#i'm working on the others but i've got the first arc down
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Not the OG anon that mentioned R-18 drama cds so I could be wrong here, but their description kinda sounded like volume 4 of the Shinai Naru Thanatos series. Tbh this series screams DOL period with how lewd, dark, and twisted shit gets (literally just Yandere galore here with varying degrees of disturbed). You can find English translations of the cds on criytl’s site for free, but idk where you can listen to said cds unfortunately.
sometimes i wish i could also pull items from a meticulously crafted mental bank of several niche genres at will. anon, did you have to look up the volume number or is this just off the dome?
#i mean i guess i'm pretty good when it comes to anime that was popular with specifically teenage girls#really this is just a way for me to flex that i've read all of the ouran high school host club manga (and have thoughts about it)#and have an encyclopedic memory of AT LEAST the first forty episodes of sailor moon#i'm working on the others but i've got the first arc down#this is my one piece (i think about it all the time but will likely never finish it entirely)#personal#anon ask
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remembering the most memorable mc's (with canon appearences) from the otomes i played
all of them are phone games btw. and looong rambling about the games after the cut!
Mystic messenger has been in my radar since i was in elementary school but i played it for the first time after the spanish traslation came out (2017 i think?) Seven shaped my type in such a specific way that im not really sure why loved him so much (it was the whole "he loves you in every route" stuff). I like a lot the default mc, most of the fandom did and that was enough to won me over
Rosa is top tier protagonist tbh, Tears of Themis has really good story and characters (as far i played, not a lot but i enjoyed it) The reason i'm not that much of a fan is bc the game is expensive asf and not very free to play friendly. You're either lucky or have a big wallet with the gacha
i miss my wife man(Marius)
Ephemeral has to be one of the best free to play otomes i've played tbh (if my memories aren't tricking me, it's been years) Good artwork, good storyline, good characters and as far i remember you can unlock one chapter of the character route per day (mabye two days, idk) and the mc's background has an important role in every route (she's a zombie! she's pretty now but eventually will fall apart, aaaaand her story gets expanded in one of the routes!) ((shes also adorable)) There's also a sequel, if you wanted more of the boys! never finished it but i'd recommend it
Honorable mentions! Huellitas Mágicas is a great game! has a really good cast with well fleshed arcs for all the characters, even the scondary ones! The game shines more for the development of *all* the characters rather than just the protagonist/ml. The main theme is overcoming insecurities! Each love interest has a different way of helping our (very insecure) protagonist and helping different characters with their own struggles :DD
10/10 i recommend this game if you want something cute and can be finished in a few hours, if i remember right. It also has a sequel! with like- 12 new love interests, also never finished it bc i didnt found a guide that worked for me but ñek
A3! is my canon event as a gacha player. Discovered the english/global server, tried it and got bored, left it for a few months, tried it again and fell in love, noticed the game was going to shut down bc low sales -HAHA :(-. This is not a otome btw, this is here bc Izumi has to be one of my favorite protagonists in gacha games ever
last but not least! Obey me! Shall we date? oh dear, what have they done to you :(. The original had intense powercreep to force you to pull cards -multiple times bc that makes them stronger- and even now, the company showed a lot of favoritism to some characters, leaving others to dust bc they don't make the same money. Not to say, they released a new game with the same cast and new main story (ignoring all what happend before). And let me say: THEY LITERALLY WANTED TO KILL THE ORIGINAL GAME.
Nightbringer might be a decent game but i don't trust the devs anymore, i still remember what happend with Asmo's birthday right after the release, and honestly i don't want to sit there watching how they disrespect my favorite characters again and again and again. Loved the characters hated the devs. 5/10 you can play it if you want but i don't recommend spending money on it, it's not worth it, just search #obey me here in tumblr and enjoy the amazing fanworks that i can assure you have a lot more love than the game itself
i miss my wife man (mammon and levi)
#got sting by the nostalgia mosquito#thinking about it i kinda want to play huellitas magicas again#mystic messenger#mysme#tears of themis#rosa tears of themis#ephemeral#its that the right tag?#huellitas magicas#a3#a3! act! addict! actors!#izumi tachibana#obey me#obey me shall we date#otome game#tot
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IOTA Reviews: Ladybug and Cat Noir: The Movie
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Once again, I'd just like to apologize for the lack of activity the past few months. The holidays have kept me busy, especially at work, and I've officially decided to go back to school next month. Don't get me wrong, one of my new year's resolutions is to at least try getting back to consistently working on this blog, which is one of the reasons why I'm going to tackle She-Ra in the future. Either way, I'd like to thank you for supporting me this past year even though I haven't been as active as I should be.
When I heard Miraculous Ladybug was getting a movie, I didn't really pay too much attention to the news due to all of the side projects that have been canceled left and right, but then I saw the trailer. It looked decent, and while I had issues with the animation, I was willing to give it a shot since Astruc wasn't on the writing team. Then the movie came out, and while it got mixed reviews, this was how a lot of people in the fandom saw it after suffering through Season 5.
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Yeah, a lot of fans hold this movie in high regard. It's nothing as groundbreaking as other animated films that came out the same year like Across the Spider-Verse and Nimona, but for a Miraculous Ladybug project, it turned out pretty well. That is, except for the brief schism it caused in the fandom. While it's mostly subsided, when the movie came out, there was a debate on which handled the story better, the movie or the show. As always, fandom arguments tend to get complicated, and things only got worse when Thomas Astruc himself decided to throw his hat in the ring by claiming that the show he worked on was better.
Yes, even though fans enjoy a movie based on his characters, because he isn't the one who made it, Astruc thinks his version is better. Just remember, he tweeted this about a month after “Derision” premiered. I feel like that speaks for itself.
Thankfully, the argument has died down for the most part, though there's still discussions on which is the better version. Before I really get into the movie, I just want to remind everyone reading this that my opinion shouldn't be taken as fact. I am not the authority on what people should like, and I don't want anyone to use my review as an excuse to bully other people online for having a different opinion on the movie. While I've made jokes about the show's decline in quality, the show and movie both have their own strengths and weaknesses, and we should be able to discuss them.
With all that out of the way, let's get into Ladybug & Cat Noir: The Movie
Just to be clear, I'm not going to tackle this like my usual reviews. Instead, I'm going to break this review into three sections: what I liked, what I didn't like, and what I'm mixed on.
Things I liked
For one thing, the characterization is pulled off very well. None of the characters are really as annoying or incompetent like they were in the show's later seasons. Part of what I think makes it work is that there's more focus on character arcs that have to be completed by the end of the film. Marinette has to learn to step up as a hero, Adrien has to learn humility while dealing with the loss of his mother, and Gabriel struggles to resist the allure of villainy.
Marinette's anxiety is more pronounced in this movie, especially since in this continuity, Chloe is just starting to harass her, so she's not used to this kind of treatment. While Chloe is a minor antagonist in the civilian plotline, the biggest threat to Marinette when she's not Ladybug is her own self-doubt. Her status as an outcast is used to add to Marinette's lack of confidence in herself. The whole reason she even meets Adrien here is because she tried to hide from Chloe in the library, and she was too nervous to really speak up to Adrien. Hell, the first time she transforms into Ladybug, it's only because Tikki forced her to transform.
I like how Marinette's insecurities transition into her origin as Ladybug, where she's put in a situation where she has to take charge and be more confident. She still gets frustrated with her situation and her new partner's ego (more on that in a minute), but she struggles to really get her head in the game at first compared to how things were in “Origins”. It makes her development into the confident hero we're all familiar with feel more natural, as the climax of the movie shows her fully asserting herself as the protector of Paris and a beacon of hope for those to look up to.
Adrien is also handled very well here. As much as I liked “Origins”, I have to admit it didn't really do much with him as a character. With the exception of wasting his first Cataclysm, he just goes about the two-parter like it's another day at the office for him. That's why I'm a huge fan of the movie actually giving him stuff to do. Unlike the show, his arrogance is shown in a more negative light and is shown to be a major character flaw he needs to overcome. Nobody tries to excuse or deny his actions, and he learns how to become a better person.
This is what makes his dynamic with Ladybug so interesting. For their first battle together, he's overconfident and assumes that he's the leader, even though he's just as new at this as Ladybug is. The two trade insults and bicker while fighting their Akuma and even when they meet Master Fu afterwards. While Cat Noir does fall for Ladybug, Marinette still isn't open to it, not because she loves someone else, but more because she finds him to be unbelievably annoying. She doesn't really hate him the same way she does Chloe. It's more like that one coworker you can't stand but have to tolerate regardless.
Both Ladybug and Cat Noir help the other improve as they gain each other's respect. Ladybug gains more confidence in order to keep Cat Noir from bossing her around, while Cat Noir becomes more humble to become a better hero. Eventually, Cat Noir reverses his position and assumes he's the sidekick, only for Ladybug to deny that claim and declare that the two are partners. This statement also reflects how both of them are responsible for saving the day in the end. While Adrien ultimately reaches through to his father, Ladybug saves Adrien and repairs the damage caused by Hawkmoth. Both played a role that was instrumental in the climax, and neither one feels ignored by the narrative.
Another character who really got a much needed revamp is Chloe. Yes, she's still Marinette's primary bully, but it's more downplayed than in later seasons. She stays a challenge exclusive to Marinette's civilian life instead of trying to be a challenge to Ladybug. The closest thing she does to opposing the heroes is kick Cat Noir off a runaway Ferris wheel out of fear, and even then, she gets her comeuppance through Ladybug throwing her in a dumpster while saving her. Chloe is also much smarter than in canon, being able to read the room to mask her emotions and maintain her image or to prey on someone's insecurities if they get in her way. Don't get me wrong, she's still a source of comic relief, but the movie treats her slightly more seriously than canon does.
Speaking of comic relief, here's something that I think made this Chloe better than the one seen in the show: The jokes were actually funny. Yeah, it's not laugh out loud, but I like how rather than make jokes about how immature and stupid Chloe is, her jokes are focused more on her own ego and self-image. Well, that, and wanting to kick Marinette's ass. I'm not making this up. Chloe in this movie threatens Marinette several times, and it's honestly amazing.
She unironically put the fear of God in Marinette's eyes in her first scene alone.
I also like how they handle her role as a love rival to Marinette. Unlike the show, Chloe and Adrien never interact, and it's implied that this continuity won't use the childhood friends element introduced in Season 2. It's a good way to show the difference between her and Marinette, how for all her boasting, Chloe doesn't know Adrien the way Marinette gets to know him.
