#im so fucking sorry it's long but it had to be said

[tommygotwrittenoff]

i just think if roles were reversed and buck was the one saying those gay ass lines to eddie, eddie wouldve proposed like four seasons ago

[dailyloweffortpace]

Day 20: aaauughfgsgxgvnnfgjnd

[toxooz]

been binging tf outa Avatar the last airbender bc ive been puking my EVERLOVIN guts out since yesterday and hear me out

[scopophobia-polaris]

My farmer arc

[nemotakeit]

hot take? i don't think blurryface is going to be "defeated" by the end of the lore. he might be the villain of the story but at the same time he's a living part of tyler as well. i think they'll win, but not completely eradicate the existence of blurryface. they might suppress him, or learn to peacefully coexist with him, or outgrow his influence or whatever - that's the "managing the tension" part. we also have to keep in mind that tyler is still struggling to some extent with his insecurities and vulnerabilities (though he's gotten much better ofc) and i think that aspect will be reflected in his art.

besides, they've said that some people might not like the ending, which insinuates we won't be getting a perfectly hunky-dory happy ending. i also don't think tyler is the type to give this kind of story a sunshines and rainbows type of closure.

the core message of twenty one pilots, although it has certainly evolved over the years, is that it's fine to be not okay, but you must fight for your survival. i think that the lore ending will leave us with the message that broken as we are, we have to stay alive AND push on through - and before you know it, you'll be in a much better place than when you first started.

[faaun]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[butterflieswhisper]

hiiii ^^ beastlife fishie analysis. spoilers ahead. etc etc

okay so. the main point of this is simple. I don't think the salmon head cursed c!fishie. Explaining that is the harder part I think. also i'm going to refer to the salmon head thing in e5 as "the incident" from here on out because frankly i think it's funny

Let's start with the incident. The big day. etc. What happened? Why did it happen? Obligatory third questioning statement? Well. She was gifted the salmon head for her birthday by kiwi(or like. someone in the kiwibird system. -bird system. the birds). Immediately upon receiving it she relives parts of season one and fishie herself doesn't really acknowledge it. The other players definitely notice but im not caught up enough in any other pov yet to like have thoughts on that I'll come back to that point someday. Fishie seems shaken, sure, but she moves on so quickly, especially considering what happened just there. 37 seconds of standing frozen, unresponsive. she recovers in 5 seconds. And seeing how she reacts later on to realizing the memory situation--if she was aware that happened, she would probably be concerned by it. She puts it on for a brief second at the end of the party and takes it off immediately. She's otherwise normal -- well. as normal as she is otherwise up to that point. Because that is also how she acts with pretty much any salmon head, even just kiwi herself.

I raise: Episode one, about 8:20 in. The slow zoom on kiwi as the static overtakes every other noise. This is the *exact* same behavior displayed when fishie receives the salmon head, albeit without actual concrete old video footage style flashbacks. In episode two (28:55ish) the same thing happens when she looks at the salmon head in moch's house, but this time there is technically a flashback -- kiwis grave. Fishie moves on immediately and doesn't acknowledge her behavior at all, and, seeing as it is fishie, im inclined to believe that means she does not know she is doing it. Fishie (when alone) will discuss all of her problems in immense, and usually misguided detail (bestie i promise kiwi doesn't hate you???) to the audience and/or herself. I mean she's not alone in episode one, and it is technically presession, and i guess getting struck by lightning is a decent distraction from your problems, but in episode two? She is completely alone. There is nobody with her. She went looking for moch and moch is not there. She still doesn't acknowledge the fiveish seconds she is completely frozen. This happens again and again with kiwi and salmon heads.

And then that leads you to e5. The incident. She's. well. she's doing worse. 0:50. "This will distract me if i leave it up." This is the first mention from fishie herself about how fucking weird she's being, and even then she doesn't seem concerned. I think she does not realize she's being so so incredibly weird about it. If the static and freezing is what's referred to as "distraction" then keeping it in her inventory makes it worse actually so it wouldn't really make sense unless the way it is distracting her is NOT the. well. whatever the fuck is wrong with her (affectionate). After she puts the head on there's the static all the time but for a short brief amount of time she's like significantly more normal and i don't really know if that means anything i just think it's really funny.

