#if not another season then 1-3 more episodes

[scoobydoodean]

Part 1 of 3

Hello. I've been busy. But I'm once again reaching out to the dean sympathizers to finally see reason. Let's discuss climate change metaphors. Now, are we really gonna pretend that a show called "Supernatural" (as in 'above nature'), in which the main characters are literally hunters, isn't about destroying the environment? Because there are countless examples of this theme.

Who is at the helm of subjugating the planet? Everyone's favorite older brother, of course. It is dean's greatest desire to become the world's apex predator, supplanting other beings at the top of the food chain (those he deems as "monsters"), and inheriting the Earth as his own. Note: that is episode title of 15 x 20. Even the angels and G*d himself acknowledge the way dean disrupts the ecosystem or the 'natural order' as they say. In the world of Supernatural, hunters eliminate supposed threats, selfishly putting human power above the welfare of all. This parallels real-life hunters in America displacing wolves before efforts were made to restore them in Yosemite National Park. It's not a coincidence that he felt at home among other predators in Purgatory.

Part 2: Sam What is more intriguing and tolerable is the way Sam, and even cass react to dean’s megalomania. Although dean forces Sam and cass at his side into the life of hunting to achieve his goals, he narcissistically insists that Sam himself is a monster. He states this clearly a couple of times, but the brothers’ opposing food choices also exemplify that Sam is subhuman to a hunter like dean. Consider even the way his slobbish habits are contrasted to Sam in episodes such as Tall Tales, establishing Sam’s own relationship with food as ��clean”. Clean for the environment, I say. Sam, the show’s metaphorical climate warrior, does his best to eat a sustainable diet like other passive herbivores such as cows. The fact that dean calls it “rabbit food” is obvious proof that dean literally believes Sam is prey. It is no coincidence that the cattle industry largely contributes to greenhouse gasses, and dean loves eating burgers made of this beautiful herbivore. Part 3: cass In fact, the love of beef perfectly displays cass’ failure to emulate Sam’s environmentally friendly virtue, under dean’s grooming. Even though he states that it is the hunger of his vessel, Jimmy, this is a misleading detail in My Bloody Valentine. Because he is new to emotions, he is a vulnerable, blank canvas to dean as a corrupting influence. He infects cass with his desire to take the Earth as well as burgers. Conversely, dean’s gluttony is so large that it can’t be perceived and augmented by Famine. He is dead inside, and his rot will poison the Earth. Later, with a matching hunger, cass spirals in season six, eventually becoming the “new God”, literally consuming the souls of monsters to do so. This arc of cass eating the Leviathans in his hubris and exploding in the lake is yet another metaphor for overconsumption and pollution destroying the environment. Sam, his “monstrous” powers and autonomy stripped, and cass, mind and heart polluted, are powerless to stop dean’s terrorism on the world of Supernatural during the later seasons. It is only in the end when the Earth is free from dean and his brainwashed kitten cass, that Sam and the rest of world live on. This is why the finale is a clean, green victory! part 4: oops oh my god I totally forgot about cass being dismissed as "crazy" for taking a strong interest in animals and nature in season seven while processing his guilt for his actions in season six. the bees. arguing against animal testing for makeup on monkeys. etc. these references to the environmental destruction are really obvious in Supernatural sometimes.

Part 3 is my favorite.

[anghraine]

Okay, the previous Star Trek poll wrapped up with a close but pretty obviously inevitable victory for the Uhura/Chapel kiss ... but while I'm in the TOS trash bin, another poll concept struck me. I'll add the full quotes/episode citations below, but I wanted the people's opinion:

1— "The Immunity Syndrome"

I've noticed that about your people, doctor. You find it easier to understand the death of one than the death of a million. You speak about the objective hardness of the Vulcan heart, yet how little room there seems to be in yours.

The context: in this episode, the Enterprise arrives in the area just in time to see, but not prevent, the deaths of 400 Vulcans on another Starfleet ship. Spock psychically experiences their deaths, and spends much of the episode quietly upset and grieving, while McCoy is just kind of a dick to him for 90% of the episode.

