#jason in general is such an important character to me

[magicofrobin]

lyric analysis of wide eyes by badflower and how it fits jason todd's vibes. long post incoming. (tw: implied/referenced sa, character death)

starting with the pre-chorus and chorus rather than the lyrics from the verses because these are the most easy to understand.

PRE-CHORUS ANALYSIS.

my innocence was taken / i'll never be that boy again

the first line is the loss of his childhood. unlike other children he witness violence and addiction at home, as well as around his neighborhood. he took care of his mother and slowly watched her die because of her "illness". he lived on the streets after losing both of his parents (the grief for his mother was like a knife, the space where his father used to be was filled with relief). jason wasn't allowed to be a child, he grew up too fast because he had to. it was the only way for him to stay safe. for so long he lost that childlike innocence that tells you that the world is good and your parents will always love and protect you. he saw the world through the eyes of an adult when he shouldn't have had to; in an ideal world someone would've shielded him from this. from all of it.

it can also be used in the same context as the song, which has been interpreted as being about sa. in that sense his innocence was taken when talia manipulated him and brought him into her bed when he was under her care. in that sense it was about the blurred out faces and half remembered hands from his childhood.

the second line, to me, is about his death. he's not going to be who he was before, no matter how much he wants to. he can't go back. he's changed too much to be that boy anymore. he doesn't even view that boy as him anymore, it's easier to think of robin as someone else, as a ghost, than it is to admit it's him. jason todd and robin might be one and the same in reality but not through the lens of his trauma. this can even be seen in canon, when he's reliving his death and disassociating. he sees himself at fifteen, dying on the warehouse floor, being between to death, and he calls him robin, not jason. because it isn't him, not really.

i guess i'm only speculating / but there's no use in hearing the truth from a liar

this one is less specific but to me, it's about how he feels like the other bats don't trust him. mainly how bruce doesn't trust him. it feels like no matter what he says or how much he works with them, there will always be the sense that none of them trust him. if he says he won't kill then he's lying. if he says he's fine he's lying.

he has lied before. many times in fact. that was what red hood was in the beginning, a lie spun to hide his identity until he was ready.

CHORUS ANALYSIS.

true was the bride at the turn of our time

in the song the bride is referring to the catholic church, with that context, i think this line for jason's character is a bit hard to interpret.

but to me, it feels like it's about bruce's crusade and his time as robin. things were good and he believed in everything bruce stood for when he was robin. after his death nothing is the same, least of all him. he no longer believes in batman or his methods, the life he lived under bruce's roof is no longer true, it hasn't been since he ended up in that warehouse. it's almost like a loss of faith.

holding my, holding my / holding my life in your body

this one is obvious & not so obvious. there's different things it could mean but the most in your face one is: bruce finding his son's body in the wreckage and holding him, wishing that jason would open his eyes. it's so reminiscent of the every image of bruce finding his son in death in the family; jason’s limp body in his arms, him the picture of the devastated father.

its batman protecting his robin when they're out on patrol. jason's full trust in his dad to keep him safe. every night out as robin was a risk and bruce was always there beside him, pulling him back when it was too dangerous or picking him up when he was too hurt or too tired to carry on.

its jason holding a gun to the joker's head and demanding his dad make a choice: him or his murderer? one of them was going to die there and it was all in bruce's hands, whether he wanted it or not.

it was the way the batarang sliced his throat and sent him stumbling, releasing his murderer so he can grasp at his throat. a timer is about to go off and he's trying to stop the bleeding. this was his dad holding his life in his hands and choosing wrong. this was jason keeping himself alive, the only person he could depend on anymore.

in a meta sense it's the poll that killed him. his life hinged on the votes of fans. he would live or die based on whatever they called in and said. they held his life in their hands and voted against him. voted to see him dead. voted to see batman's world shatter with the loss of a child. they could've saved him.

i bottled up the pieces of the lie, of the lie

it's about putting his past behind him, or trying to. it's the distance between him and the rest of the bats. he's not part of them and his time with bruce was a lie, it wasn't real, that wasn't his family. he thinks he knows that now. he was replaced, they're happier without him. so he keeps his distance and he keeps all those feelings inside until they spill out and he's confronting a bat and it gets explosive. because he does want to be part of the family, he wants his old life back even if he can't have it.

its about all the things talia told him while he was healing and training. the whispered half truths that she used to manipulate him, so he would become a more willing pawn. she told him about tim and twisted it, told him that bruce never loved him, didn't even miss him. jason's body had barely been in ground before a new kid was going out in the colors that killed him. she doesnt tell him how his dad was self destructing, how tim thought he had to step in to keep bruce alive, how tim was just a kid taking responsibility for a man so lost in his grief he took it out on the world. she tells him how his death has gone unavenged because no one cared enough about him to avenge him.

she doesn't tell him how his dad almost killed the joker, he would've too. he was going to put his rules behind him and rid the world of his son's murderer. but superman stopped him (there might have been valid reasons but does it really matter?). she doesn't tell him how dick wanted the joker dead as soon as he heard about jason's death, how fucking outraged he was that bruce was letting him sit in arkham instead of six feet under. she doesn't tell him how dick beat the joker to death for him and tim and barbara and the only reason he's still alive is because bruce brought him back. she doesn't tell him that he was loved.

everything she's says is lies wrapped up in a thin layer of truth and he takes it as gospel because why would she lie to him? she's in charge of him, she saved him.. right? she should have no reason to lie to him.

who am i, who am i / to ever love you with wide eyes?

so much of this song is about his relationship with his dad and how it's changed since he came back to life. he's not the same kid he was, he's angry and wrong and he hates bruce for replacing him and for letting his murderer go on living. there should be no love left for him to give. but there is. there's enough left that it has him coming when his family calls and agreeing to nonlethal methods, anything to make his dad happy, to make his dad love him.

jason doesn't feel like he deserves to love anyone, least of all the family he doesn't fit into. he's the extra puzzle piece, one that came from another box and was so obviously out of place there was no mistaking it as part of the bigger picture. just like jason is with the family.

this line is him quite literally asking himself if he's allowed to love bruce now that he's broken all the rules. is he allowed to still think of him as his dad and want his love if he's not part of the family anymore, if he's not robin anymore.

going into the verses now, this part might be more select lines rather than the entire verse. we shall see.

VERSE ONE.

my love was only temporary / i aged, but kept the memory / and still it makes me shiver cold

this is all about losing the two most important parental relationships he's ever had and how it'll never stop being an open wound.

he had three years as robin, as bruce wayne's son, he knew it wouldn't last forever. he was so loved during those years, he wanted it to be forever, he wanted to know what it was like to grow up happy. but he died and he lost it. to him, the love he experienced then died with him. and now, as red hood, he knows it has. all he has left is memories of a time when he was happier and it's mostly his fault. it keeps him up some nights, nights where he's alone and nightmares won't let him sleep and he wakes up in a cold sweat wishing he could slip out of bed and walk the hall to his dad's room, seeking out comfort like he used to.

it's losing catherine when he was so young. it's the constant desire for more time with his mom that he'll never get to have. no matter how old he gets he'll always be that little boy shivering and laying beside his mom, hoping she'll wake up.

if i really wanted to, i could also tie it back to talia honestly. she made him feel loved so she could mold him into a pawn and then she betrayed him in the worst possible way. jason will never forget what she did and she will star in those nightmares that wake him up at night.

theres no place to hide the past we bury / so like the virgin mary / she lied to save the family

for the most part the latter part of this line is about catherine to me. it references how she tried to shield jason from the worst of things. she told him she was sick, not an addict. her drugs of choice were medicine to make her better, not the things actively killing her. she lied to him to spare him, to save him.

the first line is pretty on the nose to me. try as he might jason will never be able to run from his past – whether that's being robin or living on the street or being raised in an abusive household or his time spent with the league. nothing is gonna be able to hide it. even six feet of dirt wasn't enough for him to be rid of it.

VERSE TWO.

i am the dust behind the window / the darkness in the shadow / the stain under the pillow

the most standout line here is the darkness in the shadow because that's what he is, isn't it? he's the dark spot on the otherwise clean history of robin. (it means nothing that every robin has had their problems, none of them are innocent, but jason will bear the curse of that alone.) and when he was first starting as red hood, he was hiding in the dark and going through with his plan for revenge. no one knew, or could've known, that jason was back in gotham. he should've been dead, he should've been a ghost.

the first line is referring to his memorial in the cave. the suit he died in – that should've been destroyed, it never should've been kept, it just like robin should've ended with jason – is displayed behind glass. the suit is all that's left of a ghost.

and i'll be the perfect silent witness

this is a bit more of a loose interpretation than some of the other parts but this to me would be referencing the deal he makes with bruce about not killing in gotham. his attempts to repent and be the son bruce wants again.

i stink from all the bullshit / so feed me and i'll hold my tongue

the first part of this is similar to some of the things i've written about jason's internal monologue. where he's thinking about how he's not able to rid himself of where he grew up, like his neighborhood left a permanent stain on him. it's something he felt most intensely when he was attending gotham academy. he felt like the students and the teachers could smell the stink of crime alley on him, that they knew he was not from the same kind of people, that he was only there by chance – not by birth.

finally to finish up, here's the bridge which is so so fucking fitting.

BRIDGE.

rage! / i'm the bad guy, i'm the bad guy / i'm the cynical kid, i'm the rage

this is red hood. this is all red hood is. all of jason's anger wrapped up in a neat little bow and hidden under that helmet of his. he makes himself the villain in the family. he kills people even though he knows it breaks his dad's number one rule and it'll make it so he can never be part of that family again.

he comes back so disillusioned to bruce's methods because he knows! they don't work! gotham is still just as bad as ever! there's no way the city will ever get better if someone doesn't start cleaning up the streets and laying down rules and getting rid of the worst of the worst. which is what jason does.

as a kid he wasn't full of so much doubt. he genuinely believed he was making a difference but now he knows better.

i'm the big lie / i'm the goddamn shame of the goddamn pride!

jason todd was the good soldier! the plaque on his memorial says so! but that isn't true now is it? no, jason was the soldier who wouldn't listen in the end, who turned his back on the cause when he was shown the truth.

he was the angry one, wasn't he? that's what everyone wants to believe.

jason todd the good soldier. jason todd the angry robin. the robin who was always destined to go down the wrong path. it's true because bruce said it, isn't it?

his past is all hidden behind the lies of a man he still calls dad. he warps the memory of a dead boy to suit his needs, ignoring the truth of jason's life because it makes his death easier to deal with. it makes his return and his crimes easier to deal with.

because he's batman's greatest failure. his soldier, his fault.

he's the bat that makes them all look bad. he wears their symbol and he kills people. he thinks he's something that they're all ashamed of (and maybe they are. maybe he deserves that for what he's done.)

rage! / i'm the bad guy, i'm the nice try / i'm the typical bitch with the rage on my face!

pretty much the same as the first part of the bridge but i want to focus on the i'm the nice try part. because i feel like it reflects thoughts on his life and death. his time as robin was cut short but he did good during it, didn't he? he helped the people of gotham and he did so much good but it wasn't enough.

and then his death! it didn't stick! his resurrection is basically the universe's way of saying nice try! not even death could stop jason todd.

i'm the goddamn beast of the goddamn pride!

this!

jason is the member of the batfamily that's willing to go further, he's capable and ready to kill if it means protecting his city and his family. he's the violent one now and he accepts it. that's his role in the family now.

