#if you can think of more add them!

[hyperions-light]

alright (more) serious version of the shitpost I made a few days ago

So like IF the Lighthouse turned into a huge confusing polycule, how would it happen

I feel like if you had a very flirtatious Rook they could definitely end up in some kind of situationship with everyone bc everyone is kind of in love with them… like even if you don’t flirt, those outings are all date-coded!! Taking a walk in the Necropolis gardens is literally what Emmrich tells Harding he would do on a date ! Taash is like repeatedly introducing you to their family!! These are dates

And then there’s Taash/Harding and Neve/Lucanis already… and I feel like Neve/Bellara is riiight there, just a little to the left of canon. Think we could get Lucanis/Davrin from drunk partying/suppressed aggression, and then just like… they keep going and don’t talk about it. Whatever! It’s fine! Feelings are for nerds!

I can actually see Davrin/Neve so easily too, like they play off each other so well, they can both be very funny/cynical, and Neve melts like butter when people are nice to her and Davrin is sooo nice. Also Neve loves Assan so he automatically gives her a trillion approval

Starts casual (stays casual?) Davrin/Taash. they’re blowing off steam ;)

Everybody loves Harding, yes? Did you see that coffee scene with her and Luca? Easy.

How are we involving Emmrich hmmmm… well I mean there’s also Emmrich/Strife to consider. He can just have more partners than everyone else, grandpa can get it

I think we get Davrin/Emmrich from single dad bonding, Emmrich/Bellara from nerd bonding and Emmrich/Lucanis from Spite really likes and trusts Emmrich actually

Also the number of times Taash says Neve is pretty… I think they could get there, I really do

And everyone is with Rook too, so now it’s a mess!! And Taash is like

Woah that is a lot of smells what is happening

So Neve is on the case! Track down the suspects! Interview everyone ! Make a clue board !

And then you end up with one of those color coded shipping charts people make sometimes

Emmrich would want to Talk about it. Bellara would be worried. Davrin and Taash would be externally fine and then freak out later. Harding is nervous but willing to work on it. Lucanis… Lucanis needs another coffee. Neve doesn’t think this is going to work out tbh and she’s upset but she doesn’t want to discourage anyone

So team meeting

And then Rook’s just like hey! We’re saving the world, guys! There’s no rules! We’re the improv squad; we should get to be happy! ✨

And everyone goes 😍😍 Rook 💕💕💕❤️

So it’s fine. Like they still have to talk and reassure and stuff but everyone trusts Rook so it’ll be fine

( nobody imagine the end of the game it’s all fine )

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[thetattersoftheking]

trying to keep track of all of the john&arthur-isms (not in any order...)

this too shall pass

well. (well.)

promises to keep and miles to go before we sleep

'You Call It Madness, But I Call It Love'

eat the elephant

the cold, calculated demeanor of someone not to fuck with

i have your eyes/you are my eyes

Faroe's song

bedrock

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[poorly-drawn-mdzs]

Shout out to all artists who had to work without any strong direction or instruction.

I wish you a merry “the client likes it anyways”

[fumifooms]

Hien & Benichidori compilation

Okay so I put a & but this absolutely a shippy post, the hienichidori community is quiet af and there is no discourse but their comics in their Adventurer’s Bible profiles…!!! Many may ask, does Benichidori canonically have a crush on Hien?! Straightforward answer: It’s left heavily implied but yes. Alternate answer: If the framing of Falin in an explosion as Toshiro says that he loves her isn’t meant to associate the explosion with falling in love when it is mirrored in the next page, then… I think it’s a mix of both, I don’t think just this is true because Hien wouldn’t know who Shuro is talking about or even what Falin looks like, but it could be that the explosion is instead meant to show a world vision being shaken, the thing blowing you away. So for Hien, having Shuro say that breaks this unsaid assumption she’s always had that they might end up together, and thus Falin is taken like an explosion to the face. Similarly, for someone with facial dysmorphia and for who appearances and being subservient are everything, having Hien be confident and totally assume her plain looks, even uplifting herself, that also shakes her world like a bomb. And yes it’s not just about the makeup!! Benichidori’s drawn to her confidence, to her unapologetic attitude, to her attitude. Benichidori unexpectedly snapped at Hien too, but she was totally unshaken and she replied casually and lightheartedly even then; Benichidori saying she can be herself with Hien is about Hien not caring about her mask, both her makeup and her subdued demeanor. Hien is canonically special to Benichidori.

