#idk which is the main reason

[eldesperadont]

save me ibuprofen save me save me ibuprofen

[hinamie]

playing around w slightly different hair renders

[littledemo0n]

Excuse me im just gonna spam all of these over here...(part 1 [yes there's more])

[why-the-heck-not]

the scarf is coming along and soon I'll have to get used to wearing *gasp* actual colors that aren't black or grey or so dark they could be mistaken for black when it's dark out

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[cluescorner]

The Council of Optimuses: Pleasant, generally positive, they exiled Bayverse a while ago but they still check in once in a while to make sure he's ok/out of curiosity, Earthspark enables One's 'I can fix him' delusion to the point that Prime is falling into it too, IDW does NOT want to add to the delusion pile so he shuts up, Cyberverse kinda doesn't want to be at this meeting it feels too much like a party, IDW keeps making calls to somebody but he won't tell anyone who, they used to have 'bring your Bumblebee to work day' but Skybound had a breakdown over it so they can't do that anymore, everybody is suspicious of Skybound's new arm but the only person who actually brought it up was Bayverse whose solution was 'kill him' so now everybody thinks they are getting paranoid and should maybe start seeing a therapist (they should start seeing therapists, but they ARE right about the arm).

The Council of Megatrons: They are having a great time even if it looks horrible from the outside looking in, Prime constantly wants to fight IDW for his spot as the strongest Megatron but IDW is not about that, they tried to kick out Earthspark but he somehow keeps getting in (IDW leaves the door open), One has like 5 devils on his shoulder telling him to escalate and two fallen angels who are desperately trying to get across that maybe total destruction isn't the move, IDW is trying to hide his redemption arc in order to keep the situation under control (only Earthspark is aware of it, though Skybound has his suspicions), Cyberverse always tries to kill the others to take over their universes and it's the highlight of everybody's month, Bayverse is mocked for being killed by Optimus but secretly everybody is kinda jealous about it (Prime especially), one time an unidentified Starscream (it was Animated) broke in and it was on sight (he got away because every Megatron wanted to be the one who killed him and they fought each other over it), IDW keeps taking calls from somebody but he won't tell anyone who, Skybound can listen in on his Optimus's meetings due to being his arm and reports back, there is an ongoing debate about whether Galvatrons should be included.

Inspired by @jyang030107 's art of ES and IDW Megs advising their One counterpart.

[greatgoddyke]

pony posting

[bumblingbabooshka]

When the only person who might understand what happened- understand. Not sympathize or empathize or comfort you but understand what happened, isn't there anymore. Or: 'A Man Made Me Do Something I Didn't Want To', for when you can't talk about it or look it in the eye [Patreon | Commissions]

[zandraxofnebulon]

A dungeon meshi rpg-style video game adaptation wouldn't work unless it had extremely dedicated systems for cooking the monsters you slay. I'm talking the ability to cut apart the monster in any way you want, any part of the monster that could conceivably be edible can be cooked if you find the right way to do it, with every part having pre assigned ideal cooking methods to give the best flavor and nutrition. (The cutting apart and cooking would have actual physics and gameplay, no simple cooking animation/minigame.) The better you cook the food, the better your stats are for the next part of your journey.

The actual rpg combat could be fleshed out or barebones, but the meat (lol) of the experience HAS to be in the cooking. Maybe you start out only knowing a few very basic cooking methods and learn more as you go through the game (if you come back to earlier areas after getting far into the dungeon, you can cook parts of monsters you couldnt before, create new recipes, etc.)

Maybe there could be a whole bespoke system for keeping track of/labeling each recipe you make (breath of the wild style), with records on the nutritional values (the stat octagon) for each. The nutrition would generally be enhanced by how good the flavor is, with penalties if things are burnt/cooked incorrectly/etc.

