#if we're thinking about how it could've happened in canon
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As much as I hate to say it, I don’t think Princess Quest is canon. There’s Vanny graffiti that was recently made, and I can’t see that happening if Vanessa was freed.
Honestly I feel like that was more of a red herring/easter egg rather than definitive proof that PQ isn't canon. Like how there's also graffiti that says 'Wizard' with rabbit ears on the 'd' (iirc), most likely being an easter egg to Dr. Rabbit/GGY.
There's way too much proof towards PQ being canon for some random reused graffiti on the wall to disprove it- like if it was a new texture or something I could maybe kinda see it? But it's literally just reused from the base game.
#Chip Chatter#like I see your point but I really don't think it holds up if you think about it for a second/lh#if we're thinking about how it could've happened in canon#maybe while setting up the VANNI system Vanny regained control of Vanessa for a moment and the graffiti is a hint to that#or something along those lines#but really canonically I don't think it means anything other than just a red herring supporting the#“Oh burntrap is canon teehee” before it's revealed later “nah we lied it's PQ ending”
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(Really long ask ahead i’m sorry!) I think your thoughts on dick and his similarities vs differences to bruce are so interesting! Personally i’m wondering how much of NTT played an influence on this kind of characterization bc i’ve never fully finished ntt but i read like nearly all the pre-80s batman 1940 issues lol and dick very much was portrayed as more idealistic than bruce in some ways while more no-nonsense (? For lack of better word) in other ways, like when it comes to batman easing up a little on selina for romance reasons LOL. Though ofc dick totally turns into - well, a dick - in team books, as i grow older i find myself far more compelled by a potential story of an 18 yr old who seemed to have the whole weight of the world on his shoulders (by his own perception) and breaking under his own impractically strong sense of duty and sky-high expectations for others, then realizing as he grows older that it doesn’t have to be that way esp after seeing the perspectives of characters like kory, wally, joey, roy, etc. Like personally as someone who never really had a huge interest in NTT anyway, i’m surprised at how desperately people want to hold on to the characterization of dick when he was 18-19 and never letting him grow past that, like it’s so difficult for me to believe that at age 25 he would be the same uptight controlling kid that he was at 19. Maybe i’m biased though bc i was like one of those insufferable INTJ internet stereotypes as a teenager, and while that worldview did bring me achievements i’m proud of like the fact that i’m in med school rn studying what i love, i still know that at age 22 i have changed SO much from when i was 18 and i can’t imagine any reasonably mature or normally-functioning person (let alone someone high-functioning like dick) not doing the same lol. Especially since dick is the kind of person who would literally die if he’s not constantly growing and evolving past his faults bc of his insufferable perfectionism, idk how he’d be willfully blind to the negative effects of his worldview in early NTT and refuse to grow from there. He even has a quote that’s like “i’ve spent years as a student of my own behavior” which i always found highly encouraging bc i know he really does want to improve himself even at his worst. It reminds me of that Marcus Aurelius quote: “if someone can prove me wrong and show me my mistake in any thought or action, i shall gladly change. I seek the truth, which never harmed anyone; the harm is to persist in one’s own self-deception and ignorance.” But what are your thoughts? (Thank you for reading all this 🥹)
oh i absolutely agree! i cannot tell you how many times i think about the person i was a couple years ago and who i am now like i cringe so much omg.. maturity is an ever persistent process even if we don't recognize its effects immediately and it absolutely is crazy to think that anyone would remain in such a static state of mind for several years on end. esp when like you said dick is someone who wants to be better! so despite his several hypocrisies it is nonetheless in his best interests to look internally and analyze and evolve. and i feel like that very much could have happened had there been any actual segue between dick's breakup with kory and his re-entry into the batfam. i don't think there was much of a connection between these two sets of writers at all and so what you got is what felt like two very distinct parts of dick's life that didn't necessarily reveal a bridge point. so it's not entirely unrealistic that dick may grow to be the person (at least to some extent) that bat canon portrayed him to be in the years that followed but i certainly think as it stands it felt unearned and like all of his issues explored in ntt were conveniently swept to the side without any semblance of closure (albeit i do think some of these issues are addressed in outsiders '03 but in that dickheaded way that winick explores things generally. so i'm not sure it's the kind of closure people actually want). it's very sad and ig that's what people cling to more than anything. it's not that they're opposed to him growing to be a better person but that they're opposed to a version of dick who feels like he sprung out of nothing
#ironically enough i Do think dick going back to gotham after the kory breakup made sense#like when something that big happens in your life what are you going to do. seek the advice of the one person you look up to more than anyt#ing right. but marv wolfman complicated things by writing bruce the way he did so rather than bruce playing an active part#in guiding dick through some of his issues and mistakes he instead became dick's burden to bear through extensive post knightfall trauma#and i mean you all know i Love knightfall. i really do it gives me brainworms upon brainworms#but i wish there had been just one moment. like after it was all over. that bruce and dick actually got to talk and like#discuss dick's problems yknow#i get the feeling they didn't delve much when writing prodigal bc they had to set up the next arcs and stuff but it's like#come on. come on. they could've afforded it. if dick really had to come back to gotham for a temporary stint where he tried to find himself#than a proper conversation with bruce about what he was going through should have been a part of that#bc i do think working with bruce's new cavalry of three teen heroes (tim / steph / cass) would have borne wonderful opportunities#for dick to grow as a leader and peer considering his ridiculous expectations of others and how this would measure up against teenagers#but the problem is that bat canon decided he was going to magically gel with everyone bc he was emotionally more well adjusted than bruce#was. like ok. ok. whateverrrrrrrr#like idk it's so funny they were given a dick with a plethora of issues and instead of using any of that ammo they were like nah#we're going to make our lives harder and give him new problems manifested out of thin air. totally makes sense. bullseye#outbox
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WHY CHAPTER 431 OF MY HERO ACADEMIA SCREAMS CENSORSHIP
First let's start by the "afterword", the note Horikoshi left after 430 and before the extras, chapter 431.
Original japanese for those who understand.


The best traslation I found and most people are agreeing with.
Key sentences are:
1.The real final chapter is 429, 430 is more like a curtain call.
2. PS: For chapter 431, I turn off the cameras and free the characters from their dramas.
This note being left after 430 and before the extras is so important. . The clarification of "the real final chapter is 429" and 430 is the curtain call is screaming: the show has ended here. This is further stated by "i turn the cameras off" by the man who use to refer himself as the camera man, I leave you with an example.

(They're talking about Vol 37 cover)
And back to point number 2: "and free the characters from their dramas", which could perfectly be understood as "the characters are no longer tied to their previous plots and drama" no longer connected to the main story.
It may seem like a reach until here, we're just trying to convince ourselves that's not canon, right? They´re delusions, right?
The problem is how far away everything about 431 antagonizes the whole story, the characters doesn't feel like themselves, they even regress back all their development, the drawing style looks totally different and there are many irregularities that call for our attention.


Dabi, 431 and by Horikoshi


Toga and Ochaco in 431:


Toga and Ochaco by Horikoshi:


All Might's signature for Katsuki (Horikoshi would never mess this up):




Kirishima with 6 fingers lol, Horikoshi loves drawing hands, he would never.

Katsuki's odd teeth what the fuck. (His hand looks good to me)

Ochaco and Shoto just look, weird. It's clearly not Horikoshi's art style.


And this awful background (center) was the main giveaway.

Horikoshi's backgrounds are so professional:


At this point I'm getting tired since the difference is astounding, don't believe me, just check the manga.
I don't think Horikoshi would've allowed those mistakes had he have a role in the making, maybe he did, there's no saying about that, but clearly if he did his involvement was very low.
Character's development wise now.
Seriously? "Deku"? And Katsuki complaining for picking him up. He cried his eyes out when Izuku lost his quirk and now he's back at season 1?
Izuku would never in a million years turn down that offer. And if he did, it would never be like this, so devoid of emotion and empathy.
430 showed us an Izuku aiming for his dreams again and at 431 this Izuku ¿? It's okay with being a teacher? Ok. And if that's not the problem, why he outright rejects Katsuki out of nowhere? When their rivalry was one of the main points of the plots for 430 chapters and now just um over? Without justification? Ok.

Ok.
Now specifically about that ship canonization and bkdk.
Horikoshi has been doing this for 10 years. The choices he took the whole manga were incredibly intentional, all those romantic tropes given to bkdk, his interviews, all stand in direct opposition to what happened in this last chapter.
I, myself, don't know much about Jump but what I've heard is they end lot of shonens with the same heterosexual formula. I don't think all of this is a coincidence.
Something really important that needs to be adressed to is what happened back in June (I think), when suddenly MHA announced it was ending in 5 chapters could've something to do with this. The manga was suddenly rushed to its ends with unsatisfying resolutions and as if that was not enough, one month later (at most) the same happened to JJK and all of this came accompanied by a switch of one of the heads of Jump.
About 431 again though.
I was just thinking what would I do if I was pressured to write something that ruins the biggest project of my life and goes against everything I was hoping for? Refuse. Tell them to write it themselves. If I can't do anything to stop it and it'll be there, alright, but I WON'T DO IT.
And I think this could be Horikoshi's case.
I've never seen a shonen manga come so close to implying his male protagonist and his male deuteragonist are in love before. Yes, it was not EXPLICIT but it was so fucking clear if you knew how to read, all the way up to 430. All those cliches tropes he gave them, he knew, we know.
I thought I'll die trying to explaineverything that seems wrong with this with nothing to back me up but the fact that he added that note is clear for me. I'm surprised they allowed him to publish it, I thought we wouldn't even have that.
PS:
It's interesting this being posted the same day 431 comes out. Also "heroaca is pretty dark, huh?"