And on the note of that comic, I took a picture from my Adventurer’s Bible for this but I think the fantranslations I’ve seen are lovely too, really gets across all the meaning of the original sentence… Where Benichidori said "She was the only one I could be my unadorned self in front of" (which is my fave) or "I’m able to act my honest self with her". Benichidori having body(more specifically facial) dysmorphia is explicitly stated in the Adventurer’s Bible btw.

Pleasee how Hien’s extra is her talking about her life story and Toshiro to Benichidori… How Hien says "That guy is blind!" and Benichidori says "I’ve noticed that 😊" as if saying that Toshiro is blind to what a catch Hien is… Also in the ninja girls’ shared inn room Benichidori puts her futon next to Hien’s bed.

[freaky-flawless]

The De Nile sisters!

[steddiealltheway]

Something that is canon in my mind that I forget to tell people:

The reason why Steve can’t get bitches in his Scoops Ahoy era is because there’s a rumor going around that he’s gay (probably because someone caught him hooking up with Eddie)

[ratzhatz14]

Hi mice

I made dandy

Because uhm plant and uhmm messing around with artstyle and uhmmm mmmm color theory

More under cut ↓↓↓

I love this artstyle ngl

[be-queer-do-arson]

Okay so I'm not generally a sports person but I can't stop thinking about all the ways the foxes revolutionized exy. For example, the way their tiny team structure made them focus on endurance and coordination rather than brute force? Amazing. And related to that, the way that they adapted by training players to fill multiple positions? That must have had huge implications for how they understood other players needs and allowed for flexibility of they needed someone's specialty in a different position (see the final game). BUT ALSO the way Kevin and Neil specifically shook up the game was insane. Kevin being ambidextrous and using it to make his moves unpredictable. Using heavyweight racquets to put more strength behind their shots. Communicating only in French so opponents don't get any warning but they're still in sync with each other. I'll bet you anything other teams were scrambling to catch up and figure out how to play like the foxes did

[rpsourcedmemes]

Who is my muse to yours?

If you can't see the symbol please send the corresponding text instead

🌞- Biggest ray of sunshine 🍸- Drunk friend 👿- Mortal enemy 🤪 - The mad friend 🎶 - The musician ⛰️- The adventurous friend 😎- Extrovert 🫣- Introvert 🐾 - Prefers the company of animals friend 🚙 - Designated driver 💰 -Money bags ♻️- Green friend 🤫- The gossip 🍾- Party friend 💀- Scary friend 🥊- Fighty friend 😴- Falls asleep anywhere 🔮- Magic friend 👽- Possibly an alien 🃏- Wildcard - sender specifies

[flashypunches]

( REUPLOAD I ACCIDENTALLY DELETED IT im so sorry )

You're someone who's held great resentment for your godfather.

For your first meeting, for his ego, for his murderous intent towards your father.

For his failure to provide comfort or understanding when your parents refused you as a son, when your friends have left you as a corpse.

You suffer through long years, sticking with him through thick and thin, because he’s the only one like you, the only other Death refused to take.

( The daughter he made, the cousin you mourned, Dani, is gone. She will not return to either of you. It is always his fault. )

Because he’s all you have left. The only one who wouldn't refuse you.

He moves you to a city that matches your dreary state. Vigilantes take residence, closing in on crime. Closing in on your godfather.

Vlad leaves. He doesn’t take you with him.

He leaves you his wealth, a place in a school that makes you miss home, and an order to never speak to the ones who made him run– the Waynes.

He doesn’t return. Never properly. You make due with phone calls and brief visits every now and then. You don’t mind, you preferred this more than his haphazard attempts at providing companionship when it was too late.

Your schoolmates does not like you. That is okay, even if it leaves you longing for friends.

( Sam and Tucker are in Amity and will stay there until they die. They would never come and visit a corpse like you. Not when you desecrate their friend's body, parading it around, like you're him. They know who you really are. They've always known, they just couldn't see sense before. )

But you find someone who could be one.

He is prickly, rude, disliked less, but disliked nonetheless. But he is the only other person who does not care about your worn out shoes, for your scars, your clammy skin, all the things that made your parents refuse you as a son, as sentient— or about you coming in the middle of the school year.

You care not about his attitude, desperation clawing at your mind for any form of socialization not from Vlad or who he calls company.

You make quick work of befriending him, a shared rivalry for an annoying schoolmate pulling you close together.

