#idk if these only make sense to me

[icandoitwithabrokenheart]

Mine // Electric Touch (feat. Fall Out Boy) // Foolish One // Timeless

Speak Now (Taylor's Version) (2023)

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[spoopdeedoop]

king and harbinger, old and young

[mohntilyet]

illario as the grandchild that is most like caterina is something i'm loving to chew on. the grandson that took her lessons to heart the most. kill anyone who sees your face and knows your name, "we are not revolutionaries", the first out of the two to prioritise the contract. power at any cost, and the only one to lean into the unnecessary abuse that their grandmother told them was tradition. why is anyone surprised he allied with the venatori? and then there's illario's considerable skill in infiltration and manipulating any mark, he has always had the charisma that lucanis lacked. illario isn't attached, he has/can/will use someone and immediately drop them; "that does free me from promises i don't intend to keep". he can lie about how much he cares so well that he fools a magister into believing he loves her. he kills zara without hesitation to cover his own tracks, meanwhile lucanis blindly promises a young girl in the middle of a siege that he will help her find her father. even the lessons about family stick with him, and in this entire messy power struggle, he never actually orders anyone to directly kill caterina or lucanis, not until he's backed into a corner.

and even after all that. despite even lucanis believing illario should be first talon, lucanis is still the better killer. illario is not strong enough to be the brutal assassin caterina needs him to be. so when lucanis seems to fill the role his mother left, grief and love for her dead heir apparent remains, and any of the other qualities caterina needs in her next talon doesn't matter. whatever his mother was, lucanis has to be. what illario does doesn't matter, because he will always be second best to caterina's memory of her favored daughter.

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[night-creeps]

I feel like a lot of mouthwashing fans forget that murder is a bad thing.

Like those who have their good end is swansea killing jimmy before daisuke and anya die. Yes that would be a good ending but none of them WANT to escalate to murder! That's WHY it gets so bad! They're stuck together, but for most of the game anya is the only one who has a valid reason to want to kill jimmy but she doesn't want to be a murderer. Even swansea only escalates to prevent daisuke from being in pain.

Anya and curly are the only ones who worry about jimmy lashing out, swansea probably does have a sense after anya confides in swansea.

We as the audience have the knowledge of how unstable jimmy is because of the dramatic irony that comes from changing pov characters.

Curly is maybe the only one who could have stopped jimmy after the crash, but he's the only one physically incapable of sharing or acting on that.

Swansea probably had a bad feeling about jimmy after the crash, which is why he hides the working cryopod. He knew that information could be dangerous and lead to infighting so he made sure no one else knew.

As much as all of the characters are flawed, and make bad decisions, they are still all believably human characters.

More praise needs to be given to narratives that prioritize believable characters over 'perfect' endings. Mouthwashing is one of those stories where it couldn't have gone any other way.

[m00nbuggies]

the second parkciv movie except it has nothing to do with parkour or minecraft and its just evbo and seawatt being forced to work on a project together

[haveihitanerve]

batman has trouble telling his family how he feels. So he decides he can write it down in a journal or leave them notes. It's easy to write down the words than say them because the words he wants to say always get lost in translation when he opens his mouth. Dickie when he was robin has a whole box filled with notes from Bruce. Turns out batman can be funny when he writes his thoughts down. Jason writes back to Bruce just as sassy.

i love this

With Dick, the first note appeared after the first fight. A nasty fight, where Dick had screamed

"YOU'RE NOT MY DAD, WHY DO YOU EVEN CARE, I DON'T HAVE TO LISTEN TO YOU!!!!"

Bruce had gone quiet after the words, and isolated himself away. Dick had felt crummy afterwards, but there wasn't much to do about it, Bruce wasn't around to apologize to and... well, it was true. The screams had just been... inner thoughts he hadn't voiced.

Bruce knew it too. And, it shouldn't have to be up to Dick to make amends. So he withdrew to his office, locked it tight, so that he wouldn't say words he'd regret and make things worse with Dick.

The first few drafts... were hard. But Bruce found his rhythm, and it was so much better. He could erase and start again, and reword, and clear up any parts that weren't clear. He could be concise, precise, honest and literate, he didn't have to stumble and rip his way through an uncomfortable conversation where he'd make things worse.

Dick found the note later that night, laying on his pillow, three pages worth of words that told him he was loved, whether or not he wanted Bruce to be his dad, he could just remain a friend, a brother if he wanted, and that he cared, even if it wasn't always shown, even if it wasn't as a father.

Bruce established boundaries, and apologized too, because it was needed, and it was so much easier to say what he needed to through written words, instead of admitting them aloud. Maybe it made him a coward, it made him a coward, but the next morning Dick hugged him and apologized back, so it worked.

