#As this is part of that new arc in my life.

[inksandpensblog]

Yes, King’s arc is over…but imo it doesn’t have to be, because he is still in Purple’s life. His character doesn’t have to stagnate after one arc.

Some of my friends in the Enthusiasts server (as well as some others here on Tumblr or elsewhere on Discord) have mentioned that, realistically, King’s and Purple’s reconciliation at the end of episode 30 would only be the start of their new relationship. The end of King’s arc marks what many of us believe should be the beginning of a new arc, one shared by King and Purple. It doesn’t have to be an arc with a season’s focus, and it doesn’t have to involve King on his own with the color gang (though I’m sure some would make a case for Yellow); a few Actual Shorts or background details here and there showing how they’ve both changed together would be enough.

We want to see the evolution, the development, the growth, both jointly and responsively. What we’ve gotten feels, to me, like a skip to the end of that supposed journey. The good part, but without all the hard work to get there.

I won’t deny that this leaves a lot of room for fan interpretation, which I don’t have a problem with in itself; generally I appreciate how much liberty Alan gives fans to fill in the blanks however they wish, and some of my friends are creating amazing works to fill in that blank in their own ways.

But even if the series doesn’t give definite answers as far as how King’s and Purple’s relationship develops, or go as far as directly showing us key developments, it can still offer evidence that their relationship is developing, and I feel like it hasn’t done that. Instead they just hug it out once and suddenly have an ideal bond.

I will also acknowledge that it’s perfectly normal in this series for oppositional characters to be completely cool with each other after just hugging it out, no matter how much or how hard or why they’d been fighting up until then. But unlike King, those other characters (unless they’re one-offs, which King isn’t) continue to appear and interact after hugging it out, and we get to see how their relationships continue to evolve and how the individuals in them continue to change.

With King, it feels like we’re just getting the Purple-centric highlights.

Yes, King’s arc is over. I think that’s part of the problem.

Sometimes I think about the fact that we’ve seen Purple seven times since episode 30 but we’ve only seen King three times.

Sometimes I think about the fact that every time we’ve seen King since episode 30 he’s in a context he’d have no reason to be in if not for Purple also being there.

Sometimes I think about the fact that since episode 30 we’ve seen Purple without King but we’ve yet to see King without Purple.

[thecertifiedboykisser]

Aglaea and ratio have wayy to many similarities to not be related in some way. Or atleast be from the same planet.

(Date of this being made is November 19th 2024 at like 11pm MST so no trailers have come out yet and I have seen zero leaks.)

Helpful visual i will be referring to:)

Starting of, the hair clip plant thing is the same for both of them, Aglaea just has two, probably because she holds the flame of romance. The sandles are similar styles. Though Aglaeas just seem to be more elegant and regal while ratios seem like just regular sandles. Both are gold and have some accessory to them.

There eyes, oh boy, it's not very clear here but if you go to the short on the hsr channel, you can see Aglaea has the same 'eyeliner' looking stuff but yellow and sparkly. Both eyes have some sort of heterochromja. Veritas has central while Aglaea has split.

Now, to a more subtle thing, the patterns. Both have themes. Veritas has his owls to represent wisdom and knowledge and stuff. Aglaea has plants and the leaf looking patterns.

This is where I'm getting into real life mythological to look into some of the symbolizem stuff, Aglaea is covered in gold and generally is painted in an ethereal kind of way. The mannequins are for the most part looking up at her in an almost like she is. Above them. The real life Aglaea is the goddess of beauty, splendor, glory, and adornment (don't quote me on that that's just what I found) it fits with how the character is portrayed.

Now, the stuff circled in blue is similar patterns, it's a swirl going in, and both of them have it complimenting their own themes. It's probably something we're gonna see with more character coming out.

Now this might be a stretch but the way they talk seems similar aswell

Both from official drip marketing, they read, to me atleast, the same. The language seems similar. But ratio seems more modernized while Aglaea seems more old fashioned (it literally says O,) and I think that's because of the IPC. Now this is treading into HC territory, but it is plausible.

Ratio probably sounded more like Aglaea when he first left his home planet for the intelligencea guild, which I do think they have some contact with Amphoreous if not very little. But as he was around people who spoke more modernized, he developed that too.

This is mostly just me pointing put there similarities and feeding into my thoughts that were finally gonna get ratio lore in 3.0

Especially since, in penacony, he was more of a support to aven than his own arc, especially since he wasnt released during penacony. I think he was made for amphoreous and penacony was just to get his character a little bit better and have some more connected threads to the new plant than just Black swan.

[poorly-drawn-mdzs]

Shout out to all artists who had to work without any strong direction or instruction.

I wish you a merry “the client likes it anyways”

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[rainbow-sunshine-unicorn]

Kate and Anthony s2 vs s3 parallels

[buttercupshands]

Chapter 419 Analysis or "How to make allies not pawns" a helpful guide from League of Villains (part 2)

This is now a second part of Tomura character analysis.

With chapter 419 being probably our last time seeing Tomura for a while, since we need to learn what happened with Aizawa now is time to remember that not only bad things exist it Tomura's life.

Warning of spoilers to the whole manga to the point of chapter 419! All of the warnings from My Villain Academy side of manga are applicable

So like... mentions of death, killing other people, manipulation, emotional abuse and many more!

This is Part 2 - See here for Part 1 of this depressing mess

With AFO being so sure that he knows better and actually controlled every single part of Tenko's life creating a Symbol of Fear without any redeeming qualities or even hope for saving after he destroys him. There's one thing that AFO still doesn't understand about Tomura and never did - and that's his allies, or the League of Villains that he created.

Even Kurogiri, being a Nomu who's views do not stray from what AFO thought was important didn't exactly understand what did Tomura think about his allies quick to assume that he thought of them as pawns all the was back in the Training Camp arc. With Tomura making game examples to explain the situation, he still didn't think of LoV as just pawns on a desk, like AFO does.

At the time of USJ arc there weren't many people Tomura called this, which could make you wonder how much it was just AFO's plan rather than Tomura's with him never worrying about those other villains yet getting so worked up over losing Nomu not only because he was strong enough to defend him from All-Might, but treating his defeat as something that must be avenged.

And that was long before Stain even entered the picture, the first of three people who greatly affected Tomura's view of his own motives alongside AFO's manipulation of literally everything else.

Tomura was terrified of fighting All-Might seconds before this and yet as this goes on it's becoming more noticeable - Tomura doesn't care for his own fear or worries as long as he's fighting for someone else's good. Not so different from how Izuku is ready to disregard himself for the sake of others, resulting in many injuries and being so close to dying so many times.

It never was a secret that Tomura is highly dependent on others to keep himself from losing confidence, or even will to fight, getting either too anxious to continue without anyone's reassurance.

