#imagine thinking hes cis

[guzmapkmn-archive]

every time i look at g.uzma im like wow. his tboy swag is off the charts

[b-bing]

They know he's neither but they still like to refer to him as "the straight cis friend"

[blaithnne]

I like how I gave Frida two flags when she only needed one, meanwhile David has to squish both flags together. To be fair, it’s just like Frida to be incredibly organised and bring multiple back up flags, and for David to panic and not do that.

[commsroom]

as an extension of how hera reads as trans to me, hera/eiffel resonates with me specifically as a relationship between a trans woman and a cis man. loving hera requires eiffel to decentralize his own perspective in a way that ties into both his overall character arc and the themes of the show.

pop culture is baked into the dna of wolf 359, into eiffel’s worldview, and in how it builds off of a sci-fi savvy audience’s assumptions: common character types, plot beats, or dynamics, why would a real person behave this way? how would a real person react to that? eiffel is the “everyman” who assumes himself to be the default. hera is the “AI who is more human than a lot of humans,” but it doesn’t feel patronizing because it isn’t a learned or moral quality; she is a fundamentally human person who is routinely dehumanized and internalizes that.

eiffel/hera as a romance is compelling to me because there is a narrative precedent for some guy/AI or robot woman relationships in a way i think mirrors some attitudes about trans women: it’s a male power fantasy about a subclass of women, or it’s a cautionary tale, or it’s a deconstruction of a power fantasy that criticizes the way men treat women as subservient, as property. but what does that pop culture landscape mean in the context of desire? If you are a regular person, attracted to a regular person, who really does care for you and wants to do right by you, but is deeply saturated in these expectations? how do you navigate that?

I think that, in itself, is an aspect of communication worth exploring. sometimes you won’t get it. sometimes you can’t. and that’s not irreconcilable, either. it’s something wolf 359 is keenly aware of, and, crucially, always sides with hera on. eiffel screws up. he says insensitive things without meaning to. often, hera will call him out on it, and he will defer to her. in the one case where he notably doesn’t, the show calls attention to it and makes him reflect. it’s not a coincidence that the opening of shut up and listen has eiffel being particularly dismissive of hera - the microaggression of separating her from “men and women” and the insistence on using his preferred title over hers. there are things eiffel has just never considered before, and caring for hera the way he does means he has to consider them. he's never met someone like hera, but media has given him a lot of preconceptions about what people like her might be like.

there’s a whole other discussion to be had about the gender dynamics of wolf 359, even in the ways the show tries to avoid directly addressing them, and how sexual autonomy in particular can’t fully be disentangled from explorations of AI women. i don’t think eiffel fully recognizes what comments like “wind-up girl” imply, and the show is not prepared to reconcile with it, but it’s interesting to me. in the context of transness (and also considering hera’s disability, two things i think need to be discussed together), i think it’s worth discussing how hera’s self image is at odds with the way people perceive her, her disconnect from physicality, how she can’t be touched by conventional means, and the ways in which eiffel and hera manage to bridge that gap.

even the desire for embodiment, and the autonomy and type of intimacy that comes with it, means something different when it’s something she has to fight for, to acquire, to become accustomed to, rather than a circumstance of her birth. i suppose the reason i don’t care for half measures in discussions re: hera and embodiment is also because, to me, it is in many ways symbolically a discussion about medical transition, and the social fear of what’s “lost” in transition, whether or not those things were even desired in the first place.

hera’s relationship with eiffel is unquestionably the most supportive and equal one she has, but there are still privileges, freedoms, and abilities he has that she doesn’t, and he forgets that sometimes. he will never share her experiences, but he can choose to defer to her, to unlearn his pop culture biases and instead recognize the real person in front of him, and to use his own privilege as a shield to advocate for her. the point, to me - what’s meaningful about it - is that love isn’t about inherent understanding, it’s about willingness to listen, and to communicate. and that’s very much at the heart of the show.

[screechingfromthevoid]

I think Dorian knows Orym is in love with him. I don't think it is a great unknown. He's not biting his nails wondering if Orym feels the same way as him.

I think the problem is that Dorian doesn't know how to approach it at all. For so many reasons. There are so many reasons why Dorian has been keeping all of this close to his chest.

First and foremost I think he wants to be respectful of Will and the place he holds in Orym's heart. Dorian in no way would blame Orym for never moving on. He'd be sad and disappointed but he'd understand. And he understands that he's still mourning Will. So he doesn't want to initiate something Orym isn't ready for.

