#i'm really was digging this when i was writing it

[yoyomomiko]

Hello so I have a Daisuke x reader request if you don't mind! I loved the make out story you did and so if you don't mind Daisuke and reader making out an Daisuke bitting HARD on reader skin like this 😨 hard so hard that the EVERYONE could notice it and how it go to that point like if you don't mind

You don't have to do! If you don't want! Have a nice day!

Pairings: Daisuke x F!reader

Warnings: BITING; marking; hickeys, SUGGESTIVE (kinda nsfw, so mdni I guess??), cringe, not proofread, probably contains grammar mistakes, english isn't my first language!!

(A/N): I had a little bit too much fun writing this😨 THIS IS SO GROSS AND CRINGE WHAT DO I DO😣 Btw I like, haven't posted a fic in so long lol, I'm really sorry and all, I'm a bit late🤠 -> m.list

Daisuke's hands were both on opposite sides of your head, your legs wrapped around his waist and hands thrown loosely over his shoulders.

His lips were pressed to yours in a deep, heated kiss. He gently bit your bottom lip, as if asking for you to open your mouth. You let out a soft gasp and slowly parted your lips, his tongue immediately finding its way inside and twirling around with your own.

After a few moments, he pulled away, panting. You were breathing heavily, chest heaving up and down as you stared at him, watching him gaze back at you with love filling his eyes. You adored the way his hair fell down and over his face most of the time when he was looking down at you, when you were in the same exact position as you were in right now.

Daisuke smiled at you, his face burying into your neck as he started leaving soft kisses down to your shoulder. You chuckled at the ticklish sensation, with the way his lips barely hovered onto your skin, lightly pressing kisses. One of his hands went to hold onto your waist, the other supporting him.

His gentle kisses slowly turned to sucking, earning whines from you. He left a few faint red marks on your shoulders that would surely fade away in a few hours, luckily not too visible.

Daisuke trailed his kisses to your jaw, your hands tangling in his hair. All of the sudden, he bit down on your neck, digging his teeth into your skin and drawing out a yelp from you as you pulled on his hair. He gently licked the mark, sucking to soothe the pain.

Daisuke pulled back as he chuckled, staring down at you with nothing but joy in his eyes. He admired his work, eyes scanning over the faint red splotches, until he came upon the one he just gave you a few seconds prior. It slowly turned into a dark purple spot, right on your upper neck, on display to anybody passing by.

"Sorry." He smiled at you, to wich you raised a brow in confusion.

"You might need to cover that up." He added, nuzzling his face into your neck as you slowly came to the realization that yes, he did leave a noticeable mark.

"I thought we talked about where you place your kisses." You sighed out, fighting a smile at his stupidity.

"We did?"

You shook your head, knowing it was pointless. Just how would you walk around the ship now?

...

...

You thought you were slick enough.

You pulled your uniform collar a bit higher, covering over the mark perfectly.

What you didn't know, was that if you even tilted your head slightly, it would be completely evident.

...

...

CURLY

You were hurrying out of Daisuke's room, hoping not to be seen by others, scanning the area and making sure no one was there.

You fixed up your hair a bit, pulling the collar of your uniform higher.

Your shoes tapped on the floor, rushing through the hallways. You weren't even looking up ahead, eyes glued to your feet.

You raised your head just in time to prevent yourself from crashing into your captain, forcing your legs to stop abruptly.

You smiled nervously, looking at him and giving a short nod as a greeting, to wich he reciprocated.

Although his eyes seemed to linger on you for a while longer, his brows furrowing as he studied you.

"You okay?" He asked, his expression one of curiosity and hesitance.

"Yeah... Why wouldn't I be?" You replied, your brow arching in confusion.

"No reason... Carry on." He nodded, giving an unsure smile as he walked away, leaving you dumbstruck.

...

It HAD to have been a hickey. He knew it too well. He was aware of how one looked like... But that mark specifically looked more like teeth marks to him. As if someone bit down onto you.

Curly was a bit perplexed. He didn't remember there being a rule against relationships among the crew... But then again, who was it?

His suspicion was aimed at Daisuke, since you two are in close age range and always hang out together.

JIMMY

Your feet dragged on the floor lazily, humming to yourself on your way to meet Anya.

Just then, you saw Jimmy walking towards your direction. You didn't like Jimmy.

You almost rolled your eyes, but you gave a quick wave so he doesn't think you're an asshole.

He gave a nod back, before stopping briefly to look at you. He stared you down, eyes going wide and a frown forming on his lips.

"What the hell happened to you?" He asked in disgust, studying you.

You raised a brow as you tilted your head to the side in confusion.

"What do you mean?"

He sighed and shook his head, looking straight ahead again.

"Nevermind... slut." He mumbled the last part, chuckling as he walked away.

You swore you heard him insult you, but you just didn't hear him well enough, therefore there was no evidence.

...

He knew DAMN WELL.

Fingers pointed proudly at Daisuke.

Jimmy always had a feeling you two were a bit TOO close, not co-workers type of close, neither friends type of close.

He just didn't expect the dumbass to have a chance, let alone manage to get into your pants.

ANYA

After all of those uncomfortable encounters and awkward situations, you finally stopped in front of the medical room, where Anya was currently working.

Before you could enter, Anya herself came out of the room, a bit surprised to see you there as she flinched, before smiling quickly.

"Oh, you scared me..." She spoke, her eyes studying your face before they stopped at a specific spot.

Her brows furrowed a little, seeming concerned.

"Are you alright?" She asked, thinking it was maybe a rash, or possibly even allergies.

"Hm? Why wouldn't I be?" You questioned, squinting your eyes at her.

Everybody's been acting weird today...

Anya's eyes widened for a brief second as she took a closer look, her lips parting before they shut closed. She felt a weird burning feeling through her chest, and her mind just fogged up. Did something bad happen to you?

But you seemed happy... Maybe a little tense, but happy nonetheless. She thought back to all the times she's caught you and Daisuke in each other's rooms, brushing it off as just "friends talk", or all the times she's seen you two chatting a bit too smug in the hallways, also every single time she's heard you two flirt with each other. The corners of her mouth were fighting for life, trying to hold back a smile.

"No, nevermind, I think you should check up on that." She suggested, patting your shoulder and walking past you.

"Wait, I wanted to tell you something!"

"Check up on Daisuke while you're at it..." She whispered to herself, letting out a quiet giggle.

Your brows raised, lips forming a thin line. Just what the hell was going on?

...

It was hard to believe that YOU would actually do such a thing. She just couldn't think of her friend doing stuff like this.

She knew all too well it was Daisuke.

Another thing is that she was incredibly shocked at the fact that Daisuke managed to leave such a mark on you, she pondered for a while and came to the conclusion that it must've hurt like hell.

SWANSEA

You felt weird, getting scanned by your crew members' eyes and maybe even judged by some.

So why not try and find Daisuke, pretty much the only person who know how to comfort you best?

Of course, he'd be with Swansea.

You opened the door, but your boyfriend wasn't there, only the same grumpy man.

"What do you want?" Swansea asked, before turning to look at you.

"Just looking for Daisuke." You replied, taking a quick glance around the room.

"Are you okay?" He asked, squinting his eyes at you.

"Everyone's been asking me that, I don't get it!" You didn't bother responding, your brows furrowing as you started getting a bit irritated.

"Pull up your collar or something. Damn animals..." He muttered that last part, going back to his work as you stood there in utter shock.

So that's what was wrong.

...

Swansea already knew it. All too well.

Daisuke was just praising you so much, talking his ear off, mentioning every single detail you had.

Since the airhead can't keep secrets too well, he managed to accidentally spill it out one day.

But it wasn't like Swansea didn't know, he's caught you two together a couple of times, he just never talked about it.

...

You felt your cheeks heat up as you tugged harshly on your collar to pull it up, wanting the ship to crash right at this moment.

Screw you Daisuke. Screw your boyfriend for embarrassing you in front of everyone.

★yoyomiko ★miko

[flowersdiceandlove]

Please tell me about your Eminence in Shadow!SY AU, that sounds really interesting and badass

Okay, so, in case you don’t know “Eminence in Shadow” is a reincarnation, isekai anime where a guy named Cid Kageno ends up in a world with magic. He likes playing as “Background Character A” by day and being “The Eminence in Shadow” by night. I was watching this anime and while I was watching, I felt like Cid and Shen Yuan were a lot alike. (I’ve only watched the anime which only has two seasons, so anything beyond that in the manga I have no idea about)

Now, onto the idea (I og had this written out as a prompt and then thought, huh, this might actually be fun to write, so just…didn’t post the prompt. I think I’ll come back later and post an actual prompt for this though. But, I'm literally just copy/pasting what I already wrote for this.)

Imagine, Shen Yuan transmigrates into Background Character A in PIDW, and, just like Cid, throws himself into the role. He just wants to get through the plot without drawing attention to himself so he can avoid Bingge's ire. But! But! This is Shen Yuan who has always dreamed of transmigrating into this type of story. How can he just pass up the chance of becoming a cool cultivator??? He can't, that's how! So then, how does one remain Background Character A while also being a Mysterious And Cool Cultivator? By acting out his role as Background Character A during the day and growing his power to become a cool cultivator in secret! That's how!