And then we all know what goes on during the incident i'm not analyzing this video frame by frame. um. i could. but i am not going to right now. And then she has the conversation on the table with kiwi where she like is normal for 5 minutes. Like genuinely the most. i guess stable? fishie's thought process is is like in the moments directly after the incident. She is immediately understanding with the antikiwi situation, they come to an agreement that they're like. okay now. "thank you for everything and im so sorry i couldnt do more" / "it was short, but it was nice" "i knew what i was getting into when i married you" etc etc and then they kind of rush it at the end because people won't stop dying. But then fishie is fishie and takes it in the complete opposite extreme (from. um. whatever was wrong up until now. to "oh kiwibird must secretly hate me because" and then there's no real good reason she's just like that) and it's also an issue. And i think the season two memory thing is also a part of that but this is so long already and so i'm not going to get into it rn. So bringing all of this back to my original point: the salmon head was not the cause of the curse(?) because she's been so weird all the time forever and the salmon head thing was just like. an effect. of whatever went Wrong(tm) in the season transition. like the head was a vessel to Be Worse about it but i feel like it would have worked with any salmon head she got her hands on and that it happened to be kiwico was a coincidence and also that the head wasn't cursed at all there's just something deeply wrong with fishie s3 in general and uh yeah 👍

I'm so sorry this is so disjointed i had a thesis statement and everything. alas

[definitelynotnia]

im sorry i have to rant im so fucking pissed

my exams end on 19th and I have to get rid of some books and buy some books which are quite pricy online so I had planned on going to college street on 20th and selling my books and buying the new ones at a cheap price and i was frankly really excited about it because all I get is a one day break to relax bcz i have to start studying for entrances from 21st so all I have is 20th and i wanted to spend it at college street and then get some food and basically have like a solo date kind of thing.

and i was so so excited about it i told my boyfriend about it like 500 times bcz i kept forgetting i've already mentioned it and it was literally on my mind a lott so i kept bringing it up and ik it seems like not a big deal cz i can just sit at home and chill too but i literally do not get to go outside my house. like- the last time i went out was new years eve and after that the only time i've gone out is to school or to give my boards that is it. my mother has some weird like problem wiht me going out like even if i tell her that i just want to go to our terrace for 5 minutes just to get some fresh air she won't even allow that she'll be all suspicious and like sTaNd In ThE bAlCOnY aNd TaKe FrEsH aIr like she herself doesnt leave the house (and blames it on me and my brother ???? when have we ever stopped you bro, she said I HaVe To Be HeRe To KeEp An EyE like im 18 i dont need to be watched 24/7 stop blaming me for choices you put upon yourself) and i just feel so suffocated ALL THE TIME i feel so overstimulated and im so sick of rotting on my bed and i dont want to wait for some birthday party or friends meet up to be able to leave my goddamn house i just wanted to go and have a fun day and get me some books thats it.

anyway so initially the plan was that my mom would go along but something came up so she wanted to postpone it to 21st and i didn't want to bcz i'd already be missing 3 days bcz of my boyfriends birthday, holi and my brothers birthday (all of which are important and i dont want to miss which makes me the villain apparently bcz i should "adjust" and cancel my "parties" instead of trying to stick to my plan bcz that makes me too demanding and selfish apparently) so i suggested that ukw why dont u go do ur thing which came up and i'll go to college street by myself...which is when the solo date idea came which i had really wanted all along but didnt bring up bcz i knew she'd say no but now there's a valid reason for me to go alone so like, its a pretty easy fix i can just go alone but noooo. First of all,

