#im only like 20 episodes behind

[antivivziepopparade]

All of the proof that we have that Vivziepop is abusive. (So far....)

While you support this post please go ahead and support my channel to see more about Vivziepop's abusive behavior. Thanks!

1. She rushes her employees.

Season 1 was made in 2020. While Season 2 was made in 2021 while being released with MULTIPLE EPISODES only ONE year later.

That's-

INSANE!

-and im about to tell you why:

The average cartoon needs almost ONE WHOLE YEAR to produce one episode. And this is what we see in MAINSTREAM shows.

Meanwhile, Helluva Boss took only one year (and a half) to make MULTIPLE ENTIRE EPISODES that last over 20 minutes. The longest waiting time for an episode being 8 months. Not even a year, and we get multiple episodes off the drawing board.

You can even see here that it's taken only three years to make 16 episodes. When this is an indie studio, so this should have taken so much longer to make. Yet for some reason, it took only a few years for us to get full seasons. In 2021, we got over 4 episodes alone. Have you ever wondered why these episodes come out so fast while other shows take a lot longer to get new seasons? That's an easy question to ask... Spindlehorse...

Is being ABUSED.

And I have the proof to show.

2. The pay controversy.

Spindlehorse's payment has been under controversy for providing the lowest pay possible to those that work at the studio.

One piece of evidence was given by Adam himself (albeit unintentionally) by saying this:

This kind of pay is highly unstable! And before you say "But he didn't force them to be there-"

LOOK.

The employees themselves admitted that they had no choice. People had no choice and Vivienne Medrano took advantage of that for her own selfish desires. This is disgusting treatment of a studio as small as Spindlehorse. Or any studio for that matter.

Hell! chaifootsteps said once that once Zeurel released that he was paying his animators too low, he deleted one of the tweets showing the low pay and decided to do something to give his employees better wages. Meanwhile, Chimera Bunny pays even less than Viv does and just because paying your workers low is normal in the animation industry- plot twist: Doesn't make it ok!

People have suffered so much in this industry, it's why "New Deal for Animation" exists. The only reason you haven't seen many Vivziepop workers having protests and speaking out is because Vivziepop says things like this behind people's backs if they "dare" do anything she doesn't like:

So that explains as to why so many people remain as "anon" or say nothing at all because they got cold feet. Vivienne's terrible!

Especially since even her top employees have admitted to not being paid enough despite Adam's "I pay them to stay if they make us the most mon-ey!" claims from the article:

Also this:

This is how she speaks about her own employees:

"YOU DONT LIKE HOW I TREAT YOU?! FUCK OFF!"

Straight up abuse.

Also, wasn't Walt Disney known for abusing his employees?

To the point where people had an entire protest in 1914 about it?

Wow... such a healthy workplace treatment comparison. Doesn't make Vivziepop look more like a jerk.... at all! /s

3. She bullies kids/laughed at a sa victim that was sa'ed by her friends. As one kid was bullied into a panic attack (I know them personally) back in about 2020 and Viv decided to vague post about them behind their back even after they apologized.

For someone who's so focused on "forgiving despite cancel culture" she sure likes to blame and harass people for disliking even ONE thing about her show or herself. One thing- and you're harassed over making a meme about a cartoon with fictional characters (What Froot Did that set Vivziepop and Gumball off.)

Secondly, one of her friends sexually harassed a minor.

And instead of acknowledging the sa, Vivziepop wrote this:

She ended up calling it a "joke" and made fun of the victim involved.

This is outright abusive behavior that should not be tolerated.

Children don't deserve to be traumatized this way. Especially over something as simple as making memes about a cartoon (negative or not) or simply telling someone to stop fetishizing abuse.

More on this in this video made by Gummypop:

AAAAAAAAAAAAAAAAAAAAAAAAAAND-

That's all that I have for now!

Will likely be updating this post in the future. Goodbye!

EDIT:

More evidence of Vivziepop using abusive language and slander against her employees behind their back. Claims of them being a "stalker" (like she did to Kedi and also its clear that she told her employees to say that Kaz was a "stalker" otherwise how else would they be saying these things after she fired them.) along with using abusive language such as "CUNT!" to prefer to Kaz this way in a professional setting I cannot. 💀

More evidence of Vivziepop harassing a kid:

ANOTHER edit:

More evidence, she's burning them the HELL out!

Yet ANOTHER edit:

More evidence of Spindlehorse being abusive:

EDIT:

Even MORE evidence:

The fact that the story AND the storyboards AND the animating for season one's episodes were all done in one year is just so crazy to me like... WHAT?! Either way, this post will continue to extend the more that I find evidence. So remember to look forward to that one!

EDIT:

Sadly no, as animation abuse is so common that the police dont even see it as an issue. The last time I tried to call the police on her they needed a location. The problem? There is no location of Spindlehorse since it's a "private" studio. So because of that viv gets away with abuse despite the obvious implications of her behavior and how many people came out with allegations towards her.

[graysnetwork]

i was watching Gilmore girls at the beginning of the year i think and then i suddenly got the urge to watch again, so i'm finally on the last episode of season 2. Im completely in love with Tristan but at the moment i'm loving jess (i also searched up jess edits on tiktok and i've spoiled things for myself so i will be debating on skipping that one scene)

Also Ik this is not the best but I hope u guys like it

Warnings— none

Summary— Jess is turning into a great student and Luke not lorelai can think of a reason he’s become an amazing kid all of a sudden.

The library

Two full weeks, two full weeks had gone by now and no calls from the school had been made to Luke's phone. This was more concerning than actually getting calls from the school. And another notable thing was that Jess started leaving every day at the same time 6:30 and he'd come back home at 9:30 or even earlier.

Luke was getting suspicious but he didn't exactly know how to bring it up since it was very possible he was cheating on his tests, maybe copying off some one else for work. So he decided he'd mention it another day, and every time that decided day came by he'd put it off again, and again.

the two of them were in the diner, it was surprisingly very quiet, there was only one person which was also surprising and then the person walked out. Jess started cleaning up the table before checking his watch.

6:15

He dropped the towel and rushed upstairs, he came back down with a backpack, had he been hiding that thing?

"where are you goin?" Luke asked, finally looking up from the counter “somewhere.” “what do you have in there?” “some things” he shrugged and opened the door, before he could even get one foot out the door he could hear Luke’s heavy steps get closer to him, he turned around again.

“What do you have in there” Luke said again, “why do you wanna know, it’s nothing important” Jess rolled his eyes and checked his watch again.

6:20

“I’ve never even seen you come outside with a backpack, and I need to know if you’re stealing things again” Luke gave him an annoyed stare, Jess unzipped the the bag and showed the books in his backpacks.

“Oh” Luke muttered, and looked over to the side “happy? Cause I need to get going” he zipped the bag up again. “where have you been going?” Luke sighed, it was time he got the truth.

“why do you wanna know?” Jess rolled his eyes again, “because I gotta know these things” another sigh came out of Luke, and Jess mumbled something. It took a good few minutes to get him to admit.

“I’m goin to the library”

He said it quietly but at least it was coherent.

———

“You’re late” you smiled as Jess sat down in front of you, “I know, I’m sorry, Luke wouldn’t let me go until I told him where I was going and what I was bringing” he smiled back at you and took out his books. “well, you’re here now, that’s what matters to me, now what’s today? math?” You smiled again and the two of you started opening your books.

“Today is math day” jess nodded and started reading your math notes.

———

“Jess, in the library? Is he meeting behind it and doing something?” Lorelai drank her coffee, “I didn’t think about that” Luke said as he gave her a doughnut.

The moment very quickly ended when Jess came in and quickly went upstairs without saying a word, Luke and Lorelai could hear the thud from Jess’s backpack hitting the floor.

Jess came back down and grabbed a doughnut; pink icing. Very weird to the two adults in the diner. Unknowing to them the only reason he grabbed it was because you swore that the pink icing on the doughnuts taste different.

———

“So anything new and interesting happening?” You asked as you and Jess walked around after studying, it was the quickest you’ve ever studied but that was because it was English, all jess had to do was read and write some answers.

“no, but, if you call getting a new shipments for the diner interesting, than yes, there something new happening” he smiled at you, “sounds very interesting” you smiled back at him.

“what about you?” Jess turned to you again “what about me? Nothing” you shrugged “cmon there’s gotta be something that’s happened so far this week” Jess said, “there’s nothing, nothings happened, and im 100 percent sure nothings gonna happen” you smiled again at him.

He wrapped his arm around your shoulder and smiled “how about I give you something to look forward to then since you’re free” Jess’s brows perked up, “really? how?” your hand reached up and grabbed his that was on your shoulder.

“how bout you, me, and chinese food, and we can do it on, Friday? You said your parents are leaving on Friday right?” He smiled as you two got closer to Luke’s diner.

“yeah, my parents are going on Friday.. that sounds like a plan” you smiled “it’s a date” he smiled. “Cmon I’ll walk you home” he walked past the diner “thanks Jess” you wrapped your arm around his waist as the two of you continued you way down the street.

-

“Did I see that right?” Lorelai’s eyes were wide and her brows were furrowed, “wow” Luke said, it was the only thing that could be uttered at the moment as they had just seen; You and Jess walking together.

“That must be why he’s going to the library so much! y/n’s always at the library!” Her mouth hung open in shock, it was silent for a few moments “y’know what, this is good” like said as he nodded while drinking his coffee.

“This is good?” She looked at him confused, “yes, he’s doing good in school, and it seems like he really likes y/n, as long as he isn’t hurting her, or doing bad things than I’m happy about this” Luke smiled “I guess this is good..” Lorelai smiled back at him.

