#if you want to create get it. if you are in a art block get it. its truly easy

[chimichaching]

I know it's bland, having an art block type moment ig.

After fiddleford left the project, Ford started to become delusional, having no one to keep him grounded in reality. He lets Bill possess him more frequently, to keep the one he trusted in the most in his life, he isolated himself from everyone, and Bill was all he had left. He hears Bill in his head, in his thoughts, and sees him in his dreams. When he wasn't in them, Ford would beg, or pray, to bill, afraid he'll lose him. Sitting in his room full of bill cipher relics, drawings, and tapestries for hours, he'd be finishing up the portal as Bill requested. When Ford did go out for food and toiletries, he'd ramble to others about Bill, how powerful he was, and how they'd benefit from his wisdom and power. Some would brush him off, others, looking for answers and already suseptible to manipulation and promises of an easier life listened. Bill, the narcissistic being he is, commands Ford to grow a following, a place of worship, Ford being the priest, his disciple.

As Ford loses his sanity, he believes anything bad or good that's happened to him was because of Bill being either pleased or displeased with him. He sees him in anything that had any resemblance of Bill, a yield sign, triangle perfume bottles, children's books, hell, even pizza and doritos! Feeling as if he was watching, anywhere at anytime.

Ford has finished the portal, or has put the finishing touches on it, allowing Bills plan to finally begin, Ford, his henchmaniacs and his cult help Bill in various ways, destroying the forcefield around the town, Bill begins his never-ending "party" with Ford as his devoted disciple and partner. The world goes into chaos.

The twins, dipper and Mabel, never visit gravity falls, Stanley never getting that call from Ford. The twins were not born yet, never stopping Bill, fiddleford still created the blind eye, but the group is forced underground to avoid danger as the cult grew. "The all seeing eye" was Ford's new cult he made for Bill, mocking the blind eye's group.

Dipper and Mabel are born into chaos, raised to fear and worship Bill and his henchmaniacs, however they rebeled, Dipper researching how to stop Bill, his henchmaniacs...and his grunkle Ford. Mabel has a knack for building weapons and is able to evade detection from gangs as she searches for food, water, and supplies for her and dipper in their hometown, piedmont, California.

Ok, ok, I know it's long, but i just needed to put this somewhere, I'm not a good story teller and I haven't truly read the journals or the book of bill just yet, I'm going off by the little I know from the show and what I've seen and read. I wanted to see an angsty AU, didn't find one or just didn't search hard enough, so...forgive me if it's totally out of order, thank you for reading and I hope I did ok. <3 it's also 4 AM where I'm at..so there might be mistakes.

[canisalbus]

I'm sure you get loads of these but heck I said I'd give it a shot anyway!

Your artwork is so inspiring and beautiful. I recently graduated from art school with a degree in Animation Production but I've decided I'd love to be an illustrator some day. Your work really motivates me and gets my brain juice buzzin. Keep it up!!!

.

[mitamicah]

I see a lot of people have made covers of the snippet of Everybody's Waiting (the new JO track)

I may do it too but at the same time I am hesitant given that I am 90% sure they won't see it (since everything else I'd ever made have never been noticed by them - Bojan's big share yesterday included) and if by chance it is getting seen I am not sure how I'd feel having the first thing noticed by them be just another cover

I am probably overthinking things again

[rainecreatesstuff]

AYO??? Drawfee fanart?? In THIS economy??? 

[risingsunresistance]

Same with the if you like but not reblog il block you thing. To me it seems really rude and makes me more inclined to unfollow than anything else.

FR... again i understand wanting more interaction on your art, it's pretty normal to want people to enjoy stuff you also enjoy and stuff you put time and effort into , but you GOTTA think about how it's gonna come across. "if you dont share my art even if you liked it you're getting blocked so you can never see it again" well suddenly your art isnt as nice as i thought it was...

also, maybe i thought it was amazing and i just HAVE to share... but i dont want my followers to feel obligated to reblog your art and feel guilty if they scroll past, i dont wanna make someone's day worse! so now i wont reblog it for their sake! it's just too hateful of a mentality :/

yes reblogs ARE better than likes in like the most basic functionality of this website. no one sees your likes, sharing is caring etc. but i think everyone should be required to read this post outloud once a month

[kotori-mochi]

Can't afford art school?

