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shannonsketches · 7 months ago

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Rewatching Battle of the Gods and mAN. If you're ever scrolling my dbTag and going 'Sketches, what do you mean Toei does the same plot but completely changes the story, that makes no sense.' I'm talking about Character-Driven Storytelling. And the difference between Toriyama's Character-Driven Story and Toei's Plot-Driven Story is Most Glaring in comparing Super's movies and the anime retellings of Super's movies, because the screenplays for the last four movies were written by Toriyama, and obviously the show was not.

I saw BotG back first when it came out, before the anime was released, and The Point Of It was that it was the very first Dragon Ball story in which Goku failed and Vegeta was left in the position of The Protagonist, due to all of the growth he experienced in DBZ (Beerus in this movie takes Goku down immediately, and does not compliment him at all. King Kai, in this movie, has nothing rude to say about Vegeta and just warns him not to engage with Beerus because Goku just tried and lost, which freaks Vegeta out). So even while Goku still is the guy who gets to fight Beerus in the end, the majority of the movie is about Vegeta's efforts to not have a fight at all.

Like this is the Whole Thesis of Super (as Toriyama wrote it). Vegeta is being handed the mantle of Earth's Guardian (because as Piccolo points out later, he was a Prince and is becoming nostalgic as he gets older (as so many do), so his role is slowly coming full circle back to a proud inherited leadership position, which Goku has no interest in.)

You may have seen me complain about Vegeta and Bulma's dynamic being weird and bad in the anime despite them having been married for ~12 years by this point.

That's because the reason for and the dialogue from when Vegeta gets to the party was completely revised. In the show, Vegeta goes because Bulma yelled at him.

In the movie, he is still wearing his armor because he left training and went straight to the party with the Express Purpose of keeping everyone safe. Bulma not only knew Vegeta was training and expected would be there eventually, but also immediately recognizes something is wrong when he does finally arrive, because he is still wearing his armor, and she notes that him being broody like this is, by this point, unusual.

His behavior is, of course, is because he because he is trying to sense Beerus -- who he has just been told would destroy the Earth if anyone engaged with him. The game of the whole movie becomes Vegeta acting Completely Insane and throwing his pride aside to make sure everyone is safe, because protecting Earth and his family has become his top priority.

His frustration isn't because he finds her or any of the Z Fighters annoying. It's because he is trying to manage a problem that he can't tell anyone about, for fear that the other fighters will get involved and try and solve the problem -- especially if they learn this man's harmed Goku -- and Vegeta knows their good intentions will only make matters worse.

His outburst is because Bulma is (two glasses of champagne into her day and) trying to talk to him while he's trying to concentrate on locating this massive incoming threat he can't find. And what's more is that his raising his voice to Bulma is a shock to everyone.

Including Bulma.

Because the point is he is not normally like this.

And even though Vegeta can't sense Beerus' ki, he knows when Beerus is present, because he is suddenly terrified.

And then the gag becomes that Beerus speaks to Vegeta only, and Vegeta doesn't yet remember exactly who Beerus is or what he looks like, so he looks Completely Insane trying to find him,

When Vegeta does finally find Beerus, he immediately remembers who he is and treats him with the utmost respect, because he understands how Heirarchy works (this is completely changed in the anime, and turned into an attempted fight, for some reason).

Because he will not tell anybody what's going on, who Beerus is, or why he's there, because the risk is JUST too high, he just plays along with Bulma's assumption that they're friends of his. Which means Bulma (who is absolutely plastered) happily invites them to come party with everyone, leaving Vegeta the incredibly comedic task of running context-free interference for the universe's most temperamental god while the most fight-minded people on the planet are getting drunk.

Toei loves pretending Vegeta can't interact with people in a normal way, but Toriyama loved reminding the class that Vegeta is a seasoned professional with 25+ years in a semi-corporate military force who can and regularly does behave as one.

The whole bit of this arc is Vegeta being so scared of his planet and his family being destroyed (again) that he is willing to sacrifice his pride to herd a cat, because Dragon Ball has always been a comedy and Toei is so bad at remembering it's a comedy

I will also die mad that in the anime Gotenks fights first, when in the movie Trunks (as he has before) got involved when he saw Beerus beat his dad, and Vegeta begged him not to fight. Gotenks getting spanked (literally and figuratively) by Beerus is also what got Vegeta back on his feet.

