, his voice raspy. “But I promise I’ll be gentle — as gentle as I can.”
You stretch to kiss him again, your lips soft and warm and everything he loves. “I trust you.”
You shouldn’t, he wants to say. You shouldn’t, and you should run far away from this — from me.
But Sanemi knows you won’t just as much as he knows he doesn’t have it in him to try and chase you away, and so he only kisses you back, slow and indulgent.
He breaks away from you with a soft groan and sits up on his knees. His back straight, Sanemi’s hands curl around your hips and he tugs you forward until your backside is flush against his thighs.
The heat radiating from you pulls him in like a magnet as he lines the tip of his cock up with your entrance. A vein above his brow ticks, the only outward sign of the battle raging within him as his self restraint wars with his tantalizing urge to impale you on the thick, throbbing length of him, desperate for the sweet relief only your body can give.
Every inch of him trembles as Sanemi presses his hips forward. “Fuck,” he exhales shakily, pushing his tip past your entrance. “Fuck.”
His head falls back and the muscles in his throat strain. Some small, needy sound leaves him and the fingers on your hip tighten nearly to the point of pain.
The noise registers in the back of your mind, and vaguely, you recognize it as a whimper. You wonder whether he makes that sound for the others; somehow you doubt it, given that he does it again, only now in the shape of your name.
The rumors always said he never asked for names; he was a one-and-done kind of man. A great fuck, but not someone to go to if you were looking for comfort; softness.
Once again, Sanemi is nothing but a collection of contradictions, especially where you’re concerned.
Sanemi hisses as he slowly eases into you. Despite your wetness, you’re impossibly tight, and your body is a live wire hell bent on pushing out his intrusion.
With a deep groan, he falls forward, one arm shooting out to land near your head to catch himself before he can crash into you. His weight carefully braced above you, Sanemi shifts, widening the stance of his knees. Your legs slide up his waist, locking at your ankles at the base of his spine.
His cock is barely a quarter of the way inside your heat when he pulls out. A whine of protest mounts in your throat, but it quickly flickers out when he presses his leaking tip to your clit and grinds. A soft moan slips out of you when he repeats the movement again, and your thighs widen, your hips tilting up to allow him easier access.
Sanemi circles the head of his cock once more against your sensitive nub, coating himself in more of your sticky wetness, before he slides back into your entrance. This time, your body parts more easily around him, sucking him in rather than trying to squeeze him out.
“There you go, that’s it,” his breath is hot against your ear, his lips trailing silkily across your jaw. “That’s my girl.”
Halfway in, Sanemi brushes against that thin barrier that separates him from the rest of you, and he stills.
He pulls his head back from your neck, and moves his hand out from between your legs to cup your cheek.
“Ready?” His thumb strokes over your cheekbone, tender and soft.
There is a tightness building in your abdomen, a foreign pressure that isn’t entirely unwelcome, but neither is it wholly comfortable. You brace a hand at your side, balling your sheets into your fist as you steady yourself, flushed and panting beneath the scar speckled man holding rigidly still above you.
Your eyes flick up once, and you see the tightness in his jaw; the tremble in his limbs as he fights against the urge to relief the friction mounting where you are joined.
You swallow around the lump of anticipation lodged in your throat. Your breath is shaky, but at last, you manage a single “Please.”
With a groan, he grips himself around his base and slowly, he presses forward. There is a sharp prick that shoots deep in your lower abdomen as Sanemi surges past that thin inner wall.
You cannot stop your cry of discomfort from ringing out anymore than you can stop the surprised tears which escape the corners of your eyes as the sharp pain between your legs intensifies.
But then Sanemi’s lips are there, kissing away your tears, and the hand he’d used to guide himself into your body skims along the outside of your thigh, hiking your leg higher up his waist before it drops to rub gentle circles into your hip.
“I’m sorry,” he murmurs between soothing caresses of his lips against your cheeks and across your eyelids. “I’m sorry. I’m sorry.”
He coos his string of apologies as his cock continues to push into you. On and on he sinks, his length endless, and you begin to think your body will split in two before you find the end of his.
Just before you reach your limit, Sanemi stills, fully embedded in your heat. He pants through gritted teeth, his jaw locked against the way you’re constricting around him so tightly it’s nearly painful.
It’s unreal; not only does Sanemi realize how much fucking better sex feels without the restriction of a condom, but he’s also bashed over the head with the realization that you were made for him. For nothing, no one has ever felt as incredible as you.
Nothing in his life has ever felt so right.
Sanemi has always been someone who fucks fast and hard. He’d had no objective other than to escape for a few, blissful moments in the body of another as he pretended not to feel the hollowness in his chest, or the throb of his own self-loathing.
