#idk i like to portray him that way

[ghostie-gengar]

N childhood memory thing!! i'm back on my "N has a secret mom" crap (1200 ish words)

N hurried through the halls of the castle, stumbling to put on his shoes on the way. Since he was about to have an audience with his father, he figured he’d better at least put on a pair of shoes. Admittedly, he hated wearing shoes, but it was better than adding to the numerous screaming arguments that would spark if he didn’t

He turned a few corners, smiled and waved when the occasional maid bowed for him- he was a prince, after all- and found the entrance to his father’s office.

However, when he smoothed down his shirt and got ready to knock on the door, he saw it was slightly ajar.

N nervously shifted, then knocked three times. After a few moments with no reply, he called out, “Father? Are you there?”

No reply.

Brimming with curiosity, he peeked through the crack, squinting through at the warmly lit office. He began to pry the door open further, but stopped himself.

It had been expressly and repeatedly stated that N wasn’t allowed in there. And N wasn’t really in the mood to get hit or yelled at or grounded.

He stepped back and mulled over it for a few minutes, then decided. He opened the door with a creak, then slipped in.

He was at the age where he wasn’t one to follow rules, after all.

N had been in the office a couple of times, mainly for the odd brief discussion with his father. The floor was covered in an intricately embroidered carpet N would have loved to feel on his bare feet, and the walls were lined with bookshelves holding books on subjects from philosophy to art. N itched to flip through them, excited by the prospect of a whole room of books he hadn’t read yet, but figured he’d better not mess with anything. (At this point, he was risking having to wash the floors, too.)

“Father?” he called again, just so he could pretend he was still looking for him.

There was a large painting hanging above the desk. It depicted a cloudy, misty evening, where a Hydreigon clawed and tore away at a flower- a gladiolus, if N remembered correctly. What’s more, based on the tiny doodles he’d seen on the corners of his father’s notes, he could safely assume his father had painted it himself.

N stepped closer just to marvel at it. His father had never shown him his art, or anything personal, really. Maybe that’s why the concept of wandering into his forbidden office was so alluring.

He carefully turned around, ready to leave before he could get caught, but saw something very interesting on the desk.

There was a notebook (N didn’t even want to look at it, for he knew his father would likely kill him), as well as a few open books. One of the books was a sketchbook, where the open page depicted a near identical drawing of the vase of flowers nearby.

But most strikingly, was a small picture, in sunbleached colour, of two people.

One of them was his father. He looked younger and quite dapper in a dress shirt and slacks. His eyes were turned up in a smile, including the right eye N had never seen. 

N picked up the frame to get a closer look.

The other person was a woman around his father’s age, clinging to his arm and beaming with all the light in the world. Her hair was a light pink and tied up in a bun, and she wore a pretty yellow dress.

She kind of looked like N’s older sister. Her eyes were more like his other sister, though.

And of course, as he stared down at the window into his father’s past, that was the moment when the door creaked open, with his father on the other side.

“N? What are you doing in my office?” the man said with a frown.

N’s heart hammered against his chest, and his head began to feel fuzzy. “I’m sorry!” he quickly sputtered out. “I know I’m not allowed in here, but I was looking for you, but you weren’t here, and-” He bit his tongue. Excuses would only make things worse!

His father’s eyes fell to the frame in his hands. “What do you have there?” 

“I shouldn’t have looked,” N said, wincing as his father drew nearer, “but I was curious.” He squeezed his eyes shut, but his father didn’t strike him, or yell. Just placed a hand on his back and peered over at the picture.

“That’s an old photograph,” he simply said.

N went still, mustering the courage to even speak. “Who is she?”

He didn’t think his father would reply. Surprisingly, he was wrong.

“My wife. Your mother.”

Mother?

Of course, since he was fourteen, N’s first thought was, My dad gets girls??

He couldn’t say that, obviously, so he looked closer at the picture. Sure enough, he could see little traces of himself in her brown eyes, and her freckles, and her smile full of crooked teeth.

“She’s pretty,” N said, at a loss for anything else to say.

“She was very beautiful,” His father gently took the frame from N’s hands. “and very kind.” He set the picture back down on the desk.

Was.

Ah. 

N knew better than to inquire further, and his father knew better than to let him.

“Now, what did you need me for?” his father asked, voice edging on annoyance.

N’s mind went blank. In all his excitement and discovery…he totally forgot why he’d wanted to visit in the first place.

He bowed his head. “It slipped my mind. I’m sorry.”

His father rolled his good eye. The one that wasn’t concealed by an eyepatch. “Alright, then.” He patted N’s back. “Get out of my office.”

“Yes, sir!” N hurriedly shuffled out of the room, but paused at the doorway. “I like your art.”

“Out of my office.”

“Could I read your books sometime?”

“Out.”

N ran off, for he knew when his father was reaching the end of his short fuse. Still, it was a miracle he wasn’t in more trouble, but maybe his father was busy thinking up a punishment.

He kicked off his shoes and scooped them up as he ran.

He always imagined his father was hiding wicked, magical secrets behind the door to his office, like a Griseous Orb or maybe a Time Gear! (If confused about the latter, please consult N’s favourite book, Explorers of Sky)

But, everything in that office was so…normal. Why would his father feel the need to hide something so ordinary, like art or books or a picture of his wife?

Wife. N still couldn’t believe a lady would like his father.

He closed himself into his room and flopped over onto his bed, then thought about the woman’s smiling face.

