#im just… not doing well with the whole life thing right now

[maythedreadwolftakeyou]

Ranking the Veilguard companions Hookup Potential based on the kind of bed situation they have going on in the Lighthouse

(im in early act 2 so have no idea what further romance scenes are actually like, this is just jokin time without any romance spoilers. just pics of how their respective rooms in the lighthouse look and some basic characterization we know about them)

Taash: 8/10

In another game or the real world I would only rate this a 5 because they have no pillows or addition blankets. however they do have a real bedframe AND it's big enough for 2 which means the they are doing better than 90% of the rest of the Veilguard so this score gets boosted. And while there's not many blankets, there are plenty of braziers around the room to keep you warm, and Taash is probably their own miniature furnace to cuddle up to. Crucially, they also have a whole wheel of cheese next to the bed, which means you don't even have to leave the covers to get a snack after.

Lucanis: 1/10

Oh no. I'm not even going to comment on the pantry angle because everyone else asks him about that to begin with, so this is just about the bed. Unfortunately the bed is a cot made of uneven wooden planks with some blankets on top of it, and is only wide enough for 1. This is because Lucanis hates sleeping and doesn't want to do it, so the less tempting his bed is, the better for him. Unfortunately this means sleepover potential is dreadful and you will have to find alternate solutions. He does at least have another blanket to go over him and one that's presumably being used as a pillow, so, he gets a 1 instead of a 0, but I am still planning on gifting him coupons for a back massage for Satinalia.

Bellara: 4/10

This setup is perfectly fine for sleeping. It's the lighthouse standard little bed couch thing, has a mattress/cushion, is elevated off the floor, has a pillow, and she's got her blankets folded below. Perfectly serviceable for getting a good night's rest which we know Bellara is not because she forgot to sleep again. However, it's very much a one person sized setup. You might be able to cuddle for a while but if one of you unconsciously tries to roll over you are going right to the floor. Ouch.

Lace Harding: 5/10

You might be wondring "why is sleeping on the floor rated higher than bellara's" and the answer is because this means you are not rolling off the bed onto the floor. it's not going to be comfy but we are not ranking comfort here we're ranking sleepover potential. Harding has managed to make this space look homey and the canopy gives the illusion of being in a tent or canopy bed to help with that illusion. There are rugs down on the floor plus the blankets and pillows--we know Harding is used to sleeping on the ground due to her career as a scout, and I'm sure she can scrounge up more blankets to make the cushioning big enough for the both of you. Your back WILL hurt in the morning but you'll get to have a fun night first.

Neve: 3/10

Girl I know you can do better than this. Which means you're not trying to on purpose, so, live your life I guess. I will say this cot IS bounds nicer than Lucanis's--you can see its a stretched canvas or hide on a frame rather than wooden planks, so it will have a little more give. However they are not THAT much comfier which I know having slept on this modern equivalent many times. Neve also apparently has 0 pillows or blankets so you're out of luck there, as well as the problem of it only being wide enough for 1 again. This woman has too many other things going on to think about romance so your Rook is going to be the one improvising on that matter I think.

Davrin: 10/10

Now here is a man who has his life together. Double or queen size mattress, rustic bed frame he probably lovingly carved and assembled himself by hand, and not only are there sheets AND blankets AND pillows, they are are full on matching set and this knight in shining armor dutifully makes the bed every morning. There's also enough pillows for two! While the remains of a giant corpse is hanging above you all night, the spacing of the ribs still gives you lots of room above to manouver, so just don't worry about that. As a bonus you'll probably even have a baby griffon come to cuddle in the night which is such a cute thought we're going to ignore how much worse getting stepped on by a griffon foot would be than even the biggest fattest housecat trying to stand on your stomach at 4:30am. My one criticism of the setup here is that due to the bed's positioning if the person on the inside needs to get up in the night they'll have to awkwardly crawl over the person on the outside, however everyone else's bed situation is so dismal I'm not even going to subtract a point for that. Great work Davrin.

Emmrich: ???/10

Where... does this man sleep. Peepaw I KNOW you can't be sitting in that armchair all night you need your beauty rest!!! There are 0 beds or cots or floor blankets in this man's room. HOW am I supposed to break his pelvis if he has nowhere for us to lie down??? We can't risk that old man's spine on the cobblestone.

