#if anyone actually reads this i will be shocked.

[craziertogether]

mike’s behavior shift & byler endgame confirmation

little yap moment (long rant):

just to start, i wanna say that i was a m*leven lover from s1-s2. given i was young asl, it was a wonderful ship for kids, but as i’ve grown and gotten more into analyses for media it has become clearer to me why my dislike of mike wheeler’s character despite my love for him originally, actually came from a lack of understanding.

so yeah, i truly think the moment i started developing my own byler agenda was in season 3. i had always known that will was queer, season 1 episode 1 with joyce and episode 4 with troy, it was just so clear to me. but i never saw it actually developing into a love story, i actually saw it as a little bit of queerbait when i saw the “crazy together” scene (ik crazy to say but i was also literally 11). but season 3, was like a huge smack in the face that oh mike is 100% the queer one WITH some kind of feelings towards will. i love how we as bylers joke about it? but truly will’s feelings for mike were so masked it’s insane to me.

back to my rant, i was a little caught off guard by mike’s CRAZY behavior switch from likable friend and leader to el’s personal make-out buddy and actual hater of his own best friends (mind you mike was always my favorite character originally, he was the protagonist that was a little unlikable but that’s my favorite kind of character). it wasn’t until my rewatch recently that i totally clicked for me again that mike was so in love with will, i can’t remember who mentioned it but mike inviting will to his house after el dumped him was absolutely unnecessary, lucas was needed but mike just had will there because of his genuine need for will to be there. rain fight outburst and post breakup crawling back to will was so clear that mike valued will on a level unbeknownst to anyone else around him. even beyond the el breakup, mike is lowkey such an ass to everyone else 😭. he needed to be guided by everyone else to apologize to el, lucas, and dustin. but will was like air to mike, he breathes will, the second he hurts will, he immediately crawls back to him because he knows at the minimum that will’s feelings are greater than his own arrogance.

and now season 4? there are so many wonderful analyses out there regarding mikes straight up queer behavior, but i really feel like this season is what fully converted me. btw i was still afraid of this possibility of queerbaiting, i had a strong feeling that maybe i was still reading into it too much but when will’s feeling were CONFIRMED in the first like minute, i knew in that moment that byler endgame was real. like i said above the way will’s queerness was clear to me was no shock, but seeing it be visually shown that he was IN LOVE with mike i was truly convinced in that moment that this was it, they were setting them up to be THE endgame couple. (ps i had NOT interacted with any byler content until very recently, i just had this instinct). and after now having read the analyses and rewatch the season again, i literally felt like my eyes were opened and like the show was spelling it out for us. the california plot line being the MOST boring without byler development, the fights and apologies, the heart to hearts, and van scene all just either fed my confirmation bias or proved to all audiences that this is what we need to be looking at. it is insane that season 4 has like 6 incredibly byler focused deep moments and there’s still byler doubt in my opinion. anyways yeah back to my original point the complete decline in mike’s character development the last two seasons completely confirmed it for me in my most recent rewatch. there was no reason to absolutely nerf his character like that, and if they do set up m*leven endgame, i actually will have lost respect for the duffers but also for my favorite character. but i have full faith that this show would not destroy everything it spent the last decade building up to.

TLDR: byler endgame is imminent and as a once byler skeptic and even m*levin fan, i cannot wait to see this story wrap up in season 5. i need the trailer, actually the whole season but the trailer will do for now.

[gasoline-drinker]

Reverie-verse hcs!! (I love making lists you guys)

Cyril and Dove :

Since Cyril was apparently a whore in college then Dove was a druggie. This is all to say that dove has totally done shrooms

When he was a kid, Cyril had a German accent because one of his tutors had it, and he spent more time with them than either of his dads.

While Cyril and Axel would probably be chill with each other, Sunshine and Dove HATTEE each other. Like if Sunshine was on that train then Dove would've woken up just to jump them and then immediately pass out

Not only can Elis not cook, but Cyril can't either, seriously last time he tried he started a house fire. Dove can, but only like. instant ramen in a pot, and eggs sometimes. (These losers make Gem seem like a gourmet chef)

That one time Cyril got rlly drunk was actually in his pining phase, so Elis was subjected to Cyril ranting abt how he wants Dove carnally

While Cyril (somehow because he's definitely read at least one fanfic) doesn't know what a power couple is, he does begrudgingly know what skibidi toilet is. This is entirely because an intern thought it would be funny to watch it during work.

Dove is one of those (aunts/uncles/whatever the general neutral term for those is) who will throw your kid into the lake so they can learn how to swim.

