#idk if this makes sense i was going more for a feeling

[obxanon]

Addressing the OBX drama and the speculations:

Was JJ’s Death planned?

No, Rudy asked to leave the show. It wasn’t something the writers planned. He didn’t want to renew, the writers were rightfully upset and then decided to kill JJ off.

Did the writers/producers create an uncomfortable set?

No, they didn’t. This post is not true. The brothers were never inappropriate.

Was Madison a bully on set?

I’ve seen a post going around of someone saying Madison was a bully, controlling the set, and bluntly treating Rudy and crew members like crap. That is NOT true. 

Was Rudy’s decision sudden?

Yes and No. No as in he let the Pates know ahead of time he didn’t want to continue (some time during the strike, so they had time to change what was already written). Yes, as in they were shocked by it.

Was there on set drama between Rudy and the Pates?

Yes, there was many disagreements/personal problems during s4. Yes, Elaine was involved and so was Lilah Pate. They are civil now.

Why did every ship but Jiara get a still?

The jiara still does exist but idk why it was not released. My source doesn’t know either and I don’t want to spread something not true. Rudy and Madison took pictures just like everybody else did.

Why did the cast chemistry seem off in part 2?

They shot episodes 1-5 first, THEN 10, then 6-9. The cast didn’t know rudy asked to leave until they received the script for episode 10. You can tell there was a drastic change between JJ and Kiara in part 2 because after the cast found out, Madison was upset with Rudy and his decision, so she didn’t put in as much effort into the scenes with him. She was upset because she knew that would mean the near end of obx and her character… in a way.

Was there alternate endings?

Yes, but that was only because they wanted to see if rudy would change his mind. There was even scenes where a funeral was shot (obviously they didn’t air it so I’m assuming they’re saving it for s5). From March-June of 2024, they spent the entire time doing reshoots of some scenes. That is why some things don’t make sense.

Did Rudy and Madison talk on set?

Yes, but not closely or anything. They’re not friends, they just did the scenes they had to do and that was it. All those people saying they’re hiding their friendship from the cameras or whatever… that is not true sorry. The pates can’t force them to act like best friends as long as they were doing their scenes.

Why did Jiara have “less” than everybody else?

It’s true that Jiara scenes were toned down. Part of it was Rudy asking for it. Madison didn’t care as much. Another part was just Rudy and Madison not doing more than what the script asked.

Was Elaine uncomfortable with Jiara scenes?

Yes, and she has been since s2. It got worse during s3 and obviously s4. That was part of the conflict.

What is the Rudy and Madison Drama?

Obviously what happened between them is private. It wasn’t the fans. The fans were more so the catalyst to something that had been brewing. 

It is true that the girlfriends are involved and that they weren’t happy. Madison hurt Rudy, but not by being a bully. It was emotionally. The feeling was then returned on his end and it just got worse from there. It didn’t help when the girlfriends and fans were involved. It is true that it’s not a coincidence this happened when they both got involved with relationships. Most of you have speculated correctly, that is all I will say. I think you know by now what I’m trying to say.

Also when I say fans, I don’t mean the “shipping.” They never cared about that. What I do mean is that all this drama happened when Jiara fans were at their peak. Them wanting to see those characters together put Rudy and Madison in a problematic situation because they knew they couldn’t avoid each other on screen. Instead they just did so off screen.

Should the Writers/ Directors/ Producers stepped in?

Yes, but what I need you guys to understand is that these writers were basically father figures to those actors. They watched them grow their careers, supported them, made them who they are now. It’s hard when you spent so much time with each other and became a genuine family. Even their conflict with Elaine was hard because Jonas knew her family, his wife treated her like a daughter, and lilah treated her like a sister. They had every right to be bitter because from their POV, it’s basically like “hey I trusted you to bring my project to life and now I’m being forced to go in a direction I never wanted to go in.”

What’s going on behind the scenes right now?

A mess. They knew it would be bad but infact it is worse and they know that.

Am I reliable?

Honestly I don’t care if you believe me or not. You didn’t before and I got attacked (literal death threats in my inbox). I’m just a messenger. I’ve given you info before and clearly I didn’t lie about it. It’s up to you to decide.

[mistresscitrusslice]

Thank you so much for going through the effort to even get screenshots! It’s seriously appreciated.

You make a good point, not least of which because this circle looks like a blast zone that came from within. It even pushed other bodies away. I’ve never seen Kindred gameplay, idk what their protective powers look like, but generally spells that are cast on you by someone else use the caster as the center of the spell, not the target. (Basically, the blast circle wouldn’t have been centered on Ambessa, but on the Wolf.)

The protected area around Mel and Jayce when they wake up doesn’t look like a blast zone the way it did with Ambessa (other than, you know, the Actual Bomb), so I’m not sure what to make of that.

I did not know that Ambessa had a bio already, let alone that included stuff from her music video! I thought she just had her blurb. It’s great that they clarified who she was pregnant with eventually. Uh, where’s Kino while she’s out at war then??? I imagine that Kino’s father was probably also a soldier and in the army too. Hopefully Kino was with relatives or family friends.

Also, Rokrund! It’s nice to get a name for the specific region Ambessa is from other than just the wider nation of Noxus. Is this a new name we’re hearing or has it appeared in any other League lore/media before?

“Visions that she would speak of to few others.” I wonder who those few are. Given how she treats her children, I cannot trust that even her kids are among these few. Their dad, maybe? I hesitate to say “Ambessa’s husband” because she definitely does not act like she has a husband, or maybe he’s deceased.

I plead the fifth on the Solari stuff because I know jack shit about the Solari, and if it turns out that Mel does have Solari magic, I do want to be surprised by their lore.

It still puzzles me why, if she does have magic, she wouldn’t use it to defend herself. You mentioned it being linked to situations with certain death. I’m iffy on this because it feels convoluted and kind of like a cop-out if that really is the reason can’t use it at will. If it is the case, though, then maybe Viktor wasn’t hurt because his magic clashed with hers, but because his death wasn’t guaranteed. I rewatched the opening scene, and he was still moving a little when Jayce performed Hexcore magic on him. If his death wasn’t certain, then the magic had no need to save him.

More likely, Mel’s magic has a cooldown and a long period where she needs to build enough magic back up to be able to use, but most likely, Mel doesn’t even know she has magic. There’s no sense in concealing her magic now, especially not after it saved herself and Jayce. Sure, it’d be a bad idea to come out about it to the world even after Piltover accepted Hextech since it would’ve been a secret for so long. However, I do believe she would’ve told Jayce. If not before, then definitely after it saved the two of them and Viktor still almost died.

Jayce needs as much information as he can get to figure out what’s going on with Viktor. Mel cares a lot about Jayce and seems to also care for Viktor even if she disagreed with him last season. She also has the same innate curiosity that Jayce and Viktor do. She’d want him to be able to solve this puzzle with all the information at his disposal and has been able to open up to him in the past with the trust that he would not share her secrets. She’d tell him so that they could figure out why her magic didn’t work as it was supposed to.

