#i'm using characters from my other novel

[raiiny-bay]

working on an edit that is not kelly-related for once

[illarian-rambling]

Damn, what if I reworked Starbreaker to be exclusively in Anarac's pov instead of trying to balance 5 new povs in one book?

Thoughts?

[mars-graveyard]

i know there was a poll for this a while ago (that i accidentally voted for behemo on because my phone hates me) but i think allen and nemesis should be the unofficial main characters of evillious

[kaurwreck]

I love preordering books because I forget about them until they arrive and once they arrive, I'm all at once surprised, charmed by my own forethought, and as excited as when I first noticed them enough to preorder them.

(Today's title: Beauty Matters: Modern Japanese Literature and the Question of Aesthetics (1890-1930) by Anri Yasuda, the chapters of which include (i) Natsume Soseki's Quest for "A Feeling of Beauty," (ii) Mori Ogai and the "Inner Flame" of Beauty, and (iii) Akutagawa Ryunosuke's Literary Anxietieis and the "Power to Remake.")

[yardsards]

huh. in most of the groups i've played in, there's just as much (if not more) rules-bending and dicking around as taz balance.

i would blame it on the fact that a lot of the friends i play with are *also* taz fans but... the worst offenders are actually the players in my irl group who have never listened to a single episode of taz

The opposite of the Mercer Effect (where people listen to critical role and have unrealistically high expectations for the immersiveness of a campaign and expect Matt Mercer's energy and skill) is what I experienced, the Mcelroy effect, where you listen to TAZ and expect there to be way less rules and a lot more fucking around

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[suiana]

yandere! golden boy who is your loving boyfriend and... surprisingly loves listening to you talk about your interests! yes darling, talk about your games and novels and silly plushies! he loves seeing how interested you can get about things you're passionate about and it just makes him feel so warm on the inside.

you might even go as far to say he ENCOURAGES your interests. buying you plushies, taking you to exhibitions/places you want... you don't even have to ask, just one look with your eyes and he's taking out his card. yeah, it doesn't matter if you have an unhealthy attachment to that fat cat pusheen or whatever. you seem to really like it so he's buying that 400 dollar plushie for you.

on the same note... he can't help but get jealous when you're gushing over attractive fictional characters. SPECIFICALLY that ONE dude that you seem to have EVERYWHERE. on the wall, on your phone cover, lock screen, profile picture, fuck, even on your bed as a plushie! and all he gets is a meager nickname on his contact?!

"sweetie, must you... really have all these... THINGs of HIM?"

"he's my first husband, you're my second. of course i have merch of him. plus I'm not gonna just throw all these away, i spent big money on these ya know 💀"

he knows it's petty! he knows that it's just a fictional character and that he shouldn't be jealous but dude! you don't even have him in your wallet! it's that freaking guy!

so he does what evey sane boyfriend does and replaces some (not all just some!) of your merchandise with pictures of him and you. how adorable, right?

no.

"bro where is the portrait of my MAN🤬🤬🤬"

"i replaced it with a nice picture of us together darling☺️ look at how cute-"

oh. and you...you just put another photo of that guy again... oh... and you're ranting on reddit/instagram about how he's being mean... you also removed him from your close friends list... oh you... you also decided to kick him off the bed and onto the sofa... oh...

well no biggie! he has lots of patience and he will sneak in his presence into your stuff. he's determined.

"best friend I'm going to need you to cosplay as my favorite character please ☺️"

damn!

why didn't he think of that sooner? if you can't win the normal way, you should do it another way, right? he can just get you to see how much better he is and you'll eventually replace that fictional man for HIM!

...

yeah, that didn't work out as planned. now you're even more in love with that character and you're asking him to cosplay every other day. erm... at least.. your wallpaper is a picture of him cosplaying the character??? he'll take what he can get.

"lol best friend, did you see that video i sent you. it's so stupid."

"for the last time, sweetie. we're dating, call me boyfriend. and which one? I can't watch every single one of the 99+ reels you send me."

"a real best friend would watch them all..."

being with you has singlehandedly changed this man. for the worse or for the better, he doesn't know. but what he does know is that you DON'T know how to dress.

"sweetie, no. you can't just go out in a shirt and shorts! you look like adam sandler!"

"clothes are clothes 🤬"

at least he has a fun time dressing you up. you're like, his cute little rat! his very own personal dress up rat! oh how he wants to just keep you in his pocket and pick out pretty clothes for you, making you look like the cutest thing ever! sure you might take them off and just wear what you want but... at least he's got the photos and the sight of you in a pretty outfit ingrained into the folds of his brain already ☺️ and he'll take every chance he can get to put you into another pretty outfit again. that i assure you.

he... has ALSO found out that you are living on instant noodles, sandwiches, and the occasional takeout. you don't even open the curtains! how can you see in such a dark home? and why are you sleeping until midday?! dear oh dear. you really are a rat, huh?

"darling get up! it's 12 in the afternoon already!"

"i slept at 3 just let me sleep more..."

that simply won't do. he will not be allowing you to lead such a horrid lifestyle! not if he can help it! especially because... well, he's also your boss. from part 1, remember! yeah, you guys didn't break up at the end haha! you were just joking, obviously! not like you'll ever be able to break up. it's in the contract, silly.

"come on, get up. you need to have a healthy lifestyle. I've already gotten my personal chef to cook up a healthy meal for you."

"who's gonna stop me from living like this? you? 😂😂😂"

"yes, me. in our contract, remember? i will be responsible for your health from now till we die."

don't worry. he'll be by your side every step of the way. and hey, who knows? maybe you can even teach him a thing or two about gaming or something else you like! he's open to learning about the things you like.

and he won't even have to worry about you finding another REAL person to like because... well, let's just say you don't even like going out for dinner. we'll keep it at that ☺️

[iniquitousyearning]

SLYTHERINSLUT0’S RIDDLEMAS

dec 10th. tom riddle — oral sex, experienced!tom.

RIDDLEMAS MASTERLIST. I 2024

summary: your ex couldn’t make you orgasm, so you were certain you were broken. tom shows you just how wrong you are.

warnings: 18+, SMUTTT MDNI, tom riddle can eat me aliv—sorry who tf said that?, tom riddle is such a realist; he sees a problem and he finds a solution, tom is a munch, praise kink, oral f!receiving, experienced tom, hufflepuff!reader.

Months pass, and your project remains the only thing Tom ever prioritizes when it's you asking.

Progress is slow—slow because you're usually far too busy talking to actually focus—yet, he always stays. He listens, even when the things you say should bore him, even when they mean nothing at all. He sits there—giving you hardly the barest scraps of himself in return as you fill the space between you with everything that crosses your mind.

Things he'd never waste a second hearing from anyone else.

And tonight, to no-one's surprise, you're doing it again—rambling on about nothing and everything all at once. You've got this way of talking—weaving tangents into something almost poetic, and usually, he lets it fade into the background as he works. You're saying something about the differences between the seasons, or maybe it's just some other kind of sentimental nonsense—at this point, he's not entirely sure.

It's easy to tune out. He tells himself he's not really listening.

