#if not i will simply copy it into a doc and post a link

[toximblee]

hello smeefo nation ,,, new fic alert ???

ao3 has yet to send me an invite email so ill be posting this fic here :3 very inspired by 'feral love' by bdoubleds on ao3 !!! i wouldnt say its to the point of a rewrite but i thought the fire metaphor was too good not to try out ,,, absolutely open to criticism, but pls try to keep it polite :D i copied the text str8 from my word doc so the formatting is a little off in some areas for some reason :( word count : 967

              Etho was burning. He was being swallowed by it. Flames licking at every bit of his body, consuming. The red and yellow of his bone marrow was blackening, charring with the outside, crumbling off in pieces.

              Being red was smoldering him alive, and he wanted more. Uncontrollable. The forest fire in him would engulf everything in its path, taking him with it.

              The flame in his chest didn’t start out blue-hot and rising. Episode 1, as he was spawned into the Game, something was gnawing at his upper torso like someone had taken a diamond pick between his pecs and hollowed him out. Then he met Joel in the mines. Playing around, joking about how he was so disappointed. Beside the hole, a small, supine red candle-flame flourished to life.

              Then Joel built him the ‘Relation’ ship. The fire swelled, crackling orange and marigold. Joel’s hand fit perfectly in his as he dragged him along, and so did he himself inside the soulmate-shaped cave in his chest. With Joel above him that night, Etho took to memorizing every mole and freckle on his skin, and all the constellations they linked together to make. Committing to memory very scar and discolouration, and the sandy beaches and crashing, rolling, foamy waves that consisted of them.

              Etho began to fall in love with everything Joel did. With Joel. With the green streak in his bangs, how he stuck out his tongue in concentration while belatedly redying the clump of hair yellow in the Relation after their Joel-enderman caused death. With his little cackle-giggles. With how he softened the ‘th’ in Etho’s name to a ‘f’ as a result of his lisp.

He too, softened around Joel, trusting him so far as to close his eyes as his soulbound would pluck arrows out of his body from the pillagers and smear an herbal ointment stretched with an awkward potion over the openings. Relaxed as he woke in the early mornings to Joel beside him. Thanked his mask for hiding any sort of embarrassing emotion after Joel traced the scar across his one red eye with tender, feather-light fingertips. Not that it did too much for him, as the tips of his pointed ears would flush pink-red occasionally. Traitorous things.

The transparent string of the fishing rod wrapped around Joel as he was tugged up. Unable to clutch, he plummeted.

<Smallishbeans> fell from a high place

<Etho died>               Joel’s eyes had turned to red after they respawned.

“They killed me, Etho. They killed me.”

Red. Red. They were Red.

Yellow. Canary. White-hot.

Joel chased Pearl down, who was clutching his chestplate. He sliced at her with his diamond axe before she died and her items exploded out across the moonlit grass, the blue-teal of the head of his axe shimmering with red.

Red.

“Shouldn’t have messed with us, Pearl! Shouldn’t have messed with us!” Joel cried as he laughed and took his items back.

The others started scrambling and fleeing. Cowards. Etho’s gaze connected with one before they’d left.               ‘You really let him do that?’

Etho’s eyes conveyed a message of their own.

‘You think I can control anything he does?’

Nah. He was just along for the ride. Joel was an unstoppable force. No immoveable object would even slow him. He didn’t let Joel do anything. He simply watched, strapped into the rollercoaster that was his soulmate. The most he could do was throw his arms up and laugh along.

“You do have it, we’ve been- we’ve been told you have it, you just lied through your teeth to us,” manic, frenzied red eyes focused in on Scar as Joel cornered him, diamond axe to his throat, “do you wanna lie to a red-name, Scar?”

Nervous laughs, attempted de-escalation from Grian.

“Oh, you don’t have any sugarcane, huh, Grian?” Etho felt the red curse biting as he walked towards Grian, “No sugarcane?”

He reveled at the laugh and hiss through his teeth he heard Joel make, teeth bared under his mask mirroring the sharp grin of his soulbound’s that he knew was boring into his back. Joel had changed him, or perhaps it was the curse, or both, and he had to tug himself back from slicing at Grian, from watching the crimson flower bloom and blossom and pour out.

Etho had never been red for long before in the Life Games. His series always ended soon after. This, this was different. He was with the infamous Red Joel. He was alive, and the red curse was swirling in his brain, and he’d wake up in the middle of the night, crazed for blood.

The Games tinkered with everyone’s brains, especially when the end of them were close. Everything became more lucid, nothing seemed real. It made people do stupid things. Too stupid.

They burned the ship.

Blue. Perano.

“The ship burns, everything burns! The ship burns, everything burns!” Joel yelled, chanting hysterically as he sprinted across the server, flint and steel in hand as he set fire to anything in his path.

The ship had burned. Everything would burn.

The yellow streak in Joel’s hair was red. Smeared, having been dyed from soaking up the blood of his kills.

Joel screamed, groaning, growling after he’d killed Scott. His red eyes glowed. If Etho looked too long, too hard, he could spot the flames flickering behind them.

“Etho, they trapped it, get back through!” Joel’s voice was shaky for once, not with mania, but with fear. He sputtered incoherently as his hands scrambled, latching onto Etho.

And they laughed. Foreheads pressed together. Laughed.

<Etho> tried to swim in lava

<Smallishbeans> burned to death

The flame in Etho’s chest mixed with the lava, dwindling, flickering out, as did the ones behind Joel’s irises.

After all.

The ship burns, everything burns. Including them.

[writer-logbook]

5 tips for proofreading & their pros and cons

Define your objectives for each chapter. In my case, some of my chapters are better written than others. My objectives for them will differ. Before starting my proofreading, I list my needs and areas of improvements, and I write them down somewhere so I have them in front of me rather than in my head alone.

Pros : allows you to know which points you need to focus on ; provides a guideline adapted to your needs.

Cons : risk of losing homogeneity and fluidity + flaws may be shifted to other chapters that didn't have them before due to a sudden imbalance.

Plan several proofreading sessions, each one of them addressing ONE NEED AT A TIME. (E.g., one for grammar, another for style, and a final one for coherence. ) And I insist on the "one need at a time" part. Even for those who can multitask (unlike me), I really don't recommend settling for a single proofreading session. It could interfere with your concentration and let you skip some flaws. And please, always give your chapter a final read after your edits to ensure that the elements make sense as a whole, and are not repeated every two paragraphs (I plead guilty, your honor)

Pros: allows you to focus precisely on each point, and give it dedicated attention.

Cons: you can quickly get confused and risk multiple re-readings + significant time investment.

I make my corrections on a separate file. Whatever you do, it's always better to have a backup and therefore to save your files (don't blindly trust autosave) to create archives. I think it's a two-ways process : 1) you open two files simultaneously, one with your V1 and one, blank, where you'll rewrite your chapter as you make changes. Eventually, this new doc will become your V2 ; 2) you copy the parts to proofread into a new document and edit directly in there.

Pros: allows you to rewrite as you wish without being discouraged by the following paragraphs - especially in case of the first way.

Cons: requires multiple files (maybe multiple screens to be at ease) and better organization.

Change the typography. I don't know about you, but after a while, I'm struck by semantic satiation (click on the link - it's Wikipedia -, it's very interesting) and nothing makes sense anymore. After the 52,846th proofreading, I might as well read in another language. I've found a relatively effective trick - not as effective as a complete break, but sometimes you need to move forward - which consists of changing the typography. I can't remember who gave me this advice though, but be sure they've been thanked more than enough in my mind. In any case, seeing words change their shape significantly helps my brain to stay focused and attentive. (Maybe it's just my mind playing tricks on me but I only see the results.)