After seeing post like this 👇

And this gem 👇

As well as countless of others from the AI generator community. Just talking about how "inaccessible art" is, I decided why not show how wrong these guys are while also helping anyone who actually wants to learn.

Here is the first one ART TEACHERS! There are plenty online and in places like youtube.

📺Here is my list:

Proko (Free, mostly teaches anatomy and how to draw people. But does have art talks and teaches the basics.)

Marc Brunet (Free but he does have other classes for a cheap price. Use to work for Blizzard and teaches you everything)

Aaron Rutten (free, tips about art, talks about art programs and the best products for digital art)

BoroCG (free, teaches a verity of art mediums from 3D modeling to digital painting. As well as some tips that can be used across styles)

Jesse J. Jones (free, talks about animating)

Jesus Conde (free, teaches digital painting and has classes in Spanish)

Mohammed Agbadi (free, he gives some advice in some videos and talks about art)

Ross Draws (free, he does have other classes for a good price. Mostly teaching character designs and simple backgrounds.)

SamDoesArts (free, gives good advice and critiques)

Drawfee Show (free, they do give some good advice and great inspiration)

The Art of Aaron Blaise ( useful tips for digital art and animation. Was an animator for Disney. Mostly nature art)

Bobby Chiu ( useful tips and interviews with artist who are in the industry or making a living as artist)

Sinix Design (has some tips on drawing people)

Winged canvas (art school for free on a verity of mediums)

Bob Ross (just a good time, learn how to paint, as well as how too relax when doing art. "there are no mistakes only happy accidents", this channel also provides tips from another artist)

Scott Christian Sava (Inspiration and provides tips and advice)

Pikat (art advice and critiques)

Drawbox (a suggested cheap online art school, made of a community of artist)

Skillshare (A cheap learning site that has art classes ranging from traditional to digital. As well as Animation and tutorials on art programs. All under one price, in the USA it's around $34 a month)

Human anatomy for artist (not a video or teacher but the site is full of awesome refs to practice and get better at anatomy)

Second part BOOKS, I have collected some books that have helped me and might help others.

📚Here is my list:

The "how to draw manga" series produced by Graphic-sha. These are for manga artist but they give great advice and information.

"Creating characters with personality" by Tom Bancroft. A great book that can help not just people who draw cartoons but also realistic ones. As it helps you with facial ques and how to make a character interesting.

"Albinus on anatomy" by Robert Beverly Hale and Terence Coyle. Great book to help someone learn basic anatomy.

"Artistic Anatomy" by Dr. Paul Richer and Robert Beverly Hale. A good book if you want to go further in-depth with anatomy.

"Directing the story" by Francis Glebas. A good book if you want to Story board or make comics.

"Animal Anatomy for Artists" by Eliot Goldfinger. A good book for if you want to draw animals or creatures.

"Constructive Anatomy: with almost 500 illustrations" by George B. Bridgman. A great book to help you block out shadows in your figures and see them in a more 3 diamantine way.

"Dynamic Anatomy: Revised and expand" by Burne Hogarth. A book that shows how to block out shapes and easily understand what you are looking out. When it comes to human subjects.

"An Atlas of animal anatomy for artist" by W. Ellenberger and H. Dittrich and H. Baum. This is another good one for people who want to draw animals or creatures.

Etherington Brothers, they make books and have a free blog with art tips.

📝As for Supplies, I recommend starting out cheap, buying Pencils and art paper at dollar tree or 5 below. If you want to go fancy Michaels is always a good place for traditional supplies. They also get in some good sales and discounts. For digital art, I recommend not starting with a screen art drawing tablet as they are usually more expensive.

