#idk if any of this is gonna go the way i want but i can dreammm

[jjunieworld]

BODY ELECTRIC ˒˒ 투바투

❝ 𝗶 𝘀𝗶𝗻𝗴 𝘁𝗵𝗲 𝗯𝗼𝗱𝘆 𝗲𝗹𝗲𝗰𝘁𝗿𝗶𝗰, 𝗯𝗮𝗯𝘆 𓈓 𝗍𝗑𝗍 𝗍𝗐𝗂𝗍𝗍𝖾𝗋 𝗏𝗂𝖽𝖾𝗈 𝗅𝗂𝗇𝗄𝗌 𝗁𝖾𝖺𝖽𝖼𝖺𝗇𝗇𝗈𝗇𝗌!

p ‎⸝⸝⸝ 투바투 𝑥 fem!reader ꔛ g ‎⸝⸝⸝ headcannons, video links, smut, established relationship ── dom!txt, sub!reader, mostly unprotected sex, oil / lube, various kinks (breeding & daddy kink hehe), creampies, housewife!reader / traditional gender roles, food play?, some mean & hard dom elements because i truly can’t help myself, some roleplay, probably others than i’m missing ╱ ❨ 𝓶.list ❩

✉️ ⦂ never posted twt links before but this was kinda fun lmao ^^ i might post more sometime soon. like maybe an enha (hyung line) one?? hmm… not completely sure. anyways, i hope you enjoy!!

͏ ͏ ͏͏ ͏ ͏͏ ͏ ͏͏ ͏ ͏͏  ͏ ͏  ︵͡   𝙖𝙡𝙡 𝙛𝙚𝙚𝙙𝙗𝙖𝙘𝙠 𝙖𝙣𝙙 𝙧𝙚𝙗𝙡𝙤𝙜𝙨 𝙖𝙧𝙚 𝙬𝙚𝙡𝙘𝙤𝙢𝙚 (⌒‿⌒)♡

𓍼 ˋ✮ YEONJUN

ʬʬʬ — him fucking you so good that your cum just spills out of you. would angle you in a way that didn’t let any escape until he’s done with you and filled you up completely. he would start fucking you again just at the sight of how messy he made you, shushing you and telling you how your spent pussy could take another round. 100% has a breeding kink.

ʬʬʬ — hates your bad attitude and how he constantly has to fuck the brattiness out of you so you remember your place and who’s in charge. slaps your ass to make sure you’re listening to him and to punish you for talking back in the first place.

ʬʬʬ — like soobin i feel like he would like to use oil too! loves watching how easily his cock slides in your needy pussy and swallows it whole. also loves taking you missionary so he can see your pretty face all twisted up in pleasure!!

ʬʬʬ — idk what it is about this but it’s just so yeonjun to me?? would eat you out after to taste the slight bubblegum flavor and then would continue eating the cum-covered lollipop like he wasn’t just fucking you with it.

𓍼 ˋ✮ SOOBIN

ʬʬʬ — would beg you to dress up as his favorite anime and video game characters!! the two of you would roleplay a little before he’s fucking you and filling you up with his hot and sticky cum (>人<)

ʬʬʬ — loves seeing you in lingerie but hates the fact that it gets in his way!! it makes him too hard and he just wants to fuck the shit out of you without having to pull back straps and lace. definitely would keep on the thigh high stockings tho, it’s his favorite!

ʬʬʬ — honestly you should know to not wear short skirts around him… immediate hard-on and he’s fucking you against whatever surface is the closest to him. doesn’t even care that you were only quickly dropping by to give him something, you’re not leaving for the rest of the day.

ʬʬʬ — the type to drench you in oil so he can watch the way you glisten all prettily while getting dumb on his cock!! loves seeing your shiny tits bounce, bonus if you have nipple piercings. i feel like he would be the type to record it all so he can get off to it again later. cowgirl is for sure his favorite position for you!!

𓍼 ˋ✮ BEOMGYU

ʬʬʬ — interrupting him playing his game was a bad idea… of course he’s gonna bend you over his gaming chair and fuck you. leaves his mic on and let’s all his discord friends hear how much of a slut you are. (/ω＼)

ʬʬʬ — love love loves sitting back and having you fuck yourself on him. gets off to your pretty little moans and the sight of his cock disappearing inside you.

ʬʬʬ — cuddling with him always turns into you feeling his bulge against your ass, to him sliding his cock inside of you “i just need to feel you,” to him pulling your hips towards his so that he can fuck you. you’re constantly sticky with his cum!!

ʬʬʬ — this. definitely how most of your nights would go when you’re super horny for him. would laugh in your ear at your whines for his cock and would tell you to get yourself off on his thigh or bulge instead.

𓍼 ˋ✮ TAEHYUN

ʬʬʬ — you begging him to fuck you without the condom on,,, he’s always so careful and you just need to feel him inside you completely, feel the way his thick load fills you up and drips out of you!! you don’t want him to pull out ♡

ʬʬʬ — him teasing your needy and wet clothed pussy. just loves how wet he can get you without even sticking his cock inside of you.

ʬʬʬ — quick morning fuck before the two of you go to the gym!! you told him “just the tip…” but you both can’t control yourselves! ended up going later that morning hehe

ʬʬʬ — his little housewife (⋟﹏⋞) you let him do whatever he wants to you whenever he wants. taehyun wants you to suck up off while you’re making dinner? you’re on your knees with his cock shoved down your throat in an instant.

