#if she acknowledged that it would be so cool

[harpieisthecarpie]

Thanks for the peer review o7 i will use this power for ramble

I do think that a lot of the fic sex/romance issues were started in a genuine push to not spread misinformation, bc iirc fics used to parrot a lot of common myths re: intercourse (even moreso than now), especially ones about non-"traditional" non-cishet practices. And safety. And anatomy.

Which, it's cool and good to see a push for sex positivity and education! But I do feel there's now a pressure (internal or external) for the sexual aspects of fic to be textbook safe, sane, and consensual in all avenues.

I have 2 main reasons (beyond fic ≠ sex ed) that the squeaky clean route shouldn't be our only route. Which are: characterization, and erotica vs romance.

Firstly, characterization:

Intimacy can be an amazing way to explore characters, a relationship, or even a setting in your story. You can miss out on a lot by treating sex as simply a lesson rather than a tool in your narrative toolbelt!

Tbh I think the reason gen z ppl (like me) often say we "hate sex scenes" in media is bc they feel unnecessarily explicit or unnecessary in general, and we often don't have the language for what the problem is. Or we misattribute the ickiness to sex scenes happening at all!

I'm grayace and they can be boring af, or sometimes creepy as hell for reasons unrelated to the narrative (stop auteur directors now! /hj).

But one of my fave fave fave book series is the Binding Light trilogy by Freya Marske (I think the author's on tumblr actually), in which the sex scenes are narratively pivotal. And I, the sex scene hater, love the series sm I didn't even have to look up the title or author just now!! Unheard of!!!

These books are so dear to me bc the intimate scenes mirror both the (wonderful, superb) magic system AND the characters' relationships! Their sexual vulnerability and connection evolves alongside the characters' development. I've never before rambled about breathplay as a metaphor for trust, but Marske had me writing ESSAYS. My apologies to my friends' DMs

At first I had skipped those sex scenes, but once I had to go back for plot info, actually reading them made me go "oh holy shit this is all important".

I think stories miss that relevence pretty often. You don't NEED to have sex scenes, but also you CAN have them wherever it feels right.

IMO It's important to treat intimacy (of all kinds) in a work as character exploration first, rather than purely mile markers or something for characters (and writers) to "get a good grade in"

Moving on to erotica vs romance:

I've recently been watching a lot of SAVY WRITES BOOKS on youtube, and in one of her CoHo reviews she talked about the difference between works labelled "erotica" and "romance".

To her, romance novels have a sense of realism, they exist in a world that functions (at least adjacently) like ours. A romance would treat consent and safe sex like we do irl (or some historical equivalent based on setting). Basically, characters wouldn't be able to smash in a subway car without getting charged with public indecency.

Thus, if the characters were practicing BDSM, they would on some level acknowledge they're performing a scene (ex. consent check-ins and safewords). Here we have some level of RACK. Or if its unhealthy, there's framing acknowledging that fact!

Whereas erotica exists inside that BDSM scene! An erotic fic that tags its kinks and content correctly has given you enough for you to have informed consent. If you read the fic, you will thus be reading the "fantasy" of a BDSM scene. We know this isn't necessarily realistic or healthy, and that's fine! We read it with the knowledge it's not meant to be!

Uhhhh so. This was a really long way for me to explain "fanfic isn't sex ed so it's fine if they don't always use contraceptive"

tl;dr Intimacy and sex are cool for characterization. And smut is a Scene, if a person is informed of its contents all consent is accounted for :)

author’s notes today: hey guys so just a warning there isn’t 100% explicit verbal consent even though they’re both really into it so remember this is FICTION, also they don’t use a condom :((( but in real life safe sex is important!!! please be safe out there everyone

a/n back in the day: kept thinking about ____ stabbing knives through both of _____’s hands to pin him in place while they fucked so here you go lol =P

[its-your-mind]

the m9 are so FUCKING good at being irreverent and threatening and disrespectful and rude and insolent WHILE SOMEHOW ALSO maintaining a certain degree of plausible deniability?? and most of the time they’re not even necessarily trying to be like. manipulative??? that’s just how they are???? most of them hold things close to the chest as a default position, they obfuscate, they’re all hesitant to commit the group to a course of action, they keep their options open and their paths for retreat clear At All Times, and they give NO SHITS about how they’re perceived beyond wanting to give the impression to possible threats that they are Not To Be Fucked With.

which leads to cool shit like the fact that they made essek feel safe and not-lonely because he saw them as kindred spirits and knew their affection was genuine, or when all of them kept sitting in eadwulf’s chair before he could, or when they all grouped tight around Caleb and projected Pure Concentrated Righteous Anger when Trent saw him again for the first time, or when they got banned from Pirate Island by the Pirate King within 24 hours of landing there NOT because they DIDN’T fuck up and blow up a bunch of shit but because someone ELSE fucked up WORSE and so they got to live and leave while Avantika got her head smooshed.

and it is so *chef’s kiss* when they’re with people like trent or obann or whatever noble they’ve pissed off this week, but it’s WAY FUNNIER when they’re with Lucien who is in fact trying to be demeaning and manipulative to them on purpose and they’re just… not acknowledging it. and they’re meeting him volley for volley. but he’s being very intentional in trying to dance the right steps, finding the right buttons to push, and the Nein one time stole a whole-ass pirate ship and sailed into the ocean by… accident. they wouldn’t know intentionality if it bumped into them in the sewers and dropped an ancient religious relic into their bag of holding.

so lucien is trying to unnerve him by being there when cad wakes up, and cad responds by being 100% genuine when he asks Lucien to watch the sunrise and tells him that he needs perspective. jester really does probably want to domesticate unicorns? Caleb did let them sleep in his warm cat tower in exchange for seeing the fucked up book. Veth tried to kill Otis and they’re just. Not talking about it. Either of them. Lucien is scrying on them all the time. They know it. He knows they know. The scrying continues. the Nein throw up middle fingers until the scry orb vanishes so they can have like. ten minutes to plot before another pops up. Lucien knows they’re probably plotting. They know he knows. The plotting continues. Jester turns herself and Lucien into cats so they can slide through the cat tunnels. She reads his Tarot. He pulls Death. She tells him it’s an omen of Rebirth. Caleb surrounds him with the trappings and memories of Mollymauk. Lucien continues to act as though Molly was some meaningless scrap of floating consciousness. The Nein don’t believe that. He knows. He’s not interested in re-examining his opinions on the matter. The Nein keep pushing the Molly buttons. They keep going north together. Beau tells him about the cults they’ve destroyed. Lucien dispels their Polymorphs to force them to face the fire elementals down on the lava beside him. Caleb and Cad can emergency-teleport them out. Eiselcross doesn’t like teleportation energy. They’re the only ones who can stop the Somnovum. Lucien proves his mortality by getting them lost two days in a row. An old enemy finds them. They reach out to Essek. He’s waiting. Aeor. North. Caleb and Beau dream. They could be compromised. They can’t tell if Lucien knows. He’s always acting like he knows everything, and of course none of them would risk asking and giving him more information.

