#i'm not saying this interview means anything either way but way too many people are currently conflating his behaviour on instagram

[leothil]

Not to pull seniority, but Oliver has always spoken respectfully about his ongoing LI's to media. It's been on his private socials he's been more free with his opinions - and that changed during S6 when he remade his ig (again) and stopped sharing as many personal selfies and spontaneous stories.

[trippinsorrows]

with me + part twenty

authors note: this is more on the boring/filler side, and i apologize for that, but it covers some necessary things and hints at other things. plus, the one after this is wrestlemania and then after that is the infamous disney trip, and those def won't be boring/fillers. 👀

also, what do you ya'll think reader is having? i'm also open to name suggestions cause i hate naming characters lmao

status: in progress // masterlist

warnings: fluff, language, angst, and suggestive themes

song inspo: with me by destiny’s child

faceclaims

words: 6.6k

taglist: @pixiedust4000 @yolobloggers @wanderingreigns @southerngirl41 @msbigredmachine @romanreignsbae

Life is one crazy ass ride.

You’ve always known this, but the past few months have really shown you just how insane things can be. It’s been up, it’s been down, it’s been just a fucking rollercoaster of events and emotions, but somehow, things always seen to work out in your favor.

You expected, maybe more so hoped, that your Live with Jadah would go over well. Would help people see and understand that there’s so much more to the story, so much more to you than the lies that have been fed to them by your apparently psychotic ex-best friend. That was the semi-goal.

Well, to say that goal was met is a bit of an understatement.

The Live went viral, spreading and making it to most global and some international platforms. TMZ formally issued an apology to you, Joe, and Jadah, and retracted their story with Mariah, even scrubbing the interview, which Joe’s legal team believes is only to avoid getting caught up in the several lawsuits she’s been slapped with. 

So many publications have turned the tide, no longer speaking on you and your situation with an almost judgmental stance but rather just reposting the Live and letting the facts speak for themselves.

And social media…..holy shit. 

One thing you never expected was for the Live to go viral, but you especially never expected for yourself to also go viral in a different way, that is.

While the general public was initially against you, bashing you every which way to Sunday, it’s almost completely turned with the vast majority now utterly and wholly intrigued with you. They’ve dug up old headshots from when you cheered in college, clips of you either practicing or competing, and a few Snap videos you were in, again, all during your college years.

Not to mention the clips they took from the Live, primarily of you playfully twerking with Jadah. That clipped with the TikToks you did with Naomi has resulted in people making TikToks and “edits,” as Alexis explained, posting and sharing everywhere.

Apparently, the vast majority of social media finds you extremely attractive, and have even been comparing you to the infamous prison bae, Jeremy Meeks, from way back when. Minus the criminal aspects, of course.

“Look at this one! These are my favorite.” Alexis turns her phone so the group of you can see what is yet another edit of you, err, more so your ass than anything to good googly moogly by Project Pat, which apparently was already going viral on TikTok as people post videos of friends and loved ones with a nice ass. Seems you’ve been added to that group.

“I don’t get the fascination,” you admit with a shake of your hand, fingers tapping against your glass of lemonade. “Like, I’m not even famous.”

“You kinda are now,” Bianca suggests. It's a crazy suggestion, too, because in what world does someone like you, from a small ass town with virtually no major social media footprint, qualify as famous. “Not like, A-List celeb famous, but you don’t make it to the Shade Room if you’re not at least kinda famous.”

Alexis makes a sound, adding, “ya’ll whole lil situation made the March event on their calendar.”

“On their what?” Jadah is understandably confused, asking, “what the hell does that even mean?”

“Twin, I’m gonna need to make a PowerPoint for you or something.”

“Please do, and make sure to add the fancy transitions.”

“Custom slide backgrounds?”

“You know the key to my heart.”

The meeting and union of Jadah and Alexis remains to be seen as one of the worst or best things you could have ever done. They’re so damn similar it felt almost criminal to not introduce them, but with both having such strong personalities, a clash could be one of the titans. So far, however, they’re vibing just as well as you and Jadah have. Hence why all of these ladies are sitting around your coffee table, various drinks in hand, most alcoholic, except for yours of course. 

Which reminds you…

“Oh shit,” you announce, four sets of eyes falling on you as you realize you haven’t shared the news with the majority of them, ironically, Jadah being the only one to know. “I haven’t had a chance to ask.”

You decide to be dramatic as hell, pausing as Alexis is the first to say, impatiently, “ask what, hoe?”

Another pause followed by an intentional rub of your belly as you nonchalantly ask, “which one of ya’ll wants to be in charge of planning the baby shower?”

You’re met with instant screams and squeals of enjoyment, a big smile falling on your face as you’re hit with all of the questions and exclamations. 

“I knew it! I knew it was just a matter of time before BDJ struck again!”

“Y/N! Oh my goodness, congratulations!”

“No freaking way! That’s amazing!”

“I’m gonna act like I didn’t already know, so congratulations, great value sister wife!”

Alexis and Jadah’s statements make you laugh while Bianca and Kaylah’s cause your heart to swell. You then try to quiet them down, “thank you, guys. We’re excited. But, we haven’t told Callie yet, so please keep it to yourselves.”

“Of course.” Kaylah excitedly asks, “how far along are you?”

“Almost three months,” you answer, proudly. Although entirely unexpected, or maybe not depending on how you look at it, you’ve found your excitement at this pregnancy growing every single day. Excitement at having another child, giving Callie the chance to be a big sister, to give Joe the opportunity to experience this pregnancy with you from conception to birth and beyond. He deserves it, especially now that you know what he went through with Jadah.