𓍼 ˋ✮ HUENINGKAI

ʬʬʬ — kai needing you so bad that there isn’t even enough time to put his cock in you. would completely miss the mark and end up fucking your thighs instead!! you’d go crazy from only having stimulation at your clit and not where you need him the most. would leave your thighs covered with his cum while he bends you over for more. this video as well hehe

ʬʬʬ — so needy while he’s trying to practice. his long fingers aren’t enough so now he his to fuck you with his cock too… definitely didn’t finish practicing after this >///<

ʬʬʬ — would always have you sitting on his face. watching a movie? he can eat you out like a starved man and watch the movie at the same time. always wants to be pleasing you in some type of way.

ʬʬʬ — you’d be a good girl for daddy and let him fuck your wet pussy right? so wet that kai’s big cock keeps slipping right out!! loves hearing your moans and repeatedly asks you how much you like daddy’s cock. loves how you beg him to put it back in and fuck you deeper.

∿ [ continue on to . . . masterlist , taglist , request ] ︵͡   𝙖𝙡𝙡 𝙛𝙚𝙚𝙙𝙗𝙖𝙘𝙠 𝙖𝙣𝙙 𝙧𝙚𝙗𝙡𝙤𝙜𝙨 𝙖𝙧𝙚 𝙬𝙚𝙡𝙘𝙤𝙢𝙚 (⌒‿⌒)♡

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[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[mbirnsings-71]

SOBS DON'T ADD TOUCH STARVEDNESS INTO THIS THAT'S ONE OF MY FAVORITE TROPES STOPPPPPP SCOTT HE WOULD LEAN INTO SCOTT'S ICY TOUCH AND JUST MELT STOPPPPPP I'M ILL JAYYYYYY- HE'S ALL ALONE WITH HIS ANIMALS UNTIL A CERTAIN CANARY RESPAWNS I'M ILL-

Scott, with his natural resistance to fire: mmm I'm gonna kiss both my partners' hands, as a Treat :D

something something having a new hyperfixation and now having several new WIPs about it AND just starting to draw certain characters from it just yesterday uhhhhhhhhhhhhhhhhhhh yeah-

[cipher26]

Arcane Brain Dump 1/? | Jinx & Caitlyn

There were a lot of things I wanted to see in the finale that I didn't get, which wasn't surprising knowing there wasn't much time. But one thing that I really wanted and didn't actually expect to get was a 1 on 1 conversation with Jinx and Caitlyn. I was so excited when it was happening, because I felt like it was necessary for both characters to talk with each other, especially after episode 6 when they're suddenly fighting on the same side, and where they COULD have become family if it hadn't all gone to shit.

Before the season started I didn't think there was any hope for Jinx and Caitlyn to actually reconcile. Like, I thought at best Cait might stop hunting her for Vi's sake, but would still hate her. But then Isha came along and Jinx changed so much, and Caitlyn was isolated and depressed and tired, and I thought "hmm maybe they can get past the feud?" Unfortunately I guess we'll never know for sure, but I really do think that conversation was step 1 for them getting along. It was so interesting to see because you can see that Caitlyn is still in pain about her loss, but it's also been enough time since then, and so much has happened that the rage she was feeling in the beginning of the season has fizzled out. Which is relatable. It's exhausting to keep up that kind of hatred for someone, especially if they change in the way that Jinx did. The Jinx in that cell in front of Caitlyn was a completely different person than the one who kidnapped her out of the shower and killed her mother. I think that seeing Jinx with Isha and Vi and Vander also showed Caitlyn how much had changed. Because even from her first meeting with Jinx, there was tension between her and Vi. Jinx held a gun up to Vi's face in that first meeting, and was instantly aggressive towards Caitlyn. But in that tent with the whole family, Jinx didn't even care that Caitlyn was there. If anything she seemed kind of smug, because Caitlyn still thinks of her as an enemy but Jinx just saved her life. It's almost like a game, like what can Caitlyn do now? She lost some of her argument about Jinx being evil. Also, in that moment she can't do anything even if she wanted to. I saw a lot of people talking about how it didn't make sense that Caitlyn was suddenly fine with Jinx and didn't try to kill her. Which is silly because first of all, Caitlyn didn't have her weapon, she left it in the tent with Vi and Vi hadn't returned yet. So she couldn't really do anything. Also they just watched Beast Vander throw this huge man out the side of the building to protect his daughter, so if Caitlyn tries to hurt Jinx in any way she's absolutely gonna get torn to pieces. And then immediately after that everything starts to go to shit, and Vi is there, and they have other things to worry about in that moment. Especially once Ambessa starts attacking. It's a shame that we didn't also get to see the immediate aftermath of the battle with Cait, Jinx, and Jayce rushing Vi to safety. I mean idk how far Piltover is from the fissure, but it's not a fast journey lol. The three of them together must have been interesting, especially since Caitlyn hasn't seen Jayce in however many months it's been since before the time skip. Another thing I was sad to not see actually, was Cait and Jayce's reunion and Cait being like "wtf happened to you? where have you been?!" Alas...

