#i'm using characters from my other novel

[raiiny-bay]

working on an edit that is not kelly-related for once

[illarian-rambling]

Damn, what if I reworked Starbreaker to be exclusively in Anarac's pov instead of trying to balance 5 new povs in one book?

Thoughts?

[mars-graveyard]

i know there was a poll for this a while ago (that i accidentally voted for behemo on because my phone hates me) but i think allen and nemesis should be the unofficial main characters of evillious

[kaurwreck]

I love preordering books because I forget about them until they arrive and once they arrive, I'm all at once surprised, charmed by my own forethought, and as excited as when I first noticed them enough to preorder them.

(Today's title: Beauty Matters: Modern Japanese Literature and the Question of Aesthetics (1890-1930) by Anri Yasuda, the chapters of which include (i) Natsume Soseki's Quest for "A Feeling of Beauty," (ii) Mori Ogai and the "Inner Flame" of Beauty, and (iii) Akutagawa Ryunosuke's Literary Anxietieis and the "Power to Remake.")

[coquelicoq]

i think of all the books i've ever read, le père goriot takes the prize for taking the longest to get interesting, as it doesn't happen until the very last sentence. i'm just bopping along for over 400 pages of whatever and then he slaps me in the face with the last sentence and immediately peaces out. okay you got my attention, just in time to throw it away. respect.

[herbertwest]

I always forget how much I love this OC

[yardsards]

huh. in most of the groups i've played in, there's just as much (if not more) rules-bending and dicking around as taz balance.

i would blame it on the fact that a lot of the friends i play with are *also* taz fans but... the worst offenders are actually the players in my irl group who have never listened to a single episode of taz

The opposite of the Mercer Effect (where people listen to critical role and have unrealistically high expectations for the immersiveness of a campaign and expect Matt Mercer's energy and skill) is what I experienced, the Mcelroy effect, where you listen to TAZ and expect there to be way less rules and a lot more fucking around

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[slugandthorn]

pain and agony of having so much to learn to make more things but I need a job/further schooling to learn but I have to have made the things first

[thiefking]

☝️🤓 she's a parasitic alien species who can eat anything. the life cycle of their species is to send an egg to a planet, hatch and immediately eat their egg and then any living creature nearby to use it as basically a skinsuit, then continue eating various creatures until they determine the planet's dominant species, at which point they eat an infant/juvenile member and replace them entirely in their family (you know like parasitic birds who lay their eggs in other birds' nests) to be raised as a member of that species and allow it to go undetected as an alien since it's been raised with all the social cues and body language it needs to blend in. the true body of this parasite grows as they eat but they can make themselves into a dense, hypercompact egg-shaped thing and they spend most of their time as a juvenile in this form. they can eat without unfurling too, but it's hard to fight, so the only time you ever see them unfurled is either when they're freshly hatched or when they're in full on attack mode. they are also seemingly completely indestructible when they are compact and STILL extremely hard to kill when they unfurl their bodies since their primary diet is eating rocks, minerals, and metals, and they can reconstitute them to reinforce their shell*. they will eat more and more and more as time goes on and their true body will get bigger and bigger and bigger and eventually when they're big enough they know no one can stop them, they unfurl semipermanently and start eating their very host planet. when they're done and now the size of an entire PLANET, they fly off into space to go find a mate and the cycle begins anew

i wrote too mjch the rest goes under the readmore.

* some theorize that the "shell" is an exoskeleton, and others argue that this is just their skinsuit thing again and it's more like a suit of armor that could theoretically be taken off. there's evidence supporting both viewpoints. since no one knows for sure, they just play it safe and call it a shell— and either way it's still 100% certain that they produce it themselves. it's still unknown what their shells are actually made of, but it's likely that it at least somewhat depends on their diet. they eat their own egg because the eggs have nearly the same strength as their parents' shells and allow for immediate protection. if you manage to find a hatchling perhaps you'd be able to simply stomp on it and kill it...

they are HIGHLY dangerous and because they're also extremely rare, there's very little research on them. no weapon has been seen to penetrate its shell, they're highly heat-resistant, they're seemingly borderline magic-immune (with the one caveat being they are only any good at DEFENSIVE magic, if they even learn magic at all)... it's hypothesized the only way to kill one is by having another member of the species eat it, but that might just make an even bigger problem... they haven't tried everything but there's only so much they CAN try with a species so rare and volatile. so um, generally the protocol if you discover one is to immediately launch it into space. which also doesn't kill it, it just makes it harder for it to get anywhere because they only develop the necessary appendages for space travel when they're planet-eating big. preferably you find them when they're still tiny and weak, because if they are then you have time to experiment and see if you can kill it before you call it a loss and launch that thing into and then out of orbit, but if they're big enough to be a danger to you then you just launch em