I'll not go into this anyways because it's kind of a reach but the conclusion is: I think it's a "soft" censorship and Horikoshi did his best to relay his message given what he had.
Thanks for reading!
#bnha#deku#izuku midoriya#mha#mha 430#bakudeku#katsudeku#bkdk#mha 431#mha extras#bakugou kastuki#bakugou#kacchan#katsuki#dkbk
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Rewriting Ars Goetia
That's right boisss we're gonna be talking about Stolass now 😎😎😎😎 and the others btw
Stolas
He is a villain. A bad guy. An antagonist. A big ol' bully
If Stolas was a villain, he would actually be a pretty good character me thinks
Like, he's manipulative, condescending, treats Blitzø like a worthless sex toy, shifts blame onto others, never takes responsibility, I could go on
So nothing about Stolas really changes actually. He's still the same but has a more sinister vibe going on. And he's going to be treated as if he's in the wrong. Because he is
Growing up, he was a sweet, naïve kid who just wanted to make his father proud. But no matter what he did, what he said, Paimon just wouldn't give him the time of day. He couldn't even remember his son's own name. His father's neglect mixed with the pressures of being in an arranged, loveless marriage, and the pressure that comes with being an heir to the Goetia throne. Made Stolas the person (or owl man) he is today
He has a lot of pent up anger that has been built up throughout his childhood all the way through his teens. And now as an adult he takes his anger out on those who don't deserve it
Whenever someone does confront him on his behavior, he often plays victim and gets all teary eyed and all that. He guilt trips, he lies, he manipulates. It's what he's best at
He👏should👏have👏been👏the👏main👏villain
Stella
Stella bbg I'm so sorry let me save you from this wretched show
The rewrite Stella is very different from canon Stella.
Stella, though very short tempered, has a huge soft spot for her daughter. No matter what happens, Octavia comes first. A killer breaks into the house but baby Octavia finally goes to sleep after hours of fussy crying! Stella will fend them off in the quietest way possible to avoid waking her up. You know what? That's a canon event in the rewrite now. Because I say so
Yeah but you get the point. Stella always puts Octavia first. At first Stella did try to make the marriage work, she really did! But Stolas just seems to find excuses to guilt trip her and make her the bad guy in the marriage. Despite what Stolas says, he did not try making the arrangement work in the slightest. It was always Stella doing everything and she's almost at her limit
Just one thing... it's not like she can just divorce Stolas. He's the biological heir to the Goetia throne for crying out loud! If she divorced him, it would be all over the news and everyone would just be real shitty about it. Not to mention Andrealphus won't be very happy to figure out his sister is no longer with Prince Stolas
So... she's stuck. Stuck with this life. This life of abuse and manipulation. But as long as nothing happens to Octavia, Stella is happy. As happy as she could be given her situation
She also had terrible parents that would belittle her and didn't give a shit about her feelings towards the forced marriage. So she vowed that she wouldn't be the same parent that they were to her
Octavia
Octavia is still relatively the same as in canon
But she does hide most of her life from Stolas, fearful that he'll be disapproving. But Octavia has a great relationship with her mother who has always been supportive of her interests
I think I'm gonna age her down a year and make her sixteen while Loona is seventeen because I want Loona to be kinda like an older sister
There might not be much for Octavia right now, but believe me, I have ideas
Paimon
Okay so I'm gonna be honest, Paimon doesn't do much. But I just put him here to say that a common thing among the Goetias is generational trauma
I like to imagine Paimon had a similar upbringing to Stolas and treated him the same way he was treated throughout his childhood
Of course he never took the time to realize that he was doing more harm than he could've imagined (because Stolas spreads his pain to other people and all that)
Andrealphus
Goddam I hate how long his name is
Anyways, along with Stolas, Andrealphus is the next big bad. He is a selfish, conniving bastard. He's Stella's older brother and a terrible one at that. He sees her as a moron and someone who doesn't even deserve the throne unlike him
While his parents also treated him horribly, it doesn't excuse his actions towards others. Remember that, kids
While his and Stella's parents did help arranging her and Stolas together, it was actually originally his idea to get them married. Just so he could have a chance of getting the Goetia throne
Andrealphus has made it explicitly clear to Stella that if she even thinks about divorcing Stolas, she'll regret it. And she doesn't, and he plans to keep it that way
Vassago
Vassago is a kindhearted and energetic bird.
Growing up, he always admired Stolas and loved everything about him. His looks, his intelligence, etc. Vassago has always wanted the young prince's attention and would try everything to get it, but Stolas just wouldn't pay him any mind. Discouraged, Vassago would stop his attempts at getting his attention and just stayed in the background. No point in trying to get acknowledgment if it'll never happen, right?
... Until something strange happens. So a conversation with a friend, they started to reminisce about Vassago's old crush on Stolas. Vassago was forced to laugh and joke along despite never losing his feelings
And the next day Stola came up to Vassago and started to... talk to him???? And make jokes???? AND COMPLEMENT HIM????? It doesn't occur to Vassago thinks about how it's a little strange that Stolas started talking to him only after the day where they were talking about his crush, but he ends up paying no mind to it. He's just being paranoid after all
#anti spindlehorse#anti vivziepop#helluva boss critical#helluva boss criticism#helluva boss critique#vivziepop critical#vivziepop criticism#vivziepop critique#spindlehorse criticism#helluva boss rewrite
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totally random question but do you read supercorp fics? and if yes, which ones are your favorites?
i absolutely read supercorp fics! i've been devouring ao3 basically since i finished the show. here are a few of my faves: people will say we're in love by AKAWWJJD - this was recommended to me by a friend and was the second ever supercorp fic i read. it's angsty, but it's BEAUTIFUL and it's one of my favorite fics from any fandom, ever. it's basically a rewrite of crisis and the aftermath of that (with a heartbreaking, post-reveal beginning), and it's just so, so good. it really set the bar for me in terms of supercorp fics and i still think about it to this day. it's heartbreaking and poignant and just. perfect.
the banks of certain rivers and ever more light by @i-am-robie - these two go together, but if you only read one, read ever more light (although i highly suggest reading both). i found this one through a gifset based on the fic, and i am SO happy i did. this is the fic that made me believe in fluff again. i'm not kidding, before i found this fic, if it wasn't tagged as angst, i was not reading it. this one? completely changed my opinion. it's so soft and sweet and it gives you the same butterflies and good feelings kara gets around lena. i actually love these so much that i am in the process of binding them into a book.
same old blues by @searidings - this one is, in my opinion, hands down the best portayal of lena i've read so far. it captures her anger and hurt and emotions so well and it just feels exactly like lena. it picks up after the end of season four and is exactly how i imagine lena's reaction to kara being supergirl. obviously it's canon divergent, but this one just really nails lena. it's angsty and emotional and just SO good. the author describes it as "horny enemies to lovers" in their note and that really sums it up pretty well.
you're in my blood, like holy wine by @jazzfordshire - this one is one of my favorite AUs. it's a loose practical magic AU with witch!lena, but much more developed and fleshed out than in the show. not only does it have really well written supercorp, but it also showcases a really well done friendship between lena and sam. i'm gonna be real i'm very picky about AUs, but this one GOT me. i definitely recommend it.
i also highly recommend checking out all four of those authors' other works. robie has an AU that i really enjoyed, searidings has a fun little competitive supercorp one shot, jazzfordshire has one of my favorite smutty one shots, and AKAWWJJD has a mxy rewrite that is just wonderful.
i've read so many more that were really worth reading, so i highly recommend scrolling through the supercorp tag on ao3 and filtering out the results to find ones you might be into. i could've mentioned a bunch more that i enjoyed, but i figured i'd keep it to my top four and the honorable mentions because the authors all happened to have multiple i love. i've also got like, more than 40 open ao3 tabs currently, so i know my favorites list will definitely be growing.
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*I dip my toes into the pool* Idk, I think what's happening with Helluva Boss is still a failure on a storytelling level, even if things are going to be addressed later on.
Even *if* Stolas hypocrisy is going to be addressed later, there's a *reason* people are getting So Mad about what he said during Apology Tour, and that's because the narrative has failed to challenge Stolas' perception of himself and the situation.
Blitz, the affected party, doesn't challenge this despite the fact that he can absolutely challenge the idea that Stolas doesn't look down on him, or just ANY other part of that rant.