Cyril is definitely some kind of queer, even if your Dove is a girl. (I mean this is technically canon, cuz Elis and Cyril have almost gotten together)

Casey and Honey :

Casey has tried weed one(1) time, had a panic attack while high, and is now too scared to do it again

Southern honey??? Yes please!!

Casey had an emo phase in middle school, and when Honey eventually meets his family that will be the first thing his brothers show them

Anytime anyone throws anything Honey has to desperately try not to chase it. (A coyote may be a wild dog, but a dog first and foremost)

Casey and Experiment (Alder's listener) are distant cousins. Smth smth shared plant themes.

Casey DESPERATELY yearns for a cat, but he can't have one because it'll probably tear up his plant children

Casey is a chronic game rager. It doesn't matter wether it's online or a board game, he will be yelling at someone. You'd think it'd be endearing to listen to but it's just scary. (Unless you're Honey. Honey's a little into it)

Casey has a habit of underestimating himself. He's just as shocked that he beat you at arm wrestling as you are.

Casey and Honey have a bit where, whenever they say Worcestershire sauce, they pronounce it more and more wrong each time. The most recent iteration is 'wongo bongo' sauce

Casey has occasionally called Honey 'Honeydew', and it's very cute

Casey listens to Cosmo Sendrake (I'm projecting)

Axel and Sunshine :

Sunshine, surprisingly, hates the taste of alcohol. They WILL get drunk off strictly strawberry daiquiri's and you cannot stop them. (Axel is one of those freaks that'll drink like. straight vodka.)

Sunshine has a pet tarantula. This has led to the situation where, when Axel first came over, he physically wouldn't go into Sunshine's bedroom until it's tank was in the closet

Whenever Axel pisses them off enough they just bring out the tarantula

Sunshine and Dove are exes. (Listen dude, they have types.) (This is also why they hate each other.)

One of the people who works under Sunshine caught them at a (gay or not gay, idk what you hc their gender as) bar, and is too scared to mention it to anyone.

Nathaniel and Sidekick :

Yk those teens who thirst over the worst villains they can find? That's Sidekick. Nathaniel is their poor little meow meow and they have been stalking him for a WHILE.

I feel like Sidekick was raised by the Internet. Like they totally know of cupcakes and pony.mov and creepypasta. Possibly also a scene kid?? I mean they are in my hc

Also Sidekick and Detective are siblings and Detective has been totally desensitized to their siblings lack of sanity. (They r both little freaks and I love them.)

Talus and whoever his listener is :

Not much to say cuz he doesn't have a listener yet, but I feel like his listener is gonna be like one of those old ladies with their feral purse dogs. As in while Talus is out being evil they're just like "oh him? The guy currently taunting his poor brother and starting the worst period of his life? Oh he wouldn't hurt a fly!! 😊", would love to see them treat him like he's completely harmless and getting away with it.

Talus' listener feels like this image of the cunty mountain lion, I do not care if they aren't out yet.

[shigarakisstalker]

hiii !! I love your writing so much and I’ve been rewatching mha so I stumbled across your page and i couldn’t be happier!

and so I was wondering if I could ask for dabi x fem!reader who kinda has family issues too? like they’re both the eldest and kinda deal with lack of recognition? so that’s kinda something they bond over as they get closer?

thank youuu 💞💘

hi darling! i love this ask sm and i’ve actually been thinking of something similar loll thank you so much! this is a little ooc but eh

hollow home (dabi x fem!reader)

the rooftop was quiet. nothing could be heard for miles except for the echo of your muffled hiccups.

it was one of those nights. one of those nights where think back on all the bullshit and it haunts your mind once again. never being enough, working so hard to fit the role given to you, only to be met with nothing but disappointment. nothing was ever enough. being a villain didn’t make it any better.

but it was an escape.

while your mind was at war, you didn’t register the building door opening to the roof top. a black haired male took notice of your form, especially shocked to see that you were crying.

you weren’t the type to cry so easily. so when he saw you nearly hyperventilating he knew it was bad.

so in his own, fucked up way, he tried to help.

“aye, got a smoke?” his hoarse voice broke through the silence.

you quickly whipped your head around, slightly startled by the voice. how long had he been there?

“calm it woman i just got here. so you got any smokes or what?” he said, almost as if reading your mind. “i dont wanna be out here all night.”

you quickly shoved your hand into your pocket, pulling out a little box of cheap cigarettes and throwing it at him. “have the whole thing i don’t want them.” you huffed, before discreetly trying to wipe away any excess tears that had fallen.