the one good thing is that their species prioritizes a BIG planet over a SMART planet, and their intelligence depends heavily on what kinds of brains they've eaten and how they're raised. they're highly adaptable, but only to the point they need to be and no further. if they land on a totally lifeless planet, they just start eating it and don't even bother with a disguise. their species values Bigness more than Intelligence and the parents try and get their eggs to land on big planets to make sure their offspring is gonna be popular. this is a point in favor of the "suit of armor" theory, because if they're perfectly happy on unpopulated planets, that suggests that its imitation/skinsuit behaviour is just the parasite using its armor ability in a different way with a different material. however, they've also been observed seemingly partaking in a molt— this was exactly once, ever, and it's possible that it was simply eating another member of its species that happened to land on the same planet, but it was indeed observed to be hiding away in a cave eating a piece of parasite shell. this is a big point in favour of the exoskeleton theory, as is the insectoid appearance of... Some... of the parasite's body, but "suit of armor" theorists argue that it could just be hermit crab-like behaviour of moving into a bigger shell and eating the old pieces to recycle them into its new shell

the problem is mia did not end up on jupiter like she was supposed to. mia's egg missed it and landed on earth. and now she has human intelligence. and then she got found out by The Magic Government.

this is kind of an ethical conundrum for them because launching the planet-eating worm into space when it is Literally dumb as rocks is a pretty sensible solution when you don't know how to kill it. but THIS one has human intelligence. and it is also rather big already. and it seems like a rather important magician has already taken a liking to it...

a lot of them still thought killing it would be best, but others brought up that its unusually high intelligence means that first of all it would fight back. and secondly it can probably be reasoned with. and it would make a FANTASTIC weapon and tool, and also our much more common problem is the gates, you know, those holes in the universe that are invisible to most regular people that when touched will transport that person to a completely different place in spacetime and are responsible for loads of unexplained disappearances and are an incredible nuisance? and presumably because their entire life goal is blending in and eating a planet, these parasites can smell gates and tend to Instinctually Eat Them because they're a rare edible form of raw magic which these things don't tend to naturally produce?

and so she is offered a deal. they won't launch her into space or try to kill her IF she lets them put a leash on her to use her as a gate-sniffing dog and/or living weapon. she begrudgingly accepts

the main way she is nerfed is by her own storyline: it's all about magic and she can barely use it. she has crazy hp, atk, def, and sp. def, but her sp. atk is like nonexistent. best she can do is status moves. magic resistance kinda goes two ways. also, while she can eat gates, she can't eat or digest any non-solid magic, which is... almost all of it. it would be like trying to "eat" electricity. so a magic shield offers complete resistance against a long distance stomach acid spray attack. she COULD just swallow them whole and wait for them to get too tired to maintain their shield and they'll get disgested as soon as it breaks, but if they can teleport, which is an exceedingly simple spell... it's a nonstarter. plus, eating them alive would give them a chance to see her insides and potentially discover a weakness to exploit if they have enough magic left they're willing to risk staying in there a little longer to explore. not worth it. her job involves eating gates so she actually has (comparative to other members of her species) loads of magic so she IS capable of using it & she's pretty damn good with making shields of her own, but in fights against magic users (in other words basically all fights) she's relegated to a defensive role and she kinda hates it & often feels more than a little useless

If your OC is considered over-powered for your setting, what is it that sets them apart from the rest? How do they use it to their advantage? How does it impact them?

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[fishnapple]

How they proclaim their love for you

(lover/partner/future spouse)

This reading is about how the person you have in mind would proclaim their love for you. You can consider these as their mini love affirmations

Disclaimer : cheesy edition

This is a general reading meant for multiple people. Take only what resonates and leave out the rest.

Your feedback is much appreciated. If you find the reading resonated with you, leave a comment, I’d love to know 🎐

About me | Masterpost Book a reading with me - KO-FI (Read this post : personal reading)

CUBE 1

• Let's take all our time in this world. There's no need to rush. Time? It might not even exist for us. We have escaped time.

• You sent an electric shock down to my core and I still find myself standing. Stronger than ever. Like a machine getting its fuel.

• Our language is of moonlight, fluttering wings, laughter of the stream, cloudy scents of flesh.

• Our lips kiss through the air with words.

• Actions speak louder and we are loud in our actions.

• My mind is spinning, soaring then diving, goes a hundred miles around then comes back, struggling to take you all in.

• This dark corner is our playground.

• I'm in hardworking mode when it comes to our connection. I have lofty goals. Let's work hard together.

• We look like kids when we're out into the outside world together. People ask whether we are friends? We are best friends, whether we are lovers? We are best lovers, whether we're having fun? Nothing is more fun and more serious.

• I have fears, but when I open my mouth, I don't let them escape. But you helped them get out. Is this a prison break for them or for me?

• My mind keeps going back and forth from past to future and you're there, in all of them.

CUBE 2

• Here, take my money. What's mine is yours.

• Do you know the plot where one character is thrown into a dire situation, and somehow, the other one character will come to their rescue. That's me, I'm the one rescued, by you.

• After winter is spring, time goes on, seasons change, I have you with me to witness that together.

• I've become greedy. Wanting to possess every minuscule expression of yours. If I would just freeze them in time.

• Do you see those wild beasts outside the window? And here we are, snuggle comfortably in our home, safely. The light of our home attracted those beasts, they're outside, cold and hungry. Our home will welcome them, but they won't be able to come in as their old shells. They will come in as happiness, transformed.

• I fall in love fast and then I keep it slow.

• I love giving you a bath, bubbling up your hair, seeing water running on your skin then later drying your hair for you and smelling the fresh shampoo scent. Aromatherapy at its finest.