He gets this, thoughtful (?) expression. He's thinking about what Stolas is saying. But doesn't push back with ANYTHING. The A.) The fact he felt objectified B.) How exploitive the book deal was (also, Stolas said the deal was wrong, but now gestures with his book on "support you" was the deal wrong or was it him "supporting" Blitz? You'd think he'd know the difference by now).
He doesn't even push back against the "You couldn't be bothered to come help me" with "My DAUGHTER was getting her VERY RARE, HARD TO BOOK SHOTS AND SHE WAS TERRIFIED" Any ONE of these could've been shown, to push back against Stolas' narrative but it's not. In fact, Blitz buys the premise when it comes to Striker, when Stolas says he sounds like him he says "No I dont!"
And that's only using the instances that Blitz himself could've challenged Stolas' narrative. There are opportunities that Verosika could've done the same, but are equally as passed up on. Her interactions only strengthen the idea that he's correct imo.
All of this makes it seem like Stolas' reality is the correct one, and Blitz's fumbling around isn't a reaction to gaslighting but him being made to look Silly about what he thinks Stolas is doing. And people with long-term memory are very rightly going "Wait...no???"
No amount of "Those will be dealt with" from the creator will make up for the fact that the narrative gives No acknowledgment that Stolas is even objectively incorrect, let alone that he had his hand in the way this shook down.
It's not "good story telling" to be able to use Canon evidence to point out how wrong he was, because those should be the supporting evidence that the show gives us, along *with* the *current storyline we're seeing* showing those nuances, even if it chooses to focus on Blitz's faults at the time.
#i really hate how this story would be bad except for the creator insisiting with all her might that its good actually#i have little hope that Stolas will have an epispde that rags on him just as hard as this episode rags on Blitz#stolitz critical#stolitz#blitz#stolas#helluva boss#helluva boss critical#lets all just be civil here guys I dont want no trouble now#everyone is welcome in good faith
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Days, Weeks, Months, Years (8/10)
Pairing: Bucky Barnes x fem!Reader
Fandoms: MCU, Marvel
Warnings: Cursing, Canon level violence
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*******
The goal was to destroy the base. That was exactly why Hulk was on standby (his favorite place to be) to do his actual favorite thing: Smash.
Before you came in, you, Tina, and Nat were sent in like scalpels to precisely take out all human dangers. The Maximoff twins were there for all other combatants. Tony and Sam were your eyes in the sky, and Steve and Bucky handled the perimeter on the ground.
A few hours into the mission, Nat was taking down a hallway of unfriendlies by herself, as she tended to do. She called for you and Tina to keep going. You had no problem with it, you trusted Nat implicitly. Valentina, however, rolled her eyes. "She has no idea what she just did."
"What do you mea--Ugh!" You were roughly pushed back into some sort of dark passageway.
You were fighting blind. All you knew was that Tina did it. She had turned on you all.
"We got a Code Ward!" you yelled into your comm.
"Who?" Steve was the first to respond.
"Who do you think?!" You were able to say before a gun went off.
For a moment you saw a heinous look on Tina's face before you reached down and felt warm liquid on your stomach. You started coughing up blood, and you fell to the ground.
There was chaos in your ear. Most people were asking where the hell you were, but you had no idea. You didn't want to waste breath telling them that when you had one important message to relay.
"Buc-Buc-Bucky-I-love-you."
You couldn't hear him, couldn't hear his response if he had one. You couldn't hear anything over blood rushing in your ears. Your breathing was getting slow. Too slow. You couldn't hear yourself breathe anymore.
~~~
Bucky stopped breathing when he heard that gunshot through his comm. Then, he gasped in more air than he ever thought possible when he heard you say what you said. Because, in that moment, one thought ran through his mind: he'd never get to say that back to you.
He didn't know how long he took. It could've been immediately, it could've been years, but Bucky called through his comm, "Nat. Where are they?"
The Black Widow was in as much shock as everyone else. "I...I don't know...I--"
"Wanda. I don't care what you have to do. Find Y/n...Sam, Tony, I better not see either of you drop an inch. We're not letting the bitch that did this get away."
"Bucky, I--"
Bucky didn't care what Steve had to say. If it didn't get him closer to you, it didn't matter to him.
Bucky could suddenly hear Wanda grunting. It wasn't through the comms. The comms malfunctioned while Wanda's voice echoed through the mountains, and Bucky watched as the base, almost hidden by the trees in the forest, lifted from the ground and started to spin.
Bucky thought that you would have loved to see that. You loved to see Wanda's powers in action when they weren't held back by protocol.
After a couple spins, the base was put back down. Besides the shift in the forest, it was like it never happened.
"She's here!" Wanda's voice sounded through the comm again, and Bucky took off in a dead sprint toward the base.
Pietro's voice then sounded, "Meet-meet me at the jet. I got her."
Bucky didn't have to change his direction to get there. He considered having the quinjet take off without him if it meant getting you medical attention sooner, but by then he was already there.
Bruce was leaning over you, already thoroughly working on you.
"How--?" Bucky asked before his brain could stop him from possibly distracting the doctor.
Banner didn't get distracted. "The Other Guy cares about her, too."
"We all care for her," Pietro notified with his sister nodding next to him, "but we all know that you care for her more than all of us."
Barnes didn't even look at the man in front of him, but it wasn't out of hatred. Bucky's eyes were stuck on you.
On your blood-soaked clothes. On the hole in your stomach.
Bucky's breathing got ragged. His breaths turned to sobs. He fell to his knees with Wanda and Pietro catching each of his shoulders.
Then, through his enhanced hearing, Bucky heard someone getting attacked outside the quinjet while it was taking off. He glanced out out a window to see Steve straddling a still-breathing Valentina. Though, by the looks of it, she wouldn't keep breathing for long.
"That's-my-best-friend's-girl," he gritted between punches.
Bucky stood, still hyperventilating, and pressed the button that would open up the loading dock to the plane, and he jumped out. The quinjet was only a few yards off the ground, so it didn't hurt the super-soldier.
"She's-my-friend! She's-on-my-team!" Steve was relentless until he was literally thrown off by Bucky. "What are you doing?!" Steve yelled.
Valentina moved to get up. She actually moved until Bucky shot her a look that must've been so terrifyingly threatening that Valentina collapsed back to the ground.
He didn't take his eyes off Valentina as he answered Steve. "Y/n decides what we do with her."
"Buck--"
"Y/n decides," James growled. His attention went to his comm. "Sam, take her back. Hurt her if necessary."
For once, Sam didn't have a witty retort as he landed and approached the woman.
Tony landed briefly too, and he took the two best friends back aboard the quinjet. He seemed to have taken Nat at some point as well because she was aboard then, sitting in a corner, looking like she had just seen a ghost.
Before the super-soldiers took a step towards Bruce pseudo-operating on you, Bucky put a weak hand on Steve's shoulder.
Steve turned to his best friend.
"I need you to take the lead again." Bucky told him. Barnes understood what he himself had started to do.
Steve looked solemn, "Buck, I can't--"
"I can't look at her without--" Bucky broke down in tears again.
Steve caught his best friend. Steve agreed, "Okay. I got you. I have you."
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Author's Note: Thank you so much for reading! Fill up that heart and reblog if you liked it. I would also really appreciate a comment, if you have the time. If you would like to read more, check out my masterlists. Have a nice day, night, or whatever time it is for you! <3 <3 <3
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Tag List: @sidraaaaaaaaa // @dontworryboutitsweetheartxx-blog // @mayusenpai666 // @onceithough // @greatenthusiasttidalwave // @shadowzena43 // @ampersam // @sebastians-love // @cjand10 // @silentwhisper666 // @superaveng // @vicmc624 // @ltsaradharkness
#bucky#bucky x reader#bucky barnes#bucky barnes x reader#dwmy#dwmy companion jones#sebastian stan#companion jones#days weeks months years#bucky barnes angst
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I believe Wolfgang was a genuinely good, but misguided character.
And I believe if he hadn't died in chapter 1, he only would've become more misguided. But in a way that's entirely justified from his POV but terrible from Damon's and Eva's.
For example, imagine that he reads into Damon and Eva's speech from chapter 1, and how they think group bonding is only a way to get other people to lower their guard (at least from them). He also sees them being apathetic to idea of murder. He then sees Damon and Eva getting along with the others and participating in bonding moments they themselves basically deemed only useful for potential killers. Wolfgang overthinks this and spends the whole night up awake worrying about everyone else.
Heck, about Eva, he'd be correct in the case of canon, her bonding moments with the larger group (gaming tournament) were only a cover-up for murder. But this isn't canon, and we're basically going off of the AU idea that Eva spends more time thinking about the killing game tuan the postee, gets dragged to the tournament by Diana who isn't busy that day, and has fun and bonds with the group, especially Cassidy with their niche favorite video game (You could also have Eva not bond with the group, but just not commit murder as well for this AU).
But Wolfgang doesn't see this. He only sees people who deemed bonding moments murder opportunities engaging in those exact moments. He overthinks this so much that he distorts his own perception of Damon and Eva, from classmates who accused people of being potential murderers and sabotaged the group's spirit (still a horrible thing to do, but not as horrible as what he thinks they are in this AU), to possibly cold-blooded murderers who are taking their opportunities (big emphasis on possibly here, he doesn't see them as monsters, but he also doesn't really see them as people due to his twisted perception).
And he starts doing what he thinks is right. He begins asking Diana and Kai whether they feel safe at night, whether they'd like to switch rooms to room with eachother or Grace and himself, that its fine for them to ask to do so and no it won't inconvenience anyone in the slightest, he asks Toshiko to stay away for them, as shes in potential danger because of her age, he asks Desmond to keep an eye on them as Desmond's a marksman and he'd surely be able to defend himself incase anything happened, he starts being a little more vocal about them being suspicious then more and more, he keeps an eye on them every time he sees them with the group, whenever they're close to being left alone with only one other person he makes sure to stay behind so nothing happens.
But just because he's the hero of his own story, trying to protect his friends from people he thinks are going to hurt them (to reiterate, this isn't entirely ungrounded in fact, Eva did murder him in canon) doesn't mean he's not the coldhearted villain of another. Damon and Eva don't see these action as "harmless" or "preventative". They see him trying to ostracize him, asking Desmond to basically stalk them, making Toshiko run away, sabotaging their relations with their respective roommates to make them alone and less safe at night, never letting them be alone with one of their classmates and fostering distrust between the group while preaching the exact opposite. They see him as a giant hypocrite who is entirely delusional.
in short, I really think villains who are nice and kindhearted to everyone but the protagonist are cool and should be featured more.
(Most of this is AU but I think it could've had a decent chance to become canon if Wolfgang and Eva were long-term characters)
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Falling into Place
Ao3 Link - [First] - [Next Chapter ->]
All things considered this isn't what you were expecting to wake up to when you went to bed. One minute you're on your phone, trying to pass out, and the next? You're here. You've had some interesting greetings in your life, but dropping about six feet and having twelve guns leveled at your face? That takes the cake
Warnings:
Reader Insert, Plus-Size Reader, The Author Regrets Everything, Alpha/Beta/Omega Dynamics, Isekai, canon divergence Look we're gonna dig into the implications of omegasverse changing bits and pieces of history as well as addressing whatever the FUCK is happening as CoD's history. Idk man Godzilla is canon and nobody bats an eye at that fact and you think I'm gonna be normal about that? No
You could be having a worse day, you think, as you stare at the interrogation table you're cuffed to. They could've shot you the second you fell the six feet from the sky into a random army base. That's a very real thing that could've happened.
But no, you just had a dozen guns pointed at you in one moment and a slew of questions you didn't have satisfying answers for.
No, you had no idea how you got there. You'd been in bed tooling around on your phone and then you were falling.
They asked who you worked for, and were not impressed by your mundane answer. You didn't work for some pmc or intelligence organization. You asked them to their faces if they thought you could pass a PT test if you tried. Not that they answered or appreciated your point, mind.
