#idk if this makes sense sorry

[jackwhiteprophetic]

Rewatching 7x04 because I'm very brave and I think what's so so interesting is how Eddie just keeps Turning Up.

So Buck already had arranged to go for a tour of the 217, and he had invited Tommy out, and Eddie Turns Up and he stumbles.

Suddenly Buck can't think about Tommy without thinking about Eddie and that scares him and he doesn't know why these two feelings (his newly discovered interest in men (represented by Tommy) and his platonic love for Eddie) can't coexist with each other. And he has this weird compulsive urge to separate them.

Buck is apparently, according to the universe, not allowed to explore his attraction to me without being forced to confront Eddie at every turn (and thus us, as the audience, also are subjected to this).

It is an entire episode of Buck, and the audience by extension, being perpetually confused by the way in which Eddie somehow haunts every aspect of his bisexual narrative.

And for the audience, this further tangles Eddie up within this love triangle. EVERYONE is now confused. EVERYONE must consider what Buck actually wants and needs in a relationship. And Eddie is there at every corner. Literally the last thing Tommy says before he leaves.

Eddie is in every crevice of Buck's life and feelings and conversations and this is SO FUCKING DELIBERATE and yes the episode could have been written better, but I would argue some level of confusion is purposeful to FORCE the GA to think about this.

I'll leave us with a fitting quote from Eddie in this same episode:

"you ain't getting past me"

[three-wonkas-in-a-room]

For 🗝 and 🍫 wonka, about the wonkavision you guys made, you both used big chocolate bars to put it through the tv. Didn't that waste the amount of ingredients you used? Because it just turned smaller, and that would mean spending more money for ingredients for 𝘭𝘦𝘴𝘴 of the chocolate bar. In other words, wouldn't that be a waste of resources? (Also sorry for the long question, this just weighed on my mind for too long)

🗝: the chocolate particles got compressed into the television so it was smaller

[castieltrash1]

if ur upset dont worry s7 exists..... it's called 86 years by jmcgools on ao3 and its genuinely so well written it could be professionally canon.... so don't cry

i have that bookmarked already to read!!! tysm for sending this tho :') like i get the ending (especially the more i think about it) and it's not like i have any criticism for it but i think i went into bcs Not expecting a painful romance, if that makes sense! i knew it would flash forward to post brba but i rlly thought it was just gonna be a crazy wild prequel abt saul goodman so now im like. WOAH

anyway idk why it's impacting me so much but i literally made myself dehydrated from crying LMFADSOFJDSO i need to get a grip

[toodrunktofindaurl]

"Death's child"

twitter | bluesky | insta | 🔞 patre*n

[chloesimaginationthings]

William Afton has top tier FNAF parenting skills

[spoopdeedoop]

king and harbinger, old and young

[wormspoodle]

okay. au thing (?) i needed to get out of my head (its been sitting there for 2 months) its pretty half baked so bear with me

more context/ drawings under the cut:

im not sure if this has been done before, im pretty out of it fandom wise,, but!! this takes place during "Time Traveler's Pig" (s1 ep9)

the idea is that, while fighting over the time tape, dipper and mabel end up running into krampus and henceforth get taken by the krampus and the time tape gets dropped/ left behind in the process (classic)

ford hears the ruckus ofc and goes to investigate like he does in tbob j3 pages and also gets taken by krampus,, dipper and mabel see him and assume it must be a young stan or something bc at this point in the show they don't know anything!

they've never met bill, they only really know/remember mcgucket from the gobblewonker, and they don't know stan has a brother

so they just assume life was hard on stan and he looks different because he's younger (something still feels off to them ofc)

anyway story proceeds how it does in canon, ford is arguing at the krampus while dipper and mabel remember that they dropped the time tape and are also trying to plot a way out, mcgucket shows up and saves the day, and because dipper and mabel don't really know where to go from here, they decide to see if that guy is stan (which he is but not the one they're thinking of)

they all make their way back to the lab/shack for the time being, dipper and mabel find the time tape on the way back and it's damaged (another classic) so ford and mcgucket will have to fix it ofc

some conversations are exchanged, information is gleaned, dipper and mabel watch tv to pass the time and end up seeing on of stan's commercials on the tv and the dots start to slowly connect that something is going on here

those are the more. fleshed out concepts, everything else is pretty vague and undecided but ill also probably never revisit this

some more details/thoughts:

- ford is wearing no winter clothes bc im assuming when he grabbed the lantern to investigate the foot prints, he didn't think much and just threw on his boots or something, which is why he has to take refuge in that cave to stave off frostbite

- dipper and mabel don't connect that old man mcgucket is fiddleford mcgucket bc i don't think they a) think about mcgucket that much to make that connection at this point and b) assume he's just related and not the same person given how old old man mcgucket looks

-dipper does have the journal on him but he's keeping it hidden ofc just in case,, after they find out about stan he'd find out ford is the author probably but i don't want him figuring it out beforehand bc it would complicate things (i also don't think hed show ford his journal bc of. time/ space continuum reasons

- maybe bill will show up or something i dunno. dipper and mabel are armed with the j3 that knows bill is dangerous but they've also never met bill

- idk if they'll find out about the portal, idk if mabel will try and bring stan and ford together, idk what happens,, maybe the time police catch them before they do anything,, shrugging my shoulders

-this au doesn't really have a point i just wanted to draw it bc its fun for me to think about the implications !!

[lotus-pear]

ace detective more like ace DEFECTIVE

[stemmmm]

ok a third one. i've got a third one

context: 1 2 3

[awzominator]

Day 13 Scars

the amount of effort I had to put into these and they still don’t look how I want is frustrating but alas time is not on my side

ramblings under the cut

Mikey: Gave Mikey Lichen Burns from that one time he got disintegrated and then reanimated via electricity. He died n got better and honestly it is one of the most violent injuries that I recall for him. Like he plays it off so easily cuz he has super powers and all that jazz but that’s so messed up. Also Raph yelling for him OOOFFFFF will never forget how filled w rage and hurt that dude was. He was ready to kill ❤️ Such a wild episode and I love how Mikey was so depended on in order for the plan to succeed. It was Mikey’s turn for the Self sacrificing bit and he crushed it

Leo: Get Shreddered idiot!!! The fucked up knee and throat from when he got beat up and thrown thru the window. This is def my fav event to happen which is a wild thing to say. It’s the most obvious thing to go for but I personally loved the farmhouse arc and Leo’s need for recovery. That dude is still not well and is repressing stuff but they don’t have time to heal. Their lives are too chaotic, too much is on the line, and Leo can’t afford to take the time to heal 100% none of them can tbh. I know a lot of ppl hate how 12 handled his knee injury but I loved it Bc it’s obviously not better but he’s a stubborn idiot who chooses to push everything down and out. He is the healthiest turtle for sure. I’m pretty sure in later episodes his knee gives out a few times don’t quote me tho it’s been a few years aha

Raph: His broken shell! After watching Lone Rat and Cubs and seeing where it came from, I always wondered if Splinter looks at it with loads of regret. A physical sign of his short comings that one time they almost got caught by the Kraang. A warning and a constant reminder they’ll never be safe, that splinter wont always be able to protect his babies no matter how hard he fights. I also like to HC he becomes the most hovering and overprotective of Raph while he’s still recovering Bc that shell broke so easy. Honestly seeing screen shots of close ups of Raphs shell is awesome to see both shell and plastron are broken.

Donnie: UGHHH THIS DUDEEEE !!!!! Literally had the hardest time Bc he goes thru a lot also but it’s more emotional and mental dude is fuked up in the head fr. I asked several ppl for help Bc I didn’t want to do another lichen burn thing from Karai’s trap. In the end I played around w the suggestions to see what would look most appealing to me. The scars on arm are from Slash (such a good episode thank you for the suggestion 🙌) as his arm was injured and in a sling at the end of the episode. The head scar def a big creative liberty Bc he does get injured there a lot ahah. I was thinking of Fourtrap again which lead to thinking about the time that Leo blew him up accidentally during is emo phase XD

[glitch-in-the-code]