Second, they're in the middle of a war. There isn't time for this. There isn't time for dead brothers and profound crushes. How could he distract Orym from the world ending? He's their little tank. He's their tactician. He's can get his hard and throw it back just as easily. They need his head clear. And I don't think Dorian would ever forgive himself if something were to happen because Orym was too preoccupied.

Third, is speculative, with the context Robbie has given us, marrying a man would not go over well in the royal family. Not because they're particularly homophobic. But, assuming they're both cis, (headcanons aside, I don't think critical role is there yet), the blood line would end. And royal families are big on lines of succession. Hence Zeru begging Dorian to come back. So I'm not sure adopting is in the realm of possibilities. How could Dorian let Orym love him? How could he give into his feelings? How could they live happily ever after when Dorian needs to go back home? Sit on a throne? Produce an heir and a spare? He couldn't possibly start something with him only for it to end in tragedy. He couldn't do that to Oym.

There are probably more reasons for all this but these are the ones that swim in my head the most. And idk I think Dorian wants to love Orym loudly and proudly but... The world is ending, ya know?

[penisbutterjellytime]

Do you understand

[theyhitthepentagon]

"MALE" CHARACTERS I THINK WOULD BE COOLER IF THEY WERE BUTCHES. in no particular order

both mario brothers

2. gordon freeman, including all machinimas except for gorgeous freeman

3. ANY wizard

4. bubby from hlvrai

5. the scratch cat, for fun

6. scourge from cats

7. link from totk

8. link from twilight princess

9. this cunt

10. hobie brownfor fun

[yourcrumblingsaikiisnotmyproblem]

do you think when Hua Cheng got his ghost form after dying (the physical one) he panicked and checked his body for Xie Lian's tattooed name on his arm?

[dizzybizz]

😀 i love setting out to draw 1 character multiple times but ending up drawing multiple characters 1 time instead 😀 i love it so much 😀

[yeyayeya]

Will forever be mad that MXTX dropped the fact that Hua Cheng had a female form and refused to elaborate

[lazycranberrydoodles]

kinktober day 7: swapping clothes

yippee yay xie lian in red! follow 4 more hua cheng bait 🚩

[agalychnisspranneusroseus]

Got any trans HCs for the amphibia trio? I love the many different interpretations I've seen from this fandom

I don't know about specific headcanons, I know I'm considering making Anne trans in RiAAU but I haven't decided yet.

In one hand: it would be interesting to think how she deals with her first periods because, well, amphibians don't have those, and Hop Pop assumes she's dying (she doesn't tell anyone else because she's so embarrassed). Not that he tells her that, but it really freaks him out. He thinks she has some sort of internal damage, and it's only after months of research that he finds out about some rare mammalian species, such as a few monkeys and rodents, that experience the same cycle Anne goes through. The whole point of this is that it makes Anne feel even more out-of-place. She doesn't remember her world or her parents, only that she came from "somewhere" (possibly another continent) full of people of her species, and she wonders if things would have been easier if she grew up with her biological family. I mean, surely this would be easier. It just serves as a reminder that she knows nothing about her species, not even its name, and she has no idea of how her biology works or what is good and bad for her or how long she'll live or what changes she'll go through.

.

BUT, on the other hand: Trans Anne. Let's start with the obvious: amphibians don't have penises or vaginas and they reproduce externally, meaning they like... release eggs and sperm in the water and they mix without the involvement of either parent, meaning no one knows what the cultural significance of a "penis" or a "vagina" tends to be in most human cultures. As a literaly 3yo, Anne probably didn't have an extensive understanding of s.ex and gender, and it wasn't like the clothes she showed up with told Hop Pop much. She just knew that, as time went on, she found herself relating more and more to the female frogs of Wartwood, and she almost subconsciously began to refer to herself as a girl. There wasn't any big coming out moment, more like a point in which, after months of ambiguity (this kid kept using different pronouns for herself) she just settled on some good ol' she/her and began picking somewhat girly clothes when Hop Pop took her to the market.