———

[stitchwraith-stingers]

sorry for never shutting up about how people treat hazel but ohh my god shes my fave character atm.... i get to be mad!! she has good enough information that you can play around with headcanons freely

the only moments people wouldve brung up is when dev is in the episode, there was no reason for the episode that showed her tendancy to overthink and be emberassed over small mistakes by wishing a do-over and over again, having to realise that running away from the idea of creating a problem wont help her in the long run JUST so people could go "omg haha dev has a crush on her" i could litterly not tell you what the general concensious on most episodes are because i dont know peoples opinions on them because in general they dont discuss them beyond his scenes

fanart too, ive personally muted the dev and devzel tag and when i look up #hazel wells i want you to guess how many posts i find that arent hidden! spoiler alert its barely any of them, listen im not saying im shocked at the fact The Characters Made As A Duo are drawn as a duo, its whatever and while im not personally a fan in general i really do get the appeal, but you have to admit that at some point it gets really suspicious when the only fanart you can find in one character is only with the more popular one, over 200 fics in the hazel tag on ao3 and theres only 20! without the dev tag! (10 more then when i last checked, crazy! go read fly bird, fly now), and my main problem is is that hazel is shown to be her own person OUTSIDE of their friendship, infact wouldnt you know it shes the protagonist herself! the fact that most aus ive seen are focused on dev/dale/peri is whats most confusing to me, "oh but theyre so interesting to work with"

really! youre telling me you cant think of a fic / au idea on her own? miss "i was going to have a previous godparent who didnt listen to me at all", miss "i am very anxious and i overthink to the point where my desicions", miss "i had an encounter with my evil shadow self when i was a fairy" (shout out to fairy bound au btw, im a big fan), miss "my mom doesnt fully know how to handle children inspite of being a therapist and tells me im handling things mature so i feel like i should be", miss "with the fact that im terrified my friends are making fun of me behind my back, i didnt know how to talk to anyone and a cafetiria made me so overworried and i speak to my rocks could imply the fact that i was outcasted at a young age", miss "my brother who has been my anchor and i has taught me everything i need to know has left me and hes also struggling to adjust to everything and we were insanely close to the point where the reason this whole thing started is because of him", miss "i regularly help my dad hunt a ghost that doesnt exist but it makes him happy", miss "i am litterly friends with the coolest kid in elementary school", miss "my landlords are litterly doomsday preppers and our parents want me to get along with their werido twins", miss "i didnt even hestitate to kill myself if i had to save potatoes for humanity after i pissed off mother nature", miss 'i got called out on projecting my past bonding expiriences on my best friend by some werid demon posessing her body right infront of me' none of that makes you want to think of something about her on her own? not even a spark of an idea? its almost like you guys watched exclusively 6 episodes and watched 5 minutes out of them at most

hazel is very interesting and shows her own struggles, she likes puns and fries and rocks and anime and horror movies (and apparently mushrooms if you count that one scene), she tries to problem solve so that no one is unhappy (patty being alive so winn wasnt upset, trying to get the band and orchestra together, accidently haunting her house and wishing her dads day was extra special, trying to find a dinosaur she spontaniously teleported his own job), she has multiple episodes showing her insecurities and how she tries to hide it so she doesnt look like a bad person, but inspite of it all is a understanding person and a peacemaker and doesnt like arguments, hell shes even such good autism represntation im 99.9% sure it wasnt intentional at all

dont even get me started on the takes ive seen in the finale, listen the finale has alot to be said and it definatly wont be everyones cup of tea (i think them trying to refrence every episode felt so chaotic personally) but regarding people with the ending is still giving me a headache, "she shouldve used her wish on him" that wouldve been so boring and predicable, say what you want on what she actually used it for but i think you guys should realise that for the kid whos regressing back into his bad copium mechanisms should get to face his concequences, 'hes 10 and neglected so thats why he acted like that' and 'she doesnt need to put up with how he treats her and hold his hand and be his personal therapist' can both coexist, people being pissed that she lightheartly agreed that he fucked up when HE admitted it is crazyyy CRAZYYY (also the fact ive seen someone say 'her moms a therapist she shouldve known' ???)

this isnt even touching on "hazels other relationships like her friends and family arent developed enough so thats why ppl dont care that much" while that is a valid critism i have with the show in general i still dont think applys to what im specifically talking about to demonstrate dale has appeared in THREE episodes (four if you want to stretch it), meanwhile hazels parents have appeared more often and im barely seeing them in fanart "but dale has a backstory!" so do those two have a whole episode explaining how they met "b-but dale is interesting as a role as a villain!" the guy is barely a villain [so far atleast], but also is being a therapist and a parascienists already not an interesting enough? are you guys suddenly not able to make as much headcanons expanding apon them as you did with dale? thats the thing that confuses me the most, whats stopping you from giving random information from your head to anyone else?, (i didnt know how to word this point so hopefully this makes sense)

listen im going to say it right now MOST OF THIS IS DEFINATLY UNINTENTIONAL AND NOT EVERYONE IS DOING THIS ON PURPOSE but some of u guys might really need to uncover some biases on why you think the black girl should coddle the rich white boy when he wasnt treating her well at the time, if that makes sense

[mammalsofaction]

Hi I wanted to ask you about a fanfic idea? You don’t have to answer this but I have a couple ideas and I’ve been to busy to really put it to use.

You know in the movie into the 2nd dimension where Perry’s able to hold up 2 kids, 1 teen, and a fully grown evil scientist. I thought of the idea of what would happen if his host family saw that or if he got a bit to rough with Dr d during a fight.

You might have already had this idea or have even already done it but i thought it would be a fun short fic or something.

Early Days

Rating: G

Relationships: Bg Lawrence Fletcher/Linda Flynn-Fletcher

Characters: Linda Flynn-Fletcher, Lawrence Fletcher, Perry the Platypus, Heinz Doofenshmirtz mentioned, Flynn Fletcher siblings mentioned

Add tags: Non graphic depiction of violence, non graphic depiction of injuries, family feels, light angst, PnF S1 Hail Doofania, human Perry the Platypus, mute Perry the Platypus

A/N: This takes place in the early days of Perry and Heinz's nemesis ship. In the episode Hail Doofania in S1, Perry spends almost the entire episode wearing a protective collar. His flashback shows us that Heinz pushed him down a sandpaper making factory that tore up the fur on his body, making Linda suspect he's scratching himself up due to some sort of rash.

In the human!Perry version, I take this further to mean that he's wearing some sort of neck brace, meaning that Heinz had--at some point early in their relationship--had hurt him quite bad. I thought it's fitting to fulfil the ask. Perry still calls Heinz 'Doofenshmirtz'.

This fic mainly centres around Perry's relationship with Linda and Lawrence, and how they worry for him. The boys are maybe 5 years old here, making Candace 10.

If you want to understand the reference to Ferb's mom, i recommend reading my human Perry lore post linked in my pinned post.

Im sorry this took so long @salty-frenchfry . Between life happening and my laptop going Ka-put, finding the time to properly address this ask took longer than I'd like. I never forgot it though! I hope this little short is ok 😭

---

In his line of work, injuries were unavoidable.

Often times, they were easy enough to hide. Bruises were most common. Perry's long since taken to keeping a spare set of make-up with a replenishable bottle of concealer on his person, whether that be the dash of his hovercar or the storage box beneath the seat of his scooter. And what the concealer couldn't hide, his sleeves and long trouser pants could.

He's good enough at what he does. That being said, sometimes Doofenshmirtz gets a lucky shot.

Linda stormed into his private ward like an avenging angel, and Lawrence trails behind her in a more sedate, nevertheless eager pace. The nurse, as well as a be-suited nameless OWCA insurance representative slips out silently to leave him to their harried concerns, though not before the former sends him a small smile for good luck. The married couple barely notices.

"What happened?" Linda demands. Lawrence makes himself at home in the bedside chair, letting his wife take charge of the mother henning for now. "The hospital told us you'd gotten involved in a car accident? Oh Perry, your handsome face." She cried, bottom lip wobbling, and if Perry didn't have his left hand in a cast and his body completely leaden with drugs, he would have reached out to reassure her. As it was, he could only attempt to do what he can with a strained smile.

He hadn't known, until this point, what excuse OWCA had given the Flynn Fletchers to obfuscate the circumstances surrounding the severity of his injuries, but he really should have guessed. OWCA loved car accidents. In truth, he'd lost his balance over the edge of a rooftop while fighting with Doofenshmirtz, and he'd somehow managed to push Perry over. Perry had fallen through a roof of a sandpaper making factory, down 20 feet onto some crates and toppling heavy machinery. He'd almost broken his neck, fractured his left wrist, dislocated his left knee joint (the side that had broken his fall) and his face looks like he'd gone 5 rounds with Mohammad Ali. Thankfully he'd found he'd managed to thwart Doofenshmirtz's scheme anyway (he'd thrown a shoe into the revealed gearwork of his Unpaved-Inator, a machine designed to revert paved walk lanes into unstable cobbled paths. As if Danville didn't suffer from enough sabotage in terms of accessible walkable infrastructure), so at the very least, it was not a complete failure. The paperwork would've been impossible, instead of just insufferable.

He'd been given a voice to text machine by his bedside by his functional hand, a small voice box in respect to his disability, and he uses it to lie in it's emotionless vaguely feminine robotic voice. "T-boned into a truck running a red light." He says. OWCA would take this lie and run with it later. "Thrown onto the road. Think it slipped."

Linda and Lawrence made appropriately sympathetic noises. When Perry lolled his head to the side, he realizes his brother-in-law looks far more haggard than he'd initially noticed; red rimmed eyes and a glassy smile. Stiff upper lip. Well. Ferb had gotten it from someone. "You'd scared the children out of their wits, Perry." He says quietly, likely to conceal the shaking in his voice. "They're waiting in the car as we speak. None of us had quite the appetite for dinner after we'd gotten the news."

The strained smile slips into a slightly more sincere, more painful smirk. "Just the kids?" Perry asked, and Lawrence barks in laughter that sounds far too similar to a sob.

He can't imagine what he sees, what it must've been for him to have gotten the news. OWCA had told him it was a car accident too, for Ferb's mother nearly 5 years ago to the dot, now.

He'd not even got to see the body, then.

His heart squeezes in guilt, an all too familiar ache. Lawrence had been through enough: the point of a stable nemesis ship was to avoid injuries of such a caliber. To provide stability, safety. Security. Perry didn't want Linda, didn't want the kids, to ever worry about whether he would come home, especially not with the line of work he tells them he's involved in.

A gentle knock on the door heralds a familiar face: a specialist Perry had seen once or twice walking down the corridors of OWCA's medical bay as an emergency field medic, sans the white fedora with a red band denoting his position within the organisation.

This time he was simply wearing a signature Doctor's lab coat, holding a clipboard and flanked by a pocky young adult in scrubs, buzzing with caffeine. "Flynn-Fletchers?" He requested gently. Linda makes an affirmative noise, and the duo welcomes themselves inside the ward with that familiar professional smile.

"He's got banged up pretty bad out there." The doctor offers in a vague, sympathetic manner. "Has he told you what happened?"