Story wise, maybe you wouldnt play as laios' party during the events of dunmesh, but as a group of adventurers post-epilogue who're exploring a dungeon at king laios' behest, and, taking inspiration from his adventure, decide to survive by eating monsters. Maybe laios would gift them a copy of the Dungeon Gourmet Guide, with notes and corrections from senshi here and there. As the party progresses into the dungeon, they unlock more entries in the guide, adding their own notes as they go. Idk where the story would end up going but if ryoko kui is involved it would probably be pretty sick

[teamsasukes]

the chunin exams arc was so interesting for how it portrayed sakura's potential and how people in her life influenced it. kakashi lying about the team-based enrollment criteria because he thinks sakura would be likely to sign up only to appease sasuke, and being genuinely surprised when she shows up anyway. naruto being completely oblivious when sakura was upset preceding the exams and also after she cut her hair in the forest of death. naruto literally dreaming about saving sakura from enemies, being the hero to her damsel-in-distress. sakura moulding herself into a perfectly feminine lady because that's what society demanded and what she thought sasuke would want. versus sasuke calling her out for focusing too much on romance instead of her skills like she should be doing. sasuke picking up that she was upset because she felt inadequate and reminding her of what she was best at -- maybe even better than him -- and never begrudging her for it. ino hacking into her mind because she was sure, not a single doubt in her mind, that sakura would know the answers to the impossible questions on the written exam. ino and sasuke both stepping in to save her during her fight with the sound nin, but only after being spurred on by the brutal beating she took. ino and sasuke getting frustrated with naruto when he commented on how her haircut looked because it made sakura trivialize her experience and offer a fake explanation about women being fickle. the flashbacks revealing to us that ino affirmed that she would one day bloom into a beautiful flower. ino and sasuke serving as a catalyst for sakura to get stronger before pt 1 and pt 2 respectively. idk do you see what i'm seeing

[wavesoutbeingtossed]

I know you don't like discussing the muses but i love your takes and perspectives and i had to ask you about this. after listening to ttpd, did you have the impression that she really loved matty more than any of her exes/previous relationships?. And listening to the whole album as a whole would you call it the ''matty album'' or do you think there are more prominent themes in there than their period together?. (hope this doesn't bother you, feel free to delete if you don't feel like answering it)

hey anon! You're right, I don't really like to get into the muses as I don't really think there's anything to add to the conversation at this point, and ultimately I don't think it matters.

That being said, and with the caveat that I am not Taylor and I do not know Taylor so I cannot speak to her thoughts and can only make relatively educated guesses based on being an avid consumer of her work and a student of the human condition (lol), no I do not think Taylor loved Matty more than anyone else. I think there was maybe a brief period in the thick of things where she *thought* she did because she was not thinking clearly and was in full-on denial, but to me the message that is loud and clear in the album (and more or less explicitly stated in the epilogue) is that it was not any kind of real love affair. It was certainly infatuation and lust and the promise of something more, and there may have been some love as well, but he was in no way the love of her life by any measure.

I would call it a "Matty album" insofar as they're about events in which he was present, sure. But I feel it much more as a Taylor album, if that makes sense, even though I know that's a cop out because every album is to a degree. I can't explain it well, but I don't see TTPD as a Matty (or Joe) album in the way that I would maybe say Red is a "Jake" album or 1989 may be a "Harry" album or even Lover being a "Joe" album whatever, because even if they don't figure in all the songs, that kind of heartbreak permeates so much of the material.

The thing about TTPD and the Matty situation is that the Matty situation is really a Joe situation (which in some ways is actually partially a Jake situation). I always say I hate treating Taylor like a character so I hate speaking about her and her work in this way, but you don't get the Matty situation without the Joe situation precipitating it. It's @taylortruther's now-infamous donut vs. hole analogy. The reason Taylor makes the choices she does with Matty is directly tied to what happened with Joe that made her feel she needed to. Which is not to say Taylor isn't responsible for her own actions or doesn't have agency in her own life, but I mean it in that the situation in which she found herself with Joe, and the pain it caused, is what made the alternative so comforting and perhaps even necessary in her mind. It's why it makes it so hard to "paternity test" the album, because the stories are inherently intertwined and you don't get the former without the latter.