He had a lot of questions, and he doubted they’d be answered.

“She was very beautiful, and very kind.”

…That’s what his father had said. He’d sounded uncharacteristically tender and forlorn, as well. He must have really loved her. It seemed hard to imagine, since he was always yelling and mad about something.

“She was very beautiful, and very kind.”

N wondered if she would have said the same thing about his father.

[uhbasicallyjustmilex]

ALEX TURNER, RIO DE JANEIRO, BR. by Zackery Michael

[bogkeep]

saw some lego dinosaurs today :3

[kami-kun1003]

TWST fic writers stop reducing Silver’s entire personality to just “sleepy boy who falls asleep all the time and is sooooo sleepy and tired and did i mention he sleeps a lot and also he loves his dad” challenge (impossible) (gone wrong)

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda

[the-casbah-way]

forgive the brief jesus chris superstar rant but. there is a very important difference between the pharisees being villains and the pharisees being antagonists. they're technically antagonists because they're actively working against the interests of our protagonist, but i don't believe they should ever be played as villains. they're not evil or bad or wrong. they're terrified just like literally everyone else in the show is, and their actions are completely justified. to me that's the entire point of the musical. it's not about christianity; it's about the impact the roman empire's brutal and violent imperialism had on everyone on all levels. including jesus and judas, but also including the pharisees, and even herod and pilate. when a powerful coloniser forces their presence on innocent people they are the only winners. everyone else suffers, even the puppet kings and high priests who look like they're reaping some sort of benefit from it all. that's roman propaganda. the romans kept native rulers like herod and caiaphas in power to maintain the illusion of provincial autonomy, and keep populations appeased and therefore under control. everyone in the show is acting out of fear of the romans. the one roman character we do see (pilate) is acting out of fear of his own emperor. it makes no sense to cast the pharisees as two dimensional Bad Guys, especially when the same productions that do that usually offer a sympathetic portrayal of pilate. it would be so easy to stage and direct a production in a way that makes it obvious that the pharisees are doing what they're doing because they truly have no choice, and not because they're pure evil and want to kill jesus for the sake of it. it's not only an antisemitic trope but also undermines a really important theme of the musical. if you can see the humanity in the violent roman governor installed forcefully on conquered land then you can afford some humanity for the pharisees too. they are victims of pilate and victims of rome just like everyone else

[rawbin-hsr]

Aventurine x reader

You die.

─── ⋆⋅ ☾⋅⋆ ───

TW: DEATH, heavy angst, gore, blood, kind of disturbing, a bomb explodes, derealisation/disassociation, graphic, I'll be so honest this fic is kind of fucked up

Lmk if I should add any more specific warnings!

If you're sensitive to violence and dark themes, you probably shouldn't read this.

─── ⋆⋅☼⋅⋆ ───

This mission had gone terribly awry. 

It was only meant to be a routine checkup. The IPC was planning on allocating resources from this planet, something the locals had not been pleased about. Aventurine understood. He would not be particularly happy to have his planet drained of all that made it worthwhile either. (He had not been happy. But all things considered, he thought he was being generous. Nobody was being directly killed, the IPC merely wanted a cut of the many materials the planet offered. The Avgins on Sigonia had all been very intentionally exterminated. He was not doing that to these people.)

Still, he couldn’t afford to take risks, hence the many IPC assigned bodyguards he had brought along. Deals like this, where the clients were undeniably on the losing end, were bound to go wrong in one way or another. Often violently so. 

He just had not expected the bombs. He had not expected the mass amounts of guns. The people were more capable and vengeful than he had assumed, then. Ultimately, it was his own fault.

Most of his goons were dead. Most of the government officials were dead too. It made sense they’d want to go out in such a loud and proud way. A declaration to their people they wouldn’t lay flat before the otherworldly corporation that had come to essentially take away what made their planet their home. Bold to be ready to kill so many of their own, but he could respect it. 

Under normal circumstances, he wouldn’t be very angry. It was fair, all things considered. He’d had this long coming; being killed by the people whose lives he was ruining. In their positions, he’d love to kill him, too. The only issue was that this hadn’t happened under normal circumstances. 

No, you were with him. You’d been just a bit away from him when they opened fire, when they set off the bomb. 

It was so stupid. It was so, so unbelievably stupid that he’d let you come with. It was your job, yes, but he should have reassigned you to some other mission. Something safer. Something that didn’t involve visiting planets to drain them of all their worth. Something that didn’t bring about rage from the clients. 

He could see you. He’d been saved from the brunt of the impact, and his luck had once again protected him from serious harm. He had only been slightly grazed by a bullet, had only been slightly burned by the heat of the explosion. Nothing serious. Nothing he couldn’t walk off within a week or two. You had not been so lucky. 

Your arm was outstretched over your head, body lying limply on the floor. Missing the other arm. There was only a gaping, red hole where it had once been attached to your body, a little bit of bone sticking out of the gory mess. The blown off hand with your engagement ring lay close enough to him that he could touch it. Maybe intertwine his fingers with it for the last time. The pinky was missing.  

He pushed himself onto his feet on unsteady legs. He could barely feel his own body at all. One glance down at it told him he’d been right in his initial assumption, though. No parts of him were missing. He was intact. 

He stumbled over to where you lay, your expression calm, almost peaceful. No pained pinch between your brows, no worried frown on your lips. Were you unconscious, or were you dead? Though he knew it was unlikely you’d leave this place alive either way, he hoped desperately for the former. 