He'll spend his days idling and playing his role as Just Some Guy to perfection, but in secret, he'll hone his cultivator abilities, slay monsters, study demonic beasts, and live out his cultivator fantasy! He transmigrates early, maybe as a baby, and uses all his knowledge of reading PIDW and other cultivation stories to work out how to cultivate in secret. He won't interfere with the plot, making sure he blends into the background so as not to draw attention to himself, and will be able to survive the merging of the realms with his cultivation abilities when that time eventually comes.

But, of course, this is Shen Yuan we're talking about. He stumbles his way into trouble and wifebeams people. He plays up his Mysterious And Cool Cultivator act like Shadow/Cid does and ends up amassing his own Shadow Garden (harem of highly trained women dedicated to Shadow and his cause, for those of you who haven't seen Eminence in Shadow) but the gay xianxia version. We're gonna get Zhuzhi-Lang, Liu Qingge, ect. But, just like Shadow/Cid, Shen Yuan does not realize he has amassed this massive harem who would literally do anything for him and have created an entire clandestine organization (that's really more of an empire) with him as the head. He thinks they're all just Really Good Friends who are helping him live out his Mysterious And Cool Cultivator dreams.

Just like Shadow/Cid bullshits the Cult of Diablo, Shen Yuan is gonna bullshit his own stuff. And, just like with Shadow/Cid's stuff, Shen Yuan's words are gonna turn out to be true. I'm thinking he ends up uncovering all the corruption and drama surrounding the Old Palace Master and Huan Hua Palace. It'll probably end up being a whole big thing and once they start digging, they just find more and more sects, companies, people, etc. involved in this. Part of the corruption and wrong-doings they find, is a lot of provoking of demons. Shen Yuan, of course, knows none of this, and always ends up on the outskirts of the investigations bullshitting some Wise Nonsense that has everyone in awe before kicking the Bad Guy's butt, not knowing what's Really Going On.

He remains oblivious to all the Drama going on and what he's leaving in his wake. One thing he is absolutely certain he must do is Keep A Low Profile and remain Background Character A, so all his Mysterious And Cool Cultivator adventures are done in secret and he makes sure that his version of Shadow Garden knows that This Is SECRET!! Do Not Tell. shhhh.

Just like in Eminence in Shadow, Shen Yuan's harem (that he still doesn't know is his harem) venture out on their own to gather more people to add to the harem join their cause.

Shen Yuan had to have met Liu Qingge before he entered CQMS. Maybe Shen Yuan's Background Family is from the same village/city the Liu Family is from and so they grew up in the same social circle. When Liu Qingge eventually goes to join CQMS Shen Yuan sighs and thinks What a good guy, playing with me all this time. Now he's off to be a Great Cultivator himself. I hope we can still see each other again sometime. Not at all knowing that Liu Qingge has the BIGGEST crush on him and once in CQMS is trying to recruit more people to join Shen Yuan's harem organization. He probably convinces at least half of the future Qing generation in time as well as many disciples from various peaks. It helps when on a couple night-hunts Shen Yuan, in Mysterious And Cool Cultivator mode, showed up out of nowhere and solved the problem like a Wise Immortal and effectively wifebeaming all present.

For Zhuzhi-Lang, Shen Yuan definitely found him hurt and cooed over him, nursing him back to health. Eventually Zhuzhi-Lang had to return to the Demon Realm and Tianlang-jun, but tells Tianlang-jun about the Nice Human Cultivator who took care of him. Tianlang-jun clocks Zhuzhi-Lang's crush immediately, and tells him that he can go woo his human all he wants as long as it doesn't interfere with work, and also, he would like to meet this human.

Shen Yuan nearly has a heart attack when the DEMON EMPEROR (and Luo Binghe's father!! Ahhh!) shows up at his house to invite him to a picnic (thankfully no one else saw this so his cover as Background Character A is still in check). He doesn't turn him down though, that would be stupid, Tianlang-jun could kill him in a heartbeat if he offended him. So, he goes on the picnic. Tianlang-jun thanks him for taking such good care of his nephew, and Zhuzhi-Lang is a blushing mess the entire time. Tianlang-jun as being Tianlang-jun keeps trying to set Shen Yuan and Zhuzhi-lang up. Shen Yuan laughs it off. Clearly Tianlang-jun is quite the jokester and eternally flamboyant (and you know how Tianlang-jun is), and thinks all his suggestive comments are just his weird sense of humor. Tianglang-jun is most definitely trying to get both Zhuzhi-Lang and himself into Shen Yuan's pants. Shen Yuan is, of course, oblivious to this.

After the picnic Tianlang-jun and Zhuzhi-Lang leave but have secured invitation from Shen Yuan to return as they please so long as they keep it hush hush. Zhuzhi-Lang will actually visit a lot and spend a lot of time in tiny snake form curled up around Shen Yuan's arm under his sleeve or in his robes. Shen Yuan idly pets and strokes him, feeling the cool texture of his scales without thinking about it. When he does realize, Zhuzhi-Lang tells him that it's fine and he can keep petting him as much as he wants. Sometimes people will see Shen Yuan, Background Character A, with a green snake on his arm, or in his robes, or draped across his shoulders, but never really think too much about it, thinking he just has a normal pet snake.

Since this initial meeting, there are a lot more snakes around the Shen Estate, and Shen Yuan's parents tell him to get it under control, thinking that his pet snake is attracting them. Shen Yuan apologizes and says he will. Zhuzhi-Lang then tells his snake underlings to hide better. They were there to make sure Shen Yuan was safe, not get him in trouble.

When Zhuzhi-Lang is back in the Demon Realm he talks about Shen Yuan. He also knows about the Mysterious And Cool Cultivator thing and is also trying to recruit demons to his harem cause. Tianlang-jun knows about this and is fine with it. He's long decided that he's gonna get Shen Yuan into his bed family service and so him having his own underlings and support of demons would only make it easier to do so down the road.

Despite Shen Yuan's meddling, the Tianlang-Jun and Su Xiyan thing still happens and the Old Palace Master stuff leading to Tianlang-jun being sealed. Even with Shen Yuan and his harem friends taking down branches of corruption, they weren't able to take down the Old Palace Master (not yet at least). So, that whole Fiasco happens. Shen Yuan feels guilty about it. Tianlang-jun and Zhuzhi-Lang had become his friends and he knew what was coming. He was confused though because Tianlang-jun did not seem like he was trying to take over the Human Realm and that was why he was sealed. Maybe the System finally decided to pop in and say he couldn't interfere in it, and that some things just had to happen for plot reasons (like with the Endless Abyss). Or, Maybe Shen Yuan didn't see it coming, thinking that he had somehow influenced Tianlang-jun to not want to invade the Human Realm, not knowing that it had always been a lie and set up, the truth never being revealed in PIDW.

Zhuzhi-Lang flees to Shen Yuan, hurt from the attack, and, of course, Shen Yuan accepts him even in his half snake, half humanoid form. It took him a moment, but then he recognized it was Zhuzhi-Lang by his eyes and tended his wounds (again). Zhuzhi-Lang tells him the story of what he and Tianlang-jun believe to be true. By the time he's well enough to do that though, Shen Yuan isn't able to do anything about Su Xiyan's situation. She's already long vanished. Shen Yuan also decides that once Bailu Forest isn't under such careful observation after Tianlang-Jun's sealing, he'll go see the man with Zhuzhi-Lang to see what his state is. Despite it all and Tianlang-jun's...unique personality, Shen Yuan still considers him a friend and wants to help where he can.

It, unfortunately, takes a while for things to cool down around Bailu Mountain and then again to find a way to Tianlang-jun's prison without setting off any alarms. By the time Shen Yuan finally sees Tianlang-jun again, years have passed. He's alive, but not in a great state what with being crushed under a mountain and all. Shen Yuan is in awe of the resilience of Heavenly Demons. When Tianlang-jun sees Shen Yuan he's like "ah, if it's the only human who hasn't betrayed me. What brings you to this place?" all casually. Shen Yuan actually brought him some trashy books and food that he knew Tianlang-jun would like and Tianlang-jun is overjoyed by it. You wouldn't even think he was being squished under a mountain with how happy he was.

Shen Yuan works with Zhuzhi-Lang to figure out how to get Tianlang-jun out, but only after he makes Tianlang-jun promise not to slaughter everyone (probably saying some Wise Nonsense, but is really just trying to get Tianlang-jun to not obliterate humanity). Tianlang-jun pouts, but does. Shen Yuan appeases him by getting him more trashy books and human paraphernalia. During this time, Shen Yuan mentions (intentionally) that he heard rumors that Su Xiyan may be pregnant—Shen Yuan doesn’t think Tianlang-jun’s as interested as he should be in this development; this is Luo Binghe after all—and also that he thinks there’s more to this than they originally thought. Tianlang-jun’s attention is then fully shifted from killing all humans except Shen Yuan, to figuring out what’s going on because hm, you’re right, A-Yuan, this doesn’t make much sense.