“Wait. Damn. This means we can’t have a hot girl summer until next year!” Alexis is pouting as she downs the rest of her drink before reaching for the bottle to get a refill. “You couldn’t let that nigga shoot up the club later this fall instead.”

Kaylah’s nose turns up as she also takes a sip of her moscato but not before muttering, “didn’t need that visual.”

Rolling your eyes, you point out, “Alexis, we are too damn old to be having a hot girl summer. Half of us are moms and/or in relationships except your non-committal ass.”

Non-committal has nothing to do with the topic that floats to the front of your mind, but having a room full of women to consult with seems like a perfect opportunity to discuss something that’s still bothering you to some extent.

“Let me ask ya’ll something.” You take a sip of your sparkling apple cider and get to explaining. “So, every time I try to talk to Joe about planning for when the baby gets here, like having my mom or his mom come stay with us a bit to help out when he’s on the road, he either ignores me, changes the subject, or just pacifies me. And I’m trying really hard not to cuss him out, but between baby emotions and me being me, it’s hard.”

Being perceptive is always something you’ve prided yourself on, valued as one of your attributes, so it’s hard not to miss when Kaylah, Alexis, and even Jadah all look suddenly uncomfortable with your question, like they also want to change the subject.

Bianca is the first and only to speak out.

“Yeah, that’s kind of weird.” Her agreement is the quintessential example of validation you were needing for this situation. “I get you’re barely three months, but why not start with the plans now? The sooner the better since it seems like his schedule is pretty hectic.”

Throwing your hands up in the air, you echo her sentiments. “Exactly! And one thing to know about me, which I know he has to know about me is that I like to plan. I hate surprises. We need to start figuring out this shit now.”

“I’d definitely talk to him about it, cause men can be very go with the flow, but this isn’t one of those things that I think should be go with the flow.”

“I feel like you should maybe just wait it out and see where the cards fall.” Kaylah’s suggestion is casual, but her eye contact is sparse, and you actually don’t know what to make of that. 

Jadah contributes to the conversation with agreement to Kaylah’s point. “I agree. Trust your man, whore.”

“But—” And as if present and overhearing said conversation, your phone starts to ring, the man himself filling up your lock screen. “Speaking of the devil…..” You lift and show your phone to the group. “I gotta take this ya’ll.”

“Well, duh.” Alexis says like it’s a no brainer. “BDJ probably won’t stop calling until you pick up anyway.”

Laughing, you untangle your legs and climb off the sofa at the same time you answer his FaceTime, quickly telling him, “hold on.”

“I’ll be back,” you inform, but the last thing you hear is Bianca making the awful mistake of asking Alexis what “BDJ” stands for. Alexis and Jadah start to laugh. 

Obviously, Jadah also knows what’s up. 

Locking the door behind you, you sit down on the patio set that was delivered only two days prior and situate your phone on the accompanying table. Legs crossed, you give him the go, “okay, i’m good now. Just wanted some privacy.”

He doesn’t hesitate to slide right into protective papa bear mode. “How you feeling?”

“Alright.” Your hand unintentionally lands on your stomach as you explain, “had some nausea this morning, but that’s not out of the norm. I had pretty bad morning sickness when I was pregnant with Callie the first few months.”

You can tell he’s not entirely satisfied with this answer, leaning more on the concerned and conservative side. “When’s your next checkup?”

“April 8th. I made sure to schedule it so you can be there.” Joe indicated he wanted the first Monday after WrestleMania to be a day of rest for you and Callie, and it can still be, but you also couldn’t miss the opportunity for him to be a part of your first official well-baby visit. Especially with this being the first time you’ll be able to hear the baby’s heartbeat. 

That must especially be special for him.

“I promise I’m okay, Joe.” Out of respect for him and his emotional state at such an important time in his life, you haven’t told him everything Jadah shared with you. Haven’t made him aware of your knowledge regarding his loss. You’re not sure if you ever will, to be honest. If he wishes to discuss that with you, you’ll always be there to listen and support. But, there’s zero desire to dig up painful memories and trigger this man. 

That doesn’t, however, mean you can’t reassure him when you can see there’s a level of anxiety and apprehension. 

“If I wasn’t, you and Dr. Young would be the first to know.” It’s a promise. You would never do anything to risk unnecessary complications with this pregnancy. “How do you feel? You look tired.”

He’s looked as such for the past couple weeks, and you feel slightly bad, knowing the whole Mariah ordeal must have taken a toll on him. Not to mention his intense training and preparation for WrestleMania.

Of course, he just shrugs, playing it off. “I’m good.” You make a knowing sound. “What?”

“Seriously, Joe. This is me. I know you like the back of my hand. You’re exhausted. It’s okay to admit as such.”

“I’m fine, Y/N. I promise.”

Joe is every bit stubborn as he is caring. He won’t agree with you, but that doesn’t make what you’re saying any less true.

“Whatever, just know I’m giving you a well deserved massage when we come to see you next week.” Coyly, you imply with a shrug of your shoulder. “And maybe a lil’ more depending on the layout of your place and if we can get some privacy from your lil’ twin.”

“Naw, that lil more is happening no matter what, even if I have to fuck you in the rental.”

His tone of surety makes you laugh as you think about something. “I don’t think we’ve ever fucked in a car before.” The list of places this man has been balls deep in you is endless, but a vehicle and plane seem to have not made the list. Yet. “Might have to change that.”

He also laughs. “Wherever you want it, baby, you just gotta tell me when and how.” Just more and more reasons to love this man to infinity and beyond. He matches your freak so well.