And while AFO's "help" was mostly given only with some kind of lesson as we saw in "Tomura Shigaraki: Origin", with AFO literally sitting there, saying how Tenko is weak for not killing but showing some restrain instead suffering himself, never actually helping or comforting him. Only offering what he deemed nessesary for his own plan of making Tenko kill those thugs not caring that he's feeling sick from those hands.

But in USJ it's not AFO who's there with Tomura, it's Kurogiri, who was shown to still have some care that Shirakumo had that even Aizawa and Mic couldn't argue that it's similar to how Shirakumo couldn't just leave a kitten in the rain. No matter the responsibility that it would bring with taking a little one in.

A helpless little kitten that didn't get the help it needs from anyone else. Sounds way too familiar.

This never was a direct order from AFO other than he needs to "tend and protect" for Tomura, which can mean anything from just looking out when Tomura's sick, or protect him from any tread like someone trying to kill him.

Not helping him getting over his anxiety to fight or helping him and guiding him to do better as a leader of the League calming him if it got out of control. Which is somewhat opposite to the way AFO deals with Decay and Tomura's temper - letting him destroy anything even the hands that he gave him, just offering new ones when he succeedes and never really caring for his pawns, he can always get new ones.

And surely not asking if Tomura's well the first thing while talking to Heroes.

Which then leads us back to how Tomura never viewed anyone that he chose as pawns calling them his allies, with the word '仲間' which can even be translated as friends in needed context, but usually used as comrade or ally when Tomura says it. And the same thing is usually translated as "friend" when used by Twice.

In any case Tomura never once doubted his allies since he saw them as reliable, even if his first meeting with Toga and Dabi went so wrong that Kurogiri had to stop them from killing each other.

Up to the point of Training Camp AFO describes as him teaching Tomura to be independent which was at that point too far from the truth than he thought. If Tomura begging for AFO to leave with them is any indicator he actually was even less independent after All-Might almost caught them, making him doubt his own worth as a leader. Even if AFO's defeat finally let him think and wonder about himself and his past.

AFO believed that Tomura just knowing how to recruit people would suddenly make him great at using those new "pawns" which was proven wrong by Overhaul no so long after that. Showing how Tomura believed the same thing AFO did as well, fully trusting his judgement of anything including himself, all the while parroting what AFO says without fully understanding what it means.

Only after losing both Magne and Mr. Compress arm does Tomura slowly start making progress in becoming someone more than AFO tells him to do. Even if as we see in part 1 it used Decay as the ground to make it stable since he believed it was his quirk. And yet.

Even if Tomura didn't simply instruct his allies how to choose who to recruit, he never blamed them for it. On the opposite, when Twice was hard on himself after bringing Overhaul to them Tomura just looked at them for the first time without a hand on his face, or even on himself at all, showing how he trusts them as much as he would trust himself and believes that they can do it.

Taking off hands of his family would mean not relying on the conflicting feelings that they bring into the picture, something AFO would very much dissaprove, since he was now like an equal to everyone in LoV instead of being above them. He

And with this instead of making them blindly trust his decisions and following him from fear or adoration like people had been following AFO or Overhaul, he instead was an equal to them both in failure and victory that wasn't even all that guaranteed yet.

Each one of them had their own somewhat selfish goal that just seemed like they were just using each other without any worry being each other's pawns. Or maybe that's just how AFO would see them.

Yet it doesn't explain why did Toga care for Twice's trauma response of not having his mask on, since he already did his part and all that they both needed to do was done. But LoV was never about following orders or giving them, expecting for the pawns to follow without question. It was about a leader of the group that would stand up for his allies while allowing them full freedom, except when they needed to also accept that something is needed to be done for their own sake.

Like following Overhaul for a while all for cutting off his hands leaving him with nothing. Did that sound like something reasonable to do? No! They literally lost their chance at having sushi instead of just living at some abadoned building all the while occasionally searching for money or food, stealing and killing just to survive all while Tomura was just... waiting.

Nothing was really stable at the start of what we call My Villain Academia and yet no one from the LoV left while their state was... bad at the very least. No matter how AFO was teaching Tomura he was still left mostly waiting for something to happen rather than doing something to change the situation himself.

Sure, Tomura now was a famous leader of League of Villains that suddenly needed to be stopped rather that underestimated like before. But that was in the future, now LoV was laying low on funds and slowly Tomura showing his face became the norm, with him usually never wearing hands around LoV.

And with Tomura becoming more and more comfortable around LoV, the LoV itself was becoming more like a place that had one core value that accepted anything else added without anyone wondering about the past of others, like Compress said. Just some selfish people, who still followed their own needs first.

And yet somehow Toga, who joined just because she loved Stain and disliked how life was too hard found her place in the LoV alongside Twice who just needed to be trusted and trust in return. If Tomura only followed what AFO deemed to be the best way to lead no one would actually feel like they're accepted in the LoV as much as they were.

Goal or no goal Tomura succeeded even without having the whole world at the palm of his hands by just never pressing anyone to actually follow him - if they wanted to they could've just left here and there, but since they chose to follow he did what he thought was the obvious best - let his allies do what they wanted.

Which was okay for someone like Toga or Dabi who were either already comfortable by just being allowed to be themselves or being free to plan their own things for their own goals.

But not exactly that for Spinner. Who was instead literally searching for someone to show him what to do, not so different from Tomura, who still only followed whatever 'his Sensei' deemed worthy for him to look into, like letting Kurogiri go find unknown "power" that AFO left along with contact with Doctor.

And while Spinner was not fine with still being hollow even while following Tomura pretending that it's the same thing as following Stain... all it took for him to look differently at how exactly was Tomura thinking was the last real "barrier" that there was - Tomura basically spilling his whole backstory and motivations mostly for LoV to listen to, since Doctor was just testing Tomura's will all according to AFO's plan.

And after that it didn't took too long for Spinner to now follow Tomura, even if it was still not the time to really see the 'warped horizon that was waiting for them'. And yet in times where Tomura still showed some doubt over his decisions - that one old trait of his showing up like it was always at the back of his head not so different from USJ, only thing changing that Tomura got better and better at not letting his emotions control him so easily.

Since the price of that would literally be lifes of his allies.

And neither that or using their emotions to his own benefit was ever in his plans, contrast to AFO manipulating Tomura to do just that. Letting his emotions consume him completely just for his own goal and for his own sake. But as a person who was so familiar with this Tomura still was adamant at NOT allowing something like this to happen to his friends allies.

Effectively creating a bond between all six of them, including Toya that in the end kept them together until the very final arc, with Spinner keeping what Tomura would've thought and with him waking up and calling Machia to get LoV first and foremost Spinner did understand their's leader wishes, as well as Twice's who literally died for his friends.