Until—

"Actually, I guess I should clarify that—it's all hypothetical. I don't date," he doesn't know what you said before this, but he's certainly intrigued by it now. "And really, it has nothing to do with like, self esteem or anything, I'm just broken. Best to save someone the trouble."

That stops him cold. It's not so much the declaration that you don't date—he could have guessed that himself—but more so the way you've just called yourself broken.

It's not a word he's ever heard you use before.

"What do you mean, broken?" He asks, the question coming out far more blunt than he probably intended.

It just seems so out of character for you—you've always been an optimist, far too annoyingly positive to speak of anything this way. He blinks when you freeze, and blinks again when a moment of self consciousness seems to pass over your face—and he notes how that's a first for you, too.

"Broken...as in, uh, not normal," your eyes flit down to your lap, tracing the wood beneath where you're seated on the floor in his dorm. "My ex made that very clear in his assessment of me."

The mention of an ex is something he'd been anticipating—you're in your twenties, after all—but it's the idea that your ex is the source of you calling yourself broken, that he can't quite swallow.

"You're 'broken' because of one ex?" He says, and he can't stop how derisive and skeptical his voice sounds. He doesn't care to try. "I'm not following."

"I'm what you'd call, damaged goods, I think," you murmur, and there's an almost self-deprecating smirk on your face. He can't help but think how he's never seen that look on you, either. "I've got a slew of unhealthy baggage that comes along with me. You know, childhood traumas, abandonment issues, daddy issues—"

He snorts at that—daddy issues—and your head snaps up, smirk deepening despite yourself.

"Don't snort at my daddy issues," you huff, and there's a familiar annoyance in your voice that puts him at ease. "They're valid and real."

"I'm not denying their validity," he counters, his own smirk beginning to surface. "But daddy issues? Come on. You're not some tired cliché ripped out of a teenage romance novel. I refuse to accept your declaration of brokenness until you give me factual reasoning."

You laugh at that—alive and genuine—and for a moment, he's reminded of why he even tolerates you in his space at all.

"Fine," you cross your arms over your chest. "What do you want to know then?"

He makes a low, contemplative sound at that—because there's a million questions that come to mind with the words damaged goods—and after a moment, he settles on the one that falls out first.

"What is it, precisely, that makes you broken?"

You sigh, a bit theatrically—he knows you're just putting on a show and he wants to laugh at you for it—but he reigns that in, for now, while you figure out how you're going to respond to that.

The truth is, you don't know how to tell him the real reason you're broken—the part that has nothing to do with the laundry list of emotional baggage you could rattle off with ease. It's something...different.

Something more physical.

"I don't know, okay?" You're getting defensive. You're not sure why but you are. "Just—forget I said anything. We have this assignment to—"

"You dodging the question tells me it's more than just psychological," he cuts you off, leaning back into the couch. The way he's looking at you makes it clear—there's no way he's letting this go. "You getting defensive tells me you're embarrassed by it."

You sigh again, leaning back on your palms to mirror his body language, though it doesn't feel half as natural on you as it does on him.

"And you, being an insufferable arse, is telling me I never should have mentioned it in the first place."

His smirk at that makes you want to glare at him.

"Stop dodging," he says. "You brought it up. You don't get to take it back."

It's a challenge—the gleam in his eyes is practically screaming so. You're not sure why the sight of it makes something low in your stomach clench, and you're even less sure of why you want to tell him something like this—something you haven't told anyone else—not friends, certainly not family.

Whatever the reasoning, you can feel yourself relent.

"Maybe," you pause, the look on his face makes you second guess yourself. "...maybe I don't want to tell you because I'm afraid you'll look at me differently." You glance down at your lap, fingers twitching against the yellow pleats of your skirt before finally meeting his eyes again. "And I kind of like the way you look at me now."

Something like curiosity passes over his expression at that—but it's quickly hidden by the type of skepticism that tells you he still doesn't believe you're being serious.

"You're overthinking it," he replies, unmoving. "Whatever it is you think you're going to tell me, I'm not going to look at you differently. You're still you—no filter, unabashedly verbal—"

"Too verbal. Too positive, too loud," you finish his sentence for him—because you know that's how he thinks of you. "Too annoyingly optimistic. Far too hufflepuff for your cold snake skin. I know."

"Exactly," he says, tongue running over his bottom lip in attempt to quell his smirk. "So I reiterate. There's nothing you could tell me that would change that."

"Fine," you relent, giving in begrudgingly because you know there's no other option. "But don't say I didn't warn you."

He just lifts a hand at that, as if to say; whatever you think it is, I can handle it. The action makes you suck a breath into your lungs, trapping it there.

"You're right," you say after a long exhale. "I have a slew of psychological bullshit that would take the span of a year for me to fully go over in one sitting—but, I'm fine with it. That's...that's not the thing that made me call myself broken."

He says nothing, just makes a motion with his eyes for you to keep going.

"It's, uhm...physical." You whisper, and your brain is moving too much and too fast and you're not even completely sure how to say it without sounding insane. "And...I don't know, I just...I can't orgasm. No matter what. I just can't—it's frustrating and embarrassing and it's the reason my ex ended things."

There's a silence that follows, and he knows if it were anyone else, they'd probably find a way to comfort you. Reassure you. Tom, however, isn't anyone else—

"You're joking," he says, and his tone is incredulous again.

A self-depreciating laugh leaves your lips involuntarily, the sound of it making you almost want to cringe.

"Would it be less embarrassing if I was?"

He's still just watching you, dissecting your words as if waiting for you to crack a smile and confess this was all some stupid joke—and the vulnerability of it aches like a stab to the gut.

"This is the reason you think you're broken?" Is what he goes with when he finally realizes you're being serious. "Because you haven’t orgasmed?"

The bluntness of it makes you flush, makes you wish you could sink into the floor. "I know it's not normal, okay—"

"It's not an abnormality, either," he asserts, with casualty. "You might just have a disconnect."

You blink, caught off guard—not just by his choice of words, but by how matter-of-fact he sounds, like this isn't the mortifying confession it feels like.

"A disconnect?"

"A disconnect," he repeats, looking you over, something clinical slipping into his eyes. "Between mind and body. And considering how loud your thoughts are—"

"Hey—" you snap, suddenly feeling a bit indignant, but he just continues on.

"—it's not surprising that you can't get out of your own head."

You open your mouth to argue, to tell him he's not a therapist, so what the hell does he know? But the certainty in his expression makes you pause. He doesn't look patronizing or condescending, just...assured. Like he knows exactly what he's talking about.

You hesitate, lips parting, a protest forming on your tongue. Before you can say anything, though, he raises a hand to stop you.

"Come here," he says, standing up from the couch.

You blink, trying to decipher what the hell he's implying—because if anything, the last thing that's going to make you less paranoid about intimacy is proximity.

"What?"

He just looks at you, making a motion with two fingers, beckoning you to stand.

"Don't ask questions. Just come here."

It's an order, and it makes your spine tingle in a way that's definitely not comfortable—but you get up from the floor, and move closer to him anyway, closing the distance between you with only a few steps until you're close enough to him that you can practically feel the heat that seems to come off him in waves.