Pros: it's simple to implement.

Cons: I don't know if this trick works for everyone or if I'm the only weirdo (you can tell me in the comment section).

Take notes. This is a very personal tip but I keep a proofreading logbook. Like, I record in a few sentences the first time an element is mentioned, how it's describes, and most importantly… I MENTION THE DATES. The story I'm currently writing is heavily governed by a chronological system, so I have an absolute need to keep the day count up to date.

Pros: helps avoid inconsistencies and oversights.

Cons: very tedious to maintain and creates (a lot) of extra work.

I've started my prooreading journey yesterday and I already want to die. If I find in the edits something that is worth making a post, be sure that I will. Or let me know if you're simply curious.

Gentle reminder : Best is the worst enemy of good so, at some point, you'll have to let it go and let your chapter live its life to its fullest. Don't be hard on yourself and be proud of your work - or know that I am.

[xxlemon-chanxx]

Important. PLEASE READ!!

For those of you who may not know, which I suspect is probably most of you, I had an interaction with a pro/comship blog (@toh-proship-positivity) about three weeks ago that ended in them accusing a fellow artist, a-magpie-in-gravesfield, of extremely heinous things. I originally was not going to respond to them simply because I didn't want to be bothered with such drama during the holidays. Still, these claims irritated me because, even just from my conversations with this blog and witnessing their behavior firsthand, I knew their claims were likely untrue or, at the very least, exaggerations. I am happy to announce that my intuition was correct and that the claims made about Magpie WERE NOT TRUE.

Several people approached me regarding this, and I also sought a few individuals out myself to look for answers. They provided ample proof, including screenshots, receipts, and conversations between the accuser and the accused, that prove without a shadow of a doubt in my mind that Magpie is innocent of all claims levied against him.

I, along with the help of a few others, gathered as much information as I could find, organized it, and created a master list of evidence to combat every accusation. I am going to share the folder that holds the drama overview as well as every document that was used as an external link. Here are the links to the folder and overview, respectively.

This folder with all related documents will also be downloadable as a zip file on Dropbox to anyone who wishes to have a copy for themself. DM me asking for the download link, and I will provide it to you.

This is not meant to be an attack on the person who levied the claims against Magpie, and this is NOT a call to harassment. This needs to be put out into the open so that this drama inside the Wittebane community can cease.

Here is a direct message from Magpie regarding the situation:

"I just wanted to clarify that I had no hand in making the document itself. I was approached by multiple people asking for my side of the evidence / answering questions about the timeline of things / etc. I myself never look at Horse's posts because I don't want to give any of my time to things like this (and tbh I thought they would have stopped by now). Please don't message me about this. This has been going on for over a year now, and I don't want to focus on negativity. I have already provided a lot of information to the people who made this doc. I also DO NOT condone any kind of harassment towards anyone, including anyone mentioned in this document. I did not ask for this document to be made (actually, for a long time I actively discouraged people from doing it because I thought it wasn't necessary), but because multiple slanderous accusations that included my name were recently brought up to me by people I had never interacted with before as well as friends, and Horse does not seem to have stopped, I figured I would provide my side of things to people who asked as to give answers to anyone who might have heard of this situation. This document was in no way meant to encourage bullying of any kind. Please stay safe everyone!"

[voidedaurora]

Heya, since things with Mel have gotten pretty active again I thought I'd share some things of note that haven't been posted outside of my server until this point This wont be formatted the best bc I've got alot going on but Its important to put this stuff out there #1 Mels (scrapped?) Video script for her response I wasn't gonna share this originally but she'd made a announcement pretty much saying she wasn't going to respond, basically going "I wanna draw and play vrchat not make a video!" In my eyes I think its important for everyone to have access to this atp because considering she said SHE wrote the entire thing and was only gonna have friends correct MINOR things these are her words and things she still thought and said. There's alot to pick apart in this script, things that are downright lies, skewing things, etc. but I simply do not have the energy to format that atm, but if any of you have questions then literally just quote or screenshot the part and attach it in an ask and I'll talk ab it

https://docs.google.com/document/d/1--O5TOGDyEFJV_GdEnyR3BC1rjsPtbYBDUcWBYTT-m0/edit?usp=sharing PLEASE NOTE! this is a copy of her script and not the original document for obvious reasons (there's actually 2 doc scripts but #2 is basically just #1 but her friends made it sound less bad) #2 More inappropriate behavior with Khai This is relevant because she'd justified her twerking with Khai with the fact it was in the dance they were doing, this is not true!!! honestly this clips even worse than the just dance one augh

the stream link since its not taken down yet https://www.youtube.com/live/PSGyacuvOec?si=clvO7M_QgjmjhJwv

Honestly that's the main stuff I have to share for now, I was gonna wait to post these but she's been unlisting videos and stuff so I wanted to put what I have out there while its still available Please don't harass anyone, stay safe and please be patient for khais video

[soul-controller]

Commissions Now Available!

Hey everyone!

I've recently moved into a new apartment and the increased costs of rent and utilities has caused me to run dangerously low to having no money in my bank account. Given the fact that I can't get more hours at my job right now despite my best attempts, I thought I'd open up commissions again to see if I can help get some extra money for these upcoming bills.

Cost

In terms of the cost, it's $25 per 1k words and payment would be required upfront due to the aforementioned pressing issue of bills.

With this cost / pricing breakdown, please be realistic with the idea you'd like to see written in tandem with the cost you'd like to pay. I can admit that my writing is relatively lengthy and descriptive, so if you would like a fully detailed transformation, it would most likely be something that is 3k words minimum.

Despite my longer writing style though, I can certainly do a shorter vignette-style transformation that range from 1-2k words. If you'd like examples of these, my most recent posts on Tumblr would best fit that description!

Writing Themes

Things I Can Do

Possessions

Body Swaps

Muscle Growth

Age Progression

Weight Gain

Gender Swaps (Male to Female or Female to Male)

Twink TFs

Animal TFs

Celebrity / Character TFs

Things I Won't Do

Underage (everything must be 18+)

Hypnosis

Hyper Muscle

Anything Violent (especially in a sexual manner like rape)

Bathroom Stuff (water sports or anything like that)

Wait Time & Delivery

In order to not disappoint anyone by overpromising and underdelivering, my quoted wait time from finalizing the outline to completing the story is usually a month long. If a story is longer than 3k words or much more intricate, that time will most certainly be increased a bit.

Once the story is completed though, you will receive a link to a Google Doc that will remain open and accessible for a month to allow the commissioner to have ample time to download the story for themselves. If desired, a copy can also be emailed additionally!

If you're interested in potentially commissioning a story, please feel free to reach out via DMs here (no asks). Although I'm in need of money, I must state that I reserve the right to refuse any idea proposed. Whether it's simply the fact that I believe I'm not the right person for the idea or I'm just not meshing with the concept, this decision is final. Even if one idea is rejected though, you can still offer up other ideas!

Thanks for reading and I look forward to working with some of y'all in the future!

-- Soul-Controller

[copperbadge]

Amateur Translation Programs

So I had a lot of imaginative and informative responses to my post about looking for an amateur translation program -- something where I could load in a foreign language and it would insert a box where I could add a translation every-other-line. The idea was that this way I could practice translation with more advanced texts, and texts I chose, and thus move away from Duolingo, which at this point is good for drilling and daily practice but not for more advanced learning.

I didn't find precisely what was needed but I did get some inspiration for further explanation, and I also learned that adding the term "glossing" (thank you @thewalrus-said) into my searches helped a great deal in terms of weeding out programs that were either "Let this AI translate for you" or just endless promotional links for Babbel and Duolingo and such. I thought I'd collect up the suggestions and post them here; at the end I'm including my best swing at designing what I wanted, and why it doesn't work yet.