Gabriel is easily the best part of the movie. This version is more fleshed out compared to the show. Rather than flip-flop between sympathetic and pure evil, the movie leans more on the sympathetic side for Gabriel's character. His very first scene shows the grief he's going through while thinking about Emilie, and Keith Silverstein gets to show off more emotions than just over the top sociopathy. You understand why he chooses to become a supervillain, but you want to see him get better, making for a very somber character. I especially love the delivery of the line where he finally gives in and transforms for the first time.
Gabriel: If chaos is the way, I will burn the world and lose myself in the flames to do so!
That line has no right to go as hard as it does.
We see him descend more into villainy as his appearance becomes more disheveled. Despite claiming to care for his son, the Gabriel and Adrien don't interact until the 70-minute mark. By the time the two do talk, Gabriel looks like a mess compared to how he looked at the beginning.
I really like this writing decision, as it highlights the distant relationship between the two, and how being Hawkmoth has only made things worse for Gabriel. Seeing Gabriel finally realize how unhealthy his coping mechanisms have been when he learns Adrien is Cat Noir is a satisfying scene, as it feels like a natural way to put an end to his arc. Compared to canon where he wins and never really feels bad for what he did, this version of Gabriel is far more remorseful at the sight of his son battered and bruised and breaks down sobbing. Remember, this was the version Astruc said we “wanted” and not the one we “needed”.
As for the Miraculous, things were changed to better fit the story, and I like most of what they did. I like how there's more focus on the teamwork between Ladybug and Cat Noir. Their Miraculous don't just grant a wish when used together. They literally become stronger when the two work together, and it makes a lot of sense. I like how the teamwork aspect is rewarded in-universe, because it shows how the heroes can do more than create and destroy stuff. I also think the addition of a call function on their Miraculous makes perfect sense, and clears up a ton of potential communication errors.
The fight scenes are also pretty creative. There's a lot of focus on using the environment to fight the Akumas. The very first fight has Ladybug and Cat Noir defeat the Akuma by letting a train hit it, and the second major fight involves a Ferris wheel going out of control. This leads to more varied action and well choreographed fight scenes. I especially like how with the exception of the Mime (and a brief reference to the Bubbler and Guitar Villain), all of the Akumas are brand-new, so older fans don't know what to expect with these guys.
This level of action also extends to the climax. Hawkmoth uses an Akuma on himself, sending out a massive flock of butterflies. You'd think it'd be like this movie's take on “Heroes' Day”, right? Nope! Instead, the Akumas become tiny attack drones that swarm over Paris like the eight plague of Egypt. I don't know how the animators managed to make an army of purple butterflies menacing, but by God, they did it.
Speaking of animators, my thoughts on the animation have changed drastically. While I still have minor gripes with the character design, I still love how the city of Paris is brought to life, making it seem more populated than in the show. I never really held the limited amount of civilians against the animators in the show, but I'm so happy we can see this show's environment on a cinematic budget. The animation is another reason why I think the action works so well in this movie.
Things I didn't like
When it comes to the changes to the Miraculous, one thing I'm not a fan of is Ladybug not getting her Lucky Charm. It misses the point of her having the power of creation. Yeah, she still has the spotted vision thing she had in the show, but it takes away what made the way she defeats Akumas interesting. She doesn't just beat them into submission. Sometimes, she outsmarts them or reasons with them, and part of the fun with the Lucky Charm is seeing just how she'll use something like a coat hanger or an old football trophy to defeat them.
I also don't like this movie's take on the Butterfly Miraculous. The very first scene has Master Fu build it up as an evil artifact capable of turning people into monsters. Remember, “Origins” established the Butterfly as something capable of creating superheroes, a power Gabriel twisted to create villains instead. Hell, I hate this rule, but the Paris Special made it clear that Miraculous can be used for good or evil, and it all depends on how the power is used. In other words, Miraculous don't kill people, people kill people. Bottom line, I prefer the idea of the Butterfly being the same as the other Miraculous, with the user and intent making it evil.
The one character who I felt the movie absolutely misrepresented was Plagg. This version of the character has none of the heart he had in the show. Yes, Plagg was crass there too, but he had just as many scenes showing how he cared for Adrien like a little brother or a nephew. He was Adrien's primary confidant and wanted to help him however he could. Even bad Plagg-centric episodes like “Kuro Neko” or “The Kwamis' Choice” made it clear he wants what's best for Adrien and is capable of coming up with plans if they'll help him.
Here, Plagg is mostly just there to make snide comments and fart a lot. Say what you will about the show, but at least it didn't make Plagg farting into a running gag. Plagg only gets a handful of lines in the entire movie, to the point where even Tom has more lines than he does. Tikki gets plenty of scenes with Marinette and an entire song, while Plagg feels like an afterthought.
Things I'm mixed on
This might be a little controversial, but I have mixed feelings on the portrayal of the Love Square as a whole in this movie. Don't get me wrong, the Ladynoir scenes are great, but there's not as many Adrienette, Ladrien, or Marichat scenes. In fact, I don't think there were any Ladrien or Marichat scenes in this movie, which is weird. I can at least excuse those, but it's weird how little Adrienette scenes there are. Not counting the masks, they only have four major scenes together before the end, and one of those is a deleted scene that had the dialogue cut over a montage.
While I'm glad the entire movie wasn't about the Love Square drama, the romance between Marinette and Adrien specifically feels a little rushed. I think it would have benefited the movie to have ten or fifteen more minutes to flesh out this subplot a little instead of only focusing on Ladynoir.
I'm also unsure what to say about the songs. Most of them are pretty catchy and have great visuals, but the dissonance between the singing voices of Marinette and Adrien throws me off. I don't get why neither actor for the French or English dub was asked to sing. For some reason, Tikki and Gabriel's voice actors got to sing, but not Marinette and Adrien. At the very least, Drew Ryan Scott's singing voice sort of sounds like Adrien, but Lou's singing voice makes Marinette sound twice her age. Don't get me wrong, I still liked the songs, but this choice was very jarring to me.
And now, because literally nobody asked for it, here's every song in the movie ranked.
8. If I Believed in Me
A very dull “I want” song that's just Marinette wandering around Paris on the way to school. Compared to “Little Town” from Beauty and the Beast, where you can easily follow Belle and understand how she goes about her day, it's not clear what kind of route Marinette is taking. Even the lyrics are pretty bland, just talking about wanting to follow her dreams and be more confident. The issue is that her dreams of being a fashion designer barely factor into the plot, and she only becomes more confident thanks to being a superhero, something she didn't dream of. The only real dud in the soundtrack.
7. Opening Remix
Not much to say here. It's a remix of the opening theme with the new singers. It sounds nice.
6. Reaching Out
This is a much better song than “If I Believed in Me”. It does a great job expressing Marinette's doubt and how she feels pressured to be somebody she's not. Great way to follow up on her heart getting broken by Adrien.
5. My Lady
This one's a quickie, but it's still fun. I love the visuals in this one and how it gradually crescendos, reflecting the new feelings Cat Noir has for Ladybug developing.
4. Stronger Together
Surprisingly, Ladybug and Cat Noir's only duet in the movie, but it's still really good. I love the use of the set in the theater Cat Noir took Ladybug to at the beginning before they run around Paris. The lyrics do a great job showing how far the two's relationship has come, making it clear how close they are, only for reality to metaphorically kick them out of the sky.
3. You Are Ladybug
Another duet, this time between Marinette and Tikki. While I still think Cristina Vee should have gotten to sing this one song given her chemistry with Mela Lee, Lou still does a great job expressing her anxiety. The back and forth between Tikki and Marinette makes this a blast to watch, especially with it using the same music as the theme song. Even the rap part with Tikki was fun to watch. I especially love the part where Tikki excitedly tells Marinette about how dangerous the job is and how close she'll come to getting killed.
2. Chaos Will Reign Today
The villain song in this movie had no right to be as good as it is. The visuals are eerie and fit the more menacing tone of the song. Keith Silverstein gives his all to make up for his crime of singing the Hawkmoth Rap. It's also a hell of a lot better than the villain song Disney had to offer that year.
1. Courage in Me
Easily my favorite song in the movie. The visuals of Marinette struggling to hop across these black spots symbolizing her yo-yo before her transformation into Ladybug is awe-inspiring. The lyrics are a great way to solidify Marinette embracing her role as Ladybug, and it's such a triumphant song to listen to.
Other things I noticed
During the first Akuma fight, Ladybug and Cat Noir pass by some guys with stereotypical French accents while almost every other character speaks like they're in America.
Careless Whisper plays one time in Cat Noir's mind as he develops feelings for Ladybug. The fact that he listens to it after getting his heart broken has to be one of the most subtle jokes I've ever seen in this franchise. Of course, it's clear what the best superhero cover of Careless Whisper really is.
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Cat Noir says he has the power of destruction in his introduction while being impressed when Master Fu says the same thing.
There's a Volkswagon tie-in that actually features the two heroes promoting some cars in-universe. This is a real shot from the movie.
I think Chloe ships Alyanette, judging from this exchange:
Marinette: Seriously, Alya, you think Adrien would say yes?
Alya: Of course! I'm gonna ask Nino.
Chloe: I think you should go together, 'cause Adrien is coming with me, not with some baker girl.
I don't think Ladybug ever learned Cat Noir could play the piano, so seeing Cat Noir try to woo her with a little piano number is a nice inclusion.
When Cat Noir's mask is destroyed in the final battle, his exposed eye is still green. Was this where the chibi shorts got the idea from?
Other people have pointed this out, but the picture of Adrien as a kid is traced from a character from The Boss Baby. That's an automatic ten point deduction for making me remember that movie exists.
The post-credits scene with Nathalie was weird.
Did Master Fu not know he lost the Peacock Miraculous too?
Why isn't Emilie in any form of suspended animation?
Is the Peacock still damaged?
Did the Peacock still kill her/send her into a coma?
Was Adrien still created by the Peacock?
Why didn't Gabriel use the Peacock or at least consider it?
Did Gabriel forget to tell anyone about the other Miraculous he has after turning himself in?
Why did Gabriel choose to tell Nathalie when she didn't seem to help him while he was still Hawkmoth?
Final Thoughts
Overall, this was a really good movie, and a fresh take on the show's universe. I had issues with it, but I still think this movie series has promise. The animation was great, the songs were catchy, and the characterization was on point for the most part. It even manages to be a better musical than the ones big names like Disney and Warner Bros have made in the past two years. It's one of the best things to come out of the franchise, no question. I wouldn't mind future installments set in this continuity over whatever Season 6 churns out.
#immaturity of thomas astruc#iota#miraculous ladybug#ladybug and cat noir the movie#thomas astruc#thomas astruc salt#marinette dupain cheng#ladybug#adrien agreste#cat noir#chat noir#gabriel agreste#hawkmoth#hawk moth#alya cesaire#nino lahiffe#chloe bourgeois#nathalie sancoeur#tom dupain#master fu#tikki#plagg#Youtube
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Mapicc just left the call and I have too many thoughts to wait until after I finish the vod.
it is so Fascinating to me how 1) Mapicc is good at communication and 2) how much he patiently bides his time.