Anyway, I'm glad they gave us that prison scene with the two of them. They just came out and addressed their issue, realized how different things were, and both kind of chose to move on. I mean Jinx is devastated and suicidal, she's completely given up, and also she's still the good person that Isha helped her become. Jinx has no reason to hate Caitlyn. The only thing Caitlyn's done to Jinx is hunt her after Jinx murdered her mother. And because Jinx wants to die, she tells Caitlyn to just do it. Except Caitlyn's changed too. She's tired of fighting, and the kid in front of her (cause Jinx is a kid...) looks as sad and tired as she feels. Even more so. It wasn't a long conversation, but I think it was just what they needed to hear from each other, and what the audience needed to hear. Caitlyn admits that her hatred for Jinx changed her in ways that made her hate herself, and she didn't want to be like that anymore. And then Jinx comes pretty much as close as she's gonna get to apologizing to Caitlyn for killing her mom. She doesn't say the words "I'm sorry," but when she says "I didn't know your mom was there" it kind of does feel like an apology. Or at the very least, I think it's Jinx telling Caitlyn that it wasn't personal. She wasn't trying to hurt Caitlyn specifically, she was trying to hurt the system that had oppressed and neglected her home for so long. And in that moment, she was too filled with grief over Silco to hold back.

So I think that conversation really brings some closure to both of them. They kind of get past their feud and just move on. There are so many other things to worry about now, and so many bad things have happened. And in the process of rushing Vi back to Piltover, I imagine it helped each of them see how much the other loves Vi. And I think that loving Vi is part of the motivation to put it behind them. Vi would never forgive Jinx if she killed Caitlyn, or hurt her. And now, despite what Vi told Cait before their first fight, I think Cait knows Vi would never forgive her if she hurt or killed Jinx. They both do what they do in the end of that episode FOR Vi. Jinx runs and locks Vi in the cage so Vi can't follow her, and she tells Vi that she deserves to be happy without feeling guilty, and specifically tells Vi she deserves to be with Cait. I mean that's a HUGE deal. Especially since Vi wasn't present for the journey back from the fissures, so she didn't actually see Cait and Jinx working together. In her mind they're still at square 1 for the most part.

And then Caitlyn goes and calls the guards away so that Vi can free Jinx, knowing she'll do so. I've seen a lot of people confused about Cait's line "did you really think I needed all of the enforcers at the Hexgates?" which is fair because I was also confused at first lol. But what Caitlyn is telling Vi, is that she knew VI would come to free her sister, so she did what she could to clear the way for Vi to be able to do that. She's basically telling Vi in that moment that she's moved past her anger enough to let Jinx go, and to stop hunting her. It's such a freeing moment for Vi, because the two people she loves the most, who were furiously trying to kill each other before, have finally made peace. It takes a huge weight off of Vi's shoulders, no longer having to be stuck between two people she loves who hate each other. And Jinx has just told her "go get your girl" and now Caitlyn is standing there smugly telling her that she basically let Jinx go. That's why Vi reacts the way she does, it's such a relief to be past that conflict and have permission from both of them to be happy.

Anyway, I thought it was a great moment, and even though it wasn't a long conversation between Cait and Jinx, I think it's exactly what they both needed. It was the closure they needed to move on. If Jinx had stayed around, they still would have had more work to do surely before they actually got along well, but it was suddenly possible after that talk. And I hope that in the continuation of this story that they finally get there someday. Because based on the ending I really don't think Jinx is dead. And Caitlyn is holding Jinx's monkey bomb in her hand, contemplating and looking up the Hexgate plans. She has to be looking to see if there was any way Jinx could have escaped, probably because Vi is devastated and she wants to help take that hurt away. Imagine if Cait could bring Vi her sister back? Or at least if she could let Vi know for sure that she wasn't dead. That would be huge. What a difference between the way these three started, and where they ended.

[mimikyuno]

🫧🎀🎨 ENA5 WISHES AND PREDICTIONS🎀🎨🫧

ena meets yuuki. I genuinely always found it a bit strange how in the latest New Year’s event yuuki meets kanade and mafuyu and not ena. when ena has been the person closest to mizuki in niigo (as she’s the one who is waiting for mizuki to open up, while knmf have no idea mizuki is even hiding anything). so like. i genuinely think yuuki will be involved, to an extent. maybe she comes back bc mizuki’s parents are worried and call her back to japan and she meets ena, or maybe ena somehow manages to contact her and the two have a chat. idk. anyway i think yuuki will be involved in ena5, or at least in the resolution of mizuki’s struggles.

ena goes absolutely insane. i rly want to see ena lose her mind lol. like we know she’s obsesses with mizuki and loves her so so much. she saw her looking sad one (1) time and has been on her ass since. as established in the escape room, she knows her so well. when they were going up the roof, she kept making jokes trying to ease mizuki’s anxiety. she loves her so so so much. and she probably currently hates herself for not being able to stop her. so yeah, i cant wait to see her go on a one woman mission to get her mizuki back. i want to see her desperate. sorry not sorry

kanamafu struggle in the dark. this is connected to above, but i feel like ena would be too scared to ask anyone for help. mizuki was outed to her, she wouldnt do the same. and while ena has asked for help about mizuki in the past (for example, asked shizuairi and meiko), i feel like this time she’ll keep quiet, or ask just meiko. and kanamafu will know something is very, very wrong. and so they’ll try to reach out and understand what’s wrong and meet walls of silence. i want them to finally see that mizuena have had this secret hanging between them for so long, and i want them to also be there for mizuki after the main resolution. i want cozy niigo loving and accepting each other 🥺.