Unless there’s a reason we haven’t been told for why she needs to keep this hidden? If you squint your ears real hard, her line of “There’s no sense to these things, Jayce” in response to “How does the explosion do that to him and I just walk out without a scratch” sounds a bit like she’s trying to get him to drop the subject. After all, there is sense to these things for a scientist. There’s physics and calculations that go into why every single piece of debris falls in the way that it does. Which direction it flies in, how much heat is dispersed, the shock absorption in everything and every person in the blast radius, how far each person gets pushed across the room. To Jayce, “there’s no sense” might not be a comforting thing to hear. So was Mel just trying and failing to comfort him or was she attempting to change the subject? Or am I just reading too much into it?

Lmao imagine tho if Jayce found out she has magic, whether she already knew or not. He’d want to study her! And honestly she’d probably be down for it to find out even more ways to use her powers, maybe a way to replicate it with Hextech so more people can have a way to stay safe! That would actually be a good way to use Hextech to help people. And maybe Mel just has a scientist kink, who knows

Mel's protection should have saved Viktor too, and she's trying to figure out why it didn't

S2 ep1 shows a circle of protected stone where Mel and Jayce were during the explosion. My theory is that Mel's magic armor activated and saved them both. It seems like it casts a sphere of protection around wherever Mel is.

The center of this circle is not Mel's seat - it's Jayce's. She ran to Jayce to save him.

No other Councilors were in range of Mel's protection, so they all got hurt or killed.

But Viktor was, Jayce's words, "right next to" him. He was easily within Mel's circle of protection.

1) Viktor tried to run and mistakenly left the circle of protection. But are we meant to believe that Viktor, close to dying already and using a crutch, would have outrun Mel?

2) Viktor's augmented body clashes with Mel's

Why does Mel try to touch Viktor in episode 1? It seems like a throwaway moment, but not even Jayce touches him in this scene. So why Mel?

She's curious. And possibly, feeling responsible. She's wondering why her protection didn't work.

Is this Hexcore brand of the Arcane trying to reach out to Mel? Or trying to defend itself from her?

Mel was trying to protect both Jayce and Viktor, which is reflected in how she holds Jayce as well as Viktor's cane when she promises to protect Hextech:

But if, for example, Mel's magic is Solari in origin, and Viktor's is from the Void - or the Arcane equivalent of similar opposing forces - then it's possible that their magic rejects or hurts one another. So Mel's circle of protection either rejected Viktor, or was what hurt Viktor, and not the explosion.

[baphometsss]

On Solas's romantic history

Okay. I know what the consensus is. That he’s way too smooth in Inquisition to be inexperienced but... (and I’m fully prepared to get shat on for this lmao don’t kill me)

When he kisses Lavellan, that doesn’t read to me like he’s super suave and seductive. It reads more like—endeared by them trying to run away after kissing him, then being so surprised by how good the kiss felt, that he grabs Lavellan, kisses them again, pulls back with a surprised look on his face, and then goes in for more. It’s touch-starved, desperate, hungry. It’s not really all that smooth because he’s literally bending them over backwards lmao like Solas can you chill maybe

He is very smooth when flirting with Lavellan, but he's also an absolute gobshite who's spent thousands of years sassing the hell out of wannabe gods so that's not a surprise. He's witty af and enjoys some back and forth.

Solas is a very lonely man. He keeps everyone at arm’s length because he’s seen what getting close to people can do to him. His biggest fear is dying alone, and he almost gives into that because it’s what he believes he deserves for all he’s done. His life has been so stressful for so long that he's almost totally unable to consider anything else but his battles. He even says explicitly that he's tired.

That doesn’t make me think of someone who was out there in Ancient Elvhenan sleeping around all those years. No doubt he considered it, but he likely didn't pursue much with anyone physical; he enjoyed spending as much time as possible in the Fade. (The banter with Blackwall doesn't count to me personally since Solas himself thinks the whole idea is preposterous, which speaks for itself really.) Especially after being a slave/servant to Mythal seems to have voided him of his agency for some time. Then he led a rebellion and fought for thousands of years against brutal tyrants. Any one of the people he was close to could’ve been trying to kill him. Lavellan, however, has no reason to do so, so he can flirt with them freely. In all that time, it seems as though the only people he allowed to get close to the real him were Felassan and Mythal. I don’t think he slept with either, because the relationship was familial. Felassan was also loyal to Mythal, but didn’t burn his vallaslin off. (Is this a right hand/left hand of the Divine parallel again? Two brothers and their mother? Idk, I need to think about that one). For creatures with bodies made from the blood of Titans, they don’t have blood families. They would’ve had to forge their own, which is what Solas did with Mythal and Felassan.

And then there’s his ‘it has been a long time’. Most have taken this to mean that it’s been a long time since he’s been intimate with someone, but given what we know now and that he spent thousands of years in the Fade while his body was in uthenera… I wonder if he’s actually saying-- ‘it has been a long time since I lived in a body’-- ie. ‘it has been a long time since I felt physical drives, a long time since I have felt so physically real’. To me, this makes a lot more sense than the ‘he’s thousands of years old he can’t possibly be a virgin/inexperienced’ take bc like... My friends. It probably didn’t feel like thousands of years to him bc he’s essentially always existed. Time is different for spirits. It’s not like he’s gonna go: ‘well I’m nearly 4000y/o, better lose my v-card’. Time is no object when you are a timeless being. Then, given the path his life took, it wouldn’t make a lot of sense for him to be that experienced given how hard it is for him to trust.

I also personally headcanon him as heavily demisexual/demiromantic too. His true nature is so non-physical that the idea of him being very promiscuous or something just doesn’t fit his character. He needs a mental connection, to feel something, before sharing much of himself, or allowing himself the vulnerability intimacy brings, something he clearly feels with Lavellan based on how shaken up by it he is.

And it’s also canon that Solas has never been in love before meeting Lavellan. So. If he went however many millennia without falling in love, it’s also possible he went without intimacy for a long time too.

To be clear I’m not trying to say that this is the correct conclusion. My opinion has just changed a little since Veilguard (I used to think he was being smooth etc bc he's old af/v experienced, but with confirmation of former spirit Solas it’s changed my perspective somewhat)

Also:

‘Things have always been easier for me in the Fade’

‘I am not often thrown by things that happen in dreams’ my man is shooketh guys SHOOKETH