He fell to his knees next to you. Something was buzzing beneath his skin. Something was buzzing in his vision. Had the world always been so blurry? Had there always been such a loud noise ringing in his ears? His hands trembled as he carefully reached out, a hand tenderly cupping your cheek. Your face was red, slightly burnt in places. Your hair was singed. You felt hot to the touch. 

No, not hot. Warm. Warm as in alive. He couldn’t hear you breathing, but warmth meant life. Warmth meant life. You were alive, surely.

He brushed his thumb under your eye. Tried to find something to say, but he found his mouth refused to open. Carefully, so carefully, he shifted you onto his lap. He stared at the dust from all the debris that had settled onto you. He couldn’t breathe. 

(He thought back to a time when the dust had been sand. He thought back to the red that had painted the ground then as it did now. He thought back to another body he had pulled closer, with hands much smaller and weaker than the ones he had now. He thought back to the taste of salt as tears fell in an endless stream from his eyes to cover his face and hers.)

He moved his free hand to your neck, gently pressing a finger to where he knew he was supposed to find your pulse. It wasn’t there, but only because he wasn’t searching hard enough. He carefully felt around, and though he couldn’t find it, he knew it was still there. He just didn’t dare press down hard enough to find it. The same applied when he felt your wrist. He was just bad at finding things today. 

(He stupidly hadn’t found a good enough reason to put you out of this mission. He stupidly hadn’t found anything that happened before the explosion suspicious enough to leave early. He stupidly hadn’t found his way next to you quickly  enough to save your life.)

When his hand landed on your chest, absent of a heartbeat, tears started falling from his eyes. But why was that? You weren’t dead. In fact, the longer he looked at you, the more sure he became this couldn’t be you. Your skin wasn’t this hot. Your arms were both still attached. You did not have fresh burns covering your face. Most importantly, you were alive. Alive and well and happy and safe from this little mishap. He had misremembered, you had stayed home during this mission. The hand he’d been so sure belonged to you had been someone else’s, he’d merely mistaken the ring for yours. It was such a bland ring, after all. He’d have to buy you a new, much prettier one once he came home to you, and apologise for his oversight in giving you such a boring design. 

He ignored the repeated whispers of ‘not again, not again’ going through his head. Nothing was happening ‘again’. This was not Sigonia. This was not a person he loved, or even knew. He couldn’t understand why his body curled over the stranger’s, sobs wracking his frame as he pulled them close, soft apologies tumbling from his mouth. He nuzzled his face into your- their hair, hand carefully cradling the back of their head as the other supported their back. 

The body smelled like you. The body felt too similar to yours in his arms. The body had your face, even if your features were a little damaged. The longer he stared, the more he could feel his gut sinking. So he shut his eyes and reminded himself that there was no possible way this was you. It couldn’t be, it couldn’t. The universe would not be that cruel to him, would it?

Then again, maybe he had deserved this. If it was real. He was not a good man. He had not come to this planet with good intentions. Losing the thing most precious to him, the only thing precious to him, after taking away so much from so many others was a befitting punishment. 

But you hadn’t deserved this. Wouldn’t have, if it was real. You were so kind and generous and perfect and lovely, so different from him, so different from the position your job wanted you to be. You didn’t deserve to die. 

Die. Dead. 

Dead. Dead. Dead. 

You were dead. 

(Aventurine had seen so much death in his life. He should have been used to it by now. He was used to it. He had just forgotten how much it hurt when it is someone he loves.)

He held you tighter. If he held you tightly enough, could it piece you back together? If he held you tightly enough, could he replace the parts of you that were missing with his own? The sobs that escaped his lungs were violent, and quickly, some morphing into gagging. He felt sick. He had to turn himself away from you briefly to throw up, not wanting to soil what was left of you further, before he desperately held you again. Would it be the last time he held you?

Maybe if he took you back to the ship quickly enough, something of you could be salvaged. Maybe he couldn’t piece you back together, but he could find someone who would. There had to be something he could do. This couldn’t be it. He couldn’t lose like this again. 

He could barely stand. His body was already weak and your added dead weight made it even harder to balance. He picked up the parts of you strewn about on the ground he could quickly spot. Your hand, your shoulder, what he thought might be your bicep. He couldn’t find your forearm and he didn’t have time to properly search for it. Maybe someone could put all of you back together? Maybe you’d be whole again. He wanted you to be whole again. 

(He couldn’t save his people. He couldn’t save his mother. He couldn’t save his sister.)

(But things had to be different now, surely. He was a different person now. He had power, he had wealth, he had everything. What would it all be good for, if he couldn’t save you?)

Other IPC personnel met him outside the building as he stumbled out, and Aventurine’s mind was so hazy he couldn’t make sense of anything that was happening. He was pretty sure his own, now dead, workers had sent a distress signal. People rushed in to find anyone else from the wreckage. After, Aventurine found out he was the sole survivor. (He always was.)

(You had not survived.)

He demanded you be taken into surgery. That the medical staff on board had to get you to breathe again. For some reason, they had been hesitant. He threatened to have them fired or killed if they didn’t get to it. He set you as first priority, putting the best doctors they had on hand to work on you. 

They sewed you back together as best as possible at his insistence. They got your heart pumping blood again, they hooked you up to machines and forced your lungs to breathe. The surgery lasted for four hours.