Suggestion one, from many people, was various ways to generate a page that is simply fixed Italian text with space underneath each line to add in a translation. This is pretty simple as a process and there are sites that will do it for you, such as this one that @ame-kage suggested. However, most of these don't allow for movement in the Italian text, and many produce a PDF which you would need to print out in order to write on unless you're willing to open it in Acrobat (and deal with Acrobat). A good solution for some but not what I'm looking for purely because I'm trying to make this super frictionless so that (knowing myself as I do) I will actually do it.

I did find this version interesting, suggested by @drivemetogeek: Have one word doc saved as your "template" doc and set the line spacing as 2.0 or higher. Select your text from source and paste it into the template doc as text-only. Ctrl a, ctrl c to select all and copy, then open a new document and "paste special" as picture. Right click and set the "wrap text" as behind text. Now you have a document where you can, basically, type over the existing text because it's the background of the page. This seems like the most frictionless version, because you could set up a bunch of them ahead of time. If you wanted to move between desktop and mobile, however, you'd need to ensure that the pasted image was fairly narrow so that you don't have to sideways-scroll.

Relatedly, people suggested generating a document that is simply the Italian text with empty space beneath it for typing in of the translation. This can be done either semi-automated, using a macro or a language like Python, or find-and-replace on, say, the stops at the ends of sentences. It basically outputs the same as above but with a more digitally accessible format, without any more effort than above. If you were to do this in Google Sheets you could also fix the column width so that it didn't do anything weird when you opened it on your phone. But it is still very friction-y, and does not allow for easy shifting of the Italian as needed. There's high probability of the translation breaking weirdly across the page. Still a top option in terms of simplicity and access.

@smokeandholograms suggested another variation illustrated here where essentially you're converting the text to a series of tables, with each paragraph a row, and an empty cell next to it for the translation. I might play around more with this one eventually, since I think I could possibly make it a three-column and put the Italian in one, the translation in the next, and the auto-translate to let me know where I might be slipping in the third. (Not that I trust auto-translate but comparing a hand translation to an auto translation can be useful in terms of working out when I've messed up the way a tense or mood is read. I tend to read indirect verbs as automatically imperative because I'm a weirdo.)

@wynjara linked to an add-in for Word specifically designed for translators, known as TransTools; this appears to employ a macro to do the same thing, though it does have a format where you can place the translation next to each sentence directly rather than in a separate cell. The full suite of tools is only $45 which is reasonable for my budget, but for what I need I think I could also just create the macro.

Using LaTeX as a tool specially designed for glossing was an option on offer, but I don't know enough about LaTeX to figure out the pros of this one, which is in itself the major con -- there's a learning curve that I think varies widely by person but for me is unfortunately a wall. It came out of a discussion on Reddit about trying to find something like what I want; also in that discussion is a link to a code generator that allows you to…do something…to the initial language, but it's not entirely clear to me (I'm sure it's clear to people who understand coding) what you would then do with it that would allow it to be output in the way I'm hoping for. Like, I could turn a paragraph of text into HTML, I understand that far, but any Italian I find is already on a website.

Moving more into apps that might work, Redditors on the LaTeX discussion suggested SIL Fieldworks, which is a professional language tech tool. Fieldworks isn't a program I'd previously encountered but much as with the ones I had, it looks like the learning curve is fairly steep and it is definitely overkill generally for what I need, though it might also harbor within it the thing I want. It is free, so I may download and play around with it.

@brightwanderer suggested using note-taking or "whiteboard" apps such as Freeform or Nebo; these are generally a kind of "infinite canvas" in which you can drop objects, text boxes, or handwriting. I don't know that Freeform would be measurably different to just using Word and a macro, since I'd still have to input/format all the text and then be stuck with the same "fixed text" setup -- and it's also iOS only -- but for some folks it might be more helpful. Nebo is a similar infinite-canvas with unfortunately the same issues, though on the plus it's available for Android, which is where most of my mobile property resides.

@bloodbright suggested that I was looking for a CAT tool, a professional translation tool mainly used by translators working in the field. This was a concept I'd encountered, but I hadn't found a good starting place. They suggested Smartcat and OmegaT. Smartcat bills itself as an AI translation platform and is HARD pushing the "don't translate it yourself, hire a translator or let AI do it" angle, so it's difficult to tell what it offers in terms of actual tools for translators, and it's also cagey about pricing, so I can't really evaluate it. OmegaT is free and gives off big "some weirdo homebrewed this in their basement" vibe (which I am here for) but I also recognized it from screengrabs that were the reason I veered away from professional-grade software: it looked too complex. Realistically, the major downside of OmegaT is that I don't think I can put it on my phone. One thing I did find interesting is that once you translate a portion of the text, the original language goes away, though I assume you can turn that off if needed. I do kind of like that because it means my distractable brain is looking at Less Stuff.

So where did I end up?

Well, it looked like I was going to have to try a homebrew myself. I had the idea of trying some of the initial suggestions but in reverse -- designing a document where every other line was a single-cell table fixed to the page. You could paste in the Italian, which would wrap around the cells, and then enter the English in the cells.

You can fix a table in place in Google Docs -- you click on the table, then under Table > Style select Wrap Text, Both Sides, and Fix On Page. Getting the whole page set up is a little labor intensive but once you did that, you could just save it as a template and make a duplicate of it each time. And this actually works….on desktop.

Unfortunately, if you open it in the mobile Docs app, the app can't handle the fixed tables and automatically moves them all to after the text that's been pasted in. I tried redesigning it so that it's a table within a table -- one for the Italian, then within that a series of them for the English -- but when you nest a table in Google Docs, it doesn't let you fix the second table in place. And you are also still dealing with the wrap issue, although you can resize the page and add a large right-hand margin as a kludge of a fix for that.

You can build this same kind of document in Word, so I tried building one in Word and then uploading it to Drive, but when you open the Word file in Docs (or in Microsoft Word for Android), it still strips the fixed positioning -- there's just some functionality missing from both apps that doesn't allow them to handle fixed-position tables.

So, the design is sound, just not the final execution. If I could program an app, I could probably remedy the issues with it -- it's simply a series of text boxes nested inside one another with different formatting. I would imagine that's relatively basic to set up, although given that neither Docs nor Word can handle fixed tables in mobile, perhaps I've stumbled on a much bigger problem that everyone is ignoring because nobody actually needs or wants fixed tables in mobile. :D

Experimentation is ongoing, anyway. I might simply have to resign myself to the fact that my translation study is going to have to be in front of a computer, which might be for the best anyway when I inevitably want to compare my translation to an auto-translate to see where I might have read something wrong.

[crownmemes]

Advice; Where to Make Rules and About Pages

If you've read my advice post about the difference between about and rules pages and why they're both important, you may not be wondering the best way to make them. The good news is, there are plenty of options!

Tumblr

The simplest choice. In the past, people would make custom pages on their theme. However, since dash view has become popular (and you can't view custom pages via it, nor can you view them on mobile), most people simply post their about/rules page as a normal text post, and link to it in their pinned post. If you have a custom theme, make sure to link the pages in the navigation bar too!

Using a plain Tumblr post increases your page's readability, but reduces the amount of formatting you can do. If you make your pages elsewhere, you will be able to customise them a lot more.

Carrd

A free website maker. You can make a small site with a free account, and the prices are pretty reasonable if you need to make a bigger site. Carrd has a minimalist aesthetic, and it will also adjust what you make to fit a mobile browser (though this may break your formatting if you have designed something complicated).