2— "The Galileo Seven"

MCCOY: Well, I can't say much for the circumstances, but at least it's your big chance. SPOCK: My big chance? For what, doctor? MCCOY: Command. Oh, I know you, Mr. Spock. You've never voiced it, but you've always thought that logic was the best basis on which to build command. Am I right? SPOCK: I am a logical man, doctor. MCCOY: It'll take more than logic to get us out of this. SPOCK: Perhaps, doctor, but I know of no better way to begin. I realize command does have its fascinations, even under circumstances such as these. But I neither enjoy the idea of command, nor am I frightened of it. It simply exists. And I will do whatever logically needs to be done. Excuse me.

The context: I've talked about how TOS is so often Spock vs. Microaggressions, but this episode is like... what if that were an entire episode and the bigots were really stressed, okay.

3— "The Naked Time"

My mother—I could never tell her I loved her.

An Earth woman, living on a planet where love, emotion, is bad taste.

I respected my father, our customs. I was ashamed of my Earth blood. Jim, when I feel friendship for you, I'm ashamed.

The context: a bunch of the crew contract a disease that causes their inhibitions to drop, bringing out repressed but strongly-felt emotions and/or desires. This means swashbuckling for Sulu, Riley fantasizing about ruling the ship as an Irish king, Kirk admitting to his feelings for Janice Rand that are eclipsed by his feelings for the Enterprise, etc. But Spock without inhibitions is just profoundly unhappy and, well, ashamed.

4— "The Corbomite Maneuver"

BAILEY: It's blocking the way! SPOCK: Quite unnecessary to raise your voice, Mr. Bailey. All engines stop. Sound the alert. [a little bit later] SPOCK: And when the captain arrives, he will expect a full report on— BAILEY [sharply]: The cube's range and position. I'll have it by then. Raising my voice back there doesn't mean I was scared or couldn't do my job. It means I happen to have a human thing called an adrenaline gland. SPOCK: It does sound most inconvenient, however. Have you considered having it removed? BAILEY: Very funny. SULU: You try to cross brains with Spock, he'll cut you to pieces every time.

5— "The Conscience of the King"

SPOCK: Apparently, he [Kodos] had his own theories of eugenics. MCCOY: Unfortunately, he wasn't the first. SPOCK: But he was certainly among the most ruthless, to decide arbitrarily who would survive and who would not, using his own personal standards, and then to implement his decision without mercy. Children watching their parents die. Whole families destroyed. Over four thousand people. They died quickly, without pain, but they died.

The context: this is the "Kirk is a genocide survivor" episode, in which Spock notices enough unusual behavior from Kirk to go investigating. He's horrified by what he finds, and horrified about the harm and danger to Kirk specifically, and repeatedly tries to convince McCoy of how bad the situation really is. He is also firmly on team "your memory isn't deceiving you, this guy is totally Kodos and you should launch him out the airlock."

6— "The Enemy Within"

Being split in two halves is no theory with me, doctor. I have a human half, you see, as well as an alien half, submerged, constantly at war with each other. Personal experience, doctor. I survive it because my intelligence wins over both, makes them live together. [To Kirk] Your intelligence would enable you to survive as well.

7— "Shore Leave"

SPOCK: Very well, captain. Something I did come to discuss. KIRK: Yes, Mister Spock, what is it? SPOCK: I picked this up from Dr. McCoy's log. We have a crewmember aboard who's showing signs of stress and fatigue. Reaction time down nine to twelve percent, associational reading norm minus three. KIRK: That's much too low a rating. SPOCK: He's becoming irritable and quarrelsome, yet he refuses to take rest and rehabilitation. Now, he has that right, but we've found— KIRK: A crewman's right ends where the safety of the ship begins. That man will go ashore on my orders. What's his name? SPOCK: James Kirk. Enjoy yourself, captain.

The context: Kirk is obviously exhausted and refusing to take shore leave with everyone else, despite McCoy trying to badger him into it. Spock manipulates him into it far more effectively, and is clearly smug about his success.