Mapicc has been not putting his own desires (bloodlust) first ever since he ended the experiments. We saw all like last week how he was willing to not kill Kab for Zam and there was so much discussion over how much he will do anything for Zam because he just wants to be around Zam again.
And so he doesn't mind putting the bloodlust to the side as long as it makes Zam happy, because that makes him happy.
But this day Mapicc, once the imminent threat and fight was over, immediately got Zam into a call and confronted him about Derap and then, in the most, like, extremely confident and clear way, explained how Zam not letting him kill Derap made him feel.
He was up front about his emotions, did not project, deflect, or throw shade at Zam at all, and basically just let him know how he was upset that Zam got int the way of his kill and how much he did not like that.
MAPICC: "hmm. Okay. I get you're mr pacifist [..] saving people, but like, my kills are my kills.”
MAPICC: “yea I- they're like my justifications. You know what I mean? So it’s like, it sucks when like, my kills are fucked”
MAPICC: "and like if I had killed him you could have had the heart and then we could have had a better chance of killing the actual bad people. And what would derapchu have done? Had slightly less of his already way too many hearts”
After each of these point he pauses, letting Zam hear what he's saying, letting Zam process it, waiting for Zam to acknowledge where he was coming from.
And each time Zam agrees Mapicc is right. He sees Mapicc's point.
And then the most devotions comment of the conversation:
ZAM: "but should I be allowed to turn a blind eye in that sense?” MAPICC: "well I don't want to be in a situation where I can't talk about what kills I'm gonna get or what I’m doing and I have no backup, you know what I mean?”
He doesn't want to not be able to tell Zam what he's up to. He doesn't want that situation, so he's getting ahead of it and letting Zam know immediately how he feels.
I can't help but feel like this is exactly the reason why Zam always ends up with Mapicc in every season. He is incredibly good at communication and making his point and his opinion clear.
And because he has such a clear opinion on how the server works and what makes it work best, he is incredibly persuasive and Zam ends up following him wherever he goes. (I've heard whispers Zam is thinking of leaving now, haven't gotten there. will be interesting)
I've thought so much over the years how Lifesteal is about convincing other people to do your thing.
Walk into your trap, show up at a fight, yap with you, join your team, stop their lore, whatever it is, the entire thing revolves around persuasion.
Which brings me to the second point, Mapicc is incredibly patient.
The week before the experiments ended, in a muted stream that was saved on the archive, Bacon and Mapicc talk about the server, and Mapicc says his one main goal is to get all the pacifists to break. (9/4/24)
And a week before, while Zam was cleaning up the burned down tree, while talking about how quickly Flame gave up on his fight, Mapicc said, “He’s never fought princezam. He’s gonna have to learn like a new, like dedication to the sport” (8/25/24)
Now, I don't actually think Mapicc had some grad evil manipulation arc to get close to Zam and get him to break (though I'll admit at the time my brain automatically thought everyone is pulling a Spoke wormhole at all times)
But it is more that he realized he would be much more effective in getting Zam to change his opinions if he was close to Zam and could build the trust necessary to get him to see why Mapicc thought his view was flawed, and as an added bonus he would get to hang out with Zam a lot for free.
And here we finally had the perfect moment. Zam died in a fight. Because he had low hearts.
So Mapicc makes it clear how Zam's actions made him feel and then drives his point home about why Zam should think differently the rest of the conversation:
MAPICC: "it’s not cause you were playing shit it's cause you have nothing bro, and it's like, you're a crutch to yourself [..] which is like, you can be a crutch to yourself, but like mapicc is the healthcare” ZAM: "I wanna beat them in pvp. I wanna be able to take them on in a fight and win” MAPICC: “you know what you have to do for that?” ZAM: "*sigh* yea I- I do” ZAM: "and the only person who died in that fight was me” MAPICC: “[sing song] and you know why bro. Like genuinely. Like you can't keep doing this. Well, you can if you want to, I mean obviously you can if your morals, but like-... I don't think it’s the best move” ZAM: "and all I can do is just stand in the destruction” MAPICC: "yup"
Mapicc's ideology for the server is that fighting is always a good, conflict and content should happen all the time. You should kill because it progresses the server forward in some way. You should always have some reason to back up your murder, but that reason can be small, the only important thing is that you have a reason and it is something you can communicate.
He also thinks power is always a reason to kill someone.
Zam on the other hand, Mapicc's beloved friend, does not think the same way, at least not in full. Zam understands conflict should happen on the server, and that the powerful should be fought, and in those situations devotions flourish.
But Zam operates from a character motivation, which he will change season to season, and from his emotions, which means his opinion about himself and his past actions has a HUGE pull on why he does anything ever. This was literally the foundation of this entire stream starting with a 40 minute reflection on s4 and vitalasy.
They are fundamentally, for their deepest core perspectives, ideologically opposed for their opinions on how to act on the server.
Idk if they'll ever be able to be on the same team forever. Sometimes, for brief moments, everything lines up and their devotion runs wild. They work the most synergistically of any duo on lifesteal ever.
But then Mapicc's bloodlust gets too strong and Zam's emotions get too loud and things fall apart.
At least, historically.
(oh, and felt the need to add at the end here that operating from emotions is not a /neg statement. It is entirely /neutral in my mind)
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More on Davrin's past, arc and journal (part 2)
Part one where I wrote down all the banter about Davrin's Dalish past is here!
I wanted to put all codex (I could find) in order, divided by topic! (Also I wanted to say I will post more Davrin stuff on my personal blog @lucrezianoin haha to not fill this one with just Davrin!)
This is divided in:
Davrin's past and his feelings of guilt for the Dalish clan
Weisshaupt being the only home he has
Meeting Assan and the griffons (and naming Assan)
The Warden vs Nature choice for the griffons
Other (stuff on the Gloom Howler etc.)
Davrin's past and Dalish clan
Just a bit more here on Davrin's guilt for leaving his clan and we do get the confirmation that Davrin has not seen Eldrin since his kids days, and contacted him thanks to a chat with Rook.
Also interesting that the way Davrin was treated by Eldrin is very similar to the way Davrin treats Assan at the start. In the quest we also find out Eldrin was quite harsh (making him eat Halla food as a way to learn, which led to hours of hallucinations and sickness, and kicking his butt when he felt Davrin was wrong).
We don't really get that deep into it, but I like that while Davrin firmly believes in "Throw yourself at it, if you don't learn you get hurt" for himself, he squanders that idea pretty easily when it comes to Assan, even going so far as to start wonder if there is a "non fighting" future for Assan.
I will put this codex later on but I also wanted to show it here for Davrin's past, in "The Nature of Griffons" Davrin says: "Talking to Rook about Assan's insticts got me thinking. Can you change something you're born with? Or are we blank slates who can make our own way? Was I born a monster hunter, destined to do this job, or did I have a choice?" which makes me scream because I need to know what happened in his clan.
From the banter and his personal quests we know that Davrin hunted everything, and then started going to Eldrin's during the summers and he learnt to hurt darkness (monsters) and things that threatened the forest. Did he have a drive to hunt that Eldrin needed to re-direct, where were his parents? Were they the ones sending him to Eldrin? And why is it that a talk of nature vs nurture and his Dalish clan makes him think only of Eldrin and not his parents? (We realistically can imagine Davrin's mother is alive, given that during the gym scene Taash insults her and Davrin says "She can take it" when Taash apologize).
Weisshaupt (and the fall of Weisshaupt)
Davrin often talks about Weissaupt with affection and jokingly but the code really expresses that Weissaupt was his only home.
When Davrin leaves to follow Rook we find out that he knows the First Warden would not take him back. He describes the fortress in detail (loved the "libraries of books I'll never read, getting bruised and battered while sparring etc." as some nostalgic positive thing - miserable and exhilarating). And of course "It's the only home I got", which is telling knowing how he feels about his clan never taking him back if he asked.
And then the heartbreaking entry for Weisshaupt fall.
There are a few other entries:
Which also has a bit about Assan: "I have been thinking of Assan as an assignment: something I need to protect until he finishes his training. But we're in this together now, and it's time to lick our wounds and move on. I'm all he's got, and in some ways, he's all I've got."
How Davrin got to work with Griffons and meeting Assan
My favorite entries are about how Davrin got his assignement and how sweet he was on Assan (unknowingly!!) since the start!
We find out it was the First Warden (from Weisshaupt) that sent him to the assignment. I am still unsure how it works for a Warden who is a Monster Hunter, but we know from the entries that Davrin lived at Weisshaupt and considered it his home, so I supposed he was just sent here and there? Like a specialized Warden? He also mentions he was sent as a bodyguard, basically, and he seems both fascinated and a bit skeptical (they poop a lot haha, and he admires Lancit's patience).
And then he meets Assan. "There's one griffon, this little guy." From Endril's words we know Davrin used to be small and scrawny as a kid, so I wonder if he saw himself in Assan. "He's a little slow on the uptake, but he's fast in the air." And so Davrin suggests the name Assan for him. And my favorite part "If I do nothing else in this life, at least I can say I got to name a griffon".
We also have these late entries about the nature of griffons and Davrin's realization that they are not "made" for fighting by nature, but taught so. "Can griffons do anything else? Would they want to? I wonder". Also he is such a dad, writing about Assan's first taste of an apple.
About Assan and the halla, Davrin writes "the instincts of a dog herding sheep", and I personally think it is about learning. There is a moment in the dialogue at the start of Davrin's recruital where we find out that griffons learn better in groups, they clearly are very social animals. I fully believe Assan fed the Halla simply because he saw Davrin doing that, he learnt from watching, he sees Davrin taking care of Halla so he learns that is the thing to do and how it is done.
Then we have some notes on Griffon's extinctions, and a note about Assan's love for gingerwort truffles (which Davrin tried and did not like.. we also find out Davrin hates broccoli... please Davrin... I love broccoli...)
Warden Griffons vs Arlathan Griffons
These are the two different notes:
Interesting the "Warden" choice starts with "Deciding where the griffons should go wasn't easy" which is not present in the Arlathan choice. I do not think there is a right/wrong choice, but after reading this I will always lean more towards Arlathan.
"it's time they got a chance to explore nature instead. The griffons are going to love Arlathan"
Other codex
Interesting that he says he does feel sympathy for Isseya.
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Twice Fic World ch. 2.5
I Got You, Boss
🎱 Part 1
I got busy, but here's the first part of the sequel of Strawberry Picking 🍓<3.