• There's this need growing in me, and I can feel it growing in you too, we share some parts of ourselves with each other. This need is big, it's overwhelming, it makes my heart feel a tugging pain, it animates my body, giving me energy. It's the need to be, to stay alive, so that I can be together with you.

• I know all the right words yet feel like a fool with you.

• I imagine myself a parent, coming home to see our kids fighting, then I will act as a mediator, coming in to lecture them. I look forward to this scenario more than the promotions of my career. Biggest achievement.

• Thank you for letting me love you.

CUBE 3

• Loving you feels like second nature for me, something I've done so many times already, everything in me just do it automatically.

• We definitely have met before. Did we share past lives together? You look so familiar, like the ghost in my dreams, the daydreams in my head, the face of a character in those novels I read.

• My soul is a trapped pool, I would use my bare hand to scoop out all the dirt and monsters from it, take a cupful of water, boil it over and over again until it transparently pure, keep it warm or ice it the way you like then present it to you.

• I stand firm on this earth, confident that I have someone to come back to.

• Our hearth is the most sacred place to me. I would put offering before it, just like how people of bygone days worshipped at the god altar.

• I will keep it warm and nourishing for you.

• Never fear.

• Our lifetime together will blink by so fast, I'm already missing it. But have no fear, it won't end.

• We navigate this path so well that we're definitely professional travellers.

• Change of places, change of jobs? Doesn't matter, I can go along with everything, as long as there's no change of hearts.

• We've travelled from faraway lands to each other and we will continue to travel together.

• I wish you could read my mind and feel my heart, and I could do the same for yours, it would save a lot of time and misunderstanding.

• This is just the beginning.

CUBE 4

• I will tell you "I love you" everyday. Make that a checklist.

• If you and I went to the same school, you would be my high-school sweetheart, the one that I would secretly gush about in little notes, the one that I would absentmindedly draw a heart next to your name.

• Even if we were continents apart, I still feel you next to me, every waking moment and every sleepy dream.

• You fill my throat with sweet sweet love dripping down so much I feel like I can't breathe.

• I love you.

• I can't speak! Tongue tied. Unlock me. But then, if the door is open, I'm too shy to step out.

• In sickness and in health.

• I feel a part of myself went missing whenever you're not here.

• Your pain makes me bleed.

• This is new to me, I don't know what to do. Help me, teacher.

• I probably have a malfunction somewhere in the system to be acting like this. What have you done?

• You are love personified.

• Life has been good since you came to me. But it also has been exceptionally difficult for me to stay alone.

• I have imagined countless times how you would hold my younger self in your arms and feel soothed by them. I may not get to feel it in the past, but I will feel it now, for my past self, my present self and my future self.

[fromgoy2joy]

Let's write about Jewish characters in dynamic ways- that make it clear "Yes this is us. Yes, we are living our lives with this happiness and ritual, and we love it. "

Like it's so easy to write about, to have casual observances of Judaism and cultural practices be in the background of stories. I'll write of the few examples I can think of in my frame of reference as a college student-

there's a mezuza in the doorway of a college kid's apartment. Whenever his friends come over, it's a reach for some of them to touch it because both he and the rabbi who installed it are 6 foot three. The others feel like a middle school boy slapping the ceiling as they try and reach for the damn thing.

Characters rush on public transport to get to a rabbi's house on shabbat. The train is due. There's a flurry of regrouping, then trying to call a missing friend to get there, and then the process of methodically hiding Magen davids and jewish objects because getting to shabbat dinner without a situation was an order from college Hillel staff.

A character is half-drunk at 2 AM at the convenience store but has to scan the list of ingredients on their chemically disgusting snack for gelatin.

Said character is prevented by her friends from only sustaining herself on 7/11 slushees "even though it's all kosher!"

There are references to the Purim incident constantly- it is never clarified what happened on Purim.

the hypothetical gang of characters are in the middle of nowhere on a grand magical adventure. The main character notices a mezuza on a door of a cabin, knocks on it, and has an in-depth conversation with the resident. Then, he waves his friends over. "Hey, guys! We have a place to stay tonight!" Because through the magic of Jewish geography, it was discovered that the grumpy old Jewish man in the woods is the grand uncle of one of his Jewish Day school teachers

A character who eats cheesy bacon bagels regularly on passover has a deep respect for jewish ritual items. He kisses the siddurim as they're handed back into a pile, he always kisses his kippah that he wears for ritual purposes of shabbats and minions. He's very careful with these objects and keeps on claiming dropping something He is observant, and he cares so much, but not in the "typical" way. Just... please show the nuance in practice.

The big "going out night" for our fearless college student isn't Friday but saturday night because of shabbat.

The stain on the rabbi's couch is not to be mentioned

A character keeps on mentioning the stain anyway.

Jewish goodbyes after any event take a minimum of two hours and that's why the gang is delayed on their journey to save the world .

I want more representation than characters in novels saying "haha I'm jewish but eat bacon and love Christmas!" in such flat ways. Please feel free to add more hypothetical ways of representation in the comments !!! About or inspired by your own life and experiences ! Let's make this post vibrant!

