‘don’t run away anymore.’ naoki never really noticed how small seiji’s hands were until they were held fastly in his. his hold remains gentle, but solid, as if to lock her within his company. maybe it was selfish of him to ask this, maybe it was a proposal…. or maybe a wish. ‘… stay with me forever.’
before he took her hands , she couldn’t feel a thing. she had trudged along - tattered. a marionette with her strings unraveling. it was cold. naoki’s touch revives her. seiji feels everything. sticky blood, fuzzy wrists, warm hands. ( she realizes she’s lost her kuma somewhere along the shore. )
naoki’s hands are warm. they’re strong. they’ve locked her there.
seiji blinks. blinks again. blinks. & then her face crumbles. she doesn’t know what to do anymore. she hadn’t realized naoki was eye - level with her. ❛ ━━ sorry. ❜ when her legs give out and she’s buried in him, she doesn’t stop apologising. she’s still crying.
❛ ━━ i didn’t know what else to do. ❜
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Tadej Pogačar & Jonas Vingegaard + Hands (2024 edition)
2024 Tour de France, Stage 1 | 2024 Tour de France, Stage 2 | 2024 Tour de France, Stage 7
2024 Tour de France, Stage 11 | 2024 Tour de France, Stage 11 | 2024 Tour de France, Stage 11
2024 Tour de France, Stage 12 | 2024 Tour de France, Stage 15 | 2024 Tour de France, Stage 15
2024 Tour de France, Stage 16 | 2024 Tour de France, Stage 17 | 2024 Tour de France, Stage 18
2024 Tour de France, Stage 19 | 2024 Tour de France, Stage 20 | 2024 Tour de France, Stage 20
2024 Tour de France, Stage 20 | 2024 Tour de France, Stage 20 | 2024 Tour de France, Stage 20
2024 Tour de France, Stage 21 | 2024 Tour de France, Stage 21 | 2024 Tour de France, Stage 21
2024 Tour de France, Podium Ceremony | 2024 Tour de France, Podium Ceremony | 2024 Tour de France, Podium Ceremony
2024 Tour de France, Podium Ceremony | 2024 Tour de France, Podium Ceremony | 2024 Tour de France, Podium Ceremony
2024 Tour de France, Podium Ceremony | 2024 Tour de France, Podium Ceremony | 2024 Tour de France, Podium Ceremony
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I don't think I've ever been this excited for an eleventh episode!
I need to see Ming a little beat down but still being a big bitch.
But even more than that, I need to see this man finally be served justice because this is the same actor who played Joke's dad in Hidden Agenda, and his ass got off way too easy (GMMTV always lets the parents off easy).
So I'm going to be thrilled to see him play another horrible father who catches Joe with Ming but also figures out that Mike was the one who let Joe in the house.
Is it bad that I'm hoping he has a heart attack trying to hit Joe? I don't care. I'm going to hope for it anyway!
Because the only one who can hurt Joe is Ming, and he is going to make sure of that.
*rubs hands together like a 90s movie villain*
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the correct way to deal with the escaped dinos in the Jurassic World Series is to kill them. Kill them all. Invasive species, absolutely going to ruin every ecosystem they enter. no we do not have to live in harmony with them, they are unnatural beasts in fact anyone with any enviromentalist backbone would say you need to kill them to keep nature safe. i do not hold this against chaos theory because "rawr dinosaurs" is a fun show I love it, but if I lived in universe you have to understand I would be calling for their eradication and calling Darius and Ben stupid fucking idiots on national television.
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So @neroushalvaus told me that in the current Finnish production of Så som i himmelen, after a big assortment of other questionable choices, they interpret the finale as some sort of Literal Vision of Heaven... and in there, Tore magically heals of his disability.
The more I think about this, the more disappointed and angry I feel about it.
I mean. The whole entire point of the character of Tore is that the others learn to accept him exactly as he is, and that he has a unique, valuable voice just like everybody else. Besides that, he's a very rare instance of disabled representation within musical theatre. Sure, he's often played by non-disabled actors – but the Helsinki production showed us how you can achieve great results by splitting the role between a disabled and a non-disabled actor, so the role can also be an opportunity for disabled actors, given that they're provided enough support throughout the process.
Or it can be an opportunity for a non-disabled actor to treat disability like a costume you can simply take off when you're done with it and for a production to imply that disabled people are not good as they are, I guess. Cool beans!
Incredibly disappointed with the director and everyone else involved.
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