8— "The Squire of Gothos"

TRELANE: You do realize, don't you, that it's in deference to the captain that I brought you here? SPOCK: Affirmative. TRELANE: I don't know if I like your tone. It's most challenging. That's what you're doing, challenging me? SPOCK: I object to you. I object to intellect without discipline. I object to power without constructive purpose.

9— "A Taste of Armageddon"

SPOCK: Then the attack by Vendikar was theoretical. ANAN: Oh, no, quite real. An attack is mathematically launched. I lost my wife in the last attack. Our civilization lives. The people die, but our culture goes on. KIRK: You mean to tell me your people just walk into a disintegration machine when they're told to? ANAN: We have a high consciousness of duty, Captain. SPOCK: There is a certain scientific logic about it. ANAN: I'm glad you approve. SPOCK: I do not approve. I understand.

10— "Operation: Annihilate!"

KIRK: Sam. It is my brother. Was my brother. MCCOY: I'm sorry, Jim. The boy's unconscious, but he's still alive. KIRK: Peter? MCCOY: I'd better get the boy and his mother back to the ship. I can't do much for them down here. KIRK: Get ready to beam up. MCCOY: McCoy to Enterprise. Prepare to beam up party of four. SPOCK: Captain, I understand how you must— KIRK: Yes. Yes, Mr. Spock. You heard my sister-in-law say something about they being here. Your guess. SPOCK: Notice the ventilator, Captain.

Spock's approach to comfort tends to be figuring out some concrete or pragmatic assistance, or loyally defending someone, rather than trying to reach out in such a direct emotional way. Kirk (like Spock himself tends to be) can't really handle it and Spock immediately shifts to making himself useful throughout the episode, enduring excruciating pain, high danger, and blindness.

[iamfartoolonelyformyowngood]

Me talking a lot

Episode 1, School Day Dilemmas, introduces the roster of characters from the local high school and whether or not they should join a school club for nerds. Other members are called Rodney, Jaybird, Aaron and James. They decide against it and the club is shut down. We get introduced to bit characters like some genuinely affable cheerleaders, a toxic club about celebrity gossip, some nerds, some jocks, some teachers, artsy goths.

Episode 2, No Spoilers! is about Jane spoiling a comic issue for Jerry and how everyone accidentally spoils information to each other through increasingly convoluted means.

Episode 3, The "Thing" From Another Fandom, is about James trying to join the group and failing after having a one day trial. He is promptly kicked out.

Episode 4, Escape From Joe's Fantasy World, is about Bill, Josh and Pete breaking into Joe's Fantasy World to rob it and getting themselves trapped inside. Jane and her girl gang are outside and will only let them out if they do what the girls want. Pete sings the theme song to The Hair Bear Club. Jerry is babysitting his baby cousins and shows off his paternal insticts he shockingly has.

Episode 5, One Man's Trash Is Another Geek's Treasure is about Pete leading the group to go dumpster diving behind Burger Moat to get collectable Fantastic Four trading cards that they will never trade.

Episode 6, The Marathon Men, is an adaption of the comic The Marathon Men.

Episode 7, Unstable Molecules, is an episode about a school science project about molecules where people work in pairs. Josh and Pete work on stealing supplies for a model while Bill and Jerry examine an unstable molecule under a microscope and achieve nothing because they think they're irradiated and are either going to become superheroes or die.

Episode 8, Project 101, is about Bill and Jerry having to go to detention after school on Friday to work on their uncompleted assignment surrounded by normies. Josh and Pete try to host a club meeting at Josh's house and we learn all about Naomi Levy and her odd ways.

Episode 9, Slumber Party Blowout, is about three sleepovers at the Dickey household. The newly divorced mother of Bill and Jane is bringing a man home for dinner...and maybe more. Jane has her girl gang over for a sleepover. Bill has the club over for a marathon of the Creepshow movies (and the Tales From The Darkside movie at Pete's insistence) for his birthday that his mother forgot. It goes horribly wrong for all three parties.