With all that happening in the War arc the moment AFO returned with both being in control of Tomura's body and just abadoned anything that Tomura would care for like leaving Mr. Compress and Machia behind just to punish him for not getting OFA or not even caring to show any actual respect for Tomura's wishes. Instead showing how little he actually cared for anything but his own good.

But while AFO made so many pawns that he could change like gloves at any given moment, threating them and manipulating them with his power and quirks, Tomura only had 6 allies who stayed after AFO was caught and who were willing to die just to live the life they wanted.

And AFO couldn't give them that.

Even if Decay isn't Tenko's quirk and even if he has so much guilt for killing without it being a little bit justified by it...

LoV still followed him as a person who allowed them to live as they please and so what they want, not some all-powerfull overlord but an ally and a leader who had his flaws and fallings.

[suffarustuffaru]

julius keeps collecting twinks that are secretly / not so secretly jealous of him but the difference in how different guys are jealous of julius is that reinhard would keep a photo of him and julius in a frame on his nightstand (has had it there since he was 14) (staring longingly at it is part of his daily routine), subaru would say he hates julius but his entire room head to toe is plastered with pictures of julius and new pictures keep popping up everyday, joshua would keep cutting and then retaping a photo of him and julius together depending on how upset at julius he is that day (we’re talking like theres a cut down the middle between photo julius and joshua ok. joshua dont play around), and then otto would have a designated julius photo that he drunkenly throws knives at (hes had to get his fingers healed multiple times)

[shannonsketches]

something something foils moving in opposite directions Goku's always happy to seek and fight stronger opponents because he spent most of his life being the strongest guy in the room and Vegeta wants to be the strongest/is always exhausted to find stronger opponents because he spent most of his life having to navigate his survival around the whims of the strongest guy in the universe room and so Goku has a foundation of safety and stability and so spends his time craving challenge and adventure and Vegeta has a foundation of challenge and adventure and spends his time craving safety and stability and the overlaid section of their venn diagram is that the only way they know how acquire and maintain those things is through battle

[maddymoreau]

I'm enjoying Fallout 3 a little more but there’s one thing that’s extremely bothering me.

How come, in the dialogue options, I can NEVER can mention, I was FORCED to leave the vault?

I didn’t have a choice but to leave. Jonas Palmer was beaten to death in attempts to get info about my father James. The Overseer was going to have the same done to me if not WORSE.

The Lone Wanderer: "So they killed Jonas, and I'm next, is that it?"

Amata: "Yeah. It's lucky I got here ahead of them. But we can't stand here talking! You're got to get out of here!"

I understand my father didn't know this would happen. That he simply thought I wouldn't be able to leave the vault after he escaped.

But the fact I can never explain what happened when reunited with him is just so ODD!?!?!!?

I COULDN’T STAY!!!!!!!

I FEEL LIKE THIS IS IMPORTANT INFORMATION YOU SHOULD WANT TO KNOW DAD!!!!!

WHY ARE THESE MY ONLY OPTIONS?!?!?!?!!!!!

Why give me that entire section where I had to escape the vault to avoid MURDER!!?? If they were going to back me in a corner (dialogue wise) that I would've gone after my father no matter what.

It would've made the dialogue option, "Why would you throw away the life we had?" WAY MORE INTENSE AND INTERESTING IF I COULD TELL HIM HIS ACTIONS UNINTENTIONALLY AFFECTED ME!!!

It could've been followed by a cute bonding moment where he apologizes and says while this life was never what he wanted for me he'll now help me adjust however he can.

[fastcardotmp3]

Re: the tags of that post you just reblogged from me - AU where Steve and Eddie swap roles for just the final fight (Eddie’s with the girls, Steve’s with Dustin) but with an added subplot where we meet Steve’s parents early in the season & maybe they’re trying to get him to grow up/move out/think about his future, or something else, but they’d have to feature somehow so we still get that ending scene except it’s Robin telling his parents he didn’t make it (im picturing a very tragic recontextualising around the phrase “you need to do something with your life” leading to Steve drawing the bats away from Dustin)

That’s just my quick thoughts though, I’d love to know how you’d do it!

oh I LOVE this you've got my brain spinning I have so many thoughts and it's all your fault!!!

(I am so sorry for how long this got)

I think there are for sure many versions of this plotline that could work BUT here goes nothing

I definitely agree that we'd need to introduce Steve's parents early on (in my ideal world we'd have met them sooner than s4 for this plotline but alas I'm not in charge I'm simply posthumously script doctoring) and I think one version of the conversation there could come from a place of wanting what's best for him, but centering itself around ambition and choice in a way that sticks with Steve.

"You had so much ambition when you were still in school, Steve-- all of your sports, how sociable you were-- what happened to that? Where did you lose that along the way?"

And Steve flounders a little bit, because he's gotten to the point after season 3 where he can see himself better from the outside, is just that touch more self aware and good at reading not just other people's feelings but his own.

So it takes him a beat to put it into words, but he's able to, is the thing--

"Maybe I don't need to go down the-- the usual path to end up where I want to end up."

"Is this where you want to end up?" his mother asks, "working at a video store for the rest of your life?"

"It's not about that," Steve shrugs, pouring two travel mugs of coffee all the while, one for him and one for Robin.

Because he knows it's not about that, he spent all of last summer learning it's not about that and the months since discovering that there's a certain amount of peace in knowing that things aren't perfect but that matters less when you have your people around.

"What's it about then? Steve, I just-- I don't want you to get stuck here, when I know you could do so much more with your life if you just chose to."

"I'm not doing nothing with my life, Mom!" he laughs, exasperated but certain for once in his goddamn life. "I'm-- I'm actually doing really well right now, I've got good friends and I've got the kind of job where I'm kept busy while I figure out what's next for me and I'm just... happy, I guess? Like, can't my ambition just be to keep doing stuff that makes me happy? Can't I choose that?"

And he has to go to work, has to walk out and promise her that they'll talk about it more later, talk about it with his dad too, but Steve knows what he cares about and this isn't going to shake his resolve.

What he cares about is this group of people who have changed his life even more than the monsters did, who brought enough good into it to at the very least match the bad, and in some cases (like the girl already monologuing as she climbs into the front seat of his car and accepts her coffee with a mocking kiss to his cheek) somehow usurp the bad.

Steve doesn't have to be what this town expects of him, what most likely to end up rich superlative voters expect of him, what his parents expect of him, because his life isn't about being any particular something, it's in the doing.

It's in the swinging of a baseball bat, the swinging of his fists to keep the people he loves safe.

It's in the morning drives to get Robin to school on time and the late night ones to make sure Dustin meets curfew.

It's in the friendship he's managed to find with Nancy in the past year, the knowledge that this version of them is the best one by far.