[xx0yeet-everything0xx]

ok but give me the word and i will rewrite the hoo series and i will make it so much better

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.1)

oh boy oh boy am i excited for this one buckle up boys it’s gonna be a long one. analysis under the cut (WITH PICTURES!!)

i, like many others, have many thoughts and opinions about juni ba's the boy wonder that i'd like to express. i was having trouble formatting my rant, though, so i decided that it was easiest to just address some of the common complaints i've seen about the comic and jason's characterization and insert my ramblings throughout it. so far i've seen three main complaints:

the typical boiling down of jason's character to "the angry one"

his lack of strategy going into the fight with the demon is out-of-character

the neighbor's kid interaction

to start with the first one-- when introducing jason's character, in both the second and first issue, ba uses the descriptors "coarse", "bitter", "hardened", "brash" and, of course, "rageful".

so, yes-- i understand where people are having issues with this characterization. however, even if it's overplayed, it's still important to remember that jason is angry, and is driven, in part, by his anger at bruce and the joker. and, as ba highlights, he deserved to be! completely erasing jason's anger is just as bad as defining him with it.

i also don't think it's wholly accurate to say that ba is boiling jason down to just his anger. it might seem like that when only considering the dialogue and narration, but jason's behavior in the comic doesn't perfectly align with how the narrator describes him. while the narration describes him as "rageful" and could be an instance of generalization, jason's actions throughout the comic are more aligned with two other emotions/motivators: fear and despair. we never see jason get actually, properly angry; the closest we get is when he's seemingly annoyed by damian (which i believe could be performative) and when he becomes violent, accidentally hurting damian.

even in this instance, though, he is not driven to this violence by rage, but rather fear. so, while ba states in the narration that jason is driven by his anger, he contradicts himself by highlighting how jason's sadness and terror motivates his character. this could be interpreted as lousy writing on ba's part, but i'm not going to attribute the paradox to that inference. to me, it actually represents a critque of the "jason is the angry robin" generalization, because it calls to attention the discrepancies between how one is described versus reality, an issue that jason both faces in the comics (bruce using him as a cautionary tale when dying WASN'T HIS FAULT) and outside of the comics, as mentioned previously.

furthermore, this highlights the difference between what jason believes about bruce's perspective and bruce's actual perspective (according to damian). jason believes himself to be a "failure", but damian refutes this by describing his conversation with bruce concerning jason, a conversation that does not align with jason's belief. if you couldn't tell by now, perception versus reality is a BIG theme in this comic (and for jason's character in general!)

i was really fascinated by ba's take on jason, because it veered pretty far from a lot of contemporary comics, most of which do, unfortunately, play with the angry robin jason generalization. they've been doing a bit with his fear, too, which has either been pretty fun or the most awful thing ever (i'm looking at you zdarsky. gotham war was fucked up), but what makes ba's jason stand out to me is how he grapples with his grief.

this boy is so sad. ba's jason might actually be the saddest rendition of him i've seen in canon content. we've seen jason grapple a little bit with the despair rooted in his death and resurrection, mainly in lost days, where he cries 3 (?) times, fresh out of the pit and very traumatized.

even in this comic, though, he reacts to his grief with anger more prominently than sadness. that obviously doesn't mean the despair isn't there, though-- anger is just an easier outlet for it (which i could really get into the masculinity aspects of that, but then this would be wayyyyyy too long).

ba's jason, though? that motherfucker is so. sad.

christ he's depressing. AND THAT'S SUCH A FRESH PERSPECTIVE!!!!!!! THANK YOU JUNI BA!!!!!!

now i'm pretty sure some people would argue that this rendition in out of character because he's so sad. to me, though, he's still the same jason; he covers up his sadness with anger and pettiness, redirecting his own insecurities onto those around him to mask his true feelings.

ba quite literally illustrates this in the comic. whenever he is being his snide, normal self, he has his red hood mask on; but when he actually opens up to damian and expresses himself truthfully, the mask is off. ba is highlighting how the classic jason anger and bitterness is, in part, a performance and coping mechanism.

this post is already too long, so i'll go over the two other critques in a different post, which i will link below (eventually). if you guys have any thoughts you'd like to share or discuss, my dms and asks are completely open! if you made it this far, i hope you enjoyed my ranting. look out for another post soon! :))

part 2 / part 3

[ifyoucandaniel]

exactly one person asked and i’ve been DYING to make this, so here are all of my favorite long batman fanfics in general and for new readers @twisted-tales-told :)

cards on the table by @wesslan ! 69k, completed. this is one of my all time favorite fanfictions, it’s so funny and tim is a mastermind genius and a little liar <3 he basically pretends to be a fortune teller and gives scarily good predictions and advice by stalking the upper class and eventually gets involved with the batfam and has to maintain his lies while dealing with his issues :) 10/10, very found family, good angst, so much lying

Dark Matter by @mysterycyclone , 221k, ongoing. this is a batman fanfic rec, of course my bbg dark matter is going to be here <3 this is a MCUxDCU crossover where after infinity war (spoilers for that if you haven’t seen it!) peter parker gets sent to the DCU dimension with part of the soul stone and basically is haunted by the ghosts of the avengers while trying to survive in gotham and get back to his dimension. this is so well written i’ve read it at least three times, it’s still ongoing but trust me it is SO GOOD. i can’t properly describe it, but if you like spider-man and you are interested in batman, you’ll love.

Red is the Color of Sinners by @bluelotuswrites , series, 120k, ongoing, M. i want you to look me in my eyes when i tell you this is my favorite series on ao3. it is set after under the red hood and daredevil 3 where jason and matt meet in a church after jason loses his ability to speak following the events of UTRH. they keep running into each other both as matt and daredevil and eventually jason begins helping matt out with injuries and tech. it’s not finished yet, but there is something so compelling about their dynamic in this series as well as jason’s overall character and how he is portrayed. i’m a sucker for mute jason after UTRH and this series does so well giving him a fresh start and a place away from gotham to heal and build relationships. i cannot recommend enough.

buy back the secrets by @vinelark , 71k, ongoing, T. THIS!!! oh my god, so this is a timkon fic where kon still doesn’t know tim’s civilian identity, but whenever he’s in trouble tim calls for superboy which leads to them meeting without kon knowing. shenanigans ensure when kon starts spending more time with tim! it’s still ongoing but the author is currently working on the next part and it is so so worth the wait. chapter 4 ends on a cliffhanger though so be warned :))

Sales People Know (listening is the most important part) by Mayhem10, 77k, completed, T. this has the coolest urban magical realism ever. tim basically runs this magic shop that shows up places and people who need something find it in his shop :) it’s kinda a slow burn found family fic with magic themes and a smidge of angst!

Retrograde Motion by Lysical, 112k, completed, T. this is best de-aged kid fic ever. jason gets turned into a 7 year old and basically the outlaws, artemis and biz, join forces with the batfam to take care of him. but trust me when i say this is worth your time, it might sound tropey but in the best way possible!! and jason’s relationship with artemis is sooo important to me in this!

Hand in Unloveable Hand (a chokehold) by britishparty, 54k, completed, M. this is one of the best psychological torture/grooming fics i’ve ever read. pretty much what if while our taking photos of batman and robin, little tim gets kidnapped and black mask gets his hands on him and decides he’s the perfect size for a protege. years of psychological abuse and insane mind games ensue. also tim is a Badass™️

If He Had Come by bronwe_iris, 45k, completed, T. so i’m a little freak and i love the angst of arkham knight jason, but more specifically the aus where bruce saves jason before he becomes the arkham knight! this is an au where bruce finds jason and saves him from the joker after 9 months of torture and brings him home. focuses on his healing mentally and physically and rebuilding his relationship with his family

Banshee in a Well by liverobinreaction (bugbee), 43k, completed, T. veeeery good angst. basically what if tim couldn’t die? 43k of tim drake whump where he just dies a bajillion times and eventually his family notices <3

The Birds: Hatching a Family by Oceanera12, 81k, completed, T. this is like “what if the batkids weren’t adopted by bruce, but instead they were all foster siblings who can’t seem to stay out of gotham at night and batman happens to find them and decides obviously he can’t leave these kids to their own business, he has to stick his nose in it” and there’s some angst and heaps of found family

The Hellblazer’s Apprentice by @bluelotuswrites, 29k, ongoing, M. what can i say, im a simple woman, i love to see jason with literally any older male mentor :) basically in UTRH what if he took up an apprenticeship under constantine to learn magic to piss off batman! so good, i really love constantine so seeing him and jason interact in a long fic is so good. also ALL BLADES JASON TODD SAVE ME… ALL BLADES JASON TODD-

something in the static by bonerot19, 101k, ongoing series with three main completed works, T. this is a jason centric series where jason still lives in crime alley with his mom and dad and never stole the batmobile tires. it follows his life in crime alley with an addict mom and an abusive dad and one night when his dad is whaling on him nightwing finds him and the bats just can’t seem to leave him alone after that. steph is his neighbor and best friend also and their relationship is so good. this is a “what if jason took a different way home to the wayne’s” fic series and i love it so much <3

catch the asteroids that come your way by ThePackWantsTheD, 54k, completed, T. i don’t read a lot of ships in the batman fandom i’m sorry, but this kyle/jason one is sooo lovely. basically the two of them growing up together and falling in love and then dealing with the aftermath of A Death in the Family and finding each other again :) really sweet and nice!

hope you find something you like! i realized the majority of these are tim or jason centric, and i love them all dearly, but if anyone has any recs for long fics focusing on any of the other batkids lmk! and any other recs in general, i am a fiend for new fics

[ultimate-marysue]

I made some sort of alignment classification based on whether they're impulsive or if they plan ahead for the Batfam. Feel free to correct me (politely please, I'll cry) or to add your opinion. I'm not trying to be super canon, just based on their characters' vibes.

Bruce Wayne: 100% planner. This man could be a Bene Gesserit, plans within plans, and they always work even if they shouldn't (because DC can't have him be wrong). It's like a choose your own adventure, you follow the plan and each time something new happens that is sure to chase things up he pulls a subsection specifically for it. Senior Justice League Members just don't question him anymore no matter what. "You had a contingency for getting invaded by mind controlling ballerina spiders? Yeah, sure, tell us all about it".

Barbara Gordon: she plans around her impulses. She is self aware enough at this point to know she's a bit of a hot head. It is what it is, she's called Batman an Emo Boy's idea of Therapy enough times to his face to know she just can't help herself with some stuff. So instead of working against it she plans around it. In the end, it was her plan all along. Canary thinks she could just hold her tongue, but considering the vigilantes Oracle manages, her experience in planning for these situations is invaluable.

