#if you have half a brain

[treeliker69]

IF YOU LIKE PINA COLADAS

-[ @jared-klineman ]

Is this that one song..

[improvapocalyps]

You have 90 minutes to complete. (original poem: r.a.)

In participation of the MCYT Recursive Exchange 2024 hosted by @mcytrecursive!

Inspired by know that all my love will be your breath (i will save you when your lights go out)

[text under cut]

1. Have you ever been in love? (Please circle your answer.) a. It's me and him b. Our hearts beat in sync c. Our lives intertwined

2. Do you understand what you’ve done? (Please circle your answer.) a. I couldn't do anything b. I lost my balance c. I doomed us both

3. It's been god knows how long since you felt phantom hands on your neck and there is no one in sight. If you were soul-bound to him and both of you died at the same time then why are you still waiting in the void? Please answer clearly, in full sentences. (Not a correct answer：I just wanted to see him one more time).

4. Define two (2)： Fate | The feeling of his forehead against yours Curse | The moment you realise he isn't linked to you anymore

5. True or False： i. It was your fault. ii. You wish you had met him under different circumstances. iii. You can’t regret a single moment that you had him. iv. You would do it all over again if you could. v. It ended long before either of you said anything.

thumbnails:

sketch cover thing for imgur link:

[remxedmoon]

y’know what? fuck you. *UNGRAYSCALES YOUR ISATS*

no wait come back there’s greyscale versions under the cut :(

[kettlefire]

Not so Different. (DcxDp)

The stunned silence was louder than the rest of the gala had been. Every single pair of eyes were wide with shock, fear, and even concern. The last sound to have left the patrons was scattered gasps at the reveal.

It was meant to be simple. A new up and coming technological company had put all their savings into this. A huge gala to show of the reason the world needed their technology. Needed their help.

No one believed it. Truly, who could have? A large group of men and women dressed purely in white suits, spouting about the threats of ghosts. It was insane and impossible.

Many of the big names that attended today only came for publicity. The notoriety that came with having been there when this company crashed and burned in one night.

It's the only reason Bruce Wayne was even among the crowd. Accompanied by Oliver Queen and his own son, Dick Grayson. As much as Bruce hadn't wanted to be here, he knew his reputation was important to keep up.

That was until two agents stepped out onto a stage they had at the back of the large room. A thick curtain had kept the sight behind it completely hidden from the patrons. Until the moment was right. That was when the thick curtain had suddenly been ripped back, as a third man took a microphone and began to explain.

But his words fell on deaf ears. Especially for the three secret vigilantes in the crowd. Not a single person could tear their gaze away from the cage that now stood in full view.

It wasn't the cage that had everyone enraptured. No, it was the glowing creature curled up in the center of it. No, not a creature. It was a boy. Still baby faced and youthful. Too young to be in a cage.

A high-tech muzzle was securely wrapped tightly against the boy's mouth. His knees pulled tight to his chest, one arm wrapped around them. His other hand pressed tight against the muzzle, seeming to almost be trying to keep it in place.

The boy's toxic green eyes were wide, filled with a clear intensity of pain and terror. There were old tear stains on his cheeks, quickly being replenished with fresh tears. His messy, bright white hair fell into his face. The boy looked both like he wanted to look away, but also like he couldn't. Like he couldn't risk not seeing the threat coming.

It didn't take a genius to see the boy was in pain. Human or not, this went beyond inhumane treat. Making minds racing with thoughts of what else these people had done to the poor boy.

Bruce knew in this moment that this company had just caught the attention of Batman. Based on the look in Oliver's eyes, they also just collected the wrath of the Justice League as well. Bruce hadn't even needed to look at Dick to know he was on the same page.

It went unnoticed by any other patrons. All the focus was glued on the stage, on the lecture and caged boy. No one noticed when Bruce Wayne slipped his phone of his pocket. When he hit a singular speed dial as he turned away from the show. He brought his phone to his ear as he silently signaled his trusted allies to keep an eye on it.

[puppetmaster13u]

Prompt 271

“Grandmother is visiting,” Damian suddenly said with no warning and with his usual not-quite demanding tone. 

“Who?” Tim wasn’t the only one to startle, seeing as Bruce had practically froze, a downturn to his lips in a silent show of confusion. 

Damian scowled. “Are you deaf Drake? Grandmother is coming to Gotham to, quote, make sure I am being properly cared for.” None of them had known that Ras was with anyone actually. At least Tim was pretty sure that would have been in the files. 

“Oh?” Dick didn’t quite crouch to Damian’s height but it was a near thing. “She-” “He,” Damian corrected, interrupting him. They all exchanged a glance before Dick continued. 

“Is he coming to the Manor or…” 

Damian scoffed again, a tiny bit of a flush against his face. “No, Grandmother will most likely be staying with Akhi-”

Now wait one moment-

“YOU HAVE ANOTHER BROTHER?!” 