[pseudophan]

nora can i just ask… WHAT was he thinking? how was that lie ever going to work when they were doing everything so publicly in 2009? sure you can delete stuff but he must have known it was still out there anyway right? isn’t it pointless to be like i didn’t watch his videos when he was commenting on the interactive adventures like his life depended on it ?? he was trying to convince people he just happened to be in manchester one day with a friend and he just saw phil ???? when we all saw you counting down the days to meeting each other online like WHAT

https://x.com/pinofdnp/status/1855973085771387187?s=46

tweet link (it's one of the infamous 'we met through a mutual friend' claims)

to be fair to them both, if the phandom wasn't as unhinged as it was (is) they could've gotten away with that lie. kind of. dan and phil are hardly pr experts but this isn't really too crazy a move, like yeah the people who know the truth will always know the truth but if you tell a lie enough times then in theory new fans, and people who just never looked into it, are gonna go with your version of events and not question it. the main issue for dan and phil specifically was that their fanbase was essentially built on and around speculation about their relationship and cataloguing any and all proof of it. new fans and casuals often believed the lie at first just because like, why wouldn't they, but the second they stepped foot into the phandom they obviously discovered the not-so-hidden truth, because you didn't have to be a shipper or be looking for Phan Proof in order to come across it, all you had to do is search dan and phil on literally any website with a prominent phannie presence

to their credit they seemed to realise it wasn't gonna work pretty quickly, they abandoned the 'mutual friend' story almost immediately it feels like. then they went with the 'yeah we met online but we met up to collaborate' angle but i kind of feel like they didn't go too hard on that one, probably because they had finally started to learn that Oh My God Say Less Please Say Less Always Say Less Stop Talking Jesus Christ. like by far the most damning part of the clip in the tweet is dan insisting on being like "a lot of people seem to think-" about the actual truth like girl why would you plant that idea in the heads of those who hadn't heard it before. just say you met through a mutual friend and move on like fbsdhjfbdjksf. also at that point they kinda didn't give a fuck anymore, by the time they gave that infamous editing tips interview in 2015 they had long since abandoned trying to convince anyone they didn't meet because dan was an amazingphil fan and desperately wanted to befriend him because of it. the only part they were trying to hide at that point i would say was the whole y'know, fucking and sucking of it all

this whole reply is way too rambly and idk if it makes sense but i guess my point is IF dan and phil had a more casual core viewerbase (and also didn't give up on the lie immediately. and dan was less blatantly defensive about it) they probably could have made it work in the long run, even with the amount of evidence against it. i would go as far as to say that if not every then at least nearly every single influencer/celebrity/public figure of any kind have readily available information about them out there that most people, even fans of theirs, don't know about literally just because they wouldn't think to search for it. like how often does a Major Scandal break about some celeb and some people in the comments are like yea this has been known since 2004 everyone just stopped talking about it, lmao. not that dnp being gay for each other is a scandal but you know what i mean

basically they started telling that lie just as their popularity skyrocketed and i guess the hope was that the massive influx of new people would allow them to rewrite history, but alas...

[olderthannetfic]

I have conflicted feelings about the whole "copeganda" thing. On the one hand of course police procedurals have problems, portray cops of the good guys, etc. show rule breaking to get the "bad guy" as valid. i do see the problem there.

But on the other hand it feels like anti logic to say "you enjoyed x tv show so clearly you condone real world atrocities, you horrible person." And then you see people claiming that sam vimes or ACD Sherlock holmes are copeganda. or that fans watching a show where their fav actor plays a police officer are clearly racist. Or that all little kids who like paw patrol are somehow suspect or corrupted. And I worry we've lost the plot to another x media / depicting x is unredeemable crusade rather than trying to be mindful of the biases and messages in media.

Idk. Thoughts?

--

Copaganda is dangerous because it's a staple of CBS prime time et al. It tends to do things like make Internal Affairs evil in all cases. Even when you get the rare IA character who was arguably good for like 6 seasons or something, they'll still go evil for drama late in a show's run. (CSI: Miami, I'm looking at you.)

This is media with a massive reach that almost always reinforces a host of already extremely common social values, so it's going to be extra impactful relative to something like House of the Dragon incest.

We had some discussion here in the past about the measurable real world effect of B99 on people's opinions of the real NYPD. I'm much more willing to entertain people's fears about media when there are measurable effects and the audience size is large. I don't think we should ban cop shows, but there's a reason I like Miami Vice so much: it's noir, so everyone is horrible, including the authorities. While it was still extremely establishment-y, it managed to question the system a lot more than most of these simply by virtue of being a much darker show.

Mystery genre of various types isn't going away. It's a genre that really is copeganda: It's about social order being restored and making the world make sense.

We can be aware of some of the more insidious messages and push back against them though. It's like the torture thing: a lot of media wants to argue about whether the ends justify the means, but that whole complex philosophical can of worms is irrelevant since torture doesn't produce useful results in the first place.

Copaganda tends to not only make cops seem cool but portray villains stereotypically, demonize the important work of investigating cops themselves, justify police brutality, etc. There are a lot of specific problems that do not have to exist in media about cops solving mysteries. These are choices that mainstream US tv is making.

--

One thing I will say though... Mystery as a genre, including the worst of US cop shows, has often been far ahead of sff in diversity and even exploring contentious social topics. Geeks tend to think sff is so ahead of its time, but it's often pretty stick-in-the-mud compared to crime stuff. (Cue all the individual examples where it's the opposite way. Haha.)

[hellion-child]

ok after seeing gifs and having the time to think about the episode itself some more, i have some thoughts. about how poorly it was done, abrupt, and like a slap in the face, etc. i still hate the notes of biphobia in it but also i can Forgive the biphobia if they also take the time to address the biphobia, yknow?

pls keep in mind that this is partly my interpretation, partly my fix-it/make-it-make-sense, partly my criticism. also im not a writer, im a bitch w brain damage to the communication part of their brain who refuses to shut the fuck up lmao this shit is hard for me to write out

so its the 6 month anniversary date and tommy is all in, hes exactly what we were shown him to be: fucking smitten. he gives his boyfriend an (i assume expensive gift?) (idk bball ticket prices) anniversary gift. buck doesnt have a gift for him, but like thats not the end of the world, right? its only 6 months, after all. but this moment should be the beginning of tommys insecurities. the ending of the honeymoon stage. a teeny tiny niggle of maybe buck isnt as invested in this relationship as tommy thought?

maybe thats just a fleeting insecurity that is immediately fueled by the hot chick. again, hate to lean into the biphobic stereotypes. as a bisexual, fucking hate it. buck unconsciously going to use his phone to take the picture and hot chicks "trying to get my number" comment. the way buck doesnt just say "actually im here with my boyfriend" (and buck doesnt have to say it, he can come out to who he wants to, when he wants to, when hes comfortable to. im firm on this but i can also acknowledge that it can also feed into tommys insecurities) this shouldve been when tommys insecurities start coming in and they shouldve shown it. show us the way tommy might use his cool confidence as a mask to hide his vulnerability!!

instead of bringing up abby now, let tommy sit on this feeling. hell, show us that hes feeling this way and hates it. we know hes all for clear communication, and has come a long way with himself. hes confident and comfortable. so show us him struggling with feeling insecure about buck possibly not being as invested as he is. eg with the one sided-gifting, tommy always showing up for buck and we havent been shown buck reciprocating (which means fuck-all with this show but could be used rn to further the angst), the reminder buck is new to dating men etc

they couldve shown us tommy talking to hen or chim about feeling insecure about bucks baby bi status and "being his first but not his last" and hating that he feels that way. that hes doubting buck like this. they gave us this man who worked hard to be where he is, why couldnt they take one fucking scene to show this to us?? its pretty common, actually, for a LI to talk to one of the 118 without the LIs partner being there. but not this LI? ok.