Dick Grayson: Impulsive, not because he can't make plans or because he isn't smart. Quite the opposite. He just has that ADHD dog in him. He would be guiding the Titans through a mission and they'd be thinking "Woah, everything is going according to his plan", meanwhile inside his head is Bear Grylls saying "Improvise, Adapt, Overcome". It's not so much that he comes up with plans on the spot but he ends up changing it along the way because he thought of something better for that specific situation. He may use B's protocols for a general structure but then trusts his instinct to come up with something better on the spot.

Cassandra Cain: Neither. She's not one to be coming up with elaborate schemes but, as much as she relies on her instinct, she's able to stop before jumping. She doesn't need to plan, she knows what works. She observes and then takes the best course of action. When Bruce goes on and on about the importance of planning she just answers "Skill issue" and leaves.

Jason Todd: impulsive planner. This is a man that makes plans, okay? He's theatre kid coded, he needs to know his little monologues by heart. The thing is, he's also very emotional and has the impulse control of a toddler in front of the cookie jar. He can't help himself, he has to punch the asshole and make the witty comeback or he will explode. The outlaws have been grilled to death on the importance of following the plan but then watch him like ten minutes later throw it out the window. They find it both endearing and annoying.

Stephanie Brown: Queen of Chaos. She can plan. She's good at it too btw, she just doesn't want to if she can avoid it. She works best when she's improvising and it drives Bruce and Tim up the walls. They just hate to see women winning. She's the best one out of all of them at turning a mistake to her advantage in a matter of seconds. It's quite impressive.

Tim Drake: Chaotic planner. Everyone is so sure Tim is a mini Bruce and to a certain extent, if you squint your eyes, then yes. But Young Just Us know the truth: his plans are extremely effective but only in the most chaotic way possible. There's the Batman plan, and there's the Red Robin plan, which is like the first one but faster and with more fire. He also has to be periodically reminded to take into account his own wellbeing when making his little schemes.

Duke Thomas: plans on the go. I don't know how else to explain it but it's like those sequences in the Sherlock movies (the ones with RDJ) where he's watching his surroundings and opponents almost in slow-mo till he puts together a plan. It's similar to Dick from the outside, but if you pay attention you can see the wheels turning in his head as he goes along. He actually stops and thinks (metaphorically, most of the time his thinking is done while he distracts enemies).

Damian Al Gul Wayne: he's a strategist, not a planner. This is an important distinction because whenever Batman or Red Robin are explaining one of their convoluted plans he feels like he's actively losing braincells. He's closer to Cassandra in the way he prefers a more direct solution. He also gets palpitations anytime Jason or Stephanie just start doing things without thinking. If he knew what Dick's thought process was he would have probably developed an anxiety disorder in his time as Dick's robin. He doesn't understand the need for such high detail planning and hates the idea of making it along the way. No, he just needs to come up with the most efficient strategy and that's all.

[calmcoldevening]

Can you pls do slashers x reader who is very girly❤❤

It's ok if you don't want to do it!❤

Hey, of course I'll write it. Well, I didn't know which slashers you want, so I chose these four. If you want another slashers, just let me know, kitten ♡

I'm sorry it turned out so little, I'm just not good at 'girly' things

Slashers x girly!reader

Characters: Michael Myers, Jason Voorhees, Bubba Sawyer, Thomas Hewitt

Michael Myers

• He doesn't care. Michael absolutely does not care what you look like or what you wear, his affection is much deeper than external indicators.

• Although he doesn't particularly like it when you wear dresses or skirts that are too revealing. Michael sees people staring at you in the streets with hungry eyes. Because of this, he becomes very possessive. He will keep an eye on you on the streets with special care so that nothing happens to you.

• He likes your hips in dresses. After a long day, he just likes to put his hands under the fabric of your dress and squeeze your hips, his head resting on your stomach. You are his place of comfort.

• You are the only person whose feelings are even a little important to him. He'll be able to listen to you, but don't expect an extremely vivid reaction. If you're crying and you need comfort, the most he'll do is pull you onto his lap and hold you close, grumbling through his mask into your hair.

• He absolutely loves your shampoos and floral perfume. Amidst all the vulgarity of the modern world, you were his personal delicate flower.

• In general, such dynamics would be very much to Michael's liking. He is such a strong and big man and you are his little thing. He would be quite attentive, protective and dominant. If possible (if I remembered) Michael would bring you some trinkets, maybe even flowers.

Jason Voorhees

• Jason would be absolutely happy to be your partner. He would be as gentle, caring and attentive as possible. Jason is basically quite lonely, he lacks love and attention, and you are all so gentle and beautiful, like a young spring flower, he will love you with all his heart and protect you.

• Gives you flowers, teddy bears, all sorts of nonsense for no particular reason. He especially likes to collect flowers for you in the forest in a neat bouquet and tie it with a generic ribbon. Yes, it may not be a bouquet from the store, but it is made with all the love.

• He can listen for hours as you tell him about your makeup or some cute girly stuff. He will be very attentive. And although Jason doesn't understand everything about it, he will try to remember what you like. He really cares about your interests and tastes.

• If you make new nails, he will have a very violent reaction. Jason knows how important attention is to you, so when you come home with a new manicure, he will almost faint from such beauty. A man will gently take your smooth hands and gently kiss your beautiful fingers in turn. You are his treasure.

• Jason absolutely accepts and supports you, regardless of how you like to behave or dress. It will support all your new hobbies and help you if necessary.

Bubba Sawyer

• Bubba will squeal with joy when he finds out about your interests. In principle, he just liked to see you, so fragile and sweet against his background, in dresses, and now he finds out that you are interested in many different things... He loves you with all his heart.

• Bubba was fond of makeup and all that even before he met you, so now he will shyly ask you to teach him how to make up as beautifully as you do. His ears are red, and his gaze is fixed on the floor, he is a little ashamed to ask for such a thing. After all, he's such a big, tough man, but he trusts you.

• Very protective, especially from his brothers. He won't let anyone touch you.

• If you love cooking, he will be even more crazy about you. He's a pretty big boy, so he likes to eat delicious food. Hugs you tightly every time you cook your next incredibly wonderful dish. You have to eat, he has to do the dishes, he doesn't want you to ruin your delicate hands.

• Loves carrying you in her arms. He basically likes your size difference, it makes him feel like your protector. Madly in love with you and your personality, he won't let anyone hurt you.

Thomas Hewitt

• Thomas has wanted to have a sweet little wife and start a family with her all his life, but he didn't think anyone would really love him. And then you showed up. So sweet, beautiful, small and innocent. He's crazy about you.

• On the one hand, he is a strong, courageous and caring man who will try to do whatever you want for you, he always tries to make you happy. But on the other hand, in your gentle embrace, he turns into a stupid little boy who only wants attention from his beautiful wife.

• Thomas is very protective of you. He would not allow any of the victims to lay a finger on his fragile sweet lover. If they dare to look at you lasciviously, Thomas will rip out their eyes without a twinge of conscience. You made him change for the better with your bright and pure soul, but he still remains a violent maniac, so he won't let anyone offend you.

• Now he treats female victims a little more carefully. He tries not to spoil their jewelry or things, in case you want to take some of it for yourself. In addition, he takes special care to take the victims' suitcases out of their cars and checks for any trinkets that you might like.

• Can't stand the looks of Hoyt and Monty on you. When you walk around the house in a skirt or dress, Thomas tries to be close to you and hug you around the waist, covering your hips with his big hand. You are only his treasure.

[erinwantstowrite]

Hello!!!! Who is everyone dating in LoF (if they're dating anyone at all)?? :D

AHH good question!! I have a general idea for most characters, but for some I have plans :3

As for dating:

I honestly have no clue with Bruce, but that's just how it is all the time, isn't it?

Dick is dating Wally, because Birdflash for the win!! But he has dated Kori in the past, Babs, (and etc) and they're still good friends to this day :)

Jason I'm still debating on. I like him and Roy and I think it's a popular ship? I haven't looked too far into it. I also hear that Jay, Roy, AND Kori are a ship and that's so so so good

Tim and Kon are in their "will they won't they" where everyone else knows they're dating and they also know they're dating but they don't bring it up at all. Also might have a YJ polycule just for funsies, don't really know atp

I need to read more about Damian and Flatline (AKA Nika) but from what I've seen so far they are. ADORABLE. Like so freaking cute I can't stand it

Cass and Steph are also dating- if anyone is worried about a detail that was in a previous chapter that would make that WAY weird, I went back and edited that. My mistake, y'all, that's on me.

A lot of people asked about Lanky and Shoes and this is my formal announcement: Yes, they are in love!!

As for other characters, it's up in the air. It really depends on what I see everyone ask about the most (but final decision is left to me :3). If I see that people like a certain ship and it's good, I could go ahead and mention it in the background, etc.

And for Peter: Ned.

A lot of people have looked at me strange for this one, but I thought it would be fun to explore that dynamic. I know Ned isn't MJ, or Harry, or whatever other ship people like, but I think they're cute. Some people stopped reading because of it, but I don't want to go back on it... So I don't think I will. I understand where most come from, it's not their cup of tea, but others were just plain nasty and I had to delete their comments on the fic itself, tiktok, etc.

Right now, they're best friends!! Ned is definitely aware he has a crush and is ignoring it, but Peter has no idea. That's 'cause they're both younger in this fic and I think right now they have more important things to worry about than Love. It's more of a puppy crush thing right now, more subtext than plain text.

But later on in the story, it's going to be explored. I may or may not write them becoming a couple or putting a label on it, but it will be talked about. It really depends on where the story goes. But I am of the belief that romantic love isn't the only type of love that can be written about, and at the end of the day, LoF is about the various forms of love and grief.

I think a good way to term Peter is biromantic asexual? I'm not too sure about the terminology here, so take that with a grain of salt. I'm pretty sure bisexuality is on the ace spectrum? Like he's still 14 and he's got a lot of time to figure that out. In my head that's just how it is.

I hope to have a lot of representation in LoF! There's a lot to explore and being apart of the community, I know how important it is. And I hope I don't actually have to moderate my comments because of it, that would suck

[monarch-of-weird-girlboy-nation]

A Jason Grace Analysis 

While my Jason fics relies on mainly interpretation and headcanons, this one’s mostly going on the limited list of Jason’s life from the books. YOU’RE ALLOWED TO DISAGREE WITH ME,JUST DO IT RESPECTFULLY IN THE COMMENTS. be nice pls.

Spoiler alert 🚨 (for PJO, HOO and TOA)

Jason Grace is a character who was, in a way, screwed over by Rick during his writing of Heroes of Olympus and eiDzgventually Trials of Apollo. His story was very sad, but never explored to its fullest potential and in some cases didn’t make sense. He’s a character who is seen as ‘boring’ by the fandom, which , in a way, makes sense. Uncle Rick didn’t do him justice, so I’m here for a Jason Grace analysis.

Firstly, Jason’s incredibly depressing life. Because I do not know what vendetta that Rick had against my boy, but I would argue his story is the most tragic of everyone in the books. Yes. Even Nico. 