Perry thinks he sees Lawrence and Linda share an unreadable look. "A car accident." Lawrence echoes hesitantly. "With a truck?"

The unnamed doctor nods, writing something down on his clipboard, likely the cover story he would need to report back to Francis shortly. "The impact had broken his collar bones and given him a mild concussion." He reports. The pocky nurse at hands out a print of Perry's X-ray reports, and Perry watches the married couple analyse the given print like it was anything comprehensible. "He'd landed on his left side, fracturing his left wrist, up to the back of his ulna, so we're casting it for now. No surgery beyond the one we've done to his collarbones immediately upon his arrival to the AnE, which has already been covered by his work insurance."

This seems to surprise Linda. " As an accountant?"

The doctor doesn't even blink. "Seems like it. Good health insurance plan. We're assigning him to a couple more days in the hospital to watch over his condition, and about 2 months bedrest before he can go back to work. If everything goes smoothly, we can discharge him by the end of the week. Any questions?"

"Paid vacation?"

It's a question asked through the robotic monotone of Perry's given voicebox. The doctor gives Perry a secretive, sympathetic smile for the unspoken concerns he understands far too well. "I'm afraid you will have to ask your superiors. My influence remain within these walls, I'm afraid. But I'll put in a good word."

Perry sighs. It comes out weaselly and creaky, and Lawrence reaches forward to squeeze his uninjured shoulder in reassurance. "Thanks, doc." Perry says, because he wasn't an animal.

"My pleasure." He says, which must've been some sort of cue. The pocky nurse moves to exit, leaving them with the X-Ray prints, and holding the door open. "I'll let you get your rest, and you may refer to Consultation for any questions regarding visitation hours. We'll be able to greenlight him tomorrow."

Linda and Lawrence thank him, watching him leave before they redirect their attention back to Perry's prone form.

Linda has her lips pursed in displeasure. "Your boss doesn't really want you back so soon after your accident, would they?"

Perry sighs again. This time, the exhales brings his attention to his parched throat. "I can't say." He types into the voicebox. It's not the answer she was looking for, he can tell from the continued sour look of her face. Lawrence face becomes even more pained.

"Can you promise you won't be doing this again?" He requests, and while his throat and his guilt tears him from the inside out, Perry lets himself chuckle lightly.

"I can't help these things, Lawrence."

The silence that follows is heavy with things Perry feels they're both keeping from each other. Linda sits heavily in the chair next to her husband, and reaches out to squeeze his hand, hanging limply by the armrest. Lawrence looks him in the eye, pointedly silent, and he smiles something wane and unreadable.

"No," he says. "No, I don't suppose you can."

[enha-roza]

I-LAND : EPISODE ONE

wc : 0.5k

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧

After all 23 male trainees entered, many of them assumed that everyone was here and were not expecting anymore trainees. So many were left shocked when more trainees made their way down the corridor to the main stage. “Wait, more people are coming?” “Who else is coming??” “Who is it?”.

As they reached the stage everyone sat shocked as three female trainees stood in front of them. Roza and fellow trainees Nari and Jihyun were also shocked at the sight of the male trainees. “They’re really pretty!” “Were gonna train with them?”. The girls sat down between Heeseung and Jaebeom, Sungchul and Jimin's unit. “I didn't know you were gonna be here,” Heeseung whispered to Roza. “neither! I thought this was gonna be all female trainees??” she said as her eyes looked around at the other trainees. “This is gonna be interesting!” Nari says as she giggles not quite minding this arrangement. 

“Roza is definitely an all rounder,” Bang Sihyuk said. “She has a  lot of talent and is very promising”. “Ive seen lots of her skills in previous shows” Zico replied as Rain nodded his head in agreement. “Jihyun too. Despite her age she's a very good vocalist” Bang Sihyuk continued.

“I'm so confused…” Jay said as more female trainees arrived, everyone was left just as confused. The room filled up quickly, leaving everyone sitting shoulder to shoulder as the last female unit containing Sooyoung and trainees Meko and Yunah walked in. “Yunah has great stage presence and is a strong dancer,” Bang Sihyuk said, watching the girls walk in. “She has very nice visuals” Rain said as the camera closed in on Sooyoung. “She's also a good vocalist and Meko, she's a talented dancer” “is the requirement for I-Land good visuals?” joked Zico. “everyone has good visuals”.

After all the trainees sat down an announcement came over the speakers. “Dear 46 applicants, Welcome. This is the stage of I-Land and this is the place to show your ability. Not all of you will go to I-land, only 20 trainees can go to I-Land.” “Oh my goodness!”. “this is a real survival show”. “Those 20 will be decided by you. Every decision is in your hands. We will now start the entrance test with the performances you prepared.” “right now?”. “Only those with the majority of votes can go to I-Land. You will perform in your units but votes will be for individuals. You will pick the order of performances.” excitement and shock go through the trainees as this revelation. 

Seon went first followed by Jay and Sunghoon. After a couple more performances, Sooyoung, Meko and Yunah went next. The three girls performed Miss A’s ‘Bad Girl, Good Girl’. “Woah, they're so good!” “they look like they already debuted”. When it came time to vote Sooyoung got 24, Yunah got 27 and Meko got 15 leaving Meko behind as the two girls went into I-Land. 

As more performances come and go and more trainees get voted into I-Land. Roza starts to feel more nervous until it becomes time for her unit to perform. Roza, Nari and Jihyun perform Red Velvet’s ‘Bad Boy’. “Wow they're really good!”. “im glad we didn't perform after them". After performing, Roza gets 30 votes, Nari gets 25 and Jihyun gets 24 letting all three girls into I-Land. Thus rapping up all the performances and episode one. 

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧

a/n : I changed the numbers of votes for things to make sense.

[earlymorningfoxhunt]

Hello, we're a system/collective who started listening to Malevolent on June 7th, 2024, and boy did it hit close to home! not only because of the jarthur body sharing blues, but also johns individual experience with his identity made us feel seen in a way we haven't felt before.

the way john has to figure out what differentiates himself from both arthur and hastur, despite feeling trapped behind arthurs eyes and chained to hastur heart, aligns with our experiences... a lot. so we've been making a compilation for the past month that includes all of the moments that made us go OOORRG as well as different folks commentaries (mostly consisting of us going OOORRG). this is going to be long as shit because this entire show is this.

also if your a system/collective who likes malevolent: PLEASE put ur favorite moments/ur thoughts

and if you haven't listened to malevolent: hey, you should give it a try and then come cry to me about it :D

A Compilation Of Malevolent Moments That Hit Differently As A System:

The Caves: (34:59-35:20)

during their argument john laughs while arthur trips over things

hehehe ya

The Path: (43:06-44:05)

johns questioning if he's feeding off of arthurs emotions or if hes learning them for himself, new split type beat, trying to figure out where each other start and end.

"we are of two minds, and more and more im realizing two souls as well. there's a bleed over effect but you are something entirely your own, john."

The Fall:

oh my god this episode. this man got so fucking pissed, not at john for rubbing the death of arthurs child in his face, but at arthur pulling host rank???? i was like ya buddy you can rot in a pit for a few months, mf you cant do that!! we we're listening to this at work and we were so pissed

The King: (35:00-36:25)(45:18-48:57)

its the first time arthur talks for him and its the first time he feels johns tears.

arthurs confrontation with the king and the feeling of no matter how much you hate each other, you're going to have each others back. for us personally it feels like a sucker punch to the gut every time he says "because i cant lose another person!"

The Unconquerable:

when we wrote down the title we didnt know why the episode resonated with us, but now I come back to it a month later as a yellow introject. we have horrid memory issues on top of memory issues, so it hurts something familiar to see the state yellow is in when he gets thrown into arthur. not knowing who or where he is but still trying to hold the cards, arthurs disappointment that hes not who he wanted him to be. its a new kind of painful. its the odd solace that comes from a shattered mirror.

we see arthurs frustration but its almost nice to be able to hate him for not giving yellow more grace.

The Train: (4:19-8:10)

I have literally told this guy he looks 80lbs sopping wet before, this entire episode is perfect. the bickering, the team work, the having to navigate socializing, it feels so nice

The Tear: (12:14-22:48)

ya...

The Detective: [(3:50-7:05) (10:40-14:58)] (28:09-28:18)

we made the mistake of listening to this on the way to getting tacos and we just had to sit in the parking lot, crying as john got to be seen for the first time by an ally. I've never had the experience myself(others in our system are out tho) but seeing it go well for him sparked something in me, enough that it pulled us to front for the past few weeks. that, w. it was a very important moment to us

and on a completely different vibe, "have you ever... before?" fuckin "well with out my excellent call outs" silly guy

The Order II: (23:26-24:00)

huh? oh hes not talking to us

The Witch: [(16:11-17:24) (25:30-26:56) (29:00-33:17)]

the whole episode honestly, start to finish.

no, im not including the ending speech it makes me physically ill

WITCH: This woman cared for you?

JOHN: Yes. 

WITCH: Lies! She cared for your mortal!

JOHN: He couldn’t hear her! I was the one who received her care, her kindness, her –

WITCH: Intended for another!

JOHN: What does that matter!? She knew no difference between me or him! She knew nothing of the soul that heard her, whether it was… (He sighs in frustration.) It was the same care. The same… compassion. 

UUUUUUUUUGGGGG

Honorary Mentions:

all of johns memory issues in season 4:

how every time he came back he would be defensive saying "right, i knew that!" even when he didn't remember, that's a classic.

Intermezzo: (5:00-5:46)

kayne and his many many voices/me not me/ its not about the names were given its about the names we choose

every time jarthur says we/our

The King:

"well at least thats what the loudest voice in my head says" ya? and how many voices are in there?