meiko is a key figure. i ena knows meiko suspects/knows about mizuki. so meiko is literally the only person (outside of yuuki) that ena can go to for advice. i want meiko and ena and kaito to talk and maybe even fight a bit and try to find a way to reach mizuki and fix the situation.

mizuki is acknowledged as a girl. this is more of a hope than a prediction but i hope that mizuki’s transness will keep being handled with care. i would be happy to see them avoiding cliches such as “i care about you no matter what gender you are” bc mizuki’s crux is the fear of change, change in niigo’s perception of her as just a girl, and not a “trans girl” or “not rly a girl”. so i want ena to acknowledge this directly. somehow. idk how but i need her to tell mizuki nothing’s changed in her perception of her. she’ll always be mizuki.

DATE. okay like. i know many think that SEGA is gonna drag this out for storytelling + financial reasons. for example, i saw ppl speculating that kanade5 might happen before ena5, so that kanade and mafuyu can learn what is happening. at first i lowkey agreed but tbh i dont think they’re gonna drag it out this much. like, not only is mizuki is a fan favourite and keeping her in this state for so long is… a bit questionable, but also there’s concerts coming up? and they cant keep her depressed much longer when that means they won’t be able to use her or ena AT ALL in any mixed event, which doesn’t make much sense imo. i genuinely think they might wrap this up before the movie drops tbh. it probably wont be wrapped up super neatly and there will still be stuff to discuss (maybe in kana5 or in the niigo 6th rotation) BUT things will be fixed enough that mizuki can go back to smile and appear in the real world and have a spark in her eyes BEFORE the movie (january 17th, 2025). i genuinely thought we would have ena5 BEFORE the 4th colorful live (bc like. how can mizuena be so depressed in game and sing on stage together? like yeah the lives are not rly canon but the VIBES. the VIBES!) which will be held december 13-15 and again january 24-26 (2025) but uhmm. i feel like we would have gotten an announcement by now if ena5 was rly coming in the first half of december idk. still possible since there’s an upcoming livestream in like 19 hours but. uhm. idk. sega PLEAS-

CARDS. I remember someone pointed out how mizuki has had zero 4* cards in any ena focus event, to show how she's keeping her distance. as such, i really think that ena5 will be The Event in which mizuki will finally feature as a 4* card. honestly im hoping for a very gay matching card (anhane style in an4... pls sega...) but that's just me coping lol. anyway my card prediction is ena 4*, mizuki 4*, meiko 4*, kanade 3* and mafuyu 2*. though tbh there was already a VS 4* in mizu5 (kaito), so maybe they'll make meiko a 3* and have a 4* of kanade or mafuyu. honestly, even luka might appear in the lineup. haven't seen anyone mention her but she and meiko have been the two VS closest to mizuki when it comes to her secret and her tendency to run away. so maybe a luka 3* or something.

COMM. okay i have no idea about this imma be honest but. i am hoping for a producer who can put forward heartfelf lyrics and melody. lowkey hoping for mafumafu (as he has already proven he understands mizuki and ena's relationship with cellphone lovestory). copium in immense quantities but niigo has covered quite a few pinocchiop's songs but have no comms by him... he's one of my favourite producers and his lyrics always kill me so i know his ena5 comm would be devastating. but honestly both mafumafu and pinocchiop feel quite unlikely, so maybe TOA (who already composed IDsmile and twilight light and has made tweets during mizu5) or wotaku (since gehenna is so intrinsically connected with the mizuena storyline). or imagine maretu... iyowa... eight... teniwoha... aaah... endless possibilities... but yeah it could be anyone lol, the names i mentioned are more hopes than predictions, i'll be fine with anyone as long as the song fully captures mizuena's relationship.

[uniquecellest]

I like movie Moira McTaggert. I dislike how they give her so little sustance but that's also what I love?

"she's charles's love interest" In First Class she isn't given much with Charles (which yay love interest wise bc she can do better and nay in their lame attempt to make them seem romantically compatible) but she and Charles are close in like a best friends way but some other CIA agents assume it's more (they go with it bc 60s) meanwhile she's actually closer to Raven and imo it's Moira not Erik Raven goes to when she wants to know if someone can kiss her without her looking normal, Moira reassures her (Moira tells Hank off later then laughs when he comes in blue and furry before leaving for Cuba in like ironic you wouldn't kiss a naturally blue girl but now you're blue way)

where was she in DoFP which is where I imagine maybe she was there in 63 when Erik got arrested (workoholic bastard *affectionate*) and sure she doesn't remember Erik clearly but she kind of knows him so she may be sticks her neck out and gets him into the underground plastic cell (the other option was death and she just knows that that can't happen. Not only bc of the brotherhood but she vaguely remembers Charles's presence and knows Charles will not handle that shit well) and the reason why her course of action is accepted instead of dismissed or stolen by one of her male colleagues is bc Lady Kennedy spoke up for her, agreed to it, and was adamant in letting it be known that I was Moira's idea.

