#i've seen some of the later episodes before with a friend

[girlscience]

started watching gotham a few nights ago and honestly? I do not like james gordon. he's supposed to be this big good guy trying to save the city but he is a very stupid self-righteous asshole. his entire romance with barbara sucks. like go man, give us nothing. they have zerooooo chemistry, development, or explanation for their relationship. why are they together? what is her job? why does she live in clock tower? will we ever get to see any rooms besides the entryway/living room? she is bisexual and dated one of the other cops on the show before, I want to know more about them. I want to know more about liza and her life story and why she decided to work for fish mooney. I want to see more of unhinged alfred telling 12 year old bruce to beat the shit out of middle school bullies. I want selina to get rid of the pointless claire's steampunk googles and get a pet cat. I don't give a single solitary shit about gordon's tortured past with the military lmao. even harvey bullock got more actual interesting on-screen backstory than gordon has.

[gyeomsweetgyeom]

The Return of Superman- Mark

(cw: f!reader called “mama”, a child duh)

Mark had spent a good few decades with a lot of his life documented on cameras. There were music videos, behind the scenes vlogs, cameras, talk shows, selfies, you name it- he did it. There was however, one area of his life that wasn't show or documented for the public. That was you, your marriage, and his son.

There had of course been the announcement on SM's end about Mark being in a relationship, then there was SM the announcement five years later about the two of you being married paired with a post from Mark with a wedding picture of the two of you where your face wasn't seen, and then the last announcement 3 years ago announcing the birth of his son.

Mark completely understood and agreed with your apprehension to show aspects of your life to the public, especially regarding your son. There was the occasional post with you and you can recall the uproar it caused across social media when Mark finally posted your full face on his public account. It was complete madness. People had managed to track down your place of work and even found other pictures of you from your friend's account. You had reason to be apprehensive regarding the privacy of you family.

However, as your son got older, you and Mark got more comfortable sharing more and more about your life, still being mindful of your privacy. So when Mark's managers called and mentioned his own episode on The Return of Superman, you had both discussed it and cautiously agreed with a few conditions. Conditions that were met with no argument since Mark was such a big celebrity to lock in.

--

Mark was sitting in the confessional, the familiar black curtain behind him as he introduced himself to the camera, "uh yeah, hi. My name is Mark Lee, I've been a member of NCT since 2016. My wife and I have been married for almost 9 years and our son is 3 years old."

He pauses as he listens to a producer as a question. He chuckles and shakes his head, "My son and I spend a lot of time together, but loves his mom. I try to take him out for some father and son bonding, but he cries for mom after an hour, when he play together he always involves her. It's great, I obviously love her too, but I think these few days the two of us will be kind of rough."

The scene cuts to the cameras panning over the space of yours and Mark's home as the commentators laugh and predict what they think will happen.

Mark is shown sitting up in bed, rubbing his eyes tiredly before putting on his glasses and heading for his son's room. You had left the night before for a much needed girl's weekend with friends. You waited until your son was gone, peppering his chubby cheeks with kisses as he slept in his toddler bed before sneaking out of the room and bidding Mark goodbye with his own barrage of kisses and watery eyes. You knew Mark would be fine alone. He was a good dad and his confidence had skyrocketed once his son had grown out of the shaky steps phase.

"Wow, that is such a cool boy room!" One of the commentators marveled as the camera in Mark's son’s room showed the room covered in Spider-man. He had Spider-man sheets, blankets, wall stickers, toys, books- everything.

Mark smiled softly at the sight of his son sprawled across his little bed, still deeply asleep. Mark made his way to the kitchen and began making breakfast. He turned on the rice maker and began cracking eggs into the pan, watching tiredly as they turned from translucent to white.

One commentator cleared her throat, "this is interesting. Isn't it well-known that Mark can't cook eggs? I wonder if he's gotten better or his son likes them?"

The scene shows Mark and his son sitting at the dining table, his son blinking slowly and using both his hands to keep his head up. Mark laughs softly, scooping up a spoonful of rice and fried egg to feed his son. Usually, he'd be able to feed himself but this morning he's just too sleepy and Mark admittedly likes babying him. He is still a baby.

His son tiredly chews, his eyebrows furrowing and his face falling into one of confusion. He opens his eyes fully as he leans away from the next spoonful of food heading for him. "What's that?" his little voice asks as his finger points at the egg.

"It's eggs and rice, bub. Say ah," Mark instructs.

"Mama made it?" his son asks while turning his cheek away from the spoon.

"No, I made it," Mark replies, deciding to instead take the bite of food for himself.

His son scrunches his face up and takes the fried egg from his bowl and places it into Mark's, "yucky, Appa. No thank you!"

Mark tilts his head back with a roll of his eyes as the commentators laugh and compliment his son's good manners despite him calling the egg 'yucky.'

The scene cuts to Mark and his son standing in the entryway of your home, putting on their shoes. As Mark opens the door, his son freezes, "is Mama sick?"

Mark is hesitant to respond, "no, Mama isn't here. Remember it's going to be just me and you until tomorrow night?"

He can hear the familiar catch of his son's breath as he nervously looks up at Mark, "she's ok? She's coming tomorrow?"

Mark feels his heart melt, and the commentators all aww and coo over how cute the 3 year old is. Mark crouches down in front of him, picking him up and hosting him onto his hip, "of course she's coming back. Come on, we're going to go ride bikes at the park and get dinner with uncles later. Does that sound fun?"

His son sniffles and nods, "and ice cream?"

Mark laughs, "yes, and ice cream."

--

The camera crew follows Mark and his son around the park, watching as Mark teaches the boy to pedal and steer the bike. He eventually gets the hang of it and begins riding around on his own with a big smile. His little laughs and giggles fill the air as he zooms in every direction much faster than Mark or any of the cameramen expected, especially the cameraman tasked with following the boy around with his heavy camera.

It's all going well, no tears, no complaints, not even a mention of you, until the tricycle comes to an abrupt stop and turns when it gets too close to the edge of the grass. Mark sprints over the second he sees the tricycle teeter over and makes it to his son before the tears start.

He keeps calm as he looks his son over for any wounds, finding none and immediately being filled with relief. His son must have just gotten scared from the fall. Nonetheless Mark holds him close and rocks him as he cries into Mark's t-shirt.

"I want Mama," his son cries.

"I know buddy, I'm sorry. Does it hurt anywhere?"

His son continues to cry and shakes his head, his sobs turning into sniffles as he calms down. Mark pushes the hair away from his son's forehead and presses a long kiss to the sweaty skin, "you are being so brave, bub. I know it was scary, huh? I am so proud of you."

"And Mama too?" his son asks with watery eyes.

"Yes, and Mama too. You can tell her all about it when she comes home tomorrow. You can tell her that you heal fast like Spider-man."

His son perks up and his eyes brighten, "like Spider-man?"

Mark nods and stands, with his son in one arm and the tricycle in the other, "Oh yeah, big guy. Just like Spider-man, whenever he gets scared he keeps going, right?"

This sets his son off on his little tangent about Spider-man fighting the Green Goblin, then Doc Oc, and how he uses his webs and how the bad guy loses and Spider-man always wins.

The scene cuts to Mark in the confessional, "I really have enjoyed my time on the show, but I may be worse than my son. If you have me back, can she stay too? Please."

[simplylupin]

Vertigo and Eddie Diaz

because the connection has been made between eddie's current arc and hitchcock's vertigo, i thought i'd give my two cents on the topic as a mediocre film student whose had to study vertigo for two years of her life

so here's a basic (very over-simplified) summary of vertigo for those who are unfamiliar

The protagonist, Scottie, is a policeman who took a break/was discharged/retired because he couldn't save a fellow police officer from falling off a building to his death

Because of this he suffers from vertigo and/or fear of heights

He's hired by his old friend Gavin to follow Gavin's wife, Madeline, for fear that she's been possessed by someone called Carlotta Valdez

He does so, and slowly falls in love with Madeline - and her him

We also learn that Scottie's best friend Midge is in love with him, but he's too obsessed with Madeline to notice Midge

Him and Madeline go to a church bell tower where Madeline seemingly offs herself by jumping off

Some time later, Scottie goes to Madeline's old hotel room, and finds a woman called Judy who looks exactly like Madeline

She agrees to go on a date with him

We, the audience, find out that Judy actually is Madeline (and vise versa). She was hired by Gavin to pretend to be Madeline.

Scottie grows more and more obsessed, forcing Judy to change her appearance to look like Madeline

He makes the connection that Madeline and Judy are the same person, and drives her to the bell tower

He forces her up the tower, over coming his fear of heights

Once at the top, they have a confrontation

A nun appears, scaring Judy and she once more falls to her death (really this time)

So, from what I've gathered, the loose connection between characters is:

Scottie = Eddie

Madeline = Shannon

Midge = Buck

Judy = Kim

The Nun = Marisol

Scottie's unable to save his fellow police officer. Eddie was unable to 'save' the people he pulled out the helicopter: "I pulled them out. But I didn't save them." Because of this he suffers from immense guilt and PTSD (as seen in his season 5 arc). He's unable to move on and this hinders him to a certain extent - just like Scottie.

After Shannon's death, he's thrown through the loop again, with the added bonus of him not having been able to save her too. Scottie's job was to save Madeline, and he failed at that, resulting in her 'death'.

Eddie is constantly trying to find a woman to fill that role of Shannon in his and Christopher's life; we see this with both Ana and now Marisol. He's looking for her in them. Scottie does the same - he visits the places he went with Madeline, he goes to her old room.

Eddie finds Kim, Scottie finds Judy.

For a little while, Judy helps Scottie get over and get closure on Madeline. She fills that empty space and allows him to move on. This is what I think Kim is going to do for Eddie.

She looks so much like Shannon but she simply isn't her. We know in later episodes that Buck is going to meet her and proclaim that she's "nothing like Shannon." There's a clear distinction there - Eddie is only seeing Shannon in her because he wants to, because he's still holding onto that idea. I think Kim is going to be the closing point of this ongoing search for Shannon's 'replacement'; someone who looks exactly like Shannon should be perfect, right? But when she too doesn't 'fill' that role that surely must spark some sort of realisation in Eddie, because if not her then who.

For Scottie, he feels betrayed by Judy. He brings her to the last place he saw Madeline, and ultimately, indirectly, causes her death. Obviously I don't believe Kim is actually going to die, but more the idea of her. She's the final chapter of him pursuing Shannon's ghost.