Joe asks about Callie, of course, and you let him know she’s in seven heaven playing with her cousin in her new room that’s gradually filling up even though she still doesn’t even have all of her stuff from back in your apartment. It also goes without saying that you remind him she’s absolutely thrilled to see him soon, the same as you, which is the same as him. Reunions between the three of you are just all around enjoyable.

Naturally, Joe apologizes, for no good reason, at not being able to come with you as you take Callie back to your hometown for your final apartment walkthrough and to close all other matters, officially making your move to Florida complete. It’s a bit of a bittersweet thing, leaving the place you grew up and have so many memories in. However, what’s ahead of you is so much better than what’s behind you. 

And while you would love Joe to be able to come too, it’s also not necessary.

Especially when he finds out what else is on your agenda before you say goodbye for good. 

Realizing your time with him could be cut at any moment, you decide it’s now or never to break the news to him. “There’s something I need to tell you, and I know right off the bat, you’re not going to be in agreement, but I need you to just hear me out.”

He’s hesitant and already skeptical but nods. “I’m listening.”

A deep breath followed by a quick prayer to the big man that Joe will at least try to be open to this plan. “I’m gonna go see my dad while I’m there.”

This is something you’ve really been thinking about, on and off, since the Christmas ordeal. It just hasn’t been such a major priority given all the other fires you’ve been having to put out. Alexis was right when she said the dynamic with your dad has a lot to do with the situation with Joe and not telling him about Callie.

And you being able to acknowledge that has made you realize you’ve been holding onto a lot of pain and anger towards that man. More pain than anything. And it’s time to let it go. The same way you’re leaving that town for good, albeit bittersweet, you need to drop the baggage of hurt at the door before the curtain closes permanently.

In this case, that means sitting in front of the man who is your biological father and nothing more, speaking your peace, and closing that chapter.

For good. 

To some extent, you expected, maybe more so hoped, for Joe to be more receptive. 

It was wishful thinking, at best.

Immediately, he protests, face turned up in a scowl that reminds you of Callie when she’s in one of her moods. “Like hell you—”

Closing your eyes, you do your best to keep your voice leveled. “Hear me out, please.”

“Y/N, do you not remember the last time you saw that man?” Most definitely do you remember. That was definitely a low moment for you. “You were a fucking wreck. I’m not seeing you go through that again, especially with you being pregnant.”

“Do you really think if I had even an inkling it wouldn’t be safe for our baby I’d be doing it? Come on, Joe. You know me. I would never put either of our children in harm's way.” And you know he knows this, knows this very well, but you can also understand his anxiety from a couple different angles. “Before when I saw him, I was still looking for his love and approval. I can admit that now.” It’s been a tough pill to swallow, going back and forth between emotion and logic, coming to grips with such an uncomfortable truth. “I don’t need that anymore. I don’t even want it. I have you. I have Callie. My mom. Our friends. Even this new baby, but if I’m leaving that town for good, I need to leave all of the hurt it brought me there too. That includes making my peace with him.”

When he still doesn't say anything, you continue to plead your case.

“I need to do this, Joe. I’m not asking you to understand.” You’re not quite sure he could. This is one of those things that unless you’ve lived it, lived with a neglectful, uninvolved parent, you just couldn’t get it. “I’m just asking you to trust me.”

He’s quiet for a few minutes, and you already know it’s because he’s sitting on your words, doing his best to meet you where you are. Eventually, he says in a resigned voice, “I don’t want you going alone.”

There’s an immense amount of gratitude for his blessing, and his request is more than fair.  You also figured as such, assuring him, “I already talked with Bianca about it. She’s gonna go with me.” 

This seems to make him feel at least a little bit better. He scratches his beard. “Alright. But the minute you start feeling off—”

“I’ll cut it off. I know.” That goes without saying. You meant what you said. Nothing could make you put your baby at risk. “Thank you, Joe.”

Not wanting this to be the last topic you discuss, you switch gears a bit to something that will hopefully lessen his unease. “I also think we should tell Callie when we come to see you next week. I just told the girls today, and I’m gonna tell my mom while I’m there. Callie deserves to know.” The order of which you’ve told people about your pregnancy isn’t exactly how you would have preferred it to go. In a perfect world, it would have been Joe, Calllie, your mom, and then your close friends. But, life be lifing, so you just have to roll with it as best you can. 

Joe nods. “I agree.” You overhear a distant voice in the background before his gaze falls on you. “I gotta go, babe.”

It’s hard not to feel disappointed. “I get it.” This pregnancy has your emotions a bit on the high, sensitive end, because there’s no reason for you to feel like crying just because this man has to get back to work. You miss him like crazy, sure, but this has always been a bit of the dynamic. You get him in doses, sometimes big, sometimes small. “Can we still call you tonight? You know Callie can’t sleep unless she can tell both of us goodnight.”

It’s such a twist, a beautiful, unexpected thing. Once upon a time, it was just you she needed to see and/or speak to before she could fall asleep. But now, it’s both you and Joe, and you honestly couldn't love that more. 

Their relationship and bond is so precious to you.

And now that you understand what Joe’s been through, you can see why he’s always willing to move heaven and earth for her. She’s the little girl he’s always wanted and finally has.

“Of course.” You weren’t expecting any other answer. “I love you.”

A warm smile sets on your face. “I love you too, baby.”

You settle on a time that works best for him and end the call. Ignoring the sadness at not being able to talk to him further, you walk back in the house for a sure pick-me-up.

“Well, it’s about time,” Bianca teases, dimples nice and pronounced. “Thought we were gonna have to check on ya’ll.”

“No, she’s back too early….” Alexis, as per usual, confuses you when she asks, “ya’ll weren’t having phone sex?” She curses and then grabs her purse, digging out her wallet, slapping a wad of cash into Jadah’s expecting hand.