It did not change the flatline on the screen signalling your brain activity. 

He could find the best doctors in the whole galaxy, but he already knew the line would remain flat. Nothing was bringing that back.

He stared at you for hours after your surgery. Interlaced his fingers with yours, feeling the artificial warmth of your hand. It did not feel like you. The temperature was wrong. The look on your face was wrong. Your body was wrong. Everything about what remained of you was wrong. 

He eventually laid his head on your chest, and then he cried.

He cried until the black spots in his vision grew so numerous he could no longer see, until everything faded and he could no longer hear the beeping and humming of the machines keeping you hollowly alive. 

(Why did he ever let himself love again?)

─── ⋆⋅ ☾⋅⋆ ───

Sorry that was messy I wrote everything today because I am con-crunching tomorrow and won't be available for like at least 3 days after this (usually I write over the span of multiple days so I can re-read for grammatical/spelling errors and so my language will be a little more varied + I get fresh ideas). Sorry this fic was ?? kind of messed up ??? I think ??? I think my perception of what's messed up and not is kind of weird (I grew up on warrior cats HELP.) so to me it didn't feel that fucked up to write about Aventurine literally picking up your body parts after you died but I've realised upon mentally summarising that part of the fic that maybe that was kinda horrific. Just a glimpse into my twisted mind heh 😈.... sorry

My inbox is open, feel free to send in asks or requests, I'd love to ramble about things <3

[collectorcookie]

hello i offer you romarriche princess carrying merold. have a good day.

[twentyfivemiceinatrenchcoat]

IN THE DREAM I DON’T TELL ANYONE, YOU PUT YOUR HEAD IN MY LAP ; SHOKO IEIRI

synopsis; ever since the battle in shinjuku came to its conclusion, nothing’s been the same as it used to. but you don’t think anyone is doing quite as badly as shoko. 

word count; 4.5k

contents; shoko ieiri/reader, gn!reader, canon-typical mentions of death (iykyk), angst, hurt/comfort (but not very heavy on the comfort), jjk spoilers (up to chapter 236!!), mild gore (mentions of blood, autopsies and general gore-ish imagery? nothing too bad tho), shoko ieiri deserves better, includes gojo slander (stay safe gojo nation)

a/n; first of all i just wanna apologize to the shoko girlies for writing angst when we’re already so starved of content, i have like 50 fluff drabbles planned for her but chapter 236 threw me into a mental angst pit so </3 yeah. i love my wife!!

shoko hasn’t been herself for a while.

the thought sneaks its way into your subconscious, as your feet carry you to her morgue — a rotten thought you just can’t seem to rinse away.

it’s not very hard to notice. she doesn’t talk as much, for one. not that shoko was ever much of a talker, but now the silence around her is deafening. thick and heavy like the spine of a knife. and she smiles even less.

you can’t remember the last time you heard her laugh.

the crescents beneath her eyes are darker than ever, darker than you thought possible. a murky purple that you’d find soothing in any other context, but like this it’s just revolting. her eyes are deep and dark, the same as ever, but now they’re glazed over with something you can’t quite put your finger on. 

apathy, maybe.

or bloodlust.

the scent of cigarette smoke that follows her is suffocating. indistinguishable from her natural scent. you don’t know if she’ll ever be able to scrub the tobacco stench off her skin.

(you’ve given up on counting the exact number of cigarettes she smokes each day. you’re not sure you want to know the answer.)

she doesn’t even look alive, anymore. like some part of her already reached its expiration date. a spectre, wandering the hallways, filling the air with the slow, ominous clacking of her heels.

shoko hasn’t been herself for a while — and it’s so obvious. her grief is so heavy, her sleep-deprivation so severe. you’d have to be blind not to notice it. 

so why hasn’t anyone said anything?

you gnaw at your bottom lip, trying to suffocate the bitterness swimming inside your veins. it’s a dumb question, really, because you already know. you don’t want to acknowledge it, because it’s so unfair, but you know. of course you do.

no one has the time to. it’s as simple as that. 

no one’s doing well, anymore. not since shinjuku.

not since gojo died.

shoko’s grief is a fickle thing. always with her, tucked away within those eyebags, in the pockets of her coat. in that smell of tobacco, never-fading, always lingering. it follows her like a ghost, like something she’ll never quite be rid of.

(like something she doesn’t want to be rid of.)

shoko’s grief is a fickle thing, and it always has been. but recently, it’s been downright overwhelming. it used to be subtle, the kind of thing you notice if you look close enough. if you squint. if you even care enough to try.

but now, it’s more like a haunting than a simple ghost.

(geto. nanami. yaga. and now gojo, too.

how many people does she have to lose before whatever’s watching is satisfied?)

shoko hasn’t been herself for a while, and it’s obvious, and it’s sickening. she still does her duty to a tee, but she isn’t quite there anymore. gaze always forlorn, as if she’s trying to convince herself of something.

and yet no one says a thing.

everything is one big mess, right now. you don’t want to blame anyone. everyone’s exhausted, completely and utterly spent, but they’re still planning it all out. even in the midst of their mourning. because they don’t have any other choice. 

this is not the kind of situation where you should be pointing fingers. a part of you is angry, livid even — but you know the others are doing just as badly. it’s not like you aren’t, either.

still, though. isn’t this just too unfair?

