#DAMN THIS WAS LONG SORRY

[crackedhrglass]

i got this ask on my strawpage and was gonna type it up in my notes app and post it to twitter, but i really couldn't figure out a way to say it concisely, so i'm answering it here bc it's prob gonna be long lol.

do i think stancest is actually canon? simply put, no. despite how often i'm like "STANCEST IS CANON!!" i truly don't think that AH and the writers intended stan & ford's relationship to be seen through an incestuous lens.

their relationship is def the heart of the show, second only to dipper & mabel's own bond. they are the center of each other's worlds, their story & character arcs revolve almost entirely around each other, and their happy ending is literally the two of them sailing off into the sunset to spend "the rest of their days" together (ford says this almost word-for-word in journal 3).

but i still don't think all of that was meant to be taken romantically.

in my opinion, where things start to get a little weird is, surprisingly enough, ford's relationship with bill.

the rest is under a cut bc HOLY SHIT this got longer than i expected.

there's no denying that bill was written to deliberately parallel stan in a number of ways, from his mannerisms, to his conman status, to the fact that he calls ford the same name stan did when they were kids.

he's written in a very intentional way that makes him serve as both stan's parallel and his foil, especially in their respective relationships to ford (bill feeds into ford's ego and encourages him to aspire for greatness alone, stan has always been a direct obstacle & challenge to ford's ego, accidentally ruining his chances at WCT & encouraging him to live out their childhood dream together; bill valued infinite power over his own family and destroyed his dimension as a result, stan valued his family over everything, and saved ford and his dimension as a result).

normally, this wouldn't be that big of a deal to a stancest shipper like myself. but as the book of bill & the accompanying website all but confirmed in big, flashing neon lights, ford & bill have a romantic history and are exes.

having the two people closest to ford be compared to one another is one thing. having ford be drawn to bill because of how similar he is to the brother he secretly misses is one thing.

having ford be romantically involved with said character is what makes me raise an eyebrow lol.

again, do i think ford is literally a brocon who's got repressed sexual/romantic feelings for stan?

no.

i do, however, think he has unresolved Brother Issues that led him to subconsciously find comfort in a romantic partner that reminded him of stan (right down to bill calling him stan's nickname for him) in much the same way a person with "daddy issues" may seek out affection & intimacy from someone who reminds them of their father (or is just "fatherly" in general).

that much, i believe, was actually intentional. it's just too blatant to not be lol. it'd be a completely different story if either

bill & stan were nothing alike (untrue) or

ford & bill's relationship was strictly platonic and didn't have any romantic implications (also untrue)

i've said this before, but this isn't just a case of "oh, ford fell in love with someone who just coincidentally reminds him of his brother." bill's use of the nickname "sixer" during their first encounter was a deliberate attempt at appealing to a part of ford that was repressed, vulnerable, and aching, in order to get ford's guard down and make it easier for ford to trust him, and it worked.

billford is a ship that, to put it bluntly, would not exist without ford's buried feelings for stan, even disregarding shipping/incest/etc. ford's desire to be close to stan even platonically is what allowed bill to needle his way into ford's heart in the first place.

and all of this wouldn't be that weird if, again, bill hadn't continued to feed into ford's longing for stan even after they'd established a romantic relationship, by still calling him "sixer" and trying to permanently sever the relationship he had with stan specifically, once he and ford broke up (the phone call he tried to make while in ford's body that was described in tbob).

to put it another way, imagine if wendy was basically an older, taller mabel, or if any of mabel's crushes were eerily similar to dipper. people in the fandom would def take notice and view it as a little strange. so i don't get how people can look at ford dating someone so blatantly and intentionally similar to stan and think to themselves "ah yes, this is normal. ford is completely Normal and definitely doesn't have any underlying issues whatsoever" lmao

to conclude: no, i don't think ford & stan's relationship is actually canonically romantic, nor do i think ford falling in love with bill was incestuous, necessarily.

but i do think that he had a desperate longing to reconcile with stan buried DEEEEEEP down, and it manifested itself in the form of being attracted to bill, which is probably why he never bothered correcting bill's use of the nickname "sixer" since their very first meeting, or ever expressed that it made him uncomfortable.

[sapphosclosefriend]

Hii

I wanted to ask about your money power glory series. Will it be continued?? Because I really enjoyed it and would love to read more !!