and bcos of how shitty tommy feels about it all, that is why he, uncharacteristically, does not talk about it with buck. tommy is still processing this internally and isnt comfortable bringing it up to buck. but we know buck, hes good at picking up on when something is wrong. maybe he asks and tommy brushes it off. maybe buck says nothing yet and just feels a little, wrong-footed maybe? a little insecure himself? something he has been working on in himself for a long time now and doesnt want to put on tommy.

and that leads to the abby of it all. for the bare minimum of fucking continuities sake, they were never engaged lmao just together a long time during a difficult time for both of them (tommy closeted and abby w her mothers decline) maybe they were talking marriage. i wanted this to come up in another scene (maybe even another ep). i think it makes more sense, for buck to straight up say in this conversation that yeah, he is The Himbo.

tbh, play into the absurdity of it all, classic 911 style. like, this convo happens when one is heading to work or something?? so the only time they have is to think "huh, what are the odds??" and awkwardly laugh about it. set it up that they dont have the chance to really think about the implications until later, when theyre apart.

later comes. and now, they are both spiralling. theyre both feeling insecure in their relationship, for different- and unknown to the other!!- reasons. this is when miscommunication takes over and both parties are hurt and confused and brings them to the point of being unable to have that mature, adult conversation about their issues

buck still goes to maddie, and josh still gives his lovely speech. now bucks feeling better about tommys past (also when maddie makes her "turned them gay" comment buck corrects her and fucking says hes bisexual) wouldve been great to see tommy talk to someone too, about him and abby and abby and buck. also fill in some of them plot holes while they are at it lmao

tommy talking to bobby, preferably. bcos he wasnt Captain Dad when tommy was there, they were never close. and they mention how tommy only referred to abby as "his gf" and she never had the time or interest to meet the 118 or visit the station idk and tommy didnt push for it either. give their relationship some nuance and clarity i guess!! and back up joshs great speech with some of how tommy felt back in those days! really take the time to fill all of this out, yknow?? and maybe talking with bobby about their shared past helps tommy feel a bit more secure with buck right now and ready to talk about it with him.

and now we get to the break up. now that these cracks are shown and seemingly repaired. they both try to talk about their insecurities, but it just goes wrong. buck spooks tommy with the moving in and marriage talk, tommy hurts buck with the "im ur first not ur last."

except this time tommy isnt saying it like a its a fact, instead he says that he fears that hes bucks first but not last. but buck takes that badly (understandable), like tommy hasnt been as invested in this relationship since he apparently has been waiting to break up for 6 months? and if so then why act like he was all in? etcetc

and tommy, yeah tommy has some shit to work thru still, but its also the way buck is talking of moving in and marriage and forever, his impulsiveness has tommy questioning again if they are really on the same page here. i can see tommy getting stuck on the "move in with me" bcos why would tommy leave his larger home to move into bucks loft? has buck even thought about this at all? hell, while they discuss abby, u could have buck, in an attempt to reconnect and reassure his trust in tommy, talk about mistakes hes made with exes (obvi example, what happened with taylor). and instead of reassuring tommy, it does the opposite (tbh im not a big fan of that, bringing up bucks past mistakes. but also it kinda does balance out tommys treatment of abby and continue bucktommys tit-for-tat sharing, yknow? except this time it goes wrong)

basically, theyre both trying to communicate and work thru these insecurities, these fucking hurdles, but theyre both too hurt and scared in this moment and we are watching them both try to make sense of it all and work it out, and we know they both want to but in this moment they just, cant. emotions are high and it gets a little mean (from both sides! not just tommy saying "i was never ur last", let buck do more than just be broken up with), the break up happens, tommy leaves.

(and then they cry and pine and get angry and try to move on and they cant and then somethings brings them back together (CTH!! 🚁💥🏥) and now they are in a better place to communicate and work thru these issues and kiss and make up and maybe at some point during all this theres a discussion or two about biphobia)

thanks fer reading this fukcing novel lmao i just feel that, if they had taken the fucking time to let this storyline fucking breath (god, let any of them breath this season, fuck) and put some fucking effort into it, i would not be so upset. maybe they had intended to portray some of this in that episode, if so they did it fucking terribly

anyway. again, im not very good at this but i love talking about and reading other ppls thoughts!! if someone feels they could write something more coherently, god. pls do lmao (also pls tell me if theres a typo or word or sentence that just makes no sense, i triple checked but aphasia is a cunt lmao)

[signanothername]

firstly: AAA YOUR ART AND COMICS AND STUFF ARE SO AMAZING!!!!

secondly: do you have any advice on how to come up with comics and then get them out of your head and onto paper?

BZHXHXHD THANK YOU SM!!!

And ooh that’s a good question

I usually come up with comics in one of two ways, either seeing something (whether another artwork, a text, something irl, etc) that inspires an idea for a comic, or via artworks I made that I expand on

Other times, it can actually be both

For example, the “A little life update” comic was actually inspired by this beautiful artwork, I saw it, and I immediately thought of Killer, idk something something about the despair of being stuck between a rock and a hard place etcetera etcetera (yes the comic that shows Killer to be in such a better place in life and show the hope he has, was inspired by crushing despair in actuality)

It made me wanna do something with Killer trying to call someone on a public phone, and so the first page came to be

Here’s the twist tho, I originally was gonna just make it into an artwork (yes, one single decision could’ve meant that comic wouldn’t have ever been made)

But a lil habit of mine is ask myself a shit ton of questions when it comes to my own artworks (it actually helps me turn what’s supposed to be artworks into comics), and that’s another way of how you can come up with comics, ask yourself questions, why is the character doing this? What are they doing? What if character did this? Etc

so I saw what was originally gonna be an artwork, and asked myself, who would Killer be calling if he ever did and why?

And the answer to those two questions that made sense to me most was Nightmare, but that led me to two more questions, when would Killer be calling Nightmare and for what?

And that led me to have a basic idea of how I wanted the comic to go

So it was basically like

Who would Killer be calling? Nightmare

Why would Killer be calling Nightmare if he ever did? That actually had different answers, to taunt him, to inform him of something, cause he misses Nightmare in his own fucked up way, etc

When would Killer be calling Nightmare? After he’s saved, or while still under him? After he’s saved makes more sense

What would Killer call Nightmare for? To give him an update about his life with Color

How would Killer be calling Nightmare? Through a public phone

Where would Killer be calling from? Somewhere in an AU in the surface

These six questions, what, why, when, who, where, how, are important to think of, they give you a basis to work on when it comes to comics in general

You don’t need to have a very clear answer to each of them to be able to work on a comic, but if you can at least answer 3 of them, that would give you enough information to work with in a comic

Now that I have a tiny bit of a clear idea about what I wanted to do (it doesn’t have to be perfect or completely concise) let’s talk about how you take these ideas out of your head and into paper

You can do that by imagining the dialogue in your head and then immediately putting it into paper, as I mentioned here, I actually struggle a lot with dialogue, art? No problem, I can easily imagine the art, but dialogue? It’s hell (please take the time to read the linked post, I talk in depth about how I handle dialogue)

That’s why you shouldn’t worry about perfection at this stage, just put every little piece of dialogue you imagine into paper, even if it feels like it makes no sense or is out of character, that’s something you can worry about later