”i brought you coffee!”

making sure your voice doesn’t waver is tougher than you initially assumed. just the sight of her sends a tremor running through your ribs; sunken down in her chair, papers in hand, eyes scanning the pages methodically. papers of what, you’d like to ask — but you already know.

(she’s reading through the post-mortem examination report, again. searching for something you don’t understand. you’re not sure she does, either.)

and she looks exhausted.

try as you might, your voice ends up sounding a little stale, as it flows from your lips and reaches her ears. but the attempt is there — the attempt to sound cheerful, calm. normal. to give her something to hold on to.

shoko looks up at you, and her lips curl in a way you think is supposed to form a smile. it doesn’t. her eyes look into yours but it’s like she’s not seeing you at all.

when you go to give her the cup of espresso, your fingertips touch. only for a second, before she curls her fingers around the ceramic handle. she receives the coffee with a small murmur of thanks, but you don’t notice because you’re too busy thinking of how cold her skin feels.

(cold like a ghost. cold like death.)

shaking away the shivers down your spine, you allow your gaze to trail over the morgue. it looks the same as always. cold, empty. foreboding. today, you think it feels just a little chillier than usual. matching the temperature of the outside world, where everything lies buried in heaps of snow and frost.

hesitantly, you plop down in the seat right next to hers. with such a narrow distance, you can smell the tobacco sticking to her clothing. it makes you want to throw up.

(you try not to look over at the couch in the corner of the room, where a certain someone used to slack off. his awkwardly long limbs would dangle off the edges, and shoko would pretend that she didn’t enjoy his company. you were more than content with silently admiring the smile she was trying to hide.)

shoko doesn’t look at you, professional in the way her eyes run across the files. cause of death: damage to central intestines, subsequent loss of blood. from a cut to the stomach, right below the liver and spleen.

you look away before your eyes can read another line.

leaning back in your chair, you exhale a tiny sigh. desperate to fill the silence with something, anything at all. you scramble for topics, racking your brain.

(what could you possibly tell her that she doesn’t already know?)

”the others are still planning everything out,” you speak, playing with your fingers idly to distract yourself. ”i think it’s going well.”

shoko hums, unaffected. ”that’s good.”

she’s speaking to you, but that feeling of unease still won’t go away. her voice sounds still, flat. empty of emotion. but you can tell she’s trying to be polite.

that’s no surprise. shoko isn’t the type to ever show how she’s truly feeling. she’s not the type to ask for help, either. people come to her for help, not the other way around. that’s all she’s ever known.

(in that sense, the two of them were alike.)

but that just makes it all the more important for you to be there. even if you’re a little awkward, and even if you can’t do much. even if it’s only for a moment or two, you want to see her smile. you want to feel for yourself that she’s really there.

looking over at shoko, you wring your hands together, the cold air of the morgue nipping at your sweaty palms. she’s drinking from the cup, one finger around the handle as her other hand flips through the papers.

”does it taste okay?” you ask, softly. if only you could ask her that under better circumstances, with cups of espresso made with better coffee machines than those at jujutsu high. ”i made it myself, so…”

”it’s fine.” shoko takes a sip. dragging her syllables out, as if mustering the will to speak. ”don’t worry.”

short sentences. almost cold, but you know better than that. she just doesn’t have it in her to pretend that everything is normal, anymore.

and it makes you uncomfortable. this silence. 

a couple months ago, it would have felt comforting; a quiet, peaceful kind of solitude shared between the two of you. nostalgic, like the smell of morning dew. or the way moonlight feels on your skin when the world falls asleep.

the silence you had with shoko always felt so tender. a single moment of peace, before the other shoe dropped. just that one moment was enough to give you the hope you needed to make it through another day.

you loved being silent with shoko. you loved her silence, the way she could soothe your very soul without saying a thing.

but now it only stings your skin. you fear that you might drown in it.

there is nothing to say. you want to ask her how she’s doing, but you already know. you want to ask her why she’s still reading the files from gojo’s autopsy, but you already know.

you want to ask her if she can still keep going, like this. but you already know.

she doesn’t have a choice.

(something crumbles, deep inside your chest, like ashes cast into the sea.)

”hey. shoko?”

she hums, again. weak. quiet. absentminded, acknowledging your words but not really hearing them.

you take a deep breath.

”i think i’m going to quit being a sorcerer.”

silence.

for a moment, nothing happens. nothing moves, or speaks. the air is cold and crisp and carries no meaning, no words, nothing at all. 

like time is frozen. frozen like all the bodies shoko’s had to dig inside these past few months. frozen like gojo was when she found him in the snow.

frozen like your youth, a glass marble kept in your pocket for moments when you feel as if the ground beneath your feet is about to slip away. then you’d take it out, and look deep inside it. watch the swirling of greens and blues and purples. that streak of indigo right in the middle of the glass. memories of the past, to give you comfort.

to remind yourself of why you’re doing this. to give you a reason to keep moving forward.

(south or north, it doesn’t matter. stay as you are or move forward, look to the past or to the future — none of it matters if you aren’t alive. that’s the conclusion you came to.)

shoko’s expression, too, is frozen. it doesn’t change, even as you let those loaded words fall from your tongue. you watch her carefully, out of the corner of your eye. she doesn’t even look at you, gaze still glued to the tiny letters detailing exactly what gojo’s pulse was at when he got cut.

but something flickers, in the depths of her irises, so fast you barely catch it. something you can’t identify, but it’s still something. it’s movement. it’s alive.