Midge is Scottie's best friend. They met in college and were engaged for a few weeks before breaking up. They spend a lot of time together, staying at each other's houses and going out. She helps Scottie through his vertigo and acrophobia, and tries to 'bring him back' in his grief. At one point, Midge paints her face onto a painting of Carlotta Valdez, showing that she's there and ready for Scottie's love, if he's willing to give it to her.

I believe, in this scenario, Buck takes on her role (for seemingly obvious reasons). Him and Eddie are best friends, they do so much together, he helps Eddie when he's struggling etc etc. Midge is the idea of the 'other woman', someone who is right in front of Scottie's eyes, someone whose always been there for him. However, Scottie is too obsessed and fixated on Madeline that he can't see this and continually brushes it away. You see where I'm going here...

Although Buck potentially doesn't even realize it himself, he has taken on Shannon's role in the Diaz family for years. Eddie already has the 'replacement' for Shannon that he's so desperately been searching for right in front of his eyes.

In Vertigo, Judy and Madeline are the same person, whereas Shannon and Kim are obviously not. However, the comparison still stands.

Scottie meets Judy and immedietely latches onto her because she looks so much like Madeline (duh) and he is so desperate for anything that'll keep Madeline's memory with him. He makes her undergo a series of phsyical changes (dyeing her hair, changing her wardrobe, her style etc etc) so that she appears more like Madeline - so he can get that closure and pretend.

Eddie clearly isn't going to do this to Kim. However, whatever way you spin it, he is projecting Shannon onto her. He saw her, and thought of Shannon, he pursued her because of that, he's doing all this because of Shannon. He is chasing that closure and that moment were he can be like 'Ah. I've finally found someone who can be Shannon for me and Chris.'

I doubt Kim is going to be around particularly long. As much as it sounds diminishing, she really is just a tool for Eddie to have this realization that nobody can replace Shannon, and that that's okay. He doesn't need to find Shannon 2.0.

Now, in Vertigo, when Scottie and Judy are arguing on the bell tower, a nun appears from the shadows and startles them - causing Judy to fall to her death. It's a very abrupt and out of nowhere.

The character of the nun, I think could represent either one of two things. Marisol, as we know, used to be a nun (i'm still not over this btw). That's a pretty straight-forward, clear cut comparison. The nun causes Judy to die, Marisol causes 'Shannon', and the idea of Shannon, to 'die'. This interpretation leans more heavily on Marisol and Eddie staying together, however, so I'm not sure.

The nun could also just represent religion as a whole, and Eddie's Catholic guilt particularly. Eddie tells Bobby that he only really married Shannon because he felt like he had to, he felt pressured into it because of his religious guilt. Despite this, "There was still a part of me that loved being married to her."

There's no doubt in my mind that Eddie loved Shannon. He did, they loved each other, and he still does love her - he always will. I do think that the choice of focussing on his marriage to her and how he "loved being married to her" is interesting though, he doesn't try to clarify that he was in love with her. This could just be because it's a given orrr

Whatever, not really the point.

The point is, the fact he's now "awakened" his Catholic guilt by finding out Marisol was a nun, must mean something for his upcoming arc. In Vertigo, the nun kills Judy. Here, his religious guilt 'kills' the idea of Shannon??

I'll definitely have more ideas about this later but this was my word vomit for now! Let me know what you think please.

(Also something I find funny is that the actress of Madeline/Judy is called Kim!)

[neat-crows]

So I've been re-watching dr who for the first time ever rn, with a friend who's never seen it before, so I'm seeing all these episodes for the first time since I was 13 and picking up on a LOT that I never noticed before, and holy shit the tenth doctor is SO WEIRD to Martha Jones, and nothing exemplifies that more than the sontaran stratagem/the poison sky.... like..... he is SO weird the whole way down.

When they first see each other again their introduction directly mirrors Jack and The Doctor's in Utopia

"Doctor" "martha Jones" laugh and hug

"doctor" "captain Jack" laugh and hug

And then! they have a normal interaction!!! WIN he asks how her family is and how she is, and they're smiling and genuinely seem like friends very happy to see each other!

And then.... donna drops the fiance bomb.

He turns with a look of.... almost anger? disbelief? and asks WHAT MAN?? Then martha explains who he is and the doctor....

he looks? upset? and then like, resigned? AND THEN martha admits that her fiance is kind of similar to the doctor, and then donna asks "Is he skinny?" and his reactions

is to make a face like "yeahh" AND START NODDING????? like he's taken Martha's admission to mean she's with a man that's just like him, and honestly seems a bit smug over it, and then when Martha says no-

he looks so taken off guard and betrayed ??????????? BRO we are less than 5 minutes in..............

He then proceeds to be tetchy with her, and to be fair this is mostly because of her involvement with unit, and his discomfort with how militaristic she's gotten - which I think comes both from anger at himself for how he's changed her, and also discomfort that she's no longer "his" Martha, she's changed, and he doesn't know her as well anymore.

he tells her off, he's snide and judgmental, he won't even look at her until she tells him to, and he's honestly bitchy - Until she explains herself, and tells him off for being so judgmental, i also think his line "oh so it's my fault" is very telling because..... it literally is? like yes, you put her in situations where she had to become harder and more used to violence......... and he KNOWS it. He's doing what he did all through series 3, which is feel guilty or bad and then take it out on Martha (that's for another post though) until she stands up for herself (get his ass!!) and then when she's finished she looks at him

determined, but eyes darting back and forth waiting for his reaction, on some small level hoping for his approval

and only THEN does he start to smile, and he tells her "that sounds more like Martha Jones." she's back to feeling like she's still his (to him, Martha is acting incredibly normal and platonic). The doctor has always had a weird possessiveness with Martha, going all the way back to their first episode where he hand picked her, and in this second of her looking for his approval, he feels that again, and he IMMEDIATELY started flirting again - please go watch the scene it boggles my mind how fast he switches.

I also want to be clear, Martha isn't flirting back, she's acting extremely normally. She's clearly taken the time away from him to get over, not only romantic feelings, but any anger as well. She seems to have come to terms with how she feels with everything that happened, and she loves and cares about him, but she's not naive to his faults - I also don't think she even picks up on him being weird to her in this scene. She's no longer in tune with his every mood swing, she's not here to fix him, or cater to his needs, and so she no longer notices these small moments from him.

AND THEN.... the clone.

He never flirts with the clone. The ONLY time, is the very first time they interact, before he's realized something is wrong.

he calls her over to come with him, and his face is honestly way too close to hers. bro is a menace. but then, maybe 2 minutes later, he immediately clocks that this is not Martha.

he realizes there has to be a spy and only has to consider for half a second before he turns and asks about her family, he's already realized she's acting a little off, and the second she answers he's 100% certain.

and he gets MAD. he tells her Donna went home because she's not like her, she's not "a soldier" clearly a shot at the sontarans, but also another subtle test, the real Martha wouldn't let that slide, and he wouldn't say that to the real Martha. He continues saying Avanti, instead of Allonse-y, which is interesting, because he already knows. He's not doing this to confirm his suspicions, he's doing this as retaliation. To confirm to himself he knows Martha better than this fake, he's toying with her. BUT. He doesn't go to save Martha.

The next episode, the doctor's daughter, he refuses to accept the label of soldier, but Jenny rightfully points out that he strategizes like one And this is one such moment. He knows Martha is a clone, he's mad and upset, he could go save her right away, but he doesn't. He doesn't because it serves him best to allow her to keep shutting down the nuclear launch.

It reminds me a lot of when Cassandra possessed Rose in New Earth, he played a long for a little bit, but that was just to figure out what was happening. He IMMEDIATELY tried to fix it, I just wonder if it was any other companion if he would have done this. If it was Donna would he have left her for so long? even if it was strategic? it's this weird conflict the doctor has now that he's very very protective and a bit possessive, but he also treats her like an equal on the battlefield, and it's a weird... trust? he has in her to take care of herself.

I kind of don't want to call it trust because that sounds too positive, but I don't know another way to phrase it, but it's a forced independence and self sufficiency.

but then, he finally goes to save her

He goes and cradles her face gently, and NOTABLY says "good, still alive" MEANING HE DIDN'T KNOW??? and still left her for that long...

but he holds her gently, and fully ignores the clone. He has his back to her, and then proceeds to taunt her. He tells her he clocked her right away because of the pupil size, thin hair, and he says she smells. but we know this isn't true.

Sure maybe those physical traits are true, but that's not how he figured it out, we saw how he did it, he clocked on because he knows Martha so well, but he can't admit that. He can't admit that he knows her just as much as she knows him, just like he couldn't tell Rose he loved her.

He is so deeply angry at this clone, he makes fun of her, he yells at her, he looks at her likes she's nothing

This is his face when he kills her. He doesn't talk to her, or even TRY to save her. And we know she is alive, she has memories, and her own thoughts and feelings, and the doctor kills her while gloating because of his immense anger for hurting Martha. An anger that is also guilt.

he does not speak to her like a person (which directly leads into his treatment of Jenny in the next ep).

Parallel that to how Martha treats her, they talk about their family and she even calls the clone Martha. She really is a doctor in a way ten tried and often failed at.

And then at the end, Donna asks Martha to come with them, and she says no, and that she's happy at home, but she's better for having traveled and come back.

And the doctor looks at her

With an obvious sadness, but also acceptance. He clearly wants her here, with him, but I think he's finally come to accept that that'll never happen, and he needs to let her go.

Edit: I Like their dynamic(mostly) This is not an anti tenmartha post Him being a freak is compelling

[adventure-time-news]

Now that we've had some time to process today's announcements, here's a slightly more in-depth breakdown of the three new Adventure Time projects.

HEYO BMO

Heyo BMO will be a preschool show starring BMO. The Animation on Max Twitter account says that it "follows little BMO as he approaches each challenge he faces with his unique brand of enthusiasm and a curiosity to learn and fill his database."

This is the only project of the three for which we have received some promo art so far, which might mean it's the furthest along in development and the most likely to premier first, especially if they used rigged rather than traditional animation as is often the case with preschool shows. This promo art was created by 3D artist Crisppyboat, who has previously worked on a handful of web projects and indie games. I don't think this is the style that the entire show will have, but who knows.

Other people confirmed by Variety to be working on Heyo BMO are Adam Muto, who has been showrunner on everything Adventure Time since season five of the original show, and Ashlyn Anstee, who storyboarded on Obsidian and has written many children's books.

This show is especially interesting given that Adam Muto has often joked about the inevitability of a preschool spinoff of Adventure Time, and now that has finally come to pass while he is presumably still running the show.