Episode 10, Fatal Attractions, is about Jerry befriending and having the tiniest of crushes on a girl named Agnes. Pete tries to convince her Jerry's horrible, Josh threatens her and Bill spreads rumours about her. She stops talking to Jerry and he is upset.

Episode 11, Nerds vs Geeks, is about a group of nerdy backgrounds characters who've been around all season calling themselves geeks in the leadup to homecoming. Jerry is on bad terms with the three after Agnes still. Pete, Josh and Bill use underhanded tactics to make the nerds as unappealing as possible. They eventually confront the nerds who say they did this to get dates. The Midwest Comix Collective told them it would work.

Episode 12, Battle Of The Clubs. Homecoming night and Bill, Josh and Pete confront Aaron, James, Jaybird and Rodney. They argue and exchange side eyes. Jerry tries to talk to Agnes but she refuses to. He decides to just go home. A girl called Mandi offers to walk him home. They leave just before a massive fight breaks out between both clubs. Bodies are thrown, people are knocked over, lighting fixtures are damaged. Bill is trapped between bleachers and sets the building on fire with Pete's lighter. Zoom in on a cheerleader's mouth as she screams. Darkness. Eyes opening. We cut between POV shots of each of the seven being scolded for what they did. Bill ignores his mother to watch TV instead.

The end :)

Potential Welcome To Eltingville Episode Ideas:

Made this under 20 minutes because I am that brainrotted over this dumb pilot./Pos

The episodes will exist in my DREAMS!

[red-hood-vigilante]

ok now that i've had some time to think on it, i deeply wish circumstances were different and that the studio had the resources to make a third season bc while i do think s2 fucks i also understand when people say it had pacing issues. act 2 and 3 were dense and had so much going on it was hard to understand and keep up, like gun to my head rn i could not tell you what the arcane is or why it's so scary that they are/it is waking up

[weregonnabecoolbeans]

Okay so I have one episode of the newsreader left to watch and Dale is breaking my heart

[mixtpecas]

Throwing out there an idea for post-canon Dean jobs: physical therapist.

It's hands-on, but not necessarily straight forward. It uses problem solving skills too, plus creativity and pattern-recognition to connect different potential symptoms and treatments. Dean's great at this kind of stuff, and demonstrates it a lot when he hunts.

It requires people skills, and working with lots of different populations with different backgrounds. This is also a skill Dean is great at, but in this case it wouldnt be part of a lie for a case but a way to make genuine connections.

And, it's a way to make a noticeable difference in people's lives - and give people a way to move forward after injuries or accidents. He could help hunters too! It seems cathartic for Dean to be able to still feel like he's doing good for the world (and the hunting community) without having to go on hunts himself. It's not just surviving day-to-day anymore, but learning to live through things to see a future.

[existentialcrisis-9-5]

Was randomly suggested a miraculous season 6 criticism and I have been plagued for hours now with visions of a rewrite. I’m going insane please help.

[exopelagic]

WHY DID NOBODY TELL ME BURROWS END WASNT FREE

[timetraveladdict]

Episode 3

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Pfff Jaskier, you don't believe it yourself that your relationship with Geralt is only platonic. Stop fooling yourself.

Nice abs btw. Joey Batey you are amazing!

Poor fake Ciri…

Visenna is death? Geralt is crying? His childhood story made me cry 😭

Also, Giancardi and Fabio Sachs. Another scene straight from the books!

Good boy Jaskier, telling Geralt that Redania wants Ciri. And he knows something about Radovid is fishy…

If I was Ciri I would have fled as well. Gods those mages are snobbish and arrogant.

So… Istredd is working for Nilfgaard? Why a, I not surprised?

Remember r last post when I was saying I ship Cahir and Gallatin? Well it sunk before it even started… rip.

Redania is madness but I like it…

Woah the Wild Hunt!!!

I repeat: Henry Cavill deserves an oscar. Liam ah s worth will never master Geralt as he did.

Tomorrow last two episode of volume 1!

