#im so normal about this song can you tell

[17magpiesinatrenchcoat]

An Offering before I go to sleep bc I need to post more of my art here ^^’

tried to do like an angular style for this and it was PAINFUL HOW DO PEOPLE WITH ANGULAR STYLES DO IT HUH

Anyways go listen to the moon will sing by the crane wives <3

[iridescentis]

battle cry by shayfer james is such a perfect song for joel in the wl finale likeeee

tell me this doesn't scream joel and grian's final fight at the end of wl because i am soooooo ill about them

also just have to put this here. because

yeah. ough

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[nobylite]

so i try to save face, then i rest my case the judge pulls me aside, says "c'est la vie" "let your darker side come out to feed"

[hopecomesbacktolife]

thinking of rereading the entirety of HoME again. for my health

[enhanced-operatives-division]

Head in hands. 'I Spy' with Pulp is such a banger for Zor. It's giving me the urge to finally think about designing them (+ redesigning a couple others..). There's something so good abt some of the lyrics like: "you see I spy for a living // and i specialise in revenge // on taking the things that i know will cause you pain". Like....likee.............

Theres earlier parts that also make my brain tick: "it may look like to the untrained eye // im sitting on my arse all day // I'm biding my time until i take you all on // my lords and ladies, i will not fail // i will prevail, cause i spy"

PLUS the name. That did not help the situation. Alas Different Class by Pulp 🤝 IEYTD Characters. Similar can be said about the Chicago soundtrack but thats a. Whole other ramble

[im-the-knight-of-stardust]

Once again listening to Far From Home (The Raven), thinking about Vax and unable to swallow back the tears.

[hms-incorrect-quotes]

....

Why is this mind-coded.

Cos anything Miku is mind coded of course

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[skitskatdacat63]

i for one am very interested in any other smiths songs you've associated with f1 drivers 👀

Oh god thank you for asking...sorry this took so long! I'll list the songs, but as with most things, I had to deliberate, so under the cut is my horrifically long explanations if you're curious!!

Obligatory: "The Boy With The Thorn in His Side"(x) - Strollonso

"You've Got Everything Now"(x) - Martian from Mark's POV

"These Things Take Time"(x) - Brocedes or Martian from Nico/Mark's POV

"Handsome Devil"(x) - drivers in fireproofs

"What Difference Does It Make"(x) - Martian from Seb's POV

"Back To The Old House"(x) - Mark's relationship with RBR and Seb

"Please, Please, Please Let Me Get What I Want"(x) - Mark

"Sweet and Tender Hooligan"(x) - Max

You Just Haven't Earned It Yet, Baby"(x) - Jenson, Mark & Nico

"Bigmouth Strikes Again"(x) - Martian from Mark's POV

Honorary mention: "The More You Ignore Me, The Closer I Get"(x) - Martian from Seb's POV

So as with all things, I needed to be comprehensive and overly detailed with this. Ill try and hold back from doing too much full song analysis, but I'll quote lyrics and explain why I associate what with who! Tbh I mostly just associate Smiths songs with Martian because I think their music is often really good at capturing the bitterness of a relationship falling apart or love so intense that it's violent, both which I think are very Martian

"You've Got Everything Now" - Martian

To me this is my de facto Martian song, I think about it constantly, I'll probably make a post with it sometime. It's just such a bitter song that's to me about a relationship falling apart. I view it from Mark's perspective.

"As merry as the days were long//I was right and you were wrong." Very petty, very bitter!!

"But you've got everything now//you've got everything now//and what a terrible mess I've made of my life." 2013 vibes, him being fed up with it all, particularly with Seb winning everything.

"You are your mother's only son//and you're a desperate one" Haha think of Christian as the mother in this situation. Golden boy vibes! Seb's utter desperation to win!

"A friendship sadly lost?//Well this is true...and yet it's false, oh//But did I ever tell you, by the way?//I never did like your face" Again that resentment and bitterness that made him act petty and childish

"I just want to be tied...oh ...to the back of your car" yayyyyy racing, why can't it be me in your position, in your car, etc etc

"These Things Take Time" - Brocedes or Martian

I used to think of this as only a Martian song but now it kinda makes me think of Brocedes. (To me)It's very much about one person in a friendship/relationship getting more successful and leaving the other behind.

"Mine eyes have seen the glory of the sacred Wunderkind" Seb! Golden Boy! Lewis! Rookie of the Century!

