#idk if ill post more or anything

[035kg]

2024 bodychecks

[nabaath-areng]

I have this one "OC" that does not yet have a name that I've drawn several times for a couple years. I was thinking that if I tried making them in FFXIV that I'd use elezen as a base... but then I remembered what other race have their near exact hairstyle... and now I'm like damn... I played myself...

[cozylittleartblog]

a little Postlet. . because i Miss them

[al-luviec]

something simple to try to get out of art block (it didn't work)

[pkmoth]

ohhh my GOD this took so much time but WOOOO BATTLE SPRITES!!!!!!!!!!! HELL YES!!!!!!!!!!! i was Also able to mod them actually In Game which is SO exciting i feel so proud of myself

ANYWAYS UM!!!! heres king lucas hes fine and sane and normal i promise <33333 will yap more about him in the eventual au masterpost once i get this aus loop design drawn :]

party menu | in love and time au tag

[paint-it-dead]

-"Start Here" by Caitlyn Siehl

[wuntrum]

the waiting in my life has gotten to the point where i started looking at masters programs today

[anoant-haikyuu-dump]

Quick fic about Kenma and Fukunaga rooming together in college! 

Roughly 2300 words, Kenma POV, platonic, basically Fukunaga being odd and Kenma dealing with that. 

*Sidenote: i know roommate/dorm culture isn't the same in Japan as it is in the US but just suspend your disbelief lol

------

Kenma had no idea what to expect when he agreed to room with Fukunaga in their freshman year of university. Sure, the two had spent the better part of three years together— suffer through enough early-morning practices, grueling training camps, and endless bus rides with a guy and you come out the other side soul-bonded whether you like it or not. What truly solidified their bond was their third year. With Kuroo off to college and Hinata a whole prefecture away Kenma was practically forced to hang out with his fellow second-now-third years lest he fall back into the arms of his old hermit lifestyle, and as tempting as that was he promised Kuroo he’d leave the house more than once a month. Stupid childhood friends being concerned about your mental well-being. 

Although first-year Kenma would shudder at the thought of wasting all his free time on a weirdo like Fukunaga, much less Tora, it wasn’t nearly as miserable as he’d dreaded. The two were freaks— loud, obnoxious, guts-obsessed freaks in a certain ace’s case— but overtime he’d grown accustomed to their quirks. Those were his captains; they’d joined the club together, grown together, gone to nationals together. Laughed at Tora when he tangled himself in the net together (minus Tora, he was pissed). It’d be a lie to claim they didn't worm their way into his heart like the persistent little parasites they were. Those freaks were his friends, Kenma begrudgingly came to accept. Yes, even Tora. Besides, what other option did he have? Lev? He didn’t hate himself that much.

All that’s to say Kenma and Fukunaga were close. Tight, even. Enough for Fukunaga to know where the Kozume’s hid their spare key under a rock in the garden (though that was Kuroo’s fault for snitching). But three years of friendship and easy-access to one’s house doesn't instantly unlock all the mysteries of a person. Especially when that person is a complete and utter enigma like Shouhei Fukunga. 

This was proven not even a week into their first semester. Kenma had just finished a business class, which he’d spent pretending to take notes on his laptop while actually grinding away at some RPG from his steam library. He was expecting Fukunaga to be home since he didn't have class till the afternoon. 

He wasn’t expecting the unicycle. 

Where he got the thing was beyond Kenma, as was the way he effortlessly navigated their shoebox dorm without ramming into a single piece of furniture. It was honestly more impressive than surprising— Kenma wondered when he learned, how, why, before remembering who he was talking about. Fukunaga doing weird shit without explanation. Fork found in kitchen. Kenma had more important things to worry about, ignoring lectures on marketing management or whatever was a full-time job and he wanted to lie down. 

“I’m back.” He said with a yawn, kicking off his shoes as he shuffled over to his bed. 

“Hey.” Fukunaga replied. No acknowledgement of the situation, not that he expected any. 