Carrd is easy to use, but it is best used for simple designs. If you want to do something more complicated than a basic Carrd layout, you're going to spend a lot of time trying to make the formatting work. If you want multiple pages for your site, you're also going to spend a lot of time formatting as you can't clone pages, therefore have to recreate each one every time instead.

It uses markdown for formatting text. If you're familiar with it, this can speed up writing, but it may slow you down if you've never used it before.

One of the benefits of Carrd is that there are lots of free templates available within the rpc! Here are resources I found with a quick Google search, but there are plenty more out there if you look for them: [x] [x] [x]

Weebly

Another free website maker. You can make more for free here than you can on Carrd. Weebly sites should adapt to work on a mobile browser.

I've never seen anybody use Weebly for about/rules pages, but I do recommend it! It's very easy to use, and, unlike Carrd, you can copy and paste entire pages. This makes it ideal if you have lots of muses that you want to make individual about pages for.

It uses a more typical text editor than Carrd. Instead of markdown, it's more like Microsoft Word - where you highlight text and click buttons to add formatting. You also have HTML/CSS options.

Weebly does offer some free templates, but you're likely to want to edit them to suit your needs more. This is okay! It isn't difficult to do!

Google Docs

A popular, completely free option. As with Carrd, there are plenty of templates and resources within the rpc (here are three examples: [x] [x] [x]). These pages will be viewable on a mobile browser, but the theme may not translate well. Keep readability in mind if you use this option.

If you use this option, also make sure the link you share is viewer only and doesn't have editor permissions!

Other Options (WordPress, Self-Hosting, etc)

Don't feel you have to follow the crowd. If you like to use WordPress, use WordPress. You could also use Neocities, or any other website builder!

Personally, I already own a web domain because I have websites for other online activities, so I use about pages that I've coded from scratch and host them myself. For my rules page, I just use a Tumblr text post that's linked in my pinned post. In the past, I've used Carrd and Tumblr pages for about pages.

If you want to write your site using HTML, some free website hosters will allow you to do this (Neocities, for example). If you're interested in coding, I do recommend this! It allows you to have full customisability, and coding can be a really useful skill. However, one downside of this is it can make your pages hard to read on a mobile browser. It's up to you to decide how important this is.

If you're interested in learning HTML (as well as CSS, JavaScript, and other coding languages), this site is a great resource!

[showtoonzfan]

So to sum up, here’s what Viv did to Ken regarding the document:

1. Saw their fanart of Cherri Bomb, asked if she could use their pose as a reference for Cherri’s character sheet, but instead traced the pose and despite saying she’d give credit, never did.

2. Excuses the fact that her idea for Sir Pentious’s third eye being an emote to him was a copy of Ken’s character they refer to as “TF”. Ken mentions it made them uncomfortable and suggested that his hat be an AI or something Pen created himself, but obliviously in the final product of the pilot, it was never explained what Sir Pen’s hat was or why he had it.

3. MOST importantly, NEVER credited Ken for their involvement with writing the Hazbin pilot. Viv goes to Ken multiple instances, admitting she isn’t the best at writing and only comedy, and needs help. She shares some ideas with Ken, and here are the following ideas and scenes that Ken came up with THEMSELVES that appeared in the final product of the pilot:

The joke scene where everyone laughs at Charlie, but Angel dust is brought up with her proudly saying he’s making great progress, only to cut to him on the news helping Cherri out and everything being screwed up for her, saying “oh shit” or “oh fuck”.

Angel being the only patron of the hotel, and only being there for a free room, with Vaggie and Charlie scolding him that he would change and him not caring

LITERALLY WAS THE ONE WHO CAME UP WITH ALASTOR APPEARING IN THE PILOT AND WANTING TO INVEST IN THE HOTEL BECAUSE HE’S BORED.

Alastor and Husk knowing each other PERSONALLY and Alastor being the one who hired Husk to help

The joke scene where someone brings up that they’re trying to help sinners not encourage this stuff and Angel immediately says “shut up we’re keeping this”-

The joke scene of Angel telling Al he can do the deed and Al immediately going “haha! No!”.

Came up with the idea that Al’s introduction on who he is should be through Angel asking Vaggie and came up with the “wait you don’t know him?” - “eh not big on politics”- dialogue.

Alastor’s line of “If I wanted to hurt anyone here, I would have done so already”-

And yet, despite being responsible for these jokes and plot threads, when Erin had confronted Viv about being credited, Viv had all this bs to say:

At first she rambles on about how she didn’t credit because apparently the stuff Ken came up with was early draft shit? Despite the fact that everything I listed above was in the actual pilot? And then didn’t want to credit them because she wanted to make a “promotional” post despite Spindlehorse not even being created yet and Ken had every right to ask for credit since it’s true that people DO assume that Viv does all this stuff by herself. And apparently telling everyone what members did what is too much for Viv, because Ken’s getting paid anyway so that makes it okay! Then Viv being Viv thinks Ken is attacking her and pulls the poor pity me card simply because she couldn’t understand what Ken was asking her I guess, but I suggest y’all read the entire doc because I’m scratching the surface, I just bring this up because the writing was the most important part.

4. Blacklisted and talked horrible of Ken behind their back. Ken was hesitant and late into signing the document, but eventually Viv had started to speak negatively of Ken to other members, calling them an abuser ect:

Again, read the document for full context, but this is just fucking awful, especially since at the same time when this was happening, Viv had been talking to Ken at the time and being all nice. It’s just amazing how awful Viv sounds, how she thinks Ken is out to get her and her show, all for wanting credit and wanting to make sure they didn’t sign their rights and characters away. Someone who had literally helped Viv on the pilot and was there for her in a vulnerable time of need, got treated like dirt, and it is NOT okay.

Please spread the document link:

[thecynthh]

do you not find it a bit disrespectful to repost/rewrite other peoples fics? i understand that you’re doing it because people really liked them, or whatever, but i also feel like it’s kind of rude to do so.

personally, if i left this app or deleted my account and came back to find someone was posting my hard work, i would be genuinely upset.

if the og writer gave you permission then that’s a completely different story.

not at all hating, just wondering.

so lemme give u my perspective, i am just like everyone else a consumer, meaning i read and i comment and i like and twiddle my thumbs scroll on this app for at least 2 hours a day.

i have favourite accounts and stories with aspirations to write better and more overall and without the inspiration from the friends and writers that have deactivated i would’ve never began writing and posting my own shit

i was just as happy to find out that i could save old stories from deactivated accounts as much as people were happy to find out that i was reposting them. so coming from a writer and a consumer i don’t see that much of a problem considering my terms.

the way that i’ve made my links is if i wanted too, i could delete the whole thing unless that person tries to copy and paste it into something else entirely. so i have control and moderation about how much it can spread.

i have stated multiple times that if the author or someone close to them reaches out to me specifically asking or demanding for me to take it down i will happily comply. I have stated this MULTIPLE TIMES and in every single post that includes the actual link to any of the stories.

then again i’m not personally close with any of the writers but if they say the word it’ll all be gone in seconds. i would understand as a writer, the frustration and seeing it from an outside perspective that it is indeed disrespectful.

would i be butt hurt if someone did do that to me personally? no, because in the end yes it is someone’s personal work but it’s still just a fan fiction about a 21 year old man who will probably have moved on with their life in a couple of years.

mind you all of these fics still exist somewhere on tumblr, all of it is for the public to find. i have simply compiled it into a couple google docs while STILL CREDITING THEM.

what about u anon? are you using the links? do u enjoy the fics ive collected?

as a matter of fact who does use the links and think it’s morally wrong of me to be doing this. because in the end it’s majorities favour.

sorry for the rant/ if this came off bitchy/ i could’ve phrased this whole thing better but thank u if u even read a single paragraph.