Then in Apocalypse she and Charles meet again (I'm re-writting the cringe ass meeting). In post DoFP with Charles and Hank re-opening the school he invites her over prior to the school opening that is when he gives her back her memories, she keeps the school quiet. Eventually she out-ranks Stryker and that pisses him off but oh well. Anyways he calls her over to Westchester because he knows something is wrong and she is the main one (aside from Lady Kennedy bc Lady Kennedy was a frequent visitor and writer to Erik) that has kept tabs on him at least where he lives and asks her to try contact him but then Apocalypse happens (Alex survives in my version) they all go and save Charles, Moira goes with Raven and Peter to knock some sense into Erik - in Moira's case literally. idk how but she does. Everything else follows in-verse minus Moira getting her memories back. Turns out Magda and Nina were alive and had been kidnapped but Magda and Erik divorce amicably as he doesn't want to put her in danger again and she has now seen first hand some shit that can happen to and around him. Nina goes to the Xavier school

(I'm making up a different movie in place of Phoenix) in the 90s they find out Banshee and Angel and some others are alive. They find out that the sentinals that killed them didn't kill them but teleported them somewhere else where Amahl Faruk finds them and brainwashes them into working for him. Hank, Raven, and Alex feel as though it is their duty - as the ones closest to them - to bring them back but Amahl is after Ororo and Charles. Hank, Raven, and Alex sneak out when the others are on a field trip overnight in like DC or something. in DC Moira is talking with Charles and Erik about a new mutant disturbance which throws them off as neither have detected any mutants in weeks which startles Moira bc how can the two strongest mutants not know. Amahl then hypnotizes Ororo and Charles - Academic he is still being up - feels that something is off and sees Storm but she doesn't feel right telepathically he calls to her to no avail, going after her Charles and Storm are kidnapped. Moira goes to the DC CIA office to gather Intel on what happened and threatens to cut everyone there a new one (Erik's with her and any beef they have, squashed. She's his bestie now) and with CIA Intel and plane they set off to save Charles and Ororo. (I can make this thing a whole post alone so I'm gonna stop here for now.)

but we still get the Paris proposal (Raven is also alive) Moira and Hank are Charles's Best Woman/Man, Raven is ordaining, with Magda and Angel as Erik's and Sean and Nina as the flower throwers (metal so Erik can reuse them later and make them last longer) and turns out Moira's son is a mutant (which for some explain her advocacy aside from her friendship with Charles) that becomes the ring bearer. And Alex is the first person to give a speech at the reception that makes everyone do a spit take

[starletcake]

Headcanon about mage Viktor and his 'origins'

I didn't really understand how viktor could be the mage from Jayces past and I didn't really get any real or satisfying answers to that from anywhere, so I thought I would spin my own little theory (or at this point you could say fanfiction) as to how this all happened, how viktor became the mage in Jayces story, what he meant by "only you could ever show me this" etcetc. I assume/determine/establish many things for my thoughtprocess to be true, I do that for my story to work and for my mind to be at peace and that it can grip an answer and not go insane about pixels because apparently i cannot act normal around media i like.

First of all, I'm gonna assume that some things are just true/meant to happen/fated in ALL timelines. For example that viktor is going to ALWAYS come into touch with the arcane and even if his path can be different each timeline his end goal is always the same - glorious evolution. I also assume that if you time travel/jump timelines and act as a seperate individual in this timeline (not like f.e. ekko replacing himself in his timeline) you are not allowed/cannot intervene too much with it because then the time/space continuum collapses or the arcane throws a fit idk.

So let's imagine a timeline, I'm gonna call it "the first timeline" (even though it doesn't really make sense in thinking of first/next/last timeline because all of the timelines are parallels, but bear with me), a timeline where viktor comes into touch with the arcane a different way, because here he doesn't even know Jayce exists (the mage which gave him the rune doesn't exist yet/in this "first" timeline). He merges with the arcane, thinks he's doing everyone a favour by initiating the glorious evolution, finishes it, creates a perfect world and everyone is happy. Except it isn't a perfect world and nobody is happy, in fact everybody is practically dead, without joy, love and choice, and Piltover/maybe even the whole world crumbles into arcane waste because of Viktors actions. He doesn't understand what went wrong, he didn't want this, he wanted everyone to have equal opportunities and end all suffering and be without sickness, be perfect. There had to be some kind of mistake here. So, with the help of the arcane, he travels to another timeline, and tries to change a few things in his story. With hindsight, this time he could steer his young self in the right direction and this time, surely it will work.

But it doesn't. So he tries again. And again. And again and again and again.

But everytime, in every timeline, with every change he made, with every different decision he made, with every different way he found the arcane, it always ended the same - the glorious evolution was a mistake. More than that, an error in his thinking of his younger self, which is the catalyst of the apocalypse.

Having seen that outcome time and time again, this "first" mage Viktor realizes that this cost for perfection is flawed, and that imperfections do have beauty in itself. So, he goes into another timeline, this time adamant to stop himself. But he fails. He just isn't able to stop his younger self, he is not able to prevent that he is coming into contact with the arcane, he is not able to change his worldview, he is not able to change anything about his goal or conviction. So, maybe someone else could? Trying and trying to introduce character after character into his life, trying to let others influence him, to no avail. How could he, anyway? How could anyone change this worldview of him? He, "first" mage Viktor needed countless of timelines and experiences to learn, that he doesn't have to be ashamed of his flaws, that he doesn't have to erase them and that imperfections are what makes them all alive. How could anyone show him, in his limited lifespan, everything he learned in a multiple factor of this time?