With Shen Yuan also working on how to get Tianlang-jun out, Zhuzhi-Lang is able to go back to the Demon Realm to keep things in order. At least to an extent. They keep the fact that they’re trying to free Tianlang-jun a secret bc you never know where there are eyes and ears. Shen Yuan helps Zhuzhi-Lang keep his more humanoid appearance since Tianlang-jun isn’t able to, so that helps Zhuzhi-Lang keep the demons under control, but doesn’t help a whole lot. Things still kinda fall apart there. Shen Yuan’s harem organization is still holding up there and work in secret despite the shakiness in the Demon Realm and the demons in it even use the political uncertainty to their advantage to gain more power.

Maybe Shen Yuan figures out how to make the Sun and Moon Dew Mushroom compatible with demonic qi or maybe he finds another solution. But, either way, he gets Tianlang-jun’s soul out from under the mountain. There is just one caveat of this new body. It must grow from infanthood again at a normal rate. They grow the body, and then Tianlang-jun’s soul pops over to it when it’s a baby, freeing him from his prison. Since the Demon Realm has grown unstable and Tianlang-jun is in a vulnerable state, they decide that the best and safest course of action is for Shen Yuan to keep Tianlang-jun in his care. So, Shen Yuan returns home with baby Tianlang-jun claiming the baby’s his. What better place to hide than in Background Family A, after all? Shen Yuan’s been doing it for decades at this point and thinks it’s the perfect way of living. Thankfully, Tianlang-jun, despite being a baby, does still know how to control his demonic qi, and is able to hide it, making himself appear like a normal human baby.

When the rest of Shen Yuan’s harem Friends find out about “his baby” they’re all seething in jealousy wondering who the mother is. (gender neutral use of the term “mother” here. That harem is definitely trying to figure out how to have Shen Yuan’s baby or get Shen Yuan to have their baby) They also start seething in jealousy over the baby itself bc Shen Yuan is doting on him to the max. He’s holding and rocking him, soothing him, patting him, feeding him, cooing over him, ect. Shen Yuan just can’t get over how cute baby Tianlang-jun is, and is wondering what baby Bingge looked like. (By this point, Binghe’s already entered CQMS)

Every time Liu Qingge leaves the sect to go on a night-hunt, he always stops by the Shen Estate to see Shen Yuan and drop off some monster head/part for him. Shen Yuan always greets him with a smile and thanks him, but asks if dropping the bloody carcass in the entry hall was really necessary. Who’s gonna clean this all up, Liu-didi, hm? Be nicer to the servants! Don’t make unnecessary work for them! The first time Liu Qingge sees the baby, he’s doing this. Shen Yuan comes out to meet him with the baby in his arms, and the sight of Shen Yuan holding a baby, smiling at him, and welcoming him back makes his brain blank for a long moment.

Shen Yuan either is super vague about the baby!Tianlang-jun’s mom or has a super detailed background story ready to go. It’s a bit of a minor scandal in the way that all bastards are, but Background Family Father A is happy to get a grandson from Shen Yuan.

As baby!Tianlang-jun grows up, he gets super smug about having Shen Yuan as his dad and attention. He’s good at playing his role as a little kid around others, but then in private just acts like his usual self, lounging around like the emperor he is, reading scandalous smut, and saying all his suggestive and lucious things. When the members of Shen Yuan’s harem Shen Yuan’s friends show up, he always plays up the act and gets Shen Yuan to let him sit in his lap, pet his hair, snuggle against his side, or something. Shen Yuan’s harem friends swear that the kid knows what he’s doing, but can only chug vinegar in silence bc it’s Shen Yuan’s son. Tianlang-jun is loving having Shen Yuan as his dad, being the only one to call him “daddy” or “baba” or “a-die” or such and has Shen Yuan curled around his finger with his cuteness. (He’s long stopped trying to get into Shen Yuan’s pants and is much happier being his adoptive son. He is still trying to set up Shen Yuan and Zhuzhi-Lang though.)

Because of Shen Yuan’s interference, Liu Qingge either doesn’t have that deadly qi deviation, or is stable enough that when Shen Qingqiu tries to help him with it, is actually able to help. So, Liu Qingge lives.

When Luo Bingge is finally out of the Endless Abyss and is working his way through conquering the Demon Realm, he starts to slowly find out about this vast and secret organization that’s in control of so much. Digging deeper, he’s able to uncover that it spans into the Human Realm and includes some well respected and high class cultivators too. Luo Bingge tries to wriggle out who the leader is, but everyone is so tightlipped and elusive that he’s actually having trouble finding info out. It drives him mad. Xin Mo is also capitalizing on this obsession. Luo Bingge can’t be the indisputable Emperor of all if there’s some shadow organization pulling the strings behind the scenes. Shen Yuan, however, is blissfully unaware that he’s caught the attention of Luo Bingge, still thinking he’s successfully flown under the radar, and tells his harem Friends to avoid getting on Luo Binghe’s bad side and to help him however they can, hoping that this will get those that would have died as canon fodder in Bingge’s rise to greatness to be able to survive it. This just drives Luo Bingge even more up the wall bc he doesn’t know why this secret organization is deciding to back him in everything and so he doesn’t know their motives and so he can’t use those motives to his advantage and so he doesn’t have absolute control! 

When he does finally get a member of the harem organization to talk to him, they just say “Our master is wise. He sees potential in you. Do not squander our master’s good will.” because when they asked why Luo Binghe, Shen Yuan said something like “I believe he’s destined for greatness. I want to see the world he creates.” or “He has great promise. I want to see what he does.” all sage like while internally panicking, hoping that that was vague enough so they don’t continue to ask why he wants to help this random demon that he’s never met. This answer does not help to assuage Bingge’s unease at this secret organization and their secret leader, and only makes it worse bc how does this man know Luo Binghe well enough to know his POTENTIAL!?!?! But he can’t ask the person more bc they vanished from their cell after Luo Bingge was called away on urgent business. And, they also somehow have a way to counteract his blood parasites. Bingge is seriously losing it over this. (He doesn’t know about Zhuzhi-Lang and Tianlang-jun, and I’m sure they both know a lot more about Heavenly Demon abilities and how to counteract them than Bingge does)

Shen Yuan and his harem friends end up leading Bingge through the Demon and Human Realms with mind games and wild goose chases, every adventure leading to Bingge gaining more power. Shen Yuan eventually learns that he’s caught Bingge’s eye and hopes that this all will show that Shen Yuan is a friend and not a foe. See! He’s helping you gain power, Bingge!! We’re not enemies!!

Luo Bingge is not put at ease by this and every encounter with the harem organization is just leaving him more frazzled. Eventually Shen Yuan and Luo Bingge meet on one of these crazy adventures when Shen Yuan had to get involved, Shen Yuan in his Mysterious And Cool Cultivator act, and disguised so that even a Heavenly Demon and the protagonist won’t be able to recognize him. (Zhuzhi-Lang and Tianlang-jun helped him test his disguise out) Shen Yuan spouts more of his Wise Nonsense at Luo Binghe to make Luo Binghe see that they’re on Bingge’s side before vanishing without a trace. After every time, Luo Bingge screams and levels some stuff in frustration. He still doesn’t know what these people are after! How are they so elusive!? 

Because of all this, Luo Binghe’s plans to infiltrate Huan Hua Palace and destroy Cang Qiong Mountain Sect are put on hold. He doesn’t know exactly how far this secret organization's power reaches, but he can’t go in blind with such a big power behind the scenes. He does know that the secret organization has reaches in CQMS, but doesn’t know how deep (Liu Qingge’s been hard at work there and all of Bai Zhan is under Shen Yuan’s command along with over half of the other peaks. Shang Qinghua is freaking out because he didn’t write this!!! Who the fuck is that guy!?!? Why is he rivaling Bingge!?!?! And, WHY IS HE WINNING!?!?!? Bingge’s supposed to reign supreme, not some rando he never even wrote! He’s wondering if he maybe wrote out this idea while high as fuck and delusional with sleep depravation which is why he doesn’t remember it, but he knows he wouldn’t do that even at his most addled bc Bingge is supposed to be unrivaled. That’s why he scrapped the Tianlang-jun vs Bingge idea.) 

Bingge gets so caught up in paranoia over this secret organization and not knowing whose a part of it and who's not and what they really want that he’s not negating Xin Mo with dual cultivation bc are the women part of the organization? Are they in on it? What do they want? What do they gain by sleeping with me? So his control is slipping.

It’s also during this time that the harem organization start getting closer to Huan Hua Palace and the Old Palace Master. Their progress is helped when Shen Yuan, during a friendly get together with one of the high ranking members of his harem organization his Friends, he accidentally slips that he’s wondering the validity of the Old Palace Master’s claims of Tianlang-jun wanting to invade the Human Realm and the story of what’s really going on there. The harem organization takes his words as Shen Yuan telling them to look into this matter, so they set their sights fully on Huan Hua Palace and the Old Palace Master.

Not long later, they uncover the Truth, and clear Tianlang-jun’s name, dragging the Old Palace Master’s through the mud. Tianlang-jun, hearing about this, swoops in and kills a whole bunch of Huan Hua Palace high ranking members and the Old Palace Master along with a bunch of other powerful people involved in the cover up and mess. The organization, at seeing the gruesome slaughter, are at first horrified bc who has this kind of power to slip past the organization's defenses and do this? But, then someone spots Tianlang-jun slipping away, recognizes him as Shen Yuan’s son, and concludes that Shen Yuan was the one to do this. Later, at another friendly get together with Shen Yuan, one of them vaguely mentions the slaughter, subtly asking if Shen Yuan knew of it and even more subtly inquiring if he was the one to do it. Shen Yuan, knowing that Tianlang-jun was the one to do it and just got finished burning the bloody robes Tianlang-jun had come back in after reprimanding him to be more careful what if someone saw you???, doesn’t pick up on this at all and is instead trying to divert attention away from them, says something vague back which only confirms in the organizations mind that Shen Yuan was the one who did it. With their firm belief that Shen Yuan knows what’s best, even if they initially thought the execution was horrific, they believe that they had deserved it if Shen Yuan would resort to such tactics.