[idliketobeatree]

charles and edwin are both malewives, just in a different direction.

edwin is masculine in a peacock way, charles is feminine in a punk girl way. charles is the embodiment of "my husband is a bitch and i like him so much". edwin's cunty wine aunt disguise can crotchet and probably judges the fashion section in vogue magazine on a -1 to 6 scale. charles' guyliner and his pins would get him a free pass to the lgbt club even at the stage of a self-proclaimed ally. it's a good thing ghosts don't have to open doors, because they would try to hold it for the other forever, being downright annoying about it. their petname game would be sickening to the outside world. charles would call edwin 'mate' on their literal wedding. and don't even get me started on anniversaries, they would race to the kitchen and fight over who's wearing the pink frilly apron and is making breakfast in bed (the breakfast is play pretend; the apron is not.) last but not least, they'd both kill at drag

[hailsatanacab]

"Well, this is a bad idea," Tim says, hands on his hips as he surveys the mess they’ve made in the cave.

"Nah," Danny replies, twirling his screwdriver in the air in what is probably meant to be an impressive trick to inspire confidence, except he fumbles it and it clangs to the floor loudly, "we good. If a younger version of myself hasn't come forward in time to stop me, how bad can it be?"

"Shouldn't it be the other way round?"

"What?"

"Normally, it's an older version of yourself going backwards in time to stop you, right?"

"Not in my experience."

Danny's grin is impossibly feral and a shiver runs up Tim's spine.

"This is definitely a bad idea."

[poorly-drawn-mdzs]

Normal boy spotted.

[First] Prev <–-> Next

[sunn-mechanic]

[ID in alt]

Guess that makes me Evil

--

I could not stop thinking about how Vex is probably dead in DR, that shit makes me so unwell

Also, version without the lyrics below, bc I like both:

[ID in alt]

[corviiids]

ok hear me out about this vaguely Your Name inspired lawlight au told via notes they leave each other while bodyswapped

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[drac0line1nn1t]

*Wade staring at himself in the mirror*

Wade: I'm so pretty.. *obviously doesn't believe it and is trying to convince himself*

*Wade frowns and reaches for his mask*

*Logan walks up behind him and gently grabs the arm reaching for his mask and Wade jumps around three feet in the air*

Wade: Marvel jesus peanut warn a gu-

*Logan reaches around his head with his other hand and puts his hand over Wade's mouth*

*Logan leans his head on Wade's shoulder looking in the mirror too*

Logan: *smiles* You're so pretty, bub.

[rawliverandgoronspice]

Always a bit puzzled by people saying that anyone who wanted long-term consequences for TotK Zelda's sacrifice are "edgy".

I'm not even particularly in the camp that she should have remained a dragon forever (I think this should have been Ganondorf's fate, it would have been sooo much more impactful than to explode him and move on but anyway). To be honest, I wish the rules for turning back would have been 1) clear 2) active gameplay on the player so that it feels like it's something we have earned, and 3) not make her have amnesia about it and/or at least having her gain some crucial insight because of the experience.

(also: doesn't she crave knowledge? isn't that insanely mean to have her watch over every civilization and every bit of history ever and then take it away from her? kind of dislike how totk privileges the comfort of the player's feelings over what the characters would actually want or need tbh)

To be perfectly honest, I fully expected us needing to turn her back before engaging Ganondorf so we would fight him together, especially since Zelda as a compagnon exists in the game code already (though in a very subdued state). It feels very very strange to me that all of this mechanic of Sages following us existing and yet we never have the very climactic cool Zelda-staple moment of facing Ganondorf or Ganon together (OoT, WW, TP, ST and probably more that I'm forgetting all did this in some way --even BotW had Zelda more involved than in TotK). I'm not sure Mineru was a compagnon that was needed over Zelda honestly, especially given the kind of non-insight she gives us on the zonai (even if the idea of the mecha is cool, it really could have been Zelda using her zonai + sheikah knowledge to pilot one for us or something).

But anyway: yeah, even if this isn't what I would have wanted personally, I think wanting Zelda to remain a dragon is kind of arguably more respectful of her relationship to Link, in a way, that what the game ended up doing. When she enacted this sacrifice, Zelda decided to trust him to such a extent that she lost herself, reciprocated his trust in her and his devotion to her, and now the future of Hyrule exists beyond her and beyond what Hyrule once was, but she trusts them to follow through and be happy and she will watch over them from the stars moving on. It's fine if we manage to save her from that fate, but even if we don't, honestly this sounds like a beautiful story/tragic romance to me, if you want to read it that way. Tragedy doesn't necesserily involve edginess. Fictional pain isn't always mean, or out to get you.

[puppetmaster13u]

Prompt 251

Danny is tired and annoyed. On one hand, his parents took the whole ‘so I might be slightly dead’ pretty well! Which is good! On the other, they decided to send him and his sisters to their uncle while they take care of the Guys in White and refurbish the house to be, well, him safe. Which meant a ridiculously long flight all the way to New Jersey. 

A flight he was pretty sure happened to be illegal what with the fact that neither of them were asked for their IDs or anything despite having them with them. Hm. Y’know he’s not going to question it, he’s getting a nap the moment they get to Uncle Harvey’s. 

[longmaxsilvarg]

something about the main menu for life is strange genuinely makes me wanna collapse and sob

[romatito]

practice is going well 🫢😬