The major "theme" of the album to me is the loss of a very specific, very personal dream, and the way in which she lost it, and the way in which grieving that loss drove her to make the choices she did. We're all talking very delicately about it because it's a sensitive topic, but it's late on Friday and few people are going to see this, so I'm going to say it: it's the give you my wild, give you a child of it all. The yearning she expresses both overtly and sub-textually for having a family in the album is palpable in a very iykyk kind of way, and it's the realization that those plans are not going to come to fruition in the way she had once imagined that drives a lot of the pain she experiences, and makes her jump at the chance to find that again with someone else.

I started a draft post about the theme of womanhood and motherhood on TTPD three months ago that I never finished because I ran out of time and ran out of steam, but it was the most striking thing to me on the album, not because I didn't know that she wanted those things because that's been obvious for years (definitely since Lover, and again, peace put it all on the table), but because the vulnerability she expressed about it on the album is incredibly moving, and it's so generous of her to trust listeners with those feelings and experiences.

Again, it's the thirtysomething of it all.

She is in relationship A which she at one point believes is forever, one which she at one point believes is going to lead to marriage and children. She is so committed to that dream that she either ignores or tries to fix serious issues that may otherwise lead others to think the two people in the relationship are incompatible, both because she loves the person deeply and because she feels that this is meant to be the way she achieves that dream. She gives it her everything, and it still dies a slow, painful, onerous death, and she feels like it may take her along with it. The dream of getting married and presumably having a family gets taken off the table: how we don't know and will likely never know because that is private between the parties involved. All that matters in the context of the album is that those plans never come to fruition and never would.

Then you have relationship B, an old flame who knows just enough buttons to push both to trigger and to flatter. A person who she presumably trusts with very sensitive, personal information as her life slowly crumbles, and this person is telling her all the things she wants to hear because he knows about what is happening in relationship A because she's told him. Person in relationship B doesn't get an "in" with her and sell her this dream unless what happens in relationship A precedes it. It's not a grand love affair for the ages, it's not a mutual decision on building their own dream together. It's Person B learning about what is happening with Person A and saying "I can do that!" even if he can't or doesn't. The dream he sells her is a rental car; it's not his own, he's just borrowing it from someone else and selling it back to her.

And the reason she falls for it is because it is what she aches for the most in her personal life, and she is grappling with it disintegrating, so she (unfortunately for her) falls for the easy way out, and in turn sells herself a story about how this must be fated, and this must be meant to be, because this person wants all the same things she does and she didn't even have to bargain for it! Well, yes, because she fed him the dream in the first place. (Like a mark falling for a sleeper cell spy.) It's too good to be true because it isn't true. IMO Person B doesn't come running out of the gate with the marriage/baby/dream life promises unless he knows that is what she most desires. But what's left unsaid out of all of it is that: those dreams were her dreams because they were her dreams with Person A. It was a whole life they had together, and a whole life they had planned for in some fashion, and a whole life that has to be dismantled in the aftermath.

So all this to say, yes, on the surface, Matty is a "main character" on the album, but truly he's a side character to Taylor as the narrator and person experiencing it and Joe as the ghost bit-player-who-haunts-every-scene. (Again, I hate referring to real people as characters, it gives me the absolute ick, but in this case it's the only way to answer the question.) I jokingly call it the Matty album for shorthand or when I want to say something out of pocket, but really, it's a disservice to the album to say that because it's not a muse album as in it's about the romance (like, say, Red often is), it's about a soul-crushing heartbreak that goes beyond it. The romance is the symptom, not the cause.

The loss of youth is tied in with all this: she's not 22 anymore. She isn't even 32 anymore. She had a very specific idea of what her life was going to look like at this point and had planned for that life, and it goes up in smoke. But again, to bring the womanhood into it all: there is, unfortunately, a deadline for these things. You're with someone for over half a decade you think is going to be your life partner and father of your children and and then he's not. You spent half a decade building this relationship for it to crumble, but now you're in your mid-30s and you don't necessarily have another half-decade to build that trust and faith in someone else before being ready to start a family. And maybe you're scared that anyone else who may become your partner will need that much time to build that trust and faith, because that's kind of all you've ever know in relationships. But lo and behold, someone comes into your life you once had feelings for and maybe now do again and is offering you everything you want and thought you'd have by this point in your life right now. It feels like an elixir that as we find out is actually poison.