So they dance. But Lucien learned this dance by choice. His movements are quick and smooth, but they don’t flow naturally, not like the Nein’s. They first learned this dance out of necessity, and perfected it under threat of punishment, pain, and death. They’ve spent the last year learning how each other move, learning how to adjust and make room. It’s easy to let Fjord take the lead in negotiation, and to back off when he steps in to mediate. Beau and Caleb don’t have to talk to know each others’ priorities, and when Caleb marches over with clear intent, Beau follows quickly behind to provide silent support, and to step in to take some of the heat in case Caleb needs it. Cad and Jester are so effortlessly effective, offen without even realizing it, but it’s second-nature now to jump ship to whatever new tone or topic one of the clerics brings to the conversation. Veth is similar, though her skill lies more in her ability to aggressively redirect. She can cannonball into any smoothly flowing river of conversation, disrupting things significantly enough that whatever conversation had been happening, it’s at least going to be a very different one than what’s happening now. Yasha is the opposite - she always steps lightly, gently making comments or asking quiet questions, and if Veth is good at making waves, Yasha has a gift for settling things back down, bringing everyone’s energy levels down closer to her own.

and so Lucien is left on the outskirts of an intricate social dance that he can't hope to penetrate, because he refuses to allow himself to know the Nein. He refuses to accept that the part of him that is Molly used to flit and spin and flourish amongst them as though he belonged. Because he did. He does.

and so they keep walking north, with full knowledge that none of them trust each other even a little bit, and that both groups are waiting for one moment of weakness, one stumble, one missed step in the dance to give them a moment to strike. but the tentative peace is dependent on none of them acknowledging that the "peace" is simply the silence of a forest when an apex predator is stalking its prey. at this point, they're all just waiting to see who'll be the hunter, and who will be the hunted.

[simpforsolas]

So my biggest problem with Solas x Mythal isn’t that I’m “jealous” of their relationship or anything like that. In fact, I really like the concept of her being a toxic and abusive relationship he has to let go of to be able to move forward and find true happiness with the inquisitor.

My problem is that it cheapens Solas’s motivations and seems to make his only reasoning for tearing down the veil be loyalty to Mythal. It also, to me, downplays the significance of the inquisitor’s influence on him. This was disappointing because in Inquisition, we were introduced to Solas as this very wise, idealistic, and thoughtful person who cared deeply for his causes. Justice for Mythal was one of his motivations, but I never interpreted it as his main motivation. I thought his main motivation was always to make a better world and fix his mistakes.

I truly believe that he’s not wrong about some things. The veil IS a wound inflicted on this world. It was made by him; it’s not the world’s natural state. It’s falling apart and broken. It creates a class divide between mages and non-mages, and by separating spirits from the physical realm, it makes them more susceptible to corruption into demons and makes people scared of them. There are tons of instances through DAO - DAI where weak spots in the veil lead to mass demon possessions and death. It made a world where elves die instead of live forever, and where they either live in slums or as shadows of their former glory in the woods. But DATV didn’t address ANY of this. It painted Solas to be this lovesick pup whose motivation was purely emotion-based, and it didn’t help that this game didn’t go into Thedas’s socio-political climate so a new player wouldn’t understand that the world of Thedas is seriously messed up, and that Solas’s plan would resolve a lot of the issues in need of fixing.

The problem is, and always has been, the cost. Solas restoring the natural order of the world would cost thousands of lives, and destroy the current world and all the good it has to offer. In order to abandon this plan, Solas needed to not only be released from Mythal’s service, but to let go of the world of the past. He needed to acknowledge that the world he loved is gone, that a new world that he also loves has taken its place, and that it deserves a chance to live. It’s sort of implied that he goes through this shift in belief in Trespasser, but it’s not enough at the time, and that’s okay.

Anyway, with all this in mind, this is how I’m choosing to interpret Solas’s entire redemption arc. Solas did have his reasons to tear down the veil that he passionately believed in, but through his interactions with the inquisitor and rook, the only reason that truly remained was that he didn't want to fail Mythal. They changed his perspective on the world, and showed him that it’s a world worth preserving, even if it’s different. He didn’t want to do what he had to do, and by the end of DAI and/or Veilguard, the only thing keeping him tied to his course was duty to Mythal. So she has to free him to allow him to move on.

However. If Mythal had released him from his service at the beginning of inquisition, because Solas hadn’t gained any affection for the new world, it wouldn’t have mattered. He would’ve been like "cool i'm doing this anyway because I want to.” Changing his course required two things: having his heart changed by the inquisitor, and Mythal allowing him to move on. Unfortunately I feel like the game is a little sloppy with this and makes it feel like freedom from Mythal is all that matters, but my dear friends, she is not. It was a team effort all around, and Solas’s redemption would not have been possible without our beloved inquisitor. 💜

[lialuvsaven]

Happy Birthday, Aventurine!!

“Aventurine always tries not to remember. He's never synced the Sigonian calendar system to check the date in trailblaze calendar, never makes the mistake of dwelling on the memories surrounding this day— even when he's too drunk to remember his own name. Done everything possible to not acknowledge it; because this day feels like nothing but a curse to him.

Unfortunately, Jade has now ensured that he never gets to forget his birthday, again.”

Pairing: Aventurine x reader

Tags: Angst, Hurt/Comfort, Comfort in the end to compensate for everything else ❤️ Reader is not physically present in the fic (they're not dead it's ok)

wc: 3.3k

Aventurine was abruptly interrupted by a knock on the door just as the sun began to slant westward.

With a sigh, he puts down the pen and glances at the wall clock. The hands on the parchment-shaped monstrosity read 1 pm, but his eyes are drawn back to the purple tongue protruding from its massively extended mouth. Seriously, where does Stelle find these items? "An ugly, purple parchment shaped wall clock that looks like it's ready to eat people"— isn't something most people would think to give him, to say the least. But that's the thing—it was Stelle.

She claimed to have found it during one of her "excavations." And even though Miss March 7th did her best to keep her friend from going into further details, stepping on Stelle's toes right in front of him and giving her a sidelong glance, as if he wouldn't notice, he could tell what kind of "excavations" would turn up something like this. Not like he minds the origins of this gift, however. Gifts from friends are few and far to come by, especially ones who actually tolerate him. Not to mention, Stelle likely sincerely believes that it's a cool gift, which is why it has replaced the diamond-embedded wall clock on his wall.

His musings are interrupted by a second knock, which, like the first one, reverberates once around the room before fading away in embarrassment. "Come in." He announces, reclining back in his seat and looking at the door with expectation in his eyes. It was not uncommon for his secretary to appear randomly in his office, constantly fussing over yet another minor issue. He believed it was her; at least, his itinerary showed he didn't have any guest visits today. Maybe it was time to replace assistants—the new hire is clearly not on the same wavelength as him. But he'd only recently had Topaz yell at him for changing staff so frequently; he'd prefer not to tell her that her choice was horribly disappointing just yet.