"But I can't believe you'd ever care//and this is why you will never care//But these things take time//And I know I'm the most inept that ever stepped" Like, you're so above it all that you couldn't care for little old me. Just the feeling of inferiority

"But you know where you came from//You know where you're going//And you know where you belong" Mark/Nico feeling sometimes as odds with their teams as they felt their teammate was the clear favorite who was getting preferential treatment

"Oh the alcoholic afternoons//When we sat in your room//They meant more to me than any living thing on earth//They had more worth//Than any living thing on earth" Okay this is the verse that made me think of Brocedes. Their karting years and how much time they spent with each other.

"Vivid and in your prime//You will leave me behind//you will leave me behind" THE THESIS!!!! THIS LYRIC HAUNTS ME ON THE DAILY!! IT IS MY MARTIAN THESIS!!!

"Handsome Devil"

Okay so this song is just kinda jokey and surprisingly horny for The Smiths, but its where my brain goes every time I see drivers in fireproofs...especially Seb...it's pretty self explanatory if you listen to it

"You handsome devil//oh, you handsome devil." As I said: self explanatory

"Let me get my hands//On your mammary glands." HAHAHAHA these lyrics still make me laugh, so horny

"What Difference Does It Make?" - Martian

It reminds me of this one Martian fic(x) Again, a relationship deteriorating. How Seb's utter commitment and devotion to winning at all costs caused conflict between them and ultimately led to their relationship falling apart. Mark thinking he'd be seen as the Number One due to his seniority, and then being faced with Seb's no holds barred racing! I guess it's kind've how Mark never seemed to be capable of being as happy for Seb winning as Seb was for Mark. They're both at fault for the same reasons though tbh. But from Seb's perspective this time

"For we have been through hell and high tide//I think I can rely on you//And yet you start to recoil//Heavy words are so lightly thrown//But still I'd leap in front of a bullet for you" Teammates :( They keep fighting but can't stay mad at each other forever

"So what difference does it make?//It makes none//But now you have gone//And you must be looking very old tonight." Like, why are you being such a baby, why does this have to change our relationship off the track too, why can't you just accept this about me, don't you know I need to win?

"Well I'm still fond of you, oh-ho-oh." This can be both. Even if they had bad moments, they always seemed to be able to at least partially reconcile

"Back to The Old House" - Mark & Martian

Goddddd this song is just Mark's relationship with RBR, and particularly in its relation to Seb, and how he felt post-retirement. Like I can't even really pick lyrics because the whole entire song fits so well! I would love to make a web weave with this

"I would rather not go//Back to the old house//I would rather not go//Back to the old house//There's too many bad memories//Too many memories there" Mark's relationship with RBR in terms immediate post-retirement. How it got toxic by the end. The "old house" is so RBR coded for any ex-Red Bull driver tbh

"When you cycled by//Here began all my dreams//The saddest thing I've ever seen//And you never knew//How much I really liked you//Because I never even told you//Oh, and I meant to//Are you still there or have you moved away?//Or have you moved away?" Again, being teammates made their relationship toxic, and they work much better together as people outside of that! Seb thinking Mark hates him :( And then "have you moved away?" HE MOVED AWAY FROM THE OLD HOUSE, HE MOVED TO FERRARI

"Please, Please, Please Let Me Get What I Want" - Mark

This song makes me think of how arduous his career was, especially with how all those records that Hulk has now, were at one point his. Especially after watching the 2009 British GP, just that palpable relief of finally getting his first win. And then also 2010 WDC vibes, finally properly being involved in the fight. Please just let him get what he wants, this time! I dont need to analyze the lyrics for this, just listen to it and tell me it doesn't remind you of Mark!!

"Sweet and and Tender Hooligan" - Max

Hahaha this song reminds me of his first couple seasons and just the whole "Mad Max" thing. And just how RBR, particularly Christian, have to defend their boy!! Their sweet and tender hooligan!! I think I could make a web weave of this one as well haha, just with how other drivers, like Nico, talked about how much a menace he was.

"He was a sweet and tender hooligan, hooligan//He said he'd never, never do it again//And of course he won't, oh, not until the next time" LITERALLY HIM!! Like with his insane overtakes and aggressive driving

"Poor old man, he had an accident with a three-bar fire//But that's okay, because he wasn't very happy anyways." Makes me think of my fav Max radio, when he overtakes Kimi and says "See you fucking later, son" The utter gall!! What a hooligan!!