For the Best art Tablet I recommend either Xp-pen, Bamboo or Huion. Some can range from about 40$ to the thousands.

💻As for art programs here is a list of Free to pay.

Clip Studio paint ( you can choose to pay once or sub and get updates. Galaxy, Windows, macOS, iPad, iPhone, Android, or Chromebook device. )

Procreate ( pay once for $9.99 usd, IPAD & IPHONE ONLY)

Blender (for 3D modules/sculpting, animation and more. Free)

PaintTool SAI (pay but has a 31 day free trail)

Krita (Free)

mypaint (free)

FireAlpaca (free)

Aseprite ($19.99 usd but has a free trail, for pixel art Windows & macOS)

Drawpile (free and for if you want to draw with others)

IbisPaint (free, phone app ONLY)

Medibang (free, IPAD, Android and PC)

NOTE: Some of these can work on almost any computer like Clip and Sai but others will require a bit stronger computer like Blender. Please check their sites for if your computer is compatible.

So do with this information as you will but as you can tell there are ways to learn how to become an artist, without breaking the bank. The only thing that might be stopping YOU from using any of these things, is YOU.

I have made time to learn to draw and many artist have too. Either in-between working two jobs or taking care of your family and a job or regular school and chores. YOU just have to take the time or use some time management, it really doesn't take long to practice for like an hour or less. YOU also don't have to do it every day, just once or three times a week is fine.

Hope this was helpful and have a great day.

"also apologies for any spelling or grammar errors, I have Dyslexia and it makes my brain go XP when it comes to speech or writing"

[cherrypikkins]

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

[fucktoyfelix]

Choking Safety

I've been seeing some kind of scare-mongering type posts going around about choking during sex, so I wanted to address how to approach choking in a safe way. Choking is not a 0 risk activity, but it is also not so dangerous that you will just randomly die either. Anyone who does martial arts will confirm that thousands of teenagers are being successfully trained to choke each other safely (for self defense) every day! There's no reason you can't learn to do it too.

First you should be familiar with some basic anatomy of the neck and throat:

The carotid veins on both sides of the neck and the trachea/windpipe in the center are the most important things to be aware of. If you want to enjoy the psychological element of having someone's hands around your neck with relatively little risk, you can do "choking" play that avoids putting any pressure on those arteries or the trachea. As with all choking play, safety is highest when both parties are fully sober. I'm not actually sure if there are people out there who are into having the windpipe or trachea blocked. This tends to hurt like fuck and cause an autonomic choking response. You'll know if you went too far center because generally the bottom will be like "WTH". I don't know if there is a way to do this play safely or not as I don't have experience with it. It probably carries some risk of the trachea collapsing which would be a hospital trip for sure. Most choking play is done with the intention of cutting off the blood supply to the brain by applying pressure to both the left and right carotid arteries. This type of choking is not really "breath play" because of the way it works (though many people refer to it that way.) This creates a pleasant light headed feeling, but is also where the higher risk comes in. It often doesn't take long for a person to lose consciousness once these arteries are blocked, often less than 10 seconds. Sometimes getting completely choked out is the goal, sometimes not. Either way, the top has to pay very very careful attention to every aspect of their bottom's body language. Once you realize that a person has lost consciousness, the choking must stop immediately. Because of this: the most dangerous way to do this kind of play is alone. (hence all the auto-erotic asphyxiation deaths you hear about) It goes without saying that intoxication also dramatically increases the risks. It's not recommended to lose consciousness this way on a regular basis. It's just not good for your brain to repeatedly go through, especially in rapid succession. Generally, the more time spaced out between this type of play: the better. Though some people may have medical conditions that make the risk higher, as long as you stop choking when you reach the desired headspace, this play is approachable. Anyone who's REALLY into the idea but feels unsure or scared, I highly recommend taking a few martial arts classes. MMA guys do this to each other all the time! For sports! The key is just stopping at the right time. There are two main ways to go about blocking the carotid arteries. The main one used in martial arts and self defense is the rear naked choke.