Kenma got nice and cozy under the covers, then pulled out his computer to continue his game. He’d finished most of it while his professor was rambling on about how “this is going to be on the exam, blah blah blah” but he wanted to 100% it. Nothing better than an afternoon of achievement hunting. He spent a good 10 minutes combing through a dungeon in search of a secret boss, but for some reason he just couldn’t get into the zone. Probably had something to do with, oh you know, the whole-ass circus routine playing out not even five-feet away. He sighed and shut his laptop. Fine, he’ll bite. “What are you doing?” 

“Practicing.” A man of many words. 

He was tempted to ask “What for?” but knew that would only create more questions. Instead he called, “Know any tricks?” Without missing a beat Fukunaga reached into his hoodie pocket, whipped out three plastic balls, and started juggling. Figures.

Kenma sat there watching for god knows how long, long enough that Fukunaga had to hop down to get ready for class. He stuffed the unicycle under his bed, answering Kenma’s question of where he stored the thing, but creating the new question of what other garbage he had hidden down there. A secret for another day. With a classic “See ya later Alligator.” Fukunaga headed out, leaving Kenma alone with his thoughts. It was only then that it fully sunk-in— he’d just wasted the past few hours watching his roommate unicycle around their room like a clown-in-training and he didn’t even realize. Should he be pissed? Impressed that Fukunaga managed to hold his attention for so long? (some of those tricks were seriously complex). It wasn’t exactly the most productive use of an afternoon, but then again was he ever productive? Games, unicycling roommates, who’s to say what constitutes a good use of time? He figured a little change of pace wouldn’t kill him. 

---

The rest of the semester went on much like that, always something going on. One day Kenma came home to at least five kittens scampering around their dorm. All pets minus service animals were strictly off-limits so he wasn’t sure how Fuku,naga got them past security, nor how they vanished the next day without a trace. Another time he got super into chinese yoyo and nearly broke the overhead light with a misplaced throw. After that he got into regular yoyo and nearly broke a lamp.

A common Fukunaga-ism was for him to stop by random flea markets and buy whatever knick-knacks he could find. Because of that his side of the room was constantly cycling decor. Take, for instance, the inflatable tube man taped to the ceiling that always freaked Kenma out at night, or the kiddie pool in the corner full of ball pit balls from a kids’ center that’d shut down. Most of his purchases were bought purely based on their potential for puns, of which Fukunaga had plenty. Kenma always knew when he’d thought of a new one cause he’d silently giggle to himself in that way that makes him look like a chipmunk. Sometimes Kenma would ask to hear them, he’s always found Fukunaga funny. If he ever makes it as a big comedian Kenma’s taking credit for being the first person to tell him that. 

To put a long story short, rooming with Fukunaga was like living in a sitcom, except the writers ran out of normal scenarios six seasons ago and had resorted to throwing the most outlandish shit at the wall to see what stuck. The most surprising part?  Kenma didn’t even mind. It was a lot, yeah, but Fukunaga never dragged him into his shenanigans or invaded his space. Honestly the most annoying thing he did was invite Tora over, who was 10x more annoying than whatever new hobby Fukunaga had adopted for the week. Plus, it’s not like Kenma was the greatest roommate either. He was getting into streaming around this time so it wasn’t rare to find him shouting at his monitor past 4am or hogging 90% of the room’s outlets. Together they were the most dysfunctionally-functional duo in the building, and an infamous one at that.  