With a tiny bag bearing a brand he is all too acquainted with, the secretary enters the office. She keeps her gaze fixed on the floor the entire time, hence doesn't notice when her supervisor raises an eyebrow at the sight of his favorite jewelry brand. "Sir," she says in a low, somewhat flat voice, akin to that of a news reporter. "Earlier, a staff of Madam Jade stopped by. You have a present."

A grin appears on Aventurine's face, followed by a joyful chuckle. With how busy work has been lately, he'd almost forgotten when he asked Jade for a pink diamond, as has Jade apparently, seeing how long it's taken for her to send this. His request was a joke, of course, only meant to irritate Topaz. But he wasn't surprised either; Jade always takes good care of her weaponry. "Ahhh, no wonder!" He chirps and presses his palms together. "She must've finally found some generosity in her heart, hm?" He muses, and his assistant can only stand there stoically. He waves her off as she places the bag on his table and departs with an unnecessary low bow, never looking at his eyes once. As always.

When the secretary has left the room, he opens the bag, humming as he removes the box and gift card. Jade's handwriting is distinctive: prim and precise cursive that resembles a font.

"Happy birthday, Aventurine. This jewel would suit you far better than the pink diamond you asked for, don't you think?" — Jade

Kakavasha freezes. His birthday, she says, but she'd need to align the standard calendar system to the Sigonian one to find that out. She sent him a…..….a gift? For his birthday? 

Is this a fucking joke?

The box reveals a chunk of corundum. Raw, uncut, pink and blue hues all over. Shades way too close to his eyes, and it doesn't take a gemologist to tell that Jade had done her searching thoroughly to obtain this. A jewel the color of his eyes, the color of Avgin eyes, neatly wrapped in a box for….to send ..what sort of message, exactly? Oh Avgin, never forget who you were before I found you—unpolished and undeserving. forget your name, but never your roots.  

The note is crumpled and thrown in the trashcan, while the corundum and its box are hastily and carelessly pushed back into the bag. Really, so typical of Jade, he scoffs as he tosses the godforsaken bag into a random drawer, never to be seen again. 

Kakavasha— no, Aventurine always tries not to remember. He's never synced the Sigonian calendar system to check the date in trailblaze calendar, never makes the mistake of dwelling on the memories surrounding this day— even when he's too drunk to remember his own name. Done everything possible to not acknowledge it; because this day feels like nothing but a curse to him.

Unfortunately, Jade has now ensured that he never gets to forget, again. 

In any case, Aventurine concludes that it is not good for him to worry about this too much. Yes, he can just forget about the corundum. Yes, he is able to forget how it resembled Avgin eyes. Yes, he can also forget that Jade most likely sent this to "keep him in check" following the stunt he did in Penacony. But it was a mistake on his part to not see something coming. She had done this before, and it would not be the last time. He smiles at his own reflection in the bathroom mirror, composed, shrewd, and calculated. Since a mirror has the freedom of choice, it does not return his smile.

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By the time the car comes to a stop in front of his house, Aventurine is exhausted. His chauffeur unlocks the door for him, and he makes his way to the elevator. Yet he's interrupted again— of course, because it's a cursed day, and Aventurine has to restrain himself from scowling at the gateman, who stands in front of him wearing an anxious expression. "Sir, your friend had visited earlier to drop off something."

He raises an eyebrow and is about to inquire when he notices the bag the man is carrying. Without saying anything further, he simply takes the bag. You are the only one who'd own a dumb clockie bag and the only one who'd ever drop things off at his place.

When he steps in, his three catcakes meow loudly to greet him, and feels somewhat grateful for it. Today was just too exhausting, after all. He understands what this is about, based on the fact that you always give him gifts in person. Why, of all days, would you consider dropping it off today? And with no advanced notice- completely unlike you. How annoying, did Jade really have to do this too? He's never disclosed his birthday to you, so you probably coerced her into telling you, and she was glad to oblige, given you are of value to her.

Aventurine doesn't realize he's been standing in the kitchen for a long time until Spade begins massaging its fluffy body on his legs. He is surrounded by his three catcakes, who are all staring up at him expectantly. The message is crystal clear: We Want Food. He moves swiftly to get their food bowls, chuckling to himself before setting your lunchbox on the counter, sort of as an afterthought. At least they'll be able to go to bed well fed tonight. 

After serving them dinner, he leaves the kitchen carrying a bottle of wine, hoping to spend the remainder of the evening crashing on the couch. He can just leave everything else for tomorrow. The benefit of drinking is that it can temporarily impair your ability to sense emotions. He only needs a short term fix, after all. Come tomorrow, he'll take hangover pills, and walk out of this house as Aventurine of the stratagems again— undoubtedly.

He turns on a random B-grade movie, prepared to drink the night away. And he does precisely that—he pushes down thoughts of how his childhood friends, whose features now misty in his memories, would react if they were to see him. With another shot, he pushes down recollections of his mother's cooking—the special meals for the Kakava—and his birthday. Another to accept the now-blurry face of his sister in his memory as the only proof of her existence. Another to forget the clay dolls she'd made for him, on the last birthday kakavasha got to celebrate, that were broken when he had to run for his life. And one more shot, and another, till he's forgotten everything; till he's numb and emotionless.

Feeling empty and hollow is far worse than anything else, and being unable to cry isn't as pleasant as he thought it'd be. But in his lavish home, where gold abounds in every nook and cranny, he has little reason for tears. Money may not be able to buy him happiness, as he is well aware, but it certainly does spare him from ugly tears unfit for his visage. Maybe that's why he hasn't cried in a while, or perhaps he has simply lost his soul somewhere along the way. He stays on the couch till 3 am, accompanied by his pets. He pretends not to see the troubled looks they shoot at him, whispered words passed between them that are clearly about him. By the time he decides to rest for the night, he is fatigued, sluggish, and barely keeping it together.

When he gets up to grab a glass of water from the kitchen, Ace makes a protesting noise before promptly shutting up. Catcakes are smart creatures, and they understand him better than most individuals in his life (or maybe the difference lies in care) His throat is dry, and ice cold water from the freezer provides enormous relief. However, the respite is taken away from him by the crackling lightning, loud as a whip, pulling out memories up to the forefront of his mind again. Of the lightning without the rain, of Sigonia-IV. The drumming of the thunder is largely hidden by the concrete walls, so it isn't as hard on the ear—but it aches a lot more than it did before. Aventurine sneers to himself, dismissing the idea as ludicrous. As if.

The second time the thunder sizzles, Aventurine has to take a sharp breath and grip the countertop to steady himself. It sounds like playing dead in the bleeding streams of Sigonia-IV, like the booming cackle of the mocking thunder. Had he been an insolent child, just a little more doubtful than he already was, he'd believe it was Mama Fenge herself laughing at her so called "blessed child". The thunder sounds similar, but it's not the same. No, because this is still Aventurine and he's still here and those are someone else's memories, forgotten and buried in sand.

Aventurine sighs.

Drinking too much has never done any good to him.