[ryin-silverfish]

One nerd's musing about Chinese religion and "respect"

-I try to stay away from fandom discourse, but, much like how you can smell the stench from a dumpster fire without walking into said dumpster fire, I've noticed something that seemed to come up a lot in western JTTW + adjacent fandoms: "respect Chinese religion".

-Usually as a reason for why you shouldn't ship a character, because of fucking course it's shipping discourse too.

-And my first reaction is "Man, you are taking Chinese religion too darn seriously, more than people who are born and raised in China."

-My second reaction is "I mean, most of us are atheist/agnostic by default anyways, with a good number of what I'd call 'atheist/agnostics with superstitions': people who said they were not religious, yet believed in Fengshui or divinations and burnt incense at temples for good luck."

-My third reaction: "But why do I get the feeling that when you mention 'Respect', you are thinking about something completely different?"

-Then I reread an essay from Anthony C. Yu, "Religion and Literature in China: The "Obscure Way" of Journey to the West", and the metaphorical lightbulb just lit up over my head.

(Everything below applies more to Daoism + associated folk religions, but by the time most classic Chinese vernacular novels were written, the blending of the three religions had become well and truly mainstream.)

(The conception of gods differs from dynasty to dynasty. What I'm describing here is mostly based on Ming and Qing ones; if you went back to Han or pre-Qin times, most of these would not apply.)

(I am one of the "atheist/agnostic by default" people. I just have an interest in this kind of stuff. I am also just one Chinese person, and an actual Daoist/Buddhist/Religion Studies researcher would probably have a lot more valuable information and perspective to offer when it comes to contemporary practices and worship. Like any people on the internet: take my words with a grain of salt.)

-Even in the past, when society was far less secularized, Chinese gods are not omniscient, perfect beings whose worship is a solemn, humorless affair. Some's worship are Serious Business, but that has more to do with the sort of gods they are and the patronage they enjoy, not godhood in and of itself.

-And even the ones that you are supposed to "treat seriously" are still very human. To use an analogy I've used plenty of times before: you respect and fear them in the same way you'd respect and fear an emperor's official, or the emperor himself, because if you don't, you are not gonna like the consequences.

-However, unlike Jesus, the emperor & his officials were capable of being temperamental, flawed, or an outright asshole, divine or not. Ideally, they wouldn't be, and if you were one of the "serious" believers——people who actually got an official permit, became ordained clergy, and went to live in a temple, you were unlikely to think of your gods in that manner.

-But it wasn't a complete, utter impossibility. The lower you go in the pantheon, the closer you get to popular religion, the less "serious" the gods and their worship become. By that, I mean general attitude, not sincerity of faith. You still shouldn't be rude to them, but, well, they are more likely to take a joke in stride, or participate in the "vulgar" pleasures of commoners because they weren't as bound to Confucian moral standards or religious disciplines.

-To stretch the same analogy further: you should still respect your village head, they could still give your ass a good spanking for being a disrespectful brat, but you were not obligated to get on your knees and kowtow to them like you would do in front of a provincial magistrate, the emperor's minister, or the emperor himself, nor did they have the power to chop your head off just because you were rude.

-On the other hand, the emperor would never visit a random peasant just to help them fix their broken plow or treat them to a nice meal, but your village head could, and your relationship would probably be warmer and a lot more personal as a result.

-Your respect for them was more likely to stem from the things they actually did for you and the village as a whole, instead of something owed to this distant, powerful authority you might never get to see in your lifetime, but could change its course with a single stroke of a brush.

-Now exchange "village head" for your run-of-the-mill Tudis and Chenghuangs and friendly neighborhood spirits (because yes, people worshipped yaoguais for the exact same reasons), emperor + his officials for the Celestial Bureaucracy, and you'd have a basic idea of how Chinese religions worked on the ground level.

-This is far from absolute: maybe your village head was a spiteful old bastard who loved bullying his juniors, maybe your regional magistrate was an honest, upright man who could enjoy a good drink and a good laugh, maybe the emperor was a lenient one and wouldn't chop your head off for petty offenses. But their general degree of power over you and the closeness of your relationships still apply.

-Complicating the matter further, some folk gods (like Wutong) were worshipped not because they brought blessings, but because they were the divine equivalent of gangsters running a protection racket: you basically bribed them with offerings so they'd leave you alone and not wreck your shit. Famous people who died violently and were posthumously deified often fell into this category——shockingly enough, Guan Yu used to be one such god!

-Yeah, kinda like how your average guy could become an official through the imperial examinations, so could humans become gods through posthumous worship, or cultivate themselves into immortals and Enlightened beings.

-Some immortals aren't qualified for, or interested in a position in the Celestial Bureaucracy——they are the equivalent of your hermits, your cloistered Daoist priests, your common literati who kept trying and failing the exams. But some do get a job offer and gladly take it.

-Anyways, back to my original point: that's why it's so absurd when people pull the "Respect Chinese Religion1!!1!" card and immediately follow up with "Would you do X to Jesus?"

-Um, there are a lot of things you can do with Chinese gods that I'm pretty sure you can't do with Jesus. Like worshipping him side by side with Buddha and Confucius (Lao Tzu). Or inviting him to possess you and drink copious amount of alcohol (Tang-ki mediums in SEA). Or genderbend him into a woman over the course of several centuries because folks just like that version of Jesus better (Guan Yin/Avalokitesvara).