[darkreflections-zine]

Dark Reflections is now accepting submissions!

Dark Reflections is an all-Trek zine focusing on the Mirror Universe and other dark universes. We welcome the dark, the macabre, the unsavoury and the morally dubious.

Please read the FAQ under the cut before submitting anything. Feel free to join our Discord server for quick answers to questions, hanging out with other submitters, beta reader requests, and work reminders.

Submissions close October 10th. Send submissions to ollieaster@gmail.com

FAQ

What counts as a mirror universe?

According to Fanlore, a mirror universe is any alternate universe which is a dark reflection (pun intended) of the original. Whether this is the mirror universe we see in the shows or in beta canon, or a completely new universe that is simply not as kind to our characters as the original is up to you. Keep in mind that this zine focuses on and embraces the more "evil" aspects of those universes.

What can I submit to the zine?

Writing (fic and poetry) and art (traditional or digital, including comics) can all be submitted. We don't accept manips, meta essays (essays written in-universe may be allowed), mood boards, or anything that can't be printed, such as vids and podfics. Fics must not exceed 25,000 words, though depending on quality and number of submissions we may choose more, shorter works over fewer, longer ones. There is no lower limit for writing. Art must be completed, which means no sketches. Traditional art should be scanned, 300p. Written files should be .docx or .pdf, and art files should be .png, .jpg or .tiff. Links to Google Docs are also accepted.

Is there anything I can't write about?

Despite this zine embracing and encouraging potentially controversial subject matters, there are a few things we won't accept. Generally speaking, though, unless you're writing nazi roleplay erotica (for example) we're not likely to reject your fic on subject matter alone.

What show/ship/characters does the zine focus on?

Ideally, all of them. We'd like for this to be an all-Trek zine. However, if we get an overwhelming majority of one series we may end up rejecting a single work from a different one, even if it normally would have gotten in, just to keep everything cohesive. Either way, we will not accept OC-centric works.

Can I submit a work that has been published somewhere else? e.g. AO3, another zine, ect.

No. We only accept new works.

Does my work need to be beta read before submission?

Preferably, yes. We will edit works which have been accepted and which require it. All works in the zine will match in editing style, though we'll try to keep the author's style intact.

If I submit multiple works, how many are likely to get in?

We would prefer to give as many creators an opportunity to participate as possible, but if there is room or your works are particularly fitting, we will include multiple.

Do I need experience to submit works?

No. We will gladly accept works from new creators.

Do I need to join the discord server to participate?

No. The server gives you easier access to the editor, granting quicker answers to any questions you may have, as well as general accountability and greater sense of community, but that is all.

How do you match fic and art?

Ideally, we will have some solid matches from the get-go. If necessary, we will ask submitters who have volunteered to pinch hit for fics with no art. Art with no matches will separate poems or end up on one of the covers.

Will there be merch?

Possibly.

After the zine is published, can I post my work to AO3/social media?

We reserve printing rights for six months after publication (the day printed zines will be shipped). After that, you may do with your work as you wish.

How much will the zine cost?

This depends on a number of factors. However, we will endeavour to keep the zine as cheap as possible. We cannot legally make money off of fanworks, nor do we wish to. A free pdf copy of the zine will be sent to everyone who has purchased a physical copy, and these digital copies will be available to purchase at a much discounted price.

I have another question that isn't listed here.

Shoot us an ask! All asks are tagged #qna to make finding them easier. Please check if we have answered your question there before sending a new one.

[buthowboutno]

🕸

(asking this one because I know the answer and others should be made aware lmao)

🎱🔥🧼

Also, tell your mother I said hello.

i'll eat you

🕸: Do you outline? How detailed?

I LOVE MY SPREADSHEETS!! i live and die by my fucking plot chart. you shall not shame me today /aff

^^ example of previous chapters in the chart

I have every chapter organized in a table, basically acting as my overarching timeline for ATWLP. the left column is summary/ideas i have for the plot of the fic/any conversations i think would be funny and the right column is the link for the corresponding doc (because any doc over 30 pages long makes me want to chew concrete)

I also have an excel sheet to keep track of word counts and to calculate the projected total word count of atwlp with respect to the total chapter number and average word count per chapter.

every chapter starts with bullet points and the losers tell me how it goes down from there.

the voices, ya know?

🎱: Have you ever had readers correctly guess a twist or reveal in the comments?

yes. and i cannot for the life of me remember what it was lol

🔥: What's a piece of writing advice you consider bad advice?

might be the adhd talking, but the whole "sit down and dont get up until you've written x amount of words" never worked for me. simply designating a time to write is nice, but that pressure ultimately made me freeze up and dread every minute i was writing.

also the whole "show don't tell" thing. there is a time for both.

🧼: Do you ever go back to edit fics or chapters after they've already been posted?

All the time lmao. I added two whole ass chapters to the middle of "Days of a Past Future" (which y'all should read, i'm so proud of that one)

it is my plan when i am finally finished with atwlp to go back and edit the entire fic so i can make a physical copy of it.

[in-death-we-fall]

Fell In Love With A ghoul

Some people spend their whole lives searching for their soulmate. But as Murderdolls prepare to gatecrash the charts with their cover of ‘White Wedding’, Joey Jordison and Wednesday 13 explain why they’re made for one another…

Words: Dave Everley Photos: Roxy Erickson

(docs link) (Clown article x x)

Wednesday 13, frontman with the Murderdolls, is an avowed Mötley Crüe fan. He owns all 11 of their albums; he'll even defend their traditionally indefensible later, minor works with all the passion of a man who has divested large chunks of his earnings into the band's output at one time or another. He has, he estimates, read their infamous biography 'The Dirt' eight times.

    Now Mötley Crüe were undoubtedly dunderheaded arse-clowns of the highest order — and you can't help feeling that Wednesday 13, despite his unshakeable affection for the band, knows this. But they were also absolutely fantastic, if only for one particular reason: in the midst of the soulless, self-obsessed circle jerk that was the '80s rock scene, they were utterly, gloriously unique. Yes, they were as dumb as fence posts; yes, their behaviour veered between the mischievous and the truly cretinous; yes, they spawned a whole shower of shit that took years to mop up. But they were out there on their own.

It wouldn’t be inaccurate to call Murderdolls a Mötley Crüe for the ‘90s, if only for the reason that, in the midst of the soulless, self-obsessed circle jerk that is today’s rock scene, they too are utterly, gloriously unique. Whether you’re of the opinion that they’re a knowing tribute to the days when bands’ agendas extended no further than having as much fun as possible as often as possible, or simply the latest in a long line of shit-kicking party bands that began with the New York Dolls, there’s no debating the fact that they’re out there on their own as much as Mötley Crüe ever were.

And for that reason alone, the Murderdolls deserve your attention.

On paper, Murderdolls shouldn’t really exist. Or at least, they shouldn’t exist on the scale that they do. A modern day cock rock outfit put together by the drummer from Slipknot, a band who, love them or loathe them, at least managed to sneak a form of extreme metal to the top of the charts? Riiight.

Except the Murderdolls do exist, and they are successful. Their sole album to date, last year’s glam-Goth opus ‘Beyond The Valley Of The Murderdolls’, has sold 50,000 copies in the UK – half of what Slipknot sell, admittedly, but done with only a fraction of the hype the latter band has been fuelled with over the past few years. Their new single, a snarling version of Billy Idol’s ‘80s hit ‘White Wedding’ looks set to bust their B-movie indebted noise out to the masses.

In a sparse but stylishly furnished room deep in the warren of corridors that make up the West London headquarters of Sanctuary Management – handlers of Murderdolls, as well as Iron Maiden, Guns N’Roses and dozens of others – Wednesday 13 sinks into an expensive leather sofa and proceeds to empty the contents of his less expensive leather trousers onto the glass-topped table in front of him.