“what’s got you so worked up doll?”

you let out a humorless laugh, “oh we’d be here for hours.”

“i’ve got some time, just not all night. i got a mission tomorrow.” he huffed as he sat down beside you.

you took notice of how close he was immediately. you didn’t say anything about it though, and just continued thinking. “just the past coming back to haunt me. especially on nights like these.”

“we all get those nights, doll. and what might be haunting you?”

you sighed, before tacking a drag of the cigarette he lit for you. “i was the oldest child of my family, and i guess i just over reflect sometimes and feel like i’m back in the pit i once was in. trying so hard to meet expectations and coming short handed. nothing is ever enough. and when we fail missions, as we did tonight, i feel back in that head space. i feel like i cant do anything right.” you sniffled again, water works beginning to form again.

damn it, you didn’t want to cry in front of him. especially with how complicated your feelings were for him.

“i was the oldest too. and i could never meet my fathers expectations. he fucked me up. and i’ve come to resent him instead of pity the situation. you need to fight back against that little thought in your head driving you insane. it’ll kill your spirit if you keep entertaining it. i talk from experience.” he slung an arm around your head and pulled you closer.

“you’re gonna be alright, doll. the expectations set on you are not a reflection of who you are. your worth is not determined if you meet them or not. you determine your own worth. and who gives a damn what other people think of you?” he finished, lightly petting your head.

he then leaned down to your ear, “and if you want my opinion, hand job is a man child who cries like a bitch when he doesn’t get what he wants. that’s not a reflection of you.” he chuckled when he heard you giggled at the nickname.

you sat up and brushed the excess tears off your face, sitting up straight and giving him a small smile. “thank you, dabi. really.”

“of course doll, if you need me i’m here. don’t tell anyone about this though. can’t have them thinking i’m all soft and shit.”

you giggled and punched his shoulder, “alright bacon bits.”

i hope this is okay! i couldnt quite figure out words today 😭 if you want a rewrite i can do that too

[megyulmi]

➠ Sukuna, the ‘shunned’ child and the demonisation and worship of ‘unwanted’ children in Japanese folklore:

[long read. trigger warning: referenced folktales and practices depict themes of infanticide, religious rituals and child exorcism, demonisation and worship of children, ableism, suicide, implied sa, and period-typical outdated social views. they are not a representation of my personal beliefs. please read with caution.]

New revelations of Sukuna’s past in Chapter 257 made me look deeper into some of the tales and customs from Japanese folklore about children deemed ‘abominable’ in the eyes of society that I had previously noted down and I decided to share as I think they could offer a better insight into Sukuna as a character and what might have inspired Akutami Gege’s depiction of him.

It would be better to start with a bit of the social background of Japanese folklore. I will use the Emishi (an ancient ethnic group of people who lived in parts of Honshū, especially in the Tōhoku region) as an example, the oral tales of whom later blended with Shintō and Buddhist religious concepts and heavily influenced Japanese folklore. It is believed that many of their tales were shaped by the region’s difficult history of natural disasters, famines, and geographic isolation. In the Tōhoku region, infanticide was sometimes used as a form of ‘birth control’ due to repeated famines. The bodies of ‘unwanted children’ were often disposed of in rivers or lakes.

Another important source of such folklore is the city of Tōno in Iwate prefecture, known particularly for Kappa, tales of which could offer a good basis for the beginning of my intended analysis.

Kappa, a green, amphibious, child-like creature with a yellow beak for a mouth and a turtle shell on its back is one of the most popular Yōkai from Japanese folklore. Some researchers say that the darker aspects of Kappa tales in Tōhoku may be an echo of the region’s tragic history of famines and the high rates of infant mortality caused by a harsh climate, natural disasters, and the tax system that was paid in rice. Similarly, many people in Tōno (which is part of the Tōhoku region) believe that tragic history is one of the origins of the stories of Kappa. The Kappa of Tōno specifically are said to be red in colour rather than green, which may allude to the Japanese word for infant - akachan, which derives from aka, the word for red. From this perspective, Kappa are creatures born out of social challenges and disasters. They may not seem all too relevant to Sukuna, but the need to mention them will come up in the later part.