-But most importantly, Chinese religions are kinda a "free market" where you could pick and choose between gods, based on their vicinity to you and how efficient they were at answering prayers. You respect them because they'll help you out, you aren't an asshole and know your manners, and pissing them off is a bad idea in general, not because they are some omnipotent, perfect beings who demand exclusive and total reverence.

-A lot of the worship was also, well, very "practical" and almost transactional in nature: leave offerings to Great Immortal Hu, and he doesn't steal your imperial seal while you aren't looking. Perform the rites right and meditate on a Thunder General's visage, and you can temporarily channel said deity's power. Get this talisman for your kids at Bixia Yuanjun's temple, and they'll be protected from smallpox.

-"Faith alone" or "Scripture alone" is seldom the reason people worship popular deities. Even the obsession with afterlife wasn't about the eternal destination of your soul, and more about reducing the potential duration of the prison sentence for you and your loved ones so you can move on faster and reincarnate into a better life.

-Also, there isn't a single "canon" of scriptures. Many popular gods don't show up in Daoist literature until much later. Daoist scriptures often came up with their own gigantic pantheons, full of gods no one had heard of prior to said book, or enjoyed no worship in temples whatsoever.

-In the same way famous dead people could become gods via worship, famous fictional characters could, too, become gods of folk religion——FSYY's pantheon was very influential on popular worship, but that doesn't mean you should take the novels as actual scriptures.

-Like, God-Demon novels are to orthodox Daoism/Buddhism what the Divine Comedy is to medieval Christian doctrines, except no priests had actually built a Church of Saint Beatrice, while Daoists did put FSYY characters into their temples. By their very nature, the worship that stemmed from these books is not on the same level of "seriousness" as, say, the Tiantai school of Buddhism and their veneration of the Lotus Sutra.

-At the risk of being guilty of the same insertion of Christianity where it doesn't belong: You don't cite Dante's Inferno in a theological debate, nor would any self-respecting pastor preach it to churchgoers on a Sunday.

-Similarly, you don't use JTTW or FSYY as your sole evidence for why something is "disrespectful to Chinese religion/tradition" when many practitioners of said religions won't treat them as anything more than fantasy novels.

-In fact, let's use Tripitaka as an example. The historical Xuanzang was an extraordinarily talented, faithful, and determined monk. In JTTW, he was a caricature of a Confucian scholar in a Buddhist kasaya and served the same narrative function as Princess Peach in a Mario game.

-Does the presence of satire alone make JTTW anti-Buddhist, or its religious allegories less poignant? I'd say no. Should you take it as seriously as actual Buddhist sutras, when the book didn't even take itself 100% seriously? Also no.

-To expand further on the idea of "seriousness": even outside of vernacular novels, practitioners are not beholden to a universal set of strict religious laws and taboos.

-Both Daoism and Buddhism had what we called "cloistered" and "non-cloistered" adherents; only the former needed to follow their religious laws and (usually) took a vow of celibacy.

-Certain paths of Daoist cultivation allow for alcohol and sexual activities (thanks @ruibaozha for the info), and some immortals, like Lv Dongbin, had a well-established "playboy" reputation in folklore.

-Though it was rarer for Buddhism and very misunderstood, esoteric variants of it did utilize sexual imageries and sex. And, again, most of the above would not apply if you weren't among the cloistered and ordained clergy.

-Furthermore, not even the worship of gods is mandatory! You could just be a Daoist who was really into internal alchemy, cultivating your body and mind in order to prolong your lifespan and, ideally, attain immortality.

-This idea of "respect" as…for a lack of better words, No Fun & R18 Stuff Allowed, you must treat all divinity with fearful reverence and put yourself completely at their mercy, is NOT the norm in Chinese religious traditions.

-There are different degrees and types of respect, and not every god is supposed to be treated like the Supreme Heavenly Emperor himself during an imperial ceremony; the gods are capable of cracking a joke, and so are we!

TL;DR: Religions are complicated, and you aren't respecting Chinese religions by acting like a stereotypical Puritan over popular Chinese deities and their fictional portrayals.

[cho-aaacho]

Jealousy isn't really your style, is it?

Masterlist

Characters : Gojo Satoru, Geto Suguru, Nanami Kento, Fushiguro Megumi, and Choso.

Gojo Satoru

He becomes increasingly silent—too silent until you can't detect his emotion. His appetite vanished as waves of jealousy showered on his mind. You don't even notice that at first, thinking he might be tired from work.

However, as the sun goes down to the horizon and is replaced by the moonlight, his smile fades whenever your eyes meet his. He refrains from calling you endearing nicknames, skips the usual sensual morning kiss, and avoids his favorite cookies. When you suggest playing video games, Gojo simply groans and leaves you alone.

What's happening to him? Did you hurt your sweetheart? No. Until the sky falls, you don't have a heart to hurt your sweetheart.

You can't let the stillness linger; you can't leave everything unresolved. It's so hurtful, to be honest. Why would Gojo be so selfish like this? You need to find out what's going on with your little sweetheart.