And this is where Jayce comes in.

Maybe, in one of the infinite timelines, the "first" mage Viktor was just as lost as Jayce on that fateful day. Maybe he was about to give up his endeavor of stopping himself becoming the villain in each and every timeline. Maybe, he began to accept that, just as he is fated to meet the arcane, he is also fated to doom the world. Then, he sees a little boy, crying over his dying mother in a snow storm. Maybe he thinks, even if i will destroy the world later, maybe I could do a good deed now, and saves the little boys mother. He gifts the little boy a rune, and goes on with his day.

And BOOM, Jayce just got introduced to the game. This little act changed the course of history entirely, suddenly there was a brilliant mind in the middle of Piltover, suddenly Jayce and Viktor meet, and suddenly, Hextech is invented. Viktor gets a partner he can trust, that he loves and admires and he gets this love and admiration and trust back. They understand each other in ways nobody else could, they share moments of intimacy and ways of love no romantic love could ever reach(thats also a reason i don't really ship Viktor and Jayce, deep love doesn't always have to be romantic in nature and there are so many other types of love that are no lesser and can be more intense(even though my gay heart yearned for them to kiss at that last scene ngl)(well this and maybe im also trying to convince myself that it doesn't always has to be romantic love that saves the world and is the most impactful and beautiful and fated etcetc(can you tell I'm aro)))

And suddenly, new hope flashes in mage Viktors eyes. It's him. He is the one. The only one. The one he was meant to meet, meant to choose so Jayce could choose Viktor again. And even though this timeline also ended in the wasteland mage Viktor saw so often already, now he knows, oh he feels that he will be the one to change it all.

So this little clip where we see mage Viktor giving little Jayce all these different runes? This is actually the end of mage Viktors journey, the last couple steps to finally find true peace, not in the form all of the Viktors always thought they will(glorious evolution), but in the form of accepting himself. And nobody else, not himself or Singed or Silco or Sky or Mel or Heimerdinger, only Jayce, only him, only you, could show me this.

(Finally, one of the runes caused Jayce to travel to another timeline where the apocalypse already has happened, and Ekko in one where he invents his timetravel device. Finally, mage Viktor can talk to Jayce and Jayce promises Viktor to stop him, forgiving him and loving him regardless. And Ekko, being the last push Jayce and Viktor needed to, being the catalyst of this even being able to happen)

I'm only writing/thinking about/posting this to satisfy my urge to understand exactly what was going on and why characters acted that way or why situations happened, to try to fill plotholes that nag my brain in a series that i absolutely love and gives me so many emotions(mostly pain, oh the misery). Idk and idc if any of that makes actual sense or fits in the lore of LoL or even the show itself, if it retconns some things or if the show itself retconns some of this theory/story, it makes sense in my head and I kinda like it, and thats what brings me peace idk how my brain works ok. (Plus it would be so cool to see some of the alternate timelines where for example viktor works with Silco and Jinx instead or smth)

[trashisstillhere]

Now while I currently do really need and want to work on the things I want to draw, I’ll just give yall the currently uncolored, official ref of the New Ninja!

I mostly did this cuz I thought it was about time they got an actual ref. I mean, I have drawn them many times before yet never made an actual drawing of their full body. So I did it now! And since they’re officially one of my Rc9gn ocs, I kept the ‘UnNinja’ version of them that I drew for ask (it was about what NN looks like without the ninja suit on) long ago which was at first ‘unofficial’ since I basically said you could imagine them in any way all of you wanted but now, that’s how they’ll REALLY look like!

They don’t have any official colors yet, that is one of the parts that will take quite awhile..

Like I did with Serenity, here’s some info about them! (Mostly for the ones who may not be aware of New Ninja and all the posts I did about them before along with a few more stuff I haven’t really either told or shown before about them before I had completely stopped drawing them I guess(??).)

-New Ninja is…well a new ninja chosen to be Norrisville’s new protector in the future right after Randy, their story is supposed to take place (kinda) in a few years after all the events in season 1 and 2 in the show. (All the canon characters are like kinda older at this time, the other teens like 17-18 I think? Idk, I haven’t fully decided yet but basically they’re supposed to not quite be in 9th grade anymore I guess (except New Ninja of course). Randy is actually still a ninja here, still has his mask and everything even though he soon isn’t gonna quite be the main one anymore. However the Nomicon let him keep his mask for now, especially now that he’s currently helping the new Ninja. Plus he absolutely refuses to let Nomicon stop him from doing so, he refuses to just sit back and watch another random kid struggle out there as the new ninja.

-New Ninja’s real name is ?????????… yeah…. They don’t have a official name yet either, no last name, nothing. that part will also take too damn long to figure out and work on so for now, just call them ‘New Ninja’ or NN for short.

-they go by any pronouns! And by any I mean ANY. I know I wrote they/them there on the ref and I mostly use those for them right now too but still, I said before they can still be called by anything and I ain’t changing it. So go ahead, use any other pronouns for this kid if ya like. But I will still keep using they/them for them. (I totally didn’t just make them gender natural who is okay with any other pronouns cuz i had no clue what gender or whatever to make them identify as. Pfft- totally not-)

-as the new Ninja for Norrisville, you’d probably expect them to either be excited to be the new hero and/or take it seriously like a pro….but they’re not, they’re the complete opposite. Instead of them being giddy about this like Randy pretty much was, they’re scared for their life. This new job of theirs has not only already changed their whole life but put so much pressure on the poor kid, they already had struggles in their normal life and now they have gotten even MORE.