Jason’s mother was an unhinged alcoholic who was obsessed with fame. For the first 2 years of his life, he was basically looked after by his sister, who was also a young child. As hard as Thalia tried, she probably wasn’t the best caregiver on account of her age. His mother was unstable, which has got to leave some scars, even if you’re a young kid, because you still know what’s going on to some extent. And Jupiter seemed to leave the family to their own devices after a while, not even staying for a kid. So Jason has been basically abandoned, keep track of how often that happens. 

Then Jason was abandoned again, this time by his mother, left as a sacrifice for Hera. And he wasn’t sacrificed just anywhere, he was left at the Wolf House, where Lupa tested him to see if he was ‘pup or food’. So Jason, at two years old, was tested by a Wolf Goddess, a ruthless one at that, who threatened to kill him if he didn’t live up to expectations. Just a great environment for a toddler to live in. And while the time he spends in the Wolf House is unspecified, the general consensus is that it was for a year or two. This is more of a headcanon, but the implications of ‘pup or food’ could show that he stayed with her longer than the average Roman demigod. In SoN, it’s shown that most demigods do their Wolf House training for like, a week. And the training sounds harsh when Percy, age 16 does it. So imagine a 2 year old, going through that, constantly. Then he is off to New Rome. 

In HoO, it’s pointed out that Jason has 12 lines of his forearm for his years of service in New Rome. 12 lines representing 12 years of service.

Jason has been serving 12 years of military service since he was around 3. So that means that this literal infant is just… in the military. How does that work? Was baby Jason just running around in little armour? Was he doing the same drills as other kids when he was much, much younger? Also the fact that in Camp Jupiter, you train for 10 years, then go to live in New Rome. But Jason has been serving for longer than that, with 2 extra years. It seemed like he wasn’t going to retire anytime soon in the books, so that also adds some mystique to his character that was never explored.

Then we move into the other things at Camp Jupiter, which is that Jason was treated like a statue or a star, instead of a person. Hazel says that he is ‘more legend than boy’ which is so sad! This kid, this 15 year old is seen by those around him as a hero, a legend to look up to. Did Jason have any other friends? While Reyna seems to be close, Reyna had a crush on him, and while he didn’t know that, it must have made the friendship a bit… different. Jason isn’t specified to have any other friends in the books, probably because everyone was to in awe of his status as a Son of Jupiter. And while Jason may care about the rules, in Roman terms he was a very radical person. He was just trying to live a calm life, to not be known only as the Son of Jupiter. He joins the least respected cohort. He tries to take less important quests. But it doesn’t work, because he does get assigned big quests and while he is in the 5th cohort, people still treat him like a legendary hero instead of just a guy. And while the phrase ‘victim of nepotism’ is quite controversial, I think that Jason actually fits that bill.

Then we come to SoN. You know that tweet that’s like: hey we’re calling off the search party. we found a different guy out there we like more. That’s what Camp Jupiter did to Jason. Again, he was abandoned, this time by his own Camp. Like I know 8 months is a while, but oh my gosh, do we have to elect a new praetor? There’s also a contradiction. Percy is a Greek demigod, which isn’t a thing the Roman’s really like. Yet after a couple weeks at Camp, he’s already a PRAETOR? While Jason was put down for being ‘unrecognisable as a Roman’, they elected a very Greek person as a praetor? He was immediately accepted into the highest position of power? Also the fact that Jason wasn’t looked for. At all. While CHB was scrambling to find their boy (as they should), no one in CJ cared? Like, aren’t they the ones with the giant searching eagles? It seemed like everyone forgot about him, with him being missing not being a huge thing for most people (except Hazel and Reyna to my memory, fill me in if anyone else gave two frogs) and that’s gotta sting. The knowledge that your entire camp not only replaced you, but didn’t bother to look. 

Jason also had amnesia and never regained huge chunks of his memory. That must be horrible, to have parts of your life gone, to not remember much. While Percy got everything back, Jason got so much less!

Jason goes on the quest, then comes back. He goes to CHB, goes to school. He starts having a normal life. And he gets broken up with, making him genuinely sad. And while I know that Piper had no ill intentions whatsoever when she broke up with him, that also could count as an abandonment. Because they don’t really keep in touch in the book, they seem to go their separate ways. So kinda half of an abandonment, even though both parties weren’t in blame.

Finally we have his death. While Thalia got turned into a tree by Zeus, a slightly caring act for a god, Jason died. This could be because Jupiter is crueller than Zeus or it could be because of the cycle of patricide, with Jupiter killing his father, who did the same to his father. Maybe it’s because of his paranoia. Maybe it’s because Jason called Jupiter unwise, but it still counts as an abandonment. The god saved Thalia (she could be seen as non threatening, not a killer. Not someone who could carry on the tradition of son killing father) and abandoned Jason, left him to die the ‘heroes death’. 

Jason’s life has been one big struggle and rejection. 4.5 times, he was abandoned, left somewhere by someone. Left to die in the end. He was a child soldier, meaning that he was a kid that never got to be a kid, just a tool for the gods, for years and years. And he struggled with making friends, making new rules, trying to push the camp into the future. Seen as unroman, even Reyna says it. That’s an awful life, one that Rick Riordan never explored and one that’s contradicted at times.

Jason was a character that Rick dropped the ball on so hard.

Because, while his life is incredibly difficult, it has so much potential for storytelling, that Rick  dashes on the rocks, leaving the fandom with a character who people acknowledge as weak and boring.

So, in the fandom, Jason is regarded as having no personality, or being a knock off Percy. So, Jason not really having a huge personality, as a kid who trained as a soldier from a young age, makes sense. He was spending half his childhood trying to survive so trying to figure out what MBTI type he was may have fallen low on his list of priorities. Then he got amnesia, and sent on the Seven quest. So Jason not having time to develop a sense of personality makes sense, buts here’s the catch. It’s never explored. Rick never, ever explains why that might be happening, which could make for a compelling story arc. Rick never expands on the child soldier thing at all, which sucks because instead of Jason having an identity crisis about Greek and Roman camps, he could be really weird since he’s a child soldier. (I’m aware that they’re all child soldiers, but I refer to Jason as child soldier since he was just a baby when he started)

And the seeds were there. For example, the scene with Jason being wary about Nico and not wanting to rescue him, that could have been Jason being taught that practicality is key. That some people are expendable. He could have learnt that from the ARMY THAT HE GREW UP IN. That could have been a plot point, that Jason struggles with taking breaks or knowing that’s he’s appreciated, that his childhood was abusive and not normal, that life isn’t a constant battle for survival. That could have been his arc! All of the pieces were right there! Rick, dude, you’re a great author, but you fumbled so hard on this one!

And also the fact that… unpopular opinion time….

Jason wasn’t stronger than Percy, but he should have been.

Jason has been in the army since he was a toddler, and I know that Percy’s really powerful, but come on! Jason being this really nice, really powerful kid with super strong powers and no social skills could have slayed. Maybe this is the inner Jason stan in me, but I personally think that Jason should have been stronger than Percy, simply because it makes more sense. Jason has been training for ages and ages, he single handedly fought a Titan at younger than Percy (around 14 or 15) so it seemed like his powers were muted by Rick. This could probably be because the PJO fandom is like a toxic TikTok boy mom when it comes to Percy (I can be like this too), making him centre stage and getting annoyed when he isn’t. Percy is meant to be the strongest, which isn’t bad, in some situations it just doesn’t fit. Or maybe Percy’s just wildly OP.

This is not to say that in the book Jason was weak, but people treat him like that.

And Jason’s really sad life is never explored! He should have been struggling with 1500 mental illnesses at once because that constant abandonment? The stress of everyone’s expectations? Trying not to die at like 4? He’s neither the eldest nor a girl, but he’s got so much eldest daughter syndrome and is burnt out gifted kid syndrome personified. And it’s hardly touched on! 

There’s also the fact that’s a really small nitpick, but, the fact that Jason only has 1 single lip scar? That shows that Rick wasn’t paying attention to his own character. Jason trained with the Wolf Goddess then was in the army, he should be covered in them.

In conclusion, Jason’s very sad and tragic story was hardly utilised and the very interesting parts of his character were not used in a way they could be. But don’t worry Jason. While Rick Riordan may have flopped you, you are one of my favourite characters.

Peace ☮️

[aroaceleovaldez]

I refuse to believe Nico is 5.6. He’s like barely five foot, he’s cuddle sized for will’s convenience

I mean, he's not. he's not 5'6". Only like three characters have extremely definitive heights with exact numbers and that's Michael Yew (4'6" [TLO]), Clarisse (5'6" [TLO]), and Tyson ("a little over 6ft tall" [BoO]). Everyone else is comparisons to each other with no exact heights (Jason is one inch taller than Percy, and Nico is 6 inches shorter than Michael Kahale, but we don't know how tall exactly any of them are) or vague approximations (Annabeth used to be taller than Percy but is now shorter, Thalia is approximately the tallest Huntress as of BoO, the Stoll brothers are Generally Tall-ish, Leo can fit into a seven year old's hand-me-downs, etc.)

An important thing to remember with Nico is that he is 14 at absolute maximum in the series. His age range through the series is 10-14. 14 year olds are rarely tall. Average height for a 13 year old boy, aka Nico throughout all of HoO, is ~5'1". In the 1930s, the average height of an adult Italian man was like 5'5"-5'6".

So, with that information, Nico as an adult is unlikely to break 5'6" if even 5'5". He is absolutely not 5'6" at 14, especially since we know he's described as short. Nico probably spent the majority of the first series under 5ft, which would actually explain why Bianca in BoTL noted that Nico had hit a growth spurt, because he was probably newly not 4ft-something anymore. Him being 5'2" in Blood of Olympus would make Michael Kahale 5'8", which is a perfectly reasonable height and does also match with their weight descriptions in the same line.

Anyways please picture the TLO scene of Nico scurrying around after Hades, shouting and waving his arms, with Nico being 5ft even and Hades being like 40ft god mode. Or Nico sassing Kronos but Luke is at least 6ft in comparison. It's really funny.

[cer-rata]

TW: racism

I think the way that comic book media has uncritically pushed anti-Arab racist propaganda (among other kinds) for decades upon decades is an important thing to acknowledge. Like it's not just a couple of bad apples here and there, it's always been pervasive. So many stories, so many villains, so many Arab coded fake evil countries. That kind of thing desensitizes people, dehumanizes entire groups. The politics of media designed for young men and boys (and not just them but for years that was the only audience that mattered, thanks sexism) has consequences.

Seriously, what was this:

As far as I'm aware this never even got an explicit retcon.

I was a little Muslim boy in the mid 2000s reading a Death in the Family because I wanted to know what happened to Jason Todd, and I didn't understand the depths of the propaganda that was being fed to me. I was so desensitized to hearing about terrible things happening in the middle east, and evil terrorists that I didn't question it. And my parents talked to me about what was going on and how it was wrong. But I was still a little kid and I loved Batman and I wasn't at the point where I could really look at the narrative critically, to realize that the authors have worldviews that are biased. I don't think I even grasped that different people wrote the characters. Iran electing known super-terrorist-serial killer-baby eating clown The Joker to represent them because he understood their values is yes, notably crazy, but most of this stuff isn't so loud and obvious, and we didn't leave it in the 80s. Just look at what happened to the depiction of Talia and Ra's post 911 and how they progressive became less human. So just think about the generations of kids reading this crap who had no counter messaging at all. Where does that leave their empathy?