This type of choke is incredible effective at choking someone out quickly and easily. The forearm and the bicep are squeezing each artery until the desired effect is achieved. The risk here is how quickly it works in combination with not being able to have a visual on your bottom's facial response. When someone loses consciousness they will go limp and begin twitching somewhat. This is normal, and you should stop immediately if you notice those signs. The more common method of choking play during sex is what looks more like typical choking. Facing your partner, using both hands.

You want to find the arteries with both hands, and use the meat at the base of your thumbs to apply gradually increasing pressure upwards towards your partner's head. You can keep the thumbs tucked to avoid accidental pressure on the windpipe. (Though this is not required so long as you remember not to apply pressure to the windpipe.) This type of play has a few safety benefits. First, you can see your partner's face so it's more obvious when you can see they've hit a headspace that is desirable. Additionally, it's just a little more difficult to find the arteries and push up on them correctly. If your goal is to get a little light headed without losing consciousness, this is more easily accomplished with this type of choke. However, losing consciousness is still a risk and both partners being fully alert will ensure the lowest risk environment. I know choking play is incredibly popular, even 'vanilla' people participate in this type of play on a regular basis without really knowing the technical details. Most of them don't get seriously hurt...but knowing what you're actually doing with risky play is a base component of risk aware consensual kink. Anyway I hope people find this helpful! Happy choking!!

[nyancrimew]

Sorry, it was unfair of me to send that to you without proper context since you might not be aware of these issues. Irredeemable media refers to any thing with a creator or content  that is harmful and/or bigoted. Of course every piece of media has problems, but irredeemable media is when those problems cannot be ignored and are an indicator of someone's beliefs. 

For example, Harry Potter is irredeemable media because every one knows that JK Rowling is a transphobe, but some other piece of media like Twilight would not be considered irredeemable because even though Stephanie Meyer has done some bad things, they are not as widely talked about, so someone who posts about Twilight on here isn't completely likely to be a bigot, but a Harry Potter blogger would. Also, I know the "to be cringe is to be free" people like your blog, but a lot of the time, what is considered cringey on here is actually based on what is irredeemable. No progressive person or reputable blogger genuinely makes fun of My Little Pony fans any more, however plenty make fun of Hazbin Hotel fans and the such because that content is irredeemable and shows someone's beliefs. So usually, a piece of media being considered embarassing to like on here usually indicates that it is irredeemable.

As for why the other pieces of media are irredeemable, Hazbin Hotel is made by a woman who has many well-documented accusations of bigotry against her and has drawn zoophilia art, not to mention how her work leans into stereotypes about gay people (having a gay man character be a sex addict, a lesbian be named after the female body part Vagina, etc.) or at least that's what I've heard. Attack on Titan is created by a known fascist and many illusions are made to nazi imagery and nationalism in the anime. Captive Prince has a racist premise that sexualizes slavery and non-con. 

People can tell you that liking irredeemable media doesn't say something about who they are, but that's fundamentally false. If someone is uncaring enough to still post openly about these types of media, it's clear they don't care enough about not supporting bigotry. Yes, even if they don't give money to the creators, because they are still willingly exposing themselves to bigoted or harmful content and enjoying it.

The previous ask was not meant to be accusatory. Rather it was meant as a concerned question. Believe it or not, there are still some users on here who indulge in these pieces of content, a few of which hide behind the excuse of being part of a minority (Black, trans, whatever) or simply deny how bad their media consumption is to escape accountability. I wouldn't want you associating with those types of people and have that ruin your reliability on this website.

Hopefully this ask has educated you more on these issues and you'll be able to spot irredeemable media in the future and block it out.

incredible essay, you get a C for Creativity

[sereniv]

yet again maping out my room in dreams before i move things

added a lot of things like rugs and the small lamp but overall i think it can work

its not exact measurements at all so there could be more or less room when i move it all but im sure itll be fine, ill measure before i do anything

edit: i didnt create every asset. anything that isnt detailed or is more than one shape was made by someone else

[comicaurora]

Do you have any advice for trying to avoid ripping off other people's works in original stories? I've been stuck in a weird writers block where anything I do to try and string plots together end up just being plots of other stuff I've read. Is that a problem you've come across before?