-New Ninja isn’t really confident, brave, social, just nothing like the out going kids out there. They’re insecure, a coward and pretty anti social. They get stressed and overwhelmed easily when they’re the center of attention, they often have bad thoughts when they think they’re not doing good enough and worry too much about not being ‘perfect’ enough. This is exactly how they were at first, before and after becoming the next chosen one. But now with Randy being there for them as support, they’re slowly starting to work on themselves to overcome their fears. Will it easily get rid of all of their problems? No. But will it help a lot? Yes!

-Randy calls New Ninja ‘Kid’ quite a lot, it was mostly just a little nickname for them at first during his time trying to help them that just came out but now he can’t help but keep calling them that every time they are together, even acting like a brother/father figure to them! New Ninja is an only child so they never knew how it felt to have any siblings of any kind. (Found family trope my beloved)

-New Ninja gets easily flustered by all sorts of praise such as compliments, affections, etc. they aren’t really used to have so much love and support from other people, not even used to have many fans yet (even though they know that the ninja always had fans for years to begin with-). Now with Randy pretty much doing this, the kid feels like some random kid being embarrassed by their parent or something.

-New Ninja hasn’t ever really gotten to have any sort of fun times and memories during their life, they don’t even know how to play video games at Greg’s Gamehole! Poor kid. But thankfully with Randy’s and Howard’s (yes, even him,) help, they’re learning.

-and uh yeah, they do know Howard too. At first they didn’t, to them he was this random guy that Randy seemed to talk a lot to so much and couldn’t help but be curious by their relationship. After some little investigation and all that crap, they’re more aware of the chubby guy now. How? That’s another part I still haven’t worked on yet.

-because of Randy pretty much being their mentor, New Ninja can’t help but mostly cling onto them. They often feel helpless without him, always asking him for help. They do learn to not always ask him for help later on during their development, yet there are times where the kid still can’t help but feel safer around him. Not just because he is the one who gives him tons of help with ninja stuff, but also cuz they really trust him and may or may not start to feel attached to him.

And that’s pretty much all I’m gonna say for now! Because if I wrote even more, it would take WAY too damn long and this would never get to be posted here. So yeah. Sorry if there will end up being some misspelled words or grammar mistakes, I’m too lazy to read all this again to check for them.

Will a colored version of this ref be done soon? Who tf knows!

[thewistlingbadger]

To me it's like, why even introduce new characters? There's so much shit going on in S2 we LITERALLY don't have the time for any of this. It's no surprise why we couldn't get invested in new characters there was already so much happening, I can only focus on so much at a time. And the cast from season 1 is large. They should have spent more time fleshing them all out instead of giving side characters WHO ALL DIED in the season. Sevika deserved the exploration, as did Sky and Ekko. They're all a part of S2 but they don't really feel like it. Season two was the opportunity to bring side characters into the spotlight and they said "naw. Stay backstage." It's silly that Jayce, Mel, Heimerdinger, and ekko are basically MIA for almost the entirety of the series. Like these were central characters last time around why are they barely here??

No. I just can't with the characters because I don't think I can genuinely say I enjoyed and understood the development of any of the characters fully. Like yeah characters developed but do I know why? No not really.

Mel gets introduced as a Mage but the black rose is never explained and it was just very confusing to me.

Jayce has the best development in the season imo most of what he did and went through made sense. My only thing is that I still don't understand why he shot at Viktor.

Viktor completely changes in S2 and we're never told why. He's completely cold and unfeeling and suddenly has an ideology that wasn't really hinted at in s1. We assume it's bc of the hexcore but we shouldn't have to assume we just know from what the show shows us

Vi literally doesn't change at all. She never has to reflect on her sister or Caitlyn or herself or the current circumstances. Nothing. She's the exact same imo. Isn't it weird how anti jinx she was in act 1? She was Literally about to kill Jinx had Isha not stepped in, even though that confrontation was like. In the same week Vi said they would always be sisters. And the only reason Vi starts liking Jinx again is because she's acting more like "powder". She never actually has to accept the fact her sister is changed bc her sister low-key reverts into who she used to be

Ekko didn't get shit this season let's be serious. No exploration of his character or his views.

Jinx's change comes from left field and this is because of how the show treats her relationship with silco and Isha. Isha basically pacifies Jinx and the show can't decide what it wants to do with Jinx's relationship with silco. Why does she decide to come back and save the day? Idk they didn't show us the scene where ekko and her reconciled.

Caitlyn. What a shit show. What thoughts are there to even express that haven't already been expressed? She becomes a fascist and that's not explored. She decides fascism bad but we don't see how or why she comes to that conclusion. She's treated like a hero when she acts like a villain. She never has to take accountability for her actions.

Poor Sevika she got nothing.

Singed has the best development out of everyone here ngl and I don't know how to feel about that lol sksks

Despite being the season's main antagonist, we sure don't learn anything additional to Ambessa. Probably bc they put her backstory in a music video and not the show.