It's weird—he's suddenly too much all at once—you're so much more aware of him being in front of you than you think you've ever been before and it does not help that he's just looking at you—as if studying you—blinking only once as he raises those same two fingers to your neck, resting them against the pulse point at your throat.

Your entire body tenses. His touch is far more gentle than you ever imagined it being, something disarming that makes your pulse beat faster against his fingers as a result—and because this is Tom, with all his smug and certainty—he gives you a look that tells you he can feel it before he slides his fingers up to rest on your forehead.

You scowl at the motion, but he clicks his tongue, the sound as condescending as it is amused.

"I told you, you're an overthinker." He murmurs, eyes dipping to your lips. "Too much noise."

You want to refute that—mostly because you're not overthinking, you can't be—he's just so unequivocally overwhelming—

"I'm not—"

You start, but he moves his fingers from your forehead and places them against your lips—

"Quiet." He scolds, and that makes something low in your stomach clench. "Your body knows what to do. You're just letting your thoughts get in the way."

You long to protest again, just for the sake of defiance—but then his fingers are against your collarbone, and that motion in your stomach becomes a bit more of a squirm—

"Your body is trying to tell you something," he whispers, watching each little hitch in your breath. "But you're too busy talking over it to hear what it's saying."

You realize—with a sort of horror that's laced with something a little more uncomfortable—that he's right. Your body is trying to say something. It's communicating through the unsteady force of your breaths, through the clench of your fists against your skirt—

Of course, he notices. He's noticing far too much.

"Relax," he murmurs, and now he's trailing those same two fingers in an unhurried path down your shoulder. You suddenly regret every decision that led to you wearing a T-shirt. "I'm not going to bite you."

Something about the way he says it makes you wish he wasn't quite so convincing—the familiar banter you long for gone with the sharp exhale that comes out of your mouth as his fingers encircle your wrist—

"Your pulse is racing," he says casually, far too casually for how much effort it's taking you not to scream. "Does that seem broken to you?"

Gods—you want to respond—you really, really do— but your thoughts flatline when you realize his touch has shifted. He's no longer just holding your wrist; he's guiding your hands to rest against his chest, and—

"There you go," he whispers, and the tone of it tells you he knows exactly what it is he's doing to you. "See? Your body's doing exactly what it's meant to do. You—" his fingers trail up your arms, and his voice gets lower. "—are not broken."

You swallow hard, acutely aware of your hands on his chest and the way your palms are clammy against the fabric of his shirt. He's shifting you now, deliberately crowding you, and it's only when you feel the edge of the couch press against the back of your calves that you realize—perhaps a second too late—exactly what it is he's doing.

You stumble back onto the leather, and he follows—crushing his lips to yours.

You gasp, startled, because despite everything you truly hadn't seen this coming. The kiss is messy, clumsy, and his hand finds the nape of your neck, tugging at your hair with just enough force to make it sting. And inevitably, when you gasp again, he takes it as an invitation to work his tongue into your mouth, other hand slipping under your shirt—trailing up your stomach.

You're trembling now, and he makes a low sound at the realization. Your brain is racing to catch up, and the irony of this isn't lost on you—he'd just claimed you weren't broken, but he might as well be destroying you himself.

He parts from your lips only to trail his own across your jaw—

"You're shaking," he murmurs with a smirk against your throat—as if he's taking immense pleasure in the fact—you hate how smug it makes him sound. "Do you want me to stop?"

You want to tell him he's being a bastard, but then his lips press to that spot on your neck—the one that makes your breath hitch and your pulse stutter—and you find yourself whimpering at the sensation.

"No," you breathe, and you'd be embarrassed by the pleading tone in your voice if you weren't so lost in the moment. "Don't stop."

He makes another low, satisfied noise at that.

"Good," he whispers. "No thinking. Just feel."

You swallow—throat dry. It's unfair how easily he's dismantling you with nothing but his mouth and hands. Unfair how he's leaving you breathless and unraveling while somehow making you feel seen in a way you can't explain, even with your eyes shut.

"Tom," you find yourself whimpering, and you aren't even sure what you're asking for—you just know you want more as his lips trail lower—as his fingers work to tug down your skirt. "Gods."

"Shh. Feel me," he murmurs, almost possessively, his lips brushing lower, grazing over your stomach, then your pelvis. "Let your body do the talking."

You've got your hands tangled in his hair before you even know what you're doing, and you hate the fact that you're pretty sure you'd melt into a puddle if he weren't holding you together.

"I feel you," you whimper as he kisses lower. "You're all I feel."

He makes another low sound at that, and you just know it's the response of ‘yeah, that’s right’—but then he's between your legs, panties shifted out of the way, and the first sweep of his tongue against your clit makes all coherent thought shift to static.

"Oh! God," you gasp, the word barely escaping before dissolving into a whimper when he does something with his tongue that makes your vision blur. "Tom—oh, fuck."

He just makes that smug, satisfied noise against you again before his tongue swirls over your clit and you find yourself almost cursing whatever deity made him so good at this, because it's not fair how quickly he reduced you to a whimpering, shaking mess beneath him and—

"Don't stop," you find yourself babbling, digging your nails into his scalp and knowing you look like a goddamn wreck as he makes a meal out of you—tongue lapping up your slick and swirling your clit before sealing his lips around it and forcing your back off the leather beneath it. "Please, don't stop, please—"

It's all you can manage to say. Your thighs are shaking now, and you're sure he's got you dripping all over his face with how soaked you are. He knows you're falling apart and he just keeps going— your brain ceasing function in favour of just focusing on how fucking close you are—how close you are to something you've never felt before in your life—and you're not even sure what you're begging for anymore but it's incoherent and loud—

"I need—" you whimper, your hands tightening in his hair, pulling just enough to make him groan against you. You don't know what you're asking for, but you know he has it. "I need—I need—“

"Let go," he murmurs against you, the roughness in it vibrating up into your belly. "I dare you."

There's still a little bit of you functioning on autopilot, just enough to tell you that when he murmurs those words—vibrations rattling up your cunt and into your chest—you're completely done for.

It’s merely a few seconds later that your high reaches its peak and he just keeps lapping as you shake apart beneath him with an intensity you've never felt before in your life—orgasm shredding you apart at the seams. Your thighs clamp around his face, your eyes squeezed shut, ears ringing so loud you barely register his low, muttered praises: "good girl," "so good," "there you go."

You’re fairly positive your legs will never be able to support you again when you finally come back down, feeling entirely like jelly as he pulls back, tongue flicking over his lips to clean off whatever's left of you.

And without thinking, you grab him and pull him up, crashing your lips against his in a messy, desperate kiss. He tastes like you, like him, like something you can't quite describe—and it makes everything feel intense and unbearably real all at once.

He gives you a moment, as if letting you recover, just languidly kissing you back—and you have to be honest with yourself and admit that this kind of makes you want to scream.

"A disconnect," he smirks against your mouth, the tone still smug. You manage a weak smack to his shoulder, though it does nothing to wipe the satisfaction off his face. "Still sure you're broken?"

You hate that he's right. Hate that he's managed to pull a reaction from you that you didn't think was possible. But as you sit there, shaky and spent, you know you can't deny the truth: no, you're not broken.