I like how the glamrocks are in disrepair via how they lost their part

EX: Roxy’s eyes were stolen, her whole face seems to be missing

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[lxnarphase]

PLEASE ELABORATE ON THE SUKUNA CUM + SOMEONE FAWNING OVER YOUR PREGNANCY

i feel like it'd unlock smth in him that makes him fuck like he's knocking you up

ooo girl I am a lil tipsy at this dinner so sit down and LISTEN TO LUNNIE, BABY!!!

he’s got THICK and POTENT cum, that makes your tummy get a cute little pudge to it when he pumps it deep inside you. and you already knows he’s gonna finger whatever leaks out of you back inside before plugging you up (either with an actual plug or some pussy tape bc he’s a nasty freak)

and the moment someone is gushing over your tummy, something is clicking in his mind…he doesn’t even let you object before he smirks, his hand rubbing over your tummy. “yeah, I did a good job filling her up, didn’t I?”

he just laughs when you huff his name and slap his hand, apologizing to your friend.

but the second he gets you home, his hand is pressing down on your stomach, making his cum gush out of you as his thick fingers push in and out of your sloppy cunt.

“shh, ‘s okay, pretty girl, ‘m gonna give you a baby,” he growls into your ear, his sharp canines grazing the shell of your ear. “my baby…maybe even give you twins.” he’s just so messy, the thought of you truly rounded and swollen with his kid, or kids, is driving him mad. “I’m gonna pump you full every. fucking. day,” he hissed, curling his fingers even more, savoring the wet squelch of your sticky cunt as he rubbed right against your sweet spot, groaning in time with your pretty moans. he can’t wait to knock you up for real, but he’s got one scary though…he’s not sure he’ll be satisfied with seeing you pregnant only once…

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[casscainmainly]

A Deep Dive Into Why Cass Threw Dick Out A Window

If you've been here long enough you've probably seen or heard of this moment, which is super hilarious and iconic. It's mostly discussed in reference to Dick and Cass' relationship. However, in my opinion Cass throwing Dick out a window had very little to do with her opinion of him, or even of Barbara; it has more to do with her understanding of romance and love. I briefly touched on this in my gender/sexuality post, but I'm going to explain more in depth my interpretation of how Dick functions in Batgirl (2000) as a whole. (This moment is very open to interpretation though, this is just my opinion!). So let's try to answer Dick's question: what was that all about?

Love, Language, and DickBabs

While Puckett's run is notable for not having Cass date anyone, romantic love does play a role in Cass' early understanding of the world. It's the impetus that spurs her to write: in issue 2, she sees a wife read a letter from her deceased husband, and her reaction affects Cass so strongly she immediately starts trying to write. (She also kisses the husband on the cheek earlier, which may or may not be a crush). Romance, and the ability to communicate your love, is a fundamental part of Cass' desire to learn language.

So we have Cass, who has experienced neither love nor language, living with Babs, who's in a relationship with Dick. This telephone conversation in #4 (the issue where a metahuman changes Cass' brain into understanding language) again links romance to communication. Dick and Babs are talking on the phone, unable to see each other but understanding each other perfectly; Cass and Babs, on the other hand, live together and can't understand each other at all.

"She can't talk, so it's not all that different [to living alone]." Babs is telling an eavesdropping Cass that her inability to speak prevents her from love and connection - a love and connection symbolised by one of the first romantic relationships Cass is consistently around, Dick and Barbara.

Dick as an Ideal

There's a debate whether Cass likes Dick or not because half the time they're friendly, and half the time she's punching him or throwing him out windows. This disparity makes sense if you consider that Cass strongly associates DickBabs with communication, understanding, love - very idealised notions - but she does not associate Dick as a person with them. Her interactions with Dick (sans Babs) are cute and normal - Batgirl #29 and Nightwing #81 feature some very adorable Dick-Cass moments, with no real tension whatsoever.

It's only when Cass sees Dick in a romantic light (as in associated with Babs) that she makes him into a symbol.