“Man, too many pounds in my pocket,” he says good-naturedly, his attempt at an English accent as successful as that of most visiting American musicians (that is, not at all).

Two days ago, Murderdolls played the main stage of the Download festival. They hung around the site for another 24 hours, soaking up the atmosphere and generally drinking themselves senseless. Wednesday started “partying” at three o’clock yesterday afternoon. He didn’t stop until the small hours of the morning. He woke up at eight o’clock. It’s now two in the afternoon. There’s not even a whiff of a hangover. Bastard.

“I don’t get them,” is his cheery response. “Never have.”

The Wednesday 13 sitting here, laid-back and grinning, couldn’t be further removed from the sneering, spiky, B-movie anti-hero that appears on Murderdolls records. That Wednesday 13 is a sneering, spiky B-movie anti-hero with arsenic and embalming fluid running through his veins. This Wednesday 13 is Joseph Poole, a 26-year-old Mid-Westerner who still lives in the same “tiny as fuck” North Carolina town where he’s spent most of his life and who hadn’t so much as set foot on an aeroplane until Joey Jordison paid for him to fly to Des Moines to join the Murderdolls.

He looks nothing like you’d imagine him to. He’s fleshier for a start – not fat in the slightest, but not the sunken-faced cadaver that leers out from photos. He looks younger too, though that could well be on account of the fact that he’s not made up to resemble death warmed over. Only the array of tattoos that adorn his arms – “horror movie shit” like Bela Ludosi, Linda Blair, the Bride Of Frankenstein, Herman and Lily Munster, ‘Hellraiser’ – equate the man sipping Diet Coke and beaming effusively with the dreadlocked ghoul who fronts the Murderdolls.

Actually, Wednesday 13 isn’t really anything like you’d expect him to be, full-stop. Back home in Landis, he lives in a suburban home with his longtime girlfriend and his five-year-old daughter, Zoe (“We’re like ‘The Addams Family’,” he smirks). He admits that he’s shy, that “when I talk to people, I don’t really look them in the eye” (this is true). He’s not embarrassed to admit that his relationship with his parents is “awesome – my parents were always super-cool”.

What was your childhood like? “Dude, I lived in a trailer until I was 13 years old. I didn’t even have my own room until I was 10 or 11.”

And how were you supporting your family before that call came from Joey? “Delivering magazines. I had to drive an hour to my job, so I’d get up at 4:30 in the morning, leave at five and be there at six. I drove a big delivery truck. I had to go to grocery stores and put ‘National Enquirer’ and ‘TV Guide’ and all that shit in there. That sucked.”

Ever think of jacking it in and moving to New York or LA to get closer to the action? “I always thought it’d be cool to live in New York, but I never had the money, and I never had a band that was willing to pack up and move. I really lucked out when I got a call from Joey. The last fucking dude on earth I thought would call me would be the drummer from Slipknot.”

Before Joey Jordison entered his life, Wednesday 13 fronted the Frankenstein Drag Queens From Planet 13. Formed when he was 19 years old, the Drag Queens combined the twin influences of Alice Cooper and Ed Wood. Between 1996 and 2001, they released four albums of schlocky, snotty punk rock (several songs from these records would be reworked and re-recorded for ‘Beyond The Valley Of The Murderdolls’). Their schtik – wigs, dresses and zombie make-up – was as becoming as it was dumb. Still, in North Carolina – a pig’s squeal away from Bible Belt country – that’s one hell of a statement to make.

“When we started out, it was complete war,” is his memory of the Drag Queens’ early days. “We didn’t want to be friends with anybody. Every show was a fucking battle. I’d just say shit to the audience to get a rise – if they were drinking beer, I’d shout, ‘Beer is for fags!’. Then they’d start throwing shit at us, and I’d take my guitar off and jump into the crowd.”

Did it ever get physical? “All the time. At one gig, a guy in the audience threw a beer at me. I dived in the audience and tackled him, and started beating the shit out of him. I was wearing a pink dress and platforms at the time. This was in a new town and there were 100 or so people there. I thought they’d beat the shit out of me, but they ended up cheering me on.”

Remarkably, Wednesday managed to survive those early shows relatively unscathed. Even more remarkably, local club owners seemed to like the band’s mixture of outrage and antagonism. The buzz around the Drag Queens began to spread across the state.

“Everybody in town hated us, because we actually got gigs. The club owners kinda dug us. They were like, ‘We’re sick of all that other shit – this is fucking entertaining, let’s book them’. All the other bands hated us for that – ‘They’re fags, they’re wearing dresses, they don’t know how to play music’.”

What did your parents think of what you were doing? “My mom always sewed my clothes for me. She sewed all my dresses up.”

And your dad? “I dunno. I’m sure any man doesn’t want to walk around a corner and see his son standing there going, ‘Hey Dad, I got this new dress. Like it?’. But now I think he’s proud – he’s seen that I’ve stuck to my guns with it all.”

What was the best thing about being in the Frankenstein Drag Queens? “The very beginning was awesome because it was so fresh – I was working in a furniture store, making five bucks an hour, so I took out a loan to pay for the recording of the first record. The record came out, and we felt like we were above everybody else. Then two months later, the drummer quit. But by the end, nobody gave a shit – where I lived, it had really died. That’s why when Joey called I thought, ‘Fuck it, I’m going to do this Murderdolls thing’.”

There’s a track on the ‘White Wedding’ single called ‘I Take Drugs’. In reality, Wednesday 13’s recreational pursuits extend no further than an impressive capacity for alcohol.

“I’ve never done drugs in my life,” he says with a shrug that says ‘Why should I have done?’. “I guess I’m chickenshit. I’ve taken aspirin, but that’s all. I’ve never taken coke or E. I’ve probably smoked six cigarettes in my whole life. I don’t need it.”

It’s a strange admission from a man who shamelessly admits to a lifelong obsession with the most debauched of genres, cock rock. In fact, Wednesday 13 is so obsessed with cock rock that he’s possibly the only person on the planet right now who could not only namecheck long-forgotten Welsh glam tarts Tigertailz, but also take the time to describe their logo (he does both today). He might not be Mötley Crüe material, but he might just have sneaked into fell Sunset Strip darlings Faster Pussycat.

Have you ever dated a stripper, Wednesday? “Yeah, and it was one of the worst things I’ve ever done too. She tried to kill herself in front of me. I broke up with her, so she ran into my kitchen, pulled out a butcher’s knife and cut her arm open in front of me. I grabbed the knife and grabbed her arm – my fingers went into the cut, and I actually touched her bone. I threw her into the car and drove her to hospital. When we got there, there happened to be a cop in the waiting room. There was some very quick explaining done.”

Ever filmed yourself having sex? “Never. But mirrors are cool.”

Ever been arrested? “No. And I don’t want to. I’m not the kind of guy who walked around going, ‘Fuck the police’. I’m totally pro-cop. I’m so pro-cop, it’s actually ridiculous.”

That’s not a very rock ‘n’ roll thing to say. “Fuck that. I think that being a cop is one of the bravest jobs ever. I couldn’t imagine pulling over some car at three o’clock in the morning, knocking on the window, not knowing who’s in there – you’re fucking with death. I’d never have the balls to do that job. I’m pro-cop all the way. And I don’t care what anyone says.”

What do your neighbours in North Carolina think of you? “Well, the guy on the left is a priest. He’s a nice guy. He helped me take my garbage out the other day, then tried to persuade me to come to church. I had to tell him no, in the politest possible way. The guy on the other side, I just know to say hi to.”