Honestly? This might be a hot take, but just get it out of your system. Write the story that's just your three favorite plots in a trenchcoat. Any writing will make you better at writing. To me, this is the storytelling equivalent of doing frame redraws or art style challenges. Art done for practice doesn't need to be free of all influence, and in fact pursuing that total originality is detrimental to the learning process because it forces you to continuously reinvent the wheel.

In my experience, through the process of just writing what you want to write how you want to write it, you'll find both that it's easier to find originality in the execution than you expected, and that originality has very little correlation with what makes a story good. When you go to write the plot you recognize as the plot of something else, you'll probably find yourself making changes. A different character moment to highlight an overlooked concept that spoke to you, a slightly more cruel twist of fate for a character to wrangle. Little original concepts will find their way in, because having ideas is the driving motivator behind creating art. It's always there, even if it's being sneaky or uncooperative.

Most of the time, inspiration is less "this story is good I think I'll replicate it in every detail" and more "I love parts A, B and C of this story, which tells me valuable information about the kinds of story elements I find compelling, which helps me guide my own writing towards things that involve the parts I like most about A, B and C." You'll always be able to recognize your own influences, but from the audience's external perspective, the you-ness that defines your art is much more obvious than it'll ever be to you.

[yuvany]

#LOVE IN THE AIR

𝐄𝐍𝐇𝐘𝐏𝐄𝐍 and their date ideas𐙚

OT7 ENHYPEN x Female reader ;; CONTENT/WARNING(S) :: fluff + est relationship + kisses + not proofread. . . WORD COUNT . 964 ;; CHECK BOX !!

yu-note :: writer's block is kicking in again, and school work is piling up...

( reblogs + feedback always appreciated !! )

𝗟𝗘𝗘 𝗛𝗘𝗘𝗦𝗘𝗨𝗡𝗚 - KARAOKE

Serenades you as much as he can. Sings ballads, pop songs about love and some of his own music. You cheer him on and clap to the beat of the music and applaude after each round. He courtesy in a low bow in a joking manner before walking over to you, holding the microphone in front of him, asking you to sing this time. "I can't sing, Hee." You try to avoid the microphone that is getting closer and closer to you. "Don't lie, I've heard you sing in the shower, sweetie." You are embarrased by this and you feel your cheek turn red as you grip onto the handle. Heeseung chuckles and press a soft kiss to your cheek.

𝗣𝗔𝗥𝗞 𝗝𝗢𝗡𝗚𝗦𝗘𝗢𝗡𝗚 - COOKING

He invited you over to his place. At first, he did most of the cooking as you watched him from the side lines, but you weren't complaining. Jay was certainly art to look at. Later though, he realises that he accidentally left you out. "baby, come here." He motions for you to stand beside him. "Yes?" You ask and he takes out a glass pan from the storage underneath the oven. "please layer the lasanga while I wash the dishes." Jay pats you on the back before walking over to the sink and letting the water run. When you're finished, you wait for him before putting it in the oven. Jay returns and sees that you've done an awesome job, and he rewards you with a kiss.

𝗦𝗜𝗠 𝗝𝗔𝗬𝗨𝗡 - POTTERY

Thought it would be nice as he likes doing new stuff. You entered the workshop with aprons on you, the instructor walked in and introduced herself, explaining the short agenda. After the short walk-through, you and Jake are left to experiment with the clay on your own. You decided to make a smll heart shaped pot with low edges to give to Jake, and he had a similar idea. As you knead into the clay and shape it into your desired form, you snatch glances at him with his tounge out and you can't contain your smile. The two of you paint them together, and then walk out of there proudly. "I think you'll like what I made." He says. "I think you'll like mine too." You reply.