Just as he is ready to leave the kitchen, he notices the lunchbox sitting the counter out of the corner of his eye. Oh, right. He hadn't even touched it. A distraction doesn't seem bad now, though. If he wants to fabricate a plausible lie about eating the food, he would at least need to know what kind of food you sent. If the mental image of your frown after discovering he never even looked at what you sent is what gives him the final push , he would never admit it.

The lunchbox has a plains bear cub logo: you've always been a sucker for cute things. He sets aside the little note attached for later this time, preferring to taste the dinner first. It looks like you chose to make him some kind of soup. Insulated lunchboxes are a blessing— because it's surely been well over half a day since you made it, yet it's still warm. While the presentation is relatively simple, it smells strangely comforting— effect of some potion? He's heard of those, but they're usually used for sick patients, no? Other than that, this is the first homemade meal he's having in a….while. Not that it matters. Aventurine isn't picky, and while the leafy greens are unfamiliar to him, he believes he can handle at least a tablespoon.

Even the largest avalanche can be triggered by the smallest of things. Just one spoonful, and yet it's enough to make his world stop.

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The dry, broken soil scraped against his bare feet, producing little clouds of dust in its wake. His strides were light and rapid, nearly tripping over himself with excitement and giddiness. Just a little more, and he'll reach the finish line. Even the Sun's typical glare felt kind today; warm and tender against his tanned skin. Jumping over the homemade hurdles, he reaches the finish line far ahead of his friends. They protest and pout, and he taunts them with the biggest smile on his face. The soles of his feet feel slightly sore from running barefoot, but Kakavasha wouldn't risk destroying his only pair of shoes for a game. 

When he hears his sister's voice calling for him, he rushes to embrace her and buries his face in her apron. His mother once told him that the Avgins all possess lovely voices, but Kakavasha believes his sister's is the best, especially when she laughs.

"And when will you listen to me and stop running around in the middle of the day, hm?" She pinches his nose and uses her apron to wipe the dirt off his face. Kakavasha beams at her with no regrets, proudly displaying the gap between his teeth. Once kakavasha had said his goodbyes to his friends, they walk hand in hand towards their tent.

There, his mother welcomes them with a warm embrace that smells like creosote bush and desert rain. “My darling," she coos, putting his small hands in her larger ones, rough from labour. "I remember you promised to be on time for lunch last time?" He grins cheekily, vowing not to do it again. (He's a repeat offender, but he knows that his mother and sister can't stay upset at him for long.)

His mother laughs, and tells him to tidy up before eating. Kakavasha's tummy is grumbling by the time he returns, and he finds the mats his sister laid down to sit on. The two siblings sit next to each other, chatting and giggling as they wait for their mother. She serves them a pot of hot soup with nettle leaves and lentils, just the way Kakavasha prefers it. He's overjoyed; quickly finishing his prayers before digging in. Kakavasha is a growing boy, and that's proved again when he finishes his bowl before his family.

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The soup she'd served him back then wasn't anything lavish; just a simple soup with local herbs and nettle leaves in a broth that smelt so uniquely of hers. His mama may have had a knack for cooking, but due to a lack of opportunities and resources, she never got to demonstrate her abilities. Compared to that, your food is much finer, and while excellent, it lacks the warmth of his mother's hands.  

Nevertheless, he can't resist taking another spoonful and quickly putting it in his mouth because the familiarity is so, so palpable. He recalls that his sister wanted him to eat better, so she gave him half of her portion after he finished his. His mother then gave his sister half of her portion, as they are Both growing children. All of a sudden, the bickering, the laughs, and their voices are as plain as day in his mind. He can't fully recall the glitter in his sister's eyes or the dimple on his mother's cheek, but it's clearer than any other memory he had of them, that's for sure. 

Aventurine can't stop crying, even if he wants to. Trying to halt the choking sobbing is fruitless, as is trying to figure out what's going on. He picks up the little message with shaking hands, hoping—praying—that it will help. You'll make it make sense. Somehow.

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“Dear Aventurine, I hope you have a wonderful birthday!!!!”  

Written in thin, flowing, rounded letters that are noticeably cleaner than your actual handwriting. You undoubtedly put a lot of effort into each letter you wrote. Aventurine was correct in assuming you found out his birthday through Jade, as you have written it here. "Buying a gift for you seems…a little perfunctory," you said, "so I've settled with cooking you something myself."

"And if the dish tastes familiar (which I hope it does) then yes, you've guessed it right— it's a traditional Avgin dish."

The perfumed ink is thicker here, a few ink blots from where you've likely paused to think, go over each sentence in your head before writing them down.

You mention finding the Avgin dishes by reading some kind of research paper on Sigonian culture and food, but Aventurine isn't sure he can believe that. You wrote, "I was fortunate enough," yet chance alone wouldn't get you something like that. Sure, maybe some doctoral candidate was crazy enough to choose a dead planet and its deader tribes to write about, but finding that paper would be too difficult. The biggest issue, however, is that Aventurine believes this dish should not and cannot exist. The stinging nettle leaves his mother used are no longer available, and while he didn't know much about cooking at the time, he was aware that all of the spices he knew were almost extinct. He's looked enough to know.

"I'll be honest, I had some trouble locating the ingredients for it and had to swap the majority of them because I couldn't find them. I really wanted to bring back a familiar feeling, even if it tastes very different from how you remember it. Plus, it's the thought that counts, right?"

In contrast to the light-hearted language, your writing is slightly wobbly and darker here, and Aventurine wonders if you realise your emotions seep through every single one of your actions, laid bare for the world to see.

Noting the disappearance of their owner, curious, the catcakes peep into the kitchen are immediately alarmed to see their owner sitting on the counter stool, sobbing and clutching a box. Spade, unsure of what to do, nuzzles it's head on Aventurine's leg, while the others meow in an attempt to calm him down. Aventurine hasn't sobbed in a long time—he can't remember how to anymore. His body shakes with each ragged and broken sob, sounding shattered and damaged, but he can't stop.

"I hope it brings you fond memories" is what you wrote down, but are you aware of the full impact of what you did for him? Most likely not. Aventurine cherishes all of his memories, including the unpleasant ones: as long as it involves his family. His misery knows no bounds, but he's only had a few years with his sister, and even fewer with his mother. So even the saddest memories are never forgotten, so he can preserve as much of them as possible. They live through his memories, after all. 

Even when plain, his mother's meals provided him with more warmth than anything else back then. To feel that warmth decades later is a blessing he can't repay— but a blessing nonetheless. He doesn't have many memories like this one either, gentle and happy, contrary to the endless memories of struggling. He remembers their love so vividly right now, feels it so strongly, alongside yours— that he has no choice but to revel in it.

(Come tomorrow , when he's sober, puffy-eyed from crying and not as vulnerable, he'll have trouble figuring your reasoning. But for now, he'll be fine. Tonight, he'll go to sleep feeling loved. Tonight, his pets will cuddle him to sleep. Tonight, he'll dream of a Sigonia Only he knows.)