Cass often tries to copy Babs, thinking it's the 'correct' thing to do - in DC First: Batgirl/Joker, she goes after Joker because that's what Barbara did; later in Horrocks' run she'll wear Barbara's outfit. In a way, Cass' affairs with Tai'Darshan and Kon - as much as I do think Tai'Darshan was genuine attraction - is another way to 'copy' Barbara. In #42, Cass stares at a picture of Dick and Babs while asking if Babs likes boys. Obviously Cass knows the answer is yes, but see what she asks next, and how Barbara responds:

She shifts from 'like' to 'love', and Babs responds that she 'care[s]' about him. For Cass, whose arc in Horrocks' run is about parsing out the nuances of attraction, understanding the difference between like, love, and care is incredibly difficult. She struggles to separate familial from romantic (Bruce in #50) or romantic from platonic (Kon, and in somewhat the reverse way Steph). In this conversation, Cass comes to associate Dick with like, love, and care - DickBabs becomes not just a symbol of romantic love, but of any connection whatsoever.

The Old Costume

I've discussed elsewhere that Cass wearing Babs' old costume in #45 is a representation of her desire to be 'girly', and how she associates girlhood with someone other than herself, discarding her own costume for Babs'. But putting on a costume is not the only prerequisite for being a 'girl'. In Babs' speech to Cass, she emphasises being sexually attractive to men, with her final comment being about this "particular look Dick used to give [her]". For Cass, visual language is incredibly important; putting on Babs' costume is not about being or feeling like a girl, but about being perceived as one. Dick is symbolic of the perceiver: the one who can essentially 'grant' women their femininity.

But Cass is disgusted when Tim calls her hot, which adds to her confusion - why should Dick being attracted to Babs make Babs happy, but Tim (who's not a sibling at this time) perceiving her like that grosses her out? Cass' inability to feel good - to feel 'feminine' - through the male gaze is another sign, to her, of her failure to be a woman.

Which finally brings us to issue 46...

That Ableist Kon Comment

Cass finds out Dick breaks Babs' heart and then starts hallucinating on a drug. One of the things she hallucinates is Kon saying "who wants to date a cripple? Ain't that right, Nightwing?" and Nightwing responding "not me--at least, not anymore."

For the first time, we get to the heart of why DickBabs mattered to Cass: it was an example of a disabled person in a loving, romantic relationship. It goes back to that phone call in #4, where Babs implies that Cass is hard to care about because she can't speak. The Kon comment suggests Cass has carried that with her all this time, trying to find proof that she can be loved, no matter her disability. DickBabs showed her it could be done - the break-up shows her now that it can't be done.

Dick's hallucination mocks her disability: "look at her--she can't even read!" Attributing this mockery to Dick (whose real-life counterpart, unlike the other hallucinations, has never said anything remotely like this) shows that this 'Dick-as-ideal' is intrinsically tied to Cass' self-worth.

Honestly this whole post stemmed from me thinking about this one panel. There is no real reason, from Cass' view of Dick as a person, for her to think he's brave and noble and kind (more so than anyone else). But it's in the DickBabs context - that Dick seemed to love, wholeheartedly, a disabled woman - that makes Cass think this way. And now that DickBabs is broken up, it shows that she, too, is rotten to the core; that someone like her cannot be loved.

And so when Dick shows up, she throws him out the window.

Conclusion

In this moment, Cass isn't just reacting to Dick breaking up with Barbara, she's reacting to what it means to her. If Dick can't stay with Barbara, then that means Cass, as another disabled woman, is also unable to be loved. This all leads up to #50, which features another Cass punch to Dick's face, but more importantly is when Bruce and Cass reconcile through Cass' first language. It's a confirmation that though her verbal skills may not be fully developed, she still can communicate, and she can love and be loved.

I don't think a lot of the ideas I touched on here are fully developed, or conclude cleanly. For example, how does Cass' 'failure' to be a woman relate to her inability to be loved? Is she able to have a stable romantic relationship? There are lots more questions, but the role Dick specifically plays in Cass' understanding of romance is probably not going to develop further. I just think it's interesting how Horrocks uses the Dick-Babs relationship to explore Cass' identity.

[taterdraws]

remember this well i wanted to play on that some more