[wheucto]

the entirety of BFDI so far is 16:10:39 (hours, minutes, seconds). assuming the average sleep time is 8 hours, then that's a little more than typical waking hours

[arabian-batboy]

Demon Slayer dedicating an entire arc to have half a dozen main characters collectively trying to defeat an Upper Rank Six demon in one of the most hype and epic fights of all time in anime then following that by having one monotone kid casually defeating an Upper Rank Five demon by himself in just one episode by casually slicing his head in underwhelming scene is sure a choice, isn’t it?

[ashenberry]

i have no idea how sam and cat part 2 is gonna b over 10 hours by the way without feeling a little bit bloated as hell

[fortunelowtier]

Ok so i saw a post mentioning how Spindlehorse was hiring animators again, and i thought "huh yknow im really curious what the turnover rate of animators is in this studio" because i mean its a genuine question considering how i swear theyre hiring new animators every other week

So then i checked IMDB...

Before i go on i wanna put some context because its kinda needed for what im about to say:

On IMDB there's a section of the cast and crew page labeled "Series Animation Department". This is the section meant primarily for animators and storyboarders among other jobs in the same vein.

Now. Can you guess how many animators/storyboarders Helluva Boss has gone through in less than 2 seasons?

444.

That is four hundred and forty-four individual credits, a majority of whom didn't stay for any longer than a few episodes. I have never in my life seen an animator turnover rate this skewed.

But i saw this and i went "well it cant be that bad right, what about other shows?" because admittedly i didnt know a lot about animation so for all i knew this was normal. So i went to the IMDB pages of other animated shows

RWBY: 164 credited animators over 9 seasons

Murder Drones: 11 Animators over 7 episodes

The Owl House: 88 Animators over 3 seasons

Amphibia: 73 over 3 seasons

Steven Universe: 44 over 5 seasons

And just to be fair let's include Hazbin Hotel, which had 62 in 1 season

This means that for one reason or another Helluva Boss has gone through more animators in less than 2 seasons than shows that ran for SIGNIFICANTLY longer go through in their entire lifespan by several times and that astounds me

[tobiasdrake]

*deep breath* Okay. Here we go.

I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.

But the way it handles its female cast is troublesome.

Katara

So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.

They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.

And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.

Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.

This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."

"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.

Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.

In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.

But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?

No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.

And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.

In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.

Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.

Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.

The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.

Suki

Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.

They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.

Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.

Yue

Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.

"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."

Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.

They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.

Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?

June

June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.

Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.

She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.

Kyoshi

And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"

She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.

Azula

Awkwardly, they do not seem to want you to despise Azula.

There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.

This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.

They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.

This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.

Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.

Conclusion

The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.

Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.

But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.

The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.

"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."

The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.

[afterglowsainz]

we used to have more | oscar piastri

part 2 part 3 part 4

pairing: oscar piastri x reader

summary: while working as community manager in formula 1 you have to follow a rule of no fraternization with the drivers, which keeps you and oscar from being together

fc: different girls from pinterest

warnings: some characters have names (because there’s only so many y/f/n that i can use), some mentions of oscar’s girlfriend as her ex

a/n: so i have this one shot called guilty as sin? (that you should totally go read) and i’ve been thinking about expanding on it a little because i keep getting ideas around the same concept so welcome to an au version of my own fic in smau format, enjoy!

—

liked by oscarpiastri, lissiemackintosh and others

yourusername another season, another year of trying to make f1 fun for the girlies🎀

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lissiemackintosh do you just casually serve face like this on a random thursday?

yourusername occupational hazards 😝

username my girl is back !!!

username she’s so classy i love her

username i need the girlies that find her clothes to find everything in this dump asap!

username my icon

username y/n please stay in f1 forever thank you❤️

username oh to be a woman in f1

username FINALLY

liked by f1wags and others

f1gossip mclaren’s oscar piastri was seen this weekend next to y/n y/l/n (the community manager of f1 social media) on different occasions. the people who sent us the videos said that oscar was the one that looked for her and approached her every time

tagged oscarpiastri and yourusername

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username yeah no

username pls lord let this be fake news

username he. approached. her. every. time.