---

Kenma and Fukunaga were not popular among their floormates. They weren’t hated per say but if everyone else had to vote on a pair to banish from the building Kenma had a sneaking suspicion they’d be first in line. One reason for this was Kenma’s aforementioned streaming— Fukunaga didn’t mind the late-night noise but their neighbors weren’t too keen. The second reason was the unmistakeable stench that wafted from their room any time Fukunaga pulled out his little instant pot to make dinner. Kenma couldn't blame him, personally he’d rather knaw on uncooked blocks of ramen for every meal than step foot in their university’s dining hall. If it wasn’t for his streaming career taking off Kenma would be drowning in debt from all his food delivery fees. And to be fair the smell wasn’t always bad, Fukunaga was phenomenal at cooking after all. As a part-time chef he knew his stuff. The problem was his favorite foods. Octopus. Squid. Dousing everything in fish sauce. Their dorm might as well have been a seafood market. It didn’t help that Fukunaga always went way overboard— no hot pockets or box mac and cheese here, he had every prohibited appliance under the sun from a hot pot to a griddle to a waffle maker. Air fryer salmon doesn’t smell like roses. 

Kenma had never been the biggest eater. In highschool Kuroo always bothered him about that— skipping lunch isn’t healthy Kenma, you have to eat vegetables Kenma, three mints and a granola bar doesn’t count as dinner Kemna. It was annoying sometimes, especially at training camp when Bokuto got involved, but it was nice to know they cared. When Kuroo left for university the role of “Kenma’s feeder” was taken up by Tora (“OI KENMA, IF YOU DON’T EAT YOU’LL COLLAPSE ON COURT AND WE WON'T MAKE IT TO NATIONALS! THAT PLATE BETTER BE EMPTY WHEN I GET BACK”). Then graduation rolled around and for better or worse Kenma was free. He tried his best to eat decently as a promise to Kuroo but he often found himself forgetting to order food before restaurants closed. 

One night at some unholy hour Kenma was on his usual stream grind— he’d started in the afternoon and ended up getting so invested that he skipped class…and lunch…and dinner. It was a new game, ok? The cup noodles he planned on eating sat unopened at the edge of his desk. Noodles meant microwave, which meant getting up, which meant pausing his game, and that wasn’t an option at the moment. He was in for the long haul. Chat had been pestering him about eating for hours now but who cares about their opinion? They’d also been yapping about a ghost or some bullshit looming behind him all night so why should he trust them with anything? He didn’t even realize Fukunaga was still awake until he felt a light tap on his shoulder. With a yelp he spun around, spooked by the sudden touch. There he was holding out a bowl of curry, chat’s ghost. “Eat.” When Kenma didn’t take the bowl Fukunaga bopped him on the head with it. “Pretty sure starving on stream is against TOS.” Then he set the bowl down on his desk and disappeared. Every stream after that chat bothered Kenma about his “guardian angel” and asked for him to come say hi.

---

By their second year both Kenma and Fukunaga realized that university wasn’t for them. Kenma’s online career had skyrocketed and he was teaching himself more about business through the start of his own company than lectures and exams ever could. Fukunaga was gradually finding an audience at a nearby comedy club and had his own taste of internet fame when one of his sets got reposted online and went viral. It just wasn't worth staying enrolled for their future plans, thus the two were officially drop outs. With that said and done the time had come for them to part ways—there was no need to share an apartment, Kenma had enough cash to afford his own and Fukunaga made plans to move in with Tora. 

On the final day they stood outside next to the road, boxes stacked high as they waited for Kuroo and Tora to come pick them up. “Welp,” Fukunaga said, giving him a salute “It’s been an honor captain.”

“You were Nekoma's captain, not me.”

“First mate doesn’t have the same ring.” They laughed. Fukunaga went in for a hug, and for once Kenma let it happen. “Until we meet again boss.” 

Kenma snorted into his shoulder. “Please, our new places are only a few train stops away.” 

“How about until I ask Kuroo where your house key is hidden again.” 

“Don’t you dare.” 

In the passenger's seat of Kuroo’s sedan Kenma pressed against the window, watching as the world around him blurred into one big blob of city. Kuroo was saying something, idle chatter about classes or work or their friends, but Kenma was only half listening. On the one hand he was excited to have his own space for the first time in his life, the freedom to do anything he wanted any time he wanted without prying eyes. He could finally have a dedicated stream room, that was cool. On the other hand he had to admit, he was gonna miss the oddities that accompanied living with Fukunaga. The unpredictability, the jokes, the ever-changing decor, even the inflatable tube man hanging from the ceiling. And the home-cooked meals of course, going back to DoorDash was gonna be an adjustment. He figured if he missed his food that much he could drop by their apartment anytime. He’d have to deal with Tora now but maybe that wasn’t so bad. They were all adults now, more mature. Mellowed out (at least for Tora standards). He decided that he'd make a point to call his friends more often. 