With you, however, he wants nothing more than to relish every movement of your body against his, to savor your every gasp and sigh; to learn what makes you lose control.
You are no temporary distraction; he wants to know you.
He drops his forehead against yours and waits, allowing you to adjust to the intrusion of him.
He trails his lips across your collar bone and down to the twin swells of your breasts, sucking softly at your plush skin as you fidget and squirm beneath him. One broad hand skirts down the outside of your thigh until he finds your knee, and gently he guides your leg around his hips. The other he leaves relaxed against the bed, your foot resting somewhere against his calf.
When your eyes flutter open and find his, he knows you’re ready. So he moves his arm out from between your bodies and winds it instead around your waist, deepening the arch in your back until his chest is flush with yours.
His lips press to your forehead, a silent warning that he is about to move.
And then Sanemi begins molding your body to the shape of his.
He starts slow. He doesn’t withdraw far from you, instead focusing on rolling his hips against yours. Each churn of his groin pushes his cock deeper into your warmth, and soon, your timid whimpers melt into soft moans as your initial discomfort gives way to pleasure.
Encouraged by the way your body starts to relax in his embrace, Sanemi tests drawing his cock out a few inches before plunging back into you.
Before long, the room fills with the lewd sounds of skin slapping against skin, and Sanemi’s moans join yours as he rapidly becomes lost in the euphoria of your wet, tight heat.
One of your arms jumps to lock around his ribs, your nails sinking into his skin as you anchor yourself to him.
His hand snakes across the sheets in search of yours. When he finds it, fisted against your sheets, he pries your fingers loose, winding them with his and he wraps your arm around his shoulders.
“Tighter,” he gasps. “Hold me tighter. Please.”
Your fingers dig into the muscles of his back and Sanemi groans his approval.
And then he’s rolling to his side, pulling you along with him until you’re stretched out across the length of your mattress, chest to chest.
His hand grips under your thigh, tugging it over his hip as he rocks harder into you. “Talk to me, angel,” the hand under your thigh moves to splay across your rear, pushing and pulling your hips in time with his as he grinds. “Tell me how you feel — tell me what you want.”
You cry out, mournful, as Sanemi draws out his cock nearly to its tip before he plunges back into you.
The fullness you feel is overwhelming. You can’t stand that empty feeling, even for a moment. So you hitch your leg higher around his hip, and dig the heel of your foot into the firmness of his ass, limiting his movements.
“Closer!” You gasp. “I — I need you closer.”
He needs that too, he decides; craves it. He doesn’t want to feel any space between your bodies. He wants — he needs — to be so enraptured with you that there is no point in trying to separate. That way, he might get to keep you for just a little longer.
Sanemi’s hand massages your backside, his cock throbbing with every push into you. “Deeper,” he confirms between throaty groans. “You want me deeper?”
You bury your face into his shoulder. Your teeth sink into his skin and with a moan, you nod.
He can do that; is more than happy to, as a matter of fact.
So, with a faint snarl, Sanemi grips the fat of your ass and spreads you wide, and he begins thrusting, hard.
The new angle allows the tip of his cock to bump up against a sweet spot deep inside you. Sanemi’s eyes narrow at the way your head drops back, a loud cry tearing from your throat.
Determined to hit that point within you again and again, he shifts his hips under you while hiking your leg higher up his hip, his fingers digging into the curve of your ass.
It’s a success; soon, your wails echo throughout your studio, punctuated by every punishing slap of his skin against yours.
Really, he can’t give less of a damn at how thin your apartment walls are. The sounds pouring from your mouth are the prettiest fucking thing he’s ever heard.
Something hot and electric mounts quickly in your stomach with each of his frenetic movements. You’ve come before with your own hand, but this — this is something different. Something far more intense, something that threatens to rip you apart from your very sanity until you know nothing but him.
You try and tell him you’re losing control but all that comes out is a pitiful whimper.
But he knows; he knows exactly what you need.
“I’m here, baby, I’m here. I’ve got you.” And with that, Sanemi rolls you back underneath him, settling into the cradle of your thighs and pushing his cock faster and deeper into you. His arms gently unwind yours from his shoulders, and he brings them up over your head, one large hand pinning them down.
“I’ll take care of you, sweet girl,” he promises, and he weaves the fingers of the hand keeping you pressed against the mattress with your own. “Just keep your legs around me.”
Your thighs squeeze his waist in silent answer, your mind far too suspended in the throes of your pleasure to do anything else.