username idk they look kinda cute together

username hoping and praying this was just for content or something

username nooo y/n is one of the f1 female icons, dating a driver would be such a setback for her 😩

username pls if she wants to date a driver then it’s her business, doesn’t take away everything she’s done for women in motorsports

username i love y/n and oscar separately, together …. uhmmm

username omg my faves!!! i hope they date they’d be so cute together 🥰

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oscarpiastri back to my roots in baku 🏎

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[caption 1: milesbaldwin, declanmurray] [caption 2: yourusername my 💗]

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f1gossip mclaren’s oscar piastri was seen this weekend with his ex girlfriend at the paddock together, emerging rumors of possibly getting back together after six months of breaking up

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[heyclickadee]

Okay, but all of this.

I ran out of room in the tags 😅, so I’m putting this here: One thing I wanted to touch on is the Ahsoka thing. The treatment of Ahsoka’s “death” at the end of season two of Rebels didn’t strike me as odd when I was watching through the first time as that show was coming out, because I wasn’t super attached to Ahsoka at the time, but, looking back, it’s weird. Ahsoka goes out in this huge self-sacrifice, we don’t see her die but they sure imply she dies off screen, there’s a little thing you see at the end that may or may not be her or her ghost, Ezra’s devastated, we get sad looks from Rex, a sort of funeral march version of her theme, the season ends, and then…nothing.

Ahsoka doesn’t get a funeral. The only person who gets close to saying she died is Tarkin (“Now that Vader has eliminated the Rebel’s Jedi leadership”). She hardly ever comes up, and when she does it’s usually in a, “We could have asked Ahsoka about this Jedi thing,” capacity. Rex, her oldest friend, doesn’t talk about her. Her death doesn’t motivate anyone—in fact, almost all of the conflict in the front half of the season is driven by the other things that happened in the season two finale, Kanan’s blinding and Ezra falling in with Maul—except maybe as subtext. We don’t even know for sure that everyone believes Ahsoka is dead; there’s even one moment that kind of indicates Ezra’s holding out hope that she’s not.

The show basically ignores the big Ahsoka-death shaped elephant in the room until two seconds before Ezra is pulling a very alive Ahsoka into the world between worlds. And contrasting that with the other important deaths in the series, mainly Kanan, and then Mira and Ephraim Bridger, where they actually go out of their way to hammer home how dead they are, make the deaths integral pieces of the plot, include entire episodes of processing, and do the work necessary to allow the audience and the characters to move on, it ends up being obvious that Ahsoka was never actually meant to be dead at all. She’s MIA until she comes back and the show treats her like she’s MIA, not like she’s dead.

And the reason I keep coming back to Ahsoka on this is that despite being the implausible resurrection franchise, the list of main Star Wars characters with planned fake out deaths which fake out the audience in addition to the characters is pretty short, and they all kind of fit this pattern. (For a truncated example, check out KB in Skeleton Crew. We get Captain Wrong dead certain she’s going to die before she even crashes, KB doing her best to fix things and find a way out while her moms and her friends say she can do it, horrified reactions when she crashes, aaaaand then twenty seconds later the story completely forgets about KB and how she just “died” until about ten minutes later when the kids are like, “Oh! KB!” and they rush off to find her alive).

To me one of the biggest pieces of evidence that Tech is alive and planned to come back in a future installment is that, were I to be trying to write a fake out death, I cannot think of anything else I could add short of literally showing him alive (at which point it's no longer a fake out.)

Give extensive development to his ability to rapidly think his way out of anything and stay calm in stressful situations? Check, we have Faster showing that he can make these plans in seconds while in the middle of driving and he actually says outright that the second one is a skill of his.