It's not like the concept of trans people doesn't exist in Amphibia, it's just that Anne didn't realize that was her situation until, at least, meeting Marcy, and noticing the differences between them. It's not like either of them had ever seen another human from up close, so they didn't know what to expect anyway. Anne's only encounters with Sasha beforehand had consisted on magical girl swordfighting in the sky and whatnot. Certainly not enough to discuss their unique biology, which is something Marcy is very excited to discuss, since she's never met anyone with her same "condition" before, and she wants to know everything, so she uses her as her little rat lab whenever she has the chance. Even then, since she also lacks all knowledge of human s.exual dimorphism and its cultural implications, she doesn't associate anything about either of their bodies to any specific gender that could possibly be asigned to anyone based on biological feautures. Since Sasha remembers the most from Earth, she's probably the only one who could maybe possibly remeber her mom or the kindergarden teacher saying something about "the difference between boys and girls", but by the point she's in speaking terms with Anne, and by the time she realizes their bodies are different, she doesn't really care.

That's not to say Anne doesn't experience dysphoria or that she never undergoes any kind of physical transition. It was probably around the time her voice started to change during puberty that she realized her case may be kinda unique: neither Marcy nor Sasha's voices have changed that much, she can tell even though she only sees Marcy in person like once every 3 years and all the words she exchanges with Sasha consist of death threats and insults. Plus, there's a clear difference between """male""" and """female""" voiced in frogs too. She doesn't want to sound like a man! She doesn't want to be anything like a man! Men are gross! Sorry Sprig, Hop Pop, but it's true. Men are icky icky yuck yuck and Anne is a girly girl. She doesn't want to turn into Stumpy! Or Buff Loggle! Oh, no, is that her future? She commits the triple mistake of 1) sending a letter to Marcy that same day, 2) knocking on Maddies' door promising her firstborn if she can save her from turning into Stumpy, and 3) she becomes obsessed researching mammalian biology in the archives. Bad decision. Bad bad. She's discovering things to feel dysphoric about she never even knew existed! Did you know mammalian mothers feed their offsprings with "milk" that comes from their "mammary glands"? Did Sasha and Marcy have those? She hates herself a little for checking out Marcy next time she sees her and she realizes that, indeed, in the past years she's grown a pair of those that Anne does NOT have. She notes that both she and Sasha are pretty much hairless. She used to think hair was a normal mammalian trait! That weasel that tries to eat the frogs every winter sure is covered in it!

Maddie shows up to her door with a bunch of new spells to try out, happy to have a willing subject. Most embarrassingly, Marcy starts doing her own research as soon as she gets Anne's letter and sends her all her discoveries, and now Anne feels mortified because Marcy knows about all the bad bad very bad changes she's going through (Marcy, for her part, is just fascinated by the nature of their "condition").

It takes a bit, but after a few very frenzied weeks, Anne comes to understad what's going on: her species had certain level of sexual dimorphism and she just happened to have been born with the supposed "sex" usually associated with "men" as a social category. When Hop Pop finds out, he burst into laughter. Oh, it was THAT all along! Anne made it sound so complicated, but it was just the same things he went through when he was younger, just the other way around ("Say what now Hop Pop?")! A few curses here and there and she won't have to worry about these so called "mammary glands" and "hair" anymore, though in the meantime, as Maddie perfects a human-friendly curse, she gets turned into all sort of different creatures. By the time it's done, she just wants to feel like... herself.

It's true that there are some things about her body that make her feel weird, like they don't quite fit in, but there are others she only worries about because she compared herself to Sasha and Marcy, which wasn't fair to anyone involved. Did she really want to fundamentally change parts of her body because of insecurities she developed last week over a book about lemurs? Then, a second set of fears come in: what will happen when she goes back to her place of origin? Because she does want to find her birth family. Will they recognize her, if they're looking for a boy? Will they think she's lying if she claims to be their daughter? If she changes only a few things but doesn't "go all the way", will people there think she's a freak? Will she ever be able to fit in with those of her species?

Does she really care so much about what other people think? She just wants to be herself. Some of the changes she's been going through are making her feel less like herself and more like she's being turned into a tax collector from Toad Tower. Those things have to go - her voice, for example. And she wants a more femenine silhouette (she may or may not show Maddie photos of young Mrs. Croaker as a reference). She wants a softer face. She's seeing her face changing in the mirror and she doesn't like it. She wants it to stay round and soft, not to grow hard and sharp or big and rough. She's not so sure she wants those "mammary glands". It's not like she ever thought about having kids, and the whole "breastfeeding" thing just seems gross, but after her research, and finding out she could have kids with, I don't know, maybe Marcy one day (a thought that makes her blush), she thinks it may be a good idea. She'll consider it. Maybe later. Her genitalia... well, she's used to what she has now. It already took her like 10 years to fully figure out what it was and how it worked and starting over with a whole new set just feels like too much work (also, the babies, the potential babies with Marcy). Frogs and toads have neither "penises" or "vaginas" so there's not a lot of information, and based on books about lemurs and her own empirical experience, comparing herself to other mammalian species isn't too useful. She'll leave it the way it is. She'll see if there's anything else she wants to change later, or if she wants to go back on something.