Then there's this (y'all when I tell you someone at Toei fucking hates Vegeta,,)

For context, in the anime Beerus compliments Goku and insults Vegeta. Surprisingly no one, in the movie it is The Opposite. Beerus never says a bad word about Vegeta (and doesn't say anything to Goku after their first fight), and compliments his fighting instincts. And that's before Bulma gets hit.

In the anime, Vegeta can't do anything to Beerus, who drags him for like two minutes straight. Then he walks away from Vegeta, who cannot bring himself to stand, and takes his aim.

In the movie, Vegeta gets back up when Gotenks is knocked down, compliments Beerus, and accepts that the gap is too wide between them. Beerus decides it's time to be done here and charges directly at Vegeta.

Vegeta does not defend himself, does not dodge, does not flinch, and does not break eye contact. Then he says it might be an honor to be killed by Beerus (complimenting Beerus) (where in the anime he says it might be a proud way to go (complimenting himself)), and is ready to die on his feet.

(note: He doesn't say anything about pride, because his actions speak for him, as is very commonly the case with Toriyama's Vegeta, whose pride is loudest in his quiet confidence, not in his insecure outbursts).

The other major difference I absolutely hate in the anime is that for some reason they decided Beerus hitting Bulma was a long, drawn out, dramatic thing.

In the anime almost a full minute passes between her hitting him and him hitting her back. She hits him first, then lectures him, then the rest of that time is spent cutting between Beerus winding up and Vegeta reacting to him winding up, despite The Rest of the Party standing Right There and anyone could've easily pulled her away (Piccolo, for example, is unharmed and standing, and is literally like ten feet from where it happens. He has expanding limbs. Non-Issue of Moving Bulma).

NO. [spray bottle sounds] BAD WRITING.

The point of that moment, in the movie, is that it's a 'blink and you'll miss it' moment. THREE SECONDS pass between the moment she strikes Beerus and the moment he hits back. Vegeta only has time to be shocked that Bulma slapped him, because Beerus' rebuttal happens So Quickly, absolutely no one could've reacted fast enough to stop it. And even if it had been more drawn out -- because Vegeta had Beerus follow him away from the party to fight so that nobody else got hurt, Gotenks and Bulma both end up following him out there, and while everyone else stayed back and watched, nobody was close enough to stop it.

The point of that moment is to be Shocking. There is no wind up, there's no drama, there's not even a music cue. It is Completely Unexpected, for the characters and the audience alike, and that's why Vegeta has such an extreme reaction. He had No Time to brace himself for what was about to go down and No Time to change it.

This is another scene that was fully About Vegeta that Toei made About Someone Else (Beerus), changing the shot to a group shot of his power up and immediately having Beerus block all of the attacks, where Toriyama said, "Vegeta's strength scared the SHIT out of Beerus for a hot sec"

And if you've been following along in my vent tags about why Toei's writing is so bad and what they constantly center everything around, you can probably guess why the premise for this movie was changed so dramatically. But if you're new here, it's this:

It's because Vegeta's SSJ1 could do what Goku's SSJ3 couldn't.

And Vegeta didn't even notice, because he is not Trying to beat Goku. After his own fight and until he shows back up, Goku's probably only mentioned twice, because this ain't about him. Vegeta's not even really trying to beat Beerus here. He's not trying to prove anything. It's not about power or pride or saiyans or being the best, it's PURELY about protecting the people (specifically in this instance, the woman) he loves. ALL of which become the theme of, "Vegeta you are stupid powerful when you can stop overthinking everything."

But that's not allowed in Toei's writing room, nO SIR!!!

Bonus Part 1: Someone at Toei Hates Vegeta part 41238712: The episode About Vegeta's Response to Bulma Getting Hurt is basically titled 'Yay, Goku's Back', because despite stretching this 1hr45m movie out into 14 Episodes, the one that is about Vegeta surpassing Goku (in the movie) and fighting to defend his wife of Over a Decade is a five minute fight scene followed by twelve minutes of Oolong's two minute rock-paper-scissor gag.

What was the fight scene, you may ask??? Instead of having Vegeta know he's not strong enough and still stand in Beerus' way, for Beerus to say 'chill out, I told you it's over' and tap Geets on the forehead to knock him out cold, like the movie --

They decide to have Vegeta just stop trying mid-fight, have Beerus tell him he's too weak to be a threat, then add that he had more fun fighting Goku before knocking Vegeta on the chin and having him land on his back fully conscious.