That youth is not just the chance for motherhood, but it's also the hopes and idealism and belief in the future that often gradually erodes as we age. But for Taylor as well, it's also tied into the trauma of what she went through particularly in 2016, which kicks off a lot of things on the album as well (her retreat, her relationship with Joe, the pivoting in her career, etc.). That event caused a pretty clear before/after in her life (like a few other events, I suspect), and another major theme in the album is her finally grappling with the full weight of that. They're all different branches of the same tree of the story of TTPD and her life.

I could talk about this stuff forever, but I'm going to stop here because it's long enough and I should save stuff for one of the dozens of drafts I have half-baked lol. But this is just something I needed to get off my chest perhaps.

[riacte]

Alright I love love love Skizz but why did people for FALSE & Skizz instead of False & H???? What???

It is because False gets overlooked even in a False centric poll. This is a pattern. Also sorry for using your ask as a vent post lol.

I love Skizz and his energy, I think he's awesome with people, he is certainly good at the whole "duo thing" buuuut this is not a Skizz duo poll. Or even a Hermitcraft duo poll. It is a False duo poll. I think people voted for Skizz because of Skizz, not False, or even Skizz-False. Like yeah it was funny when Skizz held False hostage in the charity event. But are people voting for moments like that or do they just like Skizz in general?

This was also what I was trying to see with the False MCC poll— 17 is of course iconic as a whole, and especially for Grian, and I would definitely rank it very high in a Hermit MCC poll (possibly right behind Blue9, sorry Orange10). But False had better performances in 29 and 10, and 9 had better chemistry than 17 because she didn't really get spoken over in 9. Or 10 and 29. (Whereas in 17 it was a Thing enough for Pete to mention it afterwards apparently.) 17 has cool False moments of course— SG the one I remember the most— but people don't really bring that up. So did people vote for 17 in a False centric poll because they liked False's performance in 17 and overall team chemistry (things related to and influenced by False) or because they like 17 in general?

It is not that deep but also seeing False's diminishing relevance in the mainstream HC fandom over the years is kinda... disappointing. Someone who's never watched a hermit on MCCReddit will mention False Supremacy. HBomb's chat loves False. Like I don't even know what happened?? False has been posting regularly, always have, she does her builds and collabs and pranks and infrastructure, she won the first event of the season, outsiders love her, and...? Like don't we love our slay cool #girlboss queen of hearts? Or does she need a different fanon archetype now? The mischievous prankster? The silly wet cat? The healer type who loves animals and gives them stupid names? The competitive warrior? Would you still love me when I'm no longer the designated girlboss of the group or whatever

Like ok yeah this is me being bitchy and a gatekeeper and False isn't even the most underrated hermit and she gets her share of love in fanart and stuff but yeah I've noticed the decline. You've got Redditors mentioning Empires people in the crossover in response to someone asking about Empires but not mentioning one hermit who was actually also in Empires. You've got people talking about "Hermitgals" but they replace False and Stress with Lizzie. You've got the fallout of Demise 2. You've got Redditors talking about Rendoc in relation to Ren like his only relevance is being Doc's friend/collab buddy when False exists and she's his favourite hermit. And you've got the False duo poll. Won't even go into the view counts/ sub counts because that's depressing for what feels like at least a third of the hermits (Cubfan you deserve way more). Doesn't feel good.

Back in 2020/21 she got shat on and her achievements ignored by some DSMP fans and now the same thing is happening but it's worse because it's from some HC fans. The call is coming from inside the house. And once again False isn't even the most overlooked hermit. For example Iskall STILL gets horrific hate comments about how he doesn't "deserve" to be a hermit because he plays VH more.