The organization sweeps in and helps clean the mess up, CQMS and other sects and businesses affiliated with Shen Yuan and the organization distribute Huan Hua Palace’s wealth and territory, gaining more influence. Luo Binghe hears about all this, and poking around some more, finds that the organization was behind this. The fact that this clandestine organization was able to take down such a well established and reputable sect like Huan Hua Palace only sets him more on edge about them. If they can do that, they could also dethrone him too, couldn’t they?? Just because they haven't outright opposed him yet doesn’t mean they won’t. He cannot trust such a powerful organization.

Eventually, Bingge tracks down Shen Yuan and, in a great show like in Hua Yue City, Shen Yuan has to pull the “self-destruct for you” card to stop Bingge’s qi deviation while saying more Wise And Meaningful Nonsense that has Bingge realizing that this guy was really on his side. This entire time, this guy has had unwavering faith in him and his abilities. This entire time, he’s had his whole organization working to help him in any way possible simply because of that. That this entire time, his only motive was to see what Bingge would become, see the world he creates, and for him to be happy. And now he can’t even do that. Because he’s dead. For Luo Binghe’s sake!!

And, Binghe…

Binghe just can’t take it. He hasn’t had someone so staunchly on his side since his mother died when he was little. He starts bawling. He can’t help it. He hasn’t cried in so long, and he just can’t stop the tears. They just keep coming, a heartbreaking wail from his mouth, while he hugs the dead body to his chest.

Other members of Shen Yuan’s harem organization that watched the whole thing stay standing around this scene, some tears falling from their eyes too, not able to believe that Shen Yuan is really dead. Liu Qingge, and others, are getting ready to fight Luo Binghe for Shen Yuan’s body, but before more fighting can break out, Tianlang-jun struts in with Zhuzhi-Lang following meekly behind him. The harem organization members that don’t know about the truth are shocked and scared bc they were supposed to get Shen Yuan’s son away from this chaos and protect him from Luo Binghe. But, Tianlang-jun (whose like a teenager or something by this point) just ignores everyone’s shouts and deftly evades their protective grabs for him, waking straight up to the still bawling Binghe.

See, Tianlang-jun is not nearly as oblivious as Shen Yuan is—he’s the exact opposite really—so he clocked Luo Binghe starting to fall for Shen Yuan a while ago, captivated by the challenge and mind games that Shen Yuan was playing with him, and is staunchly knowing that Luo Binghe won’t attack them again.

“Luo Binghe, do not fear,” he starts seriously, then breaks out in a massive grin and gives him a thumbs up, “we have contingency plans in case of death! Many of them!” Because of course they do. They’ve long secured the Sun And Moon Dew Mushroom Seeds and started growing them to Shen Yuan’s body. Tianlang-jun also still has access to the Holy Mausoleum and the Resurrection Chamber. And, with both Shen Yuan’s PIDW knowledge and Tianlang-jun’s and with his resources, they have a vast variety of back up bodies and plans for many different circumstances. It is also revealed that this is Tianlang-jun and literally no one is surprised by this development. Of course Shen Yuan’s son is the last Demon Emperor who’s supposed to be sealed under a mountain. It also made some of them “understand” why Shen Yuan had been so ruthless in his execution of the Old Palace Master and others since they now knew he had a personal interest in the matter.

When Shen Yuan wakes up, he’s immediately tackled by a sobbing Luo Binghe who places a big, fat, wet kiss on his mouth. He tries to reel back, but Luo Binghe has him in a death grip, so he can only stare wide-eyed at Luo Binghe until he pulls back to keep sobbing against his chest. Those of the harem organization that were there were furious at this bc barely any of them have kissed Shen Yuan and they’ve been in his harem service longer!! And, instead of shoving Luo Binghe away, Shen Yuan hugs him closer and pats his head, trying to calm him down, whispering that “No, Binghe, I won’t go anywhere. Yes, I can stay with you. Please don’t apologize, Binghe, this isn’t your fault. I should have done better to make you see I was on your side. You’ve done nothing wrong.” and so on.

After this, Shen Yuan is no longer able to maintain his cover as Background Character A, but that’s okay because he only kept it so he wouldn’t get taken out as Bingge’s rival or something. Since Binghe is on his side, he can live his whole life as a Mysterious And Cool Cultivator, living out his transmigration dreams unhindered! But, Binghe, what do you mean you’re making me Empress of the Demon Realm? I’m a man! I can’t be your Empress! Pick a pretty girl for that if you want one! Tianlang-jun, why are you laughing!? Why are you supporting this!?

Binghe convinces Shen Yuan to marry him by presenting it as a political marriage since Shen Yuan is in control of so much, and if he wants Luo Binghe to be the Emperor of it all (which he knows Shen Yuan wants) then they really need to be married and Shen Yuan made Empress for his reign to be undisputed. Shen Yuan eventually figures it out, and by that point he’s also figuring out that he actually has feelings for a lot of his “friends.” Well, it’s a good thing they all want to marry him too.

There are a long line of weddings after this as so many of Shen Yuan’s friends harem demand to be formally married. Binghe fights for position of First Husband. And wins. Because of course he does.

Luo Binghe has pretty much lost interest in his own harem (which was still pretty small and shrinking when he decided to kick women out for fear they were part of the organization), and becomes nonexistent after his marriage to Shen Yuan. It’s not a problem though, because Tianlang-jun, Shen Yuan, and Shang Qinghua pull resources and knowledge to nullify Xin Mo’s effect on him, so his harem is obsolete anyway.

—Later, once things are settled, probably:

SQH: bro, wtf? You haremed my harem novel.

SY: 🤷

I just feel like Shen Yuan and Cid are so similar. They both curate their role in their new transmigration life, bullshit through so much by spouting wise nonsense, and making people fall for them left and right while being totally oblivious. Shen Yuan just gives Cid levels of oblivious vibes.

I’m not super feeling my svsss fics right now, so I don’t think I’m gonna write on them and just close the tabs for now. Idk. I’ll prbly come back to this later at some point, but 🤷‍♀️ Hoped you enjoyed this 😊

If anyone has any ideas for what to call sy's version of Shadow Garden, let me know. I was feeling stuck on that part, but like I said, I don't know when I'll come back to this.

[ataraxiaspainting]

What are your favorite yandere fics?

i'm going to be listing a whole bunch because i feel like people in the yandere community/fanfic community in general are just so talented!! <333 i'm still getting a grip on my writing style, so i really look up to them!

please read all content warnings before reading! also please respect everyone's rules!

sfw blogs:

by @teabutmakeitazure

devil's advocate (yan chrollo) cogency of the deluded (yan chrollo) roll a die, roll a poison (yan aventurine) pinprick on the backdrop (yan chrollo) (this fic doesn't have warnings because of spoilers, so please read with discretion!) perforate and permeate (yan illumi) closing shift (yan (demon) childe) prerogative (yan (modern) childe)

by @harmonysanreads

sumeru love hexagon au yandere ex boyfriend aventurine the persistence of memory (yan mr. reca) playing dress up with yan aventurine + sunday + dr. ratio + blade

by @brynn-lear

who drank it? (yan aventurine + dr. ratio + gallagher + more!!)

not sfw blogs (or just fics in general) listed below!

by @ddarker-dreams

hide and seek (yan scaramouche) zufriedenheit (yan johan) a dangerous game (yan childe) birthday blues (yan chrollo) when worlds collide (yan scaramouche) nexus (yan blade) (nsfw warning!) idée fixe (yan chrollo)

by @after-witch

bus stop (yan geto) (non-con warning) two birds one stone (yan gojo) (non-con warning) no appointment necessary (yan overhaul) sufferance (yan chrollo) (non-con warning) do no harm (yan overhaul)

by @uvobreakmylegs

enjoy the silence (yan (vampire) illumi) (non-con warning) digging deeper (yan (college au) nobunaga) (non-con warning) new beginnings (yan (mafia au) nobunaga) the sixth floor game (yan (demon) shalnark)

by @merakiui

kalopsia (yan xiao + zombie reader) cat's cradle (yan childe) hatefully yours (yan scaramouche) (dub-con warning) half-off love (yan scaramouche + implied yan childe) (nsfw warning) death row undertow (yan (serial killer) jade) (nsfw warning) sea glass (yan octotrio) 11:11 - sugar dew sewn anew (yan rook) eden (yan rollo) (non-con warning)

by @stickyspeckledlight

destroyed onset (yan aventurine) (non-con warning)

by @jessamine-rose

all of her yan harbinger fics honestly, but ardor of a lover (yan (vampire) pantalone) is actually my favorite!! <3

this list may be added onto in the future because there are so many amazing writers out there!