Mina x Male Reader
Word count: approx. 800 words
Summary: A quick warmup before the presentation.
The time has come, it's Monday and today is your presentation in front the higher-ups of your company. You're excited and nervous at the same time. You went to work early because you and your boss will hit the road at exactly 8 am. You arrived at 6:45 am and you went to the roof top to have a smoke. Smoking clears your mind and also makes you relax. You held into the rails and a familiar voice called out your name.
" Y/N "
You looked and Mina approached you with a peace sign pose
" What the heck, why are you so early? "
" I heard that you smoke here every morning whenever you have quite a work load. I knew you'll go here early because it's your presentation today " Mina answered.
" You're amazingly thoughtful " you giggled and continued smoking.
" You know smoking kills you, right? "
" Yes I know, will you make me stop? "
" Of course not, but I will help you relax " Mina answered before kneeling.
Mina looked into your eyes whilst removing your belt.
" Hey Mina someone might see us, someone can just bust out the door " you whispered.
" No, I locked it "
" I checked view earlier, no one can see us down there in this angle " she added.
You're turned on already due to her hot outfit. You palmed her cheeks and gently rubbed it with your back hand. Mina looked at you seductively. It's abvious that she's wet and horny right now. She keeps on looking towards you while licking your dick.
" You remembered when you fucked my throat last time, Y/N? " she asked with a frown before putting your dick inside her mouth.
She sucks it while maintaining eye contact with you. She gently sucked your shaft in a slow pace. You cupped her cheeks as you find her so cute in that position while giving you a head. You're very surprised on how she's doing a fellatio, you can feel her tongue circling and playing the head of your dick while sucking it at the same time. The pleasure is immense, her slow pace causes you to feel her blowjob much better. Her tounge makes your dick tingly, her sucking and her lips then gives you that nice pleasure.
She finally popped your dick and started stroking it with her silky smooth hands. The combination of the pre-cum and her saliva makes a perfect lubricant. You grabbed her face and started making out with her while she strokes your dick.
~~ahh
~~mmmhhh
~~slurpss
Moans escapes both of your mouth while enjoying the make out. You are leaning on the terrace grills, your left hand is palmed and rubbing her face and the other is wrapped around her waist. You're pulling her closer as you sucks her tongue and clips her lips with yours while her left hand stokes your dick, her other hand is simply wrapped on your neck.
You slowly pushed her to the door of the rooftop entrance, all while you're still kissing. You pushed her against the thick door and you held her neck. You kissed her neck and shoulders, her arms hugged your head and your other arm is groping her boobs.
" ~~ ahh baby, I've been waiting for this " she said under her moans.
" Me too, I'm so hungry for you " you said before giving her a final deep kiss.
You broke the kiss and you turned her around, revealing her back. You licked her back and you gently pulled her dress up so you can remove her shorts and underwear.
~~ mmhhh ~~ahh
She moaned.
You aligned your dick to her pussy and slowly pressed it inside.
" ~~ ahhh, yes babyy fuck me, fuck me " she said while moaning.
You started fucking her, she arced her back and her head is pressed into the door. You're holding her waist while giving all your strength in every thrust of your dick. Mina kept moaning every thrust.
~~ ahhh!!
~~ mhhh, fuck me more baby!
" Y/N can you pull my hair? " she said while smiling seductively.
You're shocked on how bold Mina was. But nothing's going inside of your head right now except that you're fucking a goddess while completely witnessing her sexy arced body and bottle-like shape. You pulled her hair and her moans becomes more bold.
~~~ahhhhaaahhh yesss!
" You're so horny, Mina "
" Are you happy? That you can now moan this wildly because of my dick? Your girlfriend can't do this to you so you can't show your true nature right, Mina? " You said while ramming her.
" Don't say that, Y/N ~~ahh "
You put your head beside hers.
" No, you're my slut now. Tell me the truth if you want me to fuck you like this everytime " you whispered into her ear.
" ~~mhhh, yes babyy. I'm your slut. Chaeyoung can't fuck me like this so please fuck me everytime you want " she seductively said.
You pulled her hair to your head, she released a wild moan and grinned her teeth while you're ramming her pussy.
" I've been fucking you for few minutes now, where do you want this load, slut? "
" I don't have a tissue with me baby, please tell me if you're cumming and I will suck that dick clean ~mmhgg " she said before biting her lower lip.
" ~~ ahh I'm cumming baby " you said before letting go of her waist.
Mina quickly puts her mouth into your dick and sucked it. You grabbed her hair and fucked her mouth, your dick reach her throat and you continued ramming her throat. Mina is pretty used to it now and she holds your leg while looking into your eye. After few thrusts you shoots your cum into her throat and you feel her fingers clenching your leg muscles. You pushed her head into your dick so hard while it still spits your cum. Mina's eyes rolled as she choke in her own salivas. After you withdrawn your dick she fell into her knees and gasped for air, she coughed heavily as she chokes. She is holding her neck and her eyeliner is a mess.
" Are you okay Mina? "
You asked before you sat in front of her while she is still gasping her air. She is not answering but she laid her arms into your shoulders.
" You okay, Mina ? " You asked again in a comforting voice.
Mina slowly lifts her head and she opened her mouth infront of you revealing her tongue. She shows how she swallowed your cum and nothing is left, all while smiling. You're turned on again and your dick became hard again. You sucked her tongue and makes out with her.
" I'm horny again, Mina " you said.
" Follow me " she replied.
She pulled you into the women's restroom, she pulls out a toothbrush from her pouch and she removed her underwear and raised her dress. She lets you fuck her while brushing her teeth infront of the mirror and on top of that she lets you record how you fuck her. In her defense she want you to watch that if you became horny when she's not around. She let you cum inside this time. Before leaving you kissed her and she sprayed her perfume into your suit.
" Goodbye, Y/N ! Goodluck in your presentation " she said with a gummy smile.
- To be continued
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i got this ask on my strawpage and was gonna type it up in my notes app and post it to twitter, but i really couldn't figure out a way to say it concisely, so i'm answering it here bc it's prob gonna be long lol.
do i think stancest is actually canon? simply put, no. despite how often i'm like "STANCEST IS CANON!!" i truly don't think that AH and the writers intended stan & ford's relationship to be seen through an incestuous lens.
their relationship is def the heart of the show, second only to dipper & mabel's own bond. they are the center of each other's worlds, their story & character arcs revolve almost entirely around each other, and their happy ending is literally the two of them sailing off into the sunset to spend "the rest of their days" together (ford says this almost word-for-word in journal 3).
but i still don't think all of that was meant to be taken romantically.
in my opinion, where things start to get a little weird is, surprisingly enough, ford's relationship with bill.
the rest is under a cut bc HOLY SHIT this got longer than i expected.
there's no denying that bill was written to deliberately parallel stan in a number of ways, from his mannerisms, to his conman status, to the fact that he calls ford the same name stan did when they were kids.
he's written in a very intentional way that makes him serve as both stan's parallel and his foil, especially in their respective relationships to ford (bill feeds into ford's ego and encourages him to aspire for greatness alone, stan has always been a direct obstacle & challenge to ford's ego, accidentally ruining his chances at WCT & encouraging him to live out their childhood dream together; bill valued infinite power over his own family and destroyed his dimension as a result, stan valued his family over everything, and saved ford and his dimension as a result).
normally, this wouldn't be that big of a deal to a stancest shipper like myself. but as the book of bill & the accompanying website all but confirmed in big, flashing neon lights, ford & bill have a romantic history and are exes.
having the two people closest to ford be compared to one another is one thing. having ford be drawn to bill because of how similar he is to the brother he secretly misses is one thing.
having ford be romantically involved with said character is what makes me raise an eyebrow lol.
again, do i think ford is literally a brocon who's got repressed sexual/romantic feelings for stan?
no.
i do, however, think he has unresolved Brother Issues that led him to subconsciously find comfort in a romantic partner that reminded him of stan (right down to bill calling him stan's nickname for him) in much the same way a person with "daddy issues" may seek out affection & intimacy from someone who reminds them of their father (or is just "fatherly" in general).
that much, i believe, was actually intentional. it's just too blatant to not be lol. it'd be a completely different story if either
bill & stan were nothing alike (untrue) or
ford & bill's relationship was strictly platonic and didn't have any romantic implications (also untrue)
i've said this before, but this isn't just a case of "oh, ford fell in love with someone who just coincidentally reminds him of his brother." bill's use of the nickname "sixer" during their first encounter was a deliberate attempt at appealing to a part of ford that was repressed, vulnerable, and aching, in order to get ford's guard down and make it easier for ford to trust him, and it worked.
billford is a ship that, to put it bluntly, would not exist without ford's buried feelings for stan, even disregarding shipping/incest/etc. ford's desire to be close to stan even platonically is what allowed bill to needle his way into ford's heart in the first place.
and all of this wouldn't be that weird if, again, bill hadn't continued to feed into ford's longing for stan even after they'd established a romantic relationship, by still calling him "sixer" and trying to permanently sever the relationship he had with stan specifically, once he and ford broke up (the phone call he tried to make while in ford's body that was described in tbob).
to put it another way, imagine if wendy was basically an older, taller mabel, or if any of mabel's crushes were eerily similar to dipper. people in the fandom would def take notice and view it as a little strange. so i don't get how people can look at ford dating someone so blatantly and intentionally similar to stan and think to themselves "ah yes, this is normal. ford is completely Normal and definitely doesn't have any underlying issues whatsoever" lmao
to conclude: no, i don't think ford & stan's relationship is actually canonically romantic, nor do i think ford falling in love with bill was incestuous, necessarily.
but i do think that he had a desperate longing to reconcile with stan buried DEEEEEEP down, and it manifested itself in the form of being attracted to bill, which is probably why he never bothered correcting bill's use of the nickname "sixer" since their very first meeting, or ever expressed that it made him uncomfortable.
#stancest#at the end of the day i will always ship stancest romantically and sexually in my mind lol#but no i don't think that's *ACTUALLY* what the writers were going for lbr here#they're two emotionally stunted losers who needed each other more than anything in the world and couldnt express it#not tagging the other ship bc i don't need normies sending me death threats lol#DAMN THIS WAS LONG SORRY
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TWST with a Koinatsu reader
Haven't posted for a while. Dengue fever.
Koinatsu is a high ranking courtesan in the Red Light District. She is a supporting character in Demon Slayer's Entertainment District Arc. She is the Oiran of the Tokito House and is a friend of Tanjiro, who disguised as Sumiko to infiltrate the House.
• You didn't know how you got here in the first place... All you remember is that a woman with a cruel smile trapping you within her obi as you struggled... Then you heard Sumiko's voice? Everything went black...
???: ".....Oi........Oira......Oiran! Please wake up!"