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A/N: I'm honestly still so embarrassed about this bc I have an idea but can't execute it like I want to and 🫠🫠 As always, comments and reblogs are really appreciated!! Thank you for reading <3

[robinbuckleyluvr]

⊹˚˖⁺ our childhood is gone - steve harrington

masterlist | requests

pairing: steve harrington x platonic fem!reader

summary: reader and steve end tied up in the secret russian base, where the reader turns to anger and finally confronts steve after he threw out their friendship just for popularity.

warnings: none

notes: i love angst long live angst

word count: 864

⸻⊱༺ 

When she first walked into her new job and saw Steve Harrington, she could not believe it. How could Steve, the most entitled and pretentious guy at Hawkins, end up with a crappy job at an ice cream parlor?

A bit hypocritical to say, seeing as though she had the same job. 

They exchanged a polite ‘Hello’ that first day, but no words were spoken. There was no acknowledgement of their past, of their friendship they once cherished, ever since they were 9 years old. High school had completely turned Steve into a jerk, and she resented him for it. Him and his ‘friends’ would stare and laugh when she’d walk by, just like they did with anyone they deemed ‘uncool’.

What hurt most, was making eye contact with him.

She never once saw an apologetic look from him. Not then, not now, not ever.

Scoops was a dead-end too, as she pretended not to know him, and he did the same.

How they ended up in an underground Russian base, tied to chairs sitting back-to-back with each other, was a question neither could answer. They sat in silence, waiting and fearing whoever was due to come in the room to question them.

“So…” Steve began, attempting to light up the dreary mood.

“So what?” Y/N snapped. Not a single bone in her wanting to be kind to him.

“I just, you know… quite the situation we’re in here.”

“Cut the shit, Harrington. Don’t act like you want to make small talk with me right now.”

Steve sat quiet. They both did for a few minutes. Taking in the gravity of the situation they faced, and the uncomfortable silence that filled the room.

“You know,” Y/N laughed, sarcasm lacing her words, “You really are the same person you were back in high school. When I first saw you here… I cannot believe I really thought you’d changed. But of course, you didn’t. You’re still the same douchebag you used to be… pretending not to know me. You’re an ass.”

Steve was at a loss for words, “Oh, don’t act like you’re a saint,” He snapped, “You ignored me too. I guess you’re a douche too, then.”

“It takes one to know one. I wasn’t the one who went prancing around to the ‘cool’ kids as soon as we entered high school just because I wanted to be ‘someone’.”

“At least I was someone.”

“Harrington, I think you’ll be happy to know, making fun of people doesn’t make you ‘someone’. It just makes you an asshole.” She shot back.

“Oh, for crying out loud,” He muttered under his breath.

“You are fucking unbelievable.”

He rolled his eyes in response, “For the love of God, I’m sorry, okay?” 

“You don’t even know what to be sorry for, Harrington.” She hissed, “A half-assed apology won’t get you anywhere after the hell you made me go through these past 3 years. You know, when I first started high school, I foolishly thought ‘How cool! I have my awesome, cool, friend, Steve Harrington in the grade above me! What could go wrong?’”

Steve laughed, “You did not say that–”

“Of course not, asshole, I was being sarcastic.” She sighed, “I still did not think you and your fucking ‘friends’ would make it hell to walk through those halls. Never had a single day of peace. If you weren’t making fun of the books I carried, it was the way I walked. Or the way I wore my hair. How does doing that to so many people not haunt you, Steve?”

He stared at the floor. His expression dropping with each word she spoke, hurt and sarcasm never leaving her voice.

“Do you not regret it, Harrington?”

They both reflected on the words exchanged, the minutes dragging out before they spoke again. Their minds raced and dwelled in the hurt and regret filling the air.

“I do. I never thought it was going to go that way. I never thought…” He paused, “I never wanted to hurt anyone. But I sat with them on my first day. And suddenly I was part of it, I finally… belonged somewhere. I started playing basketball with them, and before I knew it, I was in too deep. I never planned to make fun of people in the halls, but when you stand there with them, careful not to laugh too loud and… they turn to you and wait for you to make a comment, you just do. ”

“Please,” She huffed, “You’re not getting any pity from me with that fuck-ass story. You threw away years of friendship to make fun of people and shoot balls up at the ceiling? Fuck you.”

“I’m sorry.” Steve responded quietly. “You’re right. I was a coward, an asshole, and a douche. Everything you said,” He sighed, “You are correct about it all. I hurt a lot of people, and I do wish I could un-do that damage. I wish I hadn’t thrown our friendship away either.”

“You were my best friend,” She spoke, her voice breaking, “I wanted to believe in the 9 year old Steve I once met. But you made me feel invisible.”

[lacrimosathedark]

The Radioapple Haters™️ are at it again.

This time they're attacking shippers with the newly released Playbill.

There's so many issues with that. Beyond harassing people for ships is dumb.

This is what people are pointing at.

This is on the cast info page. It says Lucifer misses his wife.

So, three things about that.

Firstly, We Been Knew, babe.

His very first appearance, after his daughter says her parents split up, he's in a room covered in pictures of not just said daughter, but her mother too, and he's still wearing a presumed wedding band. If that's not "showing not telling" with a goddamn airhorn, idk how more clear it could get without Lucifer flat out saying he misses Lilith. So like...this is not new info. So there's nothing to really rub in. We knew this.

Secondly, this is in-character Lucifer saying this.

I'm not a professional, but when I was in high school performances, we wrote our own little Playbill bio info things. That seems to carry into professional ones too. If you can read the actual cast, some of the the actors less entrenched in the fandom culture have basically an IMDB of their relevant previous roles, while the ones you see at cons are more personable. Those were written by the actors. So, logically, the character bios are written as if by the characters. This could not be made more obvious.

So, logically, you can read that little above as Lucifer himself actually saying he misses his wife. Which leads me to--

Third, break-ups are messy and painful and Lucifer not moving on, unwilling to remove his ring or call Lilith his ex, doesn't mean they are still together. Hell, they could still even be technically married, doesn't mean they're still romantically entangled.

Look, I know the only seeming one-sided relationships in the show is Vox/Alastor and Adam/Lilith and every other "pair" are together or at least friendly (Chaggie, Huskerdust, Cherrisnake, Staticmoth, Guitarspear) but not every separation has to be a violent resentful split. Lucifer is explicitly Depressed™️ which can be hard for any partner to deal with, especially someone as ambitious as Lilith. It wouldn't be surprising if she, not even cruelly, thought she'd be more successful away from him even if he still loves her.

And all this is on top of the fact that most Radioapple shippers don't expect their ship to happen (some hope it does, some hope it doesn't, I'm personally neutral on the concept), and that a lot of writers and artists explicitly acknowledge and use Lucifer's love for Lilith in Radioapple because people love the drama.

I have several posts listing why one might ship Radioapple so I won't go off about it here, but suffice to say the entanglement between Lilith and Alastor and how the two are similar and different makes interacting with Lucifer interesting from any angle.