I'm not saying that everything we're seeing is the fault of comic books, that's stupid and reductive and insulting to the complexity of the reality. But what I'm saying is that a lot of these narratives are actively complicit in the kinds of inhumanity we're seeing. Marvel thinking it's appropriate to throw Sabra into a movie in current day is a glaring transgression but it's not some kind of strange outlier. Lots of those films are actively funded by arms of the American military, just look at Captain marvel and Iron Man. And if anyone likes imposing an agenda onto the narrative, it's the military. A lot of this is baked into the fiction, and we owe it to ourselves and others to actively contend with what that means.

I dunno I'm just mad, and disappointed and maybe a little guilty that it took me this long to really realize the full state of things. I spent a lot of time blindly consuming. Like these books were created to be aspirational, to show good people trying to make a better world. But as always happens when art is completely beholden to money, they still serve the politics of the ruling class at the end of the day.

[ragnarokhound]

hey honeybuns how was your day?

I think we’re missing a really good angle for werewolf jaytim here. Imagine Tim knows Jason is a werewolf, they’re buddies, etc etc

But then Ra’s (or any other villain) starts sending Tim fanmail/trying to seduce him over to the dark side/being generally evil and or creepy. Queue Jason going all dog territorial on Tim, from following him around to everything short of peeing on him to mark his territory. Then (important to plot and character development) they have dirty dirty werewolf sex xoxo luv u

Hey buttercup, it's been pretty good actually! Making progress on my jaytim exchange fic 😤 how about you, any crazy work stories

And ohohoho HELL yes. I live for that kind of possessive shit lmao Ra's or Riddler or whoever starts sending Tim little things either as Tim or as Red Robin, and Jason immediately going into hyper vigilant guard dog mode about it is just. Chef kiss to me

He gets an ornate package in the mail that's just a single glimmering green-pommeled knife and a note that reads "happy anniversary, detective" on like. The day Tim lost his spleen or blew up Ra's bases, take your pick - and cue Tim's one man (wolf?) bodyguard detail. Even better if Jason gets his friends (ie Roy and Kori or Artemis and Bizarro) to help Deal With the Threat while he does the very vitally important task of being next to Tim At All Times, Just In Case

Comedic spin on this is Tim being utterly exasperated with this behavior (yet charmed, unfortunately) and spending more energy on dodging Jason than Ra's lmao, so when he DOES finally get kidnapped or whatever, he's like 'oh thank God, alone time'

When Jason finally finds him, all cute and snarly and panicking, Tim's like 'hey babe, thanks for coming, but we need to have a serious discussion about boundaries' and Jason whimpers ('not right this second obviously, we can cuddle or whatever wolfy, calming down thing you need to do first. Wow, you were really worried, huh? I'm okay, I swear, haha--mmf! ...mmm.')

[starofthesea37]

Marauders x Batfamily Crossover

So I really want to write a marauders x bats crossover, but I am uncharacteristically lost on the mechanics of it. You see, I love coming up with random au’s for my fandoms, and I have SO MANY IDEAS about interactions between marauders era characters and the bats (specifically around sibling dynamics), and many many ideas for random plot points and scenes, but what I can’t figure out is why they end up in this situation in the first place.

The general idea is that the bats go undercover at Hogwarts during the marauders era to gather information and help with the war against Voldemort. I’m not sure WHICH of the bats it would be, and what their roles in this endeavour would be (is it Tim, Steph & Damian who go, as they’re the only ones in the age range? Or is there some sort of age reversal spell involved that allows them all to attend? Or maybe the older bats are involved, but from the outside, as members of the Order of the Phoenix or Deatheaters or Ministry workers etc., or is it Young Justice who go?), but that is something I can figure out later depending on the mechanics of how it comes about.

What I need to know first is why it’s happening. Whereas in Golden Trio era crossovers the timeline can easily be adjusted to match up, for this crossover it’s very important that the Marauders era is in the 70s, and the bats would have to be from the 2010s+ in order to realistically have the technology they do. Therefore there has to be some sort of time or dimension travel involved. Meaning that this mission has to be entirely purposeful and planned. They have to have a reason to go back in time or travel to another dimension to help with the wizard of war (which also happens to be in England, very far from Gotham and the bats territory).

I have plans for how they get magic, how they get into the school etc., but this part is what’s really bugging me. I need my AU’s to make logical sense, otherwise I drop them.

I’d also like to mention that there are literally no fics with this crossover on ao3, and therefore I, as someone who has been deeply immersed in both these fandoms for a while, feel a moral obligation to fill this tragic gap. There’s just far too much potential for character interactions and awesome plot points to pass up the opportunity.

Also I’d like to put what ships/headcanons I may be including/referencing in this, just as a disclaimer in case anyone feels strongly against them. Just because they’re on this list doesn't necessarily mean they will definitely be included, but this is just what I fuck with and will include if it works for the plot.

•Romantic Ships (Marauders): Jegulus, Wolfstar, Pandalily, Dorlene, Rosekiller.

•Romantic Ships (Bats): TimKon (possibly Timberkon), Birdflash.

•I can maybe be convinced to include others so long as they’re not incest, age gap or anything else horrifying and illegal.

•Platonic Ships/Dynamics (Marauders): Marauders (James, Peter, Sirius, Remus)(obviously), Valkyries (Lily, Mary, Marlene), Skittles (Regulus, Barty, Evan, Dorcas, Pandora), Black Brothers (Regulus & Sirius), Prongsfoot (James & Sirius), Moonwater (Regulus & Remus), Moonflower (Remus & Lily), Marlene, James & Peter as childhood besties.

•Platonic Ships/Dynamics (Bats): all the bats to varying degrees obviously, but specifically, Jason & Tim, Tim & Steph, Tim & Damian, Dick & Damian, Damian & Jason.

I’ve almost definitely forgotten some but you get the general picture. Hopefully.

I have an entire google doc dedicated to what houses I think each of the bats would be in, but my opinion on that changes literally daily. They’re confusing your honour. But mainly I think it would just be hilarious to put Jason Todd in a dorm with the marauders and watch them flounder. Oh and stick Tim in Regulus’ dorm. He’d be such a menace. And Steph in the Valkyries dorm. Someone stop me before I cause too much chaos 😭

Anyway! This crossover has been living rent free in my mind for so long and I would appreciate any and all feedback/thoughts/opinions/ideas!!!!

I’ll probably add more onto this at some point, but this is the general gist. Pleaseeeeee gimme ideas!!!

Oh also fuck jkr :)

[tamaruaart]

Keep in mind this isn't me hating on Kirke, I love that fucked up goddess she's such a fun character. But goddamn I hate her fans.

It's all just people trying to push feminism where it wasn't 🙃 Yes, it's true ancient Greece was kinda shitty towards women. But goddamn that was 3000 years ago. We can enjoy these stories but it's important to not push modern perspectives and view points on these stories while also not condoning these actions. Not to mention we may very well experience this kind of thing with future generations that will come after us so it's important to simply stay humble. Civilizations and humans are constantly evolving and viewpoints are constantly changing so it's not exactly fair to history nor ourselves to take these ancient ideologies to heart. Grow up.

Anyways Circe/Kirke is not your hot little witch cutie 🥰 She's a goddess and the daughter of the Sun Titan. She's done terrible things and that's what makes her iconic. Istg if she wasn't so infamous no one would even know about her. She's morally gray and that's what makes her so neat >:D Now, is it unforgivable to paint jer in a good light? No, but I think if you remove ALL of her questionable morality she losses her charms. She isn't the same Kirke anymore. (Looking at you MM, your writing is good but holy shit.)

It's not unforgivable, but it's simply incorrect. If anyone wants to learn more about Kirke's original/actual character, I don't really recommend most modern interpretations- (MM's novel, Hades 2, DC, Odyssey Movies, my bbg Epic the Musical etc...) I'd say just read the Odyssey, reasurch some older mythos and read the Argonautica.

Can you still like these interpretations of Kirke? Yes. Of course. I love Epic's Kirke even though she is pretty inaccurate. You just have to acknowledge they aren't the real thing! :D That happeneds with most characters ngl, no adaptation nor interpretation is going to be 100% accurate to the original, but with Kirke it's always so... Apparent? So visible. They never make her at LEAST 50% accurate. Which 🤬

She was not a victim, she wasn't incredibly horny, she wasn't a girlboss, she wasn't love sick for Odysseus (it's hinted she only found him to be an 'interesting mortal' of sorts) she wasn't 100% cartoon villain of the week either. She's MORALLY GRAY 🗣️🗣️🗣️🗣️

She holds Odysseus' men hostage, she turns Scylla into a monster out of jealousy, she turns a man into a woodpecker because he didn't want to sleep with her. But she ALSO helps out Medea and Jason (even though it's because Medea was her neice but STILL) and she gives Odysseus instructions on how to head home.

She does BAD things that shouldn't be forgiven and aren't at all justified, but she also does GOOD things that should be acknowledged. She's a goddess. She's a character. She's morally gray. WHAT THE FUCK IS NOT CLICKING???? 😀

I just don't like modern interpretations of Kirke and I'm a meanie so I made this ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

That's why I stick to my 3000 year old books instead of these puny ones that were written in my century 💪💪💪

Do not apply feministic messages or themes on Kirke. Nor any Greek mythology figure for that matter. This was 3000 years ago 😀 if you want to focus on feminism FOCUS ON WOMEN WHO ACTUALLY HAD TO STRUGGLE ABOUT THESE THINGS AND THAT EXISTED IN THE 19-21 CENTURY 😀😀😀😀 WHEN PEOPLE KNEW OR WELL WERE SUPPOSED TO KNOW FUCKING BETTER. OR JUST FOCUS ON MODERN FEMALE STRUGGLES THAT ARE RELATABLE??

Also, if I haven't already made it clear. LIKING A CHARACTER ≠ CONDONING THEIR ACTIONS. I'm just talking about all the people who either call her a girlboss, hate on other figures for being morally questionable but turn a blind eye when it comes to Kirke, and people who make fun of Odysseus and call him a man whore for sleeping with Circe and Calypso. (Despite the fact he's a literal victim)

And for the last time:

👏 THIS 👏 IS 👏 NOT👏 A 👏KIRKE 👏 THE GODDESS 👏 HATE 👏 POST. 👏 THIS 👏 IS 👏 ME 👏 SLANDERING 👏 SOME 👏 OF 👏 HER👏 FANS 👏 AND👏 MOST 👏MODERN 👏INTERPETATIONS👏 OF 👏THAT 👏TWISTED 👏MORALLY 👏GRAY👏 BITCH.

