#if i did please let me know!

[artist-rat]

some epilogue vibes (an excuse to draw some hugs. and my durge so many times)

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[hinamie]

7/3: pov u r nanami kento pleased that i managed to pull smth together in time for your bday

[biggest-gaudiest-patronuses]

finally at that age where i'm thinking i should get a tattoo. not bc i feel strongly about it, just seems like a waste not to. i've got so much skin i'm not using

[mintjeru]

"but there is nothing more beautiful and terrifying than innocence."

open for better quality | no reposts

[aestheticallynotdeerlightful]

Style swap- Invader Zim and Psychonauts

Cause I thought it would be fun and practice

.

(Please do not use or repost my works anywhere without explicit permission from me first thank you <3)

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[sapphanimates]

@donelywell

[eternallovers65]

Moments in Charles Leclerc that are so insane I wish I made it up but can't, because this stuff can only happen to him

- When his watch got stolen and he decided to CHASE the guy with his custom ferrari 488 pista

- When his former girlfriend got locked out of the apartment and he wasn't answering his phone so she had to subscribe to his Twitch channel to tell him to open the door (please watch his former streams I beg)

- When he crashed Niki Lauda's 1974 ferrari during the Monaco historic grand Prix (his luck I swear)

- Every Monaco Grand Prix ever (the infamous charles leclerc curse)

- When he went to dinner with a guy, posted the picture on Instagram and it turns out it was an international criminal wanted by the Interpol

- He went to a restaurant once, handed his car to the valet and the car was out of fuel

- When he went for a run, took some photos with fans and this couple started to fight in front of him

- When he didn't realized his tiktok likes were open to the public (it was mostly fan edits of himself, baby goats, babies but mostly fan videos about himself)

- Recently, he dropped his airpods in the airport floor and decided to use this gigantic clamp to get it back

- Or just his babygirl esque nature (i love him <3)

- He accepted a ride from two strangers just because he couldn't find a cab (Arthur was also in the car!!!)

(Also, feel free to add more, please, and every time he does something so charles, i will uptade the list)

[kiivg]

.please please please please please pl.

[daily-squilf]

Apparently many of the different language versions of the wiki have their own sprites! Here are Squirrelstar's for comparison since it's pretty interesting and I wanted to share

English by Vector Sigma -> German by LittleMew -> French by Éclat du Crépuscule

Spanish by Ala de Cisne -> Finnish by Huomenaskel -> Dutch by Maanhart

Italian by PółnocnaWiatr -> Brazilian Portuguese by SunsetCloud3

Russian by Златогрудка 2.0. -> Also Russian by PiperViolet

Polish Squirrelpaw by Prezuska -> Also Polish Squirrelflight by PółnocnaWiatr

Ukrainian by Синьокрила -> Also Ukrainian by Златогрудка 2.0. I recommend exploring the wikis for yourself! Some have sprites of her other ranks that I haven't included, and other characters have some amazing depictions as well. The Chinese wiki hasn't done Squirrelstar, but they're working on a sprite project too! Here's Feathertail for instance

[eggsistential-breakdown]

just played SUPERLIMINAL and it reminded me so much of the stanley parable except one thing

[nikki-rook]

but with you I see stars insp

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[k-quenouille]

@soy-s4uce

the translation you wanted :D (from French to English)

first will be the comic, and then aaaall the way down is the translation for the extras

COMIC:

[Image01]

TITLE: Darkwing Duck "back-to-school fail" (but it rhymes)

Frame01:

Narrator: St-Canard... A day like others...

Frame02:

Narrator: Well, almost...

Frame03:

Narrator: Because today is back-to-school day!

Darkwing Duck: There we are!

Gosalyn: Grmbl!

Frame03:

Darkwing Duck: C'mon, Gosalyn Mallard, duty calls you!

Gosalyn: Alright, alright! There's no emergency, okay!

Frame04:

Gosalyn: Oh! But! There's no one here!

Frame05:

Darkwing Duck: What do you mean there's no one here?

Frame06:

Well-dressed guy: How may I help you?

Darkwing Duck: Oh... Well... I'm tagging along with my adoptive daughter for her first school day!

Frame07:

Well-dressed guy: You can't! The school is closed!

Darkwing Duck: Closed?!

Gosalyn: Yay!

[Image02]

Frame01:

Darkwing Duck: What is this?!

Well-dressed guy: Nothing! The teachers aren't here!

Frame02:

Darkwing Duck: Ha, Ha! Should I go get them?

Well-dressed guy [bubble01]: If only i knew where! ...

Well-dressed guy [bubble02]: I even contacted the news!

Gosalyn: Yay!!! ... School is closed! School is closed!

Frame03:

Darkwing Duck: The news, cameras, TV? ...

Well-dressed guy: Of course...

Frame04:

Darkwing Duck: Awesome! We shall wait for them!