This also hurts me personally a bit because a lot of these people are Lucilith shippers and, yall, I'm one of you. I don't want them to get back together for many reasons, but I would love to see endless flashbacks of them obnoxiously in love. Most of my favorite works of fanart aren't even Radioapple, my primary ship, but Lucilith, in large part because of how adorable they are. How indulgent or smitten Lilith can look. How adorably excited or flustered or just happy Lucifer can be.

I love Lucilith. I adore Lucifer. I just also think his interactions with Alastor are funny and intriguing.

We don't need to hate each other. We can try to keep our little sandboxes separate, but we can play nice when we spill into each other, can't we?

I am really just so sick of the silly in-fighting. It costs zero dollars and zero energy to not be a dick. Need to type out a rant to get it out and off your chest? cool. But you can post it privately or delete it instead of going into peoples' ask boxes and and posts to be nasty. Not having the self control and wherewithal to not go out of your way to be a dick to people is honestly pretty pathetic. If you think you're so much better, prove it by being better, or being smug in your space. Making people feel like shit for a nonexistent fictional relationship does literally nothing for anyone and makes YOU look worse.

Dislike the ship all you want. No one cares either way. Just don't waste your limited time in this life making your distaste everyone else's problem.

[rei-ismyname]

UNCANNY X-MEN #5 From The Ashes

First of all, I should acknowledge that something I've been calling a missed opportunity has received an attempt on page - the X-Men killing in FotHox, specifically Kurt. It's a single line and doesn't make a lot of sense, trying to have cake and eat it too by nodding to it in issue 5 but not meaningfully engaging with the recent past. Kurt did NOT think he was a killer, ever. That's just a bad faith reading of the text. He was in a war against genocidal fascists, come on.

Cool new form for Calico, though.

Kurt putting his sword/s away doesn't quite cut it. Errol Flynn swashbuckling has been an influence on him since he was a child and he's been big on sword usage almost since the beginning of his publication history. It's his thing, and he badly needs personality in FTA. Also, he didn't kill anyone with a sword in Fall, he teleported them into space. Swords parry and block, they disarm and intimidate. They have use outside of combat. They look cool, and it's something Kurt is very good at. So yeah, the barest attempt was made, but it didn't land for me. There could have been space to set it up and sell it too, perhaps by toning down the Charles Xavier/Sarah flashbacks that were ultimately just a fakeout.

Speaking of things that were given lip service in issue 5 and could have benefited from more attention, Jubilee told us who she is - kinda. A panel or two of origin story that was established in the 90s, but nothing about why she's here or what she wants out of life. How she feels about the loss of Krakoa, where the hell her baby, Shogo, is. It fits in with Uncanny's overarching sense of unfocusedness and her role could have been performed by anyone - not a good look for the end of the flagship book's first arc.

We get the resolution to and defeat of Sarah Gaunt. 'She's crazy, always has been' is so unsatisfying. I can't think of any other description. It's nice that we don't have another sin to lay at Xavier's door, but attempted baby trap is not a frequently used trope for a reason. She acknowledges she was lying, but then blames him for the loss of her son years later in a different country - then transfers that hatred to all mutants? Comicsxf have criticised her characterisation as 'Monstrous Mother' and I agree. What was the point of giving it so much space, to the extent that we spent more time in the past than with most of our putative main characters? She beat the shit out of Logan and Rogue the last two issues, nearly killing them - only for Rogue to draw strength from deus ex dead kid and completely wipe her out. It's lovely that Rogue is able to summon empathy for her, it shows us why she's a hero, but taken as an arc she's rewarded with victory despite making bad decisions. Long time readers know Rogue can lead, but I think Gail Simone is going to have to do the work to convince new readers that she's right for this. It's well and good to have moral authority but leading your team to death isn't.

Harvey X was unexpected but felt unearned. Surprise is fun but internal and narrative consistency is better. I thought it was Charles moving people around, because it was signposted. Harvey X being the puppet master felt almost silly as he revealed previously unseen very powerful abilities. Why would he wait for Rogue and Logan to be nearly dead to act? Maybe that's the only time he can act, because he's dead? Idk, at least he didn't scream how hot Rogue is again. He speaks about a sacrifice he's making but what sacrifice is that? Is his power finite and burns him out, Proteus-style? It's not quite clear, and I guess we'll never see him again.

Precognition. Healing. Telepathy.

Gambit and the Eye of Agamotto was a Chekhov's Gun that mostly worked (and made me feel sah smart for calling it.) Remy prays (?) to it and then blows the possessed cultists away. I'm pretty sure Jubilee could make a bigger boom than that (I know she can) but rule of cool wins the day.

These are/were captured and possessed mutants. I hope we see them again, especially after Fawn's introduction in #1. They're not doing this willingly.

Rogue flies to meet Warden Ellis to give her Sarah back, further muddling Ellis' characterisation. I have no idea what she's about now. Nuance is good in antagonists, but for someone who wants to crush mutants with her government mandate she's awfully cooperative with them. No threats, no riddles, no ultimatum, just meekly accepting two threats? I want to give a fuck about the closest thing we have to an antagonist (for a crossover event right around the corner) but there's nothing there! This was an opportunity for something, anything. Gah! I don't understand this writing.

Rogue's threat is interesting, though I have to wonder what she and Scott are going to disagree about. It's implied Jubilee will get captured, and we know Beast already has been. 2/3 X-Men teams have their motivation to wreck Graymalkin I just struggle to see them coming to blows over it.

Rogue and her elocution lessons feel very out of character and came out of nowhere. If it was setup earlier and tied to insecurity or identity that would work, but being introduced and haphazardly paid off in issue 5 baffles me, frankly. Rogue's southern upbringing is never something she's been ashamed of, her angst has almost always been related to her powers. She's a confident woman. A story where she struggles with that could have legs, but that's not the story that's been told. She certainly doesn't need Gambit or Logan to tell her - I'd expect it to be the other way around.

I'm not sure what to make of the images we get from Harvey X's visions of the future. I'll write about them separately if I find an interesting hook.

So ends the first arc of Uncanny X-Men volume whatever. My main issue is that it doesn't meaningfully engage with what came before it, and it doesn't quite manage to establish its own identity either. What is its mission statement and what kind of book can we expect? I don't know, and I hope Gail Simone does. It's not the end of the world, mind you. Following Krakoa was always going to be tough, and the world was going to feel smaller, less connected. I can't help but wonder what it might have felt like without a lot of Charles Xavier flashbacks amounting to nothing. Maybe we'd know more about Kurt or Jubilee, even the Outliers. Ideally that'll be corrected. I don't do number ratings so I'll just say it was okay, higher if you are a Rogue stan.

[haru-dipthong]

Ep 12 of my Utena fansub is out!

私たちも今までいろいろやってきた、疲れたわね

We've been so busy the last few episodes. I'm pooped.

A juicy little indulgence on my part here - the fourth wall break here by the shadow girls does not actually exist in the Japanese (explicitly). I’ll explain why I added it.

Here’s a very literal translation of the individual words above with no thought given to context or adjusting for grammar.