You learn his interests, his pets, his family. You know his name but do not ask for it. Willful ignorance could be considered bliss. Just for a moment.

He lets you stay at his house for a night, though his siblings push the matter more enthusiastically. You do not see his father.

( “He’s on a business trip.” Daniel blinks, looking up at his friend.

“Who?” he asks, despite knowing there’s only one person that Damian could be referring to.

Damian tsked automatically, “My father, you imbecile. He will return in two weeks notice.”

Daniel thinks of his godfather, of his various excuses over the years to many people, including him. But instead of telling Damian the likely truth, that his father won’t return, never like how his best friend wants him too, an “Okay” comes out in place of it.

Let him bask in ignorance, Daniel tells himself, Let your friend have this. )

His father comes back. You don’t call Vlad when he forgets you. For all he wanted you as a son, now he never tries to treat you as such.

You continue the cycle of avoiding an empty house, of sleep-overs, of waiting for something to happen.

And something does. Your godfather comes back. He lies to you that he won’t leave again. He says that he will stay longer, that the family who tried to run him out won’t succeed again.

You do not think of your best friend. Why would he even care?

Your godfather treats you like he had before, when you still had your friends, your home. Like you are a misbehaving child, and him, the tired parent.

( Shouts of an argument ring from an dead manor, before being shut out to the upstairs.

Daniel slammed the door, not caring if Vlad had heard it or not. Ancients, he'd forgotten how much of an utter fruit-loop Vlad was. He gritted his teeth, rubbing the bruise left on his wrist by the man.

Why'd he expect anything different? Vlad was just going to be his usual nutty self, and go back to treating him like he was still some misguided kid, that he would just come around to playing nice with Vlad.

The wood of the door was smooth, most likely sanded down from any splinters by the past families who lived here. Daniel moved his fingers along the grooves, faintly remembering how he had done this before, when he was better. He bit his tongue, ignoring the bitter taste of ectoplasm it brought forth.

He hadn't thought of who he was before since he'd ran. He hadn't been this angry at Vlad since he ran. He hadn't felt so like himself after he ran.

Daniel would be lying if that thought didn't make him feel just a little bit better.

He let his head fall into his knees, back leaning against the wooden door, limbs sagging. He did not cry, because the Danny from the empty home did not do that. )

It irks you, but not like before. Maybe you were doing something right if he’s treating you like this now, treating you normally. Maybe you’re back to who you were before, before the rejection scarred you.

Damian notices the change in your personality, as you notice his change in costume. He is on the rooftops, in the streets, cloaked in muted colors, not unlike your own old costume, and his family knows your godfather is back.

When you come back to school after a week of Vlad trying to bond with you without success, Damian doesn’t say a word about your godfather.

You don’t either. What even is there to say?

“Oh, I know that you are investigating my godfather, and that you’re a vigilante, surprise!”

You would have been killed ages ago if that was your response.

Your friend does not invite you over anymore. You know why, understand why but it still stabs your core, in the way a butter knife does to wood. Dents it but does not cut.

You repeat the loop of boring conversation, of stilted companionship. You grow tired of it, as you always do.

Vlad's signature is easy to forge. You get to skip your classes under the guise of it being a family emergency.

( Damian is near the gate when he gets off the bus. Daniel's ratty sneakers are hitting the ground, as he walks over to him.

The weight of his backpack feels heavy, the evidence that Daniel had stuffed inside not helping his back. Damian twirls around at his steps, a scowl already on his lips.

Daniel smiles back, readjusts the straps on his shoulders. He whispers to Damian, uncaring of the fight currently breaking out in the front, the fight that Damian is watching, "I'm getting out of school today, wanna come with?"

His friend tears his eyes away from the brawl, looking intrigued at Daniel's offer.

Damian considers the chance. The thought of having to sit through another day of school with only Jon for mild company sickens him.

"I suppose I can, though if this is a trap Masters, then let it be known that—"

"Yeah, yeah, I get it, you in still?" Daniel flashes his (only) friend a cheesy grin, ignoring Damian's eye-roll at his theatrics.

"..Yes."

-

The route to the local park is quick, though slowed by the need to be away from the public's eyes, lest they be caught right away in their venture.

Daniel gasps in a breath, ancients, did he need to jog way more. Damian easily strides beside him, the only sign that he was showing off being the smug gleam in his green eyes. Bastard.

The papers, the records, the flash-drive, all weigh down his back. Vlad has definitely noticed them missing, and he most definitely knows who took them.