“Told you,” Jadah says knowingly, smirk on her pretty face as she counts the cash. “One thing I do know about Joe is he’s an all out type of man. It’s rounds or nothing.” She then looks over at you, apologizing, “hope that doesn’t make you uncomfortable.”

“It doesn’t.” It’s an honest answer. You’re old, mature, and secure enough to acknowledge and be okay with the fact your man has been with her in almost every way he’s probably been with you. Outside of the emotional connection component, which is really what matters the most to you. Sex would just be sex if you didn’t love him as much as you do. If he didn’t love you as much as he does. That’s what makes it so explosive. 

“Well, it bothers me!”  Kaylah looks so disgusted, and you can’t blame her. “Joe is literally like my brother!” 

Bianca cosigns with a shake of her head. “And it bothers me because Y/N literally is my sister.”

“That’s so wild, so ya’ll are half sisters, right?” Jadah asks, pointing between the two of you as you move back onto the sofa. “Same mom or…..”

“No, same dad, but we don’t claim him.”

Jadah makes an ‘O’ with her mouth as Alexis leans over to whisper something in her ear. “Got it. Daddy issues. Ya’ll should just jump him then.”

“That’s what I said! Stomp his ole’ mean ass.”

Yeah…..putting Alexis and Jadah together may have created a new kind of threat to society.

“Anyway.” Refocusing them is really the best and only option. “As we were discussing, ya’ll think I should bring it up to Joe when we fly there next week?” You then remember the pact mentality and aim your question toward Bianca. “Let me just ask you, cause you seem to be the only one who gets where I’m coming from.”

At that, Bianca opens and closes her mouth. “Oh. That. I…..I think you should just leave it alone. I’m sure Joe has his reasons.”

Now it’s your turn to look shocked. “What? That’s not what you said literally not even 10 minutes ago.”

Bianca switching up on you definitely wasn’t in the cards, especially since she was providing you all the affirmation and validation you were seeking in your dilemma. 

She looks off, almost in a guilty, sheepish way. “I changed my mind….”

“What did ya’ll say to her?” It’s directed toward Alexis and and even Jadah, because Kaylah doesn’t seem like the type to try to sway people one way or the other. “Can’t leave ya’ll asses alone for two minutes.”

“I don’t like your tone, Mama Mia. Watch it.” Alexis warns, and you can only roll your eyes. “What you need to be focused on is what you’re gonna wear to the Hall of Fame and WrestleMania.”

Kaylah gasps, also remembering. “Shit, I completely forgot about that.”

Your eyes land on her with premature excitement. “You’re going to the awards too?” She nods and you let out a big sigh of relief. “Oh thank god, I was kinda nervous. I’m sure Trinity is going too, but the more the merrier, I feel like I’m gonna be so out of place there or everyone’s going to hate me.”

“Girl, like Joe is going to let that happen.” Jadah is, surprisingly, the first one to jump to calm your nerves. “Him taking you in and of itself is such a ‘fuck you’ move. He really said ya’ll not about to bully the woman I love and think I’m finna just keep her on the backburner.”

“I agree.” Kaylah chimes, providing additional and useful context. “The internet wrestling community is a cesspool, and they’ll always find some reason to complain and bitch, but Joe has never been about that. He’s gonna have you on his arm regardless of who has something to say about it.” 

“Ummmm, why are we acting like majority of the internet isn’t all on Y/N’s dick now that ya’ll cleared up the air?” Alexis lifts her phone, adding, “I literally can’t get on TikTok or Twitter without seeing edits and photos of Y/N that the internet has dug up. They can’t get enough of her.”

“Her ass, specifically,” Jadah adds, and you shake your head. 

“I think what they’re trying to say is that maybe you should redirect your focus on fashion and hair choices vs public perception, because it seems to be in your favor currently.” Bianca’s advice is wise and on time. It also is very much giving off teacher vibes, just another thing you two can connect on.  

You’re really happy you asked her to come visit you. 

That you gave her a chance.

It’s proving to be a really good decision.

“Well, I’m gonna have my mom do my silk press while I’m there, so there’s that.” Typically, you avoid heat like the plague, sucking up the pain in the ass wash days to keep your curls hydrated and thriving. However, you’re okay with every now and then sitting in that damn chair for what feels like, and is, hours for these special occasions. And attending the Hall of Fame awards as well as WrestleMania definitely constitutes a special moment. “As far as fashion…..I have no idea. I don’t really have a lot of fancy clothes, and the ones I do have are before Callie and even now with the weight I’ve gained from this pregnancy already, I don’t know if I can still wear them.”

“Well then it’s obvious what we need to do.” Alexis says with a ‘duh’ tone. “We need to go find you some dresses! Like, today.”

“I probably do need to pick up something too.” Kaylah says with a heavy sigh. “I think Josh said something about wearing red.”

“Of course you have to wear red. That’s Bloodline colors.” 

You chuckle at Bianca’s enthusiasm. It’s kinda cool that she’s also into wrestling. You’re so tempted to ask Joe if he can get tickets for her, Darius, and Taylor, but you also don’t want to do too much. It already means a lot to you that he got tickets for your mom and Alexis. 

“I hate to pull the girls from their playing. They must be having a blast considering not one has come down in like over an hour.” It’s true. Not to mention you can also occasionally hear the chorus of giggles and shouting indicating just how great a time they’re having.

“I can watch them for ya’ll.”Jadah’s suggestion causes all sets of eyes to land on her. She rolls her eyes. “You all go get the shopping done, and I’ll stay here with the kids.”