With his lips trailing along your neck leaving hot, open-mouthed kisses in its wake, his free hand slides between your sweat-slicked bodies. He wedges it between where his groin is pressed to yours, and he searches along your sensitive, swollen folds, seeking the spot between your thighs that made you tremble and whine for him earlier.
You jolt under him as his fingers find you again, that foreign, electric sensation sparking deep in your abdomen. “Sanemi —“
“It’s okay,” he murmurs sweetly, pressing down on your clit until you arch further into him with a gasp. “It’s gonna feel so good, baby, I promise. Just focus on me.”
Each rotation of his hand against your sensitive bead matched the deep, pointed roll of his groin, with Sanemi capping the end of every powerful thrust with alternating pulses of his thumb. The pressure he uses mounts with every churn of his hips, and the moan vibrating in your chest as another surge of sticky wetness gushes from your thighs is the sweetest sound he thinks he’s ever heard.
A broken chant of please please please stutters its way out of you, spurning him to go faster; hit deeper.
And Sanemi only knows how to oblige you.
“You’re doing so fucking good, sweetheart. Just keep letting me take care of you —- that’s it.” He curses as you clench down around him, crying out in approval at his praise. “Yeah, yeah. You’re my fuckin’ girl, aren’t you?”
A single wail of his name is your only response, but it’s enough of a confirmation to damn you both.
“You are,” he affirms, his voice taking on the timber of a growl. “Mine. You’re fuckin’ mine.”
His thrusts grow sloppier with every second, though each is punctuated by a silent, recurring chant of mine, mine, mine. Though your eyes are closed, Sanemi can spy a faint sliver of white peeking out from between your eyelids.
You’re close; he can feel it. And he knows, as the walls of your cunt flutter and tighten around him, that your climax will be his undoing.
The hands he has pinned against the mattress over your head flex as you twist and writhe beneath him. your head tosses from from side to side, and the vibrato of your cries rises octave by octave. Every muscle in your body is tense; you are a live wire thrumming with a need to come apart that he knows you do not fully understand.
Sanemi grunts as he fucks you harder into your bed, no longer concerned with keeping his weight off you. He will show you; he will show you how to shatter, and then he too, will break.
But he needs to see you, first.
“Look at me,” his voice beckons you back from the precipice of ruin. “Look at me, Y/N.”
Your eyes open to meet his and suddenly you’re right back at that edge, only this time, you’re falling freely over it, plummeting down a drop that has no end.
“S-Sanemi —!” It’s all you can manage before the knot steadily building in your stomach unravels. Your back arcs sharply away from your bed, and Sanemi ducks his head to smother his own cry against your breast as he takes its tip into his hot mouth.
Your hips jerk and twitch against his, your cunt seizing around him with force that threatens to squeeze the life out of him. Above you, your arms strain and pull against his grip as you writhe and sing for him.
“That’s it baby, that’s it,” Sanemi’s praise is muffled against your sternum, though it is strangled as he nears his own end. “Fuck!“
He’ll have to buy you the morning-after pill tomorrow, he realizes as you continue to come apart so beautifully on his cock, a soft chant of his name the only thing on your lips. He will not force you to bear the consequences of his own selfishness; he will not saddle you with his burden.
But he’s also not strong enough to pull out; not when your body feels like it was made for him, not when your sweet cunt is gripping him this hard, is this wet — all because of him.
He is selfish and he is weak; it’s a toxic combination, and yet he knows cannot stop.
Sanemi’s hips snap a final time against yours, pushing them up and away from the mattress, pressing deeper than he thought possible. His eyes roll back as his own orgasm rocks through him, powerful and blinding, and the growl that built in his throat melts into a strained groan.
He holds you in place, his cock pulsing in time with your cunt while the two of you ride out the waves of your climax together, his cum steadily filling you with his warmth. Your hands skirt down the length of his arms, blindly searching for his hips. When you find him, you pull and tug, a faint whine sounding from the back of your throat. Sanemi answers your plea with a broken moan of his own and he rocks against you, your hips circling with his until he finally lets you collapse against your mattress, limp-limbed and exhausted.
He follows you down, smothering you with his weight as he clings to you like a lifeline, his face buried in the crook of your neck.
“Fuck, you did so good, sweetheart. So fuckin’ good.” He moans into your ear before he pulls back, his eyes searching your face as he pants.
One hand cradles your jaw and his thumb strokes repeatedly over the flushed curve of your cheek. “You okay?”
You don’t answer right away, your eyes shut tight, and Sanemi feels panic bubble hot in his stomach. The hand cupping your face tightens with his worried call of your name, his fear rearing its ugly head, ready to rip him apart, to turn him into the horrid monster he’s always known he was —
“I love you,” and then you’re peering up at him, eyes round and shining with emotion he does not deserve to feel. “I love you, Sanemi.”