"Jury, you've heard every word, so before you decide//Would you look into those "Mother Me" eyes?//I love you for you, my love, you, my love." Mother Hen Christian defending his teenage menace

"You Just Haven't Earned It Yet, Baby" - Jenson, Nico & Mark

Tbh fits any driver who had a long career and struggled for so long to get that first win/WDC. I would love to make a post with this song!!!

"If you're wondering why//All the love that you long for eludes you//And people are rude and cruel to you" Toxic fans and pundits you know :( like everyone saying they won't make it in F1 and that they'll never win, etc

You just haven't earned it yet, baby//You just haven't earned it, son//You just haven't earned it yet, baby//You must suffer and cry for a longer time//You just haven't earned it yet, baby//And I'm telling you now" THE THESIS OF F1 HONESTLY LIKE PLEASEEEE

"Today I am remembering the time//When they pulled me back//And held me down//And looked me in the eyes and said//You just haven't earned it yet, baby//You just haven't earned it, my son" Team principals I guess, it reminds me of Flavio hating Jense and calling him a useless playboy who'd never make it

"Bigmouth Strikes Again" - Martian

Foot? In mouth. This is one of the songs I was thinking of when I said love so intense that it feels violent. I am so obsessed with the opening verse, I love the whole song but that first verse....:

"Sweetness, sweetness I was only joking//When I said I'd like to smash every tooth//In your head//Sweetness, sweetness I was only joking//When I said by rights you should be//Bludgeoned in your bed." Normal comments one makes to their little twink bastard teammate

"The More You Ignore Me, The Closer I Get" - Martian

Not Smiths, but Smiths adjacent. I'm trying to make a Martian playlist and this was the first song so I felt like I had to include it. It just reminds me of any of those posts about twink menace Seb ruining Mark's life LOL, just a very bratty and pushy song, I think it fits RBR Seb's somewhat Stockholm relationship with Mark

"The more you ignore me//The closer I get//You're wasting your time." You're not getting rid of me as your teammate no matter what hehehe, you're stuck with me!

"I am now//A central part//Of your mind's landscape//Whether you care//Or do not//Yeah, I've made up your mind" This lyric makes me laugh every time, the "Ive made up your mind", it always gets me. That's so pushy bratty Seb, like, yes I will get my way whether you like it or not

"I will creep//Into your thoughts//Like a bad debt//That you can't pay//Take the easy way//And give in." Absolutely canon that Seb lived in Mark's thoughts rent free, he took up proper residence!! Anyways this whole song fits, it's so cheeky!! And a little unhinged....

[oshamascramble]

[fogwitchoftheevermore]

decided to rewatch oli's christmas song stream from last year and remind me again why the fuck oli/sausage is a rarepair again. he sings no less than five romantic songs about sausage (admittedly two of those are just different versions of santa, baby). one of them is him and sausage singing baby it's cold outside together. oli literally left heaven to find this man. what. what am i seeing that everyone else isn't hello.

[unproduciblesmackdown]

among the boundless billions zaniness like laugh track as it definitely has that moment of expressing "rolling my eyes as The Left makes a kerfuffle of Acting like they have a stance as a veneer over the true belief that [xyz] is cool & chill actually" like what, approximate 0.000% chance wendy isn't, as usual, given the Objective Stance of "yeah yeah ohh we are cancelling involved parties talking about how we Don't watch this But. we all love this damn epic movie & already have it memorized so shut the fuck up, kids today" like. don't wanna really delve into how much billions thinks taylor or anyone is "really" trans / nonbinary like not too much benefit of the doubt in this material including what does provide info abt that specifically

& the general like [head in hands. what do you think any of this could possibly be about (you're the one that made your show at all about Power)] of "yes, it's bad/wrong to be someone that someone has done something to / victim of something" like that to be anti misogyny All Women Must Be Epic Winners b/c there's something to be proved: that they don't Deserve to be victims (of misogyny), not taken as a Given. while when we see some epic winner men stepping on other men (who need not all be guaranteed Winners so as to say misogyny is wrong), that's often Good, well beyond any assumption that various forms of basic disrespect / violation / patterns of emergent/entrenched power difference as Bad (for being things done to people, not for there being people they're being done to), & generally billions has to take an extra step when ppl get shitted on & tell us the Specific Cases when it was undeserved actually & someone was being mean to a specific person who didn't deserve that. & the specific cases when hey guess it wasn't that bad(tm) or when hey It's Okay that you're someone something was done to, in this case. & tell us what we were supposed to know all along like when someone who something was being done to (wrong Of Them, whether b/c they inherently deserve it no matter what, &/or b/c they failed to be someone who could make it Impossible to do anything to them, which, how do you do that besides being The Authority / Superior yourself, exactly? nonrhetorically? what if the in group vs out group / fascism / authoritarianism protected Me?) was actually being treated Too Well b/c ah well the abuse meant you were getting any attention, maybe it meant you were claimed as any superior's property, maybe it meant you weren't Already disposed of, as all Losers were in the end, You're Welcome.