“Jadah, you don’t have to—”

“I don’t mind. I’m not really that big on shopping anyway.” Finally. A difference between her and Alexis. “Plus, I have some client stuff I can get caught up with.”

You’re still reluctant, offering her another out. “If you’re sure….”

“Y/N, I would hope by now you’ve figured out I’m too blunt to lie. I wouldn’t offer if I didn’t want to.” Jadah shrugs, directing her next statement to Kaylah and Bianca. “If you’re also good with it too, of course.”

Bianca and Kaylah echo agreement with you, hence it being decided.

With a chuckle, you announce, “I guess we’re going shopping.”

———-

Things have been hard since you first landed back in your hometown.

Saying goodbye to your students was hard. 

Saying goodbye to friends in town has been hard. 

Bidding farewell to the apartment you first brought your sweet little girl home to after she was born was very hard.

Visiting your grandma’s grave one last time for who knows how long…..that’ll be brutal.

But this….confronting your father for the last time…

To say you’re a bit on the anxious side is putting it nicely. 

This was always going to be on the nerve inducing side for a variety of good and valid reasons. It’s just getting to the moment where it happens, where you sit in the parking lot of the restaurant he agreed to meet “you” at is just bringing out some indecision you’re certain comes from a place of anxiety.

Finally stepping out of the car, you and Bianca reach the door of the restaurant when she turns to you, mouth turned into a bit of a frown as she reminds, “you sure you want to do this?”

“It’s not about what I want to do. It’s about what I need to do, Bianca.” It’s the truth. This isn’t something you’ve been dying to have happen your entire life, but for the sake of your healing, it’s what needs to happen. “But, if you feel uncomfortable, I totally get—”

“Not at all.” She reaches for your hand. “You’ve got this.”

A deep breath followed by a head nod as you accept her hand. She gives you a little squeeze and opens the door, leading the way figuratively and literally. As expected, he’s already there and waiting, sitting near the back of the restaurant. You’re not surprised a man like him is right on time. He seems like the punctual bastard type.

And Bianca has reiterated as such before. 

Together, you walk hand in hand towards him. Your eyes never leave him, watching as he lights up with a genuine smile at seeing Bianca, but that smile almost instantly drops when he sets his gaze on you.

Expected. 

Wholly expected.

Immediately, his nose is turned up in visible disgust, primarily directed toward you. “Bianca, what is the meaning of this?”

“What?” Her voice is full of nonchalance as is the expression on her face. “I told you your daughter wanted to speak with you.”

He just didn’t know which daughter.

There’s no denying or misunderstanding his anger at the subterfuge. He shoots up from the table. “I’m not putting up with—”

Bianca is quick with it, assertively informing him, “if you want even a chance of seeing Taylor again, you’re gonna sit right back down and hear her out.” It means the world to you that not only has Bianca agreed to be here with you today, but it’s the fact that she’s willing to be so loyal to you.

Like a sister.

Because she is your sister. 

He scoffs almost immediately. “Using my grandchild to blackmail me? That’s low, Bianca. Your mother and I raised you better than that.”

She crosses her arms and matches his energy. “You are the last person that needs to be talking about raising anyone.” She then looks at you, placing a comforting hand on your arm. “I’ll be right over there if you need me, okay?”

Nodding, she gives you one last supportive squeeze and ignores her father to walk over and slide into a booth across the room. 

Left alone, you watch him begrudgingly sit down so he’s across from you, same set of brown eyes locking. It kills you how much of yourself you can see in him, starting with the same set of eyes. You just have to remind yourself that that’s where the similarities end. 

“This won’t take long, which I’m sure you’ll be happy to hear.” He doesn’t agree nor disagree, not that it makes much of a difference to you. At all. “I’m moving from this town. Tomorrow’s the day I hand over my keys, and I’ll officially be living in Florida full time. Not that you care, because we both know you never have and never will give a flying fuck about me.”

“Is there a point to this?” The edge in his voice, maybe even a couple months ago, might have killed you. Stolen your joy. Now, it does nothing. He no longer has that power over you, because you’ve taken that power back. 

And it feels so damn good.

“I did it, you know.” Without giving him a chance, if he even would, to respond, you continue. “I made something of myself. I’m successful. I have a career. I found love all without you ever doing a goddamn thing for me.”

For a second, you swear you see a different emotion flash in his familiar irises, but it’s gone almost instantly, replaced with that permanent disdain you refuse to allow sway you from your goal.

“I have a man who loves me in every single healthy way that exists, who loves our daughter more than there are words in all the languages put together.” Emotion chokes you up, but you manage to stick with the mental points you made for this conversation. “And you wanna know something? We conceived her when he was still married.”

Leaning forward as you lower your voice, both for privacy and emotionality. “But, I didn’t tell him. I deprived him and our little girl for the first almost five years of her life because I was so scared that he was going to be like you, that he was going to reject her and hurt her the way you hurt me.”

It’s a bit painful for you to verbalize those words, but also so damn liberating to free them from the confines of your subconscious.

To also release those shackles they had on you. 

“But, I was so so so wrong, because he is the best damn dad she could have asked for, and he was angry with me for not telling him about her. He wanted to be in her life. He wanted her. And it’s through that I finally realized something.”

Your voice cracks as you finally release your truth and acknowledge freedom from over 30 years of emotional bondage.

“I’ve finally realized after all these years that it’s not that I’m not good enough for you.” You shake your head, pointing at him with all the intention and determination you can muster up. “You’re not good enough for me. Not good enough to be my dad. Definitely not good enough to be a grandfather to my kids. Not good enough to be in my life.” There isn’t an ounce of hesitation or a stutter in your voice. “It’s not that I don’t deserve to be in your life. You don’t deserve to be in mine. You never did, and you never will.”