"Not broken." You whisper back. "You will be though, if you don't stop smirking at me like that."

[thiefking]

☝️🤓 she's a parasitic alien species who can eat anything. the life cycle of their species is to send an egg to a planet, hatch and immediately eat their egg and then any living creature nearby to use it as basically a skinsuit, then continue eating various creatures until they determine the planet's dominant species, at which point they eat an infant/juvenile member and replace them entirely in their family (you know like parasitic birds who lay their eggs in other birds' nests) to be raised as a member of that species and allow it to go undetected as an alien since it's been raised with all the social cues and body language it needs to blend in. the true body of this parasite grows as they eat but they can make themselves into a dense, hypercompact egg-shaped thing and they spend most of their time as a juvenile in this form. they can eat without unfurling too, but it's hard to fight, so the only time you ever see them unfurled is either when they're freshly hatched or when they're in full on attack mode. they are also seemingly completely indestructible when they are compact and STILL extremely hard to kill when they unfurl their bodies since their primary diet is eating rocks, minerals, and metals, and they can reconstitute them to reinforce their shell*. they will eat more and more and more as time goes on and their true body will get bigger and bigger and bigger and eventually when they're big enough they know no one can stop them, they unfurl semipermanently and start eating their very host planet. when they're done and now the size of an entire PLANET, they fly off into space to go find a mate and the cycle begins anew

i wrote too mjch the rest goes under the readmore.

* some theorize that the "shell" is an exoskeleton, and others argue that this is just their skinsuit thing again and it's more like a suit of armor that could theoretically be taken off. there's evidence supporting both viewpoints. since no one knows for sure, they just play it safe and call it a shell— and either way it's still 100% certain that they produce it themselves. it's still unknown what their shells are actually made of, but it's likely that it at least somewhat depends on their diet. they eat their own egg because the eggs have nearly the same strength as their parents' shells and allow for immediate protection. if you manage to find a hatchling perhaps you'd be able to simply stomp on it and kill it...

they are HIGHLY dangerous and because they're also extremely rare, there's very little research on them. no weapon has been seen to penetrate its shell, they're highly heat-resistant, they're seemingly borderline magic-immune (with the one caveat being they are only any good at DEFENSIVE magic, if they even learn magic at all)... it's hypothesized the only way to kill one is by having another member of the species eat it, but that might just make an even bigger problem... they haven't tried everything but there's only so much they CAN try with a species so rare and volatile. so um, generally the protocol if you discover one is to immediately launch it into space. which also doesn't kill it, it just makes it harder for it to get anywhere because they only develop the necessary appendages for space travel when they're planet-eating big. preferably you find them when they're still tiny and weak, because if they are then you have time to experiment and see if you can kill it before you call it a loss and launch that thing into and then out of orbit, but if they're big enough to be a danger to you then you just launch em

the one good thing is that their species prioritizes a BIG planet over a SMART planet, and their intelligence depends heavily on what kinds of brains they've eaten and how they're raised. they're highly adaptable, but only to the point they need to be and no further. if they land on a totally lifeless planet, they just start eating it and don't even bother with a disguise. their species values Bigness more than Intelligence and the parents try and get their eggs to land on big planets to make sure their offspring is gonna be popular. this is a point in favor of the "suit of armor" theory, because if they're perfectly happy on unpopulated planets, that suggests that its imitation/skinsuit behaviour is just the parasite using its armor ability in a different way with a different material. however, they've also been observed seemingly partaking in a molt— this was exactly once, ever, and it's possible that it was simply eating another member of its species that happened to land on the same planet, but it was indeed observed to be hiding away in a cave eating a piece of parasite shell. this is a big point in favour of the exoskeleton theory, as is the insectoid appearance of... Some... of the parasite's body, but "suit of armor" theorists argue that it could just be hermit crab-like behaviour of moving into a bigger shell and eating the old pieces to recycle them into its new shell

the problem is mia did not end up on jupiter like she was supposed to. mia's egg missed it and landed on earth. and now she has human intelligence. and then she got found out by The Magic Government.

this is kind of an ethical conundrum for them because launching the planet-eating worm into space when it is Literally dumb as rocks is a pretty sensible solution when you don't know how to kill it. but THIS one has human intelligence. and it is also rather big already. and it seems like a rather important magician has already taken a liking to it...

a lot of them still thought killing it would be best, but others brought up that its unusually high intelligence means that first of all it would fight back. and secondly it can probably be reasoned with. and it would make a FANTASTIC weapon and tool, and also our much more common problem is the gates, you know, those holes in the universe that are invisible to most regular people that when touched will transport that person to a completely different place in spacetime and are responsible for loads of unexplained disappearances and are an incredible nuisance? and presumably because their entire life goal is blending in and eating a planet, these parasites can smell gates and tend to Instinctually Eat Them because they're a rare edible form of raw magic which these things don't tend to naturally produce?

and so she is offered a deal. they won't launch her into space or try to kill her IF she lets them put a leash on her to use her as a gate-sniffing dog and/or living weapon. she begrudgingly accepts

the main way she is nerfed is by her own storyline: it's all about magic and she can barely use it. she has crazy hp, atk, def, and sp. def, but her sp. atk is like nonexistent. best she can do is status moves. magic resistance kinda goes two ways. also, while she can eat gates, she can't eat or digest any non-solid magic, which is... almost all of it. it would be like trying to "eat" electricity. so a magic shield offers complete resistance against a long distance stomach acid spray attack. she COULD just swallow them whole and wait for them to get too tired to maintain their shield and they'll get disgested as soon as it breaks, but if they can teleport, which is an exceedingly simple spell... it's a nonstarter. plus, eating them alive would give them a chance to see her insides and potentially discover a weakness to exploit if they have enough magic left they're willing to risk staying in there a little longer to explore. not worth it. her job involves eating gates so she actually has (comparative to other members of her species) loads of magic so she IS capable of using it & she's pretty damn good with making shields of her own, but in fights against magic users (in other words basically all fights) she's relegated to a defensive role and she kinda hates it & often feels more than a little useless

If your OC is considered over-powered for your setting, what is it that sets them apart from the rest? How do they use it to their advantage? How does it impact them?

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[door-insurance]

Ahm, hello Life is Strange fandom- I got an announcement

I have been working on my own LiS fan visual novel

This is VortexVN,

You play as Victoria waking up from a hangover with no memory of the week prior, you are tasked with piecing together what happened between her and one of the 4 love interests.

And of course the love interests are:

-Chloe (Chaseprice)

-Max (Chasefield)

-Kate (Chasemarsh)

-Rachel (Amberchase)

The game starts with a quiz; you unlock a route by picking answers related to the character you wanna romance (they are very obvious)

It takes place in an AU where the events of LiS1 and BtS didn't really happen and there are no special powers, Victoria's still a bi tch- I guess that's her special powers.