Moving on, at the beginning I mentioned that ‘unwanted children’ were often disposed of in the rivers and lakes, which is also found in the Japanese creation myth. I discussed the variations of the myth in this post about Sukuna previously (you do not need to read it for the moment, but please note that it has many variations), but somehow I did not mention their first ‘inadequate’ child. According to the myth, before they had Kagutsuchi, Izanagi and Izanami had a child as a result of their first attempt at a union, but the child, known as Hiruko (‘Leech Child’), was born deformed. The mistake was attributed to a ritual error on the part of Izanami, who, as a woman, should never have spoken first (i.e. initiated the union). Considering the child inadequate for a diety, they set him adrift in a boat in hopes he would die at the sea. This myth reflects how women and children who were born ‘different’ or seen unable to serve their ‘purpose’ were treated.

Continuing from the myth, Chapter 257 made me think of the tale of Katako, in which the protagonist is born half-human and half-oni. What is Sukuna’s true nature we cannot know for certain. We know he was a human once, but we do not know enough of his past to assume if there was more to him (how and why he as a human might have come to be called the King of Curses will be explained in the later part), but the tale still has the potential to give us insight into Sukuna and his mother’s relationship. The tale has various versions with different endings, but it generally could be summarised as follows:

[A long time ago, a man encountered a man-eating ogre (from here on referred to as oni) while working in the field. He told the oni how much he loved mochi (rice cake), jokingly adding that he could even trade his wife for it. Taking his casual banter seriously, the oni treated him to mochi. The man ate his favourite food to his fill and happily went home only to find that the oni had taken his wife in exchange for the treat. The man searched everywhere and finally found his wife on the island where the oni lived. The man and his wife managed to come back home with Katako (meaning ‘Half-Child’), a child born of his wife and the oni on the island. However, Katako was always ostracised by his human peers (in another version, it is said that he had an insatiable appetite for eating humans). At ten years old, tired of being ridiculed, he asked his mother ‘to cut the oni part of him into pieces’ when he died, and then committed suicide.]

In the tale, Katako’s relationship with his mother seems to be of trust. He is cast out of society by humans and despite his mother being one as well, he does not harbour hate for her, he trusts her enough to leave his final wish upon her. We do not know much about Sukuna’s relationship with his mother, but the manner he referred to her in the last chapter makes it seem that he also harbours no hostility toward her. This tale also shows how children deemed ‘different’ were treated.

In past ages, children, being considered closer to the gods and the Other World, also played the part of intermediary between humans and the gods in Japanese society. This task of mediation between two separate worlds fell to them because they were regarded as incomplete persons (until the age of seven it was considered uncertain whether they would live or return to the Other World: a belief related to the challenges indicated at the beginning). While considered sacred beings different in nature from adults, they were at the same time looked down upon and referred to as kodomo (where ~domo has a negative/belittling connotation), gaki (hungry ghost or demon; brat), or jari (lit. gravel).

Back in the day, people referred to the killing off of ‘unwanted children’ (mabiki or ‘culling’, a common old slang for infanticide) as ‘sending a child back’, and a dead child was given a special non-Buddhist funeral. The various rituals surrounding birth and the child’s upbringing were intended, through communication with the Other World, to transform the child into an earthly being. This aspect of the ritual made me think of Sukuna’s mask and how that part of his face resembles a burn scar (note: i am aware the nature of his ‘mask’ is still not clear and whether it is really one) in some of the official illustrations. It is known that rituals of purification included fire and water magic. Exorcism of demons, aversion of disasters, and other rituals for the removal of pollution were frequent. A katashiro (paper cut in the shape of a man) symbolising the disaster would be burned or floated down the river as well. Personally, I see the possibility of Sukuna’s scar (if it really happens to be one) being from one of such rituals. At the same time, it resembles a fragment of a wooden mask used in ceremonial rituals associated with Shintoism, where it represented a ‘spirit of a head,’ which was believed to be a god in the shape of a human. In this case, it can be a remnant of such ceremonial ritual gone wrong.

Continuing, there is a term - Goryō used to refer to the spirits of those who had died violently (e.g. by murder or execution) and have become gods. It also included those who had died untimely deaths and therefore had been unable to fulfil their purpose in this world. Some notable gods such as Hachiman, Tenjin, and Tenno were once considered powerful Goryō. Great natural disasters and social unrest were attributed to them; rituals designed to appease them were performed, and a cult of such worship evolved. It was (usually) as a result of belief in Goryō that particular individuals came to be worshipped as gods. At times when public unrest threatened the social order, elements estranged or excluded from the ‘normal system/order’ were assigned the status of Goryō and worshipped as such. The cult was intended to purify and renew society. Manga has given us a similar glimpse of Sukuna’s past, where despite being feared (and despised), people were ready to serve him (and pray in his name) for their own well-being. I think Akutami intended to echo this very aspect of society through the scene.