Well-dressed guy [out of frame]: No need, they didn't want to come...

Frame05:

Darkwing Duck: Any other outcome would've surprised me... What bad luck!

Frame06:

Darkwing Duck: I will leave with my head held high... Snif...

Frame07:

Darkwing Duck: And I... Ouch!

Frame08:

Darkwing Duck: A shoe... A court shoe (high heel)... Who threw that?!

Gosalyn: I did! I found it in the geography teacher's class!

Frame09:

Darkwing Duck: She would never have left without her shoe! ... Which means she's been kidnapped!

Gosalyn: The other teachers too, then...

Well-dressed guy: But why?!

Frame10:

Darkwing Duck: That's a job for Darkwing Duck! (to find out why)

Frame11:

Darkwing Duck: And... But?! ...

[Image03]

Frame01:

Darkwing Duck: Be careful!

Frame02:

Darkwing Duck: Grmbl! Who's the driver?

Well-dressed guy: The school's janitor! It's the end of his shift!

Frame03:

Gosalyn: Say... he must be a real accountant (in the sense that he's thrifty) to afford this car!

Darkwing Duck [out of frame]: He's not the accountant, he 's the janitor!

Frame04:

Gosalyn: That's what I'm saying... it's fishy!

Darkwing Duck: Of course...

Frame05:

Darkwing Duck: Maybe we should ask him some info about his bank account!

Frame06:

Darkwing Duck: Ha, Ha! Darkwing Duck passing through!

Frame07: Gosalyn: There he is!

Frame08:

Janitor: Hehehe... No one suspects me...

Frame09:

Janitor: I... Oh! Someone's following me!

Frame10:

Janitor: Better be safe than sorry!

[Image04]

Frame01:

Darkwing Duck: AAAH!

Frame02:

Darkwing Duck: Gargl!

Frame03:

Darkwing Duck: Uhm... What district where we in just now? ...

Gosalyn: The port district!

Frame04:

Darkwing Duck: Oof!

Frame05:

Darkwing Duck: Pfuuuu!

Frame06:

Darkwing Duck: My bike! I demand that you give me back my motorcycle!

Frame07:

[No dialogue]

Frame08:

Darkwing Duck: Snif!

Frame09:

Gosalyn: What now?

Darkwing Duck: Now that we've lost the track, it's not going to be easy!

Frame10:

Launchpad [out of frame]: No problemo, amigo! (No problems, friend!)

[Image05]

Frame01:

Launchpad: I saw everything! The explosion and the car booking it!

Darkwing Duck: Launchpad! Tell us everything!

Frame02:

Launchpad: It went under the suspension bridge and passed through the garden that's at the end of the bay!

Darkwing Duck: Billionaire Texan's one... I see!

Frame03:

Launchpad: The one with the big gate and that is...

Frame04:

Darkwing Duck: Tremble in fear as I, Darkwing Duck, am on my way!

Frame05:

Launchpad: ... being guarded by two huge mastiffs and who...

Gosalyn: Hurry, Launchpad! We need to follow them!

Frame06:

Launchpad: No problemo, Gosalyn!

Frame07:

Darkwing Duck: Ha, Ha! I am the night that terrors... uhm... I am the terror that flaps in the night!

Frame08:

Janitor: Everything is going swell, your excellence... No one is suspecting anything at the school...

Billionaire Texan: Good! Good!

Frame09:

Butler [out of frame]: Sir! Sir!

Billionaire Texan: And...

[Image06]

Frame01:

Butler: There's a stranger at the gate!

Billionaire Texan: A thousand soils! (cursing, but using exploitation/capitalism words,, i guess)

Frame02:

Billionaire Texan: Let's see what he looks like!

Frame03:

Billionaire Texan: Unknow man to all... not only to the gate... Ha, Ha! (kinda making fun of DD for not being known)

Janitor [out of frame]: Oh!

Frame04:

Billionaire Texan: What do you mean, 'Oh'?

Janitor: It's the biker that was following me! I thought I had taken care of him!

Billionaire Texan: We're going to take care of him!

Frame05:

Darkwing Duck: Ah, finally!

Frame06:

Darkwing Duck: Nothing can resist Da...

Frame07:

Darkwing Duck: AAAAAH!

Frame08:

Darkwing Duck: C'mon! My gas gun!

[Image07]

Frame01:

Darkwing Duck: Hop!

Dog [01-02]: Snif! Snif!

Frame02:

Dog [01]: Ga...

Dog [02]: Meuh...

Frame03:

Billionaire Texan: Oh dear! He destroyed my poor puppies! Let's move onto phase 2!

Frame04:

Darkwing Duck: Ha, Ha... I am Darkwing Duck!

Frame05:

[No dialogue]

Frame06:

Darkwing Duck: And wherever Darkwing Duck goes, crime fea... Clac?! Vrrrr?!