That night, Gojo stood in his favorite spot within the apartment, drowning in the beautiful goldfish in the aquarium. Golden and yellow, reflected in his eyes like sunflower petals.

He gently tapped his finger on the aquarium's glass, making the whole atmosphere feel so cold. Gojo seemed unusually relaxed, in contrast to the person he once was. 

"I know I might come off as a boring and annoying man. People often say that, and I usually don't care about it at all because I understand it's not important. But when it comes from you—please... I don't want to hear that."

You do not quite understand what he means, but Gojo appears deeply hurt. His azure eyes, his words, his breath, the cologne he uses this time, the way he gazes at you—something feels off and unplaced.

This is the first time you've seen him so blue and so pained that the warmth in his lovely presence is almost undetectable. Everything is gone.

"Hey, I'm not sure if you've noticed, but it hurts me when you smile at other guys. I want you to be mine, and only mine, and no one else. Please don't do that again, because you're irreplaceable. If I lose you, I can't find another like you."

Geto Suguru 

At first, he doesn't show his jealousy because Geto is the sweetest.

However, there comes a moment when he becomes more affectionate—increased physical touch, frequent kisses, hugs, showering you with praise, texting you almost every hour.

And when he does these things, he always leaves a sarcastic comment like, "I'm a better man, aren't I?" or "Can you see how much I care about you more than anyone else?"

and "I hope you're not blind enough to understand my affection."

also "I know you're not stupid enough to leave me alone. Because I hate being a loner."

It's somewhat annoying because Geto rarely behaves like this. It's simply... so strange, leaving you confused about whether it's a prank by the twins, if something horrible has hit him, or maybe he is too much into reading a weird romantic novel.

That morning, when you are sleeping on his lap, feeling his love, warmth, and kindness, he delicately traces his fingertips across your cheeks, down to your jawline, then meanders to your nose, pinching it gently, leaving a small chuckle before circling back to playfully tease the contour of your lips.

He leaned closer, sealing a gentle kiss on the nose tip and moving before grazing your lips with a small nibble. "Did Satoru ever kiss you like this? I doubt he has done this to you."

Your eyes fluttered open, confusion etching your expression. "What do you mean, Suguru-kun?"

He sighed. "Don't think I haven't noticed, cutie. I may not match Satoru's strength, but I'm not stupid. What were you up to with him last week? You seemed quite charmed with him, didn't you?"

He added. "Should I end both of you, so he can't have you and you can't have him? But I lack the heart to harm you, sweet love. Stop talking with that man. Because I hate sharing my love with someone else."

Nanami Kento

A tough man, he doesn't even realize if jealousy is starting to invade him; perhaps you might label it as denial. 

He puts on a facade that everything is fine, brushing off any concerns by assuming them to be mere imagination or work-induced stress.

No, you didn't cheat or talk with another man. You're always a nice woman to Nanami Kento, and of course, never in your wildest dreams will you hurt your man. 

However, a weird sensation starts to trouble him the next day when his coworkers engage in silly gossip about him and you. 

Whispers float behind him, dripping with a sarcastic tone like, "How could a good woman like her date someone like Nanami-san? He's so boring."

and someone chimes in. "Yeah, I heard she dumped Gojo-san and went with him; why does she think like that?"

From that moment onward, everything feels upside down.

Each day, each time, every time he sees your face, catches your gaze, and hears your voice echoing in his ears, all of these hurt him. 

He feels like he doesn't deserve you and thinks that perhaps you can find another guy, someone special, someplace that would make you safe and happy, someone who could make you feel at home whenever you run to them. 

And that man is not me.

"I realize I might not be as caring as other men, or perhaps I come off as too boring for someone like you. Honestly, I don't wish for your kindness to be shared with anyone else—even a fleeting smile from you stirs a deep ache within me. Maybe it's an obsession, but if you allow me to share my jealousy, I don't want you to meet that guy, Gojo Satoru. For heaven's sake, I fear losing all control and ending up hurting you. I love you." 

Fushiguro Megumi

Honestly, his anger management is the worst. There are scenes when he appears calm, collected, and cute, but, again, it's merely a facade he is creating, especially in your presence. 

When the flames of jealousy shower on Megumi, flirting with his life, everything transforms into a hellish field.

He loses his temper and becomes easily offended whenever Yuuji attempts to engage in conversation with him, roasting everyone in sight. The situation continues until Maki beats him and tells him how annoying he is.

He has a terrible urge to throw punches at everyone, driven by the need to tell them that you belong to him. He needs to make it clear that you're already committed to someone else and that your heart is sealed with Fushiguro Megumi. Only with that man and no one else.

His intention is not just to show his obsession but also to dissuade others from bothering both of you. He longs to compel them to kneel, satisfying his fleeting sense of pride.

It's pretty hilarious because whenever Gojo catches wind of it, he bursts into laughter and playfully teases Megumi all day. Well, it's natural for anyone to have jealousy within them, but... doesn't Megumi take it a bit too far?

You've observed this pattern and tried to convince your dear boyfriend that everything around him is just his imagination. He shouldn't be worrying, and he just hurts himself by treating people like that.

Yet, Megumi is Megumi.