What’s it like being a father? “It changes you. I never planned to have a kid that young, but I would never take it back. My kid is my life. I’d do anything to protect her. I never forget who I am and that I’ve got responsibilities back home. When you go on the road, you turn into a monster, then you come back home and you’re back to normal, Mr Nice Guy.”

What does your girlfriend think of what you do? “She’s known me since I was 15. She’s got bright red hair and more tattoos than I do. She loves it. But when I get home it’s different. I’m just the family guy.”

Unlike Wednesday 13, Nathan Jonas Jordison – Joey to the rest of the world – is everything you expect him to be. Thanks to the phenomenal rise of Slipknot, and the volumes of press that have been written in its wake, it’s difficult to shake the feeling that you already know him inside out.

You don’t so much interview Joey Jordison as try to keep up with him.Sitting in the same position on the same sofa that was, until 20 minutes ago, occupied by Wednesday 13, the drummer and guitarist (he played both on ‘Beyond The Valley Of The Murderdolls’) will spend the next half hour machine-gunning out answers to a barrage of questions as quickly as they come in. He’s loud, assured, articulate and passionate. In fact, the only thing that’s surprising is that he still lives with his mother, in the same house in Iowa that he’s been in since he was two years old.

“It’s a real humble place out in the country,” he says. “I like the quiet. I like getting away from the busy streets and the noise and the chaos. It’s nice to go home to some peace and quiet, cos there’s none of that on the road.”

As we speak, Jordison has at least three projects on the go (there’s Slipknot and Murderdolls, plus an unnamed extreme metal project he’s working on with Necrophagia frontman Killjoy). His explanation is that he gets bored “very fucking easily”. Back home, he has three guitars placed strategically around the house (“one in my room, one in the bathroom and one downstairs��). Ask him what his greatest obsession is, and he replies, “music”. Ask him how he switches off from music, and he looks puzzled.

“What do you mean?”

Do you ever stop thinking about music? “No. It’s the only thing I know how to do well. I can spin upside down on a drum riser in front of 20,000 people with Slipknot, but I can’t go to the mailbox and figure out my mail. I have no sense of normal reality at all. Today I went out shopping. I walked to the fucking store, then I couldn’t figure how to get back. I have to be pointed in the right direction. That’s why I have to have an assistant with me all the time.”

As much as the Murderdolls are an equal partnership – and both Joey Jordison and Wednesday 13 are adamant that it is – there’s no doubt that it’s Jordison who provided the initial impetus. He’s the one who took the raw materials – specifically The Rejects, the glam-punk band he played guitar with intermittently during the ‘90s – and shaped it into something new. He’s the one who marshalled the personnel, calling Wednesday out of the blue and flying him to Des Moines to see if his dream could work. He’s also the one who, by dint of his status as a member of one of the biggest metal bands on the planet, gave the Murderdolls an instant profile.

Are you a control freak, Joey? “Yeah. Well, maybe not a control freak, but I definitely like to have my opinions. People respect me because I have strong opinions. But it’s not about ego – it’s about the end result. That’s all I'm concerned with.”

Are you friends with the people in your bands? “Every one of them. The Slipknot dudes are like my brothers. We’ve been through everything together – we started with jack shit and we became one of the biggest metal bands around. With this band, I don’t know everybody like I know the guys in Slipknot, but I love them all to fucking pieces.”

Does it bother you that the Murderdolls are still seen by some as ‘Joey from Slipknot’s band’? “I don’t think people see it that way anymore. When we first toured, all you’d see is Slipknot shirts. You don’t see that now. Now it’s kids all in red and black. Murderdolls is a fun band.”

What about a party band? As in a band who like to party? “Oh yeah.”

How much alcohol do you get through a week? “Wednesday got through a bottle-and-a-half of Jägermeister last night.”

What about the other trappings of rock ‘n’ roll? The sex, the drugs… “Certain guys in the band like the groupie thing. I don’t necessarily. Wednesday certainly doesn’t.”

Why don’t you like it? “I’ve kind of gone through it already. It’s not even really that good. It doesn’t… (pause) I mean, I’m into making girls do weird shit.”

Such as? “If a girl’s got a cool trick, she can come on the bus for entertainment purposes rather than sexual purposes.”

Give me an example of the sort of entertainment you’re talking about here. “A girl came on the bus once and fucking smoked a cigarette through her pussy, then blew it out of her mouth. I was, like, ‘I wanna see that’.”

You’re friends with Marilyn Manson. What does a night out with the two of you involve? “Actually it’s not as crazy as you might imagine. We might be round his house, watching TV, having a couple of drinks, talking about music. It’s not like you think – chicks and drugs and shit.”

The most common misconception about the Murderdolls, usually held by people who either don’t like the Murderdolls or have never heard them, is that they’re stupid. Murderdolls aren’t stupid. They’re stoopid, like Kiss were stoopid, like Mötley Crüe were stoopid. Yes, that might occasionally involve what Wednesday 13 calls “our idiot tendencies”, whether that means getting cross-eyed drunk on red wine and falling asleep in the lavatory of an airplane (as Wednesday recently did on a flight back from Japan) or starting a bar brawl in Germany (as Joey did when the band were last in Europe).

But ultimately, the Murderdolls are a rock ‘n’ roll band, and that’s precisely what rock ‘n’ roll bands are supposed to do. And now, more than ever before, we need rock ‘n’ roll bands who are willing to do rock ‘n’ roll things.

And that, once again, is why the Murderdolls deserve your attention.

Murderdolls are currently touring the UK with Stone Sour. Check Out There for details. Their new single, ‘White Wedding’, is released on July 14 via Roadrunner.

Gig Of The Week

Murderdolls/Stone Sour

Dates: Birmingham Academy July 9, Glasgow Barrowland 10, Manchester Apollo 11, London Brixton Academy 12. Admission: £16, London £18. Support: Elviss.

Some and see us because… Corey Taylor (vocals, Stone Sour): “Where else can you see five idiots kicking ass and getting naked? It’s going to be great playing with the Murderdolls, they’re a great live band. We can’t wait to get back because Donington was awesome. I got some comments about looking like Joe Elliot backstage, and it was weird playing with Metallica in the background. But that was crazy shit, and I got very drunk.” Wednesday 13 (vocals, Murderdolls): “You will see a rock show, not a nu-metal show with baggy pants, and you will see a group of pretty guys – us. It’ll be cool to play with Stone Sour. I sat down with Corey for the first time at Donington and we talked about movies and shit.”

Look out for… Corey: “A couple of songs that aren’t on the album, and Jim doing his weird goose-step walk. I’ll say no more about that.” Wednesday: “Toothpaste and toothbrushes. Fire and blood. That’s all just part of our show.”

Don’t go to the toilet when… Corey: “We’re playing. Hold your fucking piss. If you go while we’re onstage, I’ll fucking kill you.” Wednesday: “We’re playing. You could miss anything. There’s no telling what we’ll do. You could miss my big, giant gun. Which, incidentally, I don’t think we’ll have any trouble getting through customs. I know people.”

If you see me in the bar afterwards… Corey: “Buy me a Jack and Coke. Everyone knows that. We love hanging out and goofing off, when we’re not getting drunk and stripping.” Wednesday: “Buy me a shot of Jägermeister. Absolutely definitely come and say hello. I always hang out with the kids.”

Brett Callwood

[slexenskee]

Home for WIPS and Oneshots

TLDR - going to start posting things like oneshots, what-if spin-offs, prompt requests, and other fic-adjacent writing content on Patreon. Yes it is free. I'm just using it to host/organize the stuff I don't want on AO3, but also don't want getting lost on my tumblr dash.

