#idk I'm just rambling at this point

[shield-and-saber]

someone else on tiktok pointed out that the logo for the acolyte shows the twin moons of brendok in the "o"

but the acolyte itself is a manifestation of the twins. mae was the first acolyte, but now that torch will pass on to osha. they, like the moons of their home planet, become the acolyte

two sides of the same coin, each a moon in a system of two, forever entwined, forever caught between the light and the dark

[mirokuna-hime]

I'm convinced one of the main reasons that Mersault happened is to get Chuuya out of Yokohama so this SSKK plot can happen, whatever it's going to be.

[queenlucythevaliant]

I'm watching Star Wars with my roommate, she hasn't seen any of it and she is completely unspoiled I am LIVING

[crows-of-buckets]

For some reason whenever I brainstorm for my eventual solasmance Lavellan I always imagine her leaving on bad terms with him and swearing to stop him no matter what it takes. However. Just had the idea of Lavellan solas and Varric being in a weird love triangle. during inquisiton only Solas and Lavellan would happen, then They break up and Lavellan is with Varric within a year. Queen of moving on or whatever. Cole gets dropped right in the middle of whatever the fuck they've got going on. Rest of the inquisiton is immensely intrigued by them

[dogin8]

What do you mean you don't want to? You always used to love humouring me

[septxwber]

it's so unsettling to get out of the shadows

[dtaegis]

idk if this is a bold take but like, i feel that if jyp was a conventionally attractive old man (the ones people are like daddy? sorry. daddy? sorry), kpop stans wouldn't shit on him that much

[journey-to-the-attic]

one thing about ik is that she will always reach out

[lazylittledragon]

right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"

[solarpunkani]

"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"

OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.

"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"

OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it

"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"

OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.

"But they shouldn't claim to be part of the -punk community if they don't know the--"

I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.

I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.

Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.

So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.

[dagwmeno]

ummmmmm some killer x dust would be awesom..

Ding ding food is served!! Eat up!!

[vasira96]

bothered by the defense of frieren's demons "it's not problematic, they're literally, biologically evil" yes ok, but why are they written that way? why would the author put in bad guys that look exactly like humans but aren't actually human?? what does it say about us that we write villains that boil down to "what if racism was justified, actually??"

[queerofthedagger]

sometimes. what i like to read or write in fic or just generally play around with.... is different and, dare i say, sometimes even contradicting to what i think the canonical reading is offering. like yeah he would not fucking say that but every once in a while i do like to indulge. sue me

[crow-with-a-pencil]

Hi @naffeclipse I'm very normal about your fic. Have some frantic midnight sketches as extra kudos along with some tag rambling :)

[transmascutena]

okay so i love drawing parallels between characters -- and i especially love drawing parallels between characters who seemingly have nothing in common -- and in a show where every character is a mirror of one another, i think kozue and utena might be the two who are the least alike. so i wanna talk (ramble) about them.

what does it mean that kozue and utena both have an injured ankle on their 'date' with akio?

i think it has something to do with restricted movement meaning restricted agency.

utena's injured ankle means she can't walk on her own, which means she would not be able to escape her situation if she wanted to. kozue on the other hand can walk, and chooses to go in the car, but i think they're both ultimately in a similar situation of believing they have more agency than they do in their relationships with akio.

kozue is more convinced of this because she's used to using romance and sexuality to get what she wants. she believes that she is using akio just as much as he is using her, and is fine with that arrangement (this is, i think, similar to touga's mentality. they both believe they're getting something out of their relationships with akio, which is why they stay.) but, of course, no matter how nefarious your intent is, it will never make up for the power imbalance between a child and an adult.

utena is... well it's more complicated. i don't think she's at all aware of what she wants, and she certainly does not think that akio is using her. (if anything she might think she's using him, and feels guilty about it.) she doesn't stay despite the abuse, she stays because she doesn't know about it. kozue knows akio is a bad person and doesn't care -- utena thinks he's a good person. akio takes advantage of both of these things in a pretty similar way. he makes all of his victims think that they are entirely in control of their own actions, even when they aren't. he makes kozue believe she is just as selfish as he is, and he makes utena believe that everything he does to her is her own fault. both of these things also conviniently serve to make sure neither of them ever tell anyone. (not entirely true. kozue does tell miki on his car ride, but it doesn't end up mattering at all)

then there's how they each got their injuries. utena's was either directly or indrectly akio's fault, depending on interpretation, whereas kozue's came from a decision she made that had nothing to do with him. i think this mainly reflects that kozue is not part of akio's plan in any significant way, whereas utena obviously is. he needed to personally restrict utena's agency, whereas he only took advantage of the way kozue has limited her own agency via the choices she makes (and the structure she lives in that pressured her into said choices, of course. i hope i don't sound like i'm victim blaming.) this again ties into kozue being able to walk despite her injury where utena can't -- kozue is much more free to leave her situation.

[can-of-slorgs]

Completed the Shenkuu Stamp collection some time ago, so it was only fair to draw my girl Mirsha