It was only after you gave them whatever identifying information you had that things got… spicy.
"I would love to tell you what this designation of yours is if you tell me what you mean. Is it like a classification of civilian versus enlisted? Is it physical? Is it your horoscope? I don't know what I don't know," you explain again for the Nth time. You didn't wanna play twenty questions but here you fuckin were, captive audience and all.
The man asking you questions had lost his charming good cop look. He was getting more and more annoyed on this one, "your designation," a demand, not a question and sure as shit not an answer.
"Again, would love to tell you! I don't know what you mean! Feels like some kinda Star Wars thing," you grumble the last bit to yourself but the man cocks his head.
His eyes narrow, "what are… Star Wars, you said?"
You blink owlishly, "beg pardon?"
"Star War. Clarify."
It's your turn for your brow to furrow, and furrow it does, "Star Wars? As in the multi-billion dollar franchise created by George Lucas and eventually sold to Disney," your tone is questioning, just shy of asking if the guy lived under a rock but his expression didn't let up and the last thing you needed was bad cop, so you continued, "the story of what happened a long time ago in a galaxy far, far away? The political space series of movies versus Star Trek's more scientific and discovery based longstanding TV show? Nine major movies and the Clone Wars before Disney sunk their talons in. Like yeah we got more shows and movies that expanded the universe but they also cut out decades of book contributions in their acquisition and that kinda sucked. But yeah, that Star Wars?"
"Nine movies," his tone is disbelieving, and now it's your turn for your eyebrows to raise, "can you name them?"
You nod, "well yeah. Do you want them in episode order or release?"
His brows furrow, "did they not release in order?"
"In a sense? Three trilogies, 4-5-6 back in the late 70s early 80s, then 1-2-3 in the late 90s early 00s, and 7-8-9 through the teens. So order, yes, just… not a cohesive one."
"Release, then," he leaned back and crossed his arms, a position you'd love to mimic if you weren't cuffed to the table for… an indeterminate period of time now, actually.
"A New Hope, The Empire Strikes Back, and Return of the Jedi-"
"Woah now, empire? What's a jeddy?"
You give him a blank look, trying very hard to mask your disbelief as you look between him and the mirror behind him. You look at your reflection, take a deep breath, and- "sir would it be easier for you to maybe check the internet?"
He seemed to bristle, nose flaring and looking at you expectantly.
You just… kinda sat there. You tapped your fingers together on the desk and kept the eye contact he was intent on. It took a good minute and him getting progressively pissier before you simply ask, "would you like the other movies now?"
You didn't expect an explosion of movement from the man. He downright snarled and slammed his hands on the table as he burst to his feet, the sudden change sending his chair screeching back before falling with a clatter. You leaned as far back as your cuffed hands would allow, eyes wide and a panic rising.
Both of you turned to look at the door when it slammed open with a barked, "Williams!"
The man who opened it reared back a bit, "Christ, layin' it on a bit thick," he groused, his tone sounding more like someone chastising a teenager for using too much Axe body spray. He smoothed his posture back into something casual as he fanned the air dismissively with a hand, "cap wants you to take a walk."
Your interrogator- Williams, apparently- stares at the man in the door, the two locking eyes before the one in the door straightens from his purposely relaxed posture. You watch the both of them, noting the shoulders tensing as the two just. Staring at each other? Eventually the guy who'd been grilling you looked away and stormed out, the man in the doorway letting him slip out easily enough before turning a charming look back to you.
He took a minute to fan the door a few times to get newer, blissfully cool air in before he entered the room, "sorry 'bout him. He really did a number in here," the new guy tsked before closing the door quietly behind himself.
Your brow furrowed even as you slowly relaxed a bit, had this Williams guy like… farted or something? A nice quirk of ventilation keeping you from smelling something abhorrent? Either way you simply shrug as he walks in and tips the chair back up, sitting and giving another reassuring smile, "how you doing, love?"
You opened and closed your mouth a few times before simply settling on, "I'm a bit… whelmed? This has been," you give as vague a rolling gesture as you can without your cuffs rattling too badly, "a lot? And I have no idea what just set him off either?"
It's the man before you's turn to quirk a brow, "no idea?"
"If I knew the answers to his questions I'd've given 'em by now. I don't, though, and then he just started staring? And hell I just thought it was some kinda macho 'I can stare the truth out of you,'" you pitched your voice lower and pushed your shoulders out for a second to mimic the douchebag behavior before settling, "so I kept eye contact because I'm so out of my depth I have no reason to lie at all and now…" you trail off, gesturing around the room, "all that."
The man nods slowly, "alright love, could you tell me about the last five years?"
Your brows furrow, "oh fuck, 2019 was five years ago wasn't it. God, time is an illusion. Anyway, you want what I was doing leading up to and through the pandemic?"
You think he might've startled for a second but he simply moved to scratch his chin, "mhmm. Just your thoughts on the last five years is all."
So… you ramble. Because he was nice and not prodding or asking weird questions. You talk to him about your job before the pandemic, how people thought covid was just a flu until the death tolls kept climbing, how tons of governments dropped the ball on a local or country-wide level and how that kicked back onto your life, and then the absolute crapshoot of the last election cycle, the shitty 'oh no this is the new normal everything is fine' behavior that has lead to surges and cycles of a fucking plague and so on. He simply nodded, gave some sympathetic hums and winces appropriately at your experiences.
"And did you go back and watch Star Wars through that? Or other things Disney owned?"
And, well, that was a weird way to phrase it but you shrugged, "the mouse is just shy of a monopoly and not one that anybody can take that down so… yeah, I guess? They kept putting shows out and expanding their Star Wars universe so that's been kinda neat to watch but not just them, no. Couple other games and stuff like that to keep me busy, too," you kinda handwave and shut up because panic rambling to MILITARY PERSONNEL is probably not your smartest move in hindsight. Especially when you don't know his name. A+, self.
You tap your fingers against the metal table as he looks at you, "and you said covid has a long term effect of ruining people's senses of smell and taste?"
You nod slowly, "yeah, dude? It's one of the biggest warning signs for most people? Like if everything starts tasting like it was made by a middle class white mom who keeps shoving random letters in her kids names you should swab? That kinda shit?"
What rock has this guy been living under? You were pretty sure the military were supposed to be way more familiar with this shit all things considered, but you've been wrong before.
It was his turn to give you a bit of a wide eyed look before he poorly covers a laugh, "alright, that's fair. I need to go talk with my captain," he hooks a thumb over his shoulder to the window, which didn't surprise you that there had been people back there. He offers a reassuring smile as he stands, humming idly as he pushes the chair back in. He pauses mid-step, "you mentioned that there were cards…?"
You find yourself nodding slowly, "yeah it was important and you couldn't fly or go to certain places if you didn't have one for a while. Should still have a picture of mine buried on my phone," you really didn't wanna get another first-round of covid shots, you REALLY didn't wanna repeat the 24 hours of suck for no reason.
"Cool, thanks," he flashes another charming grin before he slides out of the room.
You lean back in your chair, what an odd guy. Nice though.
-------
"Right," Gaz says as he opens the door to Price and Ghost, "either our mystery guest is off her nut or she's legitimately from somewhere and somewhen else."
Ghost and Price look at each other before turning back to Gaz, this… complicated matters.
Well, it's not like you hadn't given them information to identify yourself. They'd dig up who you were one way or another.
-------
You stare blankly as the nice man from before gives you a sympathetic look, "what do you mean I'm dead?"
Behind him is a guy you're not sure if he's just fuckoff huge or if he's just moderately huge and it's forced perspective.
You don't think it's forced perspective.
You are absolutely trying not to panic spiral.
You are absolutely doing a horrible job at that.
"Well," he opens the file before him and there's a news article, proudly proclaiming "Locals Die in Horrible Freak Accident" like that's not some form of you that was looking like some smear on the pavement, "there's this. Fingerprints match up. Can check for dental if you're really curious."
"Were there even any teeth left after that," you mumble as you take and read the offered article. Seven people were involved, the pictures used are mostly flattering. Hell, you almost don't mind what pic they used for an alternate you but… "that's certainly not the pic I would've wanted. Maybe this me had different tastes?"
You take the time to actually read through the article. It's not helping because for as much as you stare at the page you're not absorbing any information. Some form of detachment, if this was really you? You'd died. A different you but a you nonetheless. You died and you're reading how it happened. There was a lot to unpack in all this and you just needed to put the suitcase away for now. You'd much rather throw it away at this rate.
You were rapidly coming to the understanding that you and Toto were not in Kansas anymore, and there wasn't a convenient yellow brick road to get yourself back home. No easy way to get the hell out of Dodge either. Was it Dodge or the O.K. Corral that was in Kansas? No the O.K. Corral wasn't in Kansas- Dodge was though, that's right.
This analogy was getting away from you and some part of you figured this was just your brain trying to protect yourself but… wait, wasn't this a metaphor? There wasn't 'like' or 'as' or goddammit not again.
You recognize some names here and there but largely everyone involved were perfect strangers. The article doesn't cover if it would've been slow or quick. You hope for the smear that it was quick. Smears like that don't happen slowly, right? Well, not unless it's like a dramatic slide down a window, but not usually across pavement like that.
Still not sure how you feel about all of it. Bit morbid being confronted with your mortality like that.
Certainly answered a lot of questions about your theoretical passing you never thought about. Like if the obituary for you in what you know to be your own home and world is just as… really kinda just mediocre as this. Have you really done nothing of note for an obituary? Damn.
You kept pouring over the article, each pass bringing new words into focus that help connect the picture a little bit, but… Something repeated in the article made you pause, "two alphas, four betas, and an omega?"
There was no decent way to ask about that. Any questions invoked from here would border into dangerous territory better kept between yourself and a private browser history. You knew what you were about but there was no fucking way.
"Their designations," the nice man whose name you still hadn't caught explains, "mostly explaining their secondary gender."
You look at him owlishly. You pray to whatever God might be listening that you wake up shortly. Or that the earth below your feet opens up and swallows you. Whichever comes first, the mortification will snipe you otherwise.
"Please tell me this is an elaborate joke at my expense," you are very quiet as you are trying to get really cool with a lot of things really quickly.
"Negative," the big fucker in the back practically growled and you knew that voice would do things to you if you weren't half stepped out of your own body.
You missed whatever his followup was but your brow furrowed when you checked the date on the article, "I've been dead for months? That…" you let the paper fall from your hands. Everything about this is wild at best and very overwhelming at worst.
A lot of this qualified as worst.
You look up at the two, missing the odd look they shot at each other as you try to pull yourself back together, "so now what? You've got a not-a-smear of me that fell from the sky onto a secure military base, and where I'm from we didn't have," you paused to gesture between the paper and the two soldiers, "dynamics was it? That was just a fanfiction special."
"Fanfiction."
The way he said it was so carefully neutral you paused, "oh my god without Star Trek to popularize fanfiction and the fan community, how has fandom evolved? Is fanfiction a thing- well, yes, it does fanfics have been a thing since Dante Alighieri wrote the Divine Comedy and even before- well, the question is more if it's still popularized? Are there still the wattpad fics of- I am getting so off track. What exactly is the next step?"
You look from the nice man to the big fucker and back, neither saying anything but looking at you with careful blankness.
You felt like you were being weighed and measured in their eyes.
You hoped to anyone listening that you weren't found wanting at least. Not when you're in the shit situation it looks like you ever so increasingly fell into.
"Considering I'm. Not smear. And very much not from here? Are blanks a thing? Or is that what a beta is I'm," you trail off, brow furrowing, "fuzzy. On the whole thing. The flavor of understanding, dynamics, and population skew tended to be dependant on the author's level of horny."
