#I don’t think she’d use he

[blaithnne]

I like how I gave Frida two flags when she only needed one, meanwhile David has to squish both flags together. To be fair, it’s just like Frida to be incredibly organised and bring multiple back up flags, and for David to panic and not do that.

[lliquidllyrium]

I like seeing my favs happy as much as the next guy but like sometimes it’s not about a happy ending for me it’s about the most interesting conflict and Lucanis sticking with the job and all the drama that comes with it is ten times more interesting in that regard if I want a runaway crow I simply already have Zevran

[the-worms-in-your-bones]

I am once again going down the rabbit hole of trying to figure out the ages of the Gallifrey characters

[dykesynthezoid]

“Armand should get to just kill Marius” tbh if Armand ever killed Marius he would pull a Sada Abe. Who said that

[wavesoutbeingtossed]

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)

[jellyshark-jester]

Currently having a breakdancing session with myself<333

[treecakes]

literally if it were to become an issue among exorcists that natsume has a super forbidden powerful book of contracts with youkai matoba doesn’t even have room to talk he and his clan members are over there creating creatures left and right (also forbidden!!). who are the exorcists with enough power to do anything that aren’t already involved in forbidden magic? who knows.

[scionshtola]

i think shtola should have someone of her choosing to confide in about cori. but also i think she would not choose to tell anyone about that 🤔

[emmaspolaroid]

kick drum beating in my chest again

(a fun Rayvio comic that got totally out of hand <33 now it’s my magnum opus for my favorite rare pair.)

[deadandphilgames]

oversharing in the tags time :)

[secretly-a-catamount]

The Crane Wives wrote all these songs about Annabel Blackthorn, they told me themselves

[skoulsons]

If there’s a scene of Ellie just making conversation with Joel while he’s out, like telling him old stories of her time in FEDRA school, reminiscing of their times together throughout their journey, or what she thinks the old world was like…I will shoot myself in both feet. And if she holds his hand while doing so? Yeah, two more in the chest. You won’t hear from me again.

[no1ryomafan]

I have said this before but me being self proclaimed number 1 Ryoma fan and that being possibly literal-bc even if this bro had fans before me I might’ve simply done the most for him by talking about him so much + being the first to write fics that are in depth studies on his trauma across canons-I gotta say if there’s one other character I rotate a lot that isn’t him it’s probably Kei. (Shocking it’s not Hayato even if I do think about him too- but it’s usually associated with Ryoma bc gays 🗿)

I’m not even exaggerating when I say Kei would be my favorite and only isn’t because she doesn’t exist in many other canons yet my brain rotates the endless possibilities of how to incorporate her. I’ve already written a fic where she’s in shin vs neo verse which worked surprisingly well but I’ve been thinking how universally she could appear in other things. (Whether it be fitting her into a idea of a possible Go team in New or just a new canon completely) I think what I’ve narrow it down to is that she could be like- in Michirus role? Like she’s the supporting female who isn’t a pilot but helps out the real occasionally which I think would align very well especially with the original manga role she has of being Hayato’s assistant. And even if Hayato isn’t grandpa mode yet he still very much is in Saotomes position at that point. Not sure if she’d Hayato’s biological kid to further parallel Saotome and Michiru given well Hayato already adopts the Go team and his wife is irrelevant LOL.

I have no idea if I’ll ever write this specific idea but I’m still- rotating it cause this is such a easy way to get around “picking between Sho or Kei as the 2nd pilot” since both of them can still exist even if one doesn’t get to pilot, idm my supporting females. (Granted there could always be like- plot line where Sho gets hurt so Kei is temporary pilot but I can’t remember if Getter ever really did this since “once your hurt your ass is basically replaced” lol)

[lynzine]

My brain is going through the ways that the GAang might apply Ugly (Turtle?)Duckling logic to Zuko to boost his confidence sometimes. And wondering how often they bring up the story, both when he’s doing well and when he’s NOT doing well. Because that was probably his fav story growing up, right? Always in someone’s shadow? And it’s about (turtle)ducks/swans?

[fingertipsmp3]

I’m gonna challenge my subconscious to a fist fight and I’m gonna lose

[swordmaid]

for me… FOR ME..!!! and for shri’iia specifically the lock in for astarion’s romance is his graveyard scene in act 3.

i think it is too quick for shri’iia to be moving on to another relationship considering her previous one was with her mistress who essentially groomed and isolated her for like … more than hundred years. learning to chase her own desires and not moulding herself to what anyone wants her to be is something so new to her…!!! and something that she’s still learning how to be comfortable with….

and what I like abt romancing astarion with her is that I usually go for the dialogue path in his act 2 confession scene where you can ask him:

- what do YOU want to do?

and he goes like honestly idk what we’re doing but /this/ is nice. it just feels like two people exploring the option to love for the first time and taking things in their own pace rather than jumping straight into the relationship. they’re going at a snails pace… they don’t know what they’re doing but they like this feeling and the vibe and they want to more of it but they’re not ready to commit to anything yet and it’s fine for them …!! and they’re only committing by the end in the graveyard scene where significant time has passed and they’ve learnt a little more about themselves and they’re both more confident about their own desires and also how they want to be loved.

like it is so fitting I think… and sweet… not to mention astarion being a high elf & a vampire and shri’iia being a drow, they have all the time of the world for themselves so I def think they would want to take their time. except if shri’iia turns into a mindflayer or drider by the end then that plan is out the window lol