“You ok?” a voice called, snapping Kenma out of his trance. Kuroo nudged his foot with his own. “You’ve been pretty quiet today, more than usual.” 

Kenma shot him a small smile. “Yeah, I'm good.” 

“Great, cause i'm gonna need you to listen to this next part-”  Years later when Fukunaga started appearing on tv interviews and variety shows Kenma was proud to say that they used to be roommates way back when, and that he was the first one to tell him his jokes were funny.

[skunkes]

never underestimate a cheye's ability to think "what if this is as good as it gets" about any situation

[good-to-drive]

Abuse, Silence, And Why Kevin Can Fuck Himself

I recently finished watching Kevin Can Fuck Himself on Netflix, and, aside from being the most brutally honest portrayal of domestic abuse I have ever seen, I discovered a beautifully written examination of narrative as power and silence as abuse and how this manifests in our larger culture. 

Without going into too much detail, the show is filmed in two distinct styles that are interleaved throughout each episode to tell a cohesive story. Allison and Kevin’s relationship as seen by the rest of the world is told through a multi-cam, laugh-track sitcom that depicts a very typical “goofy husband, shrewish wife” mainstream comedy. Allison’s life through her own eyes is told through a single-cam drama/thriller about Allison planning to murder Kevin to escape his abuse. 

It’s an absolute masterclass in screenwriting, but more than that, every episode explores the difference between truth, fact, and reality, and how none of these things are quite as much or as little as story. But while the process of transforming the chaotic and plotless reality of life into a story is as involuntary and essential as breathing, misogyny and the degradation of women is just as ubiquitous in our society, and a story that exists at the expense of another person’s lived reality is a refutation of their humanity. 

It's also just a great show for anyone who likes to engage with history (or reality TV or true crime or “real life stories” in general), because while we have to tell ourselves stories about her own lives, we have to tell ourselves stories about other people as well. Eternal silence is narrative death, and the perpetual silence of an unspoken narrative is often the last death we can visit on someone whose story we’d rather ignore. 

I also pulled up some books – Lolita and Disgrace – that dealt with similar themes, but from the perspective of the abuser. And what strikes me the most is that, across three beautifully written stories about narrative and silence within a culture that normalizes abuse, Allison, who began her story within a state of narrative death, was the only point-of-view character who had any chance of surviving. 

One of the main themes of Kevin is that a compelling story is often a story that reinforces what we already believe or like to believe, and while the story may be factual and true it often also exists at the expense of someone's lived reality. The exact same series of events can be a silly joke or a harrowing tale of abuse depending on the lens through which we view it, but historically we've only been willing to see the multicam, laugh track, sitcom perspective on unbalanced relationships.

The alchemical process of turning a series of disjoint facts and experiences into a narrative creates something new and compelling, and erases much of what previously existed. In this way, it’s entirely irreversible. We spin our experiences into a very thin thread, a story we can tell ourselves that elicits something within us, something we need in order to live with the complex, uncertain, and unsatisfying reality of life. In think in many ways the thing we elicit in ourselves is truth. But truth is both more and less than fact, often more a reflection of our own beliefs and desires than the events of our lives. And in telling that truth we may never stray from the facts, but we almost by definition cannot give voice to another person’s reality.

There's a scene in season 2 of Kevin when Allison is hit by a door – a la the classic excuse – because of Kevin’s carelessness. And while he absolutely did not hit her, the way it's written is such an incredible allegory for how Kevin has curated their story and curated their friends' and family’s perceptions of their story such that even if she tells everyone the exact, unvarnished truth of what's happening to her and begs for help, they will only be capable of seeing the laugh-track, sitcom, “Kevin is a harmless goofball and his wife is a total shrew” perspective on the events of their lives. 