Ok so my tumblr dash is a mess of random reblogs unrelated to fandom, things I find funny, gif sets, asks, anon interactions, memes etc etc etc and that's exactly how I like it. I realized I had started passing up reblogs or posts on other fandoms because I was worried I would be 'cluttering my dash' for people who are coming here for specific fic-related content, and that's not the vibe I was going for.

And personally I just don't like tumblr's interface for posting oneshots, WIPS and prompts, especially longer ones, but I also have nowhere else to put them? But I'm also very picky about what I want posted on AO3. I tried just linking to google docs for a bit but apparently the links expire 😓 and also would rather not have my email associated with my acc. Also tried to use my personal travel blogging stuff but the interface was abysmal also and I was running into so many formatting issues just simply trying to copy and paste content.

Anyway, I checked out Patreon as a platform and... I don't dislike it? Once I realized you could make it free to view, I warmed up to it. I especially like the 'Collections' organizational view so I can organize based on different fics. So far I like the interface, but I'm having issues getting it to keep italics when I copy paste 🤔

You don't have to make an account to view the content it just annoyingly has that stupid CTA banner at the bottom telling you to 'upgrade' even though there's nothing to upgrade to because there's nothing behind a paywall?? But these are minor issues in comparison to some of the other platforms I wanted to try.

But if people have any other suggestions I'm all ears. But I don't want to go back to ffnet, and I'm not keen on wattpad either.

[dairy-farmer]

Omg please start posting your twitter au’s here or on a03! Twitter won’t let me lurk on your account anymore without signing up and I don’t have an account {or want one really, twitter creeps me out}

hi!! sorry for the late reply since this is a bit of an older ask and was likely sent around the time that twitter/x started doing that thing where no one without an account can see tweets and stuff. i'm happy you enjoy my work🥰🥰🥰🥰!!!

unfortunately for some reason, twitter links are really difficult to incorporate into the master list. i've been successful with it less than a handful of times and that's why i ended up making a 'thread of threads' for my twitter threads but that's on my twitter account and is just one long scroll of all my 'tweetfics' which are just a train of though stretching longer than 3 or so tweets.

there's also the fact that putting them on tumblr is, while not necessarily difficult, is a VERY time consuming process because due to twitter's format you need to manually copy and paste every single tweet into a doc and then copy and paste that to a tumblr post and then add the link of that tumblr post to the master link and honestly that's simply too much work that i don't think i'm willing to commit to.

as for posting it on my ao3, i also don't want to do that since i want my ao3 reserved solely for actual, fully completed works of a singular plot that are greater than 7k words. i really don't polish, check, or review any of the things i write on twitter or tumblr -which i enjoy!! because editing a work is one of the major reasons i'm such a slow fic updater/writer- and if i posted them on ao3 i'd want to at least edit them for any mistakes which would be a huge burden to undertake because i enjoy twitter and tumblr because it allows me to not care about the relative disorganization of it all. and given the volume of the ficlets on twitter and tumblr, the amount of work is simply not feasible for me. :( its unfortunate because this wouldnt be a problem it twitter hadn't changed hands and forbidden anyone without an account to harmlessly lurk without signing up.

i'm sorry to hear you can't see my twitter au's anymore 💔💔💔 maybe one day i'll find the time to do that but unfortunately i don't see that happening soon.

[lunawlw]

To accuse every message you get from Palestinians as spam & non legit is so evil but it’s also so stupid. It can be easily proven (on tumblr that is) to see if they are legit. And the secret to that is simply following Palestinians. Most of the Palestinians I follow let you know publicly by answering a question, replying, or posting if something is a scam or not. There is a whole google doc filled with legit fundraiser (and guess what, many of those people have a tumblr account too!!!)

Literally if you get an ask in your inbox, copy the url and search in the tumblr search bar. Chances are you will see someone who also got asked by that account who went on to confirm or deny if the account is legit and links proof (be it to the google doc or to one of the Palestinian blogs providing proof)

Then you yourself can check the google doc as well for the gofundme.

Every ask I’ve gotten so far has been legit.

[ktarsims]

K’tar reverts to 1.67: Some notes...

So in the wake of EA forcing everyone to update from the Origin App to the EA App, which sporadically seems to cause even more problems than the Origin App for many TS3 players, I decided it was finally time to take the plunge and stop playing on 1.69. Below the cut, What I did, how I did it, issues and questions I ran into, and some notes.

First, I started off using this tutorial here: https://sims3tutorialhub.tumblr.com/post/176328544696/installing-sims-via-torrent Simply using the NoCD mod would not have worked for me, as I only own a few of the TS3 expansions and stuff packs via disc, and own most of them digitally. By the time I realized this might be an issue for me later, I already owned them all, and I don’t believe in paying for an entire franchise a second time just because game companies like EA will bleed you dry if they can.

Question #1: Do I need to uninstall first? After backing up the EA folder in my docs folder and the everything in the program files folder as well, per the suggestion in the above tutorial, and having already downloaded all the needed files, this was the first question that popped up for me. I don’t actually know the answer, but I decided that since my current installation was in Origin, which I hope not to use again (at least for TS3), I would uninstall everything from Origin, so I did so.

After that, I abandoned the above tutorial and instead followed the instructions that came with the downloaded files. They’re fairly concise and easy to follow. I went back and checked eventually and they’re basically the same as the ones in the above tutorial, except you’ve no need for further downloads, because everything is already included in what you’ve downloaded. If you are following the above tutorial to download the 1.67 super patch, be aware that you may have to copy and paste the link into a new browser tab to get the download to work. (I did.) This took me to having completed step 7 in the above tutorial.

Next, a step that isn’t mentioned in the tutorial, or the instructions in the download. Copy over your GraphicsCards.sgr and GraphicsRules.sgr from your old Program Files x86/.../Bin folder to your new one. This way your game will still recognize your graphics card and any changes you previously made to the graphics rules will remain.

Then I installed the proper version of @lazyduchess ’s Smooth patch into the same Bin folder. Thanks again for making it work with 1.67!  I had a bit of trouble editing the TS3Patch.txt file, because the Bin folder properties had been set such that it wouldn’t let me edit the file directly. I ended up creating a copy of the file on my desktop, editing that, deleting the one in the Bin folder, and then moved the edited file into the Bin folder and gave the admin permission confirmation required.

As a last step, I installed the Nraas No CD mod to my mods/packages folder with the rest of my nraas mods and discovered that all of my game folders were still present, complete with logs, saved games, mods, everything. I wasn’t expecting that, as I thought everything would have been deleted when I uninstalled things, but nope. Everything was present and accounted for and I didn’t need to retrieve anything from the backup I’d made of that folder.

My game started up just fine. Nothing was missing, all mods seem to be working fine and are present. The game seems to take just a tad longer to start up than what I’ve been used to lately, but it’s like... maybe an extra minute, which is completely worth no longer having to deal with Origin and/or whatever online DRM crap EA may come up with in the future. Now I can play... with NO INTERNET. FREEDOM! My graphics were perfect, I didn’t need to adjust any settings at all, and everything was good to go.

Edit to add: If you’ve only ever played on 1.69, be aware that 1.67 does not have a built-in easy way to enable/disable expansions and stuff packs. However, someone shared with me this link to a mod that someone created to do precisely that! You can find it here: https://modthesims.info/d/499140/sim-game-selector-3-0-support-for-quot-into-the-future-quot-and-quot-movie-stuff-quot.html 

Of course, your experience may vary... I’m running on a desktop computer with Windows 10, with all expansions and stuff packs installed, nearly 25k individual pieces of CC installed via CCMagic, plus a couple hundred other un-merged script mods and default replacement files installed in my Mods/Packages folder. (In case that helps at all.)

Cheers! I’m off to play my game!