Marcy is surprised next time Anne visits Newtopia. In her letters, she described this strange transformation in excruciating detail, but seeing her in person now, holding her face in her hands, all she sees is the same Anne she's always loved.

A few more ideas:

HEADCANON: in Amphibia, two people of the same "s.ex" can reproduce through magic, which means there has to be a concious effort and intent. The external fertilization process there's no such thing as a pregnancy, and there's no such thing as s.ex. All reproduction is intentional, which means there's no need for abortion either. There are processes to destroy fertilized eggs and embryos, but they look completely different from human abortions.

Amphibians may perform acts resembling s.ex for pleasure or fun but they look different from human s.ex and have no relation to reproduction.

Andrias is the only person in Amphibia who knows enough about humans to know how they reproduce (a process he finds repulsive). He never tells Marcy, of course, though once she becomes queen, she finds his secret library and his hidden tomes on "alien biology", some of which talk about humans. He's also the only one who knows humans can have children on accident, and that Anne is the only human in Amphibia who could cause something like that to happen (he reads all of Marcy's correspondence). He knows his daughter is very close to this weird farm girl penpal of hers, and even though she's still a child, he worries for her future and the future of the crown. This new discovery could land the crown in the hands of a dynasty of aliens if he's not careful. Is it weird that he spends so much time worrying about his 12yo daughter getting pregnant from another 12yo? Yes, yes it is, but he already controls every aspect of her life, it's not like he's going to stop at her sexuality, future, real, or imaginary.

Man now that I wrote it all down, I think this option is more compelling than the first. Maybe I WILL go with this one.

[bedazzlecunt]

hot take. its shitty to make fun of people who can't / don't / won't give head, even if those people are men. not liking giving oral sex does not inherently equal being shitty inattentive partner, and the longer we pretend it does the more we run the risk of people feeling pressured to take part in sex they dislike or which makes them uncomfortable

[asmo-cosmetics]

it just bewilders me that anyone could write a character as perfect as julian and then so obviously begin to hate him. it's so weird how much open unabashed contempt these writers have for the character their game is basically about.

i've said this before but i think that the prologue was written for a different version of the game, before the team decided to make julian the heel to asra's face and the butt of every joke. "a gift from a witch who fears commitment" was so obviously meant to be foreshadowing for a major plot point, but they just hand-wave it away in the story with like two lines of dialogue and a prayer.

"no, no, that was a red herring!!" no it wasn't. julian himself is already the red herring, making his implied backstory another red herring is the definition of a hat on a hat. asra and julian were clearly written for asra to be the bad guy in the asrian divorce, but then someone (everyone? i don't know) vetoed it because god fucking forbid we make asra look like an asshole even once.

asra is the writers' favorite and it's extremely obvious. he basically has no flaws, to the point of legit cliche. oh mc my only flaw is loving you TOO much. so even though julian is already written with a very clear archetype of "guy who hates magic because he got his heart broken by a witch" that comes through in basically everything about him, they have to paper over it in the story because we can't make asra look mean!

so they just make up for their shitty coverup writing by being like haha isn't julian silly? he was wrong about everything and he doesn't like magic hehe haha. leeches! meanwhile the bones of the characters they actually wrote are in asra too, because it's clear he's meant to have his "villain moments," he's meant to have sharper edges and even be scary, but someone decided that he has to be an uwu softboy and ruined him in the process.

as always i am not looking for a debate, i will block you.

[foxgirlmoth]

Transandrophobia dudes sound like morons. 'If I'm not a GNC trans guy I'll just been seen as a dude capable of hurting people. I have to look nonthreatening!!! Its oppression!'

Hate to be the bearer of bad news but your presentation does not equate how you treat people. You sound like an idiot who can't understand that you can hurt people, systematically or subconsciously. If this is your experience I think you surround yourself with genuinely shitty people who are actively hurting those around them and/or you are a participant in this. Just a thought.

[silusvesuius]

i legit love when a character's gender is so integral to their personality (and perception obviously.) like so concrete that if genderbent their whole shtick would just be absolute dookie. anyways i'm just writing this text so i can talk in the tags (My beautiful safe haven)

this 14 minute song is soooooooooooo FYRE