SIDE QUESTS

Side Quests will be a "prequel series" to the original Adventure Time, likely meant as a return to the early seasons' storytelling style. It will be mostly episodic rather than serialised, meaning episodes will each tell their own story without much of an overarching plot, and it will target the original show's young demographic. Ice King is confirmed to be returning in this series, but that's about all we know about the plot.

Interestingly, Variety did not attach Adam Muto's name to this project. Instead it mentioned that Nate Cash will be involved. Nate Cash was supervising director on Adventure Time between seasons three and five, often alternating with Adam Muto in that role. So if Nate is producing Side Quests and Adam is producing Heyo BMO, this will be something of a return to form for both of them.

One question that I've seen a few fans ask is who will voice Finn in this show. Jeremy Shada can't really pull off the season one Finn voice anymore, and they've run out of younger Shada brothers to defer to like they did after the pilot episode. So a new casting feels likely to me, with Shada continuing to voice an older Finn in other projects like Fionna and Cake and the movie. Speaking of which...

UNTITLED ADVENTURE TIME MOVIE

This is the announcement that we know the least about. To give some historical context, an Adventure Time movie was announced all the way back in 2015 but never came to anything. There was also allegedly a plan to end season five with a TV movie back in 2014. Elements of these two movies were later recycled into the plots of several later episodes, most notably Something Big, and possibly Distant Lands: Together Again.

This latest attempt involves Adam Muto, as well as Rebecca Sugar and Pat McHale, who were both influential storyboard artists in the early seasons of Adventure Time before leaving to make their own shows; Steven Universe and Over the Garden Wall, respectively.

According to MidouMir on Twitter, who was live-Tweeting the Warner panel at Annecy, a brief synopsis was given as something like "Finn and Jake set out to find a birthday gift for PB but their adventure will lead them to world changing stuff." Other than that we know nothing about the plot.

OTHER ANNOUNCEMENTS

Adventure Time wasn't the only show to get spinoffs announced today. Regular Show, Foster's Home For Imaginary Friends, and Scooby-Doo will all be receiving new series too. We don't know anything about the Regular Show spinoff, but the Fosters spinoff will be a preschool show like Heyo BMO.

All of this appears to indicate that Warner's current animation strategy is to recycle characters who have already proven popular in order to try and attract a new generation of viewers. Original fans of Adventure Time are beginning to get old enough to have children of their own who might enjoy something like Heyo BMO, plus since the end of shows like Amphibia and The Owl House there has been a vacuum of popular "fandom" shows for the older children to younger teens demographic, which I imagine is what Side Quests is aiming for.

To be fair they have also announced a handful of brand new projects; Lovey Dovey, Bad Karma, and Barbara are all new shows announced today.

What are your thoughts? Is there anything I missed? Be sure to let me know!

[halfagone]

Is it Canon or Fanon?

A little over a week ago, I received a very thought-provoking ask that wondered whether the Fenton parents could be considered good parents after everything they've done throughout the show. I did leave a response to that ask, and you can find the original answer here. But even afterwards, it had me thinking:

Why did we start depicting Jack and Maddie as Bad Parents to begin with?

I aim to answer this question through canon evidence to see where this argument might have come from. Now, something to keep in mind is that we still tend to ignore canon a lot of the time, so there may be some people who won't take this meta to mean all that much anyways. But for the purpose of fanfiction, we have to acknowledge that there needs to be an in-universe explanation to these events and sadly, the 'it's a Butch Hartman show' or 'it's an early 2000s cartoon' excuses don't really cut it.

So let's start with some basic stats. There are 49 episodes to the Danny Phantom cartoon (we will not be using the Graphic Novel, A Glitch in Time, for examples); 20 for the first season, 17 for the second, and 12 for the third. If you looked this up on Google, you might notice that these numbers don't line up with the episode list provided. This is because I counted any two-part episodes as one for convenience's sake. Season 2 has three two-parters: "Reign Storm", "The Ultimate Enemy", and "Reality Trip". Season 3 has "Phantom Planet".

Jack appears for 43 of those episodes, although he does not have any speaking lines in the episode, "Frightmare". Maddie, on the other hand, appears in 40 episodes. The three episodes that Maddie does not appear in, but Jack does, are as follows: "Memory Blank", "Flirting With Disaster", and "Double Cross My Heart".

Let's Start with Season 1:

"Mystery Meat": Jack is shown as dismissive to Danny and his friends' preferences, telling them, "True, I've never seen a ghost, but when I do, I'll be prepared. And so will you, whether you want to be or not." Later on, when Sam and Tucker are visibly shaking and Danny is panting from exhaustion, he doesn't realize something is off about this. When Jazz offers to drive Danny to school, the Fenton parents quickly assume that she's a ghost and go off to track them down... even despite her previous argument that she was mentally an adult (should I be concerned that Jazz called Danny an 'abused, unwanted wretch' to make a point to their parents?) A POINT TO MADDIE, she worried about hurting Jazz if she really wasn't a ghost but Jack quickly dismisses that, as their ghost-hunting device only hurts when gets into human hair (spoiler alert, it gets into Jazz's hair). She also insists that Danny is not a ghost, but unfortunately she ultimately doesn't try to stop Jack when he insist Jazz is a ghost. Standing aside and letting abuse play out does not mean Maddie is innocent of hurting her daughter too.

"Fanning the Flames": When Jazz and Danny are struggling to study for an upcoming test, Jack decides that they should put their kids into the 'Fenton Stockades' which is basically an iron maiden. And yes, the Fentons have an entire floor that is meant to torture people. I feel like that should probably be addressed at some point. A POINT TO MADDIE, she stood her ground and refused to let him put their children inside, and even locks him inside instead.

"Teacher of the Year": After hearing displeasing news about the state of Danny's grades in a parent-teacher conference, Maddie lectures Danny by saying, "Get this straight Danny. You're a Fenton. Fentons get As. Or in your father's case, B minuses." Before this, when Danny tried to explain himself, Jack shuts him up with, "Now that's enough of your sass talk mister." Do a lot of parents act like this? Yes. Does that make this a good, conductive way to help your child improve their grades? No, it does not. In fact, Maddie's response in particular probably reinforces the idea that Danny doesn't fit in with the rest of his family and further proves that Jazz is the favorite child. Not a great parenting moment.

"Fright Knight": In this episode, Jack tells Danny, "If I didn't consider it a sign of weakness, I'd weep with joy!" Not a very promising sign when a parent tells their child that it's wrong to show emotion. It's especially telling, however, when it's crying from joy and not even sadness. Yikes.

"13": This is the episode where Jazz 'dates' Johnny briefly, and we see Danny stalking them on their dates. I've seen people give Danny a decent amount of flack for that as well, so this would be a good time to say that the Fenton parents were there too and even encouraged him to keep stalking his sister. Danny was wrong to ignore Jazz's privacy like that, but he definitely learned it somewhere.

"Public Enemies": Here we see more of the Fenton parents' aggression towards ghosts. We get a line from Jack: "I'm gonna tear that ghost kid apart into a million different-" Notice something here? He recognizes that Phantom is a ghost 'kid' and yet still fully intends to shoot at him with the intent to hurt if not straight-up kill him. The only time Maddie disagrees with him is to insist that she does the dirty work because she has better aim than him. These are not the type of people you should let children stay with.

"Maternal Instincts": Okay, I gotta say it, this is a really cute episode. We get to see Maddie reminiscing over how close she and Danny used to be and wishing they had that bond again. Unfortunately she does get some points docked off for deciding what they should do as a bonding activity instesd of asking what Danny wanted to do and maybe learning more about his interests and who he is as a person now that he's a teenager. But there is this really sweet moment where Maddie tells Danny 'I love you' at the campsite which absolutely melted my heart and then later on when she saves Danny from the ghosts, Danny tells her she's awesome and gives her a hug. So sweet. But then she kinda ruins it by asking her son to act as a distraction and- Please do not ask your teenage children to keep skeevy old guys 'entertained' when you know he's a creep. A POINT TO JACK, while all this is going on he's defending his daughter and even shouts, "Back off, she's a minor!" That's some Dr. Doofenshmirtz energy right there, I respect it. He also talks about making Jazz an action figure, which was a really cute moment amidst the chaos.

"The Million Dollar Ghost": This episode is filled with some great Danny-Jack bonding moments and goes to show how much Danny cares about his father that he's willing to get caught to make Jack feel better about himself. We also get to see how much Jack cares about how Danny views him and he wants to be someone in Danny's eyes. Unfortunately, this is the episode where Danny gets lectured for not doing all his lab chores, such as cleaning the beakers and changing the ecto-filtrator- despite knowing that the portal could blow up if they don't change in time and knowing that Danny is bad at cleaning his own room. And we literally get a scene where Jack knocks something over and tells Danny to clean it up because he was too busy running around to do it himself. Is it important to give children chores? Yes, it teaches them responsibility. You should not be asking them to deal with hazardous, dangerous chemicals that can literally cause an explosion capable of killing people. Something to keep in mind.

Now let's look at Season 2:

"Doctor's Disorders": In this lovely (sarcasm) episode, we have Jack saying to Danny's face: "Poor Jazz. She's always been my favorite." I don't feel like this one needs much more explanation for how horrible this is. Also, this isn't really too relevant to the bad-parent-thing and more to the "they wouldn't take Danny's reveal well under other circumstances" thing, because Maddie literally says to Tucker: "Everybody knows humans can't have ghost powers." Which would technically, probably, dehumanize Danny in their eyes.

"Identity Crisis": There's one line in particular in this episode I wanted to point out, which is from Jack where he says, "Safety features? Why, safety features are for punks." ...I know this is probably supposed to be a joke, but when you think about it, it's even worse than you might think. In fanon we do tend to stress how forgetful the Fentons are when it comes to lab safety, but it's one thing to forget and it's a whole other thing to purposefully dismiss it. I could even argue that we're doing the Fentons a service by characterizing them as simply forgetful.

"The Fenton Menace": This is one of the episodes I referenced in the original ask as well, for its... plethora of concerning material. There are lines such as, "Whether it's air land or sea I won't stop until we capture a ghost and tear it apart. Molecule by molecule." A POINT TO MADDIE, she told her family she loved them by saying, "Nothing like spending quality family time with the people you love." However she immediately loses those points when she and Jack attempt to 'spin the crazy' out of Danny. The episode transcript reveals Danny's reaction to this, which is described by, "Danny screaming, his face and hair flying around. Zoom out to show him strapped to a table, which is attached to a metal arm. Zoom out to show the metal arm connected to a centrifuge-like device on the ceiling." As well as, "Danny is shaking, hair sticking up with bags under his eyes." Is this supposed to be a joke? I wouldn't know because quite frankly, I'm not laughing.