Put in the dialogue, every little bit of it, and draw the panels that feels right for the dialogue

Here’s a little bit of example about what I mean when I say put the dialogue in then draw panels that make sense for it

This is a comic I plan on making, I actually drew that first panel as a stand alone artwork, then that inspired the dialogue, I wrote the dialogue down immediately, it’s a rough version of it, maybe I’ll keep it the same, maybe I’ll change it up as I work through the comic, but so far, I’m drawing the panels based on the dialogue so far, see what I mean by write the dialogue down? It helps IMMENSELY

It doesn’t have to be perfect and it certainly doesn’t have to be the final version, but writing it down will help you imagine the art that comes with it

Does that mean you can never start with the art then think of the dialogue? NO

You absolutely can start with the art for the comic first, in fact, sometimes, doing that actually helps you imagine the dialogue better, other times you can’t really think of a dialogue but have a very clear image in your head about certain character interactions, draw that it’s ok, silent comics focusing on character interaction, is a thing that you can do without worrying about dialogue

Now when it comes to the actual making of a comic, first tip is find your own footing when it comes to comic making

Like listen, people are gonna tell you that the correct thing to do is that you have to make thumbnails for the comic before you make the actual comic to make sure the flow is good and you have room for speech bubbles and what not

Here’s the thing, making thumbnails for your comic is a life saver, it’s great, if you can do that go for it! But for a person like me with little to no energy, I can’t do that without losing interest and immediately abandoning my comic, I can’t do that without becoming frustrated and hate art for it

That’s why I say find your footing, if making thumbnails before working on the actual pages works for you go for it! or you can immediately just work on the actual comic itself like I do, it’s all about what you’re comfortable with and what makes more sense to you

That being said, when it comes to the panels themselves, always aim for less panels and more pages than the other way around

Sometimes, emphasis on certain emotions or aspects of the comic can only be done with fewer panels

That’s why my own comics would sometimes have pages that are either one or two panels max

The less panels you have in a page, the more concise, clear, and easy to follow your comic is, one of the biggest mistakes I made as a beginner artist, is that I focused on cramping the story in as few pages as possible rather than focus on the clarity of the comic

Here’s an example

Good luck reading that dggxgdgdh

This is a very old comic I made back in 2018? 2019?, I wanted the comic to be one page so bad I cramped everything into it without thinking about the fact people are gonna have a very hard time reading it, like this easily could’ve been 3-5 pages but old me couldn’t imagine doing that many pages (if she could see me now with 15 pages comics dhhdhdg) not only that, but the panels’ arrangement makes 0 sense

So when you make your panels there are 2 things to keep in mind:

1- less panels and more pages = clear easy to follow comic, as well as a better emotional impact

2- panel arrangement has to make sense and should be easy to follow, you can make sure it’s easy to follow by reading your own comic over and over as you’re making it, if you find difficulty following the dialogue or art, then it’s best to refine, change or edit your panel or dialogue arrangement

Another thing to keep in mind when making the comic is the flow, the best way to go about making sure that the flow makes sense is by thinking of the comic as you would an animation, how did the character go from point A to point B?

For example this page

Killer clearly has a bit of a distance from Nightmare in the second panel, so how did Killer go from being at a distance (point A), to right in front of Nightmare in the last panel (point B)? That’s what the two panels in between the these two points are for, is to show you that 1- Nightmare is using his tentacle, and 2- that tentacle wrapped around Killer’s arm, the rest would easily be filled in by your brain that Nightmare basically pulled him closer

Now for the ending of a comic, not every comic has to have a clear ending where it marks the end of a story, but rather, you can go for whatever satisfies you as an ending, or keep an ending ambiguous or open, to expand on a comic later

I say that the perfect ending for a comic is what gets the point of a comic across, if the point is made, then it’s a good panel to end the comic with

Don’t be afraid to scarp any page or panels if they make the comic awkward or if they don’t make sense or if it seems out of character don’t hesitate to change, edit or completely delete it

An example is the “choice” comic, it actually originally was 4 pages, I just decided to scrap the last page cause of two reasons

1- it added nothing to the comic

2- it was out of character for Stage 2 Killer

My last advice is don’t force the process, sometimes, the best way to go about making comics is to make them on your own time and slowly, sometimes, you get stuck with certain things in the comic, other times, you need a bit to figure out how to proceed with the comic, completely normal in the process, that’s why it’s important to work on comics in a way that suits you, but you can’t find what suits you without trial and error, so go and test the waters, you can never learn until you practice it yourself

Good luck, hope this helps, lemme know if you need more clarification or help, i’d be happy to help where I can <333

[latteenightss]

Hii! Just another rant about obx. I wanna share my predictions about season 5 and what I think they’re gonna do

Chase Stokes (John B) mentioned that season 5 will be their best one, which it could be but I think for a lot of viewers just the fact that JJ won’t be there at all might ruin the season if yk what I mean.

And now to my predictions

1. I think season 5 will be Kiara’s season, with the way season 4 ended it’s obvious she’s gonna lash out and go through a lot. She’s gonna need to deal with grief and her revenge era might be a bit brutal 😊

Also maybe she will be somehow related to the treasure? Or just connected slightly. Like season 1 we had John B, season 2 it was Pope. Season 3 now- idk I guess Sarah but Kie also had a bigger role, like when that dude kidnapped her and then she got sent off to that camp but that’s it, then her plot line was about Jiara, and season 4 was obv JJ.

And since we’re talking about JJ, y’all.. ik it’s hard but he’s not coming back 😭 obx is not supernatural, a wish won’t bring him back to life. Like I don’t think JJ will crawl out of sand.

I generally love the idea of Kie finally having her main character moments and just making her more important to the story.

2. We will get Riara. And I definitely don’t mean that in a romantic way because that’s not happening! Madison (the actress of Kie) hates Riara 😭 but I think we will see them as duo and just get more of those tension scenes that we got so far. I feel like that might be a way the writers will try to “replace” Jiara. Jiara was a huge ad for the show and lately so has been Riara.

I feel like almost eveyone loves the tension between those two and the writers know that. Also Rafe breaking up with Sofia- yea they’re definitely building up to some sort of storyline with Kiara and Rafe. The amount of people obsessed with Riara is insane and obv they have to give us something so..

Riara s5 is pretty much guaranteed.

3. I wanna talk about Sarah and John B- obviously a huge plot line will be their child. I don’t know if the child will be born at the end or during season 5. How I see it, I’m leaning more toward the end but we’ll see.

There’s not much else that can really happen with them. John b will also be in a revenge era since his best friend was killed and Sarah will definitely get closer with Rafe, that hug they shared was so cute and needed but otherwise I really don’t know! I doubt they’ll kill them off. I was thinking that the way John B narrates obx maybe that’s him in the future telling his child about their story? That would make sense honestly.

4. Pope and Cleo umm so. I honestly am not as interested in their story line and it’s interesting because I have no idea what they will do with them.

I think Pope might be kind of more cold in season 5- as we know he shot a person right in the head, and he was so scared about that. Also he lost JJ- his best friend and they want to send him to the military. Dude is not doing the best! 💀

Cleo.. I don’t know she’s such a complicated character, she went through a lot in her life but I doubt they’ll really expand her character in season 5.