It's in the days driving the kids to the trailer park to visit Max even if she ultimately ends up refusing to come out with them, because at least they're doing it, at least they're trying with her.

It's in this, too, when they drive out to Reefer Rick's place and some of the claims of happiness start slipping through Steve's fingers again with the proof that it isn't over, the fight.

But they've beat it before and they can beat it again. It's in the doing, and Steve has gotten knocked down many a time but the thing he always does is he always gets up on the other side.

He knows this. He trusts in this. He's built a fucking worldview around this because that's where his ambition went, Mom.

That's what happened to "Steve Harrington, actually a cool dude."

Steve's humble enough to thank Eddie for saving his ass, but he's done this enough times to still be able to reassure the guy who calls him badass that, "It always looks hopeless right before we win. Don't freak out too bad if it looks like the end of the world, huh?"

Eddie looks at him like he has two heads, says he's jealous of Steve's optimism.

Even Robin tells him that she thinks they might not win this time but all Steve knows is that they always have before. All Steve knows is that his instincts usually work out, let him protect the rest of them long enough to make the big and vital moves necessary to beat this thing.

All Steve knows is that he just, he's changed a lot but-- He's just the same kid who was cocky enough to run back into the Byers' house to fight a monster, stubborn enough to let the Russian's beat the hell out of him before he'd let them do the same to Robin and he--

"I don't know, I still have hope. Maybe this is the first time we actually win. Forever."

There's this sense of finality to it, hanging in the air, and she doesn't look convinced there in the same way she doesn't look convinced when he and Dustin are saying goodbye to the other three at Eddie's trailer, but Steve kisses her once on the forehead and says, "what are you waiting around for? Go kick some ass, your schmuck will be here when you're done."

His instincts have always protected them in the past.

It's his instincts that have him formulating a plan the second he realizes the bats are going to get inside the trailer, going to make a break for the gate and attack whole swaths of people unprepared for such a thing.

Dustin will be mad about being abandoned on the other side, but Steve's pissed him off before and he's always gotten over it.

It's in the doing, his ambition.

It's in the doing, the key to a well-spent life.

It's in the doing, the being of Steve Harrington, overconfident nature and all.

He always gets back up, every knock to the head and blow to the ego, Steve always gets back up, so he holds his ground and fights. Leads the bats away and keeps them there.

His mother wasn't wrong that he's changed, but she wasn't right when she claimed the thing he'd lost was his ambition. He'd found it, this force of nature in his chest that makes him willing to face down hell if it means the people he loves are safe.

He always gets back up, a tail around his throat.

He always gets back up, teeth in his flesh.

Steve Harrington is a pro at getting knocked down.

"I'll get up in a second, just-- just a second--"

"Steve there's-- there's so much blood-- Steve, you need to-- you have to get up now--"

"It's okay, it's okay, we won, just-- just another minute. Wanna see that-- Rob and the others made it back. Then we--can go--"

Dustin is crying. Dustin is holding him.

And Steve is bleeding out, he thinks somewhere indistinct and hazy at the back of his mind. He'll get up and fix that in a minute.

"You die, I die! Hey, hey motherfucker! Don't close your eyes-- you die, I die, you hear me?!"

It's in the doing, really, that Steve does as he's told just long enough to see the other three come stumbling out of the tree line towards them.

It's in the doing, in the choice of it, that he dies knowing they won.

(His mother wails when Robin approaches her at the shelter two days later with sunken eyes and unwashed hair. His father sinks into the closest chair and takes the offered keys to a maroon BMW with trembling hands.)

(It's in the doing that this time, in order to really win, they have to cling a little bit to his hope.)

[petitepatateuwu]

I've made it to the 8th season of ninjago and wtf???

Better animation, new haircut, new city, Lloyd's new voice, Garmadon is somehow back in the plot, and Cole actually has charachter developement?????

I have so much to think after two episodes, they got me really hyped for this one :D

[windor-truffle]

if I had a nickel for every sidequest involving Sophie and the death of a child/childlike humanoid I'd have... wait 5 nickels?? jesus christ Sophie I'm so sorry 😟

[blushinggoku]

Been watching some dbs related videos and I'm sosoo glad I gave up on that anime because oh my god the story gets worse with every arc. Wtf are they even doing anymore

[waywardsalt]

Can you please tell more about your redeemed Bellum that hangs around with the main cast in post-canon? Or, like, your hum!Bellum ideas in general?

Ooooh, I have a lot I could say about Bellum. I'll go a bit off this ask and just talk about him in the context of post-ph and some other aus, since he's fun and because most of them share the common thread of him being in human form often. This will probably be messy, but I'll divide it into sections to force myself to stick to one topic at once to keep this from devolving into what might as well be a transcript of a discord dms infodump.

(there should be a keep reading just under here- there are a few thousand words under the cut- if it's lower than it should be then idk, even while drafting this i had issues with it moving further down than i put it)

Human Bellum Basics (mostly design stuff)

It's less of a human Bellum au sort of thing, and more like a design for what if Bellum had a human form that he could change into. Kind of like Oshus having his human form while actually being a whale, it's the idea that Bellum can switch between his human form and his demon form at will, and I have spent... way, way too long trying to figure out this design.

I can't quite remember why I decided to give Bellum a human form (could've been anything from doing it for the hell of it to for shipping purposes) and it took AGES to decide on his final design.

Describing it would take a few paragraphs, so there's art! Commission pieces by @roskii specifically, he's great, he did great, check him out. (i dont know how to make these smaller :)))))) enjoy)

Half of it is directly taken from his demon design, he keeps the tentacles (not always present, he manifests them at will and tend to have much less reach when he's human), his eye, his teeth, his hair color (kind of), and half of it is more... brought in by ideas related to Bellum in general, with some vague references to that demon design; specifically him being scarred all over is a mixture of the idea of him as a violent and almost warlike creature, while also vaguely referencing the markings on his demon body (in the earliest drawing I ever did of a human Bellum design, he did just straight-up have those markings. That picture no longer exists, I'm sure).

As a basic reference, I suppose, in the second image, the character to the right of Bellum (Damien Fletcher) is an oc of mine, and therefore a character I designed (totally worth mentioning tho that with both Damien and Bellum while I did technically design them and gave roskii my notes for how they look, he also took some small liberties with their designs and... ugh theyre great im keeping them), so those two could provide some insight to my character design sensibilities, even if they're just a small fraction of the (mental) character designs I have.

Bellum is made up of pieces of his canonical design, pieces that I think make sense considering what we know about him, and just pieces of other character designs. He has more or less the same haircut as Joker/the protagonist from Persona 5. His hair has been like that for a while, but seeing Joker's hair helped me figure out specifically what I wanted.