"The Fright Before Christmas": So in this episode we learn why Danny hates Christmas! Which is because he got peed on by a dog. As a baby. What kind of parent lets their baby get peed on by a dog? Again, child neglect is a criminally punishable offense, and if they had left him out, in the cold, with dog piss on him, we could have had a lot bigger problems here. They also ignore both their children for most of this episode due to their arguing, although they go back later on and tell Danny that he shouldn't be alone for Christmas and where was all this concern before?

"Secret Weapons": Ah... This is the episode where it happens. Here we get the infamous interaction. Please note how a ghost is referred to as an 'it'. Not a person, not even a kid. But an 'it' that can feel pain that will go ignored.

Jazz: "Does it hurt the ghost?" Maddie: [laughs] "Oh, Jazz! You know your father and I don't care about that. Jack: "Yeah! If we hear it scream, then we know it's working."

"Micro-Management": At the very end of this episode, Jack makes a comment to Danny, "I'm so proud. Our boy finally has the physical prowess of a 60 year old president. Here's to you son." Clearly it's meant to be a compliment, but I don't know about you guys, but I wouldn't take this as a compliment.

"Masters of All Time": This one takes a more distressing turn, because after Maddie catches Danny for snooping around, she has his strapped down to a table and fires a laser at him to interrogate him, thinking he's a ghost (though the laser doesn't hit him, just threatens him, which... isn't much better). And this is after he's already insisted that he's her son. He is still very clearly a child, and even if she doesn't believe that he's her son (for admittedly understandable reasons, people usually remember when they bear children), the fact that she strapped him to a table at all does not look favorably on her. Especially when he very clearly believed that she was his mother, and he was her son. And she still did this to him. Yes, there were time shenanigans involved, but that doesn't make this any easier on Danny just because he knows the truth.

"Reality Trip": This episode showcases that the Fenton parents can actually be decent parents. While they have a hard time believing the truth at first, they do eventually accept it. However, it is still important to remember that Danny could have never known what their reaction would be, so his fear is understandable and rooted in real concern for his life. Here are some of the best points from this transcript:

Jack: "Imagine, our own son has had ghost powers all this time and has kept them a secret from us. [confused] But we love him! [turning to Maddie] I wonder why he didn't trust us enough to tell us." Jazz: "[sarcastically] Hmm, let me guess. [mimicking Jack] "Hey, Maddie, let's destroy the ghost!" [mimicking Maddie] "No, Jack, let's dissect the ghost." [mimicking Jack again] "I know, let's catch the ghost and rip it apart molecule by molecule!" [normal voice, sarcastic again] You guys are so understanding." [Jack and Maddie drop their gazes, ashamed.]

Moving onto Season 3:

"Eye for an Eye": This is more a passing mention, but Jack seems to be a little obsessed with the GIW and huge fans of their work, and you do see it some more in "Livin' Large" later on in the season as well.

"Girls' Night Out": We see Jack trying to make an effort with Danny in this episode again. I did point out in the original ask reply that Jack was obviously trying to be a good father for Danny, which definitely deserves some points. However, it is still important to point out how generally uninterested Danny was in the bonding activity. It goes back to how Maddie ignored the chance to give Danny a choice, and how dismissive they tend to be towards him. I still want to award Jack a point for looking for advice from 'Father/Son Relationships For Stupids!' but I do so half-heartedly. Their interactions in this episode definitely reek with discomfort, but considering everything that has gone down in between now and "The Million Dollar Ghost", that does make sense.

"Torrent of Terror": This is another instance of extreme lack of safety precautions- the airbags don't deploy? In the GAV??? Somewhere out there, OSHA is crying.

"Forever Phantom": Maddie and Jack show a lot of anti-Phantom rhetoric in this episode. So this tracks how uncomfortable and/or threatened Danny might feel at home. Some examples include:

Jack: "He keeps this up he's liable to make people forget he's nothing but a putrid rancid ball of self-aware protoplasm."

Maddie: "Don't be fooled sweetie. He's up to something. Remember that time he attacked the mayor? Or stole everyone's Christmas presents? Once a filthy ghost always a filthy ghost."

"Livin' Large": Something to remember, the GIW intend to fire a missile into the Ghost Zone after gaining access to the Fentons' portal. While they didn't have the password right away, it cannot be understated that the Fentons basically gave away their house in exchange for wealth. Thankfully the missile was just a fake and not a real weapon of mass destruction, but do not mistake this to mean that- had it been real- the GIW wouldn't have gone through with it. And the Fenton parents would have been just as responsible.

And that concludes our canon research for this argument! Let's wrap things up with some stats. Of the 49 episodes in the show, we have evidence in 21 episodes. That is roughly 43% of the show, and this does not include comments that Danny has made about his parents and how they treat him. Obviously, at the end of the day, human error is possible. There is always a chance that I could have missed another piece of information, or perhaps another thoughtful addition to this list. However, 43% is no laughing matter.

Yes, the Fenton parents had their shining moments, but with all the other evidence presented that overshadows those little gems, can you confidently say that they are good parents? And most of all, if you were in Danny's shoes, would you say the same thing?

It's easy to excuse this as a cartoon. When you're writing in this world, playing with these characters, that excuse instantly evaporates.

Thank you for reading, I hope you all learned something about the Fenton parents like I did.

[ktempestbradford]

A Story for Star Trek Day

I've told this story on Twitter before. I tell it every Star Trek Day and whenever a Deep Space 9 anniversary rolls around. It's about me and Avery Brooks (aka Best ST Captain Benjamin Sisko).

The college my mother went to specifically started recruiting top Black students in the 60s. Due to this, the Black kids all mostly knew each other as they were in that same program. Avery Brooks went to the same college and they were good friends.

(She once told me he had a huge crush on her and I was like MOM. MOTHER. WHAT. HOW COULD YOU HE COULD HAVE BEEN MY DAD.)

Anyway, many of the students in this program remained friends long after college. So over the years as Avery was getting TV gigs & such we would all watch cuz he was my mom's friend & I thought that was the coolest. There was one particularly fun night when my best friend's uncle, Frankie Faison, guest starred on A Man Called Hawk. TWO people we know on TV!

When I was in middle school Avery was touring his production of "Paul Robeson" and it came through our town, so I got to see him perform in person (awesooooome) and meet him for the first time since I was a baby (which I did not remember, of course).

Now, backing up a little bit: I am a Star Trek fan because of my mom. She loved the original series and I remember being a wee Tempest in front of the TV watching The Wrath of Khan and us excitedly going to see Star Trek IV together.

I watched TNG from the instant it appeared on TV because of her. I watched all of The Animated Series even though everyone looked "wrong". (Man... it took me 4 months to realize that dude in the red shirt was Scotty cuz I'd only ever seen movie Scotty.)

Then... they announced Deep Space 9.

We heard Avery Brooks would be the commander and there was MUCH rejoicing around our house. DS9 turned out to be the best Trek ever and, of course, Avery was awesome. This was around the time my mom dropped that "he had a crush on me but I wasn't interested" bombshell.

I'm still bitter.

I mean, I love my dad he's great. But SISKO COULD HAVE BEEN MY DAD.

I lost my mom in 1999. She was--and I'm not exaggerating--an extraordinary woman and beloved by many. I received so many beautiful messages of condolence from her friends all the way back to those college years, including Avery. So many people remembered her fondly. <3

I kept watching Star Trek and often talked to her as if she was there during episodes. She would have LOVED Discovery. Especially since she took me to RENT the year I started college. I'm sure she would have shared my opinion of Enterprise as well. But she loved her some Scott Bakula, so she would have watched, anyway.

I got the chance to interview Avery Brooks at DragonCon back in 2013 (jeez, it's been almost 10 years omg). Before the interview, I went up to him on the Walk of Fame and I said:

Hi, I'm (name K stands for) Bradford, I don't know if you remember me...

And he looked up and said: Of course I remember you.

We talked for a bit and I asked if I could come back and interview him later and he said yes (he wasn't supposed to; his handler had A LOOK). I didn't want to hold up his line, so I said I'd see him later.

Before I could go, he reached out for my hand and squeezed it before saying: I loved your mama, you know.

And we just stayed like that for a few seconds, missing her together.

...I might have been trying very hard not to burst into tears.

That DragonCon was the last time I saw Avery. Barring an extraordinary circumstance, that's probably the last time I'll see him in person. I'm glad we got to have that moment together. And we had a great conversation!

His contribution to Trek has meant so much to me. SISKO4EVA

And I'm glad that it's another tie between me, my mom, and Trek. I can't watch DS9 without hearing her voice giving color commentary. Even the episodes she didn't live to see.

I think Star Trek is part of what gave her hope for the future. She passed that on to me. ❤️🖖🏾❤️

Happy Star Trek Day to all who celebrate.

[pixelchills]

Chill's ramblings about the DCA fandom and personal feelings and issues towards TSAMS (both positive an negative):

(I'm writing this like an essay but treating it like a diary, so if I jump from subject to another, it is because I am just typing as the thoughts hit my head. Sorry for being so wordy.)

I simply feel like I need to write my thoughts down, so why not share them with you. Maybe you can validate my feelings or something, I don't know.

Intro:

So, oof, I got a fic rec from @thedenofravenpuff and I'm loving it so much I really wanna draw fan art for it...

But the problem is that it's a TSAMS fanfic and I've sworn to my name I'll never draw anything related to the show because that will make me engage with a part of the fandom I'm not comfortable with.

My biggest issue with TSAMS:

I have such complicated feelings towards the show and its fanbase and I do not wish to make my life and work more difficult because of it as it already is.

My own work and characters are already constantly being compared to TSAMS. When I first introduced Solar to my fic, he was constantly being referred to Eclipse from TSAMS. Now that the show had a character with THE SAME NAME, it has been even worse.

Dolldrop Moon has been compared to Lunar. Even though the dolldrops existed before the youtube channel was even created (and Lunar made his debut much later).

The biggest issue I've had has always been the fanbase, that takes the show as the canon for Sun and Moon from FNAF and uses it as an excuse to harass shippers like me because they think Sun and Moon are brothers.

I've first handedly seen the damage the fanbase has done to some of my friends who draw, or have previously drawn art for the show besides their own AUs and personal headcanons of Sun and Moon as lovers. I'm sorry to tag you, but @kriimhild and @fablekitty : I've seen how the immature side of the show's fans have treated you, I am so terribly sorry you've had to defend yourselves over and over again for things that were not meant to be mixed up.