???: ".....K-Koinatsu Oiran.... *sob*.... Please don't die!..."
• You wake up gasping for air after hearing your Kamuro shouting for you. Huh?....Where are you right now? Your panic grew each second you try to push the lid of the coffin but it wouldn't budge. "Fnyagh! Gotta find a uniform fast!"
Koinatsu: ".....Eh? A voice?... Ah! Somebody please help me...!"
• Is it getting hotter here or is it just your multi-layered kimono? Now that you've noticed, you're not wearing any kimono. Just some kind of robe. You pushed the coffin's lid off with all of your remaining strength.
???: "F-fnyagh?! W-why the heck are you awake? N-nevermind that! Just give me your robe!"
Koinatsu: "....Wh-what? I apologize but I mustn't-- wait... a talking tanuki!?"
???: "... Hey! I ain't a tanuki! I am the Great Grim! Just gimme your robe!"
• No matter how much you try to protest, the talking tanuki keeps demanding that you strip off your clothing. Eventually, the tanuki's very small patience reached its limit and it looks like he will take the robe by force. The moment he breathed fire at you, you ran. Just ran despite your fatigue. You finally see a figure at a hallway and rushed over...
Koinatsu: "...H-HELP! SOMEBODY PLEASE HELP ME!"
???: "Pardon me?... Wah!"
Koinatsu: " Th-th-there's a m-monster trying to attack me! P-please help!"
???: "A-a monster? How troublesome, I still have to find a missing student...Well since I am gracious, let's go see and restrain it shall we?"
Koinatsu: "...w-w-wait... you..."
• The figure responded to your cry for help and turned around only for you to bump into him and realize that he is also not a human. You couldn't believe all the things you were witnessing... All you could do was tremble in fear--
???: "Ahem! Where did you say the monster is?"
•You were supposed to get married. Tonight was supposed to be your last night--
???: "Fnyagh! There you are! You think you can escape the Great Grim's nose!"
•Is what you are witnessing a part of the deaths lately?--
???: "Stop there, monster!"
???: "Fnyagh! W-what's with this rope?!"
???: "It's not just a rope! It's the lash of love!"
• Did something happened to Sumiko?
???: "Ahem? Hello? I've caught your mon....... Oh. They fainted."
................
???: ....."Oira......Oiran! I want to play!...."
???: "...Me too!"....
.........
???: "....Eh? Stop copying me!".....
???: ".. I'm not!"....
..............
• Hearing the voices again, you jolted awake and once again find yourself in another location. Seems like an infirmary. White-sheeted beds, the smell of medicine, some guy with animal ears lying down--
.... Animal ears?...
• You look again at the guy with animal ears. He has an injured foot bandaged and is currently sleeping... There's another guy but with sharp looking ears, taking a pill... Anoth--
???: "Ah! You're awake now! It seems you have quite the shock there! You pretty much fainted--"
Koinatsu: "A ghost!?"
Ghost: "Uh yes? You must be new here. I'm one of the staff working in the infirmary. Are you feeling alright?"
Koinatsu: "O-Oh? I'm sorry, I'm just... Wait. Where am I right now?"
• The door flew with a loud sound accompanied by an even louder person. The noise surprised you as well as jolting awake the sleeping beastmen and almost made the other fae choke on his pill.
???: "Are they awake?! Oh! Glad to see, glad to see! Are they sober?"
Ghost: "Seems like it."
• The same man with a top hat and crow mask asked you questions with a tied up monster behind him. He asked if the monster was a familiar of yours but you nodded no. He snapped his fingers and ordered the summoned ghosts to kick Grim out. Now it's your turn with the questions. The man introduced himself as the headmaster of the school you're currently in, Dire Crowley. You also introduced yourself but without the Oiran title for you must be cautious. However, it's nice to finally have a conversation with what's happening.
• You were surprised that he thought you are a new student and awkwardly laughed saying that you are not. You then explained that you are from the Red Light District. This explanation only made Crowley even more dumbfounded for he doesn't know anything about a Red Light District. This got serious to the point of you and Crowley going to the library and searched for an answer, but there was none.
Crowley: "I do not understand. I have a handful of locations where the students come from but not yours. How strange..."
Koinatsu: " Strange indeed."
Crowley: "Are you sure you are not by chance, lying to me?"
Koinatsu: "I am afraid I'm not, sir. You see, I am from Japan.
Crowley: "Japan?"
Koinatsu: "Specifically from the Red Light District."
Crowley: "I see. So this Japan is a country and the Red Light District is where you live? Forgive me if I am delusional but what you described sounds similar to Twisted Wonderland's Ancient Pleasure Quarters...?"
Koinatsu: "I...am a courtesan there, sir."
Crowley: "..."
Koinatsu: "....Um, sir?"
Crowley: "UNDER NO CIRCUMSTANCES I AM GIVING PERMISSION FOR PROSTITUTION--"
Koinatsu: "No! Goodness, no! I am here by mistake. You see, I am supposed to be wed and tonight is my last night."
Crowley: "What happened? Why are you here then??"
Koinatsu: "I do not know... All I remember is that a woman appeared in my room and... it all went dark... I couldn't remember anything."
Crowley: "Anything? Not even your phone, or wallet, or even a name on a shoe?"
Koinatsu: "Eh? Pardon but what is a ph-phone?"
Crowley: *Sigh* "Great Sevens, something tells me that it's going to be a very long evening..."
• You and Crowley soon give up the search for the day and hope to find an answer tomorrow. Crowley realized that he can't let a homeless person out wandering the streets, he'll let you stay at an unused dormitory as long as you DO NOT commit prostitution and he'll give you odd jobs to never resort to selling your body. You take one look at Ramshackle and you instantly thought the place was unlivable, but you have no choice. It's the best that the headmaster can give you, right?
• When Grim intruded while you search for cleaning tools, you took pity on him and let him stay. You then felt bad about judging him and gave him a sincere apology that gave him a huge ego boost.
Grim: "Fnyahah! Fine! Since you apologized, I'm not gonna burn ya this time."
Koinatsu: "U-umm. Alright?"
• Cue the ghosts disturbing you. You tried shooing them away with a broom and protecting Grim. Grim was surprised. He felt assured that someone was looking out for him for the first time. But that doesn't mean he'll back down. As the fight ended, the headmaster was angered by the sight of Grim still on campus. You pleaded to the headmaster to let Grim stay because he helped you fight the ghosts. And surprisingly Crowley permit it IF you can tame Grim just like you did before.
• The next day, you woke yourself up early, being rather used to your House schedule. Crowley gave you some clothes that you are not familiar wearing.
Grim: "Hey! I still want my tuna!"
Crowley: "You can have your tuna when today's jobs are done! Today, you are cleaning the school entrance. The library can now be accessible to you."
Koinatsu: "Thank you, headmaster."
Crowley: "You are welcome, Koinatsu. Oh! And one more thing. Welcome to Night Raven College."
#TWST x KNY#TWST x Oiran reader#twisted wonderland x reader#twst x reader#TWST x reader headcanons#Twisted Wonderland x demon slayer
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FFWAD 24 - Sins of the Father by @selfproclaimedunicorn
For my first foray into this yearly celebration with @renegadeguild, I picked the brilliant and fantastic story, Sins of the Father by @selfproclaimedunicorn. Misa has taken the fantastic AU premise 'What if Daemon Targaryen and Rhea Royce had kids?' and has run with it in the most delicious and satisfying way. The story isn't complete, but the first 'arc' has a good stopping point at a whopping 160k words, which made for the chonkiest book you could imagine.
This was the twelth book I've bound (both fic and rebinds of old favorites) and I tried several new techniques for it including rounding and backing the spine. I also stretched my legs in the formatting department and went all in with the interior. That meant ordering some special springhill paper to do these fantastic maps for the endpages. Full details behind the cut!
Typesetting: Normally I've kept my settings pretty minimal as I got used to the ins and outs of InDesign (during this, I did purchase Affinity Publisher and might end up moving to that, but I'm finally getting the hang of ID and you can pry it from my cold hands). I really wanted to mimic some of the interior of Fire & Blood for this, so I hunted down the fonts used and took an image of the decorative banner you see on the sides to use for the chapter openers. I also wanted to include timelines and family trees in true historically inspired fantasy tradition.
The family tree was created based off of the author's spreadsheet in Google Drawing, which I found to be the easiest thing to use when it comes to creating chaotic family trees like this (In the past I'd used lucid chart for a printable version, but google worked better here).
the timeline is honestly my favorite thing and I learned how to use tables in ID for the first time. I'm incredibly pleased with it. The formatting is based upon the line of kings in the source. The timeline covers the events of the first arc as printed in this particular story.
The chapter openers are some of my favorite! As the children are proud to be House Royce, I wanted to reflect that. The runes you see behind the Chapter number and title are the Floki font and name the character whose the POV for each chapter.
Since there's plenty of High Valyrian spoken and the author doesn't include the translations within narrative, it was the perfect moment to set up footnotes. I'll absolutely be doing this for my own story when I bind it!
Rounding and Backing: So this was a total adventure, but I really wanted the old book feel. I made the mistake of pressing the book for too long and lost a lot of the swell in the spine to round but it worked out AND I managed to back it a little bit. Since I wasn't doing cord tapes for the spine (this was a version of the three piece bradel), I had to troubleshoot. I ended up cutting strips of the leather cord I bought from michaels and laminating those pieces together and placing them on the oxford hollow on the spine (given how thick the book is, I wanted to give it as much structural strength as possible). The 'leather' covering you see is actually the craft leather (polyester) from Dollar Tree and it's pretty awesome but definitely has difficulties staying put with glue. I followed the normal procedure and slathered both sides up and used twine to compress the bookcloth along those leather pieces. there's a little gaping in some places which I think would help if I'm able to properly apply backing paper to the polyester.
HTV do's and don'ts: Hi! don't be me and forget to apply your teflon sheets before applying the HTV because then you fuck with the polyester but it's not too bad. The other pro-tip is to gently apply the iron to the cover so it's warm before applying the HTV so it can start to stick. I had to apply the front cover in three pieces and do the title twice. Also, it's really difficult to apply HTV to a rounded spine so I'll have to figure out how to set up the spine and cover before applying (since there's a certain amount of stretching the bookcloth over the spine). The spine might end up having to be regular adhesive vinyl for that. Also, it's stupidly hard to find metallic HTV in bronze.
Front matter and final thoughts: The bronze dragon was a lucky find through an extensive google search, and the runes surrounding it are 'we remember with fire and blood', a combination of House Royce and House Targaryen's words. Seems fitting four Yorick, Ella, and Aemon! The copyright page is mimicked off the source's style, including the AO3 information, the creative commons and fair use information, the guild stamp, a QR code to the AO3 page, and my own press stamp! The summary is pulled from AO3 as well.