[saiintvalentiine]

hello............ loyalty duo werewolf au..................... im gonna start posting bits and bobs here and there of things ive written that dont really have anywhere else to go. no promises on if this will be continued, but i. i do love me some werewolves........................ divider

Warnings for vague descriptions of injuries and implied torture. The writing and editing is kinda rough, sorry for any major errors :')

Wordcount: 1,087

“Werewolves don't exist,” is what the voice says. “What the fuck, werewolves do not exist!”

The muzzle hurts. It's too tight for his face. But he doesn't move from where he's laid, a bloodied heap slowly healing from his wounds. Every full moon he's dragged into this bedrock room after his fights, and every full moon he tries to escape while adrenaline is still flowing through him, and every full moon he suffers the consequences of thinking they can’t possibly stop him this time. He's too tired to fight this new voice, their scent uniquely cat-like and hovering above him. His eyes are too swollen. He's cried quite a bit. It's hard to stop when he's like this.

“Shit, I guess werewolves exist. Fuck. This isn't what I thought was gonna happen when they said there was dog fighting.”

The voice hovers closer, and he tries to shy away. Something is— broken, probably, in his leg, and his claws are cut through the quick, but he tries anyway to press against the wall.

“Hey, hey hey hey, no, I'm not gonna hurt you,” the voice pitches down, softens, and the part of his mind that can't bear another moment of cruelty forces a whimper out of his mouth. “Oh that's— I'm not gonna hurt you, I'm here to get you out, yeah? We're gonna leave. We're gonna leave riiiiight now, right now, I scared everyone else out, it's just you and me now.”

He's not sure he believes the voice, but beyond the walls, there is a terrifying, blessed silence. Whatever this voice did to everyone else, it could probably do to him. He's in no shape to fight it off.

“Hey,” the voice is even quieter now. “It said outside the door that your name is Wifies. Is that you? Wifies?”

He recognizes the name as the one they call him when he's not like this. He can't make any meaningful noise with his muzzle on, but he tries for. . . a purr, something in his chest that isn't a growl.

“Okay. Wifies. Okay Wifies, I'm Ken. You look too big for me to carry, so we need to work together to get you out of here, yeah?” there's some rustling, and Ken curses. He can't help the way he curls up further. “I brought all my escape kits but not a single healing pot. I'm an idiot.”

Getting up from his curled up spot sounds impossible, but his nails are already growing back in as jagged spikes, so he knows he can do it. He struggles to get his arms beneath him, hoisting himself up after a few false starts. Using his good leg, he twists around to sit and lean against the wall. That little bit of effort has him panting, or panting as much as he can within the metal restraints of his muzzle. He peels his eyes open, ignoring the sting.

“Hoooooooly shit,” Ken mutters, staring up at him. He's a head taller than Ken like this. “I definitely can't carry you, my God.”

Ken is dressed in all black, a brown strap across his chest and a bag hanging off his back. He's a cat hybrid, which explains the smell. His ears and eyes and whip-thin tail are split between a candied green and a golden orange. As soon as his blood stops rushing through his ears, he can hear Ken's heart beating, fast and skipping.

He can't make himself any smaller if he's meant to walk. He lowers his head and puts his ears back.

“Nooo, no no no, it's— you make yourself very small very well. Um, okay, let's— how am I gonna get you out of here?”

His bad leg still hurts, but if he can leave. . . He digs his palms into the bedrock behind him and pushes himself to stand. His weight, as paltry as it is for a wolf his size, causes his bad knee to buckle. Ken yelps. He withstands the shaking, burning pain of it to stand up properly.

“They don't chain you up anywhere?” Ken asks, eyes darting around the room. “I've got a netherite axe. I could definitely split any chain.”

Chains were no good. Once his nails grow back, they're easy to shred. He stares down at Ken.

“Jeez, you're huge, good fucking grief.”

He lumbers forwards towards Ken, and the darkened double doors of his cell. Ken takes a step back, then another, then turns around to push the doors open to their absolute maximum. He hunches over to squeeze through.

The hallway is just as dark as the cell, uninterrupted bedrock as far as he can see.

“It's a bit of a labyrinth. Just follow me.”

Ken hesitates for a moment before weaving his way through the halls. He follows, a loud, thudding, limping pace that should have alerted every single creature around to his presence. But it's just Ken’s feather-light footfalls and him. Whatever Ken did to clear the place out was absurdly successful. 

As they turn another indistinct corner, he sees— moonlight. It pools onto the floors, sweet and cool and calling to him. There's a hole blown through the bedrock, the sparkling smell of redstone surrounding it, and he scrabbles around Ken to squeeze through it. Tumbling onto soft, dewey grass (grass, real grass, when had he ever felt such a thing?) he loses all strength and lays on his back, staring up at the full moon.

She's so huge. He's never seen Her before, had just known when She was full or new in his core. But here She is. She is huge and beautiful and he feels, for the first time ever, at peace.

Ken hops out of the hole and steps closer, crouching next to him.

“Hey buddy,” Ken says. “Do you think I can take the muzzle off?”

He shakes his head, then growls for good measure— a soft growl, low and short to not intimidate Ken too much. He can't explain that the muzzle was put on when he was smaller, that it can’t be removed when he’s like this. Or, it can, but it’ll hurt so much he might cry again. Better to let Ken believe that it’s impossible, just in case.

“That's a no. Okay. Well, we should probably leave soon before anyone realizes anything,” Ken looks up at the sky before swinging back and sitting down in the grass, sighing. “But I don't think sitting here for a little longer can hurt.”

Wifies purrs and basks in the moonlight.

[eponymous-rose]

Some (many) thoughts on Arcane s2 while it's still fresh in my mind:

(tw: discussion of fictional depictions of suicide)

I'm gonna do some nitpicking here, but only because I really did like it overall - I think for me s1 was a solid 10/10 and this season was an 8.5/10, so I'm certainly looking forward to rewatching it! The animation was a big step up from s1's incredible work, the music was great, the performances were fantastic. I do think the overall writing/story fell down a bit, though.

It's weird, because my go-to when character arcs feel rushed is to want more episodes, but I don't think that necessarily would have solved my issues with this season.

Cait turned on Ambessa on a dime - we love to see it, but I think we maybe needed a few more overt hints of her discomfort with her position, maybe a sense of wrongness in their adoptive relationship and some parallels with Jinx & Silco given what Vi says early on ("why are you the one acting like her?"). Ambessa believes her daughter to be lost, and Cait has lost a mother - they were certainly playing on that substitution, but the eventual turn, while fun, felt a bit quick and unearned. I saw someone joke about the word "Cupcake" flipping Cait back like a sleeper agent, but that's kinda how abrupt things felt.

I think Mel's plot largely hung together okay, although it was pretty disconnected from everyone except Ambessa - would've loved to have seen some acknowledgement that Cait was filling her shoes as Daughter for a while there.

Isha was sweet and I liked the parallels with the Powder-Vi relationship (LOVED Jinx running with the pink chalk and Isha with the blue), but I think the sacrifice metaphor got a little muddled. The parallels with Powder charging in and killing everyone around her, versus Isha charging in and saving everyone but herself felt a little forced and I struggled to see how they served the greater narrative. The whole point of Powder's failure was a messy combination of bad luck, overcompensating for what she perceived as a lack of confidence in her, etc. Isha had Jinx's confidence on her side, I guess, and now of course we have the foreshadowing of Jinx dying to save someone else, which she's been trying to do since Act II.

Suicide was a pretty heavy concept throughout the first season. We had the parallels of Jayce and Viktor, we had the little-remarked-upon moment where Viktor hesitates before cutting the wire on Jinx's bomb. I actually think this season did pretty well with those two (although I'll talk about a couple things that irked me below), but the concept that we can't escape the things that we've done and we instead have to find salvation in those around us felt kind of contrary to Jinx's finally finding a way to die for her sister. I don't know that Jinx's story was necessarily supposed to feel satisfying or complete, but without another season there's not much to dig through there.

And that brings up the main reason I don't think more episodes would have resolved my quibbles with this season: it was pretty prone to overexplaining. To me, one of the most exceptional things about that first season was how little it explained. You had these gorgeous, evocative flashes of Vander trying to kill Silco, Silco stabbing him and fleeing into the night, and that's all we needed! That's it! We didn't need to know the specifics, we didn't need more backstory than that - the whole point of the season was that these kids are trying to make their own stories, and these guys have set the stage and are in the process of bowing out. Much as I loved the glimpses this season into the past generation's adventures, it felt like it was pinning something down that was more effectively left to the imagination.

There were also some weird fumbles with discussions of disability, especially in that last episode. I loved so much of what season one did with it - the older generation of Zaunites almost all had some form of disability due to the way they'd been systematically poisoned and their constant exposure to danger, and that was a really in-your-face way to challenge the early "why can't we all get along" stuff. And so much of Viktor's and Jayce's arcs are tied in with the sense of time running out and how Heimerdinger's long-term goals are incompatible with helping the people suffering right now. But instead we get this weird "you didn't like your imperfections so you tried to eliminate all imperfections", which doesn't quite ring true.