I have posted some ideas of a possible Animutant Moon and Sun forming a polyamorous relationship with Solar in the future of "My Dear Daffodil" on my personal/adult Twitter account. Someone kept commenting on my posts that I was glorifying incest, because Sun and Moon were brothers and Solar was their cousin.

The post had "Animutant" in it. Not "TSAMS". These comments came from a person saying they were 19 in their profile. So it's not just kids who can't tell not every fanwork is about TSAMS. It's starting to be some adults too.

Vice versa I've had another person comment on my very clearly SFW Twitter how they're following me because I am an adult artist who draws TSAMS incest. I have never drawn TSAMS art. I ship Sun and Moon, but they're never related with family bond, because I love presenting them as lovers.

Why I ship Sun and Moon:

Because I am a hopeless romantic. I love romantic love. Every single story I write is always about love.

The only exception to this is the Poppy Playtime comic I am doing. But even then, I was originally planning for a romantic love between Dogday and the Player. Yet, I decided to leave it, and keep the relationship open for any type of representation the reader themselves will prefer.

I used to watch The Sun and Moon Show when it first started airing. I loved their playthroughs. I had a big distaste for them calling each other brothers, as well as some of the first "lore" videos they had. My biggest issue at the time was how Moon treated Sun, though. As someone who grew up with an abusive sibling, it sometimes just hit a bit too hard at home.

But it got better after Eclipse and Lunar appeared. Moon was more caring, and I started to really like his character development. There was one episode where Sun explained to Lunar that he and Moon had simply just "decided" to be brothers, despite not having a canonical relationship.

This actually made me really happy. Because the Old Moon was aroace, the love he felt was simply never meant to be romantic, but platonic. And by making Sun his brother by choice clearly indicated that Sun was always the one he loved the most - in a way that was suitable for aromantic person like him.

And it really made me enjoy the show for a while. Sun is my favourite character, and despite not always liking the way the show presents him, I always feel so much love for him, no matter the AU he is in. So I loved that Moon loved him more than anything, even if it was just platonic. Because I've always been under the impression that the canon Moon loves Sun, and is only under a virus to protect him. For me, the best part of any Sun and Moon AU is to know that Sun is the most important thing to Moon.

Why I stopped watching TSAMS:

And then that Moon I had really started to like, who loved Sun more than anyone else but just platonically, died.

It hurt so much I simply stopped watching the show. I've watched a few episodes here and there after that, but I am having a hard time liking the show the same as I did before.

Partially it's because of the fanbase. Partially it's because I don't find the lore very interesting and some of the stuff a bit repetitive. Partially it's because I am scared to see Sun eventually crumble up into madness, because he has been through so much.

I like the New Moon. He is funny and nice, what I've seen. His relationship with Solar has been interesting, and I genuinely hoped they would've been able to take the romantic route after Moon said he wasn't sure if he was aroace anymore. But as I said, I've only watched a few episodes after the old Moon died, so I don't know either of their characters that much to form any strong opinions about them. I just listen to the Monty and Puppet podcast once in a while and get a little inside to some of the lore that has been happening.

But hey, at least there's fanfics. Which is why I am rambling here today.

Fanfics:

It is a rare treat to find Sun x Moon fanfics that aren't simply just porn, or do not include reader inserts. So since my romance-filled brain needed something to fill the void, I've started reading some TSAMS fics with romance (that wasn't between Sun & Moon) and plot in them.

I know Solar was settled to be a "cousin" to the weird family tree of TSAMS. But I simply crave for Solar and New Moon to be at least queerplatonic. Solar is not from their dimension, no matter how much they decide they're 'cousins' it doesn't make him their real cousin or relative because they're not from the same world.

Sun and Moon are brothers but they technically gave birth to Eclipse, who then created Lunar so Eclipse is technically Lunar's parent and then brother and Lunar is Sun and Moon's brother and... do you see what I'm trying to say?

The family tree is so complicated that I don't think I'm a horrible person for shipping Moon and Solar and reading fics about them. Tell me if I am wrong though.

The FIC that is making me question everything:

So Puffy recommended this fic by @theinfamousdoctorf , "Eclipse Meets His Match".

I'm currently on chapter 40, and I am genuinely surprised how much I am liking this fic so far. It got everything; redemption and character growth, the representation of Sun as the good, glowing angel he is in my mind (for canon, and every AU. He is always perfect in my eyes I love him can you tell lol), slow-burn romance, drama, excitment, plot, jokes and funny moments... even if there are a lot of mentions of sex and sexual pleasure, it doesn't feel out of the place as there is so much more to it too.

Eclipse's redemption to become better and realising he is in love with Sun has been so interesting to follow. Sun deserves the love. I love when Sun is getting loved. I literally ship him with every other animatronic in the games and love it when people ship him with their self-inserts and OCs. Because I love him so much I want him to be loved in every possible universe he is in.

Even bigger bonus to this fic is the second pairing, Solar and Moon, which I already opened up about above. I don't know how much the fic is truthful to the canon lore of the show, but I wish to pretend this fic is the canon now /hj.

I love the characters and how they're written. I love the descriptions of their flaws and hopes and dreams. How vulnerable they can get. How closely they stick together. And as an appreciation for making me tearful and excited about fanfiction in such a long time, I would hope to be able to gift the author some fan art for their fic.

But I've sworn to not draw anything for the show. For my own good. I've got too many awful comments already from the fans of the show despite never doing any art for it. I am just scared it will turn things worse.

End words:

I don't know if creating a new alias would be the right choice. So my main name/account would be spared from the confusion that the show's fans seem to stirr into, where one tsams artwork turns all of the artist' work into tsams.

I don't care if the art style would be recognisible. The artist would be me, but not PixelChills. Just so I could gift something to the author of this fic that is currently saving me from the boredom of being unable to write my own.

Thank you.

(This text has been typed on my phone, so pardon for any typos).

-Chill

[deviantly-inspired]

Dreamling concept

I absolutely love the 600 year slow burn to friendship and then wildfire romance that's in dreamling fics (it's IMMENSELY satisfying) but also, please consider:

after they finally (finally) become friends after 600 years they just... take their time, with romance. They spend years getting to know each other, genuinely, as friends. They don't know eachother, not really, until Dream has held Hob while he sobs over a loved one dying AND when he's seen Hob in his PJs eating ice cream out the pint because his students have stressed him out to the point of needing either ice cream or violence and Hob likes to think he chooses violence less often these days. And Hob doesn't really know Dream until he's heard that awful laugh, some unholy mix between braying donkey and the sound of magma shifting beneath the earth's crust OR until he's watched Dream scowl at the tele because they got to the last episode of "Game of Thrones" and Dream isn't any happier then anyone else is about a lot of those decisions.

And they spend days and weeks and years of being in one another's pockets. Choosing to come together again and again for a pint or a season binge or a silent supporting friend when the weight of living is a little harder. They earn each other's trust, and because they're both a little dense and maybe a lot more walking-wounded, the moment that each of them realizes that the other trusts them is, well, it's something that makes life worth living, for both of them.

Hob realizes Dream trusts him first, something small, something like Hob going to guide Dream out of the way and Dream just goes without any sort of hesitation. Not mountains or meteors could move Dream if he didn't want to, but he just goes to where Hob guides him out of the way so Hob can take the carrots out of the oven. It's enough to humble a man, and Hob might have a little cry over it later, in private, but for now he grins and tells Dream he has to try the carrots with the lamb, he hasn't lived until he's done so.

And Dream is a little slower to realize, I think. Because Hob is pretty open and friendly, it's a bit harder for Dream who's not so good with interacting with people face-to-face, to tell that Hob doesn't really get close to very many people for all that plenty seem to like him. There's a few exceptions, but even they are kept at a distinct distance. And it's maybe something small, like a small party or gathering of some of Hob's friends and it's late and folks are tipsy and Hob just kinda... dozes off against Dream. And Dream doesn't think anything of it, Hob does this quite often but Hob's other friends are immediately very surprised: Hob doesn't sleep in front of others, they explain. A relic from the war/traumatic past/whatever Hob's used to tell them. No matter how late or how tired or even how drunk he is, Hob would rather drive/bus/walk home then sleep where others can see him. You must be pretty special, one of them says. He even fell asleep on you like that: I've never seen him look so relaxed.

And I think that there's something beautiful about the slow, inescapable draw of it. It's like two meteors from opposite ends of the galaxy that have been on a collision course for eons. They both have moments of realizing that they're falling in love. They know it's going to happen, and the tension is slow and sweet and lovely. And there's no need to rush, because there's trust there too. Sometimes they'll meet gazes and they'll know, both of them, in that moment that they're in love. That, someday, what's growing between them is going to be a bloom unlike anything the universe has ever seen before. And they'll smile together and continue watching bad tv dramas or swapping gossip or sharing their pints and maybe their shoulders brush and their touches linger a bit longer that night but it's okay. There's no need to rush. They have forever after all.

And I think also that Dream is just a dramatic romantic enough of a bastard to confess to Hob on June 7, 2089 and i think Hob is just enough of a dramatic romantic to tell Dream that he certainly took his time.

I'm not late, am I, Dream will ask.

Of course not, Hob will laugh, you're exactly on time. We've plenty of it.

And in the Dreaming there will be a quiet warm breeze and gentle sunshowers as in the deepest heart of the dreaming a flower never before seen blooms awake. And in the waking two friends close the gap between them and talk about how Sally next door really needs to stop over watering her flowers she's going to drown the poor things, really.

And then they'll have the absolute longest courtship and engagement of anyone in the universe. There will be entire religions that will rise and fall before they get married. Pantheons will come into existence and be utterly dumbfounded when they're invited to Dream of the Endless and Hob Gadling weddings because weren't they already married? They've been together since the beginning of it all.

It's be great.

[llamaisllama777]

TSAMS THEORY: THEY'RE ALL THE SAME//TIMELOOP THEORY!

Okay, you read the title. This is probably the CRAZIEST theory I've come up with up, but please let me explain.

Okay, so in this episode of The Sun and Moon show

Dark Sun visits Foxy and is trying to help him solve his F.c. problem. This was when F.C. got that red box in his chest that absorbs negative star power, and Foxy had no idea what to do, and "Sun" shows up to offer him some support and help... ya, that's not Sun, as you can probably imagine it's Dark Sun. Dark Sun, if I remember correctly, is basically telling Foxy to get rid of the kid cause he's too dangerous, and off course, Foxy tells him no. Dark Sun make some interesting comments that got me thinking. Dark Sun kept asking hypothetical questions like: If you could go back in time and redo everything the exact same way... would you?