”not right now, obviously,” you elaborate. suddenly a little nervous, now that the words have been made manifest. ”but… you know. once all this is over.”

not sure what else to say, you trail off, fidgeting with your fingers again. voice wavering pitifully towards the end of the sentence, because deep down you know it’s not a question of once, but a question of if.

(if this ever ends. if i don’t die tomorrow, or the day after that.)

you swallow the lump in your throat, and look at her. trying to find her eyes. trying to keep her alive for as long as you can, this sequence of motion, this moment frozen in time.

trying to reach her.

”you won’t ever have to worry about me dying,” you throw in, like the words are light and not heavy as bricks. but you know she needs to hear them. ”i’ll leave, and then — and then…” 

staring down at your lap, you link your hands together. exhaling, a little breathless. sheepish, in a way. ”… well. i don’t know. i haven’t thought that far ahead, yet.”

you never had the chance to. you didn’t even really think of it as a possibility, as something you could do. and you know it’s not a possibility for shoko. the choice to be a sorcerer was never hers, from the very beginning.

a user of the reverse cursed technique. capable of healing almost any wound, more power and capability than a child should ever have. invaluable. she’s saved so many lives you’re sure she’ll be reborn as a god.

but the choice was never hers.

a soothing kind of ache blooms in both your palms, as your nails dig into the soft skin. hard enough to form crescents, like the ones under shoko’s eyes, that she’ll never be rid of no matter how much she sleeps. the choice was never hers.

isn’t that just too cruel?

they don’t deserve her. none of them do. the elders didn’t, the jujutsu world doesn’t — not even the students. no one deserves it; everything she does for everyone, day and night, just slaving away in the morgue or her office. cutting up curses and old friends. every second of the day, always that same buzzing of her name being called. 

shoko, someone needs healing, come quick! 

shoko, i know it’s 2 am and you have work tomorrow, but there’s a curse that i need you to dissect.

shoko, i think i got a paper cut, would you mind taking a look?

none of them deserve her.

you think of gojo. a flash of white hair, a grin brighter than the sun. a bloodstained smile — one shoko had to wipe away.

something ugly claws its way up your throat.

none of them deserve her. especially not him.

what were you thinking, leaving her all alone like this? so much for being the strongest. you couldn’t even stay alive.

why would you die with a smile on your face? do you have any idea how cruel that is to her?

you idiot. don’t you know how much she missed you?

— yeah. none of them deserve her. gojo doesn’t, the world doesn’t, and neither do you. no one does. 

what shoko deserves is to live a normal life. 

and she never will.

it’s foolish. it’s naive, a juvenile daydream. but you wish for it so, so badly. so much that even just the thought alone feels like too much to bear.

you wish you could bring her with you. 

you wish you could take her hand in yours, and run away. leave it all behind, every single thing, without caring about the consequences. you’d hold her hand and never let it go, and then you’d run and run until you were both high on adrenaline and breathless laughter.

maybe you could go somewhere, together. somewhere better. outside of japan, where there are less curses. money wouldn’t be an issue, you both have more than you know what to do with — one of the perks of having a job that’s bound to kill you. you could settle down in some smaller town, peaceful, maybe a little secluded. just to make sure no one finds you. 

maybe you could open up a little shop, together. or spend all your days tangled up beneath the blankets, catching up on lost sleep. talking and whispering, like you’d do back at the sleepovers you used to have. you’d make her coffee every morning, and tea every evening. you’d spend the rest of your life trying to make her laugh as loud as possible.

there’s nothing you want more. absolutely nothing. there never will be.

— but you can’t ask her.

you can’t ask her to come with you, no matter how much you want to. that’d be the cruelest thing you could possibly do to her.

she would never agree. you’d only be hurting her more. so selfish, all of these wishes. it was so much simpler back when you were just kids. when you didn’t have to care about duties or responsibilities. when your cognitive empathic abilities were just a little more lacking. 

a sigh flows from your lips. resigned, but somewhat hopeful, all the same. tainted with the murmurs of a memory that’ll never happen.

”maybe i’ll open up a bakery, or something.” you tap your fingers against the desk, smiling a little to yourself at the thought. or trying to. ”then you could come visit.”

shoko looks into her cup of coffee. watching the swirling of the vortex, the abyss that gazes back at her. she doesn’t look at you but you can tell she’s listening. then she puts the cup down, and you glance at her now-empty hand. 

shoko’s hands have always been pretty. even when they’re covered in grime, or stained with blood. thin, a little bony, smooth skin obscuring clear blue veins. moles litter her hands like stars in the sky; one right beneath her pinkie, another by her wrist. the more you look, the more you find.

tentatively, you broach the distance between you. curling your fingers around her slender ones, where they rest on her lap. linking hands. it’s a slow movement, drawn out and careful, accompanied by the heavy beating of your heart. 

(her skin is cold to the touch. your skin buzzes with unease, but you don’t let go.)

then you smile. a small thing, not really optimistic, but the attempt is there. something for her to hold on to. looking deep into her eyes, admiring the hazel glow that never quite left them.

”i’ll give you free pastries.”

a moment passes. shoko’s fingers squeeze around yours — weakly, but it’s there. movement, motion, life. a way of reaching out. a way to hold on.

her eyes continue to trail over the page, but you know she’s not reading any of the contents. you’ve caught her attention. a small victory, but you’ll take what you can get.