All in all, I made this book twice and I loved it and learned so much every time.
I'm so happy with this project and I'm so excited to do the next arc! Thank you so much for sharing your wonderful story, Misa!
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Do you think this episode is so boring because they brought back the Nein and reminded us how good they are? I keep thinking about this as I'm absently watching this episode, saw your post and would love to hear your thoughts on it. Because like, at least to me, most villains this campaign are painfully boring. But the Weave Mind are also boring. That was fine, M9 handled it perfectly and I loved it. Ludinus is arguably the only kinda interesting bad guy and a PC's mom is in mortal danger and I can't manage to care.
I don't find Ludinus and the Weave Mind boring! I don't find Liliana boring either! And I found Ozo Cruth and Otohan Thull DREADFULLY boring but actually, the fights with them are pretty fucking great. I mean, I have a LOT of criticism about the first Otohan fight that boils down to "this was EXCEPTIONALLY poorly signaled and I'd be PISSED if my character was killed for someone else's arc at this point in the story" but Otohan being boring is about the non-combat elements; she felt very real and compelling as a THREAT, just, she could have been a giant blender of magic knives that the party was going to be dumped in for all she had an impact on the story as a person. But I do think it is because we've seen the Mighty Nein and Vox Machina recently and remembered that they're orders of magnitude more compelling.
I think it's really like...I don't even want to say Bells Hells isn't bonded, but they lack something. I think I alluded to it in the tags of one of my posts but there's no banter between party members or sense of urgency. Like, I enjoyed the whole All-Minds-Burn/Myceit scenes a lot, actually, but after Imogen's initial (justified) panic the pacing felt unbelievably slow until we got to combat. I have found that really, for a good deal of the campaign, you have to kind of take things episode by episode and enjoy the good set pieces and scenes because it simply does not make for a pleasing and rewarding whole. The reason I didn't care about Liliana is, to be fair, partly because I think having her die would be an interesting development, but also because there wasn't a sense of "we can't stop and fuck around with mushrooms, LILIANA IS DYING" within the episode itself. No one was comforting Imogen as they ran through the tunnels. The Mighty Nein showed more personality and investment in the lead up to a fight that really, they had no more stake in other than the broad world-ending ones. As someone who's been playing a LOT of Veilguard which is all about building a close-knit team, and who's had VM and the Nein the past month to compare Bells Hells with, that lack is immediately apparent.
I said, over a year ago (possibly over two, I don't recall) now about one of the relationships in the campaign that it felt like when I see a single episode from a soap opera I don't follow. The actors are imbuing lines with emotion, but everything feels kind of disconnected. Like, this is all in a deeply subjective realm, I cannot give you a strong argument based on logic here as it's very much vibes-based, but I feel like when I watched this, my thought process was "BAFTA-winning Actor Laura Bailey is doing an excellent job of conveying the emotions 'terror and anguish over a dying relative' in this line read, and not "Imogen Temult, a character I've been familiar with since October 2021, is devastated over the potential demise of her mother.' " And I never had that issue with C1 and C2. Like, you can call it je ne sais quoi or the juice or the sauce or chemistry or the spark or whatever the fuck but Campaign 3/Bells Hells simply doesn't seem to have it for a huge number of people who have adored pretty much every other Critical Role work, and that means something. My personal thought is that it's because this has been such a plot-focused campaign without strong DM prepping of what kind of characters would be appropriately invested that we've had the problems we did (rampant indecision, lack of party chemistry due to lack of early opportunities to mingle and meld, lack of investment in each others' lives due to insufficient time focused on backstory-related plotlines), but I could be wrong, and ultimately the root cause isn't super important to this question, which is just. they don't have the it factor.
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hymns of the unholy drops tomorrow, I'm gonna make a track tier list but here's my initial thoughts before it comes out:
This feels worthy of a "read more" just because there's no pictures to look at and it's four paragraphs. TL;DR the album is very cheesy but I'm literally so excited I'm gonna stay up all night so I can listen to the new album the second it drops. The overly critical part of my brain is telling me I shouldn't derive enjoyment from this album unironically but I'm not gonna obey, I am cringe and free and I'm gonna crank this shit with no shame cause it's the game I like...IN MUSIC FORm
[gif meant to represent me randomly busting it down leshy style when I'm home alone, and singing "THE END AWAITS AS THE OLD FAITH TAKES THE LAST OF MY KIIIIINDDDD" over and over]
The lamb's song was kickass and if I heard it in the wild without knowing there was a metal album for this game, I'd spontaneously combust from sheer excitement. It's instantly recognizable and that's kinda all I wanted from it tbh! I've mentioned before that I'm way more of a djent/shoegaze/sludge fan when it comes to metal rather than the genre these songs have been, but I'm literally so excited the bishops are getting some kind of inclusion in a project that I'm gonna crank this album even if it reminds me of the shadow the hedgehog game soundtrack. Tbh this one is so solid that if they JUST announced this one and didn't make the others, I'd still think it'd stand alone quite well for what it is! Edit: I said I'm cringe and free, why did I spend half this section dunking on the genre.....
Leshy's song..........was totally lame but in an epic way, like the first time I listened to it I thought it was fine! But when I actually read the lyrics I had tears streaming down my face from laughter. I screamed out loud when the guy basically says "btw my name is leshy :)", the lyrics are actually so fucking bad. But c'mon it's LESHY he's the littlest brother, if anyone got a corny ass song it should really be him. The shredding solo at the end is fucking hilarious and if he was in charge of his own song, he 10000% would request that specific ending. Musically, this one sounds the least like the source material so far but it's got that arpeggio from his + amdusias' theme and that's arguably the most iconic part. Also, "DAYLIGHT WILL COME UNDONE AS WE ECLIPSE THE SUN" is insane and is the best part besides describing his blindness as "ETERNAL NIGHTFALL"
Heket's song...........It has my favorite lyrics so far but the vocal work after the 40 second mark had to grow on me. I can't describe it but it sounds like that post grunge style and as a grunge fan, post grunge is my biggest opp in the music world. I was hoping they'd get a female singer for this but for heket specifically I can understand why they didn't. The actual lyrics in the song are fuckin badass, when it gets to the "MAKE YOUR PEACE, CREATURE" part I always turn it up to a deafening volume because it goes BALLISTIC. Genuinely my favorite part of any of these songs so far. I adore that her characterization in this song is layered and isn't just "I'm leshy, I'm made of plants or something and also I'm gonna kill you", it goes through her arc PERFECTLY imo!! Instrumentals in this one are better than the leshy song as well, I really like that they brought back the pitch bending/choppy sampling from the ost for this one
I'm on my hands and knees begging for the shamura song to be good, the leshy song had me worried but they came in clutch for heket. If they don't work in shamura's iconic lines from the game, I'm gonna cry inside I think- I'll forgive a lame kallamar song but ONLY if it's funny. Narinder's theme is gonna be hard to fuck up imo I have faith it'll be top tier
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How on earthbread do you ship BurningCheese. Im gonna try to not judge you. This is 80% a non-rethorical question. like genuinely how do you ship them?? /lh
I was wondering when someone would come ask me this lol. It's ok though, you can be honest, I can feel you narrowing your eyes at me through the screen 👀
I could honestly go on for a REALLY long time about why I ship BurningCheese/GoldenSpice. But I'll try to distill/narrow down my thoughts the best I can so my answer isn't longer than the Bible
I adore the enemies to lovers trope and hero/villain pairings in general. I did long before Cookie Run and I will long afterwards
I like how they complement and contrast against each other, aesthetically + personality-wise + backstory-wise
I love how they interact with each other. I love how they talk and snipe at each other. Golden Cheese's frustrated yet unyielding confidence and wit VS Burning Spice's brash, raucous excitement is fun to see. (The back-and-forth they have during their fight in episode 6 is dangerously close to how I've written them in my fics, even before the episode came out. So technically, in a way, my fics have been canonized lol)
It's fun imagining them together in different ways. A one-sided crush/obsession on Burning Spice's part is fun in a dark way (my Yandere Spice). So is a mutual love and respect between them. Main canon for me is a slow burn romance and a slow redemption arc for Spice alongside it. I also have an AU where Golden corrupts and becomes a Beast herself, and they become an evil villain couple. I have another where Spice doesn't get better and Golden doesn't get worse, they just have the standard forbidden love affair that they hide from the world (the latter out of fear of judgement, the former just so no one can try to keep them apart). I've got a million story ideas with them. You can do all sorts of things with them imo. And I think it works because of how they bounce off of each other. Put them in different situations and see how their relationship changes/adjusts/adapts, see if love can exist and how
I like their size difference. Spice is significantly taller and wider than Golden and it's really funny to see lol
The way they and their relationship/dynamic parallel actual Egyptian and Indian mythology (the latter in particular) is absolutely unreal
Not kidding, I can go on about the symbolism and allusions and references forever. I could write an actual paper on it. How can a ship go THIS hard
Come on, don't act like they wouldn't give each other a fantastic time in bed lmao
They follow each other around in my kingdom almost 24/7. Literally every single time I log in they're next to each other or one is trailing behind the other while they walk somewhere. If they want to be together that badly, I'm not going to stop them
They are literally the cycle of life and death, they have the single most important connection of all the Beasts and Ancients, one simply cannot go on without the other for together they make up the foundation of the goddamn cosmos
It actually all started with me and someone irl joking about Burning Spice having a stalker crush when the very first trailer came out. Then I went "haha that could be a funny fic". Then I wrote it and went "wait this is an interesting idea". Then episode 5 came out and I went "wait wtf does he actually want her??? He's acting like he does in my fic!!!" Then I wrote more and got even more attached to the one-sided attraction dynamic. Then I started imagining them in an actual, normal relationship and how that might pan out. Then I started writing stuff for/about that and I got extremely attached to that. Now they have a fully fleshed out relationship and they're married and have two kids, and I have a billion side stories and AUs, and any other ship involving either of them viscerally repulses me. I unironically memed too close to the sun and immediately fell straight down into BurningCheese hell (but it's ok, I like it here and I don't plan on leaving ever)
I can and I want to and no one can stop me
I still wrote a Bible, didn't I lol. BurningCheese/GoldenSpice is perfect in every way, they are my ride-or-die and you can pry the ship from my cold, dead hands. The end, roll credits
#trust me I really can go on about this ship for eternity lol. Don't tempt me#Don't tempt me about PitayaFire either. Same issue. Ride-or-die. 10k word analysis. Complex and fascinating relationship. I CAN GO ON.#anyway Evil Spice Man and Pretty Cheese Lady being in love go brr#cookie run kingdom#burning spice cookie#golden cheese cookie#burningcheese#goldenspice#merchant asks
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Wind Breaker Exhibition Kyoto - Full review with audio guides
I went for WinBre Ex two weeks ago! It was STUNNING and AMAZING 🤩 Here’s a rundown of what went down (with plenty of simping from yours truly)! I also bought the audio guide, so I’ll also be summarising the audio guide at the points where it’ll be played. The guide features the first year trio.