We (also) | until now | various different things | have done up to this point

I believe いろいろやってきた (lit. we’ve done various different things up to this point) is referring to their various performances in a sort of meta way. If we take each appearance of the shadow girls as a semi-in-universe mini stage play, this line is referencing the presence of previous plays within the current play. They’ve played pirates, plate spinners, cowboys, an educational program, and more! Acknowledging these things is tantamount to a performer acknowledging the fact that they’re an actor rather than a character while on stage, so the fourth wall break felt appropriate.

Anya was also happy with the fourth wall break and added that it emphasises the episode as a turning point and helps close out the arc, which I really agree with!

-----

また黙秘するわけね。今のウテナってかっこ悪いよ。何か取られた腑抜けみたい。なんだかわからないけど、取られたら取り返しなさいよ！

Are you clamming up again? You look pathetic right now. Like you let someone steal from you! I don’t know what it was, but if someone took something from you, take it back!

Couple of little things to discuss about this line:

かっこ悪い is often translated as “uncool” or “lame”. This can sometimes be accurate, since it’s the opposite of かっこいい (lit. cool), but in this circumstance those words don’t hit hard enough. This かっこ悪い is more barbed than usual, so I kept the barbs by choosing a different word: pathetic.

“Clamming up” was an off the cuff choice because I felt I’d used “be quiet”, “not talk”, etc too many times in the previous scene to reuse them here. I think it fits with Wakaba’s personality and the current situation pretty well! 黙秘 is defined by jisho.org as “remaining silent; keeping secret”.

腑抜け means “coward” or something similar. I tried phrasing this line a few times to get that word in somehow, but in the end the whole rant just read so much better without forcing it in. Also cps (characters per second) was a concern here.

-----

元気な友達がいるね。

Your friend has quite the personality.

元気 (genki). What a word! Often translated as “energetic”. So often in fact, that even before I checked, I knew that the ohtori.nu translation would have used it, and sure enough!

Your friend is very energetic. (from ohtori.nu)

Along with “eyesore” and “confession (of love)”, this might take the bronze medal for common Japanese words that consistently get translated into very uncommon English words.

Of course, 元気 can literally mean “having a lot of energy”, or simply “well” (as in the opposite of “unwell”). But “energetic” is just such a bad translation for it 90% of the time. I wish I could convey why in words, but in most contexts, the word 元気 and the word “energetic” just feel so different.

Anyway, 元気 has quite a positive nuance, which emphasises the passive aggressiveness of Touga’s comment. The intent with this line is that he’s giving a vague compliment to Wakaba, indirectly (talking about her as if she’s not there), and making it clear that he wishes she wasn’t around. Everything else about the line should be secondary, including the specific meanings of each word.

I think this is emblematic of my general approach to translation — to identify the author’s original intent of a line/scene/work and then write it in a different language with the same intent in mind. Every line, every scene, is trying to do something — I believe it’s the translator’s job to identify what each line and scene is supposed to be doing and preserve that, so media literacy is very important. Sometimes that line is doing exposition, in which case a literal translation of each word is often ideal. Sometimes that line is trying to evoke a feeling, establish a character, or make the audience remember similar experiences, in which case the individual words used matter much less. In this case, the line is attempting to invoke memories of similar experiences of passive aggressive, dismissive comments. And frankly, “Your friend is very energetic” does not do that, so I consider it a poor translation.

-----

Thanks as always to my ride or die @dontbe-lasanya for their awesome editing this episode (and every episode!)

Make sure to follow the blog for episodes as they're released. Go here for all previous episodes:

[roseadleyn]

Lidia‘s SA was handled even worse. Sjm would have lidia fuck Ruhn in mind at the same time she’s getting SA‘ed by her ex. Lidia never received proper time to heal from that sh*t. The moment Ruhnlidia made up in the third book they had mf sex.

Nesta had sex with Cassian right after getting SA‘ed by that weirdo kelpie from the lake, and that other time when Lanthys made her see that vision in which he SA‘ed her too. The SA from Tomas was also never properly acknowledged.

At least Gwyn had 2 years to recover. Most SA survivors in her books don’t receive much time to at least process it all before fucking. You’re telling me Rhys is all cool with going down on Feyre after 50 years of SA? Feyre can easily forget the sh*t Rhys did to her utm? Great.

If Gwynriel is canon, Sjm will most definitely fuck up her trauma like she always does.

Sjm: „Oh you were touched against your will?“

Sjm: „Here have a cock. That will heal you quickly!“

Worst of all is that the sex is always so… rough? Specifically for Nesta. At least worship her and make her feel safe instead of dicking her down like she‘s a good one night stand. Poor girl.

ya i'm just realizing that gwyn is at least not as bad as nesta or feyre or lucien or rhys or lidia. i haven't read any other sjm books but i know abt lidia and that's insane 😭 it's like she doesn't know how to write intimacy. it's like she thinks emotional connections only exist in sex.

it was insane how feyre only rescued lucien from being raped because she remembered her darling rhys and not because lucien is her first friend and also it's just the MORAL THING TO DO

( also why is it that everytime a couple fights in sjm's novels, they always have sex when they make up? i get that angry makeup sex is soo hot etc but like can no one have a conversation? can she not show how sometimes issues are talked out not fucked out? )

do NOT i hate how she wrote nesta i hate everything abt it. nesta was assaulted by tomas and when he found out he restrained her against the wall??? in the same manner tomas would have?? also i'm never going to forget how cassian tugged at the skirts of her dress and asked her 'what're you hiding under all this anyways?' without her consent, during a time in which they didn't like each other, and he was there on diplomatic purposes.

and i just checked but literally RIGHT after she was sa-ed by the kelpie, cassian not only had sex with her but he left her without any aftercare. bed still warm. rough sex as if she's a one night stand. she's sexually assaulted and then left wondering if cassian was 'punishing' her by leaving immediately. ugh i despise him i hate him.

and rhys? he literally has one (1) traumatic flashback to his trauma and whoop that's it yall we're done. and feyre wearing the same clothes she was wearing when she got assaulted for rhys, even though rhys was the one who assaulted her.

it pushes an extremely unhealthy narrative. very young girls (literally 15-16 year olds) read these books and they'll think these toxic, unrealistic, unhealthy dynamics are normal. it's so concerning and i hate the entire genre of dark romance for it but that's a story for some other angry rant

i hate the rough jackhammering sex. i fear she's gonna do the same shit with elain and lucien (😭). nesta deserves to be worshipped and praised and then given plenty of aftercare free my girlll

( for acotar stans who for some reason go into anti tags: do not interact u will be BLOCKED !!! okay bye 💋 )

[the-owl-tree]

Tbf though if u was a kitten in the wc universe id probably be under the impression that being a medicine cat would be boring too. Because id be like, 15 and doing medical school sounds like a pain in the ass.

If i were writing warrior cats id make deciding whos a healer apprentice by watching the currwnt warrior apprentices nd seeing whos fit for the role [esp if there were no prophecies or anything], but the wc universe makes no fucking sense on any level.

Hopefully theyre not doing a "forced to be a medicine cat" and moonpaw either just gets to be a warrior or realizes she wants to be a medicince cat on her own.