It would’ve hurt less if you’d shot him.
Whatever wall remained around his heart cracks and crumbles under the weight of your confession. Sanemi does not answer, cannot find the words to adequately capture the depth of his feelings.
Instead, he snatches you up into his arms, crushing your body against his.
He kisses your lips and then your cheek. One hand cups the back of your head, his fingers burying into your hair as he presses your face into his chest. His arms tremble as he holds you close, every hard ridge of him cradled against your soft curves. He feels your smile against his collarbone, and the way your fingers dance up and down his spine that makes him melt.
It hits him, then. You aren’t waiting for an answer — you said it only so he would know, and you’d not expected anything in return.
All you’d done was give while he took and took. Your body. Your love.
He doesn’t deserve any of it.
Whatever or whomever came after this would never compare to you. Truthfully, Sanemi doesn’t think it would be worth trying anything different. Everything now began and ended with you — including him.
He twists his head to kiss you again and again, your lips meeting his with a sleepy enthusiasm.
He pants as he breaks away. “‘M gonna pull out — might be uncomfortable for a second.”
You wince at the sudden stab of cold left behind by Sanemi’s retreating warmth. He shifts back onto his knees and slides his hands down your thighs, parting them.
A low whistle blows past his lips. “Damn, I made a mess outta you.”
For a moment, Sanemi can’t tear his eyes away from the sight between your legs; the sight of him trickling out you, staining the sheets below. But some of that hot, possessive pride that wells in his chest tempers at the small smear of blood staining your inner thigh.
His fingers massage your legs in silent apology. “Let me clean you up.”
Your hands shoot to grasp at his shoulders, a pleading whimper on your lips. “Don’t leave — not yet.” You bite your lip, your eyes wide and anxious. “Please, can you just hold me for a bit?”
Sanemi’s eyes soften and his heart throbs painfully in his chest. He can’t imagine leaving you; not now, not ever. No matter how stupid and selfish that makes him.
He’d be lying if he said he didn’t know the source of your anxiety — or that you didn’t have reason for it. Sanemi isn’t known for lingering.
But this is different — you’re different. You’re not some temporary distraction. You’re everything. His everything.
“Shhh,” he maneuvers you easily atop him, settling you in against the length of his torso, his hands smoothing up and down the column of your spine. “I’m staying right here, sweet girl. I’m not goin’ anywhere.”
He seals his promise with a gentle kiss against your forehead before laying his cheek against your temple, cradling you to his chest.
Finally, you relax against him, convinced. He lays with you for a long time after, one hand on the back of your head, his fingers rubbing against your scalp until you fall asleep on against him, safe and sound and warm.
Minutes pass, or maybe hours. But Sanemi’s head does not quiet, not even under the soothing sounds of your deep, slow breaths as you dream.
He must have lost his mind. There is no other explanation for the way he’s disregarded every rule, every boundary he’s ever made sense of, all in the name of you. In a single evening, you managed to obliterate every last defense, every barricade he’d safely cowered behind, and now that the castle has fallen, he isn’t quite sure what he’s supposed to do with the rubble.
What he does know is that there’s no putting things back to how they were.
His eyes search your sleeping face because if you were able to make him question nearly everything that made sense in his life, then surely you must also have the answers he needs to re-strike balance in his tilted world. Maybe they lie among the lashes that tickle your cheek, or in the occasional twitch of your mouth between your deep inhales.
But Sanemi is only left feeling more confused the longer he watches you. Because, despite the way he feels vulnerable and exposed at how easily he has been stripped of his guard, he can’t quite bring himself to believe it was entirely your doing.
His eyes widen. There’s his answer.
Perhaps you are not trying to sink your nails into his flesh to peel it back, to demand he be stripped to the bone for you to inspect, to scrutinize and use as you please.
Perhaps that is what you’ve done to yourself, and you’re waiting to see if you will join you; to know if he can volunteer his vulnerability, rather than wait for someone to come and force it from him.
He cannot make any promises. He has spent so much of his life cowering behind the armor he crafted out of his scars and his sneers and barks that were always more ferocious than his bite, that he does not know how to take it off. He does not know how to navigate the world without its weight, both his safety net and his chain. And there is an understanding in your eyes that signals you know that, too.
But he can try.
He mouths I love you against your hairline — he does not voice it, not yet, though it’s what he feels. But your love is a compass that just might point him down the road the leads to a life he so desperately wants; to you.
And he’ll get there, maybe.
In time.
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