And never again will you seek out that love and validation from him. You don’t need it. 

You never did.

“I actually feel sorry for you, because I am an amazing, strong black woman who was raised by an even more amazing, strong black woman who was also raised by a phenomenal black woman. And my daughter….” Just thinking about Callie, her warm smile and the great big hug she gave you, before you and Bianca left her and Taylor with your mom, makes you all choked up again. “—is the kindest, sweetest, smartest kid you could ever meet. But as long as there is breath in my body, you will not know her or any other kids I bring into this world.”

That’s a promise, an oath, a swear on everything that you love and hold dear.

“After today, you are dead to me, and I truly hope you one day see all that you missed out on, but I’m not going to wait around for that. I’m going to spend the rest of my life surrounded with love and family because that’s what I deserve.” Grabbing your purse and sliding out the booth, you make eye contact with Bianca who starts to head over. “Take care, Captain Wilson.”

As soon as she’s at your side, he shoots up from the booth. “Bianca, if you leave with that girl—”

“That woman,” Bianca corrects with all the sharpness. “You mean my sister?”

His lips turn up with a hateful snarl. “This hoodrat trash is not your sister.”

You actually laugh at his words, laugh at the fact that he’s truly so pathetic and a piece of shit he couldn’t even take any of what you just said to heart. It also makes you wonder if he’s aware of all the shit that’s been happening online regarding you. Not that it makes a difference.

It’s just something else he would try to use to justify not being in your life.

Like a coward.

“No.” She lifts her chin, taking your hand. “She is my sister, but you?” Bianca shakes her head, and you can hear the emotion catch in her voice. “You’re not my father. You’re the trash.”

If he offers a visible response to her harsh words, you’ll never know because Bianca tugs on your hand, directing the both of you to turn around as she marches you out the restaurant. Once out of the vicinity, she spins you around and brings you in for a big, loving hug.

“I’m so damn proud of you.” Eyes closing, you accept and lean into her embrace. You’re also insanely proud of you. “You said what you had to say. The ball is in his court now.”

“I highly doubt he’s gonna do anything with it.” Separating, you again thank her. “I really appreciate you being here with me today. I’m not sure Joe would have been okay with me doing this, if you weren’t here.”

She smirks, head tilted to the side. “Nowhere else I’d rather be, hun.”

It’s the truth. Along with the fact that you’re not even sure you would and even could have gone through with this if not for her assistance and support. It’s crazy how the people you’ve met in recent months have become such important figures in your life and the people you thought were important are now strangers.

Life….always a wild ride, for sure.

“And speaking of Joe….” She’s understandably confused as you casually throw out, “guess who’s going to WrestleMania with her little sister?”

Bianca’s eyes are as wide as saucers. “Seriously?” Laughing, you nod. “Oh my god—” She captures you in another big hug, the two of you nearly hopping like damn teenagers. “Wait, just me or—”

“Of course not. Taylor and Darius too. I feel like he might divorce your ass if you tried to go without him.”

“You’re not entirely wrong.” Her laughter lessens as she looks at you with admiration and appreciation. “You really didn’t have to do that, Y/N.”

“It wasn’t that big a deal.” And it wasn’t. After biting the bullet and pushing aside unnecessary anxiety, you just shot Joe a text asking if there was any way Bianca and her family could attend Mania. His response was an almost instant yes. “Besides….we’re sisters.” Your eyes begin to water as you give a one shoulder shrug. “We look out for each other.”

Her smile matches the emotionality of this moment. “You’re damn right we do.” Sniffling, she wipes her eyes and then gasps. “Shit, now I need to find a dress. Does this town have any stores where I could maybe find something?”

Her question is so laughable. “Not really, sis. Let’s just wait till we fly home. I’m sure we could find you something there. Maybe the boutique where I got my dresses."

Home…..

You’re not sure if you’ve referred to Florida as home prior to this moment, but it feels so good, so right. Like it’s where you’re supposed to be. Where you were always supposed to be. 

Home with your daughter, with your man, with the baby growing inside you.

With your family.

[cheriladycl01]

Well, that's just the way the Cookie Crumbles ... - Fernando Alonso x Younger Actress! Reader

Plot: You are an actress/ stunt actress and get invited onto TOP Gear with Fernando Alonso to see who has the quickest time driving around Silverstone in your choice of car.

"So Fernando, you've had some interesting dating scandals over the years. Taylor Swift being one of them, however due to your most recent appearance on Top Gear, and having seen her around the paddock a few times people are wondering about your closeness to a certain Actress" the interviewing around the paddock asks as he comes up to Alonso, seeing he is alone and free to talk about the upcoming race and anything else.

"Well..." he starts before thinking back to the first time he met you.

"So today here we have Professional Driver in Formula One for Aston Martin Cognizant Racing Fernando Alonso" Paddy introduces as Fernando comes up and onto the stage shaking everyone's hands before taking a seat on the sofa in the Top Gear studio.

"That's not all that we have though tonight is it!" Chris says making Fernando frown, he assumed he was the only celebrity on tonight.

"No we also have Oscar Award Winning Actress and Stunt Actress, Y/N Y/L/N" Freddie says as you walk out onto the stage your high heels clopping against the flooring. You go and shake all of their hands, kissing Chris on either side of his cheeks having met him before.

"Hello" you smile waving at the crowd, screams coming from everywhere. You take everything in before taking at seat next to Fernando.

"So, we had both of you compete at a track that one of you knows extremely well" Chris starts and looks over at Fernando who nods, remembering a week ago him driving round the Silverstone track.