Hermitcraft is popular. I wish the other third of it is more popular.

[mohntilyet]

not to mention the entire antaam fleet like 😭 that was the PERFECT moment to show off what the lords could do!!! The antaam fucked over rivain, theyve been a thorn in the whole nations side for a long time now, they would not pass up a chance for payback via full scale naval warfare so that the veilguard can do what they need to!! Sure dreadnoughts are dangerous but at this point they probably have tricks up their sleeve, thats one of the few things they have!

also wouldn't it be personal because does solas not try to blow up kont-aar because he's trying to 5d chess tevinter and the qunari into destroying each other. like. i know technically this would not be incredible widespread news because the attack was stopped, but i don't think the wonderful citizens of kont-aar would have missed the tsunami that nearly hit them and the shockwave that actually hit them. rumors go around. and i assume irian/vadis tell varric. who i think would tell isabela. who would tell the group she leads. who would care because ofc, they LIVE IN RIVAIN, and now know that solas and his followers thinks they can trade rivaini lives* to further his plans.

*while i also think there's probably a divide between kont-aar and the rest of the nation, it's one that the rivaini love to jump across and back over. an interesting comparison to be made here with most of rivain having similar sentiments towards dairsmuid and the chantry. like this is the country specifically mentioned to have a lot of citizens who follow the qun/are non-andrastian + it being MUCH more multicultural and accepting than other nations. any attack on rivain, even if it's a qunari settlement, would fan a lot of flames that solas cannot put out so the idea of trying to him taking multiple steps back because he didn't realise how intensely the qun/rivaini/lords would react is very fun for me. it would have been soo interesting for rivain to be a hub for efforts against solas because of how it's not influenced by andrastianism, how he (or his agents) specifically fucked them over, and (maddeningly for solas) also part of this resistance has spirits who willingly guide them against him. this could have even been a plot device where the door goes both ways and solas finds out rook's plans because he manages to eavesdrop through a seer or something.

and on the spirits. all the stuff where the mourn watch regularly communicates with spirits could have been done with rivain as well, and with different takes on being 'friendly' with spirits. iirc there's a spirit in the hall of valor which is so interesting but it's literally just there for flavour text. THERE'S A SPIRIT IN THE HALL OF VALOR THAT DOES NOTHING BESIDES LIKE. SAY HI. ??? bioware i would have liked to see more spirits and seers and the matriarchal pantheists you have talked about please. and also the idea of the peaceful qunari settlement being pushed to protect the country they are part of and what that means for them as qunari vs. rivaini. taash's storyline could have contributed to this . so A LOT less about choosing a side, more about how kont-aar has developed, changed, how rivain has influenced it and what it means to be qunari. not the qunari agents and fighters that we have seen, but their 'civillian' way of life in kont-aar.

complete waste not seeing any of established lore reflected in the lords of fortune or rivain because i stupidly actually thought we were going to see some kind of settlement and be introduced to a very different cultural norms.. in my beautiful mind i like to think taash is a little taken aback by how badly mages/elves/etc are treated. like they understood it was different outside of rivain (they would have been young when the dairsmuid circle annulment happened right? so they don't 'remember' it themself, they likely heard others talking about it when they're old enough to understand) but until they actually saw what was happening first hand, they had a weird dissonance about it. but what we got was a deserted beach, ties to another faction (wardens are fine!! they are great !!!! the fourth blight is interesting!!!! yet they are not the faction with a lack of info about them!!!!!) and also the hall of valor that exists as flavor text with nothing meaningful behind it besides a pub used in a few cutscenes and a minigame.

[ddlcbrainrot]

kinda wish more fics portrayed monika as a bad person

[thepettymachine]

Ansel sneaked out to egg Holly's house + fishing by the beach (that his parents bought out)

[oldmanyaoi-jpeg]

i haven't played this game, don't plan to, and am not part of the fandom, but from the secondhand fandom poisoning i'm getting it just seems like everyone is doing this i guess