As so often happens with abuse, their friends and family saw Allison being hurt because of Kevin. But the alchemy of creating a narrative around Kevin and Allison is irreversible, and the series of events they witness can only be spun together to a joke, an accident, a silly, childish mistake. Allison’s reality, Allison’s pain and fear, is completely elided. Like a lost sound in the middle of a sentence, her experience goes silent, and their larger understanding of her relationship never has to change. And you feel so acutely how Allison lives her entire life in that silence. 

Storytelling is human, it’s essential, there’s no other way to engage with our own lives. And it’s not lying. It’s never lying to tell the truth. But it doesn’t reflect every reality, either, because another person’s reality can’t be reflected within our own narrative, because that’s what it means to be another person. To spin two different threads.

And because narrative is the essential process by which we understand our reality, denying someone their own narrative, or denying that this narrative be heard, is inherently abusive. To allow someone a voice is to give them humanity, and to suppress it is to strip that humanity away. 

Disgrace, by J.M. Coetzee, follows the story of a professor, David, who rapes a student and then fails to protect his daughter, Lucy, from being raped by intruders in their home. He destroys his daughter’s life  – not through failing to protect her, but through twisting her rape into a story about why the rape of his student wasn’t wrong. The main theme of the book is generally considered to be exploitation, but Coetzee doesn’t deal with the exploitation of the rape. That’s too direct, too immediate, too easy for the reader to understand as misogynistic and wrong. Rather, Coetzee delves into “the innocuous-seeming use of another person to fill one's gentler emotional needs” (Ruden).

The rape is how we understand David as a fundamentally exploitative person, a person who denies others their humanity by converting them into a vessel for his own desires, who erases their voice in order to speak through them and give himself the things he needs. And that’s how we recognize that the way he absorbs and claims the stories of his daughter and his student is another kind of violation of their humanity. Another way of turning women into vessels for men’s pain and fear and need. 

What’s fascinating is that David's student finds her voice – files a complaint against him – and is eventually able to continue with her life. The woman he raped is less damaged by him than his own daughter, because she was the woman he couldn’t permanently silence. 

In Lolita, another brilliant novel about abuse, dehumanization, and storytelling, Humbert turns to the reader at the end and says, “Imagine us, reader, for we don’t really exist if you don’t.” 

It’s not that Humbert knew he was fictional, but that he knew everyone was fictional. Believed the entire world only truly existed in his own mind, because anything beyond that was irrelevant to his needs. He coped with the collapse of his ability to dehumanize Dolores (who he called Lolita) by demanding that his voice be resurrected. Demanding immortality. Demanding his narrative exist in another person’s world, and thereby be given the existence and humanity that Allison and Dolores and Lucy and David’s student were denied. 

Pushing his needs, finally, onto the reader, because we are the only person he has left, and a person like him can only exist through the use of another. In that way, Humbert was powerless. In that way, Kevin and David were powerless, too.

In Disgrace, David’s dream is to write an opera, and at the end of the book he realizes he’ll never finish his magnum opus. He’ll never be able to terminate the process of converting himself, his world, into a story. But he does learn to decenter himself in that narrative. And it’s when he loses all fear of death, and any conception of the self, that he gains the ability to give dogs – who he generally equates to women – a voice within his opera, his life’s work. 

It’s in death that we discover our true unimportance as human beings, that we learn to let go of vanity and our conception of the self entirely. And David had degraded women so thoroughly in order to justify how he used them to meet his own emotional needs that it was only in losing all value for his own life that he could gain the ability to see them as equal voices. To actually put those voices into his own life story. It's at the cost of himself that he allows other people to truly exist, in the death of the self that he finally allows the world to exist outside of himself. It’s almost a positive character arc. Almost.