The notes became frequent from then on, usually after fights, or misunderstandings, and Dick understood the need, knew that Bruce wasn't as able to concisely share his thoughts and formulate them as well on the spot aloud, so he let it happen, but soon they became more commonplace, left on chimneys on patrol for Dick to find, little love notes and encouraging words that Bruce became better at saying aloud too.

Dick kept each one, tucking them safely into his belt, and kept them in a box in his closet, one he had made at school with Bruce during a parent-child fun day, and pulled them out to read every so often, when things between them got hard.

The box moved with him, stuffed in the closet at Bludhaven, and postage was expensive, travel even more so, but Bruce still sent him letters, apologies Dick didn't open, notes taped to his window he tossed away (still into a pile he never threw out, but never read either).

When things got better, Dick would read the notes, but he never touched the letters from before, because for once he needed the words from Bruce's lips, and he had liked Bruce's stumbling, his faltering and chagrin, and did not want to read his well thought out, thorough one instead. He still kept the notes, of course.

With Barbara.... Bruce didn't have a claim to her. She wasn't his daughter. She wasn't looking for a father. She wasn't, quite honestly, even looking for a mentor. But she found one in him anyway, whether either of them liked it or not.

But Bruce still sent her notes. Little letters, facts, information, telling her through a note was easier than in person. Because then he could lay it all out, and maybe she'd see something he'd missed. Because she always did. She completed him, in a way none of the other did. In a way even Dick didn't. But, then again, they all completed him in different ways. Hers was just more noticeable.

After Joker... every day he wrote to her, flooding her phone with messages, her laptop with emails, her room with cards and flowers and notes.

And when she moved to the Clock Tower it didn't stop, maybe slowed a little, became smaller in quantity, but he always sent her something. Let her check over his work, proofread anything and everything. His fresh set of eyes.

She wrote back, sometimes. But she was more like Dick in that regard, choosing to answer his messages verbally rather than write back. She did have the perfect time to do it too, and she always had something to say.

Barbara never struggled with her words the way he did. And he appreciated it. Loved it, even. Even if it usually didn't mean anything good for him...

With Jason... Bruce hadn't done it, originally, because Jason was just so bright, and understood, and didn't need the words because he heard them because Bruce was better, all the mistakes he'd made with Dick cleaned up a bit.

But Jason needed the words, and he had such a spark, so Bruce began writing again, sliding notes under his son's door and leaving them taped around the house, or on patrol. And Jason, Jason wrote back.

Little witty notes, marked up Bruce letters with grammar corrections, book recommendations, questions about what they were eating for dinner, or little stories, scrawled in the margins of notebook paper, stuck to Bruce's cape, or on his pillow, or taped to his mirror.

Bruce still wrote the letters, left them in Jason's room, after his death. Red Hood never mentioned it, but after a trip to the manor to "haunt" them, he became a little less violent.

With Tim, Bruce was ashamed to admit, he just didn't care. He didn't care that Tim winced at his words, he didn't care if he was misunderstood, he didn't care if he neglected the boy.

And it hurt, Bruce knew it hurt him, but he just didn't care, couldn't bring himself to, not when Tim was so much like the boy he'd lost, not when Tim was so different.

But Tim started writing letters, originally just for himself, begging for affection, begging for his parents to love him, begging for Bruce to notice him. Then the notes got angry, rants, screaming, slashes across the page, pencil marks that tore paper and dug groves into the table.

He kept them all to himself, waded up in the corner of his room, but Bruce found them, found them all, and he hated himself, hated the Drakes, but he couldn't even fault them because he, oh he was much worse. (no he wasn't the Drakes owed Tim love and affection those were his parents and a child deserves that from his parents Bruce tech didn't owe him anything but shiii he was awful and-)

So Bruce started writing again, answering all of Tim's pleas, cataloging every single movement and jump and case and file and everything Tim had ever done right and congratulating him, giving him pride Bruce wasn't even sure he was allowed to give anymore, and he apologized, begged for forgiveness, for a chance to start over, because he was better now, Tim had made him better, and he wanted... he wanted to be better. For Tim.

In the end the note was twenty three pages long, and ended with the simple phrase, "I love you, you are my Robin, and I'm so sorry"

Tim was at school, so Bruce left it on his bed, and shut himself away in the cave until he got home. He always stopped by his room first, tidying everything up, because he was only a "guest" and all, before heading down to the cave.

Bruce waited for two hours. When Tim finally came into the cave, his eyes were red, tears still falling down his face.