Think of this game as a spiritual successor to Love is Strange by Team Rumblebee rather than Life is Strange 1

Gameplay so far is your typical point and click visual novel affair, you will be given options to explore rooms, examine objects and talk to other characters- the interactions will play a crucial part in how the game ends,

You can win the girl or get rejected or worse... It will depend on how Victoria carried herself throughout the game,

Mistreating certain characters may prove to be a dealbreaker for the love interest,

Each girl has two close friends in the dorm that you should not upset (I'll reveal who in the guide pdf)

This game is also perfect for Victoria haters as you can ruin her life

The game has its own journal system that will be different depending on who you're romancing, it also comes with a read button (I blurred most of the text so you can get curious and play the game)

Read button will display the journal content in Open Dyslexic font

In the demo you'll only get to explore Victoria's room and the dorm hallways and you'll get two encounters from Juliet (Showers) and Alyssa (Hallway)

VortexVN is still in development, I have finished part.1 of the project and will start polishing it soon- the initial build of part.1 will be available to play as a demo!

The cutscenes lack color and proper shading at the moment and you will find placeholders as well, the art style is all over the place- this will change after the polishing phase

Download links:

Mac and Windows

Web browser ver (I don't recommend that you play it on mobile, also the web version lacks animation and takes forever to load graphics)

programs used:

-Renpy (visual novel engine)

-Photoshop CS5 (Drawing/rendering/animating/designing)

-Clips studio (Texturing)

-tablet: XP-Pen Artist 13

Note: I'm not monetizing this project nor do I claim ownership of the Life is Strange ip, all materials and assets presented in this visual novel were either created by me or are royalty free- I did not lift anything from the games via data mining or by leaks

This game is not a response to or a gotcha at Life is Strange Double Exposure or Deck Nine, I didn't really dislike the game

Besides, I've had the idea of a Victoria centric fan game since the first LiS back in 2015

I'm open for feedbacks! You can DM me or reblog this with a review or something- maybe write a comment.

[fishnapple]

How they proclaim their love for you

(lover/partner/future spouse)

This reading is about how the person you have in mind would proclaim their love for you. You can consider these as their mini love affirmations

Disclaimer : cheesy edition

This is a general reading meant for multiple people. Take only what resonates and leave out the rest.

Your feedback is much appreciated. If you find the reading resonated with you, leave a comment, I’d love to know 🎐

About me | Masterpost Book a reading with me - KO-FI (Read this post : personal reading)

CUBE 1

• Let's take all our time in this world. There's no need to rush. Time? It might not even exist for us. We have escaped time.

• You sent an electric shock down to my core and I still find myself standing. Stronger than ever. Like a machine getting its fuel.

• Our language is of moonlight, fluttering wings, laughter of the stream, cloudy scents of flesh.

• Our lips kiss through the air with words.

• Actions speak louder and we are loud in our actions.

• My mind is spinning, soaring then diving, goes a hundred miles around then comes back, struggling to take you all in.

• This dark corner is our playground.

• I'm in hardworking mode when it comes to our connection. I have lofty goals. Let's work hard together.

• We look like kids when we're out into the outside world together. People ask whether we are friends? We are best friends, whether we are lovers? We are best lovers, whether we're having fun? Nothing is more fun and more serious.

• I have fears, but when I open my mouth, I don't let them escape. But you helped them get out. Is this a prison break for them or for me?

• My mind keeps going back and forth from past to future and you're there, in all of them.

CUBE 2

• Here, take my money. What's mine is yours.

• Do you know the plot where one character is thrown into a dire situation, and somehow, the other one character will come to their rescue. That's me, I'm the one rescued, by you.

• After winter is spring, time goes on, seasons change, I have you with me to witness that together.

• I've become greedy. Wanting to possess every minuscule expression of yours. If I would just freeze them in time.

• Do you see those wild beasts outside the window? And here we are, snuggle comfortably in our home, safely. The light of our home attracted those beasts, they're outside, cold and hungry. Our home will welcome them, but they won't be able to come in as their old shells. They will come in as happiness, transformed.

• I fall in love fast and then I keep it slow.

• I love giving you a bath, bubbling up your hair, seeing water running on your skin then later drying your hair for you and smelling the fresh shampoo scent. Aromatherapy at its finest.

• There's this need growing in me, and I can feel it growing in you too, we share some parts of ourselves with each other. This need is big, it's overwhelming, it makes my heart feel a tugging pain, it animates my body, giving me energy. It's the need to be, to stay alive, so that I can be together with you.

• I know all the right words yet feel like a fool with you.

• I imagine myself a parent, coming home to see our kids fighting, then I will act as a mediator, coming in to lecture them. I look forward to this scenario more than the promotions of my career. Biggest achievement.

• Thank you for letting me love you.

CUBE 3

• Loving you feels like second nature for me, something I've done so many times already, everything in me just do it automatically.

• We definitely have met before. Did we share past lives together? You look so familiar, like the ghost in my dreams, the daydreams in my head, the face of a character in those novels I read.

• My soul is a trapped pool, I would use my bare hand to scoop out all the dirt and monsters from it, take a cupful of water, boil it over and over again until it transparently pure, keep it warm or ice it the way you like then present it to you.

• I stand firm on this earth, confident that I have someone to come back to.

• Our hearth is the most sacred place to me. I would put offering before it, just like how people of bygone days worshipped at the god altar.

• I will keep it warm and nourishing for you.

• Never fear.

• Our lifetime together will blink by so fast, I'm already missing it. But have no fear, it won't end.

• We navigate this path so well that we're definitely professional travellers.

• Change of places, change of jobs? Doesn't matter, I can go along with everything, as long as there's no change of hearts.

• We've travelled from faraway lands to each other and we will continue to travel together.

• I wish you could read my mind and feel my heart, and I could do the same for yours, it would save a lot of time and misunderstanding.

• This is just the beginning.

CUBE 4

• I will tell you "I love you" everyday. Make that a checklist.

• If you and I went to the same school, you would be my high-school sweetheart, the one that I would secretly gush about in little notes, the one that I would absentmindedly draw a heart next to your name.

• Even if we were continents apart, I still feel you next to me, every waking moment and every sleepy dream.

• You fill my throat with sweet sweet love dripping down so much I feel like I can't breathe.

• I love you.

• I can't speak! Tongue tied. Unlock me. But then, if the door is open, I'm too shy to step out.

• In sickness and in health.

• I feel a part of myself went missing whenever you're not here.

• Your pain makes me bleed.

• This is new to me, I don't know what to do. Help me, teacher.

• I probably have a malfunction somewhere in the system to be acting like this. What have you done?

• You are love personified.

• Life has been good since you came to me. But it also has been exceptionally difficult for me to stay alone.

• I have imagined countless times how you would hold my younger self in your arms and feel soothed by them. I may not get to feel it in the past, but I will feel it now, for my past self, my present self and my future self.

[captain-astors]

Finished up my attempt at Deuce within @where-does-the-heart-lie's fighting game AU! Feeling a little iffy about it but I might've just been staring at this for too damn long. Anyways thoughts, symbolism explanation, and sketches I made in the attempt bellow the cut.

Okay! So in general I worked with a rule of 2's when it came to Deuce's hearts with the exception of his camera, but that's supposed to pair with the pen with the little heart cap, I just didn't remember to keep that in my final drawings somewhere. Trying to strike a balance between "Just a guy" and "fun stylized outfit" was hard and I don't think I quite got it, but it was enjoyable nonetheless!