Ok this is also an answer for the other ask asking me about part 5

I hate the incompleteness of that series as much as you do, I was so happy and proud of it and I HATE the fact that my stupid little brain doesn't seem to be able to write the last ONE chapter to finish at least the first storyline WTF

Now, I've been missing writing so freaking much lately so I've been trying to finish literally any wip in my docs to get out of this block and I've been able to get a chapter done from a Red Room series I've been planning for so long so yay! But I'm trying my best to put together at least an ending for Money Power Glory because I WANT IT DONE and ALSO ngl I wanna show you what I had in mind for the end 😭

So I guess you should watch out because I WANT TO put out the last part before Christmas (I know it's potentially a long time but I need to put a limit in order to do it lol)

Oh and if anyone wants to hear about the Red Room story let me know because I actually LOOOOOVE what I have in mind for it (of course I won't give spoilers tho 😈)

[keferon]

Don’t mind me I just like to see him go bananas about cartoonish Autobot rules

Maaan…..if Prowl was in tfp he would spontaneously combust at least once a day

[wishing-well-art]

"Lizzie's told me this as well, I shouldn't try to kill Scott, because that always ends badly, so I'm gonna leave him alone ... I'll fight back if he comes for me ... I feel like that's my downfall every time ..."

[spear-gsun]

Happy 20 years to the Imperishable Night

[godforbidfate]

FROM THE DESK OF TAYLOR SWIFT Chairman, The Tortured Poets Department (2006-2024)

[jinikaris]

HYUNJIN | STEP OUT 2025 ♡

[mossytrashcan]

behold… the alina sketch that was promised

[sugoi-writes]

Can I get some fluff of Alastor finding reader listening to old jazz songs from when he was alive and he makes us dance with him? :)

It's Been a While... (Alastor x GN! Reader)

Ahaha, I need more work on fluff, I hope you like it! There is SOME mentions of risque activites, but it's super brief, and nothing insanely explicit! Promise! I was honestly just writing to write, and figured this little blurb that fell out of me would be fitting enough. UNO REVERSE... We get ALASTOR to dance! Fuck yes!!!

Songs mentioned: In The Mood - Glenn Miller / Sing, Sing, Sing - Benny Goodman (both are bops I used to play when I was in jazz band houhosjknskhdj-- SURPRISE, you also get Danny Lore as a treato!)

Alastor's tense, heavy sigh sounds in the air, prompting you to crane your head up. You took in his disheveled state and instantly knew: he was exhausted. You stood from your plush armchair, abandoning it to walk toward his desk. 

"Alastor?" was all that was needed for his flattened ears to perk up. Your sweet voice was a much needed comfort during a particularly grueling evening. 

"Yes, dearest?" he replied, his smile hardly an upturned slit. You come up behind him slowly, waiting for his permission to touch. Alastor looks back to your hovering hands, and nods gingerly. He returns to facing his desk, allowing his eyes to lose focus as he zones out. When your arms wrap around his neck, his shoulders slump heavily, a pleased hum vibrating his chest. You smiled sweetly at the sound, a welcome pleasantry as you kissed his cheek. 

"You're getting frustrated again, my love..." you pipe up, continuing to pepper his cheek with chaste, innocent kisses. Your lover laughs bitterly, but leans into your musings all the same. 

"Well, I suppose you're right... leave it to my sweet, observant partner to know what's wrong... and when," he adds, a tired hand reaching up to rub slow circles into one of your arms. You grin against his cheek, your kisses slowing," I may also have a solution to your problem, if you'll hear me out~" 

Alastor hums in approval, grasping both of your hands when you continue to pamper him with sweet, physical adoration. 

"Dear, you are nothing if not full of brilliant ideas... I would love to hear them out," he muses, turning his head to plant a singular, sincere kiss to your lips. You were giddy at the affection, but capped your glee.  You tugged on his hands, eager to make your little plan work.

"Come on, come on... you'll have to get up for this one," you quip, forcing a dramatic sigh from your partner. Alastor throws his head back, laying it on your shoulder like an ill peasant woman. He would fan his face weakly, had your hands not been so warm.  

"My love, I have been stricken, and cannot get up~ Won't you let an old man rest?" he fired back. But truly, had you asked: he would happily jump into acid rain with nothing more than his dignity.

You roll your eyes at his theatrics, smirking," You? Old? I wouldn't figure... No, you old geezer, I need you to stand so we can use your legs. They're very important for what I want to do." Alastor blinked, gears turning in his mind. Only with you would his mind wander to dirtier, carnal ideas. 

"Dear, if I had wanted to do that tonight, I'm afraid your back would've already been bent out of shape--" 

"Oh for Fucks Sake, Alastor--" you cackled, tugging on him with more insistence. 