[kijosakka]

Thoughts. okay so the total drama drama drama drama island special is interesting mainly bc of team e-scope but im going to take a moment here to ramble about his dynamic with other people here,,

(oh and i didn't have anywhere really to slot it into the other post or segue into it here but dodgebrawl as a Moment demonstrates how [this AU] noah can play the social game, just in a very very different way than how it's normally seen.

he knows what he's doing is going to bother his team and incentivize them to vote, i'd say in this au he even plays up the cockiness and makes veiled personal slights against specific people

(mainly those who would be annoyed enough to vote him off, see: heather, justin, leshawna, cody/trent to some extent if he said smth about gwen? < and gwen herself in that scenario. and to another extent beth, since hes playing up his outright mean traits, which would make lindsay vote with her. i dont think he would do anything specific to/with owen or izzy, since he may see izzy as too volatile and owen too genuine)

in the opposite way of whats expected, sure, but it is a social play. he can pick apart what these people are and what they show and push at it to achieve his own ends (and maybe its even some sort of way for him to regain control in this fundamentally uncontrollable situation he's found himself in; he can be the punishment in foucalt's imagining, to a much smaller degree))

so his teammates,,, do not like him tbh. his flagrant display during dodgeball and everyone being pissed at him after the fact is true in this AU, just coming with different motivations. even after the fact when the frustration of everyone fizzles out, hes still majorly offputting because of his detachedness, and deliberately makes his shown traits very unpalatable to experience in person combined with that.

the only two exceptions are izzy and owen respectively: owens mostly coming from a place of genuineness and im going to say while he wouldnt be able to verbalize it, in some manner owen would clock noahs behavior as a defense mechanism. maybe in the sense of 'hes just scared to open up to people!!' or something similar, but he definitely has a lot more faith that noah really isnt that cold and flat.

[*]izzy feels much the same -- except maybe it comes off more to her as strategic. izzy can act, and might recognize that in noah. if you wanted to you could write this in as to why she was eager to swap teams in the first episode, but it wouldnt change that he does get eliminated and thats all she sees of him until the special -- which, her intrigue in his lacking and the fact that it apparently wasnt strategic to get him further in the game, could help explain why she picks him in the team-up.

[*i have soooo much to say about izzy in this au actually. but ill save it for a diff post]

and speaking of the team-up: team e-scope!!!! :0

my au my rules eva and izzy became really good friends on the playa; izzy isn't afraid of eva (and curbing her anger before it reaches a boiling point) and eva is physically adept enough to restrain izzy from Shenanigans that might be a little Much. but eva doesnt really?? know anything about noah?? but izzy insists on teaming with him for the special (and unbeknownst to her noah wasnt even planning to participate initially) so he must be some level of Not Too Bad if izzy wants anything to do with him that doesnt seem to be related to tormenting the guy

and she thinks hes Fine. apathetic and detached and unpalatable (but then again, everyone in their little trio really is to some degree), but can kind of understand izzys intrigue: hes still A Guy, hes just hidden behind 20 layers of non-substance that are so offputting from the first meeting it makes people steer clear of him.

now with tddddi comes two other pertinent details: the justin line, and the Thing With Duncan.

i personally thing noahs 'he's the anti-me' line is really funny in the context of canon but if you squint it kinda works here? wherein justin is non-speaking yet flaunts himself to be the center of attention and clearly shows intent and capacity to scheme (underdeveloped or no, see: awakeathon), whereas noah speaks a lot yet lets himself fade into the background, showing vague hints of the capacity to scheme but no intention or palpable ambition behind it.

^ am i reaching? maybe. the other option here is noah somehow has seen him in-person before on a modeling or red carpet kind of gig and dislikes him on principle because of it/its a jab at it (smth smth they are both opposite ends of the same industry? justin is the face of it in a manner where noah stays behind the scenes and out of sight)

and the thing with duncan,, hear me out here okay noah does his whole song and dance, goes up to him and patronizes him, and duncan retaliates. however, he curses like a sailor and in noah's head has ruined the footage, therefore instead of further retaliating and potentially invoking actual physical harm he just. doesnt react. at all. duncan looks up at him and hes just dead-eyed staring down at him -- and then he leaves.

^ the scene has been ruined, and everyone else is doing so much that theres no reason to play it up any more. duncan and him arent plot important like how heather and lindsay were, theres no reason for the crew to painstakingly edit his swearing out. they just wont let it reach the final cut. duncan is understandably very confused by this, but at that point noah was already gone to find eva and izzy again (< this is when the cast having a running bet that noahs and android becomes Not a Joke)

but life goes on!!! and in the worlds worst comedy of errors (for noah), izzy ends up dragging him along into the lake, thereby leaving him as a confirmed member of the next season.

^ noah is so angry at this. popping blood vessels. he argues with chris endlessly, straight frothing at the mouth at only having two days of real reprieve before he has to deal with the Same Shit again. and chris gets this, to some degree, but also knows that if theres no explanation for noahs non-appearance to hand the producers, theyll be pissed (since all things considered, noahs pretty damn popular among the fans)

luckily for him, courtney just filed a lawsuit against the show!! and since chris is busy running said show, the producers do not want to deal with it and are willing to hand off the case to anyone else -- hence, chris officially signs noah on as his PA, and noah takes over the court settlements and whatnot.

< though i do imagine the producers would see it as a 'get out of the show' scheme, and thereby push way harder for his involvement in WT as a result

but noah does get a break!!! for now, at least.

[ididit-allofit-foryou]

RIP to my friend nixie. they stopped watching SPN after season 11. and asked about the finale. i wanted to immortalize what i sent (which includes a recap of seasons 12-15 so they would Understand.) so. read on if you wish, this monstrosity is going under the cut lol

so. in season 12 lucifer possesses the president of the united states (dont worry about it) & impregnates one of the president's staff members who was banging the president behind closed doors, republican Kelly Kline. through a series of events, cas winds up being the Adoptive Father. kid is born, but he had opened a rift to a different alternate universe the show so eloquently named 'apocalypse world'. it is a world where sam & dean were never born. through Another series of events, team free will PLUS mary winchester (yeah shes back from the dead, amara brought her back, dont worry about it lol) & cas tries to kill lucifer. he thinks he did, comes back through , and hes like there for .02 seconds before lucifer pops through & stabs cas. cas dies. mary beats up lucifer with angel brass knuckles or whatever & they fall through the rift & it closes. they are trapped there. at this exact moment, jack kline (kelly kline & lucifer/mr. president's baby) is being born. sam runs into the house to Check On That. dean however, falls to his knees next to cas's body & looks up desperately to the sky. (the cw said Not to read into this. it means Nothing. destiel who?!) also kelly died in child birth. bc spn Hates women.

thats the end of season 12.

season 13, we have jack. he popped out a fully fledged like. 19? 20? 21 year old?? bc his mom said he would have to Grow Up Fast. dean wraps cas's body in a curtain. alone. and is like crying & devastated. the bois and jack burn cas's body & dean looks like he wants to off himself (& he tries to in like. the next episode but Death brings him back). (also sorry im sooo bad at summary lol). we have the Widower Arc where dean bargains with a silent god to bring back cas, but Nothing. and dean is just fucking depressed as all shit. suddenly! cas is back!! BECAUSE jack heard dean yelling at sam about how its jacks fault cas is dead bc when jack was a fetus he showed cas a Vision of how he could bring Paradise On Earth if they allowed him to live (they wanted to kill him bc. like. Spawn Of Satan & all that). so jack uses his Powers™️ & brings cas back from the dead! yay!! a lot of other shit happens & the Empty (which is like. the Entity that encases all the angels & demons when they die, & where cas was when he was dead) Does Not Like that cas escaped. so, it wants to take jack to get back at cas. cas is like 'no fuck off thats my son lets make a deal. take me back instead' & the empty is like 'ok bitch 2 can play that game. i WILL take you. but ONLY when you experience a Moment Of True Happiness™️'. & cas is like 'bet.' bc! hes a depressed mf & figures it would take a Miracle to make him Truly Happy. (pls keep this in mind, its a surprise tool for later). ummm so yeah season 13.

season 14 had like. ANOTHER fucking michael/lucifer arc but it was Stupid. dean said yes to michael like the angels wanted in season fucking 4 & 5. & i dont Totally remember the plot but like. dean has michael trapped in a box in his mind & wants them to?? fucking?? put him in a warded coffin & chunk it in the ocean?? so michael will never hurt the world again?? also--its like. AU michael. and also mary is okay, & we get AU bobby & AU charlie & a lot of shit happens. anyway.

season 15: we get the Divorcr Arc™️!! dean & cas fight!! bc guess what? jack accidentally killed mary!! (yes! she died AGAIN!!) bc! he didnt know how to control his powers! & dean blames cas! so cas Leaves in a big dramatic breakup scene. we also find out that god (aka chuck) has been like. controlling Everything?? & free will Doesnt Exist?? & dean has a crisis & we get cas saying 'dean, you asked what about all of this is real. We Are.' (which we were apparently sooo crazy to read into!!) & also!? chuck brings back ALL the monsters salmon dean ever killed?? and rowena sacrifices herself to save the world! but! dont worry! she is now thenQueen Of Hell™️ & fucking THRIVING! anyway, season progresses, we get purgatory 2.0 and dean & cas are separated & dean lITERALLY GETS DOWN ON HIS OLD MAN KNEES TO PRAY TO CAS AND APOLOGIZE AND SAY HE FORGIVES HIM!! & then. a bit later. chuck starts poofing away Everyone On Earth bc he wants to destroy the multiverse. and also? death wants to kill dean i forget why. oh yeah! i think he stole her Death Book or whatever to try and see how to kill god. anyway. we have episode 15x18. Thee Episode of All Time. it starts with AU charlie and her gf. they are making eggs and vibing and all of a sudden her gf goes Poof. then sams gf Eileen goes Poof. so they round up as many friends as they can & put them in a warded place but they all go Poof. so sam is with the friends when this happens & also jack. and dean & cas have gone to the bunker to Fight Death. and. so. get ready for this. death shows up. she (yeah billie the reaper became death btw. long story) she starts to like. squeeze deans heart to kill him with magic. cas helps dean run through the bunker away from her. they get to the dungeon. death is literally banging on the door which cas had cut his palm to ward with a sigil of his blood with a knife he pulled from deans back pocket. (again: he cut his palm--another Surprise Tool For Later). deans like 'im so sorry man, we should have stayed with sam. shes gonna get in here, and shes gonna kill you, then shes gonna kill me' & cas is like 'well theres one thing strong enough to stop her' & he starts telling dean about the deal he made to save jack (yep, he never told him). and he says 'i always wondered what would break that curse. but i think i know now' & he. he fucking. he starts a speech about how he knows how dean sees himself, as a killer, a monster, daddys blunt instrument driven by anger, just like his enemies see him. BUT cas says dean is Not that. he says dean is 'the most caring man, the most loving man on earth' & deans like freaking out & is like 'why are you telling me all this? why does this sound like a goodbye??' & cas says, crying, but smiling, 'because it is' & then!! cas!! says !! 'i love you' !!!!!!!!! &&&&& death breaks down the door!! && the empty is materializing behind dean! & dean says 'dont do this cas!' & cas grabs deans LEFT SHOULDER WITH HIS BLOODY PALM! & says 'goodbye dean' & shoves him out of the way!! & the empty grabs cas!! && death!! & takes them away!!!!!! && dean is like!! freaking the fuck out sitting on the flooor with tears in his eyes!! && we cut to like. a bit later. hes Still there, crying, head in his hands, as his phone rings on the floor--its sam. end of the world, sam is calling, & he doesnt answer. we end the episode to deans crying. LIKE FUCK!!!!