Heart glasses- Representative of how he loves observing the world and aspires to adventure through it. The cracked lens represents how the damage he's received from people he loved has caused him to look at others cynically at times. Meanwhile the unshattered lens sort of represents his tendency to look at those who earn his love with extreme levels of internal praise, half of Ace's first novel is just him waxing poetic about how lovely Ace is and I think that's hilarious.

Hearts on the gloves- He shows his love for the world and for people through the writing he does with his hands! But they're somewhat damaged because they've been utilized for the medicinal legacy that was forced upon him.

Heart on the camera/pen- A specific love for journalism and writing and telling a story, credits to Whery for the first one.

Spade on the shirt- Not technically a heart but it's a little play on how he keeps the Spades close to his heart/tends to be kind of pokey if you try to get close.

Spade/heart on the back of the shirt- Symbolic of the whole life-devoting love within him, so it's large, but it's kept guarded and tethered by the camera strap and can only be seen beneath a layer and if he trusts you enough to turn his back. It's mostly upside-down to look more like a heart if I'm honest, but that as well as that it's on his back and so guarded is all representative of how the family that he presumably once loved shamed and pressured him, making a sort of "weight on his back". It's spade shaped because that's who his devotion and love belongs to, but also when counted with the other one, Deuce!

One of my scrapped ideas was having the coat be a doctor's coat with the only hearts on it being scorched edges because something something fire set him free but he still uses his medicinal abilities to benefit people in his new life, but I couldn't get it to look right so I went with the summery looking thing he's wearing now. It's fine but it kind of lacks a personality, I think that's the main thing I'd try to revise if I redid this but I've already overthought it to hell so. Another day.

Ace in Dr. Robotnik's outfit from the sonic movie is there for facial reference and emotional support I guess, I made that a while ago.

And in one last vaguely related tangent, yours truly has a very distinctly heart-shaped birthmark on my foot. It symbolizes that I'm tired. (Jokes aside I think it's cool, afab actually stood for Assigned Fighting game character At Birth)

[fromgoy2joy]

Let's write about Jewish characters in dynamic ways- that make it clear "Yes this is us. Yes, we are living our lives with this happiness and ritual, and we love it. "

Like it's so easy to write about, to have casual observances of Judaism and cultural practices be in the background of stories. I'll write of the few examples I can think of in my frame of reference as a college student-

there's a mezuza in the doorway of a college kid's apartment. Whenever his friends come over, it's a reach for some of them to touch it because both he and the rabbi who installed it are 6 foot three. The others feel like a middle school boy slapping the ceiling as they try and reach for the damn thing.

Characters rush on public transport to get to a rabbi's house on shabbat. The train is due. There's a flurry of regrouping, then trying to call a missing friend to get there, and then the process of methodically hiding Magen davids and jewish objects because getting to shabbat dinner without a situation was an order from college Hillel staff.

A character is half-drunk at 2 AM at the convenience store but has to scan the list of ingredients on their chemically disgusting snack for gelatin.

Said character is prevented by her friends from only sustaining herself on 7/11 slushees "even though it's all kosher!"

There are references to the Purim incident constantly- it is never clarified what happened on Purim.

the hypothetical gang of characters are in the middle of nowhere on a grand magical adventure. The main character notices a mezuza on a door of a cabin, knocks on it, and has an in-depth conversation with the resident. Then, he waves his friends over. "Hey, guys! We have a place to stay tonight!" Because through the magic of Jewish geography, it was discovered that the grumpy old Jewish man in the woods is the grand uncle of one of his Jewish Day school teachers

A character who eats cheesy bacon bagels regularly on passover has a deep respect for jewish ritual items. He kisses the siddurim as they're handed back into a pile, he always kisses his kippah that he wears for ritual purposes of shabbats and minions. He's very careful with these objects and keeps on claiming dropping something He is observant, and he cares so much, but not in the "typical" way. Just... please show the nuance in practice.

The big "going out night" for our fearless college student isn't Friday but saturday night because of shabbat.

The stain on the rabbi's couch is not to be mentioned

A character keeps on mentioning the stain anyway.

Jewish goodbyes after any event take a minimum of two hours and that's why the gang is delayed on their journey to save the world .

I want more representation than characters in novels saying "haha I'm jewish but eat bacon and love Christmas!" in such flat ways. Please feel free to add more hypothetical ways of representation in the comments !!! About or inspired by your own life and experiences ! Let's make this post vibrant!

[ryin-silverfish]

One nerd's musing about Chinese religion and "respect"

-I try to stay away from fandom discourse, but, much like how you can smell the stench from a dumpster fire without walking into said dumpster fire, I've noticed something that seemed to come up a lot in western JTTW + adjacent fandoms: "respect Chinese religion".

-Usually as a reason for why you shouldn't ship a character, because of fucking course it's shipping discourse too.

-And my first reaction is "Man, you are taking Chinese religion too darn seriously, more than people who are born and raised in China."

-My second reaction is "I mean, most of us are atheist/agnostic by default anyways, with a good number of what I'd call 'atheist/agnostics with superstitions': people who said they were not religious, yet believed in Fengshui or divinations and burnt incense at temples for good luck."

-My third reaction: "But why do I get the feeling that when you mention 'Respect', you are thinking about something completely different?"

-Then I reread an essay from Anthony C. Yu, "Religion and Literature in China: The "Obscure Way" of Journey to the West", and the metaphorical lightbulb just lit up over my head.

(Everything below applies more to Daoism + associated folk religions, but by the time most classic Chinese vernacular novels were written, the blending of the three religions had become well and truly mainstream.)

(The conception of gods differs from dynasty to dynasty. What I'm describing here is mostly based on Ming and Qing ones; if you went back to Han or pre-Qin times, most of these would not apply.)

(I am one of the "atheist/agnostic by default" people. I just have an interest in this kind of stuff. I am also just one Chinese person, and an actual Daoist/Buddhist/Religion Studies researcher would probably have a lot more valuable information and perspective to offer when it comes to contemporary practices and worship. Like any people on the internet: take my words with a grain of salt.)

-Even in the past, when society was far less secularized, Chinese gods are not omniscient, perfect beings whose worship is a solemn, humorless affair. Some's worship are Serious Business, but that has more to do with the sort of gods they are and the patronage they enjoy, not godhood in and of itself.

-And even the ones that you are supposed to "treat seriously" are still very human. To use an analogy I've used plenty of times before: you respect and fear them in the same way you'd respect and fear an emperor's official, or the emperor himself, because if you don't, you are not gonna like the consequences.

-However, unlike Jesus, the emperor & his officials were capable of being temperamental, flawed, or an outright asshole, divine or not. Ideally, they wouldn't be, and if you were one of the "serious" believers——people who actually got an official permit, became ordained clergy, and went to live in a temple, you were unlikely to think of your gods in that manner.

-But it wasn't a complete, utter impossibility. The lower you go in the pantheon, the closer you get to popular religion, the less "serious" the gods and their worship become. By that, I mean general attitude, not sincerity of faith. You still shouldn't be rude to them, but, well, they are more likely to take a joke in stride, or participate in the "vulgar" pleasures of commoners because they weren't as bound to Confucian moral standards or religious disciplines.