I mentioned that children were considered closer to the gods and the Other World, but not all children were treated equally. One version of the origin of Kamadogami (additional post on the parallels between Sukuna and Kamadogami after Chapter 258) in the Tōhoku region is that he was an ‘ugly child’ from the Dragon Palace who had been killed and was thereafter worshipped at household hearths. Zashikiwarashi, who often inhabits old houses and is said to bring good fortune while he remains, is another household god in the shape of a child or, in another version, the spirit of an unwanted child who, having been killed off, became the guardian god of houses. I mentioned Hiruko at the beginning as well, who was set afloat on the boat in the sea. Despite that, he is in some Shintō shrines identified with Ebisu, the patron of fishermen and tradesmen. Their worship was for the purposes indicated in the previous abstract, to avoid their wrath. Sukuna has not been ‘killed off’ like these children were, but such worship shows us the general psyche of the public.

The ‘ugly child’ who appears in the story of the origin of Kamadogami has parallels in Yokenai, Untoku, Hyotoku, and Hanatarekozo, children who brought good fortune and prosperity to the house in return for offerings to the Watery World of kadomatsu (pine-branch gate decorations for the New Year) and firewood. But despite that, their ‘ugliness’ and names were used as an indication that these children did not belong to this world. It is important to note that socially inferior and rebellious beings were treated in the same manner (here is where the point connects to Sukuna, continued from the next part in depth). Such children were often associated with the colour red. For example, Zashikiwarashi is described as red-haired and red-faced. Kintaro, Shutendoji, and other children born in unusual circumstances (but may not have been considered an ‘ugly child’) and brought up in the mountain wilderness are also said to have had red bodies and were endowed with superhuman strength. I also mentioned that Kappa from Tōno were depicted as red. We see Sukuna often associated with the colour red, particularly, his eyes are red. I believe the above-mentioned could be the reason for that.

I indicated that socially inferior and rebellious beings were treated similarly in the previous part. The character Dō of Dōji (童子, meaning child) once meant ‘slave’, tattooed on the forehead, and was closely linked to notions of personal status. It signified one who was not a complete person and also one who had not yet been initiated, in other words, one who did not belong to the order of this world, one who was in this world but not of it. They were despised, feared, and avoided by ordinary people for their strange appearance and magical powers. In some cases they even formed separate ‘child’ villages (dōji mura), calling themselves ‘descendants of oni (demons)’. Since they played the role of demons during the rituals, they were shunned by the nobility as if they were real demons. Could this somehow connect to Sukuna’s title? I do believe there is a possibility this could have inspired his being as the King of Curses.

Personally, what we know of Sukuna and his past seems to echo these folktales and practices as the foundation of his character. He was a ‘Demon’ for being an ‘abominable’ child, but he was worshipped for this same reason as well. Whether he was born that way after eating his twin in the womb or something happened to him later in life cannot be known yet, but it is clear his ‘abominable’ appearance could have warranted the same treatment from society. It could also explain Kenjaku’s ‘fascination’ with him as a being. We do not know what relationship they had or how exactly they came to know each other, but there is clearly a reason why a being such as Sukuna would ‘work’ with them. We do not know much about Kenjaku either, but it could be possible that they (Kenjaku) once were either (1) one of those ‘priests’ who performed exorcism to purify ‘demon’ children or (2) someone who offered such children refuge (perhaps and more likely, for their own personal gain). It would also relate to the variations of Ryomen Sukuna’s story that inspired Akutami Gege.

[Disclaimer: This post does not intend to demonise Shintoism or Buddhism, but to tell folklore and practices for analytical purposes. Additionally, English is not my native language and this is only a personal interpretation as just another reader that I am sharing in case someone finds it interesting or can use the information for better analysis.]

[good-beanswrites]

Happy 0203 day ❄️🔥🎉 I don't know if these are specifically meant for ships, but have a little platonic normal au thing I wrote of them hanging out and being silly :3

Yuno narrowed her eyes to study the shirt she was holding up to her unwilling model.

“No.”

She angled her head, undisturbed. “You don’t get any say in this.”

“I get all the say in this – they’re my clothes!”

“And it’s my birthday gift to you. So zzzzzzzzip!” she mimed zipping her lips, though she knew Fuuta was incapable of any such thing. She pulled the shirt away from him. “There’s nothing wrong with this one! It’s cute.”

“That’s exactly what’s wrong with it.”