" Come oooonnnnn, please~? It's one of your favorites, I promise! Nothing dirty, no tricks!" Alastor's interest is instantly piqued, resulting in an immediate hop up. Even with his motion, his hands were still in yours. You huff, exacerbated but grateful you didn’t have to lift him yourself. 

"Ahh, if you would have led with that, I may've been more urgent to attend to you, dear," Alastor chuckles, not missing the flush that flashed across your cheeks. You pull away from Alastor long enough to turn on the radio, flicking through several frequencies and stations to find just the right channel. Alastor watches you in amusement, arms crossing in front of his chest. He was more than content to watch you struggle, shifting his weight onto one foot.

"Well, I have to keep some of the suspense, don't I?" you replied, grinning at him in a way that made Alastor's black heart beat wildly. He did quite enjoy your mischievous nature... But your attempts to work his radio almost had him pitying you... Almost. 

He scooted in behind you, resting his crossed arms over the top of your head," You could request a song, you know... I don't mind putting on something you enjoy--" 

"I'd rather it be something we’d both enjoy," you interject, huffing as you became an armrest for your demonic partner. Once you found the right channel, you swiveled under Alastor's arms to face him. Then, you reach up to hold his elbows, shaking them around playfully. 

"Alright, sir... It's been a long, long time since we've done this... I want to do this properly." 

Alastor relents, allowing you to push his arms off of your head. He tilts his own toward you, expressing confusion. In that moment, he finally hones in on the song itself. In The Mood, popularized and recorded by Glenn Miller. It was one of the few songs that came to mind when you thought of "Alastor's Time" in the 30s. Said demon blinks in surprise, grinning. He had listened to this recording a bit after coming to hell, and was particularly fond of it. Ahh, you had picked the perfect station! 

"Glenn Miller? Oh, you spoil me, love," Alastor coos, caressing your face as he kisses your forehead," Whatever did I do to deserve this?" 

You sway your hips, bouncing in place to the tempo with the old tune," I know the recording's after your time... but-- He's just-- GOOD, y'know?" You bite your lip as you pull Alastor's hands off of your face," Now come on, Al... let's dance!" What a perfect distraction to break his tension and troubled mind! Alastor just knew he would enjoy your little idea... 

His hands settle on you, both lightly caging your hips as yours held onto his wide shoulders. As the main motif began, the both of you started bopping along to the music. You watched Alastor's face morph fully into a relaxed state; smile still present, but much softer than his manic glee. You had to use every fiber in your being not to kiss him in that instant, instead squeezing his shoulders. Alastor's ears twitch as you draw soothing circles into his tense muscles, a shudder being torn from his entire frame. 

"Relax, Alastor... I want you to forget about everything, except for this...," you coo, making him sigh with acceptance. He came close to you, flushing your bodies together in a tight, intimate sway. You could only sigh as he settled his chin onto the top of your head. 

"Oh darling, if I relaxed anymore, I would be putty in your hands...," Alastor chimes, the tail end of his sentence wandering off as you press harder. Alastor huffs pleasantly, his hands holding your hips more firmly," Sweetheart, you really will be my undoing..." 

You chuckle as you settle your hands, allowing Alastor a moment of reprieve. He rolls his shoulders, one hand seeking to grasp your opposite hand. Once he drew your arm out with his, his other hand shifted to the small of your back. You saw him grinning, playful and energetic," If it's a dance you want, then it had better be a good one, hmm? So let's jive~" 

You squealed as Alastor practically whisked you off of your feet, spinning the both of you elegantly around his bedroom. The sounds of cicadas and frogs croaking in the distant, swampy marsh of his extended bedroom accompanied the sweet jazz that filled the air. Truly, it was tying everything together seamlessly. You had it all: a nice scene, nice music, and a relaxed, precious beau to spend all night with. You would have patted yourself on the back, were it not for Alastor's telltale sign of a 'big dip' move. You looped both arms around his neck, hanging on as Alastor swung you down, his monocle threatening to slip off his face. You laughed as you casually adjusted it. You stared, enthralled as you lay your hand over his racing pulse. However, the moment didn’t last long before you were brought back to your feet. But you thought now would be the best time to be a bit closer…

Getting bolder now, you pulled Alastor in for a kiss via his bowtie, eager to finish the dance off strong. Alastor, of course, had no protests, as he looped his arms around your waist. The two of you embraced like this for what felt like an hour, unable to pull apart your mingling, eager lips. But, with the song ended, leaving you both in silence, you managed to pull away. You looked up to Alastor with knowing eyes, your smile reflected in his deep, red irises.

"I loved that, Alastor, thank you... And I hope you don't mind me whisking you away from work..." 