Also I made a typo in the meme. God damn it dyslexia. (It's should be 'transforming' not 'transformed')

[mysterycitrus]

The only thing that comes to mind is during Lost Days when he goes and kills the head of a child traffickering ring and it’s noted he got the kids somewhere safe. Maybe Generation Outlaws? That’s the only instance in which he’s directly supporting kids (albeit Villains in the making but kids none the less) I know of. But for everything else like sex workers or community support, I can’t think any off the top of my head, someone with more knowledge/read more of Jay might have better instances

to the best of my knowledge there are two canonical instances where jason mentions children — both pre-flashpoint, and both written by judd winick. like u said the first is lost days, where he rescues a group of children from a trafficker and hands them over the law enforcement. the second is his “don’t sell to children” speech, which personally ranks with those anti drug commercials from the 80s and 90s. he does also say he’s taking cuts from other revenue (mentioning prostitution) but there’s like….. nothing about protecting people or restorative community work or anything

tbc i am not an avid jason reader by any means (esp post 2011) but it does really annoy me when people try to start arguments about jason where they insist that his violent actions are justified because of the other things he does, which may or may not exist and range from being the saviour of crime alley to single-handedly supporting rehabilitation services in gotham. it’s very confusing. like, bruce is the one doing those things in canon. that’s a very, very important part of his character, something that puts him in opposition to jason. obvsly it’s easier to like a guy who’s beloved by children in theory but lbr in a fight a kid is gonna pick batman over a drug lord with a silly hat

[redhoodinternaldialectical]

My Jason Todd Rec List and Character Manifesto! (Version 3.0! Edited and updated first on 28/01/2024 and then again on 23/09/2024)

This is a fuckin mess my ghouls, but I got categories and I got opinions and who can stop me from typing em out? Certainly not @lazaruspiss who is the reason this thing got made!

The format is gonna be:

title and page numbers (No #s if I'm recommending the whole title IMPORTANT UPDATE: Each title will be a direct link to a free digital copy! Make sure you have a good adblocker and enjoy!) picture Summary and general notes My estimate of how unhinged he is in this portrayal What his morals are like; note this isn't about whether he's a protagonist or antagonist

Since cream rises to the top, let us start with:

The Creme de la Creme

The best of the best. The most fun, the most compelling, the most interesting looks into his character.

Seeing Red aka Green Arrow (2001) #69 - #72

This one really does have it all. Jason runs rings around both Batman and Green Arrow at the same time, all the while going after a goal neither of them ever truly figures out in large part because this story wasn't afraid to let Bruce be either wrong or lying about Jason's motives. It also wonderfully leverages the ways in which the Bats and the Arrows are really good foils for each other. I think I'm going to be turning over the ways these interactions went down for a long ass time. I've been really wanting to go page by page for a comparison between the way Jason treats Mia in this and the way Jason treats Tim in the Titans Tower showdown. Bottom line for this one: It's just so good!

Jason's sanity level: Six out of Ten hinges affixed. He's got a solid grip on things, is reasonably level headed, only problem is he might have completely forgotten how to interact with other human beings outside of combat. Love him for that.

Jason's moral compass bearing: Sympathetic Villain. Decidedly willing to mow down some "brain donors", and his goals are pretty morally grey, but he clearly still has a strong code of ethics.

Task Force Z

This whole comic one big love letter to Jason Todd. The author, Matthew Rosenberg, very deliberately takes time to showcase all the strengths and flaws of his character that make him so beloved. He's competent, he's mistrustful, he's determined, he's heroic and yet poses as the villain, he's human yet badass, and he holds his ground against the rest of the Bats while still clearly loving them. If I was ranking these comics purely by plot and pacing this would not be in creme de la creme territory, but it's a fantastic synopsis of what Jason is all about and if I could only give someone a single series in order to let them understand who Jason is (and I couldn't give them Under the Red Hood), I'd give them this.

Jason's sanity level: Eight out of Ten hinges affixed. He's pretty level headed, but at the same time he very clearly is way too casual about violence to be full hinges affixed - the PTSD is very apparent in him.

Jason's moral compass bearing: Antihero. His motives are understandable and firmly rooted in doing the right thing, but at the same time he is very willing to be ruthless and to kill when he feels it's the right decision. Balanced!

Pay as You Go aka Outsiders #44 - #46

Jason's role in this story is fairly small, but it's a wonderful bit of characterization for him. The way he approaches Nightwing to offer his help and the way Nightwing accepts that offer are fascinating and very deserving of your time!

Also there's gay sex and a prison breakout, like, what more could you want? Actually I suppose you could also want (what I'm pretty sure is) Roy's first time meeting Jason as the Red Hood and some really cute scenes of him and Lian, and guess what this story has got that too!

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Antihero. He's deliberately choosing to play the villain, but he's very willing to work with the Heroes and is going out of his way to exonerate an innocent man.

Batman (1940) #408 - #411 Jason's debut featuring Ma Gunn's School and his first ever outing as Robin fighting Two-Face

Just LOOK at this PRECIOUS BOY! I wanna pinch him on his cheeks and give him a handful of these bad boys

Jason has a ton of personality to him right out the gate. The first story has Ma Gunn as the villain and she's a lot of fun. The second story in here with Two-Face is also enlightening with regards to Jason's early personality, even if it's not quite as fun.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

Under the Red Hood would be next if it wasn't already filed under ->

Foundational Texts

This is the shit that defines Jason as a character. Much is mutable in any given comic, but somehow, someway, all depictions of Jason are impacted and informed by these three stories. Enough has been said about all of them that I'm gonna keep it brief.

Red Hood: The Lost Days

(You may have heard a lot about Talia's role in this one: I would encourage you to read my analysis of her in this story and do your best to see her perspective in all this, she's a heck of a lot less villainous than people keep saying she is)

Jason's sanity level: Eight out of Ten hinges affixed.

Jason's moral compass bearing: Antihero. He kills some incredibly nasty people, while also doing some genuinely heroic shit. The only places where his morals deteriorate are in the presence of Batman and the Joker.

Under the Red Hood

Jason's sanity level: Four out of Ten hinges affixed. Remember how his morals deteriorated in the face of Batman and the Joker? Yeah, that's mostly because he's way, way too personally invested to think straight about them. He's strategic as fuck, but this is not a stable man's strategy for dealing with his issues.

Jason's moral compass bearing: Sympathetic Villain. He is a revenant, a vengeful juggernaut, and breaks an awful lot of eggs making this brilliant disaster of an omelette.

Batman (1940) #426 - #429 A Death in the Family

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

Joker becoming an ambassador to Iran plotlines count: One too many.

Solid Storylines

These ain't the vaulted heights, but not everything has to be the Sistine Chapel. They're solid, and if you're wanting more Jason I do certainly recommend them.

Countdown Presents: The Search for Ray Palmer and Countdown to Infinite Crisis (special note here: Countdown to Infinite Crisis must be read backwards, meaning you start with Issue #51 and then read down to Issue #1 and Countdown Presents isn't in chronological order and just... oh boy this storyline is a mess, but much of it is also quite good)

Jason is in what I like to call his Purposeless Depression Era during this. It's after his plans in Under the Red Hood fail and he's really just got no place to go, no place to be. He's keenly aware that on a cosmic level, he truly does not belong in this world anymore. He's supposed to be dead. There's something I find quite neat about this team up, with Donna Troy and Kyle Raynor and Bob, it's out of the ordinary for Jason, it's not bat related, and the ways he fits and doesn't fit with the other characters are just neat.

I especially recommend Gotham by Gaslight. The plot will be a lil hard to follow if you haven't read the others, but by the end of it Jason hopes to return to Steampunk Gotham instead of his own Gotham where he doesn't think he belongs, and the moments of him hoping to literally leave his universe behind are both sweet and sorrowful.

Jason's sanity level: Ten out of Ten hinges affixed. He's just sad and lonely.

Jason's moral compass bearing: Hero. Even if only Donna is willing to tentatively try to see him that way.

Robin (1993) #177 and two pages of #182 and the front half of #183

Despite how much Jason is known for it, I think this is the only time we see him trying to run organized crime outside of Under the Red Hood (and uh debatably Battle for the Cowl). Short lil string of appearances, but critical for understanding how he's seen by Tim during this era if you care about that. Also I think this combined with Outsiders #44 - #46 (further down this list) it really cemented my understanding of Jason being strangely honest and forthright.

I think a major way other Bats fail to comprehend him is that they expect him to manipulate through lying, which just isn't his style. He doesn't lie about his motives; he doesn't obfuscate his tactics; he doesn't hide how he's feeling. Hell, he doesn't even try to lie his way out of prison! I could not tell you why this series of interactions gave me this impression but it is why I have such faith that when Jason says something, he probably just means it, even when characters like Dick or Tim assume otherwise.

Pity this was the lead up to Battle for the Cowl.

Jason's sanity level: Ten out of Ten hinges affixed. He's even attempting to pick himself up out of his Purposeless Depression Era slump at the start.

Jason's moral compass bearing: Antihero.

Nightwing (1996) #118 - #122 aka Brothers in Blood aka the One Where Jason Gets Tentacles

COWARDS and KNAVES will tell you "the tentacles are so icky and everyone is so OOC" or whatever but again they are KNAVES and COWARDS because bitch this shit is GREAT

Jason: Wow! My bestest big brother killed someone who deserved it, so now I (the person he's rejecting only because I kill people who deserved it) have a real chance at being his family again!! :D Hooray! :) Dickie-Bird why don't you look happy to see me? :) Dickie-Bird I went out of my way to get us matching outfits and stalked your work and killed people in your name so it's nice and easy to make room for me in your life! :) :) :)

Dick:

Jason's sanity level: Two out of Ten hinges affixed. My mans is off his rocker and I adore him like this. Frankly, the entire storyline is unhinged, and it only feels appropriate that Jason is similarly bonkers in yonkers.

Jason's moral compass bearing: Villain. You can sympathize with him, and he is still trying to carry out justice, but I have to call it for straight villain when he's threatening to bomb a building full of innocent people.

Batman and Robin (2009) #23 - #25

I don't have much to say about this one. It's good. The above page is pretty much the highlight.

Wait actually I do have something to say and it is that I would like to lick Jason's abs, pls & thx, because the other highlight is that Winick clearly believes in redeeming Jason's value as a villain through sex appeal and it is working lmao

Jason's sanity level: Ten out of Ten hinges affixed. Certifiably sane, he's passed all his psych exams!

Jason's moral compass bearing: Villain. He threatens to bomb a train station full of innocent people. While he does do that in service of freeing himself and Scarlet, thus making it not completely self centered, I still gotta put him firmly in Villain.

Nightwing (2016) 2021 Annual

In high contrast to the previous two in which Jason acts as a villain to Dick, this one has them working together and the tentative peace and cautious trust they've got going is interesting to me. Very reminiscent of his appearance in Outsiders!

Jason's sanity level: Nine out of Ten hinges affixed. He's quite chill, but there's just this little edge to him that says his relationship to violence is a little too casual a little too deep to really be fully hinged.

Jason's moral compass bearing: Edgy Hero.

Joker: The Man Who Stopped Laughing

With Jason's return to being an antagonist after a long stint in the Hero bin comes his return to being really fucking dangerous and whip smart! My boy quotes serious philosophy that gives him a real point to make against non lethal vigilantes and cops! I also think the part where he lets himself be arrested just... it says so much and all of it is wonderfully interesting and feels fitting for his character. He's kept deeply human, and just all of this portrayal gels together really well.