When Kevin finally loses the ability to abuse Allison, he, like many abusers, loses all desire to live. His world was built on a structure of superiority and inferiority, on beings and vessels, on the inherent value of men and the inherent meaninglessness of women’s lives. The system on which he based his entire reality has been destroyed by Allison’s declaration of the self. And, if he was a being because she was a vessel, then in losing the ability to treat her as a vessel, to fully and completely dehumanize her, he has lost his own humanity. 

It may be perfectly summed up here: “Become major. Live like a hero. That's what the classics teach us. Be a main character. Otherwise, what is life for?” (Coetzee).

If you’re not to be a main character, if there indeed is no split between major and minor characters, between people and the paper dolls that populate their story, between living beings and the vessels into which they pour their need – what is life for?

Nothing. At least, not for people whose narrative must exist at the expense of another. 

And that’s why I say that only a narrator like Allison could survive this kind of story. Despite beginning her story trapped in eternal silence, her reality fully elided no matter how immediate and obvious it became, Allison was the only point-of-view character of any of these three stories who didn’t establish her power through the degradation of another. Who didn’t conceptualize the world via being and vessels. Whose narrative didn’t exist, by necessity, at the expense of another person’s humanity. Whose thread could exist in a larger tapestry without destroying her sense of self.

Don’t get me wrong, she’s not generally a likable character. She’s misogynistic, cruel, selfish, jealous, desperate, afraid, and in pain. Like anyone in an abusive relationship, she’s not at her best, and she’s often pushed to do things that are ugly and disturbing because she’s simply been pushed too far. 

But, for me, the power in her character is in how her last scene never felt like a final scene. Her story didn’t have to be killed, her conception of the self didn’t have to be killed, in order to reveal the brutal reality of stories twisting and intertwining without any inherently superior truth or narrative among them. Allison’s story was one of declaring herself. And that’s why it didn’t feel like it ended at the end. Instead, this felt like a beginning.

[ninjasmudge]

What are your thoughts on the two other monkeys? Idk if you ever heard of them, but it's the Red Bottom Ape and Long Armed Gibbon.

i actaually had some pretty lore heavy origin story hcs for those guys a couple of years ago, but i dont think i ever posted them. ill put some of the old art here and paste the lore under a cut cause its LONG (replaced the old swk and maq in the last pic with some more recent ones bc my hcs for them changed so much lmao)

their lore was well researched i spent days on it but it was a couple years ago lmao, its based on the principals they represent plus which of yin/yang they represent

long armed gibbon- can seize the sun and the moon, distinguish the auspicious from the inauspicious, and manipulate planets and stars

gibbon was born when a seed from a fir tree fell from heaven to earth. it landed on top of an eroded mountian and a tree started growing. after several hundred years, when the tree stretched high enough and was wise enough and the pine cones had gone from dark purple to blue, the trunk split one day at sunrise on a blue misty morning and gibbon walked into the world

red-buttocked horse monkey- who has knowledge of yin and yang, understands human affairs, is adept in its daily life and able to avoid death and lengthen its life

horse was born from a drop of water flung from a trough in heavens stables (part of the reason swk was so pleased to guard the horses when he went)

when she fell to earth she became a river that people often visited and talked around and played in. from this she came to understand human affairs. she also found she could help creatures avoid death or prolong their life by feeding their crops. when she knew enough, she climbed out of the river at sundown and walked into the world

sun wukong, the wise stone monkey- who knows transformations, recognizes the seasons, discerns the advantages of earth, and is able to alter the course of planets and stars

stealing from nezha reborn where the myth goes that when nüwe patched the sky, the leftover stone was where swk came from, but im changing it to one of the tiles that was used to create the furnace was dropped, leaving a monkey sized gap where he could later on slot into to keep himself alive in there. the tile was knocked out of the basket by the wind and fell to earth and this was the only one that landed on ffm. you know the story here, he absorbed chi from heaven AND earth which is why hes so powerful

six eared macaque- who has a sensitive ear, discernment of fundamental principles, knowledge of past and future, and comprehension of all things