”i don’t like sweets,” she reminds you, leaning back a little in her chair. allowing her eyes to flutter shut, at last — and it’s not much but it’s something. a moment of relief for those tired, tired eyes. more tired than any 29 year old’s should be.

”i’ll change your mind,” you promise, mustering up enough will to sound smug. ”my pastries will be out of this world. you’ll get a sweet tooth in no time, sho.”

she exhales a breath, vaguely amused. your smile widens, hopelessly. her happiness was always the root of yours, wasn’t it?

then she looks at you, one eyebrow raised in lazy scepticism. ”can you even bake?”

”nope,” you deadpan. ”but i’ll learn. you’ll see.”

this time, shoko almost chuckles — and it’s more than you’ve gotten out of her in recent memory. god, you missed that sound. a little raspy, from all the cigarettes, but still so honeyed and smooth. hearing it makes you feel as if everything will turn out fine, in the end.

(what a powerful thing, for a voice to do. one so lovely it anchors you to the earth.)

a faux pout curls its way to your lips, and you squeeze her hand lightly. ”don’t laugh, i’m being serious!” your pout shifts into a soft grin, a little teasing. ”i’ll get you addicted to sugar instead of nicotine.”

”haha…”

shoko laughs. shoko laughs and it’s beautiful.

shoko laughs, a genuine laugh, and it’s so beautiful that you almost don’t notice the tears in her eyes. almost.

and then you realize your mistake.

a memory comes to you, then. you recall a hushed conversation, beneath a cloudy summer sky. the air was heavy with the scent of lilacs and cigarette smoke. two people were beside you, and all you cared about was listening to the tilt of their voices. that, and nothing more. a time before everything and everyone went south.

(”you know, shoko. you really should drop those death sticks of yours.”

”i don’t want to hear that from the guy who needs 40 grams of pure sugar every day just to function.”

”rude! and as far as addictions go, sugar is a cut above nicotine, don’t ya think?”

”whatever. just worry about yourself, gojo.”)

by the time you realize, it’s already far too late. the tears have already begun to fall. little droplets of grief, sticking to her skin.

they trickle down the contours of shoko’s face, and fall onto the paper in her hand, smudging the letters. she clutches it tightly, crinkling it, just to make the damage worse. her other hand is still holding yours, chipped nails digging into your skin gently.

but she keeps laughing. low, hazy laughter — pained. she sounds like she’s in pain, and that’s because she is. even if no one ever cares to mention it.

(how cruel, for her to be born with the reverse cursed technique. capable of healing any physical wound; leaving her with too many mental ones to count. never to be healed or acknowledged, in this life or the next.)

you can only stare. helpless to her sadness. her eyes are a little red, and she’s biting down on her lip hard enough to draw blood — a drop of scarlet falls onto the paper, and you think of gojo again.

you think of shoko finding him. running to his side. doing all she could to heal him, to patch him up — getting blood all over her hands and clothes. red everywhere, staining the pure white of the snowfall. like something out of a painting.

she did all that she could. pressing down on his chest, positive cursed energy pouring out from her fingertips in tandem with the snow. pressing two shaky fingers to his pulse point, just in case. just to find any sign of life, absolutely anything. hoping so tenderly that she’d feel the flutter of his pulse. that he’d get up, and laugh obnoxiously, and ask her if she really thought he’d leave her behind so easily.

you’d never seen her look so scared. so desperate, a primal kind of fear you’ve learned to associate with self-driven survival. the way some animals can claw their way out of a predator’s stomach if they’re swallowed whole. but she did that to save him. trying to claw him out, herself. from the belly of the beast.

she did all that she could.

but gojo didn’t do anything. he just laid there, split in two. frozen in time, eternally young. watching the sky. smiling.

(what a wonderful way to die. what an awful thing for an old friend to find.)

before your mind can catch up, your body acts. muscle memory, in the way your arms curl around her midriff to bring her close. tucking her into your side while she sniffles and cries. still laughing, like she’s still trying to convince you that she’s fine. like she’s isn’t falling apart at the seams.

the dam breaks. the ice shatters. everything comes crashing down — and you’re there to pick up the pieces. despite everything.

it’s not enough, it never will be. but at least it’s something.

it’s heart-wrenching, the way she clings to you. like you’re the only thing she has. the dry laughter that spills from her throat devolves into sobbing, her chest heaving as she tries to catch her breath, nails clinging to the fabric of your clothing like she’s trying to anchor herself. broken sniffles fill the space between you as she hides away, in the crook of your neck.

(the sound makes you feel like someone drove a knife from your sternum down to your stomach.)

all you can do is hold her. quietly, delicately. as if she could break if you squeeze her too hard. as if she’d shatter like a sheet of glass if you were to say the wrong thing again.

you hold shoko like she’s fragile. because she is, regardless of what anyone else says. because she’s a human being, and she’s grieving, and she needs this.

eventually, she musters up the will to speak — and it’s awful, raspy, broken syllables she has to force out of her throat. 

she chokes on the words like they’re poisonous. like she’s been carrying them around for decades, bubbling beneath the surface, waiting to be let out.

“don’t — don’t end up here,” shoko pleads, voice wavering through the syllables. full of fear. “please.”

you know what she means. she doesn’t have to say it, because you know.

don’t end up in my morgue. don’t end up on my autopsy table. 

shoko sounds meek. she sounds close to falling apart. you’ve never seen her like this before, clutching onto your sleeves as if begging you to stay. 