God I hate Toei's writing aksldjlaskdalkj

Bonus Part 2: That thing Vegeta spent the entire movie trying to avoid telling his wife because it would've scared the shit out her and ruined her party, scares the shit out of her and definitely would've ruined her party.

Crazy that he knew that and did everything in his power to keep it from becoming her problem. He treats her like she's his wife or something ahahaha 🔪 toei 🔪 hahaha

anyway if you figure you've seen the anime so you don't need to watch the movies cause they're basically the same no they're not they're only the same in terms of Basic Plot Points, PLEASE do yourself and your writing skills a favor and watch the movies

#I know you wrote these episodes Toshio I see your name in the credits kalsdkasj #Resident Yamcha Stan getting paid to just absolutely trash Vegeta's key character moments. That level of petty is a little iconic I'm ngl #I'd respect it more if the episode structures weren't so sloppy #this was gonna be a short post!!! oops #the focus meds are working but this wasn't what I needed to do today askldjaklsjfasjdlkajs #dbtag #media analysis #media crit #praise and also haterade asjdkasj #vegebul

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tmarshconnors · 9 months ago

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Power of Repetition in Public Speaking

After watching "Oscar-winning actor & writer Tom Hanks gives the Oxford Union an acting lesson" on YouTube I felt inspired to write this blog. The link below if interested.

youtube

Public speaking is an art that transcends mere words; it involves a deep understanding of human psychology, effective communication techniques, and the strategic use of rhetorical devices. Among these, repetition stands out as a powerful tool that can elevate a speech from ordinary to extraordinary. In this blog, we delve into the Repetition class in speaking, exploring how this technique can captivate audiences, enhance message retention, and leave a lasting impact.

The Basics of Repetition:

Repetition involves the intentional reuse of words, phrases, or ideas within a speech. When employed thoughtfully, it can create emphasis, reinforce key points, and establish a rhythm that resonates with the audience. There are various forms of repetition, each serving a unique purpose:

Anaphora: This involves repeating the same word or phrase at the beginning of successive clauses or sentences. For example, Martin Luther King Jr.'s iconic "I Have a Dream" speech masterfully uses anaphora with the repetition of "I have a dream."

Epistrophe: In contrast to anaphora, epistrophe repeats a word or phrase at the end of successive clauses or sentences. Winston Churchill's famous "We shall fight on the beaches" speech is a classic example of epistrophe in action.

Anadiplosis: This technique involves repeating the last word of one clause or sentence at the beginning of the next. This creates a seamless connection between ideas and builds momentum. Yoda's sage advice, "Fear is the path to the dark side. Fear leads to anger, anger leads to hate, hate leads to suffering," is an example of anadiplosis.

The Impact of Repetition:

Emphasis: Repetition serves as a spotlight, directing the audience's attention to specific words or ideas. By repeating a key point, a speaker can emphasize its importance, making it more likely to be remembered.

Rhythm and Flow: A well-crafted repetition adds a musical quality to a speech, creating a rhythmic flow that engages the audience. This cadence can make the message more memorable and enjoyable.

Connection: Repetition helps to establish connections between different parts of a speech. It ties ideas together, creating a cohesive narrative that is easier for the audience to follow.

Persuasion: Through repetition, a speaker can subtly persuade the audience to adopt a particular viewpoint or take action. The consistent reinforcement of a message can influence attitudes and beliefs.

Practical Tips for Using Repetition Effectively:

Choose Key Points: Identify the core messages you want to convey, and strategically repeat key words or phrases associated with these points.

Consider Your Audience: Tailor your repetition to resonate with your audience. Understanding their preferences, values, and expectations will help you use repetition more effectively.

Vary Your Approach: While repetition is a powerful tool, overusing it can diminish its impact. Vary your repetition techniques to keep the audience engaged and interested.

Practice Pacing: The timing and pacing of repetition are crucial. Practice delivering your speech with the right rhythm to maximize its impact.

In the world of public speaking, the Repetition class is a formidable ally. When wielded with skill and precision, repetition can transform a speech into a compelling, memorable experience for both the speaker and the audience. By understanding the various forms of repetition and practising its implementation, speakers can elevate their communication skills and leave a lasting impression on those who listen.

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