The Radio Demon rolled his eyes, an imitation of your look from earlier. He leaned down to kiss your cheek, his lips still puffy from your kiss," My love, you must whisk me away more often... In fact, I think I'd like another dance, if you'll join me?" Of course, you agreed silently, stepping on to the very tips of your toes to seal it with a kiss. 

"I'd love nothing more." 

Alastor grins with a deep chuckle, the radio pumping out a new song. Sing, Sing, Sing, popularized by Benny Goodman. You blink in surprise as this number moves... MUCH faster. And, from the sound of it, it will get you to sweat. You laughed nervously as Alastor brought you in again, his hand directing your hips to sway with his. You couldn’t help but become a little flustered as he closed the gap between your bodies, a playful, coy smile sent your way. 

"Hold on tight, love. Some recordings of this song could last up to ten minutes~" 

"WHAT--" 

Alastor practically cackled as you trapped yourself within a saucy dance, one of many that would fill your evening with sweat, laughter, and best of all: an Alastor whose smile finally reached his eyes. 

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[kalivasquezart]

I would like to request the most blorbo scug art you have on hand

this is what a neuronfly sees as Marbles contemplates eating it 😶

(this here is the most blorbo art currently in my possession)

[nblatinotails]

please accept his beverage

its all he has 😭😭😭

[fosliie]

Old habits die hard, some don’t die at all

[housederiva]

Is it just me or is there way less fanart being made for this game than the previous ones? Kind of makes me sad, I remember with dai I could check the tags every few hours and find something new weeks after launch, now I only can get away with only looking a few times and week and miss nothing.

I don't think that's Veilguard exclusive.

Things I and my mutuals draw now are getting less notes/reblogs than they did even one year ago, regardless of the fandom. Fanfiction is getting less comments and kudos on ao3 too (not that they were getting many comments in the first place) Less gifs are being made because gif makers weren't getting reblogs. Hell, most of the post I make have a huge discrepancy between likes and reblogs and add polls into that? A thousand people voted on something and only a dozen people reblog it. It's a hollowing feeling when you realise you're calling out to an empty void, I don't blame people for creating less art because of that.

I don't see a vast majority of the people who follow me in my notes because I have likes disabled. Multiple times someone has sent me an ask apologizing for spamming me with likes and I don't understand it? That is not a bad thing And unless you reblogged anything along the way, I didn't even realise you were doing it in the first place. And the people whose notes I do see are not annoying in the slightest, I love the tags you add and I'm sure the original poster does even more so

I'm not trying to shame anyone Into interacting with the fandom spaces they're in but the whole point of Tumblr and what makes it a blogging platform and not social media is that this is a show and tell website. You're supposed to look at something you think is cool and then wave it around for your followers to see and then they pick it up and do the same regardless of how old it is

When you reblog an ask game from someone it used to be common courtesy to send that person one of the asks from it. Folks used to leave comments analysing paragraphs from stories people wrote and theorising about what would happen next on every chapter. We used to send each other asks just asking about our ocs unprompted

If there's no interaction or community when you create something, then what's the point of creating it? It sucks that fandom is morphing into something to be consumed and thrown away the second it's more than a week old unless you're one of a handful of blogs that got lucky and picked up traction at just the right moment

I'm sorry for the rant but I get emotional when I think about the decay of fandom spaces for too long. And this goes without saying, but you guys can reblog anything on my dash if the button isn't disabled on it

[uriekukistan]

JJK 265: The Role of a Sorcerer

one of the focal points of jjk since the beginning has been the roles and responsibilities of jujutsu sorcerers. it's a question that gets thrown around a lot between different characters: as sorcerers, what is the right way to live? it's a driving force behind many of the major events of the story, and the cause of fragmentation, where different paths could have been taken, but weren't. and in one chapter, yuuji dismantles it all.

as much as i'd love to talk about this when it comes to every character, i picked a few that i think are interesting (to me) and carry a lot of weight throughout the story to discuss, including gojo & geto, megumi, yuuta, and, of course, the man of the hour, yuuji.