The did get a bit of a snort from the pretty one before you, the one in the back tilting his head just so as the pretty one spurred you on, "okay please don't take this the wrong way, you have given me nothing to go on but A/B/O and-" a finger was raised in question to that, you quickly explaining, "the fanfic shorthand for the universe without being a mouthful. Anyway- I've seen population numbers being roughly the same across the board, I've seen alphas and omegas at roughly 1% of the population of society on either end, I've seen alphas at about 5% and omegas at 1%- those ones are usually the most horny I swear.
"And it's all over the board, no consistency- sometimes it's betas are infertile, sometimes they're the straightman to the comedy that's an alpha and omega trying to woo each other without being too horny to function. Sometimes it's a sliding scale where being beta just means you're more the more middle-ground regulated hormonally with alphas and omegas being the opposing ends of a spectrum. Can you please say something and give me a fucking break because my panic rambles are probably like. Some kinda prejudiced. I'm still not over the 'I'm supposed to be a smear on the ground we don't even have dental images of to confirm who it is anymore' nugget you dropped on me. I think I'm doing well for this"
You would rather not tell them that as soon as you're out of this box of a room you were gonna be curled up in a ball and unabashedly weeping. That was none of their business.
The pretty one gave you what you're sure was supposed to be a reassuring smile but the quiet stretched just a bit too long. You looked from one to the other before leaning forward, "is this supposed to be soothing in some way? Because it's just a bit of an extended awkward silence and that's uh-"
It was the big one in the back's turn to give an amused snort, the pretty one looking bashful, "right, sorry, we uh-"
You jerk a bit, "wait, was that supposed to be some scent thing," you really didn't wanna say pheromones and potentially dig yourself into a deeper, more awkward hole based on Horny Pseudoscience.
Pretty rubbed the back of his neck, "something like that. You really couldn't smell anything?"
You know the exact Face you're making. It's very much your 'I have told you this and I'm getting tired of having to repeat it' face. You can tell he clocks it but for the record, because to your mortification this has to be recorded, you simply give a succinct, "no, I haven't smelled anything. Not from you, not from him," you jerk your head towards the big fucker, "and not from douchebag from be- Williams! His name was Williams. Nothing. Really had no clue why you were fanning the door when you came in."
You sigh, rubbing the heels of your palms into your eyes, "okay. Assuming I'm not about to be put into past tense a second time. Do we have any idea what popped me out here?"
The sentences are stilted, you know you're getting more rattled the longer you're here but sue you alright it's been the worst six hours of your life here.
They just continue to look at you, pretty keeping a polite almost customer service look as big one just stares unceasingly.
"Right. Okay. Am I going to be reintegrated to society or is this," you gesture around the little room as much as you can, "looking like my home for the foreseeable future."
No change in what you can see of either's expression, and you just sag. Deep breath in, deep breath out, "cool. Alright. Well. I know nothing of how biology is altered here, I'm not sure how that has impacted changes throughout history, and frankly I don't know what your pop culture has done. I'm assuming math and written languages are largely the same but in all fairness I don't know what I don't know."
You just stare quietly at the table for a bit longer before looking back at the two of them, "is there anything else you need because I can feel the freakout creeping up and while I know there's no real privacy, uh…"
The pretty one looked back to the big one, at some point you're sure you'll get some sort of names but for now? Now you watch the big one nod, the pretty one give you a polite smile and some vaguely polite bullshit your brain is swiftly going too far out to hear.
You only hope that whoever is behind the mirror is polite enough to look away as you put your head down on the table and give yourself the opportunity to, just this once, cry. As a treat.
[Next Chapter -> ]
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Thoughts on JJK chapter 270 (spoilers)

Before I write my thoughts down, I have to confess that they've been tainted by a post I read I after reading the chapter. I decided to write the first part of my review as I had initially wanted to but the second part will discuss the things I read afterwards.
We start the chapter with a beautiful scene of a grave belonging to Tsumiki but my first thought was... what about Tsumiki's soul that had prevented Megumi from killing a girl?
If this is what Tsumiki's end and Megumi's final reaction to that would be, why did Gege bother including her soul as an active character into the story?
I also tried to find the raws to see what exactly was written on her grave. Only her surname? And was it also in English?
After that we get to Tengen and what happened to her and it was exactly here where my thoughts of this chapter went a big 🤨😵🧐🤬🤪
So Yuji just punched her out? And nothing more happened to her? The Culling Games are over? How did that happen? And through which remains would she stay stable? There was nothing left of Sukuna, at least nothing that had gone through Kenjaku's ritual. The only place she would be stable would still be inside Megumi. Her barriers are magically stable as well.
What a... neat ending to all those plot threads...

Then we come to Maki finding her past helpers and telling them that all the reincarnated sorcerers would be separated from their hosts by Yuji soon and...
That's against established canon. We already had the discussion that the souls of the host's can't be saved because they've been pushed down to complete darkness. Choso couldn't feel the soul of his host anymore and that was how the narrative absolved him from any wrongdoing because now he didn't have to give his body back for ethical reasons and he hadn't made an unethical deal to be reincarnated either.
Only Megumi was said to have a chance of being saved and no one else.
So now I'm here and scretching my head thinking... was Gege so desperate or time constipated to end the manga that he threw that point out? Or is sth else going on here...

We get Takaba back and he has a suspicious looking partner now, with whom he can do more comedy.
Now I don't think that's the real Kenjaku there. It's more likely that Takaba simply imposed that hairstyle on his new partner because he's missing his short time best friend.
For an actual Kenjaku comeback, he wouldn't have Geto's body anymore. Imo, Kenjaku did have spare bodies lying around he could've fled to at the last second though.

We get more loose ends being tied up and for Higuruma it's clemency. This is another point in the "everything turns out perfectly good for the good guys" part we have been bombarded with in this chapter.
I'm like, Gege, isn't this too much? Wasn't JJK darker than this? Even Shoko gave up her smokes. The military plot is just "we'll deal with them" and there's no mention of JJ societal instability with the clans falling apart.
Either he really wanted to wrap every loose end up... or

Gege forgets Megumi's scar on a pretty big panel and we get an anime love complication with one chapter remaining. It was funny though.

Then we come to the end where we're set up to believe that life of the first year trio will go on as it should've been without those major Shibuya/Shinjuku complications.
Just going on missions and living life like that.
Now, one could accept that kind of ending (why isn't that in chapter 271 though?) But it comes off as so... lackluster and mended with fire after big chunks of the plot were cut off.
After I had finished the chapter, I was the most disappointed at everything that had to do with Tengen and the CG. So Gege sets up that the sorcerer life will continue afterwards. Even without wanting a Part 2, just ending the CG and Tengen's story like that is... unnecessarily boring and wasted space for nearly everything that came before that.
But then I read @thepersonperson post on how the last 3 chapters of JJK could possibly have been an induced dream sequence this whole time.
Induced by Yuji through his ability of creating fake memories right before defeat/death. His own DE is an application of this and Sukuna's strangely similar ability of talking with freshly deceased people in a dreamscape.
When Yuji had first expanded his domain, I went on such a ramble at the time about these strange abilities of them both. What I said back then was that Yuji wasnt an active/aware participant of them but by now he had acquired Sukuna's CT and again a DE.
This could mean that his induced dream sequences could've evolved enough that he became aware of them instead of only pushing them into someone else. In other words:
Yuji is dreaming of his best happy ending.
And here truly experiences that but he can't tell until now that it's a dream. He might very well be lying on the ground now about to die.
The post I linked adds more details to this theory like inconsistent character placements and "mistakes" like Megumi's scar suddenly missing, which would be commonplace in a dream.
That last picture up there with the guy who's supposed to be cursed but it was actually his girlfriend who had her perception of reality altered as well as the name of this chapter, would be the final hints about the last few chapters having been another glitch in perception.
Now only one week is left then we'll get our final answers to JJK. If this dream theory is true, then Gege will establish himself as the biggest troll, either with a JJK 2 or with a tragic ending.
(And if this really comes true, then I don't think I'll manage to escape the spoilers)
But whatever might come and even though I'm meh about the end (as it's presented to us right now) I still love JJK and immensely enjoyed reading, watching and engaging with it 😄
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Canon Details and Analysis of Fiddleford McGucket Part 2
See the first part here
Let's flash-forward to what we know about Fiddleford after college. At some point, he got married to Emma May Dixon, and they had a son together (Tate McGucket), they live in Palo Alto, and Fiddleford seems to be self-employed: McGucket's Computermajigs. Now, don't get me wrong I enjoy Fiddauthor quite a lot (and I'll give some in-depth analysis and theorizing and thinking of possibilities about that particular relationship in that context at the very end), but I want to focus on Fiddleford's character and what we do know about his wife and child.
We know from Journal 3 that Fiddleford keeps a picture of his wife and son on his desk because he says it helps keep him "grounded." It's very important to note that this picture includes his wife - if they really wanted to imply that Fiddleford's relationship with his wife was on the rocks, they could've easily made it just a picture of his son. We know that Fiddleford must have had strong feelings for his wife because in the Gobblewonker episode of Gravity Falls, Old Man McGucket claims that when his wife left him, he built a pterodactyl-tron (building giant death robots is something he does when he's upset or wants attention). If he was wanting to leave that relationship, he would not have been upset about her leaving him.
In another page of Journal 3 when Fiddleford quits the portal project, Ford writes about how he should "go back to his doting family." This tells us that while Fiddleford and Emma May did have a fight over him not getting her a Christmas present, Ford still somehow had the impression that his family was "doting." I think it's important to point out that Fiddleford has been erasing his memories since the Gremloblin incident - and the fight scene with his wife happens very shortly before the big portal test. We know the memory-erasing gun has side effects. So, anytime Fiddleford "forgets" something should be looked at as highly suspect and indicative that his memory-erasing gun is affecting him.
We know that Fiddleford must have been a good father before he left to work on the portal for Ford via context clues. In the show, despite Tate's original home being in Palo Alto, Tate chose to pack up his things and live in Gravity Falls where his mentally-addled father now lives. He chose to do that and seeing what became of his father, even though he's the town's biggest embarrassment with a reputation for being a crazy old man - chose to stay. In Shmeb U Unlocked, we're informed that Tate is extremely intelligent and capable of predicting lottery numbers.
He could literally go anywhere he wanted if he wanted. And yet, he stays in Gravity Falls where his father lives. He must have really loved his father despite it being so hard with his father's mental state and the fact that he has every right to be angry that his father left. We know that Fiddleford must have really loved his son because of that picture on his desk, because much later even with all of his memory problems, he still remembers his son, and he's desperate to spend time with him, and in the end, they're able to repair their relationship and spend quality time together.
Now, let's talk about a couple of details that I think a lot of people overlook. During the stargazing scene in Journal 3, Fiddleford mentions offhand that he'd like a place where "the screen door ain't broken." I think this is a VERY interesting detail because it makes it sound like Fiddleford's business hadn't quite taken off yet and that he might have been struggling financially because he can't afford to get his door repaired.