I think the whole medicine cat aspect of the start is more so to show how 'the voice' is amicable with moonpaw and is fine going along with what moonpaw wants and also wants to stay secret.

The 'i want to be normal not special' part is what annoys me which feels similar to nightheart and i dont want a second nightheart. I want someone with a big ego im tired of characters that are insecure.

i disagree in the sense that medcat is supposed to be a high ranking role where you commune with your ancestors, give advice to the leader, and generally command a lot of respect. i feel like if they wanted to lean into the aspects of why it may be undesirable, it would be more helpful to acknowledge clans as a whole have a battle culture that puts emphasis on physical utility in fighting and patrolling.

it's just a plotline repeat i think we're all sick of anyways lol

I WISH SHE HAD AN EGOOOO i've had enough of "i want to be normal" protags. it would be so cool if the fact she had the clan speculating on her being prophecized about something had given her an inflated sense of self or a sense of grandeur. she could've been so fun </3

[moeblob]

A lil guy !

[sabishi-tomo]

so much to unpack in this sidebar

i want the haruto talking to mitsukiki scene too now and also i NEED the gang to find out abt baby zen sleeping in izanas room, they would tease him relentlessly

[oatmealcrisp-freak]

It makes my heart ache that Penber starved Naomi of the validation she so rightly deserved so much that the second a freaking kid goes, "I think you're right" her eyes light up and she says, "Really? You mean that?" Honey... Oh honey...

She is a former FBI agent. He is a highschooler. LIKE.

Light's literally not even gassing her up. He's just acknowledging and respecting her intelligence and treating her like a goddamn person, and it has her practically over the moon enough to smile since probably the first time Penber died. She's being told that her deductions make sense. Her brain is worth something after all. Light's not lying when he tells her her theory could become central to the Kira case. It's literally the truth. He acknowledges this to himself. It's basic fact. And he treats it like such, and verbalizes that to her as such after a touch of light skepticism to see the strings she's connected. And she's all for it.

And she has indeed connected them. Every single one. Everything she's saying makes sense, but she's been so goddamn trained by Penber that she was very nearly resigned to not being believed. She's adamant to explain her conspiracy board piece by piece in person because she's so acutely aware of getting swept aside, but she still knows she's right, and that her deduction is important, and she overcomes that fear and goes anyway.

She is a careful, intelligent woman. She IS. All Light does is respect that and she's suddenly spilling fucking everything to a kid she doesn't know, who she knows is tied to the police, who she knows have a leak, who she knows her fiance was investigating. She plays some cards close to her chest but she's just so swept away by being believed for once that. Well. She dies.

Light very quickly falls into honeytrapping and using women as tools but based on this I wonder how much of it is his. I don't know. Headcanon territory alert but. Seeing a reflection of the self in them? IIRC he only does this to women who are blatantly attracted to him. He doesn't seek to use Naomi in any way. Manipulate her, yes, as she's a very real threat but she's also blatantly a person to him even before he learns how much she knows. I very well could be reaching, but I could see Light seeing people who are attracted to him and being disgusted by them. He knows he's attractive on the surface, but underneath...

Does Light see the world as rotting because he's viewing it through the lens of self? Ykno?

They see his face and swoon and suddenly it's like they don't seek to know him at all. He's effectively been a prop his whole life, a model 'good son', and he sees that he's become a prop to these people too. So, too, do they become props to him. He's serving his worth to them by just being there - it's practically reciprocal, and therefore the fair and right thing to do.

Light uses Misa. He's not kind to her. He uses Takada. He's really not all that kind to her either, though he's less blatant about it to her face for the most of it. He cheats on them with each other aaaaand literally doesn't care if they might be hurt. But he still trusts Takada to effectively become his second, and trusts Misa to information gather and write names and follow a plan outside his immediate supervision. He is a two-timing manipulative gaslighting bag of dicks who'd happily sell them to the devil for a corn chip, but I'm tempted to think that's because he knows their worth, their abilities, sees his need of them, and is therefore always keeping that in mind as he tries to seduce them sweetly to where he needs them to be. Light thinks women are easy as hell, his opinion of their intelligence is definitely a hand waggle at best but he still sees them. And honestly, he thinks everyone's intelligence is a hand waggle at best, and he thinks everybody is easy to manipulate, and he's, frankly, not always proven wrong. His dismissal is pretty sex-neutral. Women probably get singled out because statistically she's gonna be straight and therefore attracted to him and that's just another button he can mash. Looking at Mikami, I have no doubts he'd treat men who are interested in him in the same way.

Naomi, obviously, is not attracted to him in this way even though he's able to please her with almost excessive ease. Naomi therefore seems to retain her personhood in his mind. 'She's just a woman', yeah, he thinks to himself as he's freaking out and going over worst case scenarios where he might actually have to assault her. She's smaller than him. Her long hair means she has an easy handhold. He's not really figuring out that she could kick his ass before he can do so much as yelp... he still hesitates, doesn't go for it, and finds another way. He thinks to himself that she's too careful for him to successfully assault her even though she's 'just a woman'. People say he taunts her after she walks away to commit her suicide but I'm not so sure he is. He's ensuring his alibi publicly in every way he can, to anyone who happens to pass them by, to anyone who can see him smile, to anyone who can hear him and register his 'friendly' voice the moment he's not speaking so only Naomi can hear. Naomi is a threat. Naomi is careful. Naomi is very, very fucking smart. Light needs to ensure his victory as much as possible, and is acting to do this from every angle even as Naomi is in the grips of the Death Note's thrall because she's goddamn Naomi Misora.

And Light, though he's only met her very briefly, knows that. There is no way he didn't enjoy that cat and mouse game. Of course he revelled in his victory. She was an exceptional opponent who very nearly had him in checkmate several times in, like, the span of a half hour. L's been at this for months and he's never gotten as close to catching Kira as Naomi did lmao Him being giddy makes sense in that context.

Penber trusts Naomi enough to get him tea and keep house. He tells her as much to her face. All she is, is his fiance. That's all she's good for anymore - whatever her capability, whatever her intelligence, whatever her reputation 'before', they're now worthless. He'd never even think to try and manipulate her to make use of her blatant fucking intelligence because he literally doesn't see it. He dismisses her skills out of hand. What a waste. What a goddamn waste. If Naomi had been the one investigating Light, he'd be in custody before Ryuk even told him he was being stalked.

[fandom-geek]

vaguely fascinated by osana sov's naming choices. she chose for her daughter a name that can mean "bitter (strength)" or "lady" in two ancient languages (hebrew and aramaic) and for her son a name that means "old friend" in another ancient language (old english)

like every other golden age character has a name that's pretty normal by our standards, which tbh includes mara, then osana just names her other kid uldwyn. then again, even osana's name is either a variant of the hebrew hosanna or after an obscure and possibly fictitious old english princess-saint whose name means something along the lines of "godly solitude", so i suppose mara might be considered the odd one out

[recurring-polynya]

i want the boots rukia is wearing in this color spread more than anything

[hellaverse-critical-confessions]

(from this video)