We just fundamentally didn't get to a resolution that I think was heavily implied, especially in Act II. "No one in power is innocent" is a great, raw line, but we didn't really see it play out. Instead, we have everyone stopping from othering each other in order to band together against an even bigger Other. As a side note, I don't think that Sevika's ending is meant to be a positive thing - we see from the skeptical looks of others that she's got a long road ahead. The revolution we saw coming just sort of fizzled out, and I think it's still on the horizon, which makes things feel incomplete.

There were also a lot of notes that repeated instead of echoing or harmonizing. We had variations on the theme of Vander dying three different times. We had Vi being unable to kill her sister several times. The repetition felt a bit like it was filling time instead of moving things forward the way s1's plot kept pushing.

This season is also the first time I felt the hand of League of Legends Canon shoving the plot into place. We knew Vi was heading for that enforcer uniform, but after the initial conflict it sometimes felt more like we just unlocked a new skin for the character. The Vander-as-Warwick stuff was kind of silly and out of left field, although it was executed pretty well and certainly pulled at the ol' heartstrings. Ekko getting his time abilities was fun and impacted the final fight, but I feel like we were missing something there as well that I'm having a harder time putting my finger on. Some of Viktor's lines felt designed to make the League players in the audience go "HE SAID THE THING". And I hate the feeling of setting up the Next Installment in the Cinematic Universe, probably just because I'm exhausted with Marvel stuff - I'd love for an adaptation like this to be able to really and truly stand on its own.

Overall, it just felt less like the characters were driving the story and more like they were ticking off boxes, which is just something that any good finale has to contend with one way or another.

Anyway, that's a lot of nitpicking. Fundamentally, this felt almost like it was a really strong fic that did a surprisingly good job of wrapping everything up and was stunningly put together in places... but still lacked the spark of the original.

Stuff I loved: Vi/Cait getting a pretty strong arc and certainly the first lesbian sex scene I've ever seen in a TV-14 cartoon. Animation and score was stunning. I did love the what-if of episode 7 - something I've been waiting for them to acknowledge is that literally everything that happens in the show follows from that one break-in during episode one. I actually think Vi and Jinx's reunion and reconciliation felt earned.

I'm curious how I'll feel on subsequent rewatches - the first time I watched s1, I remember being blown away but not in a "this is the best thing ever" way, and it wasn't until the second time that it really clicked for me.

[recurring-polynya]

In one of my other fanfics, I made an allusion to a story from Rukia and Renji's youth where she got nervous about the size of her chest and made Renji give an opinion on the matter. I was always very charmed by the idea of it, and earlier this week, I felt like writing it, so I did. Originally, I didn't intend to post it, because it skirts a little close to underage sex stuff, but a) they're immortal ghosts and they live on their own and become child soldiers like two years later, and b) it's really nothing. Teens, even human teens, can see a boob. It's fine. Don't read it if it bothers you. Also, if this bears resemblance to multiple stories I have written in the past, it's because I think Rukia is just like that. This will probably not be the last one, either.

Rated a hearty PG-13 for cussing, partial nudity, and some adolescent sexual awakening

| read on ao3 |

"Renji," said Rukia. "I need your opinion on something."

Renji had been breaking up sticks to dry out for firewood around the backside of the broken-down squat he and the gang had been trying to get into shape for their winter digs. He wiped the sweat off his forehead with the back of his arm. "My opinion?" he grumbled. "Is everyone else off somewhere?" It suddenly occurred to him that he hadn't heard anyone else's voice in a while.

"Well, yes," Rukia mumbled. "They went into the woods to try and set some traps and maybe do some foraging. But I'm not asking because you're the only one around. I was waiting to ask you until everyone was busy."

That got Renji's attention. This was not the first time Rukia had cornered him like this. He assumed she did this to the other guys, too, but he didn't actually know for certain. Renji tossed the stick in his hand back onto the pile and turned to give Rukia his full attention. She was standing in a funny way, her arms crossed awkwardly over her chest. She looked almost like she was cold, except that it was early September and still sweltering.

"What's up?" he asked.

"You're going to wonder why I am asking you this," she said, her eyes fixed somewhere off to one side, "and it's because I'm trusting you not to be weird about it. Everyone else would try, but then they would be weird about it, and I know you won't be."

Renji continued to regard her silently. She wasn't asking anything particular of him, just stating what she expected. Renji decided he liked the idea of being a guy who wasn't weird about stuff, and decided he would do his best to uphold that trust. He was also prepared for whatever she was going to say next to be spectacularly weird. This was Rukia, after all.

"Also," she said, "you go around with your shirt off all the time. You're the least self-conscious person I know about. You know. Body stuff."

An alarm signal went zinging through Renji's nervous system. It was true that he wasn't all that concerned about bodies, his own or other people's. A long time ago, he'd had to make a decision about Rukia's body, which he sometimes had to touch and slept next to at night and had seen naked more than a few times. She'd become a little secretive about that recently, and he'd taken care to respect that decision and avert his eyes when he needed to and made sure all the other guys did too. The decision he had made was that Rukia's body was exactly like Fujimaru's and Mameji's and Kosaburou's, which was to say, it was a thing that existed but was none of his business, unless say, she needed an injury patched up or something like that.

"Something wrong?" he asked gruffly.

"Not-- well, I don't know. That's what--that's what the opinion is for."

Renji rubbed the back of his neck. "I'm really not sure I'm the right person to ask. I know the old herb lady is pretty deep in her own brain most the time, but if you catch her on a good day, she knows a lot of stuff about--"

"Oh, for fuck's sake, Renji, I just want to know if my boobs are good or not!"

Renji stared at her. Rukia's face was beet red now.

"Uh…what?"

Rukia made a little huffing noise. "Look. I know you know I've been binding my chest for a while now."

Renji shrugged noncommittally. Rukia hadn't been particularly shy about letting them see her in her chest wrap. A lot of girls in Inuzuri did. Usually, it was a safety measure.

"I think they might be done growing. I'm worried they're…well, they're kinda small."

Renji ran his fingers through his hair and tried not to look at her. "Seems like that would make them easier to bind, no?"

"Well…yes, that's true."

"It's not like it's something you can control. You shouldn't worry about it."

"I just don't know! Maybe they're fine actually! I'm the only one who gets to see them and I think I may have gotten too wrapped around my own axle about it and I just wanted a second opinion, okay?"

Renji sighed. "Okay. Sure. If it'll make you feel better."

Rukia took a deep breath and then lowered her arms. Nervously, she tugged at her yukata below the sash to get it adjusted properly.

There was now the slightest curve in the fabric between her shoulders and her waist. Renji wasn't sure he even would have noticed it if she were just some girl he saw on the street. But that curve was there, and it was doing something weird to the pit of his stomach.

Cleavage was no rare sight in Inuzuri. Both in the streets and the gambling halls, plenty of women kept theirs on display for, uh, business reasons. Renji could tell the difference between the more and less attractive sets, but he'd never been quite as excited by the prospect of a hearty set of tits as some of his peers. He didn't think this constituted any kind of moral high ground. The fact was, he was just mostly into dudes. A pair of well-muscled forearms or a particularly sharp jawline was usually more likely to do him in. But there was something about that mysterious curve, the suggestion of tits, of Rukia's tits…

"They look fine to me," he announced.

Rukia looked down at them and frowned thoughtfully.

A strange, slightly foreign thought, possibly a stray memory from his human life, popped into Renji's brain. "Isn't there even--like with fancy kimono--aren't you supposed to make a smooth profile? Maybe you've just got a fancy-lady figure."

Some of the color had receded from Rukia's cheeks. "Why do you always know these things? Also--fat lot of good that's going to do me."

Renji shrugged. "What kinda good were you hoping they were gonna do you, anyway? I mean, you wouldn't wanna-- that is--" He grimaced, thinking about business reasons again.

"I might like to kiss someone, someday!" Rukia declared, cheeks going hot once more. "I'd like…to be worth looking at. You're going to be ten feet tall and have shoulders for days and you've already got that hair, so I realize that's something you've probably never once thought about."

Renji stared at her uncomprehendingly. "You think I'm good-looking?"

Rukia seemed to be staring at something over her shoulder. "You're certainly striking."

Renji had honestly never thought about himself in that way before. Mostly, he thought he'd stuck out in a way that was mostly pretty inconvenient, given their skulking and pickpocketing lifestyle.

"You have an interesting voice," he pointed out, drawing the words out as he tried to think of more things a theoretical person who was not him might find attractive about Rukia. "And you're good at a lot of things." She also had a pretty face, maybe the prettiest face he'd ever seen in Inuzuri, with big blue eyes that you could just fall into. He couldn't say all that shit, though. It would just embarrass both of them, plus she would think he was lying to make her feel better. He wasn't. It wasn't even, like, his opinion, it was just the objective truth.

Rukia huffed again, clearly unsatisfied.

Renji threw up his arms. "They're under your clothes! Wouldn't you rather kiss someone who likes you because you're cool, rather than because you've got a nice pair of knockers? Which isn't even to say they aren't nice! You just can't tell! They could be great under there. That's it's own kind of allure. The-- the, uh, mystery." He regretted saying it the moment it was out of his mouth. This always happened with Rukia, though. He was always telling on himself.

Rukia stared at him for a long moment. Then she hooked her finger over the closure of her yukata and pulled it away, staring down into the depths.

"Are we done?" Renji asked, trying to sound bored and failing when his voice wavered on the last word.