15x19: they defeat god. jack like. absorbed him?? & he became god?? & then fucked off to do godly duties!? and did Not bring cas back????

(there are Theories that Chuck Won &thats why the next episode is so fucked and i Have To Agree)

15x20: okok. i fucking HATE THIS FUCKINGEPISDORNFMDNFNDNFNDBDND

anyway. so. cas is Not in the episode. at All. we have sam & dean? driving??? & there are like at LEAST 2 very Bad montages of random scenes that dont even make sense. sam & dean go to a pie eating festival. sam shoves pie in deans face. they Thengo on a case. its vampires. theres a vamp from like. season 2?? who was a minor charachter?? but they brought her back?? why??? idk. and. so. dean gets impaled on a rusty rebar nail during the fight scene in thr barn. he gives sam a long ass speech. they ?? touch foreheads for some reason??? && dean wont let sam get help??? & sam is like 'if cas were here...' & deans like 'yeah well he isnt.' like??? && then deAN FUCKING DIES??? && GOES TO HEAVEN??? && BOBBY IS THERE??? AND APPARENLY FUCKING ABUSIVE ASS JOHN LIVES DOWN THE ROAD??? && dean asks bobby 'so jack did all this?' (as in revamping heaven so people can be all together instead of separate like it used to be) & bobbys like 'well, cas helped' & then dean smiles, then goes?? & rides his car!?? bc his car is in heaven????? && we just see him driving interspersed with clips of sam on earth, burning deans body, and grieving dean, and later sam gets a blurry wife, we dont see who she is, and he has a son?? and he named him dean!? whixh we know bc the kid has on overalls that say 'dean' on them??? & then sam gets old and sits in the impala & cries while wearing a wig that looks like its from fucking party city?? then sam is on his death bed and his son is there?? && theres all these pictures around him of himsefl and dean & mary & john but?? no wife!? ans also!!? noone else like their friends?? & then sam dies & carry on my wayward son plays for like the second time in the episode. and we see dean on a bridge in heaven, he finally stopped driving & is staring off into the distance. and then he hears something behind him & smiles & we all thought 'CAS???' but NO its fuckingSAM somehow young again like whendean died?? & theylike. hug. and then it pans out & all the cast & crew are there?? and they say thank you to us for watching?? and then ?? its over?????? like Awhta thWHAT THE FUCK

[me-a-mess-morelikelythanyouthink]

a dedication to someone that doesn’t deserve one

AroarA // june gehringer // sue zhao // ashstfu // ryebreadgf // sue zhao // rvbhleo // osamu dazai // ojibwa // ashstfu // anna ahkmatova // trista mateer // margaret atwood // unknown // mahmoud darwish // ocean vuong // yves olade // unknown // ocean vuong // lucille clinton // fleabag

[text IDs: Image 1: AroarA, #6: “that the house is slowly on fire / that the house is slowly on fire // and I can't get you to leave it / and I can't get you to leave it // and I can't leave without you / and I can't leave without you”

Image 2: june gehringer, I love you, it looks like rain: “the worst part of love is / that I remember it. // I walk around all day thinking: I'm going to die in the universe you loved me in. // I get so jealous of euthanized dogs.“

Image 3: sue zhao: He asks: “"how do I get over somebody I never had?" And says: // I did not love you but I almost did. At one time, I might have loved you - at least, I felt I might have. If you were never loved by me, then nevertheless you were lovable to me. Last night I dreamt that your head lay on my stomach and traced the rise and fall of my breath. It felt complete natural - even though I knew once, we had left each other. Even though I knew we had wounded each other. In the dream state, forgiveness comes easily. I never loved you but I almost did. There are days when the breadth of ambiguity feels much worse. There are days I wish I would have loved you so I would know how to stop.

Image 4: ashstfu, tumblr: “girls vs getting over anythings thats ever happened to them in their life”

Image 5: ryebreadgf, tumblr: “YOU CAN NEVER GO BACK! YOU CAN NEVER GO BACK! YOU CAN BITE AND SCRATCH AND BEG BUT YOU CAN NEVER GO BACK!”

Image 6: sue zhao: “How often are you violent against yourself? Does it horrify you? Can you stop? Do you want to? And if you did, would you know how to?”

the last three sentences spanning from “Can you stop?” to “would you know how to?” have been underlined in blue

Image 7: rvbhleo, all caps: “WHAT IS THE POINT OF LUKEWARM LOVE? IF IM NOT DROWNING IN IT I HAVE NO DESIRE FOR IT”

Image 8: osamu dazai, no longer human, highlighted in pink: “the wound has gradually become dearer to me than my own flesh and blood”

Image 9: ojibwa, tumblr: “Grieving, grieving, constantly grieving./I mourn what could have been, what will not be, what I can't save.”

Image 10: ashstfu, tumblr: sometimes getting over something is accepting you will never get over it”

Image 11: anna ahkmatova, parting: “I am very calm. Only do not talk to me about him.”

Image 12: margaret atwood, more and more: “there is no reason for this, only a starved dog’s logic on bones”

Image 13: unknown, all caps: “OTHER BOYS ARE BORING AND YOU ARE A BURNING HOUSE I WANT TO LIVE IN”

Image 14: mahmoud darwish, formatted as if in dialogue between two people: “ -Do you have any weapons on you?” “-I have a longing that's killing me.” 

the second sentence is highlighted in yellow

Image 15: trista mateer, honeybee: “I've gotten so good/about not flinching at the sound of your name/that people don't know I'd still throw myself/mouth-open into the ocean/for the chance to drown somewhere you might see it.“

Image 16: yves olade, bloodsport: “All that/matters is that you want to hurt me. // All that matters is that you want me/Say the word & I'll burn for ten days.”

Image 17: unknown, all caps: “LETS GO TO THE GARDEN./LETS BE KIDS AGAIN./I’LL CHASE YOU IF YOU CHASE ME.”

Image 18: ocean vuong, on earth we’re briefly gorgeous, highlighted in yellow: “When does a war end? When can I say vour name and have it mean only your name and not what you left behind?”

Image 19: lucille clifton, climbing: “maybe i should have wanted less./maybe i should have ignored the bowl in me/burning to be filled./maybe i should have wanted less.”

Image 20: fleabag, season 2 episode 6: a screenshot of the priest looking at fleabag, captioned, “It’ll pass.” below]

[cryptid-moose]

I remember in Season 7 Episode 3 (Lassie Jerky) Lassiter saying "I would rather spend all day at the mall with Mcnab" and god i think that would be such a fun episode subplot. - Obviously Lassie would never do this unless he was MAJORLY guilt tripped or it was against his own will, and considering how Buzz reacts in "Shawn Gets The Yips" when Shawn says hes thirsty, im assuming it'd definitely be the former lol - Mandatory shopping montage where Buzz tries on clothes while Lassie sits in a chair and shakes his head and critiques every outfit -Buzz convinces Lassie to try on some stuff too, Lassie's ego gets a lil boosted when he finds a jacket he really likes 😌 (get this poor guy some actual civies PLEASE) - Buzz just rambling about random stuff while Lassie is behind him struggling to carry the 20 bags worth of clothes they bought (only one or two are filled with clothes for Lassiter) - Them sitting in the food court eating mediocre mall food while Buzz infodumps about his wife Francine, Little Boy Cat (they probs renamed her lol), all his special interests, etc. Lassiter oddly finds himself not 100% annoyed listening to Buzz talk about his life. - Buzz begs Lassie to go in a pet shop to look at the puppies and Lassiter can't say no cause hes a major dog lover - Buzz and Lassiter walk in just to catch Gus and Shawn in the middle of their weekly visit to pet the bunnies - Buzz somehow ropes Lassiter into helping him adopt a puppy for Francine's birthday (the puppy is a chocolate lab named juniper, ive already drawn all this out like almost a week ago HUSADVSHVEFVHU) - Shawn teases Lassiter and tells him to "Have fun on his date" while buzz and lassie are leaving the pet store. This could either be interpreted as Shawn's usual antics or if you're a Shassie fan, Shawn hiding the fact that hes MAJORLY jealous lmao I could say more but ive been rewriting the same exact bullet points for like 30 minutes and rereading it for another 20 minutes ADHSVFUVHU

[danileepearce]

I share a plex server with some friends over where I live now and sometime ago someone requested and added Welcome To The NHK to the list of available shows on it. About a week ago i started to work my way through watching it and just tonight I finally finished it. I didn't really think to expect much from it, but it ended up a show, a world, a set of characters that im really glad i ended up spending my nights with.

Firstly, the show for a good handful of its duration is absolutely laugh out loud funny. I now understand in that way why it seems to have been at least a minor sensation in some corners of late 00s internet(i don't know exactly of the reach it had, but it was probably big). so many easily quotable/jokeable/memeable moments throughout, such a hilarious dissection of otaku culture and also really just like, early 20s life. satou is the most 22 years old any human being has ever been in their entire lives.

the show genuinely takes its sweet time really kind of slowly inching its true message on you; it front-loads itself heavily with its comedy and its stories about satou and yamazaki being complete ridiculous dumbasses over several episodes, with every episode ending with that insane ABABA BABA BA ODORU AKACHAN NINGEN song which, the lyrics are so well written and so relatable for 2006…i was only 11 when this first aired! ********************************************************************* [[MAJOR SPOILERS PAST THIS POINT, DONT READ IF YOU DONT WANT THEM, ALSO CONTENT WARNING FOR SENSITIVE SUBJECT MATTER]] *********************************************************************

but then you get to that point in the series where satou becomes This Close to committing suicide. its played off in a somewhat over-dramatic way and even that has humorous undertones to it, but the first true colors of the heart behind the show really begin to introduce themselves in a very visible way after that point. the end credits song changes to something a lot more grounded, and little by little from then on, the humor kind of falls away, the characters satou had to bounce off of in these ways depart from the main plot altogether (but they give satou and yamazaki that one last "snowball fight" lmao. how did those two never kiss) until its just him and misaki. i actually was stunned at how totally transformed the tone had become by the last few episodes.