I don't feel any sympathy for anyone that cried for Isha. Be so serious, the moment I saw Isha's music video before act one came out, it was obvious she was gonna die. Isha wasn't a character, she was a plot device used to further Jinx's narrative and I personally didn't like the way she changed her. Not to mention her sacrifice makes no sense bc she's shooting at Vander and jinx wasn't in any trouble. AND her death isn't mentioned in act 3. It's like she never existed.

Maddie is just confusing bc I heard the creators say she was manipulated by Ambessa but the show didn't show that. They didn't show anything of Maddie, she was just a side character. Was her betrayal surprising? Absolutely not.

the way Arcane wasted character in season 2 is actually insane. They gave us good character design but no good character. Especially the new ones. Is there honestly ONE, one you genuinely cried over?

I cried over Mylo and Claggor. I cried over Vander in season 1. I cried over Powder screaming and sobbing after Vi in act 1 of season 1. I felt deep emotional pain over all of this because they gave me character and an understanding of the world we are in. And they did all of that in 3, THREE, episodes.

What did they do with Isha? Well I sure didn't cry when she died. Her character, while interesting just wasn't fleshed out at all. What I felt when they killed her was how idiotic the writers were for that because okay? like huh. They had 5 episodes with Isha and somehow managed to not make me care enough to cry. Not because Isha's potential wasn't there but because killing her was stupid and pointless, just to further another characters pain which could happen way more naturally without introducing a character to die.

What did they do with Loris? They tried to make him Vander (which okay weird why do that? especially if you want to bring Vander back anyway like uhm? what was the sense of introducing Loris as a Vander stand in and then bringing Vander back??). But he WASN'T Vander because they never showed him to be. They just told me he was. Which doesn't work. okay, he died. Did not care. The only thing I felt was rage again because it was so unnecessary and dumb, they could have made a lot with this character.

Maddie. Well Maddie is a whole other thing, isn't she? She was introduced in a way that already raised a lot of eyebrows. But in a "she is a cop" way and not she is on Ambessas side way. There is so much questions coming up with that. Had she been on Ambessa's side from the very start? Even when we first saw her on screen? Did she come with Ambessa? But how was she an enforcer then? Did she always live in Piltover but how did she then turn towards Ambessa? When she made that fist sign, was the plot between Ambessa and her already going, or did it happen after that? Why were we not shown any of this? this is NECESSARY to understand her character and why the end happened. We should have been able to feel betrayed as well but like? I did not feel betrayed I was just like "okay well, that happened off screen I guess."

Steb had not one talking line, like why was he here, was I meant to feel bad when he ran into The Grey, I can't even tell, help.

And then the side characters of Zaun, especially the Jinxers. The one woman who then died with Vi's hand in hers while wearing the uniforms of Piltover. Did not feel sad. Felt absolute huge amount of unfiltered rage. Her character should have MEANT something. I feel they tried to make her mean something but they failed there too.

Lest?? LIKE LEST COULD HAVE ALSO BEEN USED IN SUCH AN INTERESTING WAY. She just never came back. Okay. Great, at least she didn't die but like? Was I meant to get invested? Was I meant to care? Usually I should be able to tell if I should care about a character in a show or not but in Arcane s2 they tried to make me care and failed or if I cared well then they failed, too

anyways just the side characters especially were a huge disappointment this time around.

[not-equippedforthis]

shout out to the very distinct feeling of 'oh god i'm going to become at least mildly annoying about this aren't i'. binging ds9 season 1 and i outright giggled at a very small mannerism julian did. got hyped when o'brien showed up. grinned widely at kira just Being There. felt the urge to yell and cheer and scream at the slightest hint of whump. the character dynamics and friendships are beginning to interweave like strings in a tapestry and i almost detonated upon realising this. uh oh.

[employee052]

this is your reminder to make ur cringy n self indulgent art bc cringe is dead and you gotta live life (I say, despite the fact i still feel a bit cringe but im being so brave abt it)

lettin myself post n do more art for myself so apologies for the more selfshippy art than usual

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[coollyinterferes]

The unmistakable sound of footsteps approaching begins to fill the air. Whoever is coming seems to have brought some company along…

They are getting closer… and closer… and closer…

…and closer…

……until..................

"Goooooood evenin'!!" Comes the loud greeting from a certain blond man. A big smile on his face and all.

"We beg your pardon for our prolonged absence. It was completely beyond our control..." Then adds the gentleman standing by his side, apologizing on behalf of both, offering a genuine smile along with the apology.

"...BUT! We're back!" And hopefully for good this time…

[crownedwille]

.

[antiyourwokehomophobia2]

I wonder what it is about breaking up with someone and starting new that I find so upsetting. I realize that people also find break ups heartbreaking, but I know I take it to an extreme. I've never liked the idea of having different partners throughout my life. The idea of having an ex has always been something I hated. The type of breakup didn't matter to me. That is to say whether we ended on good or bad terms didn't make the idea of ending a relationship better to me. I'm not trying to be pretentious about it, I'm just being fr about a sentiment I've held for as long as I can remember. I've never been the type of person who enjoyed the idea of hook ups or casual dating. For better or worse, I've always held the belief that romantic relationships should be all in and serious from the beginning.

I think this feeling is definitely exacerbated by the fact that I've been passed up for another person before so I know what it's like to have someone "move on" from you, and it genuinely sucks like all fucking hell lmao. So the idea of "moving on" and being with someone else has been incredibly tarnished for me.

[every-sanji]