"I don't think I'm overreacting to this. When I'm upset, I express it openly. It's frustrating when people assume I'm obsessed with you—I'm not. I just don't want you to get involved with someone who isn't worth it for you. I fear you'll end up hurt. You can choose me; I can prove not only to you but to everyone that I am the one who truly deserves you."

Choso

Choso isn't typically the jealous type, but when he notices a certain closeness between you and his brothers, everything changes. 

He genuinely cares for his brothers, going to great lengths to ensure their happiness and love. He values the bond you share with his brothers and cherishes the love and affection you have for each other.

However...

It's hard for him to put it into words. Everything is stuck in his throat and sealed inside his head. 

Every time he sees you with his brothers blossoming an indescribable feeling within him, it's a burning sensation that's hard to bear. The flame is starting to burn him alive.

The way you share meals with them or laugh at their jokes—all of these irritate him to the point that they make his heart beat so fast. Choso is aware that these emotions are too complicated; he can't hate his brothers, but the heart has a way of contradicting logic. 

How could God put love in his heart?

He fondly recalls the first snow you experienced together, the gentle embrace of summer against his skin, and the golden glow of spring's sun. 

But he still wonders when he falls in love with you. Maybe since the first time he met you? Or else?

"I find immense joy in sharing my time and days with you. My brothers seem to love you as well. Everything about you is beautiful, and I cherish the moments we share. I fear losing you and our precious time; that's why I act this way when you're with them. I want to be the one you choose."

[thatdeadaquarius]

About your language brainrot. I see your "Reader's writing can't match tyvat's long and flowery writing" and bring you "Tyvat isn't used to books over 50 pages long so a short story to the Reader is a whole dictionary to tyvat readers".

Seriously, have you seen how thin the books are? They don't wrote novels, they write short chapters formatted in the way really old stories are. As in, summarizing all the events down into one smooth story then adding a few quotes. Fanfiction writers are insane. They will willingly sit down and write hundreds of words at a time. To them, a proper modern day story of maybe, oh 10k words or so, would probably be like the Oddessy itself.

If we were to combine the two headcanons. It would end up as many historians being intimidated by this insanely long written scripture in the language of the forgotten.

I'm going to take this a step further and say that if the creator asked some people to proofread their things, it would establish a hiarchy of who is able to actually finish the book the creator read and who isn't.

NOW THIS, THIS IS MY FUCKING JAMMMM

I'm so sorry this is so old!! u probably all know this by this point that I've really slowed down as the year has gone on, but I graduated university and then got my first job so its been pretty crazy!

Sun: Reader (you/they/them)

Orbit: Headcanons-ish

Stars: dash of all the book/nerds of Genshin, heavy on Sumeru?

Comets & Meteors: Content Warnings: Cussing, 16+ Mature Audiences, Spoliers for Sumeru Archon Quests/Scaramouche, & Trigger Warnings: mention of shipping/characters shipping themselves with you.

Comment if any missed, please.

☆

FULL STOP.

THE AKADEMIYA, FONTAINE RESEARCH INSTITUTE, HAVE BEEN WAITTTINNGGGG ON YOUR ASS LMAO

You fall from the fucking sky like a 5 star, or pop out of the Irminsul or whatever

and immediately are mobbed by scholars. LMAO jkjk (not really, bc that's what it’d feel like)

can you even imagine the dread older stories(”the classics” to them), that was instilled in the poor students around Teyvat??

id like to think ur works are the most preserved over the thousands of years of Teyvat archeologists excavating them, in comparison to other authors (teyvat just likes you more, suck it William Shakespeare)

also, bc I cant resist language differences/world building I'm sorryyyy 😭 😭

the vocab of Genshin lang vs. ours, has significantly less vocabulary like their actual dictionary is 1/3 the size of ours type of energy

(Omfg all ur fanfics being considered like insanely long realistic romantic classics or tragedies like Jane Austen-level, and only the richest and biggest play companies put on plays about ur stories bc the script goes on for hours)

(ur plays only get put on for rlly big events bc of this, like Lantern Rite or like a Summer/Winter festival/your birthday, which is, yes, an international holiday)

dude the sheer power move of anything you’ve written being essentially “Journey of the West” to them, like Damnnn.

endless like adaptations, plays, Teyvat-short stories condensing it, (THEIR OWN FANFICTION ABOUT UR STORIES)

the power is, in fact, going to your head every time another scholar both deflates at how long ur stuff is, but also lights up bc they get to read it

speaking of scholars… you know who snatched you up first. you know. you don’t even need to read the next line.