I've been to college street multiple times before so its not like its an unknown area to me

im going by metro which is quite safe

im going when there is stark daylight and i will return home much much before it gets dark and im literally 18

she never lets me go anywhere alone, not even take ubers alone if i want to get back from somewhere my bf has to come drop me everytime and then go backwards to his house which is so so so stupid and i never get to go out alone unless accompanied by family or by a male friend, so obv when i said i'll go to college street alone she refused to let that happen and started screaming about how 'if its so important to go on 20th bcz u dont want to miss a day of studying then cancel ur 'parties' and study then' and i was like no its not about missing a day its just that there's a very easy and logical fix to this problem which is i go alone and its not inconveniencing anyone so why cant i just do that but she will not listen to that bcz im 'adamant' and 'everything has to be according to me' bcz i found a viable solution to the problem. so instead of letting me just go she was literally ready to pay much more money and buy the books online, like.....why cant i just go bro??? (and she keeps telling me im a waste of her money bcz i will amount to nothing in life and my education was a failed investment or wtv so like now why are u wasting more money??? im literally trying to save the money that u 'waste' on me so just let me ???)

anyway i called my dad last night and told him and he was super ok with the idea he said its a good idea that i go alone and that he would speak to her but then today when i asked her if dad spoke to her she said yes, we'll go on 20th and i was like .....we? so apparently she CANCELLED her previously immovable thing for which she wanted me to cancel my 'parties', she cancelled that and agreed to go with me on 20th just so that i dont get to go alone- like ???????????????? what is ur problemmmm

so obv i was super annoyed and i went on a whole ass rant about how i literally struggle to even cross roads bcz i dont know shit about basic travelling bcz all my life ive been in a car and its a running joke with all my guy friends that i 'cannot navigate' and 'dont know any places' and obv??? if im never allowed to go anywhere then how tf will i know the places- the only places i know is bcz recently i've been paying a lot of attention and asking my dad stuff about what roads to take to reach certain places and when i go out with my friends i kind of try and learn a bit but thats it i've only ever gone alone completely alone to two places which is my beauty parlour thats 5 minutes away from my house and one bazaar one time that was 2 bus stops away, thats it. thats my extent of public travelling alone. and now im supposed to go to a whole new STATE for college and i cant even call myself an auto without struggling. and like- is this not a basic life skill??? like ok yeah its not rocket science and i will probably figure it out even if i start later in life but why not now? most of my guy friends literally go everywhere alone, why not me? and my dad agreed with all of this but my mom was just like "you'll be in the hostel only, no need to go out of the campus" like ARE YOU FOR REAL????????? and she's like "if u want to learn skills learn how to cook" like ok yes i will also learn how to cook for sure but i wont have a fucking kitchen in the hostel but somehow cooking is an urgent skill i should learn but going places by myself is unimportant bcz i should just never? leave? the? hostel?

anyway after much screaming and shouting my dad gave up and just cut the call bcz he doesnt want to get into an argument with my mother and my mother was being all suspicious like why do u hAvE tO gO aLoNe AlL oF a SuDdEn even though i literally explained why i want to do this alone but she doesnt think thats valid. so she refuses to let me go and i asked her for one reason why i shouldnt cz usuallt its always "no u have exam what if smthn happens" but now i literally dont even have exam so whats ur excuse now? streets will always be unsafe forever so "what if smthn happens" is not a reason to never let me go out without a man so just gimme one reason and she couldnt give me a single reason she just said "i said no, thats it".

and now she's gone off about how im useless and blah blah and "high maintainance" bcz i want books and "everyone else (some pishi's son) just studies online" and so the whole option of college street is apparently now cancelled and she's trying to set up a whole ass kindle account (half the books i need arent even available as ebooks) just because i wanted to go by myself.

[valkyurii]

writing about my elden ring oc has been my comfort thing for the last two years but since this dlc i genuinely can’t bring myself to enjoy it anymore. miquella, the haligtree and even malenia feel so different to me now

[deeisace]

..

[graham--folger]

*through gritted teeth* what the fuck do people want from a resume

[teeto-peteto]

Question for the RK AU, if that's alright? Bit of a loaded question but I'm curious. How did the gang get together?

Ok welcome back dearies i wasnt dead i was wandering my head around this ask.

Its been some time i dont write coherently i made some notes but here it is:

Illaoi's mother and Pyke's parents attended the same church since they were kids hence why they know each other, althrough Pyke grew to reject the religion Illaoi is still very passionate about it, they both attended the same school as kids. Abigail knew Illaoi's mother and so Sarah and Illaoi became friends in the sense of 'that one kid we play with at the park while moms are having their coffee'.