Give survival foreshadowing? Check, just check out the extremely blatant hold on him after Romar's "I'm a survivor" line. And again in Faster - it'd actually be an excellent place to put some foreshadowing of his possible death, have him win but in a way that causes a crash or something of that nature, making it so that his gamble worked but was a close call, rather than an easy survival for him. Instead we get others doubting Tech could survive but he not only does, but he does it easily. We have lines from Phee implying that there's more to come - her first line, better late than dead, is one that is an odd intro to her as a character but works perfectly if taken as foreshadowing for later. And her oddly specific 'don't go running off with any pirates or smugglers' in their last scene together is another one where it just feels primed for a comeback later on. His final conversation with Saw also is an interesting aspect here - Saw is the one that is leaning hard on 'sacrifice is necessary for the greater good' while Tech tells him to work smarter and take your enemy down from within. If you're going to have a character sacrifice himself, why put him at odds with the concept of sacrifice immediately before? There are just a lot of pieces that make the most sense if they're foreshadowing something to come with him.

Open plots that aren't yet resolved? Check on multiple angles. He has Phee of course - and they could have resolved that by either giving more closure in their last talk together or by having more of Phee in season 3, allowing her even one scene to talk with Omega about moving past something that she will never get closure on. This leaves their dynamic hanging wide open, but not in a way that uses the lack of closure for plot development. They also introduce a theme of culture and memory with him, which isn't allowed to go anywhere prior to him dropping into the mists and isn't developed in season 3 in his absence, where nothing is done in his memory and his goggles being placed in the Archium isn't even about remembering him it's about Omega not wanting to leave Pabu behind. AND, going back to Faster yet again, Cid drops that she owes him one, which hasn't come back. Cid is still out there, and that favor could still be called in if Tech comes back, otherwise it's an empty line that doesn't connect to anything. All of these were opened in season 2, so they're not just leftovers from changed plots.

Ambiguous method of death? VERY Check. Falls are one of the classic fakeout death methods because as long as we don't see the results anything could have happened between the moment we lose sight of Tech and when he would have impacted the ground. Did he manage to get on top of the rail car and use it to break his fall? Did he manage to find an alternate landing place and use wind resistance to angle himself towards a softer landing? Is the armor protecting his head and torso shock resistant enough to allow for survival? Could be any of those or more, we don't know because we don't see it. TBB also puts a lot of effort into making sure you know falls aren't that fatal. Here's a great post from @heyclickadee going into the WIDE variety of falls that would have logically been fatal but that are wriggled out of through the series. They could have given him some kind of injury that makes it less likely he'd survive, but nope despite being blown off the railing he's totally fine and able to maneuver out of it. He even flips into the skydiver's position before we lose track of him, which is the first thing you're supposed to do if you find yourself in freefall.

No body? VERY check. They picked a method of death that lets them not show a body, and then they go out of their way to make sure no one can look for a body. Omega's hurt so they can't go back and look for him. She passes out in front of a body but it's not his. Hemlock claims all he found is goggles in a moment where he has every reason to lie to them. They could have had Hemlock recover the body and show it under a sheet in his lab. Omega passes out in front of a body, that could easily have been made to be Tech to drive home that he's gone. There's a lot of options there! They took none of them.

Nobody ever gives him a funeral or has a mourning scene outside of the initial shock moment? Check. And, in fact, the only time he's even referred to as dead by anyone it comes from the mouth of Crosshair, the guy that's in this show primarily to be wrong about things. Every other time he's brought up, it's a moment of sadness and moving on. This is an easy fake out trope, because it allows the grief to linger without taking up a ton of screentime for something you're ultimately going to reverse. (See: Ahsoka in Rebels)

If I wanted to add to this, if I wanted to make it MORE clear that he was coming back without just saying so in words or literally showing him alive, I don't know what could be added. Front to back it's fully loaded with everything that goes into a fake death. And nothing that typically signals a real death. You can't rely on real life statistics for long falls because it's not real life, it's fiction. And by all fictional standards, Tech never died and it's just a matter of when and where they'll reveal him. (I'm still putting tentative money on it being sometime between the ending shot of the tree and the epilogue, to justify why they pulled his goggles out of the Archium rather than leaving them there as a memorial.)