"Oh Timmy," Bruce breathed. "I'm so so sorry." Tim walked to him, and collapsed in his arms.

And from then on, things were better. Not perfect, nothing to do with Bruce's personal life was perfect, but it was better. It was good. And Bruce started sending notes. Slowly, they turned from letters into emails, into texts and shared google docs. So Tim would have evidence in his favored form, of Bruce's love.

With Stephanie... things were different. She didn't live at the manor. She had a father, albeit a bad one, and Bruce didn't want to give her another one of those.

But he still left her notes, information, or clues, things that gave her autonomy for a bit, let her work still "alone" as Spoiler, but kept her connected to him. To Robin. And when she died...

Bruce gave every letter to Leslie. Not because he knew, exactly, but because he knew she was closer to Stephanie, and he couldn't have them at home. Couldn't look at them.

Leslie gave every one to Steph. Who read them. Sometimes. Enough times that when she came back, she wasn't as hard on Bruce. Enough times that she let him hug her. And came over for dinner. And never regretted being Robin. Enough times to admit she loved him too. And that he would never be her father. Because at his core, he was a good person, and Arthur Brown was not that.

With Cassandra, Bruce didn't write letters. Not only because Cass couldn't read, but because she could read him. And no words were necessary. For once, he could love someone in silence.

With Damian, words came easier, somehow. Maybe because Damian needed words, needed the commands to be spoken aloud, needed the reprimand or the praise. He needed the tone, couldn't weed it out of what Bruce had written like the others, needed the verbal confirmation or denial.

Bruce needed the words to. To tell his son it was alright to mess up, to make mistakes. He needed to words to reassure his son that harsh language was the extent of what he was going to get. That punishment wasn't physical in their world. In his home.

He wrote Damian letters too, of course, in the case his youngest might feel excluded, but usually only at special occasions, a card for his birthday, or a quick poem to brighten his day.

And words... words came easier now. After so many. It was easier to tell Damian what he needed, aloud as well as on paper. It was easier to speak, to not stumble over his words, to praise and apologize. A good thing too, because Damian needed it. And maybe... maybe Bruce did too.

[ohitslen]

*Vampirizes your Vashwood*

keep reading for more :)

If there needs to be much closer close-up please let me know!

[hoofpeet]

Cleanup <3

[dairyfairyy]

20 years isn't that old.

18 (and 1/2) is only two years less than 20. At eighteen, Two-bit lived in his laughs and jokes as the world around him deteriorated. The two kids he once babysat would be torn apart. He would say his goodbyes to one without knowing it, leaving the other dead inside.

17 is three years younger than 20. Dallas Winston and Steve Randle would have been in their last two years in high school. The two, instead of worrying about their futures, were forced to run, both taught how to keep their hands visible and keep their heads low when sirens passed by them on the street.

16 is four years younger than 20. Johnny Cade and Sodapop Curtis, the second youngest group in the gang. One dead in an attempt of being a hero, the other working to the bone to be the other pillar of support to help sustain a household. Sixteen is much closer to twenty, but still not far from ten.

14 is six years younger than 20. Ponyboy Curtis, not even fourteen for over two months, living through the unthinkable. Nearly burned alive, five people dead in less than a year, all but forcing him to live a nightmare.

20 isn't far off from 18. 18 isn't far off from 17. 17 isn't far off from 16. 16 isn't far off from 14. 14 isn't far off from 20.

Darrel Shaynne Curtis Jr. was 20 years old.

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[suburbonlegends]

I know it's like a major point of the show, but I truly love how much Peter makes sure Neal knows that he cares about him. He even tells Neal I am scared and worry about you when you're undercover. Please remember this, and I'm pretty sure he does this more than once but I'm thinking specifically of 2x04. Like it's not hinted or alluded too, it's not subtext or implied, the writers never shy away from Peter expressing his feelings towards Neal.

[bochedogmeat]

Ok so basically. What if mouthwashing took place in 1917. What if this ragtag platoon got trapped in a mountain bunker that SOMEBODY blew up on the Ypres frontline. Is this thing on

[storytellering]

Torn apart. Inspired by Romeo and Juliet by Sergio Cupido

[thekhaninglass]

The truth - as we have painstakingly established across the previous chapters - is this. There is no idea so grand that it may not be murdered one day in the slumber of its own complacence.

There is no tool which may not be repurposed, no meaning which will not turn to nonsense - given time.

Time is the cruellest and the kindest deity, for it mocks those who seek to triumph from it; for it suffers no power, humours no tyrant; it topples every great justice, dismembers reason, rots progress, forgets the stories we laid down at its feet.

@thesiltverses - Chapter 41