macaque was born very suddenly when a piece of moon rock broke off and fell to earth on a new moon. the resulting meteor created a huge and sudden flash of light in a forest which created hundreds of stark shadows at once. the shadows condensed and the resulting being wouldnt have lived if it hadnt been a new moon because he needed the next hours of darkness to collect himself into a full being. but before the night was done, a new monkey was born who was able to hear everything in the radius he had collected shadows from, which if youve ever seen a meteor flash, is a long way

somethin interesting abt the things that created them- swks tile was actually heavenly, which is why he represents primarily yang (heaven). his was the only one that was CRAFTED BY heaven. gibbon and horse are both from something that fell from heaven and then the earth changed its form (the tree grew on earth from a heavenly seed, and the drop of water became a river) whereas macaque, representing the yin is fully of earth, the meteor that created him was from heaven but he didnt directly come from the meteor, he came from the shadows it created on earth. his only connection is to the earth

[motherforthefamicom]

[realsafari]

actual thing that happened yesterday

me, finishing a rant about a fic i read: so yeah, the reason that he's such a well thought out and developed character, despite his appearance as a stereotypical cliché, is why he deserved a more powerful death than what we saw. It is also important to note that-

my horse i'm talking to: ...

horse: *nudges my hand as i absentmindedly pet him*

me: -and THATS why i am SO PISSED at the author for DESTROYING MY little meow meow's happiness despite the GLARING LACK of an angst tag-

horse: *snorts because a fly landed on nose*

me: oh my god, you're so right slim! *proceeds to feed him a peppermint* thats my good boy~

slim: *tosses his head because he likes mints*

me: oh yeah did i tell you about that one time-

my brain: ah yes. talking in detail to a horse, which has a brain not larger than a walnut shell, about complicated topics related to literature, is a completely normal and sane thing to do.

my friend standing behind me who came to watch me compete in my jumper competition: okay blue, what the FUCK are you on.

[diamond-rings-and-gutter-bones]

Jujutsu Kaisen / Various interviews of Lewis Hamilton and Nico Rosberg / David Croft

[aether-weather]

fantasy au aleenadette!!! i love them sm :]]

bernie's a werehog and aleena's a fae!! ill definitely post more about this au when i get the chance >:D

[floralfractals]

Hi everyone, I wanted to write a quick update to you guys :)

I made this blog in March of 2021. At the time, I followed my first math course on fractals and dynamics, and had just discovered a tool to make my own awesome fractals. This blog started out as a place to share the art I was making as a coping mechanism during covid, but as I quit making them after a few months, this blog died pretty quickly. In 2022, I decided to start posting regularly again (mostly just shitposts though), just so that the effort I put into this blog wouldn't go to waste.

Then, in the beginning of this year, I started writing my thesis. I posted one (1) shitpost about him (my well-known and popular son), and got 10s of thousands of notes. Every morning I would wake up to another crowd of people who loved the graphs, or were baffled by them, and I got showered in asks to elaborate on him.

Truth be told, 2023 has been a very heavy year for me. A lot of things happened in my personal life, and I lost a dear friend to suicide. It became so difficult for me to keep writing on my thesis, and the project that should have been finished in June this year has now been taking 4 months too many. My mental health has suffered greatly, I haven't been able to take any breaks, and life has just been generally difficult. I have spent nights not being able to sleep because I wanted to finish my bachelor's thesis so bad, but my supervisors would keep demanding more work, more edits, and more drafts. At some point, I even considered quitting my studies and finding a job.

The community has helped me to keep going. Mathematicians and non-mathematicians alike who sent me genuinely interested questions, made me laugh in the notes, created fanart (??? I'm still baffled by this but the people who did this are the coolest in the world) and generally made me feel for the first time that mathematics isn't a universally hated subject. On some days, the only reason I was able to keep going and the only thing keeping me from experiencing burn-out was the support I got through this blog.

Today, 10/12/2023, I turned in my thesis. Thank you so much for your support!