Originally I had this up in Creme De La Creme because really, even though Jason isn't the star of the show, and even with Gotham War having, er, Minorly Derailed Jason's role in things, and one or two inevitable scenes where ya just have to accept that he's not as trigger happy as he should be because DC is married to the Joker - even though all of that is true, this is still a phenomenal rendition of Jason. However, with all of those annoyances and with Task Force Z being written by the same author, I decided to put it down here and leave TFZ in it's place. Basically it's got an arguably better story-line than TFZ, but contains less Jason.

Also I like that he's friends with my favorite, Stephanie Brown :3 and he and Rose's chemistry is nice. On top of all that? It's a fun comic. Like, I generally hate the Joker, but I found myself enjoying watching the Joker do his Joker things in this one.

Jason's sanity level: Nine out of Ten hinges affixed. Level headed, calm, careful, really the only reason this isn't a 10/10 is cause he's obsessively focused, which like, honestly is pretty reasonable I think.

Jason's moral compass bearing: Clearly Justified Antihero. I almost put down Hero on this one, but ultimately he is just far enough over the line with how he treats the less threatening of the rogues like Killer Moth.

Your Mileage May Vary

These stories I can't recommend without major caveats or warnings, but I still think are worth mentioning.

Gotham War (It's such a mangled mess that I'm just gonna link a reading guide. The same website that all the others are on will get you to all the titles this guide lists)

So, the main problem here is that Gotham War spans five different titles and had three different authors whose renditions of Jason do not feel cohesive or even coherent. The funny thing is though, each rendition has real merits, and while it doesn't go far enough in condemning Bruce's horrifying treatment of Jason for many people's tastes, I have to point out that it's one of the only comics to condemn an instance of Bruce mistreating Jason at all. The fact that the other Robins come to his defense is a HUGE thing! The bar may be in Hell, but it did clear the bar!

Due to how disjointed it is, I'm going to very loosely separate Jason out into two versions of himself. Think of these not as hard lines, but more a spectrum he slides across depending on what author has him that issue.

Jason Primus combines the ideas in Jason's Under the Red Hood speech about controlling crime rather than trying to stomp it out with his more Heroic modern interpretation. He's a chill, funny, smart guy whose protectiveness over the mooks is really charming.

Jason's sanity level: Ten out of Ten hinges affixed. Jason's moral compass bearing: Hero.

Jason Secundus is much more violent, not used to working with other people, and paranoid and antsy in a way that causes him to take it out on people who really don't deserve it. This is a compelling take on him, though I like him closer to Jason Primus. His trauma has clearly shaped him a lot, both for better and for worse.

Jason's sanity level: Seven out of Ten hinges affixed. Jason's moral compass bering: Anti-Hero, most of this focuses on him antagonizing two former Joker goons which kinda doesn't work well cause they're mostly scarecrow goons actually and also at one point he hurts them in a way that borderline just seems like stress relief. It's nothing worse than what we see Batman himself doing countless times, but it's still jarring because we've been made to strongly sympathize with the goon in question.

Batman: Three Jokers <- I read it while typing this up (the first version of this lol), so I got a lotta thoughts

Guh, this one is just fucking sad

So, I don't mind a story being blunt with its message as long as the message actually holds up. Unfortunately, this three parter's attempt at the cycle of violence lesson is... bad. Real bad.

Jason in it is neat! This is a good Jason portrayal somehow despite literally everything about the way this comic frames him! The narrative expects us to believe he is a danger to society on the cusp of becoming another Joker, because he *checks notes* shot the Joker dead, shot at a Joker loyal guy, and roughly interrogated an injured child abuser. At no point does he show signs of wanting to hurt innocent people. At no point does he show signs of doing any hurting without premeditation or a need to defend himself. I'm baffled by this.

My kingdom for a fucking CRUMB of nuance, I swear, smh...

I hear a lot of people hate his one sided romance towards Barbara. This is understandable as it squanders the opportunity to have a female character not be stuck as the narrative sponge for man emotions. I like it from the perspective of a Jason fan, and give condolences for the Barbara fans. It's not healthy, and good fucking job on the janitor sweeping away his letter to her so poor Babs doesn't have to deal with that shit, but I do like Jason's desperation to be loved by someone, anyone, who might show him compassion.

Jason's sanity level: Six out of Ten hinges affixed. He's sad, he's lonely, he needs some PTSD specific therapy, he's a bit creepy about his crush on Barbara, but quite frankly he has it together a lot more than the narrative would like us to believe. The way the other characters treat him like he's some kind of monster just waiting to snap and start maiming people indiscriminately makes me really uncomfortable.

Jason's moral compass bearing: Antihero. Quite frankly I'm tempted to say Hero out of spite.

Red Hood and the Outlaws (2016) #1 - #43

There are three transcendental character moments in this run that I think make it worth reading even if not all of it's your cup of tea. On the other hand though there are some big issues that could very easily be deal breakers. Oh and anything after #43 is a wasteland and #43 is included purely for the implication that being transgender made a woman immortal.

The narrative structure is really heavily dependent on rule of emotional impact/cool/allegorical usefulness. Many events will not make any fucking sense based on petty things like basic logic or the laws of physics, but they do work just fine in the area of what makes the story more fun or the emotional beats hit harder. Stronger than average suspension of disbelief is necessary for the reward of getting a lot of stuff that's, like, just really fuckin cool.

The romantic side plot with Artemis is... odd. Either the author, Scott Lobdell, intended to write Jason as a desperate loser trying to date his uninterested lesbian friend who he co-parents with, or he accidentally wrote a romance so awkward and comp-het that I cannot wrap my head around reading it as reciprocated. This works for me because I have a lot of fun reading Jason as a desperate loser who's not even actually in love with her, he just is desperate to cling to the closest thing he's ever gotten to a nuclear family and in denial about being either aro/ace or gay.

Now, lets explore a lil bit of the whole Jason is a loser angle, cause it's not the whole story, there are many points in which Jason gets to be a badass motherfucker, but he is much, much less of the hypercompetant, highly determined, murderous threat he used to be. Almost none of the newer renditions of Jason are. This Jason in particular though is very soft and cuddly, and fits the archetype of man trying to be the edgy bad boy but who secretly just wants a hug and a warm glass of milk.

If I were to describe my personal Jason in a few sentences I would say that he is someone who loves himself viciously. He feels he has been wronged and is willing to burn down the world to rectify that. He will hold your ass at gunpoint and demand the hugs and warm glasses of milk that he fucking well deserves!

This Jason is about as far away from that as you can possibly get. I still like him though, and I do not count him as being a different character, because when you start with emotional logic that goes like this:

It wasn't my fault + I deserve better = I get to burn the world down in order to get better

It becomes extremely difficult to ever stop burning the world without also deciding "It was my fault" or "I don't deserve better". Jason is meant to have changed a lot, and this is a plausible evolution of the Jason I prefer.

Finally, the handling of Bizarro, a mentally disabled character, is a sensitive enough topic that your mileage will vary, even if I can't think of a bad thing to say about it. Jason and Artemis are really pretty good about treating him with respect, giving him help where he needs it and autonomy where he's capable of taking it. They raise him, but don't control him, and he is literally like three days old when they find him so this isn't infantilization. It takes the framing of Lenny from of Mice and Men and Flowers for Algernon and rejects them in a way that I am satisfied with. You'll just have to read it for yourself to see if you're satisfied as well.

Jason's sanity level: Ten out of Ten hinges affixed. I kinda wish he was more unhinged.

Jason's moral compass bearing: Hero. He even saves a puppy and gives them pats.

Knight Terrors: Robin

Have you ever been in the mood for a syrupy sweet hurt/comfort fanfiction in which Jason and Tim were magically forced to talk about how much they like each other in order to overcome their own insecurities? Do you wish that existed as a lavishly illustrated two issue comic?

If you answered yes to those two questions then congratulations! It does exist; this is it; go have fun!

If you think that sounds like ham fisted garbage turning what should be several long arcs of serious reconciliation and deeply meaningful character moments into two issue fan service schlock then condolences! I wish you all the best in denial, as all comic fans sail that river sooner or later and I shall join you upon it someday.

What category do I fall into? Well I think this is definitely ham fisted, but I won't kick a boar out of bed as long as they ain't a bore, and this little ditty is certainly entertaining.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason't moral compass bearing: Hero.

Batman and Robin Eternal

This is a decent portrayal of Jason in his modern, much friendlier, and much more bat family integrated rendition. He has some fun moments in it, and I like his staby bracers.

I don't like this comic. It commits the most dire of writing sins: Being boring. I think about Jason every second of every minute of every day; if your comic that majorly features a good portrayal of him cannot hold my attention, then something has gone very wrong. Hopefully one of you will like it more than I do.

Jason's sanity level: Ten out of Ten hinges affixed.

Jason's moral compass bearing: Hero.

Suicide Squad: Get Joker! (Content warning for suicide, skip to the hot take if this'll get to ya - also spoiler warning cuz I can't discuss this properly without discussing the ending)

A three issue miniseries in which Jason is inducted into the Suicide Squad on a mission to kill the Joker. He's highly competent as a team leader, grounded, intelligent, and uses measured violence in a way that is satisfyingly tactical. The squad they threw together honestly has some pretty neat chemistry as a whole, and the characters were appropriately messy and quite likable.

This isn't higher on the list because it thinks it earned it's ambiguous ending, and frankly, it's wrong about that. Ambiguous endings live and die by the question they make the audience sit with - It has to be worth losing out on the emotional payoff of a solid ending.

The question of "If you left Jason in a room with the Joker and a gun with one bullet, would he shoot the Joker or himself?" is a really shitty question. Like, did the authors not realize that just on a logistical level, Jason could leave the room and find a second bullet after shooting the Joker? Like, seriously, even if we accept the premise that Joker's speech got to Jason, there are no reasons for him not to choose the "both" option. The only way I can imagine this working is if the Joker is actually the fucking Purple Man from Jessica Jones using mind control.

So we exchanged the validation of literally all our protagonists' struggles/sacrifices paying off for... the vague implication that Jason unforgivably betrayed his teammates, himself, and the entire world because he was so eager to die that he couldn't wait ten fucking minutes. If I loved the Joker I might feel differently about it, but as is, I felt insulted.

This would have been Solid Storylines or maybe even Creme de la Creme if not for that implication. It's not boring though! The rest of it up to the end is honestly pretty damn good, if a bit convoluted, and much of the ending's sour taste can be assuaged by getting out a sheet of paper and doodling Jason opening Joker's head with a handgun and then going out for icecream with the team.

Jason's sanity level: Ten out of Ten hinges affixed. He's a sad, sad lad tho.

Jason's Moral Compass Bearing: Anti-Hero, forced to be much more violent than he wants to be.

A Hot Take

I bet you thought the tentacles were the hot take! HAH! MuahahaahhHAHAHAH - Prepare now, puny mortals, to witness me defend Pill Helmet Jason AND his fashion choices!