It's been... hard, trying to give him a humanoid design, I've seen a bunch of other human Bellum designs, looked at other Zelda characters with both human and inhuman forms, took inspiration for what I could do and how and what parts could be carried over. His hair is easy to explain, it literally is meant to look like he does as a demon. Easy. It is absolutely directly inspired by that bitch from Tokyo Ghoul. I'm not looking up the character name I don't care about Tokyo Ghoul.

I keep him having sharp teeth, I've transposed those markings on his bodies as being scars (which I'll elaborate a little more on later), kept his eye and that he only has one main eye (there is nothing under the eyepatch. It's just smooth. If you've seen The Goonies, it's like what's going on with One-Eyed Willy. That's probably where I got it from tbh), the yellow and black color scheme is further kept with a yellow tank top-esque shirt and black pants and boots, and while they're not constantly present he still has access to his tentacles.

He's not human, just pretending to be.

Leading me to some other little details, such as his lack of ears. And nails. And. Other things not visible that he didn't bother with. He pretends to be human, but doesn't care enough to look truly human- though he can pass as human. When he does bother to actually look human, he does have nails and ears, and changes his eye to a human one, with a color of choice. He goes by 'Warren' when actually pretending to be human. It doesn't mean anything in particular it's just a play on how 'bellum' is latin for 'war'. But, most of the time, he's not really trying. A sense of lack of real care is something I try to communicate with his humanoid design, hence him having generally baggy and plain clothes.

The 'war' thing about his character I think is decently expressed in game with him having an army of sorts with the phantoms and him just coming off as sort of violent but strategic. He also seems very scrappy, mostly attacks with direct contact including just straight up running into Link, and seems to put a lot of stock into sheer force and just fucking killing you at any cost after a certain point, but seems genuinely wary and cornered once someone is shown to be capable of actually posing an actual threat. I like the idea of human Bellum being a bit of a brawler in a sense, fighting with his bare hands and just being incredibly violent when he fights like a human, really only breaking out his more supernatural abilities when he just wants to get shit over with.

Part of the fun with Bellum is that there isn't much to him, so I'm taking a lot of liberties with him. His loose clothes are something that won't really get in the way of him fighting and do the bare minimum, and the boots he wears have metal toes for just a bit of extra ways to hurt people. He's built but still soft in places, not intended to be a muscular as Damien, he's intentionally designed his own human form to be a bit unassuming, so I've kept that he's made of a lot of circular shapes, his face is meant to be a bit of a round shape, his hair gives a round shape, and though he's fairly tall (he and Damien are 6 feet tall btw Linebeck throws off every post-ph cast height comparison) I think of him being a bit... small? If that makes sense? His clothes help with that, they're slightly oversized, and his posture isn't great; He's a bit like a delinquent, starting fights intentionally for the sake of violence and putting little effort into his appearance.

His scars are technically cosmetic. They aren't results of injuries; technically nothing but the Phantom Sword and things like it can hurt him. His scars are references to the markings on his demon body, and just further reflection of him being a creature all about violence and conflict. They aren't totally consistent between the times he uses his human form, but some of the bigger ones are, most notably the scar across his face.

I'll be honest. My earliest human Bellum designs were some Tumblr sexyman shit and I've been trying to ditch that SO BAD ever since. I think I've done well. The scar across his face is a big one. An added imperfection, a massive facial blemish that isn't really conventionally great to look at. His nose specifically has been though some development stages, at first I kept switching between different full nose shapes, then brought in the facial scar and decided that he'd be missing a chunk of that nose, then, decided, fuck it! I can't decide on a nose shape, so he gets no nose at all. I think it works pretty well and I like it.

I really tried to get in a lot of his personality to the design, and I don't want to go into all of it in this section, so just keep in mind that a lot of his design has been influenced by the way I've decided to write him, and some stuff I've already mentioned might be made a little clearer when I get into that. As a quick aside, he's pale partially because I've intentionally made him look halfway similar to Link, and partially because I figure he does not get a lot of sun; you literally meet him in what is effectively a basement, and from the way he operates, probably hasn't made himself seen in a while by the time the events of the game happen. He can't get sunburns, but, as he cannot change a lot of extremely major things about his human form, he can't manually change his skin tone in a major way, and it's likely that when he was considerably younger and newer and spent time in the sun, his skin tone would be closer to Oshus's, so a bit more tan.

In the Context of Phantom Hourglass and Post-PH

Moving swiftly on, as there is pretty much no real info about Bellum's background, I have taken matters into my own hands and decided a lot of it for myself in headcanon; Bellum is technically Oshus's son. Not in the traditional sense, but he was created by Oshus and can very much be considered his child, and to an extent, Ciela, Leaf, and Neri are all also Oshus's kids due to them being created by him (yea even considering Ciela calling him 'grandpa', in her and my defense she lost her memories and he is old as a human), therefore making (in some terms) Bellum to be Oshus's son and the brother of the three spirits. I think it's an interesting dynamic, to have Oshus be the one responsible for Bellum's existence, and for the three spirits you travel with and help you defeat Bellum to be closely related to him.

Oshus himself (when you get the hourglass in ph) says that the sand of hours is made of force gems of the ocean king (whatever... that wording means)- which then suggests that at the end of the day, all sands of hours are derived from the power of the ocean king, and Bellum dissolves into that sand at the end of the game, and I am standing in front of a wild-looking conspiracy cork board trying to piece this all together. I find it interesting if Oshus was the one who created Bellum before he created the three spirits.

(This is a topic for another post/fic but Leaf and Neri were neglected so bad in ph and it would be interesting to see more of how they feel abt Ciela before she gets her memories back and how they feel abt... anything else ig. I think they're neat, too, and I like tying the spirits together with Bellum in this way)

In Phantom Hourglass, it's strongly suggested (mostly through dialogue) that it's been a decent amount of time since Bellum defeated Oshus and took over the Temple of the Ocean King and created the Ghost Ship (though I suppose it could be possible that the Ghost Ship's existence precedes Bellum taking over that temple and defeating Oshus), but things across that sea are relatively calm, despite the new influx of monsters and the Ghost Ship making most people too afraid to sail. No one knows it's Bellum, though, and people do know about the Ocean King, so I wonder if Bellum is known about at all by the general public, or is a being that's more or less completely unknown? My personal theory is that he's vaguely known in some sense, as an obscure deity, and that he was behind the collapse of the Cobble Kingdom, since they were aligned with the Ocean King and Bellum appears to be his direct enemy and would likely then target the allies of his enemy.