5. Rafe!!!! His character development this season was insane. In my opinion he should stick with the pogues but I wouldn’t be surprised if he somehow betrayed them. That’s Rafe- he’s not a good person but I wouldn’t say he’s necessarily bad..

Like I already said in obx 5 there will be Rafe and Kie duo, and more of Sarah and Rafe for sure. But maybe he will connect with the other pogues too.

I just don’t want the development to be thrown away, I hope they make him stick with the pogues.

6. And now finally the ending/possible deaths.

The characters who in my opinions are most in danger are: Kiara and Rafe

Especially Kiara.. here’s the thing, since JJ is dead and she already went through the whole group 😭 what can her ending actually be? Like ok she could just end up alone with her friends, her family but in my opinion her death would make sense. She would be with JJ and I think in general it is a good end for her.

Rafe like i mentioned is a complicated character, it would be so easy for the writers to just kill him off at the end. But I would be honestly so mad!!! Like no JJ and no Rafe 😭. Yeah I don’t want them to do that but at the same time, I think there’s definitely a possibility.

Sarah and John B definitely safe in my opinion.

Cleo and Pope- now I don’t know, I think they’re safe. Maybe Cleo.. but still I don’t think so.

Groff- definitely done for! ❤️ I hope Kiara tortures him to death 🥰

[meymey-draws]

It feels like my tastes smt makes sense, but at the same time doesnt😭😭😭

Normally, I'm more closed talking about rarepairs, but with Just Dance fandom I feel more idk, less anxious? I think you guys are that cool to make me comfortable talking about the ships that probably only me ships lol

Template made by @whenjustdancehitsdifferent go make their meme, I wanna see more rarepairs tbh haha

(I feel like Lilith and Alano arent that unpopular, but idk, I dont see many people talking about them lol I know shes just using him and prob still likes the spider lady but shhh)

[lena-in-her-mind-palace]

Comparing The Avengers to the Justice league but it's actually accurate

We're just gonna do the main ones because otherwise we'd be here forever

I'm also mainly using mcu characterizations because I'm not as familiar with Marvel comics as I am with DC

Iron Man - Batman

This one goes without saying

Tony is literally Batman and Brucie Wayne put together

Billionaire Playboy Philantropist Superhero who?

They both have ridiculous paranoia

They're rich orphans with British butler (or butler adjacent if we're talking about Jarvis)

Incredibly smart and know it

They both run multimillion dollar companies

and work to better the world both in and out of their super hero persona's

Thor - Aquaman

Non human royalty

friendly and funny

Both of them have a strong sense of duty and loyalty towards their people

They just don't get normal society a lot of the time

Also interwoven magic and science

and they both have really strong elementally based powers

plus a very specific weapon that is inherently associated with them

to be honest, I don't actually know much about aquaman but it feels right

Captain America - Wonder Woman

They are literally soldiers

They both fought in a world war

Also Diana's love intrest is literally a blonde soldier named Steve

Both of them have a strong sense of duty and moral obligation

They're also the most fond of proteges and younger heros

I'm sorry but Steve had no business being so nice to Peter during the airport battle

Dude you are literally fighting each other

Idk the military background makes them more similar in my opinion

also the fact that they're super behind on a lot of modern day stuff

Like everyone remembers Diana discovering ice cream don't we?

and grandpa steve my beloved

Hulk - Superman

okay this one was a little hard

at first I was gonna do Guy Gardner cuz green guy with anger issues. But Guy's kind of an asshole and Bruce is a sweetheart

so then I thought the Flash for the science but I don't think Bruce is into puns enough to match with either Barry or Wally

But Clark is perfect

Clark is a dork

But he is genuinely really intelligent

also they literally wear the same glasses

I think Clark and Bruce would get along really well

If you want to talk about the anger issues

Well

We've all scene Batman V. Superman

Tbh not my favorite version of superman

Clark is obviously not quite prone to rage

and it's definitely no where near hulk levels though

But when he's angry it gets destructive real fast

think about most of his fights with doomsday

Constantly worries about his own strength and hurting the people he loves

Which is a struggle both of them are characterized by

Black Widow - Orphan/Black Bat/Batgirl

okay I know cass isn't technically a member of the league

but hear me out

also I'm not actually sure which title is Cass's current one

anyways

both were raised from childhood to be a lethal weapon

and they truly are

they both have a major guilt complex over the lives they've taken

and that's one of the biggest factors for them becoming a hero

they joined the good guys to get out of the assassin lifestyle

Also dancing?

like the widows were trained in ballet since it was the red room's cover

and cass dances as an escape

I think it's poetic

Also they both are the owners of their family's shared braincell

Cass is like Natasha but younger really

Hawkeye - Green Arrow

so I know at first glance this seems obvious

yk skilled archer or whatever

but I wasn't exactly for it at first

I'm not really Green Arrow's biggest fan

But I've recently been reading Mia's run as speedy

and despite the vast, and I mean vast, difference in her back story with Kate

Their mentors are very similar with their proteges

like Oliver is just so soft with mia and it's adorable

not to mention neither wanted a protege at first and then they go and basically adopt them

literally in oliver's case

Also Ollie's into pranking as much as Clint is

And admittedly Oliver is just as strongly attached to his family as Clint is

if we ignore the thing with roy because wtf Oliver

Runner ups:

Thor and Wonder Woman: mythology and their whole fish-out-of-water-ness in modern society

Thor and Captain Marvel: again mythology, lightning powers, and also their childlike nature (literally in Billy's case)

Black Widow and Black Canary: badasses that keep the men on their team in line. need I say more?

Iron Man and Green Arrow: only thing that got me is that Ollie's not nearly smart enough to go toe to toe with Tony

Vision and Martian Manhunter: they can pass through walls and they just don't get humans

Scarlett Witch and Zatanna/ Dr Strange and Constantine: I don't think this requires elaboration

Winter Soldier and Jason Todd: fallen hero presumed dead starts working for the bad guys before switching back to the good guys

Bonus:

Spiderman and Dick!Robin

they're bendy

they love puns

they love swinging in the air

they're smart

they give their mentors high blood pressure

everyone loves them

they have a lot of grief

they have a thing for really smart, badass red heads

Ball of sunshine with ridiculous anger issues

also I think a meeting between Dick and Peter would be a disaster in the best way possible

[instressted]

more headcanons 🥰🥰 3/?