𝙋𝘼𝙍𝙆 𝙎𝙐𝙉𝙂𝙃𝙊𝙊𝙉 - PHOTOGRAPHY

Sunghoon had already envisioned you as his model weeks before he finally asked you to go to a park with him. His hand let go of your waist as he sees a beautiful garden and asks if he could take a photo of you. "Here?" You ask, walking over to where he is pointing, he nods and picks up the camera that hung from his neck. "Now strike a pose, baby." You followed and heard the shudder of the camera go off. Sunghoon takes a look at it before smiling to himself. You are curious and walk over to him and try to sneak a glance at it. He sees this and shows you. "Let me take a picture of you now." You offer with a sweet smile and he nods. "I'm sure you'll do great."

𝗞𝗜𝗠 𝗦𝗨𝗡𝗢𝗢 - DIY CRAFTS

Wanted to stay inside with blankets and pillows making a fortress around the two of you as you observe a youtube video on how to make a paper bouquet. Papers of different colours were scattered all over the floor with the ipad admist all the chaos. It felt like an impossible tast to finish, but Sunoo manages to do the difficult past faster than you, and you plead for him to do it for you as well. "Honey, pleasee." He eventually gives in with a roll of his eyes after rejecting it a couple of times. After creating the first flower, Sunoo accidentally scrunched the paper and gives up. "For you, my love." He hands you the single flower he made with a wide smile and the two of you burst into laughter.

𝗬𝗔𝗡𝗚 𝗝𝗨𝗡𝗚𝗪𝗢𝗡 - CAFE HOPPING

It was initially a normal walk, but he spotted a new cafe that had opened and was itching to try it, so he pulled you along with him. The sound of a bell was heard upon entering the small atmosphere. He holds your hand as you two look at the menue by the register, and you tell him what you want to order, and he orders for you while you go and search for a seat. He finds you and shrug off his jacket and hangs it on his chair. "They also had your favourite here, so I ordered that as well, babe." Jungwon says and you nod. "Strawberry cake?" You question and he nods. "I heard that there's another popular shop a couple of minutes away from here, wanna go?" You see the excitement in his eyes, and can't tell him no.

𝗡𝗜𝗦𝗛𝗜𝗠𝗨𝗥𝗔 𝗥𝗜𝗞𝗜 - PAINTING

He is talented for sure. He invited you over to a workshop with him. His plan was to impress you with his talent, and you are indeed impressed by how well he can paint. If you're an artist yourself, Riki will sit and watch you in awe, his mouth hanging agape as he observes the brush sliding acorss the canvas. If you don't know how to draw or paint, worry not. He comes and saves you. Riki holds your hand that holds the brush and guides you through each step. When doing individual projects, he sneaks peaks at you from above the canvas and paints you a portrait of yourself. "I have a gift for you." He says, and you try to see what he's hidng behind his back, but he moves aside and hands you it before backing away shyly waiting for your reaction, "It's wonderful."

[drchucktingle]

never actually blank

i have been talkin on this alot during my book tour but wanted to put words here for any buckaroos trottin around the internet.

questions chuck gets asked in signings or Q AND A sessions have WIDE VARIETY in their way, but theme that comes up over and over is: 'i wish i was a creator but i cannot find success in this way' or 'i wish i was a creator but my mind is blocked'

bud, you ARE a creator. we are all HERE TO CREATE it is our natural state of being. we cannot help but create.

buds might say: 'but i have not painted in months i have no inspiration left'

as far as chuck is concerned this is missing the incredible vastness of what CREATION is and what ART is. the art of a painting is not just about oil on canvas. it does not end at the border or the frame. the ART and the CREATION is so much more than that and sometimes we can numb ourselves to this way. the months spent pining for inspiration are just as important as the brush you pick. what you had for breakfast that day is just as important as the colors and hues. every misstep or big win along the way IS THE ARTWORK.