Wait... unless. No, surly not. I mean--jk. Unless...? 😳😳😳

is daddy necromancer gonna fuck me on the sacrifice slab... 😳😳😳🥵🥵🥵

Bonus:

Solas 11/10

does not matter where he actually slept bc once my inquisitor Gets Him again they WILL be fucking on top of the piano in front of the mural in his Yearning Room

[fairyoctopus]

yknow at first i didnt care abt all the people whining abt the new breed but now its like. pissing me off really bad lol

its honestly so telling that people are saying they wanted something "elegant" instead... like, what about these cant be elegant? hm? surely you wouldnt imply that something fat cant be elegant, right??? hrmm

they very easily can look so elegant, honestly. and i also dont get the "well they dont fit the aesthetic of light" bc like. how the hell does coatl look like fire?? how does veilspun look like shadow?! what are you even on about lol

it also just depends on the colors/genes they have, too. i think (despite me not making either light element whoops) both of the above look pretty light aligned.

there's plenty of criticism ive seen that i think is reasonable and i do agree with, of course. i think their legs could be a bit thicker, personally.

now, im not antagonizing people for simply not liking the design. if its not your thing, thats fine. you dont have to like EVERYTHING flight rising does, that would be a weird expectation to have.

but, man. there's like 20 other breeds that arent fat, 2 other that belong to light that arent fat!! you can let us have this, you'll be fine lmao.

i even saw one person imply that the designs felt weird abt fat bellies like it was... perverted or something. why???? just because its fat???

sorry. im just so tired of people trying to pick apart something bc its outside of what they're comfortable with. being fat my whole life ive had to hear abt how im not beautiful/elegant/etc because im fat and some people are reopening those old wounds.

[harryshomebaby]

im slowly learning that if a decision to make is too difficult and causes too much stress at the moment (and doesn’t absolutely need to be made right now), to just let it go. it can wait. the years will pass anyways so why not enjoy them instead of stressing over possibly making the right decision when im so unsure at my age? the decision will always be there for me to make if i want to. but maybe not right now.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[skunkes]

if life is categorized by Before Loss and After Loss then I exist in the before but with a countdown to the after. and the countdown is always always present and debilitating. the loss will be debilitating too but i cant help myself. i will always suffer twice.

[b4kuch1n]

tdov was like a week ago already but I just wanna say when I came over to vacation slash help my sworn brother move flat he told me, "ever since you said you wanted to get top surgery I've been thinking about it. it's straight up number two on my bucket list"

[red-velvet-0w0]

.

[fleshdyk3]

god i fucking hate my dad

[snuffalufagus]

scared to get everything ive ever wanted bc what is a human without a burning desire fr

[deus-ex-mona]

series i’m gatekeeping from my family vs series i’m ✨ok✨ with my family knowing i’m into:

[iliveinprocrasti-nationn]

one thing abt being disabled/chronically ill that some people don’t get is that sometimes body maintenance that ensures you have the absolute minimum amount of function can also be something that takes away a lot of control and autonomy. you can argue till the cows come home that making those decisions to try and help yourself (or realistically to try to make sure things aren’t worse than they already are) is something that exhibits control and autonomy and stuff, but they can be so limiting in practice because they’re things that take up so much time but have to be done to do anything else

[geee-three]

rewatching alien stage after round 7 heres my thoughts on a prsk version:

sua -> haruka mizu -> an till -> akito ivan -> toya luka -> mafyu hyuna -> shiho

[orcelito]

Despite all odds, I have arrived home safely👍

Turns out that the earlier goop was the better goop. The adderall goop. The adderall has worn off now though. So I am. Very incredibly out of it.

But I am home. And I will take my quick shower. And then I will climb into bed.

I do need to eat. But... later...

[skrunksthatwunk]

household enemy to the yyh watchthrough number one is the olympics. it's taken us a week to get two episodes into the gamemaster fight

[melopearl]

i love my brain i love when something pretty amazing happens like ur dad offering to help you start a business and instead of being happy im sobbing about how i hate my job and i feel so trapped bc i literally am trapped in this very specific field

[phagodyke]

ah shit only just realised its september now.... lets hope the rest of this month isn't like this.....