When I finally got to the end, it was one of those endings….one of those resolutions….where i just kind of ended up going out for a night walk at 2 am, walking for almost an hour listening to music, and then sitting out on a lounge chair on my driveway staring up at the stars and just thinking.

The big lore reveal for misaki around the climax of the story made me realise just how much i had in common with her. Basically ever since i first became homeless, and honestly some time before that, I feel like i've basically just always dedicated myself to helping others as best as i can. i used to be pretty bad at it, but i was dedicated enough to making this a fundamental part of who i was it that it became a skill within myself i refined like a sharp blade over the years. i gave myself up to ppl completely, in more ways than one, often just to have a place to stay. to this day, i feel like i give so much to my friends. i try to give so much to whatever community i find myself in. because i think i too share a compulsion to give others the love and the kindness that i was never given when i most needed it. like misaki. i also have worried pretty heavily about if my usefulness would last to the people around me. ive also hinged my entire life purpose on that.

i dont think i have as tragic of a backstory as misaki's is framed to be, but my family life was in many ways as equally fractured as hers. my mom didn't kill herself, but it feels like she might as well have. she always seemed like there once was a human being there that just became completely consumed with hate, with christofascism, with this desire to have me constantly hurt and beaten by not just her but by just about every adult figure that graced my life for many years. my dad was just simply not present, and was consumed by this complete inability to ever have the relationship with me that i so badly needed from him growing up. at times he was an equal participant in the abuse. and additionally at times he was actually scarier and a lot more energetically violent. when satou is on the island and raises his voice and fist to misaki, her reaction was something i felt very deeply. it especially hit with the lore reveal.

additionally, i related to satou in a number of ways too. up until this year i had spent the last 9 years essentially living in this very open-wound self-exploitative way where i essentially kept no secrets and no part of me concealed from people until this spring, around my 29th birthday, and at some point in the following summer, everything just Slammed Shut on my fingers from the inside and has not reopened. i feel like ive radically transformed into being a much more private person. i hardly post anywhere on social media anymore and most times i just outright avoid it. ive unfollowed/disconnected from a lot of the ppl i knew in that time period. ive struggled lately with a very deep fear of the world and of nearly everybody in it, since many of the people i met after escaping home were also people that hurt me in pretty profound ways, both on and offline. i spend a lot of time just in my house, which i try to maintain as low of stimuli within as i can. sometimes i just lie down and i listen to music and get lost in a very deep currant of my own thoughts. sometimes i just spiral. i was spiraling pretty heavily over this last week especially. feeling like the world and everyone in it wants nothing to do but just hurt me. like ITS ALL A CONSPIRACY (OF COURSE! WHY DIDN'T I REALIZE THIS BEFORE!)to keep me always suffering and in pain.

And, like both characters, i have wanted to kill myself. many times over many years. sometimes for extremely silly and impulsive reasons like satou, sometimes for reasons based out of very real deep-seated trauma, fear, and a sense of never-ending heartbreak like misaki. the way she fixates on death and suicide leading up to her own attempts is something i've done more times than i can count. anyone who has known me for any length of time has learned this about me at some point. my most recent plan to do so was made at the end of july this year. its funny in that way how satou catches misaki before she falls, and how satou is caught by the chain link (lol) and misaki then helps him back onto the cliff. that to me very much analogues my friends catching me and me catching myself. maybe im also that chain link; where even in my most brazen and my most far-flung from a grounded feeling that a hard wall will always stop me short from going through with it. who knows!

and i mean, maybe a hikkikimori partially/subliminally fits my description as of present, but maybe without the negative connotations that seem to associate with that term. ive mostly become a lot more hermetic out of necessity. I've Lived So Much Life and a lot of life that no one should ever have to live, and i've finally arrived at a place of stability and support where i can finally just Withdraw from it all. i can live with a quietness and a control over my environment that i've essentially always longed for. i guess that ive lived the reverse life of satou; he seems very comically dedicated to Always Being A Hikkikimori and yet he ends up doing a lot of Living over the course of the series! and in the end it results in him kind of resurfacing properly into the world. thats what the series portrays as a happy ending but i'd like to think that my "reversed" version of that has a happy ending to it in itself. i can finally live how i feel i deserve to. i can finally find and feel my own happiness in the withdrawal from so many elements in my life that were hurting me, burning me, bruising me very terribly.

id like to think also that our overall attitudes towards ppl who quote-on-quote Don't Contribute To Society have vastly improved since 2006; on a few occasions the series seemed very mean spirited in a way that hasn't aged well. The brief focus on kobayashi's brother i thought was really touching though; seemed like a more sympathetic look at complete reclusiveness even though he too has another "happy ending" type resolution. some ppl are just most comfortable shut off and isolated from most things in the world, especially in a covid age.

but anyway, i really like that the way satou and misaki dedicate themselves to self preservation is a(nother) contract that basically binds them them both to stay alive together. neither one of them wants the other to die, so either they both have to or neither of them do. that's really cute and sweet. i think i would get a lot out of having that kind of agreement with someone. like really, the way that this series extrapolates upon what it means to live, what it means to keep going, is done in a way that is surprisingly very well handled and very affecting to someone like me. and i definitely am sure that im not alone in that. these subjects were always the series' secret weapon, they were always the CONSPIRACY. the series just wants us all to live, to take care of ourselves through everything as much as we can.

in all of this, im reminded of a memory of someone who long ago i used to talk to and message every day as an excited 16 year old who barely knew how to be an actual person and was only really just learning how to interact with people online. if memory serves, Welcome To The NHK was a series that was very close and dear to her at that time. i hope she's doing ok.

but yeah. i guess in its own strange way NHK has become one of my unexpectedly favorite anime of all time, something that is no secret to anyone who has reached this same sentiment about it. It was something that found me at the perfect place at the perfect time. i get it now. i feel like i now get so much. a lot of this feels written very messily and disorganized and complicated in my thinking and wording, but if you made it this far, thank you for reading. its been a minute since i felt this inspired to just write

[jinxed-ninjago]

fuck it im gonna do it.

Let's discuss the subtleties in the shots of the monastery in Farewell the Sea, because I think it's fascinating how much detail was put into shots we only see for a few seconds at maximum for the sake of showing how much Nya merging with the sea affected everyone.

So the first shot of the monastery we get (that isn't a shot of the entire thing) is the courtyard. There are leaves scattered on the ground, a leaf blowing by in the foreground, and a broom against the dragon statue.

The second shot we get is of this hallway, where the ninja hang pictures of their loved ones. The reason this one's interesting to me is because it feels like nobody's touched Jay and Nya's picture; everything else hanging on the walls is straight and even. The picture of Jay and Nya is crooked and dusty.

The third shot we get is of the kitchen. It's an absolute mess. It looks like nobody's bothered cleaning up in months. Dirty(?) dishes are just stacked everywhere, there are (presumably) empty soda cans all over the place, there's a stack of empty pizza boxes being used for extra garbage storage, it's just a mess.

The fourth shot before we get to the hangar bay is this one of the recreation room. Cole's soda guzzler is on the sofa, there's more garbage just laying around (including under the sofa), there's a game controller on the edge of the sofa, and it looks like nobody's really bothered doing anything seriously there for a while. Let's compare this to shots of the monastery we get in season 11.

When the rec room is being used regularly, yes, it's a total mess, but it feels lived in; additionally, the ninja don't look like they just throw the garbage wherever. Anything that seems to be empty is behind them and out of the way, compared to in Farewell the Sea where it feels like the garbage gets thrown around haphazardly. In addition to this, look at how many pizza boxes there are in the screenshot from Wasted True Potential, then look at the screenshot from Farewell the Sea. If we take the Farewell the Sea screenshot as meant to be implicative of Cole being the most active in the rec room, the team breaking up has either resulted in less pizzas being ordered or Cole's eating disorder from season 8 relapsed (link is an explanation in case it's needed).

Onto this hallway. I couldn't get a good screenshot of the hallway from the same angle, but it is the same hallway. It's not much different when it's being lived in, but how they show it in Farewell the Sea makes it feel empty, especially the specific zoomed out shot I used for this post. Like the rec room, this hallway doesn't feel lived in in Farewell the Sea.

I'm not sure what to say about this, except that in A Rocky Start (the episode I got this screenshot from), the courtyard is incredibly clean because they use it to train and practice fighting. There aren't any leaves, no brooms, it feels lived in because it's clean.

Finally, the kitchen. The dirty bowls aren't stacked on top of each other, the floor is clean, the counters aren't covered in trash, it just feels clean, maybe like they had dinner sometime before Aspheera attacked the monastery, which makes it feel lived in.

Whoever did the design for the monastery in Farewell the Sea did so well making things feel like they haven't been lived in for months. You can feel the effect that Nya merging with the sea has had in 20 seconds. It's honestly heartbreaking.

[munscns]

i keep seeing the "loki is 17 in earth years" thing circulating again and im gonna lose my mind (partially bc its being used in shipping discourse) and im genuinely curious if were supposed to think he would be that young / or early 20s physically in the first thor through avengers??? (and therefore also the show lol)

this was based on the "asgard to earth years math" based on odin possibly being 5000+ and loki being 1047 in thor 1 and 1048 in avengers and taking the human average lifespan and long story short the math turned out to be "17" which is stupid for multiple reasons...

main one being bc i feel like ..... thats kind of like when people say oh my dog is this old but 70 in human years! it doesnt really mean anything

but i only started thinking abt it again bc i saw that in a what if episode coulson referred to thor 1 thor as mid 20s ...?

and further hemsworth called thor 22 in a behind the scenes thing for (love and thunder i believe? or maybe ragnarok i dont remember) so now im curious is loki really supposed to be like somewhere between 17-21 physically and im losing my mind over people making it fucking weird

asgardians (ik hes not asgardian but im assuming jotuunheim has similar maturity rates or whatever) clearly age differently so equating their maturating to human years would be dumb anyway right like . clearly if loki and thor rolled up to earth they would both be adults ? and were also treated as such on asgard?

anyways im overthinking but its making me feel WEIRD (esp in regards to shipping bc i deadass saw a sylki shipper say u cant ship lokius bc of lokis supposed earth years age like.... baby thats a grown ass man....and wasnt sylvie also supposedly like 1000+ older than him as well...so....)