“you’re — you’re the only one i…”

she doesn’t finish, cut off by a broken sniffle. but she doesn’t need to. 

you’re the only one i have left. i can’t lose you, too.

please don’t die. please don’t leave me behind.

a shaky inhale. your arms tighten around her waist, tugging her closer. praying that she’ll feel the steady beating of your heart, the undeniable proof that you’re alive. that you haven’t left her yet. 

you blink away the tears in your eyes, grasping for control over your wavering voice.

“i won’t.”

and maybe it’s cruel, maybe it’s the cruelest thing you could do to her — making a promise you know you might not be able to keep. but you do so anyway. helpless to her sadness. at the complete mercy of her grief. you’d do anything to stop the tears from falling, to soothe the turmoil in her chest.

“i won’t let you be alone, shoko,” you murmur into her hair, with all the comfort you can possibly muster. ”not now, or ever.”

three words yearn to be spoken, resting on the tip of your tongue. three little syllables, desperate to be heard after living in the back of your throat for so many years. 

and for a second, you think you might say it. 

you think you might say it, breathe life into the statement. you can almost taste it, can almost hear it. can almost see what her expression would look like.

but shoko sniffles, and hugs you tighter. protective, like you’ll leave if she doesn’t. so tightly that it hurts a little.

and you swallow the words, once more. 

right now, this is enough. it’s enough that you’re alive, that you’re here. that’s what shoko needs, right now.

she doesn’t need your love. she just needs you to stay alive.

so you will. you decide that you will, no matter what. you’ll leave, and you’ll open up a shitty bakery that won’t get any customers — and you’ll give her free pastries for the rest of your life. you’ll get her so addicted to sweets that she’ll have no choice but to come back for more.

shoko cries like a child. filling the silence of the morgue with her shaky breaths and quiet sniffles, little hiccups and whimpers. the tears never seem to stop, and you wonder how long it’s been since she last let them fall.

you hold her in your arms, smoothing a palm down her back, counting the bumps of vertebra — and don’t say anything. there’s no need to.

for now, the soft patter of your heartbeat is enough.

ijichi stands just outside the morgue, unmoving. not saying a thing.

it’s muffled, hushed and quiet, but still audible. the sound of childlike crying. the kind all sorcerers do their best to keep to themselves.

in his arms lie a bundle of papers. the final pages of gojo’s autopsy report. it’s important that shoko sees them — vital, according to her. something about the six eyes, the possibilities they hold. the hope that maybe, just maybe…

— he clutches them tightly, and then walks away.

[greasydumbfuck]

thinking about frank and sex (in a sad way)

[clegfly]

“Of course you have an Other Brother,” he says, waving off her denial as he opens some nearby cabinets. “Who else would I be if I wasn’t?”

Small WIP sketch of the Other Brother from IDKSomethingClever99’s fic “Mari in the Pink Palace”!!! OMORI and Coraline are my two biggest interests ever so this fic was like winning the lottery for me. Not to mention how good it is… please go read it ragh

[thatchaotictiefling]

I am a trans feminine Even Kelmp truther and I really hope this new season adds fuel to that fire

[skitskatdacat63]

Kinda 😾 rn cause I realized the Senna show made the "can we be equal? 👉👈" scene SOOOO much less intimate/cute. Upon watching it, I was too distracted by "Oh! They're referencing dialog that actually happened!!" but now I'm peeved having rewatched the actual clip 😭

Why would they do this to me specifically

[blighted-lights]

the absolute worst part of being an idw ravage fan is that there is a version of ravage that lives in my head that is just. not the ravage we see canonically in mtmte. the ravage we have in mtmte fits so oddly into the story, and i've added a lot of extra thoughts/story tweaks to try and make up for it. WHICH MEANS sometimes i catch myself talking about something that makes no sense to other ppl because it Did Not Happen Like That in canon

like i was writing a meta post about ravage on the necroworld (specifically about this scene here-)

AND THEN STOPPED. because i realized i was yapping about a version of ravage that quite literally does not exist outside of my own head.

[sammygender]

i find john winchester rly interesting and dislike a lot of wider fandom takes on him and when i think about him as a character i’m almost fond of him but i still like. totally 100% get it when people just fucking ferociously hate him. and i do too! i mean at the end of the day no matter how fascinating he is as a character, he’s an abusive father. he’s pretty directly responsible for all of sam and dean’s shit*. i feel like it’s understandable to vicariously hate him

[carnivalcarriondiscarded]

Sometimes I feel that Barnaby and Wally have this friendship like big bro/Lil bro, and Howdy being Barnabys bf has to put up with a lot of Wallys shenanigans for Barnaby (doesn't mind cause he also adores Wally I'm a big bro way)

i view them (as a trio) Similarly! though a little to the Left cause i don't view Barnaby & Wally's relationship as big/lil bro. rn to me they're very close friends - borderline queerplatonic! like... Wally is Barnaby's special little guy, yk?

so in my mind, in this trio, Wally's not exactly a. uh. third wheel to Barnaby/Howdy i suppose? oh this is difficult to translate into words - he's part of the relationship without being Part of it if that makes any sense? like of course he's gonna be With them a lot. Barnaby's not gonna be like "ok go do something else so i can make doe eyes at Howdy". that's his Little Buddy. they're gonna Include him as much as possible, i'd imagine. and i doubt Wally would mind being around while they flirt chat. he'd probably love being Barnaby's "wingman"