-To stretch the same analogy further: you should still respect your village head, they could still give your ass a good spanking for being a disrespectful brat, but you were not obligated to get on your knees and kowtow to them like you would do in front of a provincial magistrate, the emperor's minister, or the emperor himself, nor did they have the power to chop your head off just because you were rude.

-On the other hand, the emperor would never visit a random peasant just to help them fix their broken plow or treat them to a nice meal, but your village head could, and your relationship would probably be warmer and a lot more personal as a result.

-Your respect for them was more likely to stem from the things they actually did for you and the village as a whole, instead of something owed to this distant, powerful authority you might never get to see in your lifetime, but could change its course with a single stroke of a brush.

-Now exchange "village head" for your run-of-the-mill Tudis and Chenghuangs and friendly neighborhood spirits (because yes, people worshipped yaoguais for the exact same reasons), emperor + his officials for the Celestial Bureaucracy, and you'd have a basic idea of how Chinese religions worked on the ground level.

-This is far from absolute: maybe your village head was a spiteful old bastard who loved bullying his juniors, maybe your regional magistrate was an honest, upright man who could enjoy a good drink and a good laugh, maybe the emperor was a lenient one and wouldn't chop your head off for petty offenses. But their general degree of power over you and the closeness of your relationships still apply.

-Complicating the matter further, some folk gods (like Wutong) were worshipped not because they brought blessings, but because they were the divine equivalent of gangsters running a protection racket: you basically bribed them with offerings so they'd leave you alone and not wreck your shit. Famous people who died violently and were posthumously deified often fell into this category——shockingly enough, Guan Yu used to be one such god!

-Yeah, kinda like how your average guy could become an official through the imperial examinations, so could humans become gods through posthumous worship, or cultivate themselves into immortals and Enlightened beings.

-Some immortals aren't qualified for, or interested in a position in the Celestial Bureaucracy——they are the equivalent of your hermits, your cloistered Daoist priests, your common literati who kept trying and failing the exams. But some do get a job offer and gladly take it.

-Anyways, back to my original point: that's why it's so absurd when people pull the "Respect Chinese Religion1!!1!" card and immediately follow up with "Would you do X to Jesus?"

-Um, there are a lot of things you can do with Chinese gods that I'm pretty sure you can't do with Jesus. Like worshipping him side by side with Buddha and Confucius (Lao Tzu). Or inviting him to possess you and drink copious amount of alcohol (Tang-ki mediums in SEA). Or genderbend him into a woman over the course of several centuries because folks just like that version of Jesus better (Guan Yin/Avalokitesvara).

-But most importantly, Chinese religions are kinda a "free market" where you could pick and choose between gods, based on their vicinity to you and how efficient they were at answering prayers. You respect them because they'll help you out, you aren't an asshole and know your manners, and pissing them off is a bad idea in general, not because they are some omnipotent, perfect beings who demand exclusive and total reverence.

-A lot of the worship was also, well, very "practical" and almost transactional in nature: leave offerings to Great Immortal Hu, and he doesn't steal your imperial seal while you aren't looking. Perform the rites right and meditate on a Thunder General's visage, and you can temporarily channel said deity's power. Get this talisman for your kids at Bixia Yuanjun's temple, and they'll be protected from smallpox.

-"Faith alone" or "Scripture alone" is seldom the reason people worship popular deities. Even the obsession with afterlife wasn't about the eternal destination of your soul, and more about reducing the potential duration of the prison sentence for you and your loved ones so you can move on faster and reincarnate into a better life.

-Also, there isn't a single "canon" of scriptures. Many popular gods don't show up in Daoist literature until much later. Daoist scriptures often came up with their own gigantic pantheons, full of gods no one had heard of prior to said book, or enjoyed no worship in temples whatsoever.

-In the same way famous dead people could become gods via worship, famous fictional characters could, too, become gods of folk religion——FSYY's pantheon was very influential on popular worship, but that doesn't mean you should take the novels as actual scriptures.

-Like, God-Demon novels are to orthodox Daoism/Buddhism what the Divine Comedy is to medieval Christian doctrines, except no priests had actually built a Church of Saint Beatrice, while Daoists did put FSYY characters into their temples. By their very nature, the worship that stemmed from these books is not on the same level of "seriousness" as, say, the Tiantai school of Buddhism and their veneration of the Lotus Sutra.

-At the risk of being guilty of the same insertion of Christianity where it doesn't belong: You don't cite Dante's Inferno in a theological debate, nor would any self-respecting pastor preach it to churchgoers on a Sunday.

-Similarly, you don't use JTTW or FSYY as your sole evidence for why something is "disrespectful to Chinese religion/tradition" when many practitioners of said religions won't treat them as anything more than fantasy novels.

-In fact, let's use Tripitaka as an example. The historical Xuanzang was an extraordinarily talented, faithful, and determined monk. In JTTW, he was a caricature of a Confucian scholar in a Buddhist kasaya and served the same narrative function as Princess Peach in a Mario game.

-Does the presence of satire alone make JTTW anti-Buddhist, or its religious allegories less poignant? I'd say no. Should you take it as seriously as actual Buddhist sutras, when the book didn't even take itself 100% seriously? Also no.

-To expand further on the idea of "seriousness": even outside of vernacular novels, practitioners are not beholden to a universal set of strict religious laws and taboos.

-Both Daoism and Buddhism had what we called "cloistered" and "non-cloistered" adherents; only the former needed to follow their religious laws and (usually) took a vow of celibacy.

-Certain paths of Daoist cultivation allow for alcohol and sexual activities (thanks @ruibaozha for the info), and some immortals, like Lv Dongbin, had a well-established "playboy" reputation in folklore.

-Though it was rarer for Buddhism and very misunderstood, esoteric variants of it did utilize sexual imageries and sex. And, again, most of the above would not apply if you weren't among the cloistered and ordained clergy.

-Furthermore, not even the worship of gods is mandatory! You could just be a Daoist who was really into internal alchemy, cultivating your body and mind in order to prolong your lifespan and, ideally, attain immortality.

-This idea of "respect" as…for a lack of better words, No Fun & R18 Stuff Allowed, you must treat all divinity with fearful reverence and put yourself completely at their mercy, is NOT the norm in Chinese religious traditions.

-There are different degrees and types of respect, and not every god is supposed to be treated like the Supreme Heavenly Emperor himself during an imperial ceremony; the gods are capable of cracking a joke, and so are we!

TL;DR: Religions are complicated, and you aren't respecting Chinese religions by acting like a stereotypical Puritan over popular Chinese deities and their fictional portrayals.

[cho-aaacho]

Jealousy isn't really your style, is it?

Masterlist

Characters : Gojo Satoru, Geto Suguru, Nanami Kento, Fushiguro Megumi, and Choso.

Gojo Satoru

He becomes increasingly silent—too silent until you can't detect his emotion. His appetite vanished as waves of jealousy showered on his mind. You don't even notice that at first, thinking he might be tired from work.