Frame07:

Darkwing Duck: AAAAH!

Frame08:

Launchpad: I wonder where he went !?

Frame09:

Launchpad: Oh!

[Image08]

Frame01:

Someone in the plane [idk]: Oh no... AAAAH!

Launchpad [bubble01]: Be careful... Your foot! Your foot!

Launcpad [bubble02]: AAAAH... NO... NOT THE CONTROLS!

Frame02:

Kid Billionaire: What was all the racket, father dearest?

Billionaire Texan: Nothing at all my son, just an importunate thing!

Frame03:

Billionaire Texan: Work hard with your teachers! They are the best in the city!

Kid Billionaire: I know, they answer all my questions!

Frame04:

Teacher [01]: Sir, allow me to once again protest energetically against this arbitrary detention and...

Billionaire Texan: Enough! You're too well payed to have the right to talk-back!

Frame05:

Billionaire Texan: My son, who is a notorious dunce, needs your teachings! But it is out of the question for him to, in addition, rub shoulders with... poor students!

Frame06:

Billionaire Texan: Therefore, work and I will shower you with gold!

Teacher [02]: That is not the problem... Eventually, someone will found out where we are and...

Frame07:

Billionaire Texan: No... Do not delude yourselves... No one will come free you...

Frame08:

Darkwing Duck: AAAAH! Straighten it! Straigthen it!

[Image09]

Frame01:

[CRASH!]

Frame02:

Billionaire Texan: A thousand barrels of oil! What was that?

Teacher [01]: ?

Frame03:

Darkwing Duck: I am the terror that flaps in the night!

Billionaire Texan: The man from the gate!

Frame04:

Teacher [03]: Look! There's a hole in the wall! Let's escape from here!

Frame05:

Billionaire Texan: What! No!

Frame06:

Teachers: We're free!

Billionaire Texan: Come back! ... Or I will release my dogs on you!

Frame07:

Darkwing Duck: Impossible! They're sleeping like babies! Ha, Ha! (more accuratly it would be; 'I made them fall asleep', but it doesn't sound good)

Billionaire Texan: Grrr!

Frame08:

Billionaire Texan: You're going to pay for that, curse you! You noisy...

Frame09:

Kid Billionaire: Yeah! Do it, Dad!

Gosalyn: What?!

[Image10]

Frame01:

Gosalyn: You'll see how you feel after this!

Kid Billionaire: Huh!?

Frame02:

[Fighting sounds]

Frame03:

Billionaire Texan: Grrr!

Darkwing Duck: Gasp!

Frame04:

Launchpad: Alright... That's enough, now!

Frame05:

Darkwing Duck: Thanks, but I had the situation under control!

Launchpad: As if!

Frame06:

Billionaire Texan: To me, my guards!

Kid Billionaire [out of frame]: No need, father dearest!

Frame07:

Kid Billionaire: I've decided to go to school with other kids! It's too fun playing with friends!

Billionaire Texan: If you're the one asking, my dear son...

Frame08:

Kid Billionaire: Yay! We're going to go to school together!

Gosalyn: Yay!

Frame09:

Well-dressed guy: So it was the janitor who had helped with the teachers' abduction... How did you figure it out?

Darkwing Duck: Very simple, sir!

Frame10:

Darkwing Duck: As easy as two and two make three!

Well-dressed guy: ?!

Gosalyn: That's not...

Frame11:

Kid Billionaire: Teach! Teach! Darkwing Duck is copying!

Teacher [04]: Again?!

Darkwing Duck: Grmbl!

Gosalyn: Ha! Ha! Ha!

-------------------

EXTRAS

Extra [01]:

DATE: Sunday, 6th of September

PROGRAM INFO: 8am, DISNEY CLUB, cartoon, for everyone

DESCRIPTION: Julie, Philippe and Nicolas have many surprises in store for you this morning! A guest, a coverage of the magic world of Disney, but also, a lot of cartoons! To start off, "Camp Dog" and "Donald's Garden". There will also be Darkwing Duck, and finally "Throw Mummy From the Train". What a great program!

Extra [02]

TITLE: Disney Club, Sunday 8am

DESCRIPTION: Now onto tiny screens : all the crazy and mysterious characters of "Darkwing Duck": Steelbeak, Launchpad McQuack, Gosalyn, and SHUSH agents, Darkwing Duck at the front. These new heroes will let a tiny space for your friends of sunday mornings: Chip and Dale, TaleSpin and all the others. The "Disney Club" will also offer you interesting coverage (reportage?), and will make you discover extraordinary guests.

French DWD comic (Mickey comic actually but it had a DWD story) that I’ve NEVER been able to find online before, hope the images aren’t too low quality!!

[egophiliac]

at this point I'm not going to finish this, but I need everyone to know that I don't CARE that it was Kamejim, this scene has been replaying itself in my brain for the past week --