But Daniel didn't care, not right now, because right now, he was spending time with his bestest friend in the whole wide world, and he'll deal with Vlad later. )

You drag Damian over to a secluded bench, taking no mind to the mutations Poison Ivy has given the plants near. The backpack is emptied, and you guide your only friend to the path that leads to Vlad's destruction.

The dread fades away, the high of adrenaline taking its place, at the crimes left behind in pieces, put back together in a backpack, and let loose into the hands of your only friend.

It feels good, like something’s been taken off your shoulders. You know that Vlad has anticipated you telling someone about what he’s done. He’s still not leaving.

Your high is running down, as you start to beg Damian not to arrest him, lying to your only friend that Vlad is a better man, and doesn't deserve to rot in a cell. You know that when you take a separate route to your homes, that he’ll tell anyway.

You can’t bring yourself to care. Vlad’ll just weasel out of it, as he always does.

He knows what you did, doesn’t bring it up, with the only sign being a watchful eye whenever you’re back in his grasp.

You get invited to a gala by your friend. You accept, uncaring of Vlad's reaction.

Your friend gets held ransom. No one’s worried, no one feels anything but annoyance. You stay away, not wanting to feel your core straining to help, to protect.

The Bats swoop in to help. You ignore the envy at their luck at having a team of other heroes to depend on.

( Your friend ) The Waynes send people after your godfather. He tries to bribe his way out of the charges, out of the jail cell that cannot hold him. They leave with him in tow.

You start staying overnight at your friend’s house even more. Damian doesn’t say a word about it.

His father does. His siblings do.

They talk about adopting you, they fight about Vlad, about what they are meant to do with your godfather, and what to do with poor old Danny. You don’t listen in much. They remind you of your parents, just a little bit. It hurts.

Vlad is let go. False charges, apparently. You know he just bribed the judge and juries.

He wants to talk to you, intent on having a conversation that lasts more than five minutes without shouting and tears ending it.

I'm sorry for not being there, please, give me forgiveness, are the only things you remember from the conversation. You do not give him what he wants, but the conversation doesn't end in slammed doors and withheld tears.

You sleep under his roof for the first time in weeks, the most civil conversation you’ve ever been with him looping in your mind. You even wonder if he’ll let you go to your friend’s birthday party.

You don’t sleep at your friend’s house as much. There’s not much need to anymore.

You wake up one night, to hear the sounds of ectoblasts and footsteps. They are on the roof, and you know what they’re here for.

You go ghost, going up the roof, watching invisibly as Plasmius shoots at the vigilantes who yell about something. You stay like that for a moment. You almost decide to let him go.

He's the only one you have left, to leave him, to abandon him, is to leave the last person in your corner. That thought is the only reason why you lift your thermos up, capturing Vlad in one fell swoop, before he leaves too.

The vigilantes are not pleased, as the Bat barks out orders to find you. You can imagine Vlad is the same, fuming at your disrespect inside the can.

With Vlad in your thermos, the Bats on your tail, there is no hope in your mind of getting out of Gotham with everything you need.

Oh Danny, what are you going to do?

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[quadrantadvisor]

Alright new Jason Todd headcanons in a dpxdc setting:

Danny is a "liminal" ghost, rather than a "half" ghost. He's alive and dead at the same time. (He's like Jesus Christ (in the church denomination I grew up in), fully ghost and fully human.) Danny, in human form, can go through a ghost shield, because he IS a living human.

Jason, however, is a reanimated corpse. He isn't a ghost, wouldn't have a ghost core, etc, he has a normal human system that runs ON ectoplasm. Jason CANNOT go through a ghost shield, because he is always an ectoplasmic entity. Danny can go through the Fenton Ghost Catcher and be split into a ghost and a human; if Jason went through the ghost catcher, he would straight up die.

(For my purposes I'm gonna say that Jason became an ectoplasmic entity upon his resurrection, but wasn't very stable. Dunking in the Lazarus pit stabilized his system but also poisoned his ectoplasm.)

I do think that Jason could learn certain ghost abilities if he learned to harness his ectoplasm, especially if they detoxed him off the Lazarus waters. He's probably already enhancing his stealth and strength in ways he hasn't really noticed. I think he's held back by the amount of physical matter he's lugging around, so maybe he couldn't fly, but I'm imagining temporary invisibility, or intagibility of like, a limb at a time. Maybe he can't walk through walls, but in a fight he can dodge by instinctively making the targeted part of his body intangible.

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[thelassoway]

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