Kept asking time related hypotheticals, and even after 7 months, my mind does wander back to this episode and what Dark Sun said.

Someone in the comments of this video asked "Wait is Dark Sun implying they're all stuck in a timeloop and only he knows?" And that BLEW MY MIND!

It does explain a lot of things about Dark Sun

How he seems to know how everything is gonna play out

How confident he is

How smart he is

It's cause he's been through ALL this before.

He's seen it all before

He's experienced it all before

And he's learned from it all.

There is a VERY popular fan theory that Dark Sun is actually OUR Sun just from the future!

I do think that theory is true... but allow me to add to it.

DARK SUN IS SUN FROM A PREVIOUS TIMELINE

The theory is that every time THIS world ends, it gets reset (Kinda like Undertale), and everything happens all over again, maybe with one or two small differences, so it's not an exact copy but a close enough one. Dark Sun was a Sun who we know snapped and fought back against his Moon, killed him, and stole his intelligence... is what I would say if that was true. It was later revealed that Dark Sun lied about killing his Moon. We see his Moon barely alive in a cell where Ruin then puts him out of his misery. Ruin calls Dark Sun out on his lies, and Dark Sun just kinda brushes it off. He lied! He lied about killing his Moon! So, if he didn't get his intelligence, then where'd he get it? Dark Sun didn't steal it he gained it through experience. Dark Sun somehow found out he and his WHOLE WORLD IS TRAPPED IN A TIMELOOP! He probably freaked out about that for a while till he began to wonder if he could change the future, change his fate. So, he does. He becomes Dark Sun after many attempts and many timeloops and finally breaks free from the loop, but he realizes he's free, but the loop isn't over. It's still going. Just now, he's a watcher. He's on the outside looking in. He watches the loops play out over and over and over again, and it just keeps getting WORSE! Moon is still being an abusive butt to Sun, Sun still barely has anyone to support him, and they are still constantly messed with by people like Eclipse, BloodMoon, The Creator, The Astrals. It NEVER ends! Oh, sure, sometimes the loop is merciful. Maybe it gives Sun a new sibling to care for him or a new friend or heck, maybe even a kid... but it's still the same shtick! Sun even dies in some terrible ways in some of these loops! Or the siblings turn rouge and become evil. Dark Sun decided enough was enough and decided to try and break the loop once and for all, but in order to do so, he needs to intervene. He needs to start making things go his way. Pushing Nexus further to the dark side, putting things into place so Sun will lose his support system, and make it so the next few loops will have the Suns coming up on top. Basically, altering the timeloops so Sun doesn't die in 95% percent of them and instead Moon dies. (What's been happening in the show currently) Dark Sun is trying to make our Sun like him cause he believes he can't break the loop, so if you can't break it... change it. He's trying to turn Sun into another him because Dark Sun thinks becoming like him is the only way to break the loop. He's trying to make all Suns like him cause he believes he can help them.

So, that's Dark Sun's part of this.... how does Emperor Lunar and President Earth come into play?

Well, if the timeloop theory is correct, then you see what I'm saying, right? President Earth and Emperor Lunar ARE our Lunar and Earth! Just from different timelines. They're like Dark Sun sort of. They know about the loops but aren't really doing anything to intervene. Maybe they are, and we just aren't seeing it? Who knows?

Now, you might be saying Llama, Emperor Lunar, President Earth, and Dark Sun are from another dimension... not timeline... well... do we know that for sure? I mean, they say it's other universes.... but... dimensional travel is a tricky thing. Who's to say Moon when he built the portal didn't accidentally poke a hole through? Plus, other dimensions and alternate timelines are a term that's pretty interchangeable. So, what we think is an alternate dimension is actually a alternate timeline, part of a the loop.

Basically, what I'm saying is that Moon's portal is actually going in a giant circle poking through the past timelines and wrapping back around to ours and poking through ours to future ones.

Tl;DR The whole show is stuck in a timeloop, and Dark Sun, Evil Earth, and Evil Lunar are OUR Sun, Lunar, and Earth just from a previous loop and Dark Sun is trying to save all other Suns by messing with the timelines so they'll become like him and break free from the loop.

Does this theory have a lot of holes... yes. But gosh dang! Wouldn't that be something! Plus, I can see something like this happening in the show.

But hey that's just a theory...

A TSAMS THEORY!

Thanks for reading!

[celestialcrowley]

This took 6,000 years to put together.

I need to talk about some things — things that are afoot — before I pop. On my (pick a card, any card, shhh) rewatch, I've picked up on lots of potential Clues and Foreshadowing. Shouts like David Tennant, "I want to be heard!" and waves hands like Detective Azirapalalala.

It starts, as it will end, with a garden. Season 1 indeed began with a Garden. The Garden of Eden. I'm going to leave this here for now, but I'm going to come back to it. Neil never does anything by accident. Everything we saw in Good Omens season 1 and season 2 had a purpose. Have you got your turtlenecks on? Right. Let's go. While season 2 had a heartbreaking ending, their story is not over because —

It starts, as it will end, with a garden. Foreshadowing. There was a lot of it. I'll start with two important lines that were said by Crowley and Maggie. Maggie mirrors Crowley. "I'm coming back. I won't leave you on your own." Crowley had to leave Aziraphale in order to save the humans, but then we got, "I'm not leaving him to face them on his own." Parallels. Similar lines, and, in that moment, Maggie took Crowley's place as Aziraphale's protector. “Would I lie to you?”

Crowley does lie, but he promised Aziraphale that he’d come back to him, and he did. I’ll come to you is something Crowley will never lie about. More on that specific detail later. WAIT AND SEE! Season 1, Episode 5: The Doomsday Option "Look, wherever you are, I'll come to you. Where are you?" Season 2, Episode 5: The Ball "I'm coming back. I won't leave you on your own." There are parallels here too. Both lines are similar, both were spoken by Crowley and both were in the fifth episodes. It might not mean anything, but it could be a Clue, and I've still got my eye on Neil ... and his ominous lighter. Season 2, Episode 6: Every Day "Angels are like bees. Fiercely protective of their hive." This line shouted at me. Anthony "Ji'mNotNice" Crowley, while no longer an angel, has the protective tendencies of a Guardian Angel. He is the bee. Aziraphale is the hive.

In the fifth episode of season one, Crowley had been stuck in a traffic jam and then decided he was going to go 100% feral and drive his Bentley through fire. Nothing was going to stop him from getting to Aziraphale.

In episode 1 of season 2, The Arrival, Crowley losing his temper, I believe, foreshadows his threat to Jimmm “ShortForJammmes” Gabriel —

— which took place in the fifth episode of the second season.

“But I was there, and I do remember very clearly the look on your face, Archangel Gabriel, when you told my only friend to shut his stupid mouth and die.”

Right — ready? I threw these in as well because I have a hunch that they could also count as potential foreshadowing. Let's look at three very specific lines. Season 2, Episode 2: The Clue

I need to talk about that line because it appears to heavily foreshadow the end of season 2 episode 6. Aziraphale went with the Metatron to Heaven despite his bookshop. His love for food. Coffee. The kiss. Crowley. Despite everything he holds dear.

He is going along with Heaven as far as he can. I'm going to talk about the Coffee Shop Theory first, which is going to lead right into the Body Swap Theory, and why I don't stand by them. The Coffee Shop Theory We don't know a lot about the Metatron because we've hardly seen him as anything other than a floating head and his claim to be the Voice of God — at least right up until the end of season 2. There were a lot of red flags floating around just like his head. This conversation to start with... The Metatron: Do people ever ask for death? Nina: What? The Metatron: Well, the name of your establishment. Give Me Coffee or Give Me Death. I assume they always ask for coffee. Nina: They don't ever ask for death, no. The Metatron: No, I don't suppose they do. So predicatable. So predictable.

There was a sinister edge to it, and I didn’t like it. Crowley has asked about the name of the coffee shop, too, but it’s Crowley. He’s harmless. Something about the Metatron doesn’t sit right with me.

1) None of the angels in the bookshop seemed to recognize the Metatron, but at least several of them should have. They did see him as a floating head, so why didn’t they know him while Crowley did?

2) Where exactly has God been?

3) There was definitely something evil about that look the Metatron gave to Crowley in the bookshop. Why didn’t he seem to react to it?

The Metatron appeared to use manipulation tactics and mimicked Aziraphale’s speech patterns as a way of convincing him to accept his proposal. He brought him a coffee — it’s no secret that Aziraphale enjoys coffee and nice meals — complimented him — an angel of your talents — used the phrase jolly good — something Aziraphale has said before — and threw this in.

“As Supreme Archangel, you would get to decide who to work with.”

He’s using Crowley as another manipulative tactic because he knows how deeply Aziraphale cares for him, but —

1) He knows Crowley will not agree to return to Heaven.

2) He wants them separated because they are too powerful together. And nothing will be able to stand in their way if they are not separated.

Performs a wibbly wobbly timey wimey miracle

The Body Swap Theory

Aziraphale is a master of his face. He’s bubbly almost all the time, but when he’s not, it shows. I can’t bring myself to stand by the body swap theory because of two things.

Aziraphale made this face when he had Hell convinced that he was Crowley. This smile —

— closely resembles this smile.

This is Aziraphale, but he’s not the Aziraphale we know. This is an angel who has already put his armor on and is ready for battle. This is an angel who is going to fight for everything he holds dear.

The Metatron may have successfully separated them, but he clearly hasn’t been paying close attention to Crowley or Muriel. He apparently didn’t notice how feral Crowley became when Aziraphale was threatened in any way.

You don’t separate the bee from the hive.

Muriel willingly took our favorite murder hornet bee into Heaven. It’s clear they like Crowley, and he likes them as well. There were no signs that Muriel lost their angelic powers, and that could result in them getting Crowley into Heaven again. I believe they are going to play a key role in season 3.

Performs another wibbly wobbly timey wimey miracle…

“You’re just an angel who goes along with Heaven as far as he can.”

“Oh, I am, but rescuing me makes him so happy.”

“You came back.”

My point is … m’point is …

Aziraphale will always go along with Heaven as far as he can … until he doesn’t, and I believe we will get to see that in season three. As soon as he was told of the Second Coming, it was clear that he was not pleased.

“You’re so clever. How can somebody as clever as you be so stupid?”

Aziraphale is clever, and dangerously so.

And that set Armageddon his plan into motion.

To wrap things up, here’s the thing regarding more on that specific detail later — Crowley will always be the bee, and he will always be fiercely protective of his hive Aziraphale, and he will either always be waiting for him or always come back to him.