"Yes, i have raced that track many a time!" he admits.

"You've even won two Grand Prix there in 2006 and 2011. Which means gosh how old would have you been Y/N?" Paddy asks looking over to the younger actress.

"Oh, mmmm 2006 i would have been 13 years old, and 2011 i would have been 18" you work out mentally in your head.

"And its funny because we actually have a picture of you and Fernando Alonso back in 2011. You were just starting up your acting career! Look folks here it is" Freddie smiles showing the picture of you as a young adult stood with 30 year old Alonso.

"Woah i don't even remember that being you. I didn't even know who you were back then" Fernando says squinting at the picture in shock, trying to see if it really was you.

"I was awe struck with everything that was going on honestly i probably just looked like a fan. I can understand the confusion" you laugh knowing now that Fernando was actually a bigger fan of yours.

"Well, lets explain what we actually had these two do at Silverstone" Paddy answers.

"Yes, its about time. Lets show the video!" Freddie exclaims.

"Hello Top Gear Fans, today we are here at Silverstone shooting over one weekend, two different celebrities up against a totally new challenge" Chris introduces.

"I'm very excited for this challenge are you?" Freddie asks.

"Yeah, it's like the challenges we are normally privy too just without the pain being on us" Chris frowns, crossing his arms grumpily.

"So, todays challenge we have, Fernando Alonso and Y/N Y/L/N. They were asked to each choose a sports car in their budget to drive around Silverstone" Paddy introduces the challenge.

"Fernando is on Friday. Y/n on Saturday and today in the studio on Sunday its like our very own Top Gear Grand Prix" he admits showing the awfully drawn out plans for shooting.

"So, Fernando's been sent here with Aston Martin so we automatically knew he'll be taking the Aston Martin Valkyrie" Freddie says looking down at the cards in his hands.

"Yes it would be a little awkward if he chose another brand!" Chris laughs.

"The most surprising thing is Y/N has chosen the McLaren Speedtail! Is there a partnership we don't know about brewing?" Paddy asks.

And the video went on, little breaks where they came back to the show seeing Y/N and Fernando laughing along with each other and the presenters.

Eventually it showed Fernando go round, in dry conditions and very quickly. He was a seasoned expert at the track and new the racing line. However driving in an actual car was very different than his open wheeler.

Then it came back, he was asked about his run and how he felt that it had gone before switching onto you and the Saturday when you drove.

You had your helmet on, and you drove quickly. As a stunt actress you'd done a lot of risky driving in your time where you were confident in your skills to go quick and be able to drift without loosing any time or over-skidding to make the car flip and crash.

"So, are you both ready to find out who won?"

"Yes" you both had said in unison.

"Well, Fernando lets starts with you, you timed in at 1.32.823" Paddy says slowly reading off the card.

"And Y/N you timed in at a staggering 1.30.923" Freddie announces calling out the numbers really slowly. You looked at Fernando in shock, he also looked particularly shocked but seeing the way you didn't hesitate at any of the corners and seeing your aggressive way of driving from the videos it wasn't that much of a shock when he thought about it.

"How?" he asked

"Thats just the way the cookie crumbles baby" you smile at him.

His mind came back to the interviewer a small smile gracing on his face.

"Ahahah is he talking about his cool new girlfriend!" Lando squeals running back the camera seeing the look on his competitions face.

"Look at him, he's a grumpy grandad!" Albon follows with a quiet laugh that has George and Charles joining in with the mayhem.

"Yes, Y/N is my new girlfriend. We bonded after the filming for Top Gear and she took me away by her driving skills if im being honest" he admits, knowing he was still a little salty at how you'd beaten him and how you kept on insisting it was an age thing, you were younger and more spritely so of course you won.

He did find it funny and rather endearing the way you'd lean into him as you joked about how old he actually was, he loved you despite the teasing.

"But she isn't in Aston Martin, she's always seen in McLaren!" the interviewer pushes.

"Ah, well that is for her to show, i am not aloud to say anything. However, she will sneak over to Aston Martin to come and see me. I guess that's as she would say, the er cookie crumbles?"

A/N: sorry guys just two smaller individual imagines today where I've been busy with lots of uni stuff.

However, theres so much in the up and coming i think you'll all enjoy! We have a small Lance Stroll imagine that should be out tonight as well! Then we have a cute Pierre Gasly and Reader!

And then of course the continuation of my series such as Charles, Carlos, George and Oscar with the edition of a new Lando Series coming soon!

Taglist:

@littlesatanicassholebitch @hockey-racing-fubol @laura-naruto-fan1998 @22yuki @simxican @sinofwriting @lewisroscoelove @cmleitora @stupidandunnecessary @clayra-g @daemyratwst @honey-belden @moonypixel @lauralarsen @vader-is-hot @ironcowboycopnickel @itsjustkhaos @the-untamed-soul @beebo86 @happylittlereader @ziejustme @lou-larcher5 @thewulf @purplephantomwolf @chasing-liberosis @chillyleclerc @chanthereader @annoyingmoonballoon @summissss @evieepepi08 @havaneseoger08 @celesteblack08 @gulphulp @fandom1ruined2me @celebstories @starfusionsworld @jspitwall @sierruhh @georgeparisole @dakotatankbig @youcannotcancelquidditch @zzonsbeek @tallbrownhairsarcastic @mellowarcadefun @ourteenagetragedy @otako5811 @countingstacksandpanicattacks @peachiicherries @formulas-bitch @cherry-piee

[vintagetvstars]