Bellum seems to do a lot of behind the scenes stuff, never been seen until the end of the game and not even being mentioned until halfway through. As I think I've said before, he's practically won by the time he comes across Link and Tetra, the Ghost Ship going out and collecting people for him while he sits at the bottom of the temple and drains anyone who might be heading directly for him. He doesn't even seem to concerned about hunting Oshus down for good, and I suspect he likely doesn't even know about Ciela being split apart, so (asides from my idea that gods/spirits/stuff like that only being able to be sealed away, only properly killed under certain circumstances) I bet there's a level of confidence that he's got things under tight enough wraps that he's good to do whatever he wants.

Aaaand then he panics when he realizes how much of a wrench in his plans Link is, throwing two sea monsters at him and causing earthquakes, he's a procrastinator, I think. That, or he underestimated this kid. Both are very possible. Either way, it's interesting to look at what he's done and caused, hiding away the spirits and beating back the Ocean King, taking over his temple, creating the Ghost Ship to roam indefinitely, screwing with the Yook and wiping out pretty much all of the Isle of Ember, and likely being the reason behind the increased number of monsters. If you really look into it, while most characters don't really seem to realize, things are kind of fucked at the start of Phantom Hourglass, and it's interesting how Oshus himself seems powerless and even dissuades Link from giving it a shot, even if he secretly wants him to go and handle things.

With my idea of Bellum being a sort of technical relative to Oshus and the spirits, it opens up a handful of new avenues for motivation beyond just being after securing control and a steady stream of prey, I enjoy the idea of it being a matter of him becoming more and more ambitious, far beyond the station he was created for; going off of his name and ability to create phantoms, I imagine Oshus created him specifically to be warlike, perhaps initially with the intention of having him as a more violent protector of the realm, maybe to keep monsters in check or maybe just as a secondary deity for the world of the ocean king; I'll admit, I'm still a little foggy on what Bellum would've been initially created for, the spirits are easy to figure out, but I do figure it was something not as passive as just representing something, I imagine it as a deliberate opposite to Oshus himself to account for his weaknesses. Either way, I figure a part of Bellum's motivation involves him wanting more than he was given access to by Oshus, and deciding to fully wage war against him in a sense. The short and silly version is that Bellum is Oshus' shitty disowned son. Oshus isn't entirely innocent in whatever I decide caused Bellum to turn on him and the spirits, but Bellum does suck: that is important. The Cobble Kingdom looks like it's been destroyed for a while, I figure that was Bellum's first major target when he started outwardly going after Oshus and hunting the humans of the realm.

In Post-PH, he's the group's pet evil squid on a very very very short leash until he starts behaving himself and having a character arc.

Effectively, Bellum doesn't die at the end of Phantom Hourglass, instead being broken down into the sand of hours he's made of and being sealed inside the Phantom Sword- after all, after the final boss, the sand Bellum turns into goes into the Phantom Sword. I imagine that the Phantom Sword, after breaking and restoring Oshus, turns into the hourglass for Link to keep, while Oshus and the spirits keep the remaining sands, therefore keeping a hold of Bellum. (A bit like Oshus just being left alone after Bellum defeating him, they can't really kill Bellum so they just keep an eye on him while he's in a weakened state) They kind of just keep him prisoner at the bottom of the Temple for a bit, and Oshus finally decides to send him to Link's world as a punishment, since he's at his weakest and Oshus wants to get him to learn some lesson, it's a work in progress. Bellum is grounded in Post-PH.

It's basically that 'the villain when you unlock him as a playable character' bit, where he's quite a bit weaker than he is in Phantom Hourglass, though mostly for the sake of keeping things balanced, so Bellum can't break everything for everyone. He's still powerful, he still accesses his demon form, can't be conventionally killed or injured, and move through walls and turn people to stone, the whole deal, it's just that his demon form's size is impacted (i hc that the size of his demon form can be manipulated at will, but the largest size is dependent of how much power/stored life force he has. he's small at the start of post-ph, but his human form isnt impacted at all. i imagine that for beings like oshus and bellum, their human form is a like a 'low power mode' kinda thing) So Bellum is the Post-PH crew's fourth member, the swabbie on the ship and pet sea monster when they need it and when he has the energy for it.

Bellum is kept mostly in line by a vague fear of Link and his general fear, respect, and curiosity about Linebeck. Linebeck is usually the one holding onto Bellum's leash. Bellum is decently civil with the group from the start, since he's weak and unable to return home until Oshus permits it or he gathers enough power to make that trip, and works mostly as a fighter- when he wants to. The earliest limitation I came up for him, since he's the member with the highest chance of breaking things, is that he will just straight-up choose not to help. He decides he's busy, decides it's not his problem, or other limitations, such as his involvement likely to cause more problems that they solve, since he's rather destructive when fighting.

He's the least sociable most of the time, for obvious reasons, but can pretend, and has the least... casual skills to offer to the group, hence why he gets stuck as swabbie (also general disrespect/as a punishment for the ph thing) and it takes a while for him to properly warm up to the rest of the group. He and Linebeck start off on decent terms and get closer through them just initially trusting each other, he and Link take the longest to get used to each other for... obvious reasons, it takes a lot of fighting together and seeing that they can rely on each other and they learn to be decent with each other just by existing in the same space, and things with Damien start off half decent, Damien was not present during Phantom Hourglass (obviously) and doesn't have the full context of how much he sucks, but it starts decent, gets worse when he learns what happened, and then gets good again because Damien's kind of amiable in general and sees that Linebeck thinks he's fine.

SO! To actually address your question about him being 'redeemed'- he does have a bit of an arc that I'm still mentally workshopping. He isn't entirely redeemed, as the group's general morality is a big off-kilter when Link isn't looking or is willing to get a little gray with things, and there's not really a whooooole lot of atonement Bellum can do in terms of the volume of bullshit he pulled in the past. It's less him atoning or w/e for the bullshit he's done, that's not entirely feasible, it's more him just. being forced to Be Decent and learn some actual kindness and think about more than just his own survival, he's essentially forced to actually appreciate life and the world, it's more him actually... experiencing the world for a reason other than consumption and war and conflict and doing what he's been told, he's effectively just on this long voyage with Linebeck, Link, and Damien, going with them from island to island and seeing what's up. I'm going to try and keep empathy out of it, so he's not really relating on a visceral level, more just choosing to be kind and take gentler paths to solving problems and interacting with others. He's also the group gremlin.

The way I write Bellum is definitionally inspired by other characters, Power from Chainsaw Man comes to mind in how he has a kind of shitty brat attitude at times, he'd fling vegetables across the room because he's a piece of shit who likes live meat. He's got his shitty messy delinquent loser side, where he causes problems and acts like some asshole teenager, and he's got his more serious, calm, almost professional seeming side that reminds the group that he's a few centuries old at the least and practically a god in his own right; generally outside of Post-PH I would pick one of these two sides to focus on for aus, but in Post-PH I need to figure out how the two of them work with how Bellum generally operates.