[violence-uncut]

Distractions. ( j.m. & e.k. )

pairing: jon x eddie

warnings: m/m, smut, oral, daddy kink, blood ( small ), mentions of sex toys, shower sex

type: one-shot

words: 2,673

summary: eddie helps mox one of the only ways he knows how.

( based on the episode of dynamite/winter is coming! )

a/n: two years. . . geez im so sorry. but i've had this in my drafts forever so forgive if it's a bit rusty. hopefully another one will be posted in a few weeks. enjoy!

AEW Dynamite / Winter Is Coming! 12-2-20 - Jon Moxley vs. Kenny Omega for the AEW Championship.

It was supposed to be a clean fight. He was so stupid to think Omega would play fair. It just proves to Jon just how much of a coward this guy really is. So much for the fucking Gentleman’s agreement. He currently lays in the center of the ring, blood dripping into his eye.

Mox’s body feels like lead even though the anger made it feel like his entire being was set on fire. Despite the dazed look in his eyes, he really wanted to punch something or someone right now.

Jon could hear commotion out on the stage, hearing a certain New Yorker spit curses towards a specific man named Lance Archer. When the brawl breaks out on the stage, Jon works his way under the ropes and stumbles over to the barricade with help from officials.

He just wants to stay and wait for Eddie but he's urged to the back so the Doc could stitch him up. Once he's cleared and free to go, Jon storms off down the hall towards the locker room. He's breaking things and shoving equipment carts out of his way as he rages, a headache brewing at the base of his skull.

All Mox could think of was Callis and Kenny running from the building with his championship.

"MOTHERFUCKER!" He yells out, shoving a cart particularly hard that it topples over, spilling its contents all over the floor. A member of the crew rushes up, trying to calm Jon down. "Get the fuck away from me!" He couldn't remember the last time he was this angry. He feels it boiling under his skin as he gets bombarded.

He just wants to get to the damn locker room. He can feel the tears begin to form behind his eyes as he starts shoving people away from him out of pure fight or flight.

“Hey!”

Everyone freezes at the sound of Kingston’s voice. “Move, Move! What the fuck is going on here?!” Jon’s back is to the commotion as he takes deep breaths.

One of the security guards explains what happened to Eddie, a few words later and he walks over, placing his hands on Jon’s shoulders. “C’mon Mox, let’s go.” He gives him a shove towards the locker room.

Mox does what he’s told and makes his way, shoving the door open. All the wrestlers in there look up when the two enter and all Eddie has to do is glare across the crowd and they’re all scrambling to gather their things. Jon walks over to his cubby and sits inside, head dropping into his hands with a hefty sigh.

After making sure there’s no one else in the room, Eddie locks the door and heads over, stopping in front of Mox’s sulking form. He reaches up and runs his fingers through the bit of hair on the top of his head.

Jon drops his hands and rests his forehead against Kingston’s stomach. He’s still breathing heavily and the tears he’d tried so desperately to hold back now spill freely down his cheeks.

Eddie knows Mox doesn’t need words right now. He trails his fingers down and cups his chin, gently pulling Jon’s head up.

The look in his eyes alone made Eddie want to hunt Kenny down and do unspeakable, extremely violent things to him. “Oh baby boy. . .” He cups Jon’s face with both hands and wipes the tears away with his thumbs.

Sniffling, Jon leans into the older man's touch, his shoulders dropped, eyes closing. "D-Daddy. . ." His voice cracks and Kingston leans down, pressing his forehead against Mox's. "I'm here baby. I'm here." Their lips connect in a kiss and Jon's hands reach up, gripping onto his shoulders.

Eddie reaches between them and rests his hands on his hips, reluctantly breaking the kiss. "Let's go get you cleaned up, yeah?" Jon nods solemnly, letting go as Eddie rises, taking a hold of one of his hands automatically and tugging Mox up. He leads him to the showers, stopping him in front of an end stall.

“Undress for me.” He instructs, reaching in and turning on the water to piping hot just the way he knew the other loved. Jon fumbles with his belt, pulling it through the loops. He knows he’s being a little dramatic but he just couldn’t help it. He should’ve paid more attention during the match, he should’ve-

“Hey, baby boy. Hey. . .” Eddie’s soft tone cuts through his thoughts. Warm hands replace his own and Kingston works on getting Mox out of his jeans.

Something resembling a whimper leaves his lips as his boyfriend helps him undress the rest of the way. “Thank you. . .” Eddie maneuvers him under the spray of the water, careful not to get himself wet. “You’re welcome sweetheart.”

He steps back, arms crossing over his chest and watches Jon’s naked body, his eyes scaling up his toned legs, to his perfect ass and up his- abs? Eddie blinks, finding Jon’s now facing him, his big blue eyes gazing up at him.

“Please join me daddy?”

He smiles, actually smiles. The only thing that gets him to smile now-a-days. He starts to undress, kicking off his timbs and shedding each layer one by one. “Since you asked so sweetly.” Mox watches as he strips, subconsciously licking his lips when Kingston slips off his boxers and steps into the shower.

They step into each other and Jon wraps his arms around the other’s neck, planting a firm kiss on his lips. Eddie smiles into it and grabs the younger man’s ass, pulling him flush against his body. He can barely taste Mox’s blood mixing into the kiss because of the water washing over them.

Jon groans into Kingston's mouth when he feels their cocks brush against one another. Eddie deepens the kiss, sliding his hands down to the back of Jon's thighs. He lifts him up, wrapping his legs around him. "Fuck King. . ." Jon pants, locking his ankles together.

"You act like I don't fuck ya like this all the time." The man smirks, pushing Jon back against the tiled wall, holding him there. Moxley’s head lulls back with a thud as Kingston begins trailing his kisses down the column of his throat.

“Mmm, and? Lemme enjoy how fuckin’ jacked my man is, okay?” The two engage in a mini stare down before Eddie grins, slowly spreading his ass apart. “Oh f-fuuuck. . .” Jon’s moans echo throughout the showers at the stretch.

The elder smirks, maneuvering Jon’s ass over his cock. “Feel good baby?” Mox whimpers when he feels the head of his cock pressing against his hole. “Yes daddy, fuck. . . please, wanna feel you inside me.” He wiggles his hips, a long moan leaving his lips as Eddie sinks all the way into him.

“That’s my boy, takin’ me so well,” Kingston’s voice is deep and rough in Jon’s ear. Shudders rack his body as he tightens his hold on Eddie. Rough hands settle on his hips, giving him time to adjust. Eddie gives him a few more seconds before working him up and back down his thick cock.

  “Shit, have you been usin’ your toys?” Eddie groans out as he fucks up into Jon. All Mox could manage is a smirk as he swiveled his hips, letting him feel the answer to his own question. Eddie slips in and out of him easily, a chuckle on his lips.

  “You’re such a tease baby boy. But fuck if I don’t love it-” Eddie’s cut off by Jon grabbing the back of his neck and slamming their lips together in a sloppy kiss.

“An’ you talk too much, put your words where your cock is, daddy." He purrs, beginning to fuck down against him at a steady pace. He rejoined their lips and slips his tongue into Kingston’s mouth; gently running it over his to get him to stop talking.

Their hot breaths mingle as Eddie clutches Mox’s hips, helping him ride his cock faster. He groans at the assault on his tongue, feeling him suck the muscle gently.

Jon knows what he’s doing to his boyfriend, but he’s justified- kinda. Mox snickers into the other’s mouth, a string of moans leaving him when he brushes that special spot inside him.

Eddie’s top lip curls into a smirk, fingers gripping his boy’s hips harder; He’s almost positive there’s gonna be bruises in their place tomorrow.

He didn’t need any affirmation to know that he’d found Jon’s prostate. He whimpers, tightening his hold around Kingston’s neck, pressing their foreheads together rather hard.

Jon can’t help the string of begs that leave him as he gets closer and closer to reaching his end. “P-Please daddy. . . I needa cum, please.” Eddie chuckles roughly, panting against each other’s mouth as he reaches between them, wrapping his hand around Jon’s cock. His eyes roll back into his head as Eddie’s firm grip. “Shit daddy, please, please!”

His wrecked pleas and whimpers are music to Kingston’s ears as he begins to jerk him. “That’s daddy’s desperate boy.” He growls hotly against Jon’s ear. Warm tears of pleasure spill down Mox’s cheeks as he feels his orgasm creep up on him starting in his toes.

Jon cups the back of Eddie’s head and wraps his other arm around his shoulders for support. “Fuck daddy ‘m s-so close pl-plea-” Jon’s mumbles are cut short as he spills over Eddie’s fingers; the elder milking his cock to the last drop.

Eddie kisses away some tears along both Jon’s cheeks as he works him through his high. “That’s it baby boy, did such a good job for me.” Eddie coos, his thrusts slowing to a stop. Jon lets his head fall back, goosebumps erupting all over his body.

“You didn’t get to cum. . .” Shaking his head fondly, Eddie wraps his arm fully around Jon’s waist, walking them over so he could shut off the now icy water.

“Mm, wasn’t ‘bout me tonight.”

Jon squeezes around his boyfriend’s cock still inside him, whimpers of pleasure leaving his lips as Kingston walks back towards the lockers. “Gonna pull out now sweet boy, think you can handle it?” A sigh of protest leaves Mox’s lips but he nods anyways.

It takes Mox a few minutes to regain feeling in his legs but Eddie’s right there, holding him up. Comfortable silence settles over them as Eddie pulls out their street clothes.

“I’ll pay ya back with a blowie or somthin’ later.” Rolling his eyes while his back is turned, Eddie grabs one of his towels before facing the other. “Shut the hell up,” He responds playfully, starting to dry Jon off. “You ain’t payin’ back shit.”

Jon grins cheekily, lifting his arms as Eddie runs the towel down his body. “At least let me dry you off too? I can’t have your naked body in front of me and not be able to touch it-.” The end of Jon’s sentence is slightly cut off as Eddie throws the towel in his face.

Jon laughs and catches it before it falls. He could sense Eddie’s patience thinning a little by the look on his face. He walks over and starts drying Eddie’s head and beard.