-because Theo’s a chimera, he heals slower but tans easier and Liam gets jealous (idk this makes sense in my head)

-because the hermit pack has no connection to Liam’s pack, I feel like that makes Theo take to them about Liam more easily

-they went to a photo booth and Theo folded it up so only his favorite square photo is showing and put it in his wallet that Liam got him for his birthday or Christmas or something (SCALLISON REFERENCE😫😫)

-Theo’s first week with Liam after the road trip is spent going shopping and furnishing his apartment. Liam gives him a spare mattress they have and they buy curtains and rugs and tables at like ikea or something

-Liam has strawberry sprinkle shampoo (saw this in a fic but I can’t remember!!! Credits to them)

-even though Theo doesn’t live in his truck anymore, he still keeps a pillow or two and a blanket for when him and Liam- A) go to idaho/on more roadtrips or B) if they just sit at the edge of the preserve in the bed of the truck

-Liam’s nightmares are about his dad and not being able to save the people he loves

-ok I don’t want this to be like that slideshow that people made fun of on TikTok about like zootopia headcsnons or something and the first slide was wholesome and the second slide was like “oh he wants to kill himself”, BUTTTT in my head Liam was abused BAD by his dad when he was younger (like 6-14… or is that not realistic IDKKK)

Which is one of the main reasons he is so ashamed of his IED because his dad had it and would yk like hurt him and Jenna

So if it’s ever brought up Liam will like act like it was nothing because idk in my head he’s such like a bubbly person who had something SO traumatic to him so I just think he wouldn’t switch to depressed so quickly, and instead try to keep up his everything’s fine image

Guys sorry that was sad

[minniestarmj]

Random LaDS thoughts I had: what do you guys think the boys thoughts are on mint chocolate ice cream and Sriracha ice cream?

I think Xavier would like Sriracha, and is ok with mint chocolate but isn't a fan.

Raf is a mint chocolate HATER like this man is going to fight you. Less so with Sriracha but doesn't get it. Tried it once and made a face.

Zayne seems like he's the opposite and actually likes mint chocolate (idk if it's cause his personality itself screams mint chocolate to me) but does not get why you would "ruin ice cream with Sriracha"

Sylus...always talks about being adventurous with cuisine so I feel like he'd like the novelty of both. Neither are his favorite but he likes them better than some of the more ordinary flavors cause he's weird like that. Like mint for the summer and sriracha in the winter.

Sorry if this makes no sense lol but please do leave thoughts I'm invested

[wundrousarts]

I wonder what sort of role the members of 919 will be fulfilling in later books. Currently I'm thinking of Mahir, and how his linguist abilities might help with the mystery in Silverborn- maybe he might use his abilities to translate a message of some sort? I don't even know, I'm just excited to see more of the other members.

There is an interview or Q&A SOMEWHERE where Jess talks about how each book sort of focuses on or highlights a different 919 member. I feel like Wundersmith was Lam and Hollowpox was Anah.

I want to say that Silverborn will focus on Hawthorne since we know it’s going to explore the dragonriding world more, but I have two concerns:

1. The “HAWTHORNE??!?” redacted message makes me think something is going to happen to him, and some of the Neverfour emojis are giving hospital and “get well soon” vibes so he might be injured and I don’t know how much he’ll be around. He’s still going to feature somewhat we know though, because Jess mentioned how he was the funniest character to write for the book. His personal knowledgeof the dragonriding world might also be helpful if the “murder mystery” happens at a dragonriding tournament, which I think it will.

2. In the same vein, we know that Mog and Cadence “spend quite a lot of time together in this one out of necessity of the things that are happening in the book”. I am thinking that this means that they will be detectives together, investigating the mystery (mysteries!). If Hawthorne is out for the count, it makes sense that Mog would turn to Cadence for help.

So I don’t know who Silverborn will focus on and I am ready to be surprised. Same for all of the future books!

One idea for Mahir specifically could be related to that part in Hollowpox where Squall hijacks Mog’s powers and she finds it weird to “listen to her own voice speaking in tones and languages she’d never heard before”. IDK what that’s all about but as Mog continues her Wundersmith journey I think that is totally something Mahir can help her out with!

[folkdances]

my opinions on the sexualities of (nearly) every single main aa character and some side characters also

mia fey: bi

phoenix wright: bi

larry butz: straight. he tried to go gay it just didn't work 😢

winston and gaspen payne: straight

maya fey: in my heart she's a lesbian. textually? idk. i will say dubiously lesbian because she said regina berry was cute but most likely i think she is aroace

dick gumshoe: straight but he has fooled around with men before, he just doesn't take it seriously. like he doesn't mind banging boots with men but when he pictures a future he has a wife

miles edgeworth: do i even have to say it. gay

will powers: straight and transfem.

dee vasquez: gumshoe situation where she's straight but i know she has gone down on a girl at least once in her life

lotta hart: straight

gregory edgeworth: he's like a spore to me. asexual reproduction. he cut his fingernails one day and the next a baby had spawned into being. but like straight i guess

manfred von karma: straight. his earring doesn't fool ME!

ema skye: lesbian and ace she will have sex every now and again but mostly out of curiosity whenever she forgets what it feels like

lana skye: lesbian.

angel starr: bi

jake marshall: straight

damon gant: gay

maggey byrde: straight but in a larry way. she tried going gay and it didn't work. her and gumshoe are like schrodinger's bi couple

morgan fey: straight but perhaps a lesbian in another life

mimi miney: lesbian but in a tiktok astrology sapphic way

franziska von karma: she thinks she's straight for a while but she is a butch lesbian (butch in the gender identity sense as well)

matt engarde: gay

adrian andrews: straight. sorry.

dahlia hawthorne: EXTREMELY loaded opinion here. i will say straight but in a very complicated 'there's more important and weird stuff going on' kind of way so no way to really know

ron and desiree delite: straight

diego armando: straight but i do think he thinks about it in prison

viola cadaverini: lesbian idgaf

iris hawthorne: straight but she fools around a little after prison at phoenix's insistence (they are friends don't test me) and changes her mind

kristoph gavin: gay

olga orly: lesbian. what else was i supposed to make of the nickname 'quick-fingers'.

apollo justice: gay and transmasc (the voice training? hello.)

trucy wright: another loaded bomb. i will say aroace but with a lot of weird pseudo comphet stuff happening where she knows she doesn't like boys but she's been acting for long enough that she's semi-convinced herself. she'll figure it out one day

wocky kitaki: straight and he gets really offended if you suggest he's gay but he has thought about it at night

klavier gavin: bi and cis but he goes by she/him pronouns

juniper woods: beat me and take my blood but straight

athena cykes: lesbian and ace. she did have a crush on juniper

simon blackquill: straight until he gets out of prison and edgeworth is his gay awakening. he doesn't really care that much though. probably aro as well

aura blackquill: lesbian. like textually

pearl fey: straight

nahyuta sahdmadhi: straight and cis

dhurke sahdmadhi: bi.

rhoda teneiro: straight

kay faraday: lesbian and nonbinary also

shi-long lang: he doesn't care that much probably bi though

tyrell badd: straight but one day he gets asked if he's gay and he sticks his lollipop in his mouth for a long time before saying "... who hasn't had ... gay thoughts?" and it's never brought up again.

raymond shields: straight

justine courtney: straight

sebastian debeste: straight and transfem but she only figures that out a few years after aai2

abstaining from commenting on bronco knight and simeon saint. for now

[bisnes-socks]

i said i might do more in depth thoughts of stephanie and so i did.

the first post was a bit rushed but many of the points very much still stand, this post i guess is just trying to make the same points a bit better and deeper. so idk how much of a musical analysis this is, and how much i'm just trying to put vibes and feelings into words, but here goes.