your art is not just your painting, it is the mixed media piece called your life. you are creating thoughts and ideas and dreams. in a physical sense you are creating heartbeats and breaths and even words vibrating through the air saying 'i cant think of anything to paint'

BUD THESE ARE ALL VALID PIECES and together they make something incredible and unique and POWERFUL. how deeply moving it is to exist here on this timeline, adding yourself to the even LARGER piece that we are all constructing together as we push back against the empty spaces and fill the cosmic void with our love.

so do not be discouraged by writers block or a blank canvas. a canvas is never actually blank and you are writing with every moment that you trot through.

i cannot speak for YOU, but whenever i let the artwork of this timeline flow around me, the more my specific pieces like writing or drawing come into focus.

bud we are building a masterpiece with every second of our lives, sometimes tragic and sometimes glorious. just gotta step back a bit and give it a look

[not-terezi-pyrope]

Often when I post an AI-neutral or AI-positive take on an anti-AI post I get blocked, so I wanted to make my own post to share my thoughts on "Nightshade", the new adversarial data poisoning attack that the Glaze people have come out with.

I've read the paper and here are my takeaways:

Firstly, this is not necessarily or primarily a tool for artists to "coat" their images like Glaze; in fact, Nightshade works best when applied to sort of carefully selected "archetypal" images, ideally ones that were already generated using generative AI using a prompt for the generic concept to be attacked (which is what the authors did in their paper). Also, the image has to be explicitly paired with a specific text caption optimized to have the most impact, which would make it pretty annoying for individual artists to deploy.

While the intent of Nightshade is to have maximum impact with minimal data poisoning, in order to attack a large model there would have to be many thousands of samples in the training data. Obviously if you have a webpage that you created specifically to host a massive gallery poisoned images, that can be fairly easily blacklisted, so you'd have to have a lot of patience and resources in order to hide these enough so they proliferate into the training datasets of major models.

The main use case for this as suggested by the authors is to protect specific copyrights. The example they use is that of Disney specifically releasing a lot of poisoned images of Mickey Mouse to prevent people generating art of him. As a large company like Disney would be more likely to have the resources to seed Nightshade images at scale, this sounds like the most plausible large scale use case for me, even if web artists could crowdsource some sort of similar generic campaign.

Either way, the optimal use case of "large organization repeatedly using generative AI models to create images, then running through another resource heavy AI model to corrupt them, then hiding them on the open web, to protect specific concepts and copyrights" doesn't sound like the big win for freedom of expression that people are going to pretend it is. This is the case for a lot of discussion around AI and I wish people would stop flagwaving for corporate copyright protections, but whatever.

The panic about AI resource use in terms of power/water is mostly bunk (AI training is done once per large model, and in terms of industrial production processes, using a single airliner flight's worth of carbon output for an industrial model that can then be used indefinitely to do useful work seems like a small fry in comparison to all the other nonsense that humanity wastes power on). However, given that deploying this at scale would be a huge compute sink, it's ironic to see anti-AI activists for that is a talking point hyping this up so much.

In terms of actual attack effectiveness; like Glaze, this once again relies on analysis of the feature space of current public models such as Stable Diffusion. This means that effectiveness is reduced on other models with differing architectures and training sets. However, also like Glaze, it looks like the overall "world feature space" that generative models fit to is generalisable enough that this attack will work across models.

That means that if this does get deployed at scale, it could definitely fuck with a lot of current systems. That said, once again, it'd likely have a bigger effect on indie and open source generation projects than the massive corporate monoliths who are probably working to secure proprietary data sets, like I believe Adobe Firefly did. I don't like how these attacks concentrate the power up.

The generalisation of the attack doesn't mean that this can't be defended against, but it does mean that you'd likely need to invest in bespoke measures; e.g. specifically training a detector on a large dataset of Nightshade poison in order to filter them out, spending more time and labour curating your input dataset, or designing radically different architectures that don't produce a comparably similar virtual feature space. I.e. the effect of this being used at scale wouldn't eliminate "AI art", but it could potentially cause a headache for people all around and limit accessibility for hobbyists (although presumably curated datasets would trickle down eventually).