She thought it would have been harder to convince Fuuta to come along on a mall trip this close to his birthday, but he’d answered her text almost instantly. He said he’d allow her to buy one pair of fancy sunglasses, and only so he’d have something cool to wear once he could take his eyepatch off. That one pair became two, then added clothes to match, then a handful, and now they stood beside a massive stack of items she was considering.

“Just try it~”

Yuno gave him a gentle push towards the dressing room. She could only laugh as he went spewing complaints the whole way in. 

A few minutes went by and she busied herself with sorting the clothes they’d looked at, pairing up tops and bottoms and jackets and scarves. Fuuta would probably tease her for shallowness if she admitted how much she enjoyed activities like this, but there was something about it that just lifted her mood. Shopping trips with her classmates left her feeling a bit hollow, but Fuuta’s wildly honest commentary always made it more fun. 

Right as she was starting to feel a twinge of impatience, he crept out. He was still clutching the shirt and hoodie he’d removed, covering up most of his chest. Yuno eased it out of his hands, leaving him with an expression of utter panic.

“It’s awful.”

“Are you kidding?” She pressed her hand to her cheek. “It’s super fun!”

He was looking less at the new shirt, and more at the people passing by, or checking over his shoulder, or down at the floor. Restless hands tugged at the collar, then the hem. It was certainly more form-fitting than his usual picks. 

As much as Yuno liked the look, she didn’t want the poor guy completely folding in on himself. 

She made a grand swing of her arms, ending in an X. “I like it, but I suppose we’ll add that to the ‘no’ pile.”

“What pile…?”

“I mean, you still have to try these on.” She scooped up the stack of clothes beside her and dropped the whole heavy mess into Fuuta’s arms.

“Eh? Which ones?”

“All of them.”

“All of them? Are you fucking –!”

He tried to protest, but his raising voice caught the attention of some other shoppers. His face burned red and he practically sprinted back inside before he could retrieve his original clothes from Yuno.

She folded them neatly over her arm, no longer excited that it forced him to try something else on.

Had she been too much? She thought this was something fun for him, but he was genuinely uncomfortable just then. What if, all this time, she’d only been projecting her own enjoyment onto their outing? Her stomach sank. She knew he took up her invitation so quickly because he didn’t have any other plans. She’d completely taken advantage of his loneliness – dragging him out here just for her to have a blast while he had no other option.

His phone buzzed from the hoodie pocket. 

He still hadn’t come out of the dressing room. So, he really was that uncomfortable. She bowed her head at her selfishness. They’d go right home, once he returned. 

His phone kept buzzing. Yuno glanced down in its direction.

She was never one to poke her nose where it didn’t belong. In her defense, this wasn’t a good sign given Fuuta’s history. She fished it out of the pocket, promising herself just one peek, for his own good.

A groupchat was firing off notifications.

@ fuuta where are you?

he said he was ditching, remember?

are you serious?

Broooo I thought he was kidding…

He’s out with a girl FR? No way, I still think he’s lying

you know you forfeit your spot if youre not here when we start the tournament

He was so hyped for this ���� 

must be quite the girl, huh

cmon man, we need you!

I can’t believe he’s finally touching grass 🙏

TRUE

happy for you man

“Is that my phone?”

Yuno nearly dropped it in surprise. “I – uh, it was going off, and –”

“Sorry.” He snatched it away without even glancing at the screen. “So?”

“So…?” Her heart raced with the panic of getting caught. He looked at her like she’d gone insane.

“What do you think of this thing?” He gestured to the new shirt he’d put on. “This was all your idea, but if you don’t want to be here as much as I don’t, we can –”

“No.” Her face broke into a smile. She exhaled. “No, I’m really glad we’re here.”

He blinked at the sudden warmth in her voice. “O-okay.”

“And I think it looks perfect. Really suits you~” It made sense he’d pick this one next; it sat right within his usual style. “Ooh, ooh! Why don’t we keep alternating things in your comfort zone! That would definitely help.” 

“Or we could just buy this one and be done with it.”

She kept her expression neutral. “Do you have somewhere else to be?”

His face was obscured as he headed back to the dressing room. “I wish,” he spat, “but I’m fucking stuck with you.”

Yuno couldn’t help it as her smile spread even wider. 

She called after him, “hey, try on that colorblock one next.” 

“Ugh. It’s ugly. And asymmetric.”

“So’s your face. Put it on.”

“Oi!”

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[abhorsenkatiel]

On today's edition of TLT references I can't believe I missed the first time:

[nostalgia-tblr]

"are people not into that?" i ask, after posting my weird niche shit to the internet, despite knowing it to be weird niche shit.