It starts, as it will end, with a garden.

Their Nightingale will sing once more.

[weepynymph]

I gotta talk about this moment even though it's been discussed a million times

Zuko, opening up to someone about his scar for the first time (from what we’ve seen in the show at least, but we can reasonably assume he hasn’t spoken about it like this since he got it) and explicitly stating that whilst he's always associated it with with failures ('the mark of the banished prince'), he's finally ready to take control and change his life for the better. And whilst he has accepted that he can never change his scar, it’s ok because he still has the power to change his destiny.

And despite this assurance, Katara, the healer, still jumps in and offers to heal it anyway, understanding that this is still a burden she could lift from him - 'What if you could be free of it?'

She knows it won't change his life in the same way taking control of his own destiny will, but still, it's like she can't help but try to ease his pain. Even if it's a pain that's long since become a permanent part of him, something that might seem surface level or cosmetic to others - 'It's a scar, it can't be healed.'

And then we have this

'I've been saving it for something important.'

This. Healing Zuko's scar. A wound that has, for all intents and purposes already healed and is not longer a threat to his life, but still burdens him emotionally. That has come to represent all of his trauma. This Katara considers important enough to use her limited and precious supply of spirit oasis water. In the middle of a war. In the middle of a dangerous journey to save the world in which she and her friends might be seriously injured at any time (including in this scene, where Ba sing se is literally under attack as they speak).

And if that weren't enough

'I don't know if it would work'

Now, I don't know the mechanics of spirit water in the atla universe, but it seems to be pretty heavily implied later in the episode when she uses the water to heal Aang, and for a moment thinks that it hasn't worked, that it's sort of a one-time deal.

Which means that she's willing to potentially waste the spirit water just on the off-chance that it might remove the scar. Which in the context of the wider story seems utterly insane.

But Katara thinks it's worth the risk.

And presented with this opportunity, this beautiful, selfless offer to ease his suffering, even on a purely physical, surface level, Zuko wordlessly submits, and lets her touch his scar.

Now, Katara doesn't know quite how significant this touch is (although she's very emotionally intuitive so I'm sure she has some inkling of the gravity of this action) but we do. We know that Zuko doesn't let anyone touch his scar, ever. So what this communicates to us as an audience is that Zuko is allowing himself, for the first time, to put his complete trust in someone. To be completely, 100% vulnerable with them.

And the moment of touch is all the more significant because, in many ways, it isn't even strictly necessary.

Katara's hands are empty, she isn't putting the spirit water to his face, to attempting to heal it here. And while I'd argue this touch could be a practical one - assessing the damage of the scar with her hands to see how to proceed before she uses the water - the moment after, right before they are interrupted, isn't one of practical, medical assessment, but of intimacy.

The way Zuko waits, patiently, eyes closed, and the way Katara pauses, just for a moment, doing what I can only describe as gazing at him, and that slow blink in the middle- Again, not examining his scar or reaching for the spirit water to begin, but just taking it all in.

It's so breathtakingly intimate and vulnerable - a point of connection between these two people who are supposedly so completely different but are, here, somehow so alike in their openness and understanding of one another.

That Katara offers to heal Zuko's scar even when he's said moments before that he's made his peace with the fact that he's never be free of it. And the way he accepts her offer without words because she's right, part of him does want to be free of it.

It's just an absolute masterclass in creating an immediate and powerful connection and bond between two characters in an incredibly short space of time from a start point of complete opposition without rushing it or making it seem implausible.

[cheonminhyuk]

tapping the sign that says "you don't need to use slurs or outwardly express bigotry to retain homophobic or racist ideas"

why is the author of hsr incapable of conceptualizing a wlw romance that does not have a sexuality crisis/societal homophobia as a central element? why is greg's route creating a new problem every update? it is not even that we as the readers don't see them as fully realized characters - the author doesn't see them as interesting enough on their own to carry out a romance with.

i'm all caught up on the dmitry romance, and i've seen quite a lot of cain's. why is it that both of them get the tension, the pining, the gradual closeness and what keeps them and lane apart is disregarded eventually because love wins i guess?

meanwhile anna's romance is 'slow burn' and 'angsty' and 'lane thinks they're just friends'...i really just think the author cannot imagine a gay ship being interesting without a backdrop of homophobia lol

and that's sort of what the problem is - interest, or lack thereof. the author doesn't think anna and greg's characters, on their own, can maintain reader interest. i've been romancing greg since the start and damn near every update there's some bullshit disagreement/conflict they have that the diamond scenes are then focused on resolving. rinse and repeat. lane can have two unfriendly interactions with greg about the squad drugging her. she is uniquely upset at greg's involvement in it because "i thought you were different". compare this to the dmitry scene, in which lane only brings the drugging up as a joke and dmitry finally says 'sorry', a season later when it no longer matters to anyone.

this brings us to greg's treatment as a whole. as someone else has pointed out, the black man is the only romance option you can actually kill. he is regarded by lane as the one having betrayed her most severely regarding the drugging, purely because what? they had one civil conversation beforehand?

onto s2 - greg is now the temporary leader of the squad. this changes nothing for him and lane. sure. in dmitry's train cabin scene, they have an exchange about this in which she tells dmitry her and greg "haven't interacted much", even if you've been romancing both. hey, at least the author's self aware? dmitry's position as general colors every single interaction he has with lane and the world, as well as the other characters, react to it. greg's position as his second-in-command is so irrelevant we find out about it only when dmitry is out of commission and someone else needs to lead the squad in his absence.

towards the season one finale, we find out the fate of emma, greg's sister. half of the ensuing interactions with him have lane thinking about how she's keeping this information from him. but she continues to do so with no good reason. 5 episodes later - the gym scene. i don't know about the mercy path, as my greg slot is not on it, but on the no compassion path, lane basically argues she can't tell him because she likes him and knowing the truth would somehow cause him to leave the squad. i simply don't buy this reason. first of all - why would greg, now knowing his sister died in the siberia base, not stay with the only people who could possibly know more about this base? second...where the fuck would he go lmao. one could argue this is simply lane being irrational, but no mercy lane has never before been portrayed as irrational, only lacking in empathy for other people. it's hard not to see this for what it is - another hook for conflict between them because the author, again, does not see greg as interesting enough on his own and feels she has to rely on cheap drama to keep readers invested.

[mask-of-prime]

TLG: Final 10 Episodes Sketch Dump

September 2nd once again fell on a Labor Day, like it once did when the final 10 episodes of TLG dropped on WatchTLG (due to its early release on the old DisneyNOW app). The alignment of the exact day, month, and holiday five years later put me in the spirit to sketch away as I rewatched these episodes.

I was there when the countdown on the WatchTLG site had about an hour left. I hadn't seen a full episode of TLG until that point because I at the time thought I wouldn't be into it. I saw the synopses for these episodes leaked somewhere online and was doubtful yet VERY hopeful that the one with Vitani's Lion Guard was going to be a real episode simply because I wanted to see her in new content, regardless of my familiarity with the show.

When I binge-watched these final episodes with a friend, my relationship with the show improved as I went to watch the rest of the show over the next few months. I was so grateful to see so much content and worldbuilding for the TLK universe

Sketch descriptions under the cut:

1. Friends to the End

I've said this before in a review of this episode, but whether or not the writers intended this, their portrayal of irritability brought on by an anxiety attack is astounding. Kion's anxiety is piled up more and more when he's in a hurry to find a cure at the Tree of Life, Bunga repeatedly tells him he's becoming like Scar, and the rest of the group just "blind leading the blind"-in their journey SO badly because they're a bunch of unsupervised freshman-aged kids who are in their "Well I wouldn't go THAT far" or "Can I be the devil's advocate" phase.

This situation of fearing becoming like a shitty family member and being told you are by people when you're already in a vulnerable state is just SO vile and unfortunately so real. I found myself relating hard to this episode due to Kion's valid af anger in this episode, which is why I had to draw Kion claiming his "Don't you just wanna go apeshit??" era.

Kion is basically me throughout this episode and the entire first half of Season 3. It is SO HARD to get through this season sometimes when these same couple of lines keep coming at least once per episode. As soon as I hear Fuli saying "Uhh... Kion?" or "KION!!" I know exactly what's coming.

2. The Tree of Life:

Since we never get to see Sahasi and Ananda's color palettes they had in life, I took what I could make out from their spirit forms as well as some creative liberties, and came up with what they may have looked like on Earth.

Ananda is where Baliyo gets his freckles and dull, dark pelt, and where Rani gets her purple pupils, red nose, and dark tail. Sahasi is where Rani gets her richer pelt and where Baliyo gets his nose gradient, multicolored mane, and lighter tail color.

Fun Fact: According to some email responses from a member of the team who worked on TLG, they said that Sahasi was meant to be Janna's son, which for me, puts an end to a debate I had in my head where I was stuck between either him or Ananda being Janna's child: On one hand, I liked the idea of Sahasi and Surak being the foils of Mufasa and Scar, but also liked the idea of Ananda as Janna's daughter and heir since they looked so alike, as well as it solidifying the martriarchy headcanon I have for the Night Pride. Though the team member didn't straight-up provide Sahasi's relation to Janna and Surak as an absolute fact, rather it was simply the gist they got from the creation of Sahasi's character, it's an answer from a team member at all, which I can absolutely settle with. I decided to give him a similar fur color to Surak because of that.

3. The River of Patience:

I just HAD to doodle eepy Kion. It's like the one part of this episode that sticks with me outside the wholesome therapy dynamics and Kion heroically holding the flower between his teeth. This is basically him but if he fully succumbed to falling asleep waiting for the log.

4. Little Old Ginterbong:

Can I just say that I fucking LOVE Mama Binturong's character?? She's absolutely insane and constantly looks like an addict that needs her fix. She makes me nostalgic for some reason, and I think it's gotta do with her Mama Gunda vibes (which is odd because I wasn't even that young when I saw Tarzan II). I had to draw her doing the thing lol

5. Poa the Destroyer:

All I could think about throughout this episode besides the rare Evil Beshte is how insufferable Pinguino is. I mean it in kind of a good way, his personality is so ridiculous that he's made me laugh a few times.

6. Long Live the Queen:

Surprisingly, the sketch regarding this episode is probably the least expected subject matter out of anything I could've put here: An idea that's been forming in my head for a bit now was the idea of Bunga and Binga continuing the fostering/babysitting business of Bunga's "uncles". Bunga is shown to be a natural with young animals in a few episodes, and it continues in the subplot of this episode where he watches over Varya's cubs.