All in all a bit of a dick move that will make things harder for people in general, but I suppose that's the point, and what people who want to deploy this at scale are aiming for. I suppose with public data scraping that sort of thing is fair game I guess.

Additionally, since making my first reply I've had a look at their website:

Used responsibly, Nightshade can help deter model trainers who disregard copyrights, opt-out lists, and do-not-scrape/robots.txt directives. It does not rely on the kindness of model trainers, but instead associates a small incremental price on each piece of data scraped and trained without authorization. Nightshade's goal is not to break models, but to increase the cost of training on unlicensed data, such that licensing images from their creators becomes a viable alternative.

Once again we see that the intended impact of Nightshade is not to eliminate generative AI but to make it infeasible for models to be created and trained by without a corporate money-bag to pay licensing fees for guaranteed clean data. I generally feel that this focuses power upwards and is overall a bad move. If anything, this sort of model, where only large corporations can create and control AI tools, will do nothing to help counter the economic displacement without worker protection that is the real issue with AI systems deployment, but will exacerbate the problem of the benefits of those systems being more constrained to said large corporations.

Kinda sucks how that gets pushed through by lying to small artists about the importance of copyright law for their own small-scale works (ignoring the fact that processing derived metadata from web images is pretty damn clearly a fair use application).

[pokemon-ash-aus]

Yeah, We are NOT doing this. No one should ever do this, and no one should feel like this is okay.

Please, please, PLEASE, do NOT white knight on my behalf. Pepper and the Dingbat's new Mewtwo have a similar color scheme, and that's where the similarities end. Besides I KNOW about the new Two, even before they posted it on Tumblr.

If you feel like a design is heavily referencing mine and want it to be known, come to ME. Send ME that DM first and foremost. 9/10 it was a coincidence, and the other 1 could have been resolved quietly.

Also, you didn't say "It's not cool."

You outright called them Unoriginal, you are the ONLY one who called to the fact that Ding's new Mewtwo had a color scheme similar to Pepper's. You weren't nice about it, and you sure as hell had no reason to stick your nose in the way you did.

If you had even looked through mine or their blog, you'd have seen that we have done collabs before, I draw their characters on occasion!

Look with recent drama and all that good jazz, I get it. But no one should EVER handle a situation like this.

To anyone else out there, creating Mewtwo's is a dime a dozen. Most of my OCs have very simple but easy-to-follow designs, and that's okay. it's okay to take inspiration, it's okay to want a Yellow and Gray Two, and it's okay to want an Alpha Mew. I draw the line when you copy/paste and adjust the color slightly. I draw the line when there is no difference other than a small little color change.

This?

These are NOT the same Mewtwo, not even CLOSE.

Anyways, rant over, I'm off to block that anon, and for the rest of you

Check out @dingbat-things, they are a silly goober and their art is cute.

Spread love to them, especially after this disaster of a take.

[ink-the-artist]

hi! hope you’re having a good day/night. wondering if you had any tip for achieving phosphorescence/fluorescence with colored pencils? i’ve been getting back into drawing after a long art block and wanted to draw some glow in the dark toys but i’ve been struggling to give a good actual green glow on a dark background. thought i’d ask since you’re incredible with colored pencil!

oh prismacolor neon colored pencils are perfect for this, they only have 3 colors (orange, yellow, and pink) but i think this is the closest thing to what ur describing that ive used in my own art

some of these are more subdued than others, i blend the neon color and a regular color (the neon pencils also have harder lead so are good for blending with) it creates this really nice underglow that i cant achieve with the regular colors. the more subtle ones have less of the neon color blended in and the brighter ones have more. the neon colors are really bright and vibrant it surprised me the first time i used one. my scanner does not pick up neon colors tho (idk if all scanners are like that) so I have to photograph the art instead whenever i use neon colors

im sure other brands have neon colors u can do this with (and other mediums too) this is just what i do