i said in the first post how i like that the structure isn't the usual verse chorus verse chorus - well, actually it kind of is that, but the chorus doesn't feel like an obvious chorus, because they only play it twice and it's not the same those times. there is almost a pre-chorus like feeling to it, and then the song ends in what could have been a bridge, if the song was longer. this song to me feels like a part of something bigger, and that's why i'm super excited to hear in the context of the full album. with that being said, i still think it works super well on its own as well, i really love the vibes.

the early 2000's brit rock and indie rock influence, such as arctic monkeys or black kids, is still quite obvious to me, but so is the 80's influence as well, like orchestral manoeuvers in the dark was the first one that came to my mind. then again, the 80's influence on early 2000's brit rock and indie rock in general is also pretty obvious, so i think influences in music in general should always be seen as a spectrum, rather than fixed, separate points. everything is always influenced by things that came before it, and what we can name as an influence on something will always depend on where we've heard a specific style or flavour or spice in music first.

it's a different sound than what we've heard from them before. i don't know if this makes any sense to anyone other than myself, but to me, the sound on this song is the sound of a collective more than the sound of the band. what i mean by that is that there are so many elements in the song that are not straight forward band instruments, or instruments that are in their usual line up. this sound is produced by five professinal musicians working as a collective, rather than five band members playing their respective instruments simultaniously. does that make any sense? i don't know, but it's how i feel - like there could be more people on this song than there are. but i think the best songs always do sound like all of the people who made it, not just one or two.

like i said in my first post, the drums are super interesting in this one. the drum machineness of it all, the super 80's style drum fills, the percussive details of little pings and pangs that decorate the track, that's all something that hasn't been super typical in pop or rock music recently, and harkens back to the 70's, 80's and also the early 2000's indie scene. it's super interesting to listen to, and i can genuenly recommend taking the time to listen to the track a couple of times focusing on just the drums and percussion.

in fact, i'd recommend listening to the track (this track and honestly just songs in general) several times, always choosing a different instrument or element to focus on, because there is a lot of cool stuff going on in this song! vocals and lyrics often take the main focus, but i always find it worth it to carefully listen beyond the lyrics.

the drum parts are also just genuenly fun. the drums and the bass make it a very dancable song, which again, it's both very 80's and very early 2000's to make super bop-y, dancable songs with sad or dark lyrics. the contrast is quite yummy to me. it also brings a vibe to the song i really really love. it reminds me of a quote about movies, about how drama movies should always have a little bit of comedy in them, because that's how real life is. there is always always both light and dark, sadness and happiness present in everything. crying and laughing all at once. that's the vibe of the song to me, and it's brilliant.

the song has so many layers to it, it's honestly brilliantly mixed: there's something happening in almost every direction, every distance, so to speak. and so many different synth sounds! sharp strikes here, notes held there, runs here, backround walls there. take a moment to find them all, it's super rewarding and again, genuenly fun!

the vocal delivery is also a cool contrast with the musical aspects. the voice doesn't convey a lot of emotion, on purpose i think. he sounds a bit numb and detached, and the music being so whimsical with all of its details and decorations, it's just a really cool juxtaposition.

and at the end, repeating the lines about love and happiness not being built for people like me, with the guitar playing the same melody, when the vocal line and the guitar line go out of sync and he starts repeating the lines to a different rythm, i think it highlights the juxtaposition even more, it's like.. it's like he's not even listening to the whimsy of the music anymore, but getting carried away in his own head by the lines. and repeating them in an almost monotoe way.. i just think it's a brilliant way to deliver the emotion behind the lyric.

but the song ends in the major key whimsical runs on the keyboard with a very fun percussion rythm, and so i think ultimately the mood left behind by the song is quite positive. it's melancholic sure, a bit angsty yes, but at the same time it's not a depressing feeling. 

like i don't know how else to put it, but the whole song is like. everything is going to shit in your life, but you're on a walk and the leaves are super pretty colours and the weather is just perfect, and you breathe in fresh air and it's like. yeah everything is kinda fucked but right in this moment, right at this minute, it's all kind of.. okay. and for a split second you can imagine a future where things are less shit. where maybe happiness and love are built for people like you.

[davrinassan]

what is your onion of the taash questline if you are comfortable sharing?

ok so ive found out i actually havent finished the ENTIRE questline. just the main part of it, i think ? i finished up to taash's mother dying .

so... i

i rate it poorly. i need like more time.. to digest it . i also.. have a very hard time with this because while i am nonbinary i am just a white british person . i dont have a mixed heritage or culture . i am just white british and not even a cool british like gaelic i am English ...... as plain boring white bread as u can get.

so commentin on the heritage vs culture choice u are given is hard for me beyond that it makes me feel uncomfortable to have to pick for someone. that is not my place. it feels very wrong of me to have this power over someone . when i first was given a choice i said embrace being multicultural. cuz like that feels.. obvious. its beautiful to come from multiple cultures and being pieces of them . thats so cool and awesome to me. and then being forced to pick was so not cool and very not awesome.

in terms of the nonbinary stuff ... the more it got mentioned and brought up the more i disliked it. i don't know how much people will agree with me here so bare with me. it felt very on the nose, unnatural, even the word nonbinary didnt seem like it fit. i feel like they were lazy. i feel like they should have made a new word , maybe even a new concept , to work within the dragon age setting. that maybe was specific to rivaini culture that taash heard from another lord of fortune and it felt right . idk. they could have integrated it better to the world of thedas. i felt.. pandered to . i felt like they were saying hey look, hey. hey thats you right. doesnt this make u feel seen and happy . please ignore the weird racism and focus on this

i could have loved taash i think. but i don't. i barely like taash. i feel like taash is a scapegoat. a mouthpiece. that sometimes taash says and does things that don't feel natural to the character cuz taash isnt talking, bioware is. this gets even worse when you take into account lord of fortune things like selling back cultural artifacts to the people they belong to and bioware going "dw its ethical and ok! trust us!" but they have taash say it and it feels wrong, off and weird. like.. out of character? idk it's strange.

taash is a strange character. i dont think bioware actually respected them as much ... i think they used bioware to push this weird anti qunari narrative and to pander to queer people while being weird and racist and idk. idkdidkdikdksoldfgjzsdlff

i need someone who isnt white and who is smarter than me and better at articulating than me to write a think piece on this. while i am the right person for the nonbinary stuff. theres pieces here i am not the right person for. and i dont wanna speak over anyone. or be the voice for anyone when i shouldnt be. but i will say ...

if i can see how gross this shit comes across , how on earth are the people of colour who are actually effected by this bullshit feeling? they shouldnt be exposed to this bullshit . bioware should do better. hire some diverse writers man . get ur shit checked and looked over by poc before u push it out. ur game shouldnt be hurting minorities . they deserve better than this shit STILL happening . ive got too many friends and mutuals pained over taashs story and angry about it. that aint right. it just aint right man

and yeah like i said i havent 100% finished it, it seems, but i dont see the majority of this changing or any of it . i am uhh "burnt" as it were, i do not think bioware can fix this feeling inside of me

this got rambly i hope it makes sense