obviously referring to winston where it's spelled out all the abuse towards him was deserved, & More than he deserved in the case of rian having more access & taking advantage of that, all for billions' enjoying its own sendoff there of, again, maximizing violation & violence short of [real violence is physical & leaves bruises / draws blood / Literally kills] which would be distasteful in general But doesn't it make wags look like the winner & winston the loser is that the former's completely unrelated completely impersonal ego blow gets way amplified taken out on winston, the most vulnerable recurring character when spyros as [first & ultimate Everyone Hates Him role] is more entrenched in there & billions still magnanimously pities tuk, as it does winston too, just not quite as much. again that like completely surface level realized power fantasy of forcing the mirror up to the Inferior so they're like nooo my inferiorityyyy & in doing so like, the projection in that lmao, we get it re: the valuing of & need(tm) for such Power Tripping & Reaffirming My Superiority & My Ego Restored; Everyone Claps like good god. & then for all ben & tuk are the slightly softer Two Too Nice Boys duo to the rian & winston quant duo, also like too nice i guess but not as much, ben is in charge of tuk but Any instance of rian being in charge of winston outstrips them in that "yay interpersonal abuse" dynamic, like then in the end billions may be like "yeah it's possible to be mean to them unlike how being mean to winston is actually Nice b/c he deserves everything he gets, we only vicariously enjoy it vs Feeling Bad for tuk & ben sometimes (still magnanimously & it's Not That Bad / just goofin)" like ben & tuk still Fail by not being people it's impossible to do anything to. & not Exceptions who anyone is really being Too Mean to. like if they were women, in which case, no problem surely with a "positive" kind of victim blaming where there is something Inherent that Will be victimized so hey how about to cancel that out there's this special Paternal Protection you Need always, Or Else? :) but instead they are men who are asian & is ben gay & w/tuk & winston nobody mentions glasses or fatness but billions doesn't really do much or very in depth textual mentioning of Anything, even w/nonzero mention that there may be gender & race in this world. a gay man, once. no disability. we just Know who are the inferiors who deserve it when they're treated inferiorly, or if they don't, they start deserving it when they fail to stop/avoid it, but if you start mentioning the factors behind who we all totally agree is inferior like whoa nobody was Saying any of that? being the real agent of oppression on the basis of the factors only You spelled out, much? nonbinary? i never say anything about the Gender Binary when i'm subscribing to it, sounds like You've created & enforced it. obfuscation & deflection onto [so Just Normal nobody has to label, explain, or argue it] couldn't serve a purpose & protect the existing power differences as they are. maybe You're the problem? perhaps you brought it upon yourself & now you're causing too much trouble standing up for yourself while everyone else's criticism is laser focused on you as the prior & continuing negative actions done to you are taken as a given / unquestioned / covertly protected to overtly encouraged?

anyway so wild if the Completely Normal(tm) Victim Blaming is uncritically recreated & oft embraced for "if you're watching this & don't wish you were axe / find him appealing" [billions as a sequence of vicarious power trips] purposes in this series....but a bit wild considering like this is your multiseason show that wasn't just purporting to be those power trips for [enough demographic & apparently specific personal tastes overlap w/creators] & was at all purporting to question the matters of power at play in the material, or yknow, at least to not be completely superficial material while said material is textually & thematically all about power difference being leveraged, how, the consequences, & so on. thus i will have to intermittently talk about it forever like this like lord unbelievable. & the funny little & sometimes less funny less little characters it has trapped in there so that those of us who were never meant to be in the audience can be cursed with this knowledge. like i have some feedback. "imagine not victim blaming" & "imagine adjusting your perspective can go beyond superficial layers added to politely defer to some other ppl while they're present but really like cmon do they deserve that. am i not just saying what we're allll thinking"

[venbetta]

"Hold me close, make me sway~"

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[mieltelecheycrema]

confession done that was so easy (covered in sweat and took two days)