This opens a doorway into a theory of mine that Fiddleford is being paid for his time as Ford's assistant. Now, we're not told this outright in Journal 3, but I think we can gather this from a little thing I like to call context clues. After all, Ford probably thought the exact nature of payment deals for his assistant didn't need to be included in his research and personal journal. There's nothing interesting about it. Additionally from a narrative standpoint, it might have come across as looking like Ford had to bribe Fiddleford to help him, and that's not the vibe they wanted for Fiddleford. They wanted to emphasize that these two are at the very least good friends and that Fiddleford is the type of person who will set aside his own personal projects and self-sacrifice to help a friend at a moment's notice.
We know from the show and Journal 3 that Ford was given grants to study the anomalies of Gravity Falls. Presumably, this money would not only cover the costs of field research equipment and a research base (the shack) but also money for a research assistant if needed.
Fiddleford's wife would have to be the most permissive, most doormat wife in THE HISTORY OF EVER to allow her husband to go up to Oregon to work on a project leaving her to not only take care of her son by herself but also have to pay all the bills and rent/mortgage by herself. We know this is not the case because she (rightly) did NOT let it slide that her husband forgot to get her a Christmas present.
Fiddleford would not have had much time to work on his own business while working on Ford's portal. At this point in his life, he has his mental faculties intact, he's proven time and again to be considerate and sweet (Alex Hirsch even refers to him as a sweet soul). He's big on making thoughtful gifts, he wants to help others (in Journal 3, he is seen fixing up the ferris wheel at the carnival where he meets Ivan, although it was definitely wrong - he had good intentions in wanting to help people with their bad memories, even in the show - Old Man McGucket shows up in the sap-hole with the dinosaurs having fixed a broken lantern - Fiddleford is exactly the type of person who would see a broken-down car on the side of the road and pull over and get out his toolbox and help that person out), and he loves his family very much. He would NOT let them go unsupported and floundering for themselves while in his right mind.
So, this leads me to believe that to help convince his wife to let him help his old college buddy with his project, he'd be getting paid for his help. Ford likely would've found this reasonable and might have suggested it himself if Fiddleford expressed wanting to help but not being able to leave his family without any support. It probably wasn't a lot, but it might have been a bit better than what he was currently drumming up via his own business. This could also be why Ford is so adamant about referring to Fiddleford as his assistant in the journals rather than his friend.
Do I think his wife might have still had some reservations about her husband going to Oregon and could be a fertile field for argument later? Yes. Absolutely. But I think the fact that she let him go in the first place and the fact that Fiddleford is self-employed rather than more conventionally employed generally shows that she was a supportive wife and trusted her husband.
I absolutely DO NOT think, as some have posited, that Fiddleford abandoned his wife and son (especially his son whom he dearly loves) to have a "Brokeback Mountain" situation with Stanford. That is a terrible misreading of Fiddleford's character AND the situation. Again, Fiddleford is the type of person who HELPS people, and how much more so for someone who is likely his best friend? Not only that, but his FIRST EVER friend. A friend who Fiddleford probably knows has been alone in Oregon for years and who also has a hard time making friends, a friend who probably doesn't call him enough because he's "busy" with his research (Ford even says in the journal that he "has no choice but to call Fiddleford"), a friend who is probably stubborn about asking for help who is asking HIM (the guy who helps) for help?
Fiddleford might even already be worried about him.
And this is a "project" - a project has a beginning and an end. Fiddleford was NOT expecting to stay in Gravity Falls. He was going to go there, help Ford, and then go back to his family whom he loves. I'm not saying complicated feelings couldn't have arisen (again, I am a Fiddauthor shipper), but I am saying that Fiddleford didn't go to Oregon because he was running away from marital problems with his wife (on an additional note - people are free to write what they want - But what is WITH bisexual erasure and villifying / ignoring female characters? I mean, just because she wasn't in the show or talked about much doesn't mean we should do female characters a disservice) and intending on cheating on her.
Because again - A) He loves his family (family photo on his desk which doesn't exactly scream "Make sweet love to me Ford") B) His anxiety issues C) His empathy - he doesn't have the narcissistic traits cheaters generally have D) He's likely Catholic and all the religious hang-ups with that - (also adultery being a sin is mentioned waaaaaay more than homosexuality) E) The hostile time period for queer folks.
Also, Stanford "I find romance baffling" (Journal 3 - stargazing scene) is probably one of the biggest indicators that no cheating went on (but I'll throw you "cheating Fiddleford" headcanoners a bone much later on in which I think a possible "cheating" scenario could have realistically occurred - and I'll tell you my reasons for why I personally don't believe that happened either, but I'll begrudgingly accept a "possibility" and let you guys go nuts with the idea.)
More to come in later parts.
#gravity falls meta#Gravity Falls#Fiddleford McGucket#Fiddleford#Ford Pines#Emma May Dixon#Tate McGucket
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(Not a troll ask please don't shoot :D - genuine question)
But I feel like it's really downplayed how much Gwynriels gaslight the fandom. I joined ACOTAR bc I saw Gwynriel fanart and thought they were cute. I Got all the way to ACOSF still hoping for Gwynriel and got a whole lot of NOTHING. And honestly I think Elain is as interesting as cardboard (sorry), but you'd have to be downright blind to ignore she had something going on with Azriel.
Then I saw on titktok about the bonus chapter, everyone going in saying omg thats where gwyn & az are mates! So I cracked it open, read it - and bruh - HE'S OUT HERE TRYING TO GO DOWN ON ELAIN??
How can you put THAT interaction & the conversation he had with Gwyn side by side and people are walking away from it saying Gwyn & Azriel are mates?
I'm so genuinely confused why someone would start that nonsense. The way I ate up Gwynriel art/fan theories it was like she was a major character there from the start and they'd already had 8 kids and a HEA.
Then I open the books and they barely even have a conversation??
It was honestly really annoying. felt like a scam, like one of those authors peddling their book on social media and then you realize its a wattpadd fic written by a 12 yr old not an actual book
If it helps - we're all confused. Nothing has been proven yet about any remaining couple so idk why the Elucien and Gwynriels are out here straight up inventing fiction and trying to pass it off as fact to anyone willing (and even unwilling) to listen.
This ship war could've just been - "Hey I like Elucien more!" Or "I love elriel!"
But instead of just accepting these are all opinions and not actually what is in the books - people decided to straight up gaslight and claim that Elucien are a couple and Gwynriel are mates.
If you cannot point to it on the page where such a thing it explicitly happened - then it is not canon.
Lucien & Elain? They're mates. That's canon.
What's also canon - is that not all mates are a good pairing and end up happy together.
Whats also canon - is that the cauldron was wrong.
It shouldn't be hard to reach accurate conclusions if people stopped treating their wants and headcanons as fact.
Like for gods sake - let's just look at fanart. I'm not saying that every piece of fanart is canon or even should be canon - but elriel has much more canon fanart. Thats literally a fact. They have multiple major moments together - on the page.
What is canon Elucien fanart? When she falls out the cauldron - naked and humiliated and he gives her his cloak? When they sit together over a tea service acting uncomfortable? When she avoids him every other time she sees him?
What is canon Gwynriel fanart? When he gives her boss a secondhand necklace to give to her or anyone else? When he - and cassian and everyone else - watch her cut a ribbon she sees as an enemy?
I've seen so many people open up these books expecting some grand romance between Elain & Lucien and end up disappointed because... she doesn't even want to be in the same room as him.
So many Gwynriels with similar stories to yours expecting some entertaining Gwynriel love story only to also end up disappointed because Gwyn doesn't even exist till the last book and she and Azriel barely interact.
They chose to believe in a nonexistent ship and are trying to compete with canon Elriel evidence. Like ok - tough shit? But you can't just start making shit up.
Until Elain accepts that bond - or even gives Lucien the time of day - they're not a couple. They are nowhere close to endgame if everything she has done and said has shown us she doesn't want him.
Until Azriel himself declares Gwyn is his mate or vice versa - they're not mates.
And yeah I'm gonna get a lot of backlash from the "foreshadowing and crumbs" crowd.
But let me ask you this:
There are some Elriels who think the mating bond between Lucien & Elain is fake. There is plenty of evidence and similar language used about their bond that resembles the fake Rowan & Lyria bond. Plenty of signs showing their bond isn't quite right.
do you think Elriels can then claim it's canon that the Elucien bond is fake?
"We have crumbs and foreshadowing and similar language used" too. But do you see us going around claiming it's canon?
No.
We are very clear about the distinction between canon and headcanons. About what's in the books, and what is just pure guesswork and theory.
"Sparky spark" and "elucien is endgame" are both theories until proven. They are NOT canon.
Wish they'd just learn the difference. They'd be a lot less unhappy fans.
#elriel#acotar#elain x azriel#elain archeron#azriel#pro elain#elain#antielucien#pro elriel#antigwynriel
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ok. i think i've calculated the left hand of darkness characters' ages. a fair bit of this is me headcanoning but WHATEVER
(under the cut is sorve, genly, estraven, arek, ashe, and estraven & ashe's kids' ages)
sorve harth rem ir estraven: so we'll start with the only character we're given something adjacent to a canon age for: sorve. except the canon age is wrong. genly says he looks around 19-20, but this basically can't be the case because of ~textual inferences~ that can be made. we know that siblings are allowed to be kemmering partners until someone gets pregnant, and then they have to stop. we also know that vowing kemmering after said pregnancy is what gets you exiled. we don't know exact dates, but we can guess that estraven was exiled shortly after sorve's birth because of this (or maybe even during the pregnancy if you think arek is the one who carried him), and while we don't know the exact cause of arek's death, we can assume it was shortly after estraven's exile from estre because of how he always talks about the events together. so we can infer that arek died pretty much right after sorve was born, and we know arek died fourteen years before the events of the story. that puts sorve at roughly fourteen years old, and knowing genly, he probably overestimated because sorve was tall or something
genly ai: we know he's under thirty, at least as per estraven's assessment. estraven could be wrong about this, because genly definitely was for sorve, but i also trust estraven's judgement a little more here (and it helps that genly's the one translating the journal entries, so he could've just added a footnote if estraven was wrong but he didn't). now, estraven specifically says "not thirty", which typically means twenty-nine in formal english (think any of the austen novels, where "not two and twenty" means twenty-one). technically, he could be anywhere from like, 18-30, but at the very least, not thirty means he's in his 20s, and i think 29 works perfectly fine.
therem harth rem ir estraven: estraven's age is a tad bit more complicated to calculate, but still doable. we're given the ages of his mom, esvans (who's 70+), and his son, sorve (who, as i've explained, is roughly 14). this is complicated because it's said that gethenians generally stop having kids and start using contraceptives at about twenty-four, and have all their kids young. if you calculate back from esvans's age, that puts estraven at roughly 46, but if you calculate back from sorve's age, that puts estraven at thirty-eight MAX. you could use either of these calculations and you'd have enough textual support to do so, but i'm going to choose to use sorve's age for a few reasons: - it's more plausible to me that genly's data point about gethenians mostly choosing not to reproduce past twenty-four is based on recent data and not esvans's generation (especially because this choice is facilitated by contraceptives, and it would make sense for that to be a more recent scientific development) - estraven has two kids with ashe (more on that later) who are ten at oldest, and if he is 46, he would've had to father them at 36. if gethenians generally stop reproducing after 24, this is a bit too much of a stretch for me. so, like i said, that puts estraven at a maximum of 38 years old, but i actually think he's even younger than that. as mentioned earlier, estraven has two other kids with ashe. he and ashe vowed kemmering ten years before the beginning of the story (they were partners for seven years and have been separated for three), and although it's possible that they had their children before that, i doubt it just because of how estraven talks about it ("we were kemmerings for seven years and had two sons" at least kind of implies that the sons were born during the duration of that seven years). so with all that, if gethenian reproduction doesn't tend to happen past ~24 and estraven's kids with ashe are ten or younger, he'd be around 34, and would've had sorve around 20 (which is very plausible to me). hell, if his kids with ashe aren't the same age, the math probably means estraven is EVEN YOUNGER and sorve was a teen pregnancy baby, which also tracks imo.