“Thank you for takin’ care of me,” Jon places a kiss on Kingston's cheekbone, pressing against him lightly, his body language following the opposite the words that just came from Eddie’s lips.

“I can always count on my daddy.” Mox continues to dry him off, tossing the towel away right before getting to his crotch. His hand takes its place, gripping Eddie’s cock triumphantly.

A deep breath exhales through Eddie’s nose, eyes becoming cloudy with lust. “You really don’t like to listen, do ya?” Jon smirks, nipping along his stubble jawline. He tightens his grip, pumping him slowly.

“No’p’e, how else is this relationship gonna work?” He pushes the right half of his body against Eddie’s, knocking him back against the wall. He picks up his pace, a satisfied groan leaving Eddie’s lips.

“I knew you wanted this,” Eddie’s hand comes up quick and clutches the back of Mox’s neck. “ ‘Course I did,'' He grits out, capturing Jon in a kiss that’s all teeth and tongue. “Always do, but tonight was about you baby.”

Smiling in victory, Jon swipes his thumb over the leaking head in his hand. “I know daddy, but I love your cock and I want to repay you. . .” If Eddie could’ve gotten any harder by just those words alone, he probably would’ve.

He squeezes Jon’s neck, a moan breaking out with his words, “A-Alright baby boy, alright.” Sated, Mox smirks and bites down onto the junction between Eddie’s neck and shoulder. 

A growl leaves Eddie’s throat as Jon bites into his skin, the feeling sending jolts of pleasure down his spine. Trailing nips down the length of Eddie’s body, Jon sinks to his knees and comes eye level with his cock. More precum trickles down the slight curve of Kingston’s dick and it makes Mox’s mouth water.

“C’mon baby boy, clean up your mess. . .” Mox eagerly licks up the sensitive side; Collecting the precum on his tongue before wrapping his lips around the head.

A taste that’s even more distinctly Eddie explodes on his taste buds as Jon expertly swallows him to the base. He breathes through his nose, feeling his boyfriend filling his throat with every pump from his hips, making Mox’s eyes roll back into his head in pleasure.

Eddie’s head thrashes back and forth against the concrete, his thoughts getting fuzzy each time Jon takes him all the way. “Fuck baby, that’s it. . . always thinkin’ of daddy. Such a good boy.”

Moxley’s whole body is sore, his head full on pounding now but he definitely didn’t want to be anywhere else right now. The feeling of the cold floor on his knees helps cool his still overheating body.

He sighs when Kingston reaches down and runs his fingers through his beard. A sign that his boyfriend was close to his end.

Suddenly pulling off with an obnoxiously loud ‘pop’, Jon wraps his hand around Eddie’s cock, keeping the same pace as his mouth. “Gonna cum for me already daddy? Was I that good?” His eyes flick up and lock on Eddie’s, the hand on his jaw tightening.

Praise was something Kingston knew Jon craves, and he’s going to give him exactly what he wants.

“Mhm, so fuckin’ good baby. You know what you do to d-daddy.” Mox kisses around the head as he jerks Eddie faster, wrapping his lips around the tip. “Fuck, gonna make me cum so good baby boy, such a pretty mouth. . .” Eddie’s thumb rubs against Mox’s cheek, his breath hitching as Jon takes him fully down again. His hips begin thrusting against Mox’s face, both of his hands holding his head still.

Eddie’s body goes rigid as he cums down Jon’s throat, his groans echoing through the locker room. Mox swallows everything that’s given to him as Kingston pumps into his mouth. He places his hands on Eddie’s thighs to stabilize himself, watery eyes watching every expression on Eddie’s face as he sucks him dry.

Eddie pulls Mox off him and up into a messy kiss, tasting himself. “Shit baby boy, you always give the best head,” He chuckles against the other’s lips, feeling Jon’s arms wrap around his middle. “Funny to think you weren’t gonna let me.” Jon smirks, leaning into the pressure when Eddie wraps a hand around his throat.

“You’re so fuckin’ annoying.” Eddie replies with a fond eye roll, pecking Mox’s lips a few times. Mox kisses back eagerly each time before eventually pulling away so they could get dressed and leave. Jon walks with his head held a little higher as he and Kingston walk out to their rental.

Even though he lost tonight, even though Kenny cheated and basically spit in the face of what he was doing to carry AEW through this shit storm of a year. Mox is definitely sure he left being the real winner.

fin.

[nowordsformylove]

jonesmith analysis ep 11-26 (part 4)

its finally done :)

ep 11

^ Davy looks extra tiny here its so cute.

ep 12 Mike is barely in this one and yet I got something

ep 13 married couple episode. you just have to see the vision.

"WAY TO GO DAVYBABY" 🥰

that scene where Mike is picking up the dirt and hes like "either this dirts the cause of all your trouble, or im getting my hands dirty for nothing" and you can hear Davy very lightly laughing gahh so cute its like a subtle little laugh... hes infatuated.

^we've already established that Davy is just a touchy grabby guy but he really is just standing around holding onto Mike's arm in this scene, not even as a fear response hes just chillin holding his man.

ep 14

nothing really here but i do love that they are mirroring each others posture here

ep 15

butt touch.

also another calling out to Mike in pain scene.

ep 16 and 17 im ngl i didnt bother rewatching these ones so you just have to take my word for it that they are gay in love.

ep 18

neck bite.

ep 19

"good point." "good point."

there is something going on here...

ep 20

this ep is more group poly so im just going to add these cute little touches

ep 21

I love that Davy is just hanging out in the garage with Mike and Peter while they work on the car, hes clearly not helping hes just there to admire them at work.

"makes it lighter" "goes faster"

^^^love this play off each other so much its very in sync.

booster seat ass. I know Mike copped a feel when he was reaching for the book.

this cute scene where Davy is literally pressed against Mike and is leaning his cheek on his shoulder.

pictures are from THIS POST.

ep 22

only this faggotry

ep 23

THIS SCENE where Davy giggles at Mike. and this scene where Mike is telling a dumb joke and hes puffing his chest up Davy looks smitten to me.

the homoerotic tension in this scene. the whistling and glancing at each other... they would be fucking if Micky and Peter werent in the room too. I am choosing to believe that even tho they are staying in a mansion they are all sharing that one room and Davy and Mike are sharing that bed. Davy crawling up behind Mike he shouldve put his hands on his shoulders.

looking at each other like this right after a love confession.. okay!

ep 24 💅

I am choosing to interpret Mike bursting out laughing when Davy first dresses up as a girl as a fake exaggerated reaction because deep inside he felt immense attraction and was having an oh fuck moment.

ep 26

touchy Davy. I also love their pink black outfit contrast. images are from THIS POST.

[hauntingofhouses]

Hi! What do you think about the usage of time in Blue Eye Samurai? And do you think Mizu is closer to 20 towards the ending of s1?

Hi there!

Hmm... This is an interesting question, and one I find a little difficult to answer if I'm being honest. "Usage of time" is kind of broad, and I'm afraid I'm not too sure of what you're asking, so I don't know if I can give a comprehensive response. But! I will try.

Time as a narrative device in the show is honestly something I haven't thought much of. Overall the story is quite linear, and the flashbacks are also rather linear.

The most notable usage of flashbacks is of course in The Tale of the Ronin and the Bride. The way it juxtaposes past and present, making us believe past Mizu is the Bride and present Mizu is the Ronin, only for both past and present Mizu to converge into the Onryo—it's masterful storytelling, and it's no wonder most viewers (including myself) consider Episode 5 to be the best in the season.

Also, now that I recall, the first episode of the show actually starts off by framing the whole story as a "legend of a swordsman, of a sword, of revenge." You could interpret this as the story being related to an audience by an unknown invisible narrator, which might come into play at the very end of series, or it could just be a stylistic choice, which is my personal take on it.

On the other hand, time as it unfolds in the present day makes more sense the less you think about it, and I say this mostly in a nitpicky CinemaSins type way (sorry) whereby the time it takes to travel from one place to another seems incredibly fast, rather than spanning days or weeks, considering Mizu mostly travels by foot. The time it takes for Mizu (and Taigen) to recover from their wounds is twice as fast. But again, these are details that are quite irrelevant to the story itself, and I just like to hand-wave them away by saying that the show follows video game logic in many regards, and the passing of time is one of them.

On a slight tangent though, while I'm on the subject of the show stretching the bounds of what's realistic or accurate, I'd also like to point out that the show seemingly takes place in an alternate timeline from our own, or at least just a completely fictionalised version of history. I say this because the Shogun im the show is from the Itoh clan, which is in fact a real clan (more commonly spelled as Itō) that ruled the Obi-han during the Edo period. However, they were not the ruling clan of the shogunate as they are in the show. Rather, the shogunate was led by the Tokugawa clan, who ruled Edo between 1603 to 1868. So! Yeah. Thought it'd be an interesting fact to mention.

Now, for the second half of your question, I actually think Mizu is a little older than 20.

I doubt that the show will give us a concrete answer to this, so this is all speculation, but hear me out. Japan closed its borders in 1633. The Great Fire of Edo takes place in the spring of 1657. In present day (assuming early 1657), Heiji Shindo and Fowler mention that they've known each other for 20 years, which could possibly allude to Fowler being in Japan for 20 years, or their partnership lasting 20 years. I took it to mean the latter, which means that Fowler must've been in Japan for at least 24 years. This gives us the maximum plausible age limit for Mizu. She cannot be any older than 24.

She also cannot be any younger than 19. This is because the character sheets tell us that she starts to look like herself as we see her today, at age 19. We can thus infer that this is the age when she first leaves Master Eiji's house (during winter), reunites with Mama (in the spring), and marries Mikio. Her marriage with Mikio, iirc, lasts less than a year, spanning from spring to autumn.

We can then roughly assume she's about 20 when she leaves the farm behind and resumes her revenge quest. Between then and the present, Mizu kills Violet. Assuming this gap of time is about a year long, that means Mizu is roughly 21 upon meeting Ringo in Ep1. So it's possible that at the end of the season she's either 21, or nearing 22, depending on if the season begins in early 1657, around January or February (the year of the Great Fire), or around December of 1656, the previous year. Personally, because I like my blorbos on the older end, I like to interpret her as the latter.

So yeah! I hope I answered your question anon, even if a little bit. These are fun little exercises for me to work my noggin, so I appreciate the ask! <3