He's interested in Linebeck and initially decides to go along because he wants to figure him out, but grows to enjoy the rest of the group and that curiosity expands to involve the world as a whole; he experiences things like art and music, where he can't just brute-force his way into a satisfactory outcome and has to learn and find his own style, he reads books and listens to stories and sees the different ways humans live on the seas and I want his arc to, in some part, be about him just finding meaning in the world beyond what he does to secure survival, and the other members of the group introduce him to those other facets of life that he has access to, has had access to. The other part is the group getting Bellum to see most living things as more than just prey for him to hunt and consume, but that generally goes hand in hand with the prior point, as he actually enjoys life and figures out what he likes beyond the basic things he was created for.

He can't fall back on just smashing through everything or creating phantoms, since he's far too weak to do either effectively at the start, and I intend to just force Bellum into basically just being a human character with some unusually powerful magic at his fingertips, first just wanting to build himself back up to what he was in Phantom Hourglass, then just getting to see things in a new light. I'm not sure how to explain it or even what I'll want to do when I get to it, but that's the general gist of his arc, I think.

Other than that, he's just the fourth members of the crew with a serious knowledge of... a lot of things as a centuries-old demon and the hardest hitter in the group who can't and won't cook for shit and kind of just learns to actually live without constantly gunning for those bare necessities long after he's gotten them. I don't want it to be 'he learns to be human' because he... isn't human, but just him appreciating life and seeing some value in it, especially as something with as much power as Bellum, it's a bit messy and I'm still figuring it out, but I've got the general direction figured out.

Bellum is effectively the ship's best defender, and ends up fitting into the group as a friend and with his own specific role with the other individual members of the group. Linebeck kind of kickstarts his arc for him and connects with him the most and Bellum generally stays the closest with him, but Damien and Link help him see other little corners of life, as well as other characters he has to interact with, and I think I want Bellum's side of the story to have the most outstanding mundane-ity to it- there's absolutely meant to be a slice-of-life aspect to Post-PH, but I want the biggest points of Bellum's arc to be comparably the most mundane. It's the little things with him. The others have little things, too, but... I'm not sure how to express the difference, but I promise there is a difference.

Outside of Post-PH, though, when Bellum is present in a big way, his arc either tackles a similar idea in a different way, is just about something entirely different, or he doesn't have an arc at all, either due to not being a big enough part of the story or just straight up not being present.

In the Context of AUs

Bellum is only present in a handful of aus, either fully present as a character, halfway present, or just being referenced. When he is present in an au, he's usually some kind of major character, and he's notable in the crimson king au, the space au, the murder mystery au, and the horror au and one of my 'ruined hyrule' aus. (the horror and ruined hyrule au will be put together for this bc bellum's role in both are very similar) (for reference, here's my au explanation post)

In the horror au and ruined hyrule au, Bellum serves juuuust about the same role, just with different capabilities, contexts, all of that, but it's more or less the same thing. He's frequently present, but usually not acknowledged, and is very close to Linebeck in both, and the two of them pretty much rely on each other to live due to circumstances out of their control; they didn't really go into this whole thing liking each other, but have been more or less forced to become each other's friends due to proximity and just. Needing the others' presence in order to survive. In both, Bellum usually is a character who knows more than the others, but doesn't bother sharing that information since it's either not totally relevant or he just doesn't want to, and he tends to be protective of Linebeck, half because he needs him in order to live, half just because he's ended up liking him. (there is. more to say. but since i may actually write one of these aus [likely ruined hyrule bc the horror one has to be visual and it is VERY plotless rn] i'm not gonna go into much more depth since it would require spoilers lol)

Can't say a whole lot about the space au, either, since the story of that one is still a work in progress, and Bellum isn't particularly a major character, though he is important to some B-plot stuff. Without digging up too much world building and background and general story stuff and important plot bits, he's got a fairly close relationship to Linebeck in this au, as a general beneficiary and friend, and he actually tends to mind his own business and just wants to hold his own position; he's not really antagonistic or anything, but definitionally morally dubious even if he doesn't really directly do a whole lot.

In the Crimson King au, though, Bellum is one of the main characters, and a bit different than in ph-related stuff. He spends a lot of time in his human form, only switching to his little demon form a handful of times, and usually just for fun. He plays the role of Linebeck's closest friend and beneficiary, practically being the reason why Linebeck is able to do any of the things he does in the story, helping him from behind the scenes at times and balancing that business with Linebeck with his more outward appearance as a mostly normal guy working for the person who runs his section of the city... who also happens to be him. The vague politics in this au would take a bit to explain in full, but Bellum in this au spends a lot of time keeping his actual identity under wraps, the basic premise being that he's decided to integrate himself into current mortal society like a normal person to see what trouble he can cause, how he could sustain himself while keeping things stable, and to see just how far he can go- essentially, the only danger he faces is if others figure out what he is, but even then, he knows he could very easily cut his losses and go back to what he's done best.

He's not very active in the main plot, mostly giving Linebeck assignments and pulling strings behind the scenes in order to help and keep him safe, but Bellum does occasionally meddle directly in Linebeck's situation whenever it relates to him, when he needs something extra done, or, later in the story, when he gets a bit worried about Linebeck. His general arc is essentially him owning up to the fact that he does, in fact, care about Linebeck's well-being. Crimson King Bellum is fun, because he can't really just be 'violent demon', and I just like the supporting role I've got him in. He's Linebeck's rich friend who hires him to kill people for him. It's fun.

How I Like to Write Him With Linebeck

Of course, Bellum is going to have stuff with Linebeck, both in aus and in post-ph. Bellum has interactions and relationships with other characters, but the dynamic(s) with Linebeck tend to be the most diverse and important.

With aus: There’s usually a general sense that Bellum is above Linebeck, both in the power sense and in the sense that he’s typically his boss or in charge of him, but in a handful they are on equal footing (specifically, the modern school one, where they’re just classmates.)- the most common dynamic is usually along the lines of Bellum hiring Linebeck to kill people for him. Bellum is typically someone that provides Linebeck with things like payment or equipment or safety- in the Crimson King au, he gives Linebeck a fair amount of money, and supplies his equipment and gives him a place to live when he does jobs for him.

I like to imagine there's a level of... recognition? Not empathy, trying to keep that to a minimum... He's almost gentle with Linebeck, and is uncharacteristically merciful towards him. In post-ph, Linebeck survives being possessed and this marks him as notable to Bellum, since most people he possess die very soon after being released, so he's initially motivated by curiosity and a desire to observe Linebeck when he acts less violently- that curiosity is the biggest reason why he's cordial with Linebeck across my aus as well.