Rukia looked back up at him. "You've never even see a naked girl-tit, have you, Abarai?"

Renji wrinkled his nose. "Not…not really, no. Not…head-on."

Rukia set her jaw. "Okay. We're doing this."

"What--" stammered Renji. "What are we doing? We don't need to--"

Rukia pulled her yukata wide and shimmied her shoulders loose.

Renji swallowed thickly.

He had changed his mind. He did, in fact, like girls. Fuck, did he like girls.

Rukia's breasts were small, that was just a fact. They were also gorgeous. Smooth and straight on top, ending in a sharp, rosy nipple. They curved gently on the underside back to where they rejoined her body, like two ripe, blushing pears. Renji could imagine cupping one in his hand, the way it would fit in his palm perfectly. He squeezed his hands into fists, reminding himself that they were dirty and covered in small bits of bark from breaking the sticks. He absolutely could not reach out and touch them, even beyond the possibility that Rukia would murder him if he did (would she, though? He wondered). It turned out this was a mistake, because now he was thinking about kissing Rukia's breasts, about the way they would taste, how he could take nearly the whole of one in his mouth. He squeezed his eyes shut. "Fuck, Rukia, put your shirt back on!"

"They can't be that bad," Rukia grumbled.

"They're not, they're really good! Surprisingly good! You should save them for whoever it is you want to kiss! Please put your shirt back on!"

"You're so weird," Rukia laughed, and he was glad to hear the ring of relief in her voice.

There was a long pause with a few rustles of fabric being adjusted. Renji chanced to unsqueeze one eye to see if she was dressed again. He was just in time to see her cross the second side of her yukata over the first, catching a last glimpse of a pretty little tit before the fabric settled over it. A secret once again, but no longer a mystery. Fuck.

"You can open your eyes now, you big baby," Rukia announced, reknotting her sash. Evidently she hadn't noticed him peeking. She wasn't even blushing anymore. "Thank you."

"I don't know why you asked me," Renji mumbled. "You know I'm no good at being reassuring and shit like that."

"I didn't want you to be reassuring," she replied, looking up and favoring him with a brilliant smile. "I wanted you to be honest. Which…clearly you were. I don't know what else that could possibly have been."

"Shut up," said Renji.

Rukia snorted softly. "Do you wanna go find the others and fix their snares for them? I'm sure they've set them up wrong."

"I wanna finish dealing with these sticks first," Renji replied. It took his entire strength of will to unclench his hands and pick up a stick, a long, heavy one. He winced when it broke much more easily than he had expected it to. The sound of it was deafening.

"I can help," Rukia said cheerfully, picking up another stick and snapping the side branches off it expertly, humming while she worked.

Renji picked up another stick, and suddenly wished the pile was bigger than it actually was.

"Hey, Renji?"

"What now?"

"They really are--?"

"Yes. Don't ask me again."

Rukia gave a little chuckle, and so softly that he almost didn't hear it, added, "Huh. Who knew?"

[camillomea]

Child of crime alley 4- telepathy

Here is the new chapter, I hope you like it. Enjoy reading. Write your thoughts in the comments. I am always open to suggestions and criticisms.

Tim looked at Bruce. Bruce was examining him and asked, "Are you cold?" Tim said, "I'm fine." With a flat expression, Tim said, "I understand." Bruce said quietly. Tim thought, "What does he want?" They were all really weird lately, he was tired of dealing with it. He took his computer out of his bag, it was probably expired, but he didn't want to spend unnecessary money, he definitely didn't have enough money for that, he started to turn on his computer, he leaned back while waiting for it to turn on silently. Bruce was watching him. "Have you eaten?" he asked. Tim said, "Yes, I ate before I came." Bruce nodded.

Jason came with two mugs in my hands. "Here's some tea. It'll help you warm up." Tim said, "Thanks Hood," he said, taking the mug. Jason's eye twitched, but he didn't comment on the Hood. He stuck his head out from Tim's side and looked at what he was doing. He frowned at his computer. When Tim got too close to him, he looked at him as if he was asking. Jason asked, "Can you look at something for me later?" Tim asked, "What is it?" Jason said, “It’s about a case.” Tim said, “Okay. I’ll take a look before I get to work.” Jason said, “Thank you, Little Bird.” Tim nodded silently and drank his tea. Jason had pulled up a chair for himself and sat down. He glared at Bruce before he started to mind his own business. Bruce said, “What happened?” telepathically. Jason said, “Bird and I had a long talk today.” Bruce said, “About what?” telepathically. Jason said, “I wonder what it’s about.” YOU THINK. Bruce flinched and looked away. Jason said, “We need to talk. But we’ll do it after Bird gets back to where he lives.” telepathically. Bruce nodded silently. Jason said, “The rose in my palm turned color after I made contact with him.” telepathically. Bruce’s eyes widened. “No, no, that can’t be impossible. If it was, I would know. We would know. It’s impossible,” he said telepathically. Jason said, “That’s what happened. And you’re too stupid a jerk to realize it,” he said telepathically, angrily. Bruce flinched. Tim looked at them staring at each other. “Umm, is something wrong?” he asked nervously. Jason said, “Oh no, Bird. It’s nothing. He was just asking me something.” Tim blinked. “What do you mean?” he asked. Jason froze. “Little Bird, you know about soulmates, right?” he asked. Tim said, “Well, I heard,” he said, tilting his head. Jason said, “The archetype is usually your parent’s bond. Don’t you have any of those?” Tim shrugged. “I’d be surprised if I did. They’re not my family, after all. There’s a reason I don’t have the Drake surname,” he said blankly. Jason’s eye twitched. “And what’s that?” he asked. Tim turned back to his computer and focused on his computer. “They left me when I was 11 and fled the country. They even took their last name off my ID. I guess my only regret was not being able to go back into that house one last time and get my things,” he muttered. Jason’s eyes flashed green with anger. He took a few deep breaths to calm himself. Bruce said, “Timmy, are you telling us that your parents abandoned you and left you on the street with nothing?” Tim shrugged, “Yeah. Apparently they got into some kind of trouble and ran away. Not that they were home before, they had been traveling abroad for archaeological digs since I was 4. I didn’t even have a babysitter after I was 6. Apparently I had grown up enough. Anyway, when I was 11 and left on my own, it worked out for me. I was experienced enough to take care of myself,” he said. He flinched when he heard a thud. Jason had broken the glass in his hand in anger. When he saw Tim’s reaction, he asked, “Sorry Little Bird, my hand slipped. It didn’t come to you, did it?” Tim shook his head. “Are you okay, Hood?” Jason said, “Yeah, I’m okay. It’s okay, I didn’t get burned,” Tim said, nodding. Jason cleaned himself up, then said, “Back to the topic. Soulmates have a telepathic connection, so I can curse Bruce’s stupidity without putting money in the swear jar.” Tim laughed lightly. Then he asked, “Oh, so you were talking that way?” Jason said, “Yeah.” Tim mumbled, “Oh, I see.” Jason smiled, but telepathically shouted—HOW DID YOU NOT NOTICE? Bruce looked away. Tim was intrigued by what he was saying, but didn’t comment. He didn’t have a soul mate, after all, and probably never would. So he focused on the task at hand.

[flythesail]

Yep I saw so much of that after the finale! For certain, at least some of the "Amandla can't act" was just racism. (I mean the instagram comments were horrible.) But there was also quite a number of people who seemed to genuinely not understand Osha either when she killed Sol or in her decision to join Qimir. Like you said, in their minds anger would be bold and loud. But I bet a lot of women watching would find her silence/seriousness on the outside with anger boiling beneath more relatable. That is what makes the acolyte important. It's an opportunity to connect with someone you might not "see" yourself as. Yet it's still star wars for everyone. That's the beauty of media but a lot of people are just not willing to interact with a character that isn't a carbon copy of themselves, despite the presence of so many universal themes. Family being a big one.

And agreed, the development of Osha and Mae was subtle and fantastically done. To me, that's the appeal of the show - it's really as deep as you want it to be. I can sit here and say, yeah the lightsaber fights were so fun and it was cool to see Osha turn evil. But I could also sit here and write a whole essay on themes of belonging/acceptance or the nuance of good and evil lol. The material is there and in some cases people do refuse to interact with it on a critical level - or beyond what's spoon fed - and that's where you get some of those odd takes where it's like, were you watching the story being told or the one you expected from *your* perspective?

As for ahsoka, I'm not all that opinionated on it but I will say I think it's another example of DLF digging themselves into a deeper hole. From the trend toward turning anything animated into live action, to the fact that it's just not... something you could watch without context (you'd at least need to watch rebels and the clones wars and maybeeee mando too). Yet they could also see it as a safe bet in that they're drawing on the nostalgia of other shows and relying on an existing fan base.

But! I also just read s2 of of ahsoka is being written to work as an ending because s3 isn't guaranteed. And it's just so odd because what is going on at DLF that they can't commit to anything anymore? The acolyte is a particularly crazy case because it's a new era and could have jumpstarted the next decade of content. We know there were talks of a writers room, a LOT of tie-in material for s1, and they were looking for s2 directors before they called it all off. So to hear ahsoka is up in the air too, it just has to be a mess behind closed doors. Even tying up mando with a movie is weird imo after the shakiness of s3.