arek harth rem ir estraven: this one is easy, arek is canonically a year older than estraven, which puts him at roughly 21 at the time of his death (potentially younger).
ashe foreth rem ir osboth: again, by assuming ashe's kids are ten or younger, ashe is 34 max, likely younger.
estraven & ashe's kids: all we know is that there's two of them, and they both could be anywhere from 3-10 years old (realistically, 5-10 years old, because the youngest kid being 3 or 4 would mean that estraven had sorve at thirteen or fourteen, which is very implausible even for a "sorve was a teen pregnancy" headcanon). we don't know if the kids are the same age or not either
ok there you have it, thank you for coming to my TED talk
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How to corrupt Daisuke and give him a dark evolution (and why ep 22 did not need one at all)
Ni has just watched Kamen Rider Geats, and this subject just came into my mind because my favorite character in this series so far has all the traits Daisuke has, and he's even a walking-mess unlucky kid who gets dragged into a whole chaotic series of events which ends up changing his character DRASTICALLY after a point of the series.
No Geats spoilers mentioned here. Don't worry. We're going to pick our favorite specimen Motomiya Daisuke and study how to apply a corruption arc on his portrayal.
This is a spiritual sequel of this post, which explores Daisuke's weaknesses and how you can exploit them to break and beat him. This is an important step, because if you want to turn a character who canonically lacks malice, you need to understand his weaknesses and then go from there.
First thing to know is about Daisuke's pragmatism. One of the episodes which this gets very clear, about how Daisuke being pragmatic is dangerously SCARY, is ep 25:
This whole discussion between the 02 kids (mostly Daisuke, Miyako and Iori) revolves around the fact Golemon is deadly serious about destroying the dam and having more victims and and that they all should just consider the idea of taking that digimon down and avoid the worst scenario happening. I think Shiha explained this part better than me in this specific subject, so check it out.
But knowing this, let's get to the fun(?) part -- Knowing that Daisuke's weaknesses and his pragmatism you can connect them and realize that breaking him is the only way to drive him into frustration and despair. Daisuke, as I said in the spiritual prequel to this post, cannot work well under pressure, so torturing him psychologically like what happens in episodes 8, 10 and 11 is where you weaken his strength and resistances.
In order words: you have to smash every spark of hope inside him, enough to make him lose his way and then start taking questionable choices in order to solve the problem.
Remember: Daisuke has no malice, therefore he wouldn't turn into a sadistic villain who enjoys hurting others for pleasure and wanting others to just suffer. Daisuke's actions would've still been the same as ever, but corrupt.
He would still want to help others, but instead of finding ways the sane Daisuke would've done, he could've been trying to track down whoever ruined everyone's lives --his included -- and take them all down. Because it aligns with his pragmatic approaches, it matches with the concept of "killing the enemy to prevent more causalities" except it gets driven by the seek of revenge and not the pure intent of saving everyone.
Hurting his friends and family -- or even killing them, if you're THAT CRUEL -- is the key. Because the only way to break someone who is not malicious and yes pure-hearted, is attacking all the things he cares deeply about.
As for 02 ep 22, which kept being unfairly criticized for ages because of the misconception about Dark Evolution...
Daisuke has been running in circles and fooling around only.
He had no negative emotions -- something that it is ESSENTIAL to dark evolution
Daisuke and V-mon had been on good terms in this episode, unlike Taichi and Agumon in Adv'99 in which helped to make things worse because Taichi kept pushing a torn of pressure on Agumon thanks to the Crest. The novel has another approach pointing out that Taichi wanted all the glory of being the first to Evolve Greymon further, which tracks with the idea of having corrupted intents (negative emotions)
Daisuke and V-mon ended up in REAL DANGER later, which means sooner V-mon would evolve normally because digimon evolution is also a sync between human-digimon in order to protect something or someone for noble reasons (at least it's what I think it is about)
Therefore I don't agree with the slander Daisuke and this episode suffer from time-to-time.
But there's more: on a very crack-ish drama CD you have this comical corruption arc for Daisuke...
Narrator: And so, Daisuke and V-mon went into the lumbering fog. Soon, it became apparent that the fog had the same abilities as those of the Digital World to change what someone was wearing, like how Miyako had ended up in her battle suit. And during that moment, a certain kind of thought was swirling in Daisuke’s head… Daisuke: I want to be popular…I want to be popular…I want to be popular… Narrator: And, in order to do that… Daisuke: A dark hero…a dark hero…a dark hero… Narrator: …for example? Daisuke: The Digimon Kaiser…The Digimon Kaiser…The Digimon Kaiser… Narrator: And thus, Daisuke underwent a dark evolution. (evolution noise) Daisuke: Daisuke, evolve…!…Digimon Kaiser.
Daisuke: (evil laughter) Miyako: Who’s that?!…Aaaaaaagh! It’s the Digimon Kaiser! Boltmon: What?! Are you the Digimon Kaiser? The one from all of the rumors? Daisuke: Now, everyone. Bow down before me. I am the one who can control even the power of darkness…the Daisuke Kaiser. Hikari: D-Daisuke-kun? Daisuke: I have been reborn. I shall live on as a hero of evil. Understand, you insects? Tailmon: Hmm…it’s lacking in a bit of punch. Daisuke: W-What. Palmon: He’s saying the right words, but that’s not gonna work by itself… Daisuke: Gh — ah — grrk — Mimi: Yeah, I think we all agree. Crowd of girls: Yeah, Ken-chan is cooler. Daisuke: D-Dammit…Why… V-mon: Daisuke! Try kicking me! Like how the Kaiser was always kicking Wormmon around! Daisuke: A-Are you sure?! Okay…
(kick) V-mon: Ow! Daisuke: Aaaaaaaaah! V-mon, are you okay? I was trying to hold back, too, I was hoping it wouldn’t actually hurt… Crowd of girls: Boo! Boo! Boltmon: Boo. Boo. V-mon: No, that’s not gonna work, Daisuke! Even Boltmon’s booing us! You gotta get into the whole “evil” thing! Daisuke: But…I…can’t do that to you… Ken: Motomiya-kun! Daisuke: (attempting Kaiser persona again) Ah. Ichijouji. Ken: I saw you turning into the Kaiser and came running!…(Kaiser voice) Motomiya-kun. You don’t have what it takes to channel the powers of evil. Daisuke: Hey, you don’t know that for sure! I…have decided to live in the grasp of evil! How dare you imply I don’t have enough willpower. Ken: (evil Kaiser laugh) “Not enough willpower,” you say? Hah. Motomiya-kun. You know nothing of the words you speak. It would be more accurate to say…you don’t have enough power to begin with. [...] Daisuke: Nggghghhhgnnnn…V-mon, is it okay if I go all out…? V-mon: (vaguely Wormmon-ish voice): Dai-chan! It’s okay! I don’t care what happens to me…!
... you realize that Daisuke really has no evil in his heart, therefore he's unable to do sadistic things Ken (as the Digimon Kaiser) has done, and then he fails at being a villain.
When Daisuke is trying too hard to be something he isn't, he completely fails at it. He only succeeds at being a cooler or terrifying person if he's not trying to pose as one. Which makes it 10x scary imo...
So i hope you enjoyed how i perceive the concept of corrupting Daisuke in a very effective way... at least for myself 😅
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X-Force and Krakoa as a whole was a bad time to be a Beast fan. So for fun I just wanted to ask, if you were in charge of Beast during the Krakoa era, what storylines would you have liked to see done with him? I feel like there was a lot of potential there that didn't get realized because he was basically trapped in X-Force hell and rarely appeared outside of it. For instance, with the whole cloning thing, he could've technically gotten his human-looking body back for real, without the intelligence-draining drawback from X-Factor. It might've been cool to explore that temptation. Would he even still want to go back? Has he fully accepted who he is at this point? Maybe he'd view it as cowardice to erase his outward mutation when others can't. And then there's the potential for exploring his thoughts on mutants separating from the world as one of the more connected mutants who often worked to try and bring them together with humanity. I feel like a lot of his story potential with Krakoa was wasted due to the plot he was forced into.
So, I've had thoughts about this.
Yeah, I categorically have to agree, Beast was criminally wasted on Krakoa.
Like, even if you do take the view that his heel turn was done well (it wasn't), it was a logical place for his character to go (it wasn't), and that his villain arc was satisfying (it wasn't), it's still, objectively, the stupidest thing to do with him, in and out of universe, because Hank is actually fairly unique among X-Men characters in terms of how he can interact with the Krakoan status quo?
So, let's explore some of the stories that we could have gotten during the Krakoan era!
Now, in the interests of fairness, this thought experiment will have a few ground rules, most notably that it has to treat everything that came before it, up to 2018-2019, as hard canon, and it has to flow naturally from that point. We're also not going to radically alter the rest of the Krakoan story, in part because I hate the wankery of 'oh, everything would have been fine if this one character had been here,' and in part because Krakoa was designed to fail, so we're keeping those themes and intents intact.
Ah, but I hear you say! How can that be so when X-Force can't happen without Beast there?
Easily, I say! One, because X-Force doesn't actually do shit in the wider Krakoan story - it's, like, genuinely worthless as part of the wider narrative, there's a reason every recommended reading list for the era skips it - and two, because we can just put Dark Beast in charge of it instead, and the story doesn't change at all.
Why not? If Sinister can be on the Quiet Council, why can't Dark Beast get his shot at a position of authority? He's still alive, so we don't have to worry about justifying his resurrection under the no clones rule, and it would suit Sinister's wider story beats to have an ally who owes him for saving his life in such a useful position.
But yeah, this legitimately doesn't change the story one bit. All you have to do is tweak a few bits of Jean Grey, Colossus, and Domino's dialogue, and nothing changes. So, X-Force is completely intact. You're welcome. Now, on with the show!
Option 1-A: Exile/The Nonconformist
One of the more interesting and maybe divisive choices I think we could go with for Hank - what if he just says no, I wouldn't want to be on your kooky culty ethnostate island? Or, alternatively, what if the Quiet Council string him along, get him to create their miracle drugs, and then exile him from the island because he's considered a rogue, unstable element?
It's within their character, especially Shaw, Mystique, Apocalypse and Sinister, to not want him around, and frankly, I don't think Jean, Charles, Kurt, or Ororo would really vouch for him, either. The X-Men have been established not to fully trust Hank, thanks to the time travel debacle, and he doesn't like them much, either, after they stabbed him in the back during Inhumans vs. X-Men and got him fired from Harvard, so it'd be very easy to more naturalistically pick up on the story beats from there with him just not being welcome on Krakoa or not wanting to be there.
It also fits with the wider course of his character, where Hank has repeatedly expressed unease at being an X-Man and left the team as a result, multiple times. Hell, this is where he's at with Charles and the X-Men as of 2018.
Not exactly champing at the bit, is he? He sounds tired, and over it.
This opens up a more realistic and, let's be real here, interesting dynamic than we had on Krakoa, where everyone is, by virtue of editorial dictate, now magically fine with one another to the point where they'll all live on the same island and also completely fine with establishing a new nationality for themselves.
We can argue about Krakoa's isolationism, capitalism, human policies, etc, but the fact remains, everyone was made a monolith and they all moved in together, and it was kinda lame if you stopped and thought about it. They did it because the X-office wanted all their eggs in one basket so they could hand them out to their writers and not have to share, not because it was a natural move for a lot of these characters.
As you intimated, it especially doesn't really make sense for Hank to do this - he's been an Avenger for almost as long as he's been an X-Man, a lot of his best friends are on that team, and his friendships with the X-Men are rocky at best, textually speaking. His very human and pro-mutant parents are still in Illinois, and still alive, as of 2018.
I also think it's an interesting move from the Krakoan side - you establish early on that there's some real double standard bullshit going on, just like you do with Sabretooth, but EXACTLY as with Sabretooth, it's against an 'acceptable' target.
It's also a good springboard from which to spur Hank into action - maybe this is his penance for his actions, exile from paradise, the punishment he kept saying he was ready to accept but that no-one seemed willing to dole out. Maybe this pushes him to clean up his act. Maybe this is what Eva Bell was talking about, when she talked about the Trial of Hank McCoy - the trial that determines that he's unfit to be Krakoan. This is really interesting emotional ground for him, too, to be ostracised again - does it hurt as much, does he rave, does he go ballistic, does he quietly accept it and cut ties?