However, as the sun goes down to the horizon and is replaced by the moonlight, his smile fades whenever your eyes meet his. He refrains from calling you endearing nicknames, skips the usual sensual morning kiss, and avoids his favorite cookies. When you suggest playing video games, Gojo simply groans and leaves you alone.

What's happening to him? Did you hurt your sweetheart? No. Until the sky falls, you don't have a heart to hurt your sweetheart.

You can't let the stillness linger; you can't leave everything unresolved. It's so hurtful, to be honest. Why would Gojo be so selfish like this? You need to find out what's going on with your little sweetheart.

That night, Gojo stood in his favorite spot within the apartment, drowning in the beautiful goldfish in the aquarium. Golden and yellow, reflected in his eyes like sunflower petals.

He gently tapped his finger on the aquarium's glass, making the whole atmosphere feel so cold. Gojo seemed unusually relaxed, in contrast to the person he once was. 

"I know I might come off as a boring and annoying man. People often say that, and I usually don't care about it at all because I understand it's not important. But when it comes from you—please... I don't want to hear that."

You do not quite understand what he means, but Gojo appears deeply hurt. His azure eyes, his words, his breath, the cologne he uses this time, the way he gazes at you—something feels off and unplaced.

This is the first time you've seen him so blue and so pained that the warmth in his lovely presence is almost undetectable. Everything is gone.

"Hey, I'm not sure if you've noticed, but it hurts me when you smile at other guys. I want you to be mine, and only mine, and no one else. Please don't do that again, because you're irreplaceable. If I lose you, I can't find another like you."

Geto Suguru 

At first, he doesn't show his jealousy because Geto is the sweetest.

However, there comes a moment when he becomes more affectionate—increased physical touch, frequent kisses, hugs, showering you with praise, texting you almost every hour.

And when he does these things, he always leaves a sarcastic comment like, "I'm a better man, aren't I?" or "Can you see how much I care about you more than anyone else?"

and "I hope you're not blind enough to understand my affection."

also "I know you're not stupid enough to leave me alone. Because I hate being a loner."

It's somewhat annoying because Geto rarely behaves like this. It's simply... so strange, leaving you confused about whether it's a prank by the twins, if something horrible has hit him, or maybe he is too much into reading a weird romantic novel.

That morning, when you are sleeping on his lap, feeling his love, warmth, and kindness, he delicately traces his fingertips across your cheeks, down to your jawline, then meanders to your nose, pinching it gently, leaving a small chuckle before circling back to playfully tease the contour of your lips.

He leaned closer, sealing a gentle kiss on the nose tip and moving before grazing your lips with a small nibble. "Did Satoru ever kiss you like this? I doubt he has done this to you."

Your eyes fluttered open, confusion etching your expression. "What do you mean, Suguru-kun?"

He sighed. "Don't think I haven't noticed, cutie. I may not match Satoru's strength, but I'm not stupid. What were you up to with him last week? You seemed quite charmed with him, didn't you?"

He added. "Should I end both of you, so he can't have you and you can't have him? But I lack the heart to harm you, sweet love. Stop talking with that man. Because I hate sharing my love with someone else."

Nanami Kento

A tough man, he doesn't even realize if jealousy is starting to invade him; perhaps you might label it as denial. 

He puts on a facade that everything is fine, brushing off any concerns by assuming them to be mere imagination or work-induced stress.

No, you didn't cheat or talk with another man. You're always a nice woman to Nanami Kento, and of course, never in your wildest dreams will you hurt your man. 

However, a weird sensation starts to trouble him the next day when his coworkers engage in silly gossip about him and you. 

Whispers float behind him, dripping with a sarcastic tone like, "How could a good woman like her date someone like Nanami-san? He's so boring."

and someone chimes in. "Yeah, I heard she dumped Gojo-san and went with him; why does she think like that?"

From that moment onward, everything feels upside down.

Each day, each time, every time he sees your face, catches your gaze, and hears your voice echoing in his ears, all of these hurt him. 

He feels like he doesn't deserve you and thinks that perhaps you can find another guy, someone special, someplace that would make you safe and happy, someone who could make you feel at home whenever you run to them. 

And that man is not me.

"I realize I might not be as caring as other men, or perhaps I come off as too boring for someone like you. Honestly, I don't wish for your kindness to be shared with anyone else—even a fleeting smile from you stirs a deep ache within me. Maybe it's an obsession, but if you allow me to share my jealousy, I don't want you to meet that guy, Gojo Satoru. For heaven's sake, I fear losing all control and ending up hurting you. I love you." 

Fushiguro Megumi

Honestly, his anger management is the worst. There are scenes when he appears calm, collected, and cute, but, again, it's merely a facade he is creating, especially in your presence. 

When the flames of jealousy shower on Megumi, flirting with his life, everything transforms into a hellish field.

He loses his temper and becomes easily offended whenever Yuuji attempts to engage in conversation with him, roasting everyone in sight. The situation continues until Maki beats him and tells him how annoying he is.

He has a terrible urge to throw punches at everyone, driven by the need to tell them that you belong to him. He needs to make it clear that you're already committed to someone else and that your heart is sealed with Fushiguro Megumi. Only with that man and no one else.

His intention is not just to show his obsession but also to dissuade others from bothering both of you. He longs to compel them to kneel, satisfying his fleeting sense of pride.

It's pretty hilarious because whenever Gojo catches wind of it, he bursts into laughter and playfully teases Megumi all day. Well, it's natural for anyone to have jealousy within them, but... doesn't Megumi take it a bit too far?

You've observed this pattern and tried to convince your dear boyfriend that everything around him is just his imagination. He shouldn't be worrying, and he just hurts himself by treating people like that.

Yet, Megumi is Megumi.

"I don't think I'm overreacting to this. When I'm upset, I express it openly. It's frustrating when people assume I'm obsessed with you—I'm not. I just don't want you to get involved with someone who isn't worth it for you. I fear you'll end up hurt. You can choose me; I can prove not only to you but to everyone that I am the one who truly deserves you."

Choso

Choso isn't typically the jealous type, but when he notices a certain closeness between you and his brothers, everything changes. 

He genuinely cares for his brothers, going to great lengths to ensure their happiness and love. He values the bond you share with his brothers and cherishes the love and affection you have for each other.

However...

It's hard for him to put it into words. Everything is stuck in his throat and sealed inside his head. 

Every time he sees you with his brothers blossoming an indescribable feeling within him, it's a burning sensation that's hard to bear. The flame is starting to burn him alive.

The way you share meals with them or laugh at their jokes—all of these irritate him to the point that they make his heart beat so fast. Choso is aware that these emotions are too complicated; he can't hate his brothers, but the heart has a way of contradicting logic. 

How could God put love in his heart?

He fondly recalls the first snow you experienced together, the gentle embrace of summer against his skin, and the golden glow of spring's sun. 

But he still wonders when he falls in love with you. Maybe since the first time he met you? Or else?

"I find immense joy in sharing my time and days with you. My brothers seem to love you as well. Everything about you is beautiful, and I cherish the moments we share. I fear losing you and our precious time; that's why I act this way when you're with them. I want to be the one you choose."