Disclaimer: Photos are allowed for most sections of the exhibition. As many of the exhibits are manga panels, I was more selective in the photos I've shown here, to focus more on interesting ways the panels were shown, or on exhIbition-exclusive displays. (moots, feel free to DM me if you want more photos!) Where there are no photos in my post, photography was not allowed. I did not take photos of every single exhibit on display, only the panels or art works that I found especially interesting (or those with Umemiya cos I'm his simp).
Entrance
You’ll be given a QR code to scan to get the audio guide when entering, if you bought it! There are 9 tracks in total.
The bonuses you’ll get when entering are a random sticker (I got the omurice one with Sakura and Umemiya!!!) and a physical ticket. You can also purchase the ticket with a pass case and photo card, but I didn’t find it very cost-effective so I bought just the ticket ^^;
At the entrance there’s a huge poster of the key visual of the exhibition art, as well as the noticeboard at the entrance to Makochi!
Section 1: Character intros
The first section has cutouts of the first years! Manga panels of the first chapter and a few other general key visuals, such as art by Nii-sensei for the anime airing, are here too.
They also have Sakura’s real uniform on display!! The detail on the embroidery is sooo intricate.
Audio guide 1: The scene starts with Nirei dropping his notebook. Suo (if i remember correctly)picks it up and returns it to him, and Sakura tells Nirei to take better care of it. Nirei tells Sakura about how he wants to use the notebook to help Sakura reach the top, since Nirei himself can’t fight, and he hopes to help using the information on people inside it. They go through Sakura’s profile (stuff like his height, weight, likes and dislikes etc.). Suo tells Sakura that he’s really loved, and Sakura gets all blushy and tsun (SO CUTE).
Section 2: Meeting Boufuurin
This section is in the same area as the first, and starts with a photo spot!
They have two uniform jackets for you to try on for photos (Sakura’s and Sugi’s) and the size difference is real lmao. The one in front is Sakura’s, and it’s considerably shorter than Sugi’s. I also took some dumb photos here www (available on request by DM, moots only)
The rest of Boufuurin is introduced here too!! But um. As you can see I kind of. Only had eyes for one person. Oop.
Audio guide 2: The trio are discussing how their class is full of interesting people, and they give a quick profile of Tsugeura, Kiryuu, and Sugi. When Nirei says that standing next to Sakura and Suo gets him all excited, Suo mentions that Sakura is all red, and Sakura gets really flustered. Sakura demands Nirei to hand him the notebook so he can search for Suo’s weak point, but the only information he found is whatever was in Suo’s character profile (specifically his love for Chinese-style fashion and tea). They also discuss the embroidery on their uniform, and how long Sugi’s uniform is because of his height.
Section 3: Shishitoren arc
This section summarises the Shishitoren arc, and includes panels from the manga, as well as keyframes from the anime!
Note: For the Tokyo exhibition, the Shishitoren tunnel was there, but from what I remember the Kyoto one didn’t have the tunnel (I might have missed it in my excitement to see Umemiya x_x)
Audio guide 3: The trio see a cat, and they discuss the Shishitoren members. According to Nirei’s notebook, Choji claims to understand cats, and there’s also some discussion about how Hiiragi and Sako had a past together, and they also talked about Togame and Sakura’s fight. Sakura comments that the fight he had this time felt different from those he had in the past, and Suo tells Sakura that he has climbed the staircase to adulthood while petting his head. Sakura gets all pissy (like a cat) and tells Suo to stop petting him like a cat. (LMAO)
Section 4: Pothos
There’s a recreation of the bar counter at Pothos here! (I also have a photo with myself here, request by DMs from moots only) You can sit here for photos, and they even recreated the omurice and coffee!!!
Audio guide 4: This takes place at Pothos. The trio have come to get some food, but Kotoha is out for now. Nirei quizzes the other two about what Kotoha likes, and the answer is that she likes taking care of plants. Kotoha returns, and the audio guide ends.
Section 5: Umemiya and the Shitenou
This section introduces you to the four kings! The scroll with the Boufuurin structure is super cool www.
It’s also super nice that they have the panel with Umemiya and the four kings in life-size!!! It’s almost like Umemiya is speaking straight to you ;-:
Audio guide 5: The trio discuss facts about Umemiya and Hiiragi. They warn you not to follow Hiiragi’s way of spamming Gascon 10, and discuss a bit about the role of grade captain. In a throwback to Sakura wanting to become the top (Teppen), they called the role of being the grad captain the Teppen of their class too. (SO CUTEEEE ;-; SAKURA IS SO LOVED)
Section 6: KEEL
This is the keel arc, and there’s this super cool wall with the Keel logo. The whole area was also decorated to look like the warehouse where the fight took place! You can see how the walls were made to look like the sheet metal in the warehouse.
They also have the panel of Kaji-paisen coming to the rescue in a life-sized board!!!
But I think the coolest panel is the first years in mid-fight!
Audio guide 6: Nirei is almost run over by a car!!! Nirei and Suo warn Sakura about watching out for Keel, and they discuss the traits of Keel. There’s also a bit of discussion about Kaji-paisen; the headphones seem to be a gift from someone important to him ^_^
Extra: Special video
No photos or recordings are allowed for this section, but it’s a video compilation voiced by Sakura about the growth he experienced up till the Keel arc ;-; it starts with how he was alone, and gains many dependable friends in Boufuurin, and how he’s no longer alone ;-; it is very beautifully thought out and created, and I really loved how poignant and moving the piano soundtrack was ;-;
Section 7: Roppo-Ichiza
This entire section looks like a night club, with all the blue lighting and use of metal grilles. There’s profiles of Tsubaki-chan, Kanji (forgot to take a pic of his oops) and Suzuri here (this one’s for you @/kafkaoftherubble!!!)
Audio guide 7: The trio start by talking about Gravel and the nature of the group. They also talk about Roppo-Ichiza, and mention that Umemiya and Nakamura (Kanji, not Yuuichiro www) know each other personally. When Nirei and Suo comment that Tsubaki-chan could be meeting someone she likes in the Roppo Ichiza area, Sakura starts stammering and blushing. (YOU CAN HEAR THE BLUSH SO MUCH)
Section 8: Umemiya’s past
THIS IS MY FAVE SECTION BTW I TOOK SO MANY PICS HERE.
A small note that the notebook with “8” on it marks the points where there is an audio guide track! The audio guide specifically describes this section with the two scrolls:
Audio guide 8: Nirei starts the ball rolling on the past of the current Boufuurin. For the first part, he reads the text in the two scrolls in a super exaggerated and old-fashioned (think Kabuki-style without the elongated syllables!) manner. Suo observes that Nirei really likes the town, and Sakura says that he will protect the town.
ALSO THIS IS HANDS DOWN ONE OF MY FAVOURITE ILLUSTRATION BOARDS THROUGHOUT THE WHOLE EXHIBITION
ALSO THIS. PLEASE LOOK AT THIS.
Section 9: FRANK
At the time of the exhibition, this arc was still ongoing! Only the first part where Boufuurin is prepping for the fight is featured.
I also LOVE this cover art, I’m so glad they have a big version of it here!!
They also reproduced the briefing by Mizuki about the plan to protect the town! The projector will also show a QR code that you can scan which takes you to a web page that replicates the LINE group chat created by Mizuki for Boufuurin. (Available by request by DMs, moots only)
(edit 22 October 2024) I tried scanning the QR code here^, it brings you to the first chapter of Wind Breaker on Magazine Pocket lmao.
Some of the manga panels and art featuring the start of the fights is also featured here!
Audio guide 9: Note that this is actually an epilogue to the exhibition that does not touch on this arc. The trio say the Boufuurin motto. The cat from audio guide 3 gets ahold of Nirei’s notebook, and Sakura chases after it!
Extra: Anime-related content
For this section, photos are not allowed. The OP and ED videos are showed, and there’s a wall of 16 shikishi (signature boards) from the voice actors, production staff, and even natori and Young Keel! The shikishi which really stood out to me was Suzuki Ryouta’s (Hiiragi’s seiyuu), he wrote “Gascon Ten?” (HELP I’M CRYING) (t/n: This is a very dumb pun. In Japanese, the Wind Breaker Exhibition is called “WinBreTen” for short, as 展=てん=pronounced as “ten” = exhibition.)
Merch haul
I bought an aggressive amount of merch from the exhibition, and surprisingly my favourite piece isn’t anything Umemiya related, but it’s Nirei’s notebook. It’s super cute that it’s marked as Nirei’s own notebook, and even includes all the character profiles until Tsubaki-chan!!!
Also the finger puppets were available starting from the Kyoto exhibition, I’m SO GLAD I managed to get one.
Other significant stuff I bought of note: Yakiniku Teishoku t-shirt (I am wearing it as I type this lmao), WinBre10 candies (IT’S THAT PUN AGAIN HELPPPP). There’s a couple other things I got but these are the more interesting ones www
And that’s it! Thank you for sticking through with my very long post with an aggressive amount of simping for Umemiya. I hope you’ve enjoyed it and managed to get a glimpse of what it was like! I rate it Gascon10/Winbre10, will go again (I’ve been infected by Suzuki Ryouta).
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hiii I’m curious : what’s your process for creating your stories? like character development, plotting, creating arcs, etc?
thank you for asking !!! i'm going to get way longer and more thorough about this than necessary I feel it in my bones so I'm going to read more this now (I included a few tidbits from my miro board for carry the blade :) )
it's such a mixed bag ! part of this is my adhd lmao, and part of it is because, genuinely, I think each story needs something different.
almost ALWAYS (with one rare exception of a sci/fi fantasy world I've been building for years) I start with character, especially in original work. Because character is everything it's who we're following it's what the audience/readership will grab onto. Usually I have a basic premise and setting already there, but I don't build on it until I get to know who we're dealing with in the story. And then after building up the premise, setting, and plot I do even more character work after.
sometimes.... sometimes I get really impatient to start and start writing half way through the planning process. But anyways.
so I come up with character. do the basics. think about what their deal is. What is the journey they need to have, the lesson they need to learn, what themes and emotions do I want to explore with this character? Why is she important to me? Why will she be important to others?