Gojo & Geto

the main difference between them right from the start is the way they view their roles as sorcerers, and this fragmentation influences their trajectories going forward, and the trajectory of jjk as a whole.

at the start, geto believes that his role as a sorcerer is to protect non-jujutsu sorcerers. as someone who is strong, he must protect those who are weak, and he must keep those who are also strong in check. he accepts this as his role without much question, and he takes it seriously.

in contrast, gojo thinks that idea is, well, garbage, and he argues with geto about it, calling him self-righteous for thinking that way. where geto focuses his concept of his role on those who are weak, gojo focuses his on those who are strong. his role is simply to be strong. he acts to get stronger and prove that strength.

another place where their opinions diverge in conceptualizing their roles as sorcerers is when it comes to finding meaning in their actions. where gojo doesn't think there needs to be meaning in their actions, geto disagrees.

ultimately, his search for meaning leads to his downfall, as he reaches the conclusion that being a sorcerer is a thankless job, cleaning up after and saving the humans from their uncontrolled cursed energy. he decides that sorcerers are the ones who need protection from humans, because they are subjected to the horrors that humans generate, while those humans live in ignorance.

meanwhile, as gojo matures, he doesn't ditch the idea that strength is what matters as a sorcerer, but he shifts his idea of role to raising a generation of strong sorcerers who can rely on each other. and ultimately, these leads to his downfall too. thoughts on this here under point 1.

regardless, their ideas of their roles are major driving factors of their decisions, and therefore the plot of jjk. their roles are what doom them to their respective fates.

Megumi

megumi has made damn sure we know what he believes his role is. he's a sorcerer, not a hero. he doesn't save people because he has to or because it's the right to do. he saves the people he wants to save. that's all.

he uses his conscience to decide who he wants to save, and that is his decided role.

and this is what dooms him too. his decision to save yuuji is what left him vulnerable to sukuna, and his desire to save tsumiki from the culling games left him open to be manipulated by yorozu, as she pretended to be his sister in order to take advantage of what megumi was willing to do so she could play her own version of the culling games. that shock and hurt is what let sukuna latch onto him so easily, and submerge his soul in the depths of his body.

Yuuta

yuuta decides that his role is to not let others be alone. of course, this is most notable when it comes to gojo, but it's shown throughout jjk0 as well, such as when he refuses to let inumaki go against the curse that geto planted alone.

he also expresses this to yuuji after he fake executes him. he makes sure yuuji knows that he isn't alone in his feelings, and that he's not to blame. empathy is one of yuuta's strongest traits, and he makes it his role.

this is why he is willing to go as far as taking gojo's body, because he knows how gojo has to toss aside his humanity to fight all of these special grade curses (for example, when he used his domain expansions while humans were around despite knowing it would cause damage to them), and he doesn't want him to be alone in his inhumanity.

and while yuuta isn't dead yet, his role has doomed him, because, well...

Yuuji

now we come to yuuji, the sorcerer who shakes this concept to its core in jjk 265.

he's someone who'd decided his role before he even became a sorcerer. he wants to help people, and he wants to guide them to proper deaths.

he also accpets his role as sukuna's vessel, and tries to maintain those two parts of his chosen role simultaneously. however, as we know, he fails to balance being sukuna's vessel and saving people in shibuya (i hesitate to use the word fail because it was not a failure of yuuji's, but i hope you know what i mean).

this causes a shift in his idea of his role, especially once megumi asks for his help in the culling games. he embraces this role as a cog. he will help out fushiguro, he'll help unseal gojo, and then he will die. that is his new role.

quote from yuuji in 265:

until recently, i thought i should simply live to fulfill my role as i understood it. i thought if i died like that, i could at least consider it a proper death. but now, i feel like that's not entirely right. ... just the tiny fragments of memories that make up a person drifting elsewhere give value to a human life. ... people aren't tools. we aren't born with any set roles

yuuji completely rejects the idea that people are defined by theid roles at all, whether they are jujutsu sorcerers or not. he sheds his mindset that he needs to help people, or give them proper deaths, or fulfill a role than die in order to be worth something. instead, he accepts the value of his life as a collection of all the things he's experienced and the people he’s known.

and in doing this, he shakes the world of jujutsu kaisen to its core, and creates another crack in the cycle.

[heshmmity]

i cant even fully explain how much i love bill and mabel's friendship. they paint their nails pink together. throwing sleepovers with candy and grenda, he is like a girl dad but uncle to all of the girls. (including pacifica, shes also a guest on parties when she isnt busy)

bill gives mabel dating tips (poorly. these tips suck.) and all these tips suck bc bill is a pathetic dude. he literally whines to mabel every time ford is busy with researches and ignores him for five minutes. mabel knitted like a million sweaters for him with personal designs (sooo much doritos jokes)

and they dont allow ford, stan or dipper on their sleepovers. bill teaches girls how to play all sorts of gamblings and at first he was like doing all sorts of giveaways to girls but then he realizes that he cant actually win them in damn poker. he lost a lot of sweets that day. sweets and dignity

i have so much headcanons for them helppppp