[thetwilightroadtonightfall]

if anyone’s got really good posts about the way Dungeon Meshi handles gastronomy and/or the impact it’s had on people’s irl relationships with food, could you send em my way? please and thank

[canon-gabriel-quotes]

Sorry if this is an invasive question, but have you read any specific fics and/or would be comfortable sharing which?

I don’t have an ao3 account so I don’t have a way to keep track of what I have read. But it’s really not that many. Probably like 10-15 in total.

Not really the person to ask for refs as ive barely read any ¯\_(ツ)_/¯

[kal-sharok]

Hi!! If you’re willing to talk about it/up for it I’d love to hear more about the slavophobia BioWare has in relation to their dwarves. No pressure at all of course bc I’m sure it’s taxing, I’ve just not seen this before and would love a resource to reblog about it if that’s okay. Thank you love your blog ❤️

hello! im actually glad you asked, i'll try to be as coherent as possible 😅 and no u i love yr blog!!

i'd like to preface by saying i don't think bioware invented anti-slavic sentiment in games or in general and isn't the only company, game or otherwise, perpetuating it. it's found all over the western world, most notably in western europe (where we're still regarded as 2nd class citizens, pairs really well with imperialism towards people outside of europe imo), but it also gained a significant boost thanks to the red scare in usa in particular (and continues to thrive thanks to the absolute chokehold mediocre american media keeps everything else in the world in).

im also no social sciences expert, but i do have first-hand experience on the short end of the stick and a couple of books in my have read list so let's say im qualified to rant on 🤭 it turned out quite lengthy so i've hidden it under the cut below!

when it comes to bioware, the first hurdle is already at their utterly haphazard character naming policy. there's a considerable number of dwarves who bear names that range from mockingly slavic-esque to full-blooded backwater serbian, now in yr local fantasy rpg! examples:

gorim saelac. while i do appreciate they tried to give a dwarf a mountain-y name (gora is basically any kind of steep pile of rocks with trees and dew and wildlife over it), "gorim" is how you would say "i am burning" in multiple slavic languages. this is one of the rare ones that are not hurtful and are hilarious instead (and tbh naming him goran, which is what i assumed they were going for, would probably be more ridiculous in the long run. for example i still can't take jowan seriously despite my love for the mage origin bc someone really yassified jovan and thought nobody would notice. wrong!)

lucjan and myaja. these two (along with maybe wojech "we couldn't spell wojciech" ivo) are the classic example of non-slavs butchering the hell out of slavic names bc it suits them better, which is also something commonly experienced by all non-western cultures and communities and a worldwide sign of disrespect. the in-game pronunciation during the provings gave me a physical rash. "myaja" in particular is still in my top 5 wtf moments in origins bc 1) what kind of stroke induced spelling is that 2) it reminds me of kids speaking dialect A mocking kids' dialects B by adding y sounds (which is what set the dialects apart in the first place) at unnatural spots and 3) maja /ma-ya/ would've sufficed perfectly for ethnic coding if that was the sole purpose of her character. do better! sure it was 2009 but from the little i happen to know about the world beyond the atlantic, you're just bound to run into someone of slavic descent in alberta (maybe not exactly polish but anyone would give you a closer phonetics match than... this). it's kind of amusing how 3 of bioware's founders have very slavic surnames and this keeps happening.

bogdan vasca. we don't know anything about him apart from the fact bianca davri was forced into a marriage with him and that his very dwarven parents considered him to be 'a gift from the god' (which is what his name means. theodore would be an equivalent) when naming him. the same clan of dwarves that preserved castes topside (which is why the marriage was arranged) and thus are likely to either believe in the stone (that they do not worship as a god) or nothing, certainly not a very human god with a very human, quite possibly mage (a completely alien concept from common dwarven pov) prophetess and a very human doctrine of considering anyone not human as lesser. the jokes are writing themselves at this point.