I also think a lot about relationships
i just wrote a coming of age dramatic comedy for instance, and for that one, I broke up the story into my protagonists relationships. Wrote out the arc/story of each relationship and then combined each of these arcs into the key points that made up the film. Each relationship I wanted to be relevant to her grieving process, as she had just lost her mother. IDK if that makes sense. I wish I could show you but unfortunately I cannot.
for fic its honestly similar, but we already know character, so I usually ask what about this character/these characters am I most excited to explore.
that being said, coming home came to me in the idea for what they'd be like in modern day, and then a single idea for a single scene - their first kiss in the lab. I wrote that first, then asked myself what the context I wanted to give it was. Of course, I changed it a little once I actually got to writing and fleshing out chapter eight.
but this fantasy fic i'm writing is a fun example. I'm building out a lot. I'm building out characters, the world, the themes. - using visuals to help me kind of guide myself.
but because I have adhd and get impatient. I am outlining throughout this process to keep myself entertained. perhaps ideally you'd figure out everything first then outline then write but my brain just doesn't work that way.
in fics, especially, the relationship is so important that I really like to see how the obstacles they face, both due to their own psychology and internal pressures, can reflect the themes, create tension, etc.
but i also like to reflect on side characters too - their motivations and desires. So they don't just become like - flat little reflections of the central love story.
Finally, and this i learned from acting theory mostly - but I love it - is in each scene I like to think of what each character wants, what they are going to do to try and get that, and why they want it. In this fic, wants are something I also look at from a chapter by chapter basis.
side note - and i'm only saying this this far down so hopefully not too may people will see it - but I do have a secret subplot going on throughout the first half of this story that the audience doesn't know about.
in order to make this work I've been mapping out everything going on behind the scenes, and making sure they pair up well with events that people reading will see. it helps me plant little hints and seeds while hopefully not giving too much away (secret subplot in blue, actual story in red)
sorry i know this is such a ramble I just took my meds and had a double shot of expresso so I am buzzing right now lmao! Obviously I'm not the expert and there's not only one way. And also it really is so different for me every time. It's important to think about what the story actually calls for !
#ask bee#also coming home was outlined in my notes app#and even with the outline so much was spontaneous#a lot changed and evolved as i wote which usually happens but with this one even more so#again it was a depression project first and foremost#so i was really chasing what made me happy and excited over anything else
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Ask Comp 17/12
Anonymous asked: re: your responsive timeline theory: "There is nowhere, however huge the multiverse is, where Sam Vimes as he is now has murdered Lady Sybil. But the theory is quite clear. It says that if anything could happen without breaking any physical laws, it must happen. But it hasn't… So what people do matters! People invent other laws. What they do is important… It means the multiverse isn't infinite and people's choices are far more vital than they think." - night watch you and pterry seem to be on similar pages about this lol
Oh, nice! That's one of my favorite moments in all of Discworld, and I've brought it up before when discussing Paradox Space.
I'm pretty sure I was thinking about it when I came up with Responsive Timeline in the first place. Having someone reference it in an ask is a fun way to bring things full-circle.
@necrowyrm asked: Welcome Baaaaaaaack!!!!!!!! @whyequalsemexplusbee asked: I've literally had this date marked on my calendar, Act 6 by the new year let's goooooooo! @goldsleeps asked: it's very nice to have your particular pale green showing up on my dash again. @skaiamechanic asked: I am so happy to see your notifications again whenever you post. Welcome back, you're one of the main reasons I'm still on Tumblr, and good luck getting to Act 6! @elkian asked: Welcome back! I'm hype to see you post again :D good luck with your goal, but please take care of yourself! @nebularious asked: On the 1st day of Christmas, thewertsearch gave to me!
Thanks, everyone! I'm happy to be back, and I'm finding I have a lot more energy after taking a little break. Onwards to Act 6, indeed!
@morganwick asked: There literally, actually is a Burger King less than 40 minutes from Rose's house. That may sound simple and obvious, but when fans figured that out after this ran it practically blew their minds.
Her area is fairly remote - but there's a limit to how remote you can really be when you're living in the state of New York, right?
(^ she knows nothing about US geography)
@animation-recaps-by-sean asked: The troll sprites didn't automatically die at the end of the game, it's implied that Jack hunted them down and killed them
Wait, really? I had a little search through the comic there, but I can't find any statements implying that this is the case, unless they're in a walkaround somewhere.
Maybe I missed it - if so, send me a link and I'll take a look!
@catlikeascendant asked: idk if you go here but are there any ships you are interested in/think will be canonized? like it or not, it is a pretty important part of the story!
Thewertsearch dot tumblr dot com is a certified Rosemary nation. That's the only ship I'm really ride-or-die for, and the only one I am absolutely 100% sure will be canonized.
If you're interested, I made a full list of my ships back at the end of Hivebent, which I still mostly stand by - although I might need to rethink the ones involving Gamzee, specifically.
@relaxxattack asked: it’s so crazy that your “jump back in” point is perhaps the most fast paced and high stakes part of the entire comic. i absolutely love this arc, but i do NOT envy having to grapple with it directly after a hiatus!
I know, right?
Honestly, it's probably a good thing. The pacing is really energizing me - I haven't been able to blog at this pace since early Hivebent.
@morganwick asked: "The terms of a God Tier permadeath are defined according to the case of the individual - which implies that Heroic and Just are subjective, even to Sburb. It sounds like there might not be any ironclad rules, and that everyone's ruling works differently." Or as another liveblogger put it, when she got to the line in question: "In other words, 'by Andrew Hussie'."
Heh. That's what it ultimately boils down to, doesn't it?
I can grumble about 'canon' and 'meta shenanigans' until I'm blue in the face - but at the end of the day, the story will go in the direction that Hussie wants it to go. No ifs, ands or buts.
@krixwell asked: I actually think the "no lying" thing is essential to making Doc Scratch as intimidating as he is. He makes it pretty clear that (assuming it's real) it's a self-imposed challenge – he's handicapping his own manipulation just for fun, and he's still massively confident that what he's doing will work out exactly how he wants it to anyway. Normally such hubris would be a surefire sign of a character's imminent downfall, but because he's near-omniscient, we the readers know that his confidence isn't unfounded. We know he has very solid reasons to believe his main designs cannot not succeed, even with dark pockets here and there. I just think it does a fantastic job at selling the idea that his designs are inevitability itself, his guidance hopeless to struggle against, his words the rails on the one way track of the alpha timeline.
Hm. I do like that, I have to say.
It's fun picking away at Scratch's chatlogs, trying to find statements that are technically 'false' - but the fact that he presents himself as truthful and yet succeeds in his manipulations anyway is very strong characterization. And it's that much stronger if Hussie's intention was that Scratch really, truly never lies.
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Linked Universe: Central Room pt 3
There's been a lot of discussion about the team choices for this dungeon crawl, a lot of it centring on the pairing of Wild and Warriors.
(Source)
I've also been thinking about this.
First of all, Warriors had the choice of Wind, Four, and Wild and chose Wild to go with him, so he presumably did that for a reason. We've seen him behave affectionately towards Wind right from the beginning -
(Source)
- so he presumably wouldn't be against teaming up with him if it was just a matter of personal preference. Again, he's picking Wild for a reason.
First possibility is that it's so he can criticise him some more. He's shown his willingness to do that in this arc:
(Source)
But that particular interaction was in response to something Wild was actually doing: he was about to go diving off down a side passage despite having just been warned by Legend to be careful.
(Ibid)
So stepping in to remind him to take this seriously wasn't out of line and Warriors wasn't going out of his way to do it. I can't think of anywhere else he has verbally attacked Wild when Wild wasn't actually doing something to prompt it. Also, even in stressful moments he's never attacking him.
(Source)
That's criticism, but he's not shouting and it's not personal. He's not calling him names or making accusations or anything. He's not being careful and gentle, but I don't think you could expect him to be coming right out of battle when Wild just did something stupid and dangerous that has the potential to cause a lot more problems.
And, as I know I'm not the first person to point out, what Wild did is very much like the way Warriors used to act that almost got him and potentially a lot of other people killed. He's potentially looking at the start of his own character arc and that has to hit hard; he doesn't want this to end in Wild getting cornered and having the darkness in his heart pulled out and set on his friends.
But all he says here is to tell Wild frankly that he messed up and the consequences that's going to have. And when Wild storms off without even acknowledging him, he's not angry and lets him go.
(Ibid)
I feel like the Warriors a lot of the discourse is seeing would have stormed after Wild yelling at him to get back here.
Now, he does say that they're going to discuss this. And I think it's worth noting that he does frame it as a conversation, not a dressing-down. In fact, Warriors never seems to view the interaction and relationship between him and Wild as officer and subordinate:
(Source)
Wild, however, clearly thinks he should be treating Warriors as an officer and is uncomfortable. You see that discomfort in a lot of their interactions, including the one that started all this: Wild is sweating and nervous at Warriors picking him out.
Anyway, Warriors says they're going to discuss Wild's behaviour and I do think that's going to happen, but I don't think it's going to take the form of Warriors chewing Wild out. It might well get emotional and even frustrated, but Warriors isn't an unkind person.
(Source)
And we can also see that he does respect Wild and has compassion for his memory problems and trauma:
(Source)
Although, again, Wild doesn't know this based on what we've seen in the comic and might well think Warriors dislikes or looks down on him.
I can also point to a negative: Wild has rushed into battle before and Warriors hasn't criticised him.
(Source)
However, then it was in line with a plan: Wild was one of the Links who had been chosen to back up the others as needed and, what's more, he tells Legend what he's doing. He's not spinning off on his own, so no problem.
So I think what's going on here is coming out of Warriors respecting Wild but also thinking he has a lot to learn about working in a group: they need to have that conversation about the dangers of rushing off alone in battle and throwing off plans. The problem, as we see in The Shadow (above), is not Wild running into battle, it's when he does it in a dangerous way. He needs a mentor, Warriors is in a good position to provide some mentorship, and he does appear to be willing to take on the role of correcting Wild's mistakes. He's been harsh, but every time he's been addressing an immediate issue in a stressful situation.
Furthermore, while Wild might not actually recognise it as such, choosing him is a show of faith. Warriors knows he's not experienced in dungeons and he also knows that while Wild hasn't been in a dungeon like this he does have some similar experience from shrines. It could easily be the case that he's choosing Wild because he can learn from him too. What's more...
(Source)
Wild sympathised rather than immediately questioning his competence as a hero when he said he'd never been in a dungeon. It would make a lot of sense for him to choose the person whose presence will be constructive, especially after this:
(Source)
So yeah, I think Warriors chose Wild so he could talk to him and offer mentorship, but also to have someone to learn alongside. I'm not claiming there's going to be no yelling - there's a lot of space for juicy conflict here - but he's not singling him out to bully him. He respects him and wants to help.
All art by Linked Universe.
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