7. The Lake of Reflection:

The one thing that viscerally stuck with me in this episode was the unbelievably cute design they gave bby Cheezi. Had to sketch him.

8. Triumph of the Roar:

Obligatory Askari sketch because I actually love drawing him and making headcanons of his era. Looking back... he kinda looks like he's looking down at the events of the bottom drawing in slight disappointment.

9. Journey to the Pride Lands:

Drew Azaad (for what I think might be the first time) with the only thing he seemed to be doing throughout this episode -- taking any opportunity he can to comment about how much better cheetahs are at basically everything. He's fun to draw and I'd like to do more art of him one day.

10. Return to the Pride Lands

This is a sketch of what I deadass thought was gonna happen during this scene the first time I saw this episode lmao. At the time, the previous two episodes were fresh on my mind so I thought Kion was once again going to spam his tornado ability, but with Vitani as his subject for his demonstration. She already knew so little of the Roar as it was, given her absence throughout most of TLG's storyline, but could you imagine what she must've been thinking seeing how much Kion's Roar evolved?

[py-dreamer]

So... I know I'm late...

But yea! I said I was coming back with some stickers and I kept my word! I would've hoped that I could've completed the sheet in like a day but as you can see...that didn't work out

I know I've been a bit MIA lately but burnout sucks. I do have a lot of WIPS I really want to work on but again, it seems that the ProcrastiNation hath struck my feeble mortal brain again.

But anyways:

I headcanon Aroace Mei, just a personal headcanon (disagree if you like) I also like lesbian Mei but thought I'd give some aroace appreciation

Silktea was only given 1 episode but OH BOY did it fuel our wild shipping habits. And I jumped on the bandwagon. It's a reference to that scene in She-Ra where Scorpia tells Catra she 'didn't want to do this' then wraps kitty up in the blankey and cradles her like a wee baby. And Sandy would do that for any friend, I will die on this hill

Saw a fanart where Mk had a pig nose themed pacifier and I just yoinked that idea. The pig hoodie and the pacifier seems like something Tang would do for Pigsy (also to get away with free noodles cause who can say no to that face?~)

Mac showing Wukong the lantern. What can I say, mans' fascinated by them pretty lights. Though our little performer's eyes seem to be straying from the show (^u ')

I know many people have issues with shipping with Nezha and such and I know the two had a rough history but y'know what fans do; they love to make the people who kill each other soulmates (platonic, romantic or otherwise) Even if it wasn't romantic, I still love the idea of them being buddies and just chilling, the danger noodle prince and the angy prince snuggle and watch a movie (mainly from Nezha 2019 but I also saw New Gods and can I just say, I want those two twinks to bicker then kiss awkwardly and I want Yun Xiang to BEAT. HIS. ASS) but in case anyone asks, I do perceive Nezha to be a consenting adult in general outside shipping drama and if the two are adults, it does make my heart squeal when I see these two hold hands and whatnot

HOW COULD I EVER FORGET MY SPICYBOIS, inspired by that one Ponyo kiss scene. I was actually gonna make a bigger piece but then I saw someone do it already in a much better fashion than I ever could and I just gave up on the idea but Ig here, its just like the two cakes mentality and I gave it a go. Hope I could do the concept justice

Have spider queen or scorpion queen ever interacted before? No. But they are both queens and I believe Spider Queen's confidence could rub off on Scorpion Queen and she'd appreciate the company of Spider Queen's children henchmen. Also she give yummy food so lesbian venomqueens for the win

Redraw of that moment with Peng and Azure. I normally detest that bird but these two do get some gears grinding and whatever anyone says. Neither of those two are straight. I'll tell ya that.

Toxicinsanity is another rarepair that had like 1 sec screen time. I don't think they'd ever work out in canon and had virtually no chemistry. I still love all the fluffy ship content I can find of them though and if it ever were to happen. I think the mayor would scare the sh!t out of Syntax

Let's get at least one hetero couple here, Chang'e and Hou'Yi are a couple of favorites ngl, I took most of their outfits from Over the moon cause both of them looked stunning, Chang'e especially. I've seen people ship mah girl with other people and while I do agree it's healthy to move on, in my heart she will always long for Hou'Yi

Also irl, on valentines, my mum took us out for lunch, she treated us to bubble tea and donuts. We walked home so I waited to drink mah drink in my room while I drew and I accidentally finished it all... I'm so sorry mum

f*ck I forgot ironbull. Uhh....I'll draw something later, rn I need to go to bed before I get yelled at...

click pic for less sh!ty quality!

[sparkles-rule-4eva]

Alrighty! @number-one-shadisper-shipper and I binged the Knuckles series today, so time for thoughts! SPOILER ALERT.

I'll admit the show wasn't perfect. I've seen the negative reviews, and I kinda get where they come from. BUT! I did enjoy this show greatly! And I'm not here to complain. Time for some happy thoughts, y'all! 💙🤩

I think you need to have a love, not just tolerance, for the SCU in order to properly enjoy this show. I do have such, so I had a lot of fun with it.

There were definitely scenes from every episode that had me either squealing, laughing, crying, or flipping out. But my favorite was likely the first episode, because come on, we saw the Wachowski family! Most of them, anyway! While I missed Tom's presence, I was grateful for that comment from Maddie about him being "out of town," so he wasn't just gone for no reason.

The SECOND it showed our three space babies hanging out together in their room?! I SCREAMED. THE BOYS!!!!

Tails sitting on his bed tinkering with one of his gizmos, Sonic rocking out to music with an air guitar, and Knuckles exercising from one of the ceiling planks. IT'S THEM!!! They're just hanging out, doing their thing, looking oh so much like brothers. And Sonic's narration at the beginning was GOLD. 🤣💙

Even though we didn't get enough of Maddie being a parent, we definitely got a nice chunk for it only lasting part of an episode. Maddie called Knuckles "one of our kids" (that had me SCREECHING). The angry mama vibes were GOLDEN. 🤣 The way she made breakfast for them, the "Boys, breakfast is ready!" I love the normalcy of it! Can't wait to see more in the future! (Her calling to them with "boys" is somehow just the sweetest thing and I'm melting.)

The poor mailman being like "I just wanna go home, man" 🤣

We were right, fellas, Knuckles had no idea what being grounded meant. 🤣 Although the way Sonic piped up with "Oh, I definitely know what it means," has me suspecting that Sonic himself has gotten grounded a decent amount before. 😂

Knuckles trying to talk back, and Maddie going, "ExCUSE ME?!" then just making those tiny, terrifying noises and Sonic being like "Bro don't mess with Mom when she's mad" (okay, he didn't say "mom" and that made me sad, but the mom vibes were 110% there so I'm here for it). 😂 And since Knuckles snuck out and later Wade said, several times, "Aren't you grounded?" seems to confirm that this entire show is basically what Knuckles does when he's grounded. 🤣 Although ... his comment about not being able to be grounded because he had no home made me very sad. 😭

I did not have an issue with so much Wade screentime! Sure, he isn't my favorite SCU character, but I love what this show did with him! I'd already seen his moments in the movies (like nearly shooting Robotnik in the face with an actual handgun). I like how they gave him actual family issues; a dad who abandoned him and his family, a realistic sister, a mom. Bad family memories. Awkward reunions. They could've made it a joke, but they didn't, and I greatly appreciate that. Especially since I've witnessed firsthand how painful family separations can be. 😔

All the emotional talks Wade and Knuckles had caught me off guard in the best way! The way they talked about their different family issues, the way they talked of betrayal from friends, and being left alone, hit way harder than I was prepared for. Especially that talk they had at the burger place in the middle of the night? Oof. Good talk right there.

Also, even though they took a "show don't tell" take with it, I loved how Knuckles relaxed more and more throughout the show. In the beginning, he couldn't rest, he couldn't sit back and have a genuine good time. But the more he hung out with Wade and his family, the more he learned. He learned about music and found "his jam" (that was literally amazing btw). He watched movies with Mrs. Whipple and ate snacks in the hotel room in Reno and watched more movies. He had his teenager moments of rolling his eyes and rebelling, but he was so well portrayed here, I loved it. I felt for him.

Despite the bizarre nature of the episode "Flames of Disaster," (we were cracking up so hard) I'm trying to glean bits of the truth of Knuckles's story from the crazy musical play that Pachacamac put on in Wade's dream. I mean, "Longclaw" and her tribe were there, and ... what the heck was that giant demon thing?! Iblis?! Does our Knuckles Wachowski have an actual history with freaking Iblis?!?! 😱🔥

I was deeply intrigued by the two main antagonists, especially at the implication that G.U.N. did seem to exist before the events of the first movie?! Did it exist, get disbanded after the Maria incident, then get reformed?! My brain is exploding. 🤯 I was even more shocked that they apparently died? I guess I shouldn't be surprised, the Wachowski kids don't seem to have much qualms about getting rid of the baddies for good as the game versions do. That was a terrifying phenomenon, what happened with the two rings. 🫣

And then the Buyer getting crushed by the giant glass ball 👀

Although in those last two episodes, I admit I was freaking out and legitimately near tears at Wade's seemingly having to "betray" Knuckles. Before the reveal that all was in good communication, all I could think was how relaxed Knuckles finally seemed, chilling in the hotel room, being excited about whatever Wade wanted to "show" him, questioning whether it was a song, him declaring that he was going to bring his favorite hat, 🥹 all I could think was of their previous discussions about betrayal from friends and family, and when Knuckles called Wade "my friend" right before the elevator doors closed, I just about sobbed. I was like "please, don't let him be betrayed, don't let him have come all this way and relaxed so much only to get 'betrayed' once again by someone he's come to consider a friend." 😭 We heaved a HUGE sigh of relief when it revealed he was aware of the trap the whole time. 😪

Maternal instincts went nuts when he got so badly hurt in that final battle 😭 I literally reached for the screen several times and was right back to almost weeping 🥲 And someone tell me I wasn't the only one noticing the parallel in that scene with Wade standing in front of his unconscious body the way Tom did with Sonic in the first movie. That, PLUS Knuckles's epic comeback, and his retrieval of his own power?!?! EPIC!!!!

The ending was abrupt, sure, but the pure joy on Knuckles's face after everything as he jumped up to high five Wade was just too sweet. 🥹

So yes, even though I would have loved just a little more, a return to Green Hills, a reunion with Maddie, Sonic, and Tails, I adored this show. It was a wild ride, full of laughs, tears, excited screeching, etc. 💙💛❤️ I don't care what anyone says, nothing will make me hate it.