Where does he go from here? I don't quite know! Maybe Jed MacKay gets to use him for his new Avengers team, come 2023, and he gets to join the fight against Orchis as part of Fall of X. Maybe we get a Defenders reunion, with Gargoyle, Moondragon, and a few new members. Maybe we get a Beast and Wonder Man team up comic! Hell, get him to join the Fantastic Four or Spider-Man as a supporting character - Hank has so many connections, you can literally use him anywhere.
Option 1-B: X-Club.
An offshoot of the above - what if Hank appears to be exiled/a non-conformist, but he's actually on a secret mission for Xavier? More specifically, what if he's been given the directive that he SHOULD have been given from the start - to find a way to oust Sinister from Krakoa, permanently.
Think about it. Hank is objectively smarter than Sinister, he just doesn't obsessively focus on genetics. He is the single smartest X-Man. If anyone can rebuild, steal, or substitute Sinister's genetic database, the one bit of collateral keeping every X-Man from obliterating him on the spot, it's him.
Enter X-Club volume 2.

Beast, Kavita Rao, Doctor Nemesis - throw in every scientist you've got. Their one mission: get their hands on Sinister's database. I'm thinking a five issue miniseries, short, sweet, loaded with science and sass. In the end, they fail, because the rest of Krakoa has to unfold, but guess what? At least they tried! At least the Quiet Council is trying! Maybe they get away with a small victory, maybe a portion of the database, maybe they only put a stop to one of Sinister's schemes (which would make it intertwine with Hellions nicely), but at least they tried.
You also get to play with some of the more interesting aspects of being an undercover operative - namely, the emotional toll of lying to your friends and family about what you've been up to. Imagine the charge of Hank having to shit-talk Krakoa, knowing that Bobby and Warren and Jean are all going to hear it, and then he has to go and fight for it, and he can't say a word about it? There's pathos and tragedy in there!
Option 2: Temporal Guardian
The X-Men cannot escape from crossing fate - uh, I mean, temporal drama and bullshit. Krakoa especially was rife with it, thanks to shit like Sins of Sinister and Moira X, so, why not let's actually interact with it, using one of the characters who has both the knowledge and the power to interact with time on a higher level?


Hank McCoy canonically had: 1) intricate knowledge of temporal physics, 2) temporal senses that made him mentally immune to changes in the timeline, and 3) the ability to move, completely independently, through time using magic.
The guy's just a fucking Time Lord at that point.
So, let's let him Time Lord! Imagine a circuit between him, Rachel Summers and Tempus - Sins of Sinister would be over like that. You're worried about the timeline where mutants always win or always lose? Just use the mutants at your disposal to metagame your way to the timeline you want! You literally have the tools, you just won't use them!
This is the most 'comic booky' of the options, but I honestly think this could have been fun as a gimmick for a book, battling across centuries for the fate of mutantkind, taking on all comers - hell, maybe you could even use Orbis Stellaris for something instead of having him just sit around in his dumb orb, and he decides to try and engineer a win using temporal warfare!
It'd be neat, is all I'm saying.
Option 3: The School
Remember how Krakoa didn't have a school?
You know? The island nation, didn't have an actual place where you'd go and learn shit? The thing we had when we were a superhero team, but the instant we decide we want infrastructure and a nation and a full on population, we just don't want it?
Think I found your dude.
It always struck me that the move to teacher made more sense for some X-Men than others, but for Hank, it really was the most natural fit in the world. Highly academic, empathetic, good with kids, open minded, versatile - he's perfect to lead a school. And, now that you've divorced the school from the X-Men, you avoid the issue you had when Hank took over the school during Here Comes Tomorrow, where the pressure destroyed him - he doesn't have to worry about the fate of mutantkind, he's literally just a teacher now.
But, 'just' a teacher? Of mutants? Ha!
This would be a really interesting coming of age/community book, I think, maybe more slice-of-lifey and akin to Wolverine & the X-Men volume 1 in content, though maybe not as whacky in tone. Academy X students, nascent mutants, people who just want to pick up a community college class, people who never got a formal education, hell, characters who find they need qualifications in things that they never got - you could literally throw everyone in here, and Hank can bounce off them all.
This is maybe the 'safest' place for Hank, the most obvious and 'boring,' but I think a good writer who's interested in the mutant metaphor and the generational aspect of it, as well as the passing vs. non-passing mutant dichotomy, would have a lot of material to dive into - your ideas, of Hank grappling with his role as role model to these kids, of working on his complicated feelings regarding his mutation, would slot in well here, I think.
A story where Hank arrives to teach a class in his human form, much to the shock, worry, and disturbance of all of his students, and the ramifications of such a choice, would be really interesting, and a good opportunity to comment on the Krakoan tendency towards disposable bodies and the cheapness of death, too.
That being said, I do think it's worth noting that Bendis' choices with Hank and the subsequent story flow seem to indicate that Hank's dysmorphia and dysphoria were associated primarily with his feline form, since he'd come to terms with his classic form and seemed more comfortable in his modern form immediately.
The switch from full kevlar vest, bandolier, pants and body coverings to the shorts says it all, doesn't it? One of these bodies is acceptable to display. The other is not. But, even if Bendis took away the feline mutation in favour of a design that appealed more to nostalgia, that doesn't mean we can't use this book to unpick that idea, and talk about Hank's feelings on that and why one is okay while the other isn't. There were aspects of this in New Mutants, and this would be a good way to handle it from yet another perspective!
Option 4: Reunion and Reconciliation
So, it's pretty fair to say that the O5 have drifted apart.
So.
Let's DO something with that, shall we?
O5 reunion book. Let's hash it all out. Every petty grievance, every massive failure, every way they've hurt one another, not been there for one another, let's DO IT. Let's hear Hank tear Scott a new one for not saving him from Osborn until the time was right. Let's hear Scott tear Hank a new one for breaking the space-time continuum just to try and hurt him. Let's hear Warren tear Jean a new one for the shitty way she treated him when they were time displaced. Let's do EVERY. SINGLE. ONE. Let's put it all to rest.
Maybe this could only sustain a big giant size issue, but fuck it, it's a better use of page space than that Original X-Men one-shot that ended up being nothing but an advert for yet another Wolverine book! And it would be high key dramatic as fuck. Let's do that thing that often makes for the single best episodes of a TV show or movie - people in a room, around a table, TALKING at one another. There is so much history there, and you wouldn't know it by looking at Krakoa as it is! Scott, Warren and Bobby never even speak Hank's name, and god knows that Warren got shit fuck bugger nothing to do for most of the era once X-Corp died, so let's DO something, like, my god. These people are meant to be family - let's treat them like one.
And hell, while we're at it? Let's settle what happened with Abigail once and for all, too! Are they together? Are they not? What's the story, morning glory? I hate existing in this nowhere space where we don't know shit about fuck!
Option 5: X-Forces Beyond Our Control
All right, so, I've been outlining all of the above, and the assumption has always been that X-Force just ends the way it does in 616, though it's probably a little less homoerotic, Dark Beast probably just bites it at Logan's hands and it's all as uncritical as Percy's normal work.
Well, what if X-Force were good, actually?
What if we leverage some old history?
Bring Beast in as a supporting cast member for X-Force once Dark Beast, their Director, goes rogue.
Let's explore and unpack Sage and Hank's relationship - let's look at the way that Xavier wronged them both, made them both child soldiers, brought their genius to bear, left them emotionally unprepared for the future they faced.
Let's unpack Hank's lingering resentment over the choice that Sage made for him, that saved his life but 'trapped' him in the feline form for years.
Let's unpack Sage's jealousy and confusion over Hank being Charles' favourite, let's take the old man to task, let's see where this goes.
Hell, while we're at it, let's even do something with Colossus, and dive into Hank's guilt over Piotr's taking of the Legacy Virus cure so many years ago. Does Piotr even realise Hank felt that way, realise that he feels he probably killed Piotr? Does he forgive him? Does Hank forgive himself?
And then we lock in. Beast vs. Dark Beast. The final confrontation. It's been brewing since 1996, and it's about time we settled it.
So, those are my thoughts on what Beast COULD have been up to Krakoa, instead of being stuck in a 100 issue long diatribe about how 'Kissinger Was Bad, Mmkay?' by a sub-par writer. I also think that while you could choose one of these options, it's not out of the question to do ALL of them, if you really wanted to maximise your Beast per year values. They're not exactly mutually exclusive, if you think about it!
Hopefully that answers your question, friend!
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Cursed Child rant? as a treat? 👉👈
Oh god. Where to even start. Listen, I know some people enjoy CC and I say more power to you. I'm not here to be the fun police and say what people can and can't like or write fic about or derive meaning from or whatever. But for me, personally, Cursed Child is an absolute mess of the worst kind that irritates me on a profound level.
First off, it's completely inconsistent with the canon characterizations and established rules of world building (and JKR didn't even do that much world building so there wasn't that much to keep track of and yet, they couldn't even bother to do that). I mean, Cedric, who tried to give the Triwizard Cup to Harry doesn't win and that somehow causes him to become a Death Eater??? Huh? It's not just ooc. It's bad storytelling. I mean, even if he was a hugely sore loser why would losing a tournament cause him to join an extremist blood purist paramilitary group? That has nothing to do with him losing. It's stupid and childish and nonsensical and SO bad.
And really? That's the best you can come up with? If the point of that whole thing was the tired trope of 'time travel goes wrong and makes things worse' they could've just had the gang expose Crouch earlier but instead of Voldemort not returning he just ends up returning but not using Harry's blood which allows him to do his original plan of growing his power in secret. And idk. Maybe then he takes over and he kills Harry and Harry doesn't come back. I didn't even put any effort into that. It's a bit dumb and inelegant but it gets the job done without wild character assassination and a lack of logic so profound it would insult the reasoning abilities of a fungus.
But ok, let's judge it as its own vaguely Harry Potter inspired thing rather than as an actual sequel to the canon series. You know what the result is? IT'S STILL BAD. It's just. SO BAD. I don't understand how it's a real thing.
It's like a parody of a bad play. It can't possibly be real. Harry suddenly has a phobia of pigeons? Why??? It's so...stupid. And I'm supposed to take that seriously? What? And the dialogue. The dialogue. "Bad" doesn't even cover it. The fact that "Wow. Squeak. My geekness is a-quivering" is a real actual line in the actual play causes me physical pain. WHO WRITES THAT?! AND THEN LEAVES IT IN THE FINAL DRAFT?!?!?
And Delphi. WHAT EVEN?! She's literally like a parody of a bad fanfic Mary Sue. Down to the blue streak in her hair. But we're supposed to take her seriously? As a villain? Tf? She's like a bad Ebony Dark'ness Dementia Raven Way knockoff. The whole play is like an unfunny parody of bad writing. But it's not supposed to be. It actually pretends to be a genuine drama. Which is so much worse. I truly think My Immortal is better. And way funnier.
No effort at all went into the story construction. Characters act incredibly childishly and unrealistically and simplistically. The story doesn't feel like it was written by adults. There's no feeling or depth or emotion. It's all plot contrivances and nauseatingly simplistic writing. It isn't a story. It's just some stuff that happens. Because the writers were just like 'eh it's Harry Potter it'll sell.' And that's not art. That's just churned out content. And it bothers me on such a profound level that they did it and got away with it.
I would be embarrassed to write that for myself, let alone to turn that in as a professional writer. It's so inconsistent with the original story that I legitimately think the 2 guys who wrote it didn't even read the books. They just glanced at the wiki and decided they were good to go. Despite being PAID to do this. How sloppy is that? Not to mention Harry Potter meant so much to so many people who were ecstatic to get more content yet the two clowns who wrote this just skimmed the wiki and then vomited out some of the worst lines ever penned in history and called it a day.
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