Which just makes this all so frustrating as a fan. It's star wars and they have disney money. They could make shows or movies about literally anything. Instead, they throw away anything new and recycle the rest.

Okay last thing for now! But I did start rewatching the other day, and I wouldn't be surprised if a lot of people dropped the acolyte after episode 1 and 2 because they're slower. Yet I'm not sure... what you can do about that other than stick with it. Because more exciting episodes like 5 and 8 or even 6 won't be exciting without that intro. You can't start the show with everyone on khofar. And even when andor first premiered, remember what the #1 critique was??? It. Starts. Too. Slow. But now two years later, no one is saying that. Most people are looking back on andor like it's the best thing star wars has done. A lot of this probably is because of the streaming model. It creates a pressure to like a show from the very first second and to watch it as quickly as possible. (Idea being the quicker you like it, the quicker you finish, the quicker you move on to another show so these companies can sell you on the Next Big Thing.) It's just capitalism! But that means we also don't get to take our time with art as much because where's the profit in savoring. With the acolyte, people would have come around too, especially as the hate it got died down. But by canceling it so early on, you give people no reason to. It's like creating proof for a problem you created.

[anonomi]

of the The Tirek Who Tolerated Me. Tell me why the fic where Spy literally sings a villain song while fighting a horse (and horribly losing) almost made me cry due to the relationship between a dashing, globe-trotting assassin and an evil pink little horse... literally literature

[gingermintpepper]

As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version

Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].

So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.

This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus

Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.

So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.

Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺

ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.

I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!

That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.

For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:

(Ovid. Metamorphoses. Book X. trans. Johnston)

Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:

(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)

Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:

(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)

Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:

and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...

(Nonnus, Dionysiaca, Book 3. trans Rouse)

And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!

Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:

(Ovid, Metamorphoses Book Two. Apollo's regret)

And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:

(Ovid, Metamorphoses Book Two. Apollo wept.)

Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.

(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)

But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:

(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)

Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.

These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.

(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)

Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')

And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:

But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.

It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.

Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.

All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?

The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[yuri-puppies]

went thru the five stages of grief when i saw a cute labru comic where kabru's eyes were gold before i realized that it was from 2018 and that there must have been a point in time when kabru's eye colour was not common knowledge

[i-wiggle-i-squirm-bc-i-am-a-worm]

Unnecessary discussion about Chat Noir and the Drums

There’s something I love so much about Chat playing the drums in Horrificator. This is something that’s been on my mind since I was 13, so hold on here.

First, obviously, Adrien also plays the piano - which obviously still has a lot of meaning!! - I’m not here to diss on the piano, there’s a lot of freedom of expression in every instrument type and music expression in general, but there’s a reason why some people are more inclined to different instruments, and I think there’s a lot more to it than just sound, but feeling as well. The role you play. How it feels to play it alone vs. playing it with others, if it’s typically something that you can play alone vs. in a group.

So first, the piano, and how I think it relates to Adrien’s character, plus how it relates to those points.

The piano, let’s be real, is something that a lot of us were forced to take lessons for at some point. It’s something that has ties to high society (there’s a HUGE discussion and so much more to say about that, but let’s not go there) and honestly?? I think it works pretty well with symbolizing the obsession with perfection that Gabriel shoves onto him. I’ve known many piano players, and while some genuinely loved playing it, it was always easier to somehow stumble onto someone with a deep hatred for it after being forced into lessons. Whenever I asked them why they hated it, I got almost the same answer every time: “I need to be perfect.” (Along with people saying that they were forced to lol)

Then there’s the role you play. You can play with people in a band, an orchestra, as an accompanist, a duet, at a bar with a bunch of people singing - whatever - music has many forms, and many different connections. But the piano is something you can play solo, no need for anyone else. It isn’t what you can do with other people that I’m focusing on for this, it’s the fact that you don’t need anyone. You can play alone, and it’ll still be fine. You can be alone, and you’re still fine - perfect even - which is something that Gabriel shoves down his throat, resistant to him playing with his friends by touching on this ideology.

Which is a glimpse into how he sees Adrien, and how Adrien experiences life. He can be alone, in fact he’s more perfect when he’s alone. And when other people are added, the attention to his perfection is taken away bit by bit, until he’s not good enough. He has to play solo in concert halls, on stage for everyone to watch, not in the back of a bar, playing with his friends.

Alright, so now we move to Chat Noir and the drums. The main play of this fake essay. 

It would be so easy to just ignore everything and just go “haha, he’s the energetic one, so ofc Ladybug gave him the drums! And they’re an easy instrument to play, etc.” but that’s far from the truth.

Ok, so I’m not a drum player or percussionist in any way, but I am a bass player, and genuinely love the drums so much because they’re incredibly important, and here’s my cheesy analogy: the drums are the heart of the band, keeping everyone on beat, it’s what you feel at the centre of it all. The band is nothing without the drums, without the percussion (The bass is what connects the band to the beat of the drums, kinda like the blood vessels, but sadly this ain’t about bass).  Like do you know how easy it is for a band to fall apart if they don’t have a drummer??? You need a drummer. You literally can’t survive without a drummer, because even if you manage to work together, use the bass as a backing, whatever you try, there’s still not much of a heart left.

But besides that, do you know how hard it is to play the drums??? You can’t just throw someone crazy, or energetic there just because “crazy drummers lol” you need someone who listens. Who can set the beat. Someone you can rely on, because they are the person in control, even if they aren’t as flashy as the guitar player. Reliable is the word that comes to mind. The drums can make or break a band.

And wanna know who that reminds me of?

Yeah. I highly doubt that the writers put this much thought into a random five second scene in an episode of season one, but it fits with Chat Noir SO well. 

Unlike the piano, the drums are almost solely played in a group setting - you need other people, and other people need you - he needs other people in his life, his friends are needed, but they also need him. Ladybug needs him, along with all the other heroes in Paris, whether he sees it or not. He seems to get in a state of thinking he’s not needed, but i do really think he’s the emotional glue that keeps the team connected, the heart that keeps them beating. If he’s isolated, he can’t quite reach his full potential that he can when he’s allowed to be around others, just like they can’t reach their own without him.

But on top of that, I think the stereotypes of the drums actually works in his favour for the next part. 

Breaking free from his dad, and being his own person, letting that fame go and embracing what he wants... well, to some that would look stupid. 

Relating it to music, the piano is flashy, you can play it solo, it sounds impressive, looks impressive, and people won’t think you’re just hitting pots and pans in the garage when you say you play it. But the drums are underestimated, a lot of people think you don’t need much practice, that they’re just the guys who sit at the back of the stage, not doing much, but that couldn’t be further from the truth.

Just like Adrien finally being who he wants wouldn’t be stupid, it could never be stupid, but there’s a stigma. But letting go of his flashy, solo life, and being the heart of his friend group is something that I think makes him truly happy as Chat Noir, and hopefully he gets to be like that as Adrien too.

Like Plagg said, Chat Noir and Adrien are both the real him, and I think the drums capture that perfectly. The heart and freedom, the meticulousness (rather than perfection) and steadiness, those are good qualities of a drummer.

I dunno, I just think it fits.

(sdfghjklkjhgf again I should state that acoustic versions of songs exist, and you can play songs without a drum and it sounds fantastic, but I’m not going into that today. Just talking generalization, and playing in a group setting). 

[silusvesuius]

my nelvas and moraak thought crumblets

[melancholic-pigeon]

Okay this is the *actual* last comment, for real, but I just found out Spider is now smearing me as a convert and accusing me of being involved with drama I was not involved with because he mistakenly attributed my apologies for his public temper tantrum as being about something unrelated.

THIS IS A FALSE ACCUSATION and I do not appreciate having yet another bit of fake malicious intent falsely ascribed to my actions and* attributing a completely unrelated attack to me.

Also, it's very sad and disappointing whenever a Jew gets mad at a convert because something else is going on in the Jew's life and the convert happens to be in the splash zone and the Jew falls over backwards to smear the convert and invalidate her faith.

Just....the childish aggression is making me so, so sad and disappointed, from someone I used to think very highly of, who is now lying about me and publicly smearing me with false accusations based on a conflict he started because he misinterpreted something I said and I went out of my way to give him the benefit of the doubt when trying to clear up the mistake HE MADE that led him to decide bullying and attacking me for three fucking days was appropriate and okay and that I'm the bad guy for saying it's wildly unprofessional to behave like this in public to a former customer face.

Sorry, but facts, reality, linear time and the truth of what I actually said and did are on my side here, and I will not stand for being smeared and attacked and shat all over because I had the gall to try to kindly resolve his uncalled for, unjustified temper tantrum.

I am also not sorry that I left a side note in the tags that it was also unacceptable for HIM to drag his daughter into a stupid internet slapfight based on his own reading comprehension failure. Because it was and is unacceptable, and she needs to hear that message from someone.

End of story. Keep digging that hole as long as you like, Spider. It's not helping your case and is continuing to make you look progressively worse and more unreasonable, and the only person you have to blame is yourself.

*revised for clarity

[mantisgodsdomain]

We ought to write more Pokemon fic some time. We want to recreate the Pokemon Manners/Human Manners cheat sheet that we made a few years ago we think that this site would like the Sliding Scale Of Politeness When Greeting A New Pokemon You've Never Met Before.