No, I am not talking about Winick's redo late in the game, we've already been over that one. I mean I will defend Grant Morrison's flop era, three foot head gear wearin, goofy ass, unwashed ass, "how to build ur brand" reading maniac

It's time to talk about Batman and Robin (2009) #1 - #6

The interpretation of one scene makes or breaks this Jason:

If you believe he is being insincere and manipulating her into putting all her emotional eggs in the basket of his crusade, ignoring her wellbeing in favor of his 'brand', then this is probably the worst mischaracterization of Jason ever written.

If you believe he is being sincere, genuinely comforting her in the only way that he's got to deal with his own trauma, giving her real affection and not pushing her to take either option with the mask because he trusts her to make that decision for herself, then this gets Jason very right.

No matter what Morrison might have intended, I choose to believe it's the latter. This is terrible advice to give a trauma victim, but it makes perfect sense for Jason to believe that about his own trauma, and thus to pass that maladaptive view along.

He doesn't try to assure her that the mask can come off safely or that he'll get her a doctor because he really can't promise her either of those things. It would be cruel to her to pretend that he's got a solution. Jason can't undo the damage that was done to her any more than he can force a dead Bruce to kill the Joker.

Instead he offers her purpose, and reassurance that she's gonna look badass if she never does take it off, and protects her when she's in trouble.

You can claim this is just him acting out his chosen Hero role, but like, WHY would he have chosen to method act that role 24/7 if he wasn't trying to BE a Hero who protects people like Scarlet? There's nothing in it for Jason to fake this.

I also think if he was being written out of character as a manipulator we would have seen him use a romantic or sexual angle which he absolutely doesn't do.

Dickie, you are such a funny Batman, they never shoulda brought Bruce back tbh.

Instead, he seems to be taking a more parental role, in a near perfect reflection of how Bruce took him in when he was a kid. Just he's doing it his way, meaning that whenever Scarlet goes further with the violence than Jason seems to want to, he backs her up instead of chastising her.

Speaking of violence and morals, Let the Punishment Fit the Crime is a coherent moral position to take, even if you (understandably) disagree with it, or disagree with what punishments fit which crimes. It's basically the same moral position as every other version of Jason there's ever been! Like, is he even killing more people than he used to in stories like Under the Red Hood? No, I don't think he is. In fact, I would argue that Morrison's Jason is significantly less violent than Winnick's overall!

The branding thing is weird, lil annoying too after a while, but ultimately it still makes sense. And brings me around to my promised defense of his fashion choices.

First of all the symbolic importance of the fact that he wears white cannot be overstated in my mind. Will I elaborate? No, this post is way too long already lmao! Second off, it's supposed to be silly. I believe the silliness was a conscious, calculated choice, and the right one to make.

Jason doesn't believe that fear works, he's not trying for pure intimidation, and he knows that he's going to have to appeal to people in his bid to be seen as a Hero. Making himself seem big but non-threatening, a bright patch in the night, makes real sense.

Take a look at this view of Jason from Scarlet's POV when he comes to rescue her from the cops after she kills her dad:

He's got a smoking gun in his hand and he just shot two cops dead, yet we're hard fuckin pressed to find him intimidating aren't we?? Cornball dialogue, and the silliest fuckin hat in the universe, because he's not meant to be from this era, he's emulating the Golden and Silver age comics and all their goofiness. He's trying to be the older, happier, sillier batman that used to exist (at least in his head), while doing what he believes is right and necessary.

The costume makes sense dammit!

Also it just doesn't look bad, I can't provide an argument for this, it's just true!!

Also also every one of these fuckers should be wearing a helmet too, this is basic brain safety, if you're gonna go around antagonizing fuckers with guns you need to make your head at least nominally bulletproof, it's that simple!!!

Also also also the fact that he had red hair in this is oft maligned, but it gives Jason an in universe avenue to express a grievance with a super important part of the way Bruce treats him in his post-crisis time as Robin - Bruce was using him as an emotional replacement for Dick.

Morrison may not have liked Jason, but he demanded that every single iota of Batman lore be treated as important canon and that means that he also treats all of Jason's history as important canon too.

Now... do I recommend you read this? (This section was rewritten on January 28th, 2024)

Yes, with significant caveats. There's a reason I chunked this in with YMMV.

First is the Batman typical ableism of just really fucked depictions of mental illness. I normally wouldn't warn for this because everyone knows most of the rogues and will be aware of what they bring to the table, but Professor Pyg is obscure enough I wouldn't expect people to know, and the way he's written just... hurts. Like there's just something about him that is painful to read as someone that's got several schizophrenic friends who are near and dear to my heart. I would hesitate to recommend it to any of them the same way I'd hesitate to recommend Silence of the Lambs to most other trans people.

Secondly this comic is Extremely Gay (a definite positive!) however it is Extremely Gay in a way that kinda requires some onboarding and analysis to properly parse and that is actually why this post was edited:

The first time I read this comic, my impression was that it was vitriolically homophobic. Considering that at the time I had heard many things about Grant Morrison, and none of them good, I went with my gut. I put here that while I would defend Jason's characterization, I couldn't in good faith recommend something so bigoted, detailed what felt bigoted, and went on with my day.

Then a while later I saw a post that I suspect was talking about this one saying something along the lines of "How the hell could you call Grant Morrison, who gave us so many of our most iconic gay characters, homophobic? The racism and such I can understand but homophobic? No."

To which my initial response was a resounding: Wha??? Like, genuinely how was I supposed to read this and not get homophobia out of it?? But I went and looked Morrison up and yeah sure enough the guy's queer so I dug deeper and mulled it over until I figured out what the fuck I was missing. So, this section is a correction and an apology about that earlier homophobia claim. Sorry about that.

The styling of this queerness are highly akin to that of the John Waters movie Pink Flamingos which I'll let Matt Baume explain better than I ever could. This guy right here is pretty much the perfect example, Hell, he's even literally named The Flamingo.

Essentially it's queerness is all aggressive, unapologetic, and designed to be provocatively shocking, which can be jarring if you're not ready to flow with it. Also he likely had to arrange a lot of things to get around censorship, same as Judd Winick did. For instance the fact that Dick spoke the same circus lingo as the troupe of Very Queer Freakshow Workers who destroy the police precinct was meant to imply that Dick is Very Queer too. Pretty sure he would've said that in a far less convoluted way if he could've.

So, with the bulk of my initial reservations about this comic disproven... I have no choice but to straight up recommend it to anyone who thinks they can jive with this vibe of storytelling!

Jason's sanity level: One out of Ten hinges affixed. Obsessive, not taking care of himself, possessed of some really maladaptive trauma coping frameworks, completely unhinged. My condolences to his mental health, but I do love to see it.

Jason's moral compass bearing: Antihero. It's weird because this is undeniably a much darker comic, and Jason certainly feels darker, but in terms of what he actually does, and what the other characters do, his violence is honestly very tame.

So, cards on the table, here is the core of who Jason is to me:

He's got clear moral motives and a drive to help as well as harm, though violence and harm are the main ways in which he tries to improve the world.

When confronted he does not back down; he does not let himself be overshadowed or silenced. He is confident in his decisions and every bit of push back is already accounted for in his head.

Everything he does is premeditated. He is not impulsive. His plans may sometimes be unhinged but they are methodically planned.

He is painfully sincere, the way fire is painfully hot.

He desperately desires love and connection, but it will take many years of constant rejection and fighting before he is willing to accept any kind of compromise to his ethics for the sake of civility.

Under all the hurt and combativeness, he's a pretty goofy guy! He's got a sense of fun and likes to be flamboyant and silly when he can!

He's a villain, a hero, a protagonist, an antagonist, and everything between the extremes. He exists as a powerful counter-thesis to Batman, and as such DC can't ever fully answer the question of what to do with him. He exists in this waffling limbo state as his morals are debated, stretched, refuted, turned on their head. I think that makes him a wonderfully fascinating character to love.

I hope you enjoyed this and, like, go have fun reading comics!

[sunbowo-o]

⚠️ HoO Spoilers ⚠️

ok, so i just finished the last book from HoO and i need to say that, even though i LOVED this saga, i am kinda disappointed with the ending... and here is why:

(tbh, i don't know if these are controversial or general agreement topics, but pls be nice!)

i felt like a lot of things were missing, like, for example, WHY the hell didn't have a scene with Percy and his mother??? not even a LETTER?? 😭 my boy went missing for so long, his mum must be dying from worries and we don't even get a chapter with them both talking?? after everything Sally has done on the first saga?

another character that i felt was forgotten is Grover. tbf, i didn't expect like a whole scene with a long dialogue with him, but, how much it would cost just to say that, for example, Nico saw him, Percy and Annabeth talking together? the og trio. he deserved so much better 💔

ok, so we miss all these, but what do we get?? JASON AND PIPER KISSING! like, i understand the importance of the scene (a new begining and shit) but is not like we haven't seen it happening before, they say it was their first kiss but that part didn't had any impact on me like???? and they're just a OK couple, doesn't even gets close to that Percabeth kiss scene in the end of the last PJO book. so, yeah, was this REALLY necessary??

Leo's "death" was a really weak angst. don't get me wrong, leo is one of my favourite characters of all time, and i know some of the readers got really sad, but i didn't, because i knew he wouldn't die (ok, this was my fault maybe, but i saw that he was the one who narrates the last chapter) and we kinda of knew his plan, i knew he had the cure with him yk?

and, complementing topic 4, the last chapter being about him and Calipso was just 😐😐 like, everyone thinks he is dead, but we know he is not, so it doesn't have this weight anymore, and, then, he goes to Calipso... i know he is obsessed with her, and talk about her throughout all the book, but, why this was the last chapter??? A WHOLE SAGA SAYING ABOUT MONSTERS AND GAIA AND IT JUST END WITH TWO "TEENS" TALKING ABOUT OH YEAH WE DONT KNOW WHERE WE ARE GOING BY THE WAY

And, in the topic of monster and battle, the Gaia battle was SO DAMN BORING!!! Ok, so Rick passed 5 whole books saying to readers "hey, pay attention! they can't let Gaia wake up or else will be THE END OF THE WORLD" and we are like "ok lol" and then she wakes up and i was like "OH SHIT WHAT THE HELL ARE THEY GOING TO DO?? IS THE END!!! NOOOO!!!" ... she appears... they drag her to the sky... one explosion (and an unnecessary Octavian death) and BOOM! its over. "simple" like that. AND without any relevant deaths.

i am just angry because the end of PJO was wonderful. they had to do hard sacrifices, (Charlie), it had betrayal plot (Silena) and redemption (Silena and Luke). they had to use ALL the forces they could think of and still was a difficult battle. and the main villain was a TITAN!!!!! Gaia was supposed to be SO MUCH DIFFICULT, and yet, it was not. the giants were harder to fight.

and talking about fight. the way that the amazons and the hunters didn't appear back was so 😐😐 too. like, it seemed they were forgotten like Grover and Sally. not even a change of letters? just to guarantee they were ok...

my verdict: pjo CRUSHES hoo

anyway, i know that there's "more" but i also know that The Seven™ will not be all together again, so its just kinda of disappointment to know that was the end... feel free to also give your opinion (but try to avoid future spoilers please!)

(also, srr for my English! 🫶)