With Phantom Hourglass-centric stuff (which is what I'll mostly just talk about here, since it's kind of the 'base' for all other Bellum and Linebeck stuff I do), Linebeck and Bellum start on halfway decent terms, I'm planning a Bellumbeck fic sometime in the future, which is a bit less focused on that actual fight and more on whatever's going on between Linebeck and Bellum. I'm still trying to pin down exactly what I want with Linebeck and Bellum's dynamic.

I’ve fallen back into shipping them, (Still iffy on ship name lmfao, Bellumbeck is taken by the game and ‘Linebellum’ is lame imo, so I’ve been sticking with just ‘bellum x linebeck’) but it’s not really typically romantic/sexual, though there are some aspects of both, it’s still kind of abstract and easier to define with example stuff rather than just trying to explain it in a concise paragraph.

They both go out of their way to effectively research each other before properly meeting, starting as just trying to find advantageous information, but eventually just doing research out of curiosity, especially on Linebeck’s end, hunting down any material that so much as alludes to Bellum while Oshus refuses to say anything extra on the topic. They have a mutual interest and curiosity about each other.

With Bellum, its a similar curiosity with how Linebeck survives being possessed, and a general interest in him as a person, as Bellum doesn't really care much about the world beyond how it can serve him, but felt the need to look into Linebeck. A lot of the time, Bellum starts with the intention of exploiting Linebeck in some way, then ends up actually caring about him, he usually goes through variations of the same arc regarding Linebeck. It works with Linebeck for me since I tend to read and write him as fairly morally gray, so he's more willing to reciprocate Bellum.

(There's also the whole bit with Linebeck being kind of a monsterfucker and having a thing for being tied up and just a handful of like. sexual stuff on Linebeck's end, but we're talking about Bellum's perspective here we can't be focusing on Linebeck)

Bellum primarily operates with survival on the mind, and at odds with anything that might get in his way, and secondarily treats mortal creatures as something to study. When his attempt to use Linebeck fails, he shifts to that studying, and therefore has some respect for him due to his survival. They both focus quite a lot on survival, and don't have the most interest in making connections, seeing most relationships as transactional. They understand each other; Bellum sees Linebeck's mind when possessing him, and therefore knows a great deal about him.

There are similarities between them; not-great relationships with their fathers, a strong desire for survival at any cost, generally low empathy and a habit of mostly viewing others for how they can be used, curiosity about anatomy, a higher tolerance for things like blood, gore, things that would likely make others squeamish, they both hate Ciela...

(As an aside to that last one, an idea I've decided to integrate into my ph stuff and may touch on in a future fic is that Linebeck calling Ciela 'sparkles' gives her a strong sense of deja-vu before she gets all of her memories back; it's something Bellum would call her, when he was more cordial with the other spirits)

Bellum hangs around on the ship, and he hangs around Linebeck the most, to the point of being annoying, but learns what boundaries are and ends up respecting them decently. I lean more into... things just working out, Bellum more or less being put in a situation where he chooses to change things up and be a bit kinder, starting with the guy he's decided was the catalyst for all of this.

He gets along well enough with Damien (damien ends up in that shipping, too, considering that he's already dating linebeck by the time bellum sorts his own feelings out, so in post-ph, bellum ends up being a sort of on-and-off polycule member), he is eventually friendly with Link, often because Linebeck likes him as well. It takes a very long time for he and Link to warm up to each other, so they'll likely end up in situations where they must rely on each other at the start of things.

Bellum is… very not used to social stuff or acting human, and isn’t even very used to his human form at the start, so he does spend that time with Linebeck while he figures things out, as well. Linebeck's not the best role model for decent social interaction, especially since he works on dismantling his own mask and figuring himself out for a bit at the start of post-ph, but he's the only person Bellum tolerates and respects at that start.

Bellum eventually gets roped into helping Linebeck cook, follows him around for ship maintenance, watches him patch up wounds, and just ends up as a crew member that can kind of fill any basic role, but he’s not making it much further than swabbie.

I haven’t actually written a ton of interaction between them yet, but what I have written always comes off as casual, almost humorous, they joke around with each other and Bellum is detached and unserious at times, but very capable of switching to dead seriousness. A lot of the time, Linebeck tends to take things more seriously at face value, but Bellum is more prone to joking around due to the fact that very few consequences mean anything to him.

He and Linebeck are typically close in one sense or another in most things where they're included, and I generally consider all dynamics between them to fall under the ship umbrella, because I don't consider it strictly romantic (though it usually ends up being vaguely like that), just more that there's some kind of intimacy between them at some point. It's a relationship whose dynamic I think is interesting given the... lack of actual interaction between them, but with just enough interesting conclusions that can be drawn.

I guess it's similar to the general stuff I have about Bellum, kind of just scraping ideas together from canon and then following whatever threads can be connected to them, while trying to make sure it still has roots in that canon. It's similar to my personal 'design philosophy' or whatever for my aus.

I've also considered making their relationship parasitic in someway, as a sort of homage/callback/reference to their canonical relationship, but it's not entirely a direction I really want to go in, and I feel like some aus get decently close.

Final Points

I think Bellum's really neat, so considering the general lack of information or depth to him, I've been playing with expanded ideas and building up my own ideas for him, specific within the context of Phantom Hourglass and a post-ph setting, while many of my other ideas with him tend to then derive from that.

His (human) design is one I've spent a very long time figuring out, trying to mix his demon design in with more human traits, trying to keep him distinctive without getting too complicated, and trying to have that design represent him decently with a fair bit of reasoning behind a lot of that design. It's something Bellum himself controls to a certain degree, so it's in a bit of a crossroads between portraying him based on his character, and being something he uses to come off as generally innocuous.

I've got a decent idea of what Bellum's whole deal is in Phantom Hourglass and afterwards, and I use him in a fair number of aus, often in tangent with Linebeck, whom I often give him some kind of intimate relationship, be it romantic or some other form of closeness, based off of ideas for ways they would interact and why.

Bellum's fun! He's fun as he is, and he's fun to build off of and develop further than what we see in the game. And giving him the ability to shift into a humanoid shape gives even more room to play around in. I don't know when I first came up with the idea, but I've had ideas for a human form Bellum for quite some time now, I've just only recently really started solidifying a lot of it. Even between the time when I got the ask and finished it, I came up with new ideas.

But for now, these are the broad strokes! Not just about post-ph humanoid Bellum, just about my ideas for him in general, though it all really relates back to that one in particular, honestly.

He's surprisingly fun to speculate about! I didn't really expect Bellum to end up as one of my favorite LoZ characters, but I guess any character can end up as your favorite if you spend enough time thinking about him. At the end of the day I think he's funky, and he's fun to use in a post-ph setting.

[syrcus]

wuk lamat and erenville are the new yda and papalymo. send post.

[motherforthefamicom]

ohh i can feel a category five autism event on the horizon