Alhaitham.

sneaky bastard he is, absolutely manipulated, mansplained (and manwhored bc he knows he’s handsome, cheeky little shit) his way into getting you to sit down with him and interview you about both translating other classics, your own, giving your own analysis of others works and ur own, and picking ur brain apart of how/why you wrote urs, etc. its fucking endless,

Kaveh had to come rescue you bc u were starving to death after getting stuck with the Haravatat scholar in his office for nearly 7 hours of interrogation discussion about literature

and Alhaitham wasn't even nearly done, he’d informed you as you left that he already had another appointment for later conversation scheduled (how?? you don't even know ur own schedule??? you have a schedule???) and was looking forward to more of your “creative and enlightening input” :)))

(you’re never going to escape him, not even Nahida herself can save you from his stubborn ass)

On another note, Xingqiu is quaking when you agree to autograph his copy of your stories (of which he has all hard covers of the first edition translations)

Zhongli/Rex Lapis is known for having a near-lifelong passion for searching for your works specifically, and learning how to translate them better into Teyvatian vernacular

like the same way he can absolutely speak on Rex Lapis facts/rocks/adepti info, is the same confidence he speaks about knowing ur work lol

(yes he did also ask for several autographs and another sit-down talk about the works, tho a lot more sneaky then Alhaitham bc he just casually gets u guys into it during dinner)

Barbatos/Venti has written some of the most famous songs based on your stuff, he has his favorites too,

but he always claims the best songs are any that have been written in the story, like either when a character sings something, or there are like quotes from songs ur fanfics are based on lol

(he also demanded to hear what they actually sound like from you, yes, you have to sing them for him lol)

Venti also can surprisingly drunkenly ramble the entirety of at least one of ur stories, like, word for word lmao

(Diluc gave in and did give him a drink on the house for that one, just once, Venti doesn’t remember it lol)

(I forgot to mention, u guys still speak the same language, just like, different versions of it)

ur works being one of the few things all the Archons can freely talk about with each other, like it’s neutral ground bc they’re all fangirling about it lmao

Furina and Neuvillette have had like,, fierce debates over the decades about character dynamics and the general drama of ur stories, they’ve gotten into it enough they’ve stopped talking to each other for a couple days a few times lol

Albedo, Sucrose, Kokomi, Yae Miko, Ei, Raiden, have read every single work they’re gotten their hands on in Teyvat (it took them like a literal year or longer)

Albedo drew you fanart for every single story, bc he’s hyperfixated on everything related to you ngl,

Kokomi had commissioned smaller pocket versions of ur works (which later got popular thanks to Yae Miko) both the OG and the Teyvat shortened versions

THE HARBINGERS ARE THE MOST DOWN BAD LMAO

Childe has literally tried to recreate battle scenes from ur works lmao

and gets especially riled up about fighting someone who resembles any characters from them (esp villains, what a cutie)

You cannot fathom the amount of research throughout Teyvat that has been secretly or indirectly funded by Pantalone/Tsaritsa

from the experts to analyze them, to funding play companies to act them out, to actually excavating places to get more of ur stuff unearthed

(the Harbingers absolutely are the first group of people that got to read several of ur stories first bc of this, like the world’s most exclusive secret book club lol)

Scaramouche used to clown on Childe all the time about how he was too impatient to even “sit down and read the King’s classics”, and he was downright insufferable when he found out about Tartaglia’s habit of recreating battle scenes/that being what motivated him to fight sometimes lol

that being said, Wanderer surprisingly never forgot ur stories.

Even when his memories were wiped for a bit, he found comfort in these fantastical epics still sticking around, even when his old names did not

(he mayyyy or mayyy nottt have secretly namedhimselfafteroneofthetragicprotagonistsherelatesto- )

oh btw, Nahida also found joy and comfort in ur stories when she was trapped, they also helped her literally grow as a person bc she had ur stories to help her sort of process the world/what life was like outside of her dreaming prison 🥺💔❤️‍🩹

◇

OMFG

ANYWAY FULL TONE SHIFT LMFAO-

the ABSOLUTE SPIRAL-RED-STRING-CONSPIRACY-THEORY-BOARD ENERGY IF THIS WAS A BLUNT LANGUAGE AU LMAOOOO

like specifically how Teyvatians like to give all the context ever thru their words, but older deities/beings like you just do simple phrases that can have deeper meanings (whereas teyvat just explains all the meanings behind their words)

STOP there’s like an official display at the Akademiya and Fontaine Institute of red string theory boards 😭😭 (look what you’ve done to themmm LMAO)

for like every story of urs, INCLUDING THE FANFICS STOP

IMAGINE THE SHIPPING WARS IF U EVER WROTE ONE THAT WASNT EXPLICIT OR LIKE ONE OF THE MAIN ROMANTIC INTERESTS HAD CHEMISTRY WITH OTHER CHARACTERS HAHAHAHAA

that's actually what Akademiya scholars argue about the most viciously, it’s like politics you can’t just bring up ships from ur stories casually in regular convos 💀

(poor Cyno has to deal with a shipping war once a year bc someone always makes the mistake of reading ur work for the first time (without being told to not talk to others abt ships lol) and it starts an all out brawl in the cafeteria every time LMAO)

Also yes.

Cyno is a fanboy.

(he has read Creator x Reader-insert fanfiction.)

(As have most of the characters mentioned, and those not lol)

…

(I'm gonna make a whole Creator x reader fanfic post one day i stg lmao)

☆

an iced coffee? for me?? :0

ok but real talk…

wtf do you guys wanna see for new years!!

i didn't do a inktober/october days thingy bc i felt too unprepared (and bc id wanted to post that 1000+ followers eldritch au for Halloween)

but now i kinda wanna, at least for a few days :o

ill post a poll in a minute, so check it out!! but still, please feel free to comment some ideas here! :)

Safe Travels Deafening Dreamer,

💀♒

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(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

♡the beloveds♡

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