all of this naming business falls more into petty territory rather than being outright offensive, but it does bring us to the more serious manifestation — typecasting. the western media simply cannot fathom slavic people in roles that are not violent, volatile (i.e. berserkers, though there are other influences in there), constantly infighting and better off killing e/o (i.e. the diamond quarter, the merchants' guild, the carta) and relating back to thievery, addictive abusable substances and trafficking (i.e. the carta, but also official channels of lyrium supply from orzammar to the rest of thedas). as a slavic woman, it was exceptionally painful to see bioware join virtually everyone else in depicting us as women whose major purpose seems to be to engage in prostitution and surrogacy lite (i.e. noble hunters, most evident in beraht's grooming of rica brosca into the role of one). while these practices are tied to societies of woman-hating — and orzammar, if not all of thedas very much is one — i just take incredible offence in someone naming them integral (dwarven birth rates and the blight anyone?? i hated every moment of that) for a society that's previously been coded with people like myself in mind. of course im going to relate to how someone who looks like me is treated, that's the very purpose of casting. doesn't help bioware's cause that the bulk of npc's with slavic names tend to be lower-caste or castless - with exceptions such as some minor noble houses (houses ivo and harrowmont, possibly meino too) and branka (who's again smith-born and a whole villain).

by only allowing us to fulfill such roles, we are effectively barred from actually engaging storytelling to spend our eternity on the writers' back-burner. hell, even the witcher has been sanitized for the western eye (despite literally being made in poland) and i am yet to find a piece of modern media that doesn't reduce baba yaga to a quirky chicken-legged aesthetic (while also forgetting she's specific to the eastern slavic people). not to mention that if tevinter and par vollen are truly inspired by byzantine and the ottoman empire respectively, guess which mfs were both their vasals. now guess who built the deep roads and guess what tevene mages need to fuel their magic. if dwarves have already been declared the slavs of thedas, let's at least give them/us some space to be such.

[mariemariemaria]

don't think I'll ever be over how the media completely lambasted jeremy corbyn and misrepresented him in every possible way. the man was saying that the nhs needed to be properly funded and the media was acting like he was sacrificing children. he appealed to young people and this support got treated like a cult or like a hysterical ignorant movement. bc how dare young people not want to be in insane student debt and unable to afford a home. remember when they photoshopped him to look more russian and soviet? absolutely crazy shit but with all that he still won a higher percentage of the vote than starmer

[truethes]

( alt translation: lawl.ess! everything you've taught me turned to be spot on. just like advice from a big bro should be! if you care about your eves, you should protect 'em. let's get a li'l rough! )

i know i've posted these panels before but honestly rereading this entire arc has me absolutely rebawling over and over again. out of all the siblings in sv, il.dio and lawl.ess's dynamic will always be my fave. simply because lawl.ess took il.dio in from his rebirth into being a vampire and tried to teach him the right, stood up for him when the count was going to send him back to being someones pawn ( especially bc he was going to be goaded into a serv.amp / eve contract with him without ild.ios full understanding ), if only to lead them both in an understood shared grief they were unable to face or name. lawl.ess saw his words drive il.dio insane, but it's this moment that il.dio confirms that was never the case - it was his own inability to understand or put word to his grief that ended up in his own warped sense of freedom; a fact they both understand better than anyone around.

[bigblueeyes]

i'm like 3 chapters into TVA and my god you guys were right about marius. i need his head on a spike to adorn my mantelpiece.

[doll-elvis]

About Marty Lacker, I remember in the Memphis Mafia book he told this story about how Elvis never met Diana Ross until the 70’s and rejected her when she wanted to hangout with him one time and called her ugly. But if you look up Elvis and Diana there’s an audio of him introducing her at one of his Vegas shows in 1969 and saying that he loves her. It’s just stuff like that makes me question if certain members wanted to make Elvis look bad in their books.

thank you for the ask and I’m really glad you brought this up because I think this shows again that all these men have their own personal biases, and with marty lacker, I’ve wondered if anyone else has noticed the comments he has made about black women and elvis, including this story

to give him the benefit of the doubt, elvis could have really said that about diana ross in private, he obviously wouldn’t call her unattractive or say she was too skinny on stage in public, but I’ve only ever heard marty lacker tell that story (despite him saying another memphis mafia guy was there) and I don’t even see why he needed to tell it because it’s just irrelevant imo

Marty Lacker also says this in the Memphis Mafia book right before he tells the Diana Ross story “He never stopped being a flirt, not ’til the day he died. Except with black girls. He never flirted with (them)”

but this is just blatantly untrue!!! for example I have heard every single member of the sweet inspirations talk about how elvis liked to flirt with them (especially with Myrna but Jerry just had to swoop in 😂) and if you have listened to/watched elvis concerts you could see for yourself that he was extremely flirtatious with them (I’m convinced he was going to go in for a kiss during suspicious minds in TTWII 1970 but then she got a lil nervous 😩)

I sometimes forget the majority of these men were born in the mid 30s to early 40s, therefore I shouldn’t be surprised if they harbor some prejudice but I’ve just never understood why Marty made those comments when there is so much evidence that says otherwise