At the same time both Illaoi's mother was aware of Abigail's relation with Gangplank's family was troublesome. Pyke wouldnt tag alone to Illaoi and Sarah playdate at the park until his mother gave permission for him to go always accompanied by Illaoi's mom. Making them a 'trio' of funny kids but it was rare ocassions Pyke was allowed to tag along.

In the meantime Braum doesnt live on the same city but in a village close by the mountains around 4-5 hours of car far from the main city. Lives with his family and there's not really much educational opportunities, to wich parting to the city was an idea Braum developed early on his early teenhood age.

Yasuo lives with his mum, dealing with the passing of his father figure (something he will later relate to Sarah's pain). His relation with his brother Yone slowly withered by the pass of time and as the new reality of single parenting and death of a loved one settled, they dont interact much now despite living under the same roof, althrough Yasuo has good relationship with his mother.

Yasuo and Ahri (and thecnically Yone too) met on the conservatory where their parents enrolled the kids when they were young. Ahri is an adopted child who lives on the outskirt of the city in a more privileged household. There she learned to play violin, while Yasuo learned to play the flute, they technically know each other since they're kids but never really spoke, just Ahri ocasionally waving at both brothers and Yasuo responding back with a waving of his own, a small crush he started to feel during those ages he tried to supress.

After highschool they all enrolled to the same school for baccalaureate (...thats what word reference says, but im unsure if thats understandable. Basically after highschool where you pick either art/science/humanities to then go to the university or other more complex studies).

Wich made Braum finally move in the city by renting a flat alongside other students in the city. After Abigail's death, Sarah lives by herself under the roof of a students residence. Illaoi still lives with her mom and her mom's partner. Ahri can come by car first driven by her parents and eventually by herself once she gets her liscence. Yasuo remains the same aswell as Illaoi. Pyke decides to leave his parent's home for independence, a hard decision that made him work part time while also doing his studies and renting a flat with the little money he makes.

By the time school year starts Sarah and Illaoi already know each other, alongside with Pyke to wich they catch up on all the stuff that has been going on. Yasuo stumbled upon Ahri on the same classroom, and decided to sit together to be comfortable around the new students, althrough this made Yasuo's crush develop even more. Braum, despite not knowing anyone, remained cheerful and kind.

They all coincide on the same classrooms in general subjects. On specific subjects Sarah wants to study any branch related to politics, to wich she chose humanities subjects, wich made her stumble upon Braum, who also chose the same subjects for him to study child education. Althrough his personality seemed to crash to Sarah still mourning soul, he actually manages to crack a smile on Sarah, enjoying to have him around and as a support for these subjects while everyone is on other branches. After the firsts days of classes she presents Braum to both Pyke and Illaoi and accepted him as part of the group.

The others decided to go for science focused subjects to study different branches after it. Pyke goes for marine biology as Illaoi decides for personal training studies (like P.E. teacher/gym trainer etc), sitting together. Curious about the oddly shaped bags Yasuo and Ahri carries around for conservatory after class, Illaoi asks what instruments they play. Marbeled by the music Illaoi grew fond of the pair of students, while Yasuo's unability to pick what to study and his lazy personality struck a cord on Pyke, wich also made them to group in, while Ahri is interested in studying psychology. Eventually the group consolidated as now they sit togehter on the general subjects, Yasuo's love for alcohol made Sarah quickly friend him, aswell as Ahri cheeky but sweet personality made everyone quickly accept her to the group aswell.

Is this a school/highschool/university/whatever AU? yes and no. Althrough school is a good chunk of it i dont want to focus entirely on it. They have silly shenanigans inside and outside the school and i dont want the school to be the only escenario, althrough its the place the group consolidated.

[the-brainrot-central]

Writing over 30,000 words worth of content for a fic only to realize it’s all pointless because you have no interest in it anymore and you were never gonna finish it anyway….

What even is The Point anymore

[altruistic-meme]

shoutout to walmart for doing more for my community than the government officials are

[fappellmoan]

i dont wanna be a dick and act like i have no responsibility in this but after a point dont u think if all you ever say to ur friend is Omg you never make it out why dont you ever come out with us you bail all the time youre such a flake etc. dont u think that person (me) is like. not gonna feel so inclined to. be there