Diana Rigg Vs. Nichelle Nichols

Propaganda

Diana Rigg - (The Avengers, Diana) - Honestly? Just check her out as Emma Peel in any episode of The Avengers. The character herself was a legend - an exceptional spy, wonderful fighter, certified genius, a true feminist role model - not to mention a renowned sex symbol (that leather catsuit... heavens help me...) and fashion icon. As for Diana personally, she was once described by Michael Parkinson as "the most desirable woman he ever met, who radiated a lustrous beauty". She could pivot from funny quips and endearing jokes to stone-cold badassery like it was nothing, and she looked stunning either way. Whenever I look at a pic of her, I have this feeling she's planning some fun mischief and I get the strongest urge to ask her to take me along. Need anything more? Here, have some pics: (pics below the cut)

Nichelle Nichols - (Star Trek) - She speaks for herself. Legendary, iconic, at the forefront of feminism and civil rights in the 60s, she is a triple threat who did so much more. She volunteered from 1977 to promote recruitment diversity within NASA, including some of the first female and ethnic minority astronauts. Martin Luther King Jr. compared her work on Star Trek as a 'vital role model' to the civil rights marches. She refused to be dismissed, fought for visibility and shone whilst doing so. As a woman in stem, and simply a woman she means the world and stars above to me.

Master Poll List of the Hot Vintage TV Ladies Bracket

Additional propaganda below the cut

Diana Rigg:

When people think of The Avengers, they think Steed and Peel (or they think the marvel property but that’s neither here nor there). I know people who thought Mrs. Peel was the ONLY woman Steed worked with, Diana Rigg was Just That Good (she was only on two seasons!). She was one of those actors that could so perfectly play comedy in any form, her dry, sardonic wit was marvelous, but so was her physical and slapstick comedy, and she could do drama too! If you’ve seen her in interviews you’d also know how fabulously humble and kind she was. I don’t know if I’ve ever been more attracted to a TV woman than I’ve been to Diana Rigg. Some photos of her:

the SMILE!!!!

I like a woman that could kill me in one shot

tell me she's not endearing I DARE you

Gorgeous, sexy, competent, superior, so much leather. Diana Rigg as Emma Peel in the Avengers was foundational to my sexuality and personality. She's classy, she's cute, she's cocky, in one episode she whips a bunch of guys while wearing a corset and a spiked collar...

excuse me I'm overcome with sinful thoughts

 hello 911 I think I'm having a heart attack

Here's an interview I fell for her in:

Diana Rigg | Interview | The Avengers | Good Afternoon | 1974 | Part one

Her first appearance in The Avengers (In series 4, if you can believe it):

The Avengers: Emma Peel First Appearance HD

Nichelle Nichols:

She is the original badass babe. She was a black woman in a leading role on TV in the 60s, a trailblazer for black actresses for years to come. She is so beautiful and so awesome.

she's fantastic. have you seen her? paved the way for black actresses on TV even while her lines and scenes were being cut and improvised the most iconic uhura line in the series. (sulu: "I'll save you, fair maiden!" uhura, pushing him away: "sorry, neither!") she's incredibly talented and it's a crime the show didn't give her more screen time (or make her sing more often because she also has a beautiful voice!)

“Sorry, neither” in response to “fair maiden” was ad libbed by her. There’s a lot more I could say but what else do you need??

A sci-fi icon!

She was such a trailblazer, and Uhura was such an important character for so many people to be able to see on TV. Apparently Mae Jemison (the first African American woman to go into space) cited her as a reason she wanted to become an astronaut. She was just an absolute legend!

The story of Martin Luther King telling her not to quit Star Trek gives me chills. Representation matters. “Thank you so much, Dr. King. I’m really going to miss my co-stars.” Dr. King's smile, Nichols recalled, vanished from his face. "He said, 'What are you talking about?'" the actress explained. "I told him. He said, 'You cannot,' and so help me, this man practically repeated verbatim what Gene said. He said, 'Don’t you see what this man is doing, who has written this? This is the future. He has established us as we should be seen. 300 years from now, we are here. We are marching. And this is the first step. When we see you, we see ourselves, and we see ourselves as intelligent and beautiful and proud.' He goes on and I’m looking at him and my knees are buckling. I said, 'I…, I…' And he said, 'You turn on your television and the news comes on and you see us marching and peaceful, you see the peaceful civil disobedience, and you see the dogs and see the fire hoses, and we all know they cannot destroy us because we are there in the 23rd Century.'"

She shared the first interracial kiss on Star Trek, helped propel real life African American women into space-related careers, and looks divine in a mini skirt.

HOW DID UHURA WALK BACKWARDS SO FAR??? WOW!

[bisnes-socks]

i have a lot to say about this one so pack a snack and let's make sex moneyyy

i think this is one of the most openly culture and media (and social media) critical songs he has. i think it's a super daring song that probably makes the likes of certain helsingin sanomat music critics a little bit uncomfortable, because he is spitting facts - and because he has a relationship with sex for show that people for some reason are still quite weird about.

to start a little further back: we all know sex sells. we all know the music industry uses sex to sell their products. but for some reason, in the year of our lord 2024, a musical artist verbally recognising that they are using their sexuality and sexual themes to build their brand is somehow scandalous. it's like.. it's okay to use sex to sell your art, if it's like "accidental" MTV sexuality or like agreeing to looking objectifiable. the media will call you hot and sexy and wow. but if you own your sexuality, make it obvious that yes this is sexual, i'm being very deliberately sexual and i am trying to be sexual..? oh no that won't do! scandal! we've seen it with so many artists, especially female artists. like WAP is a great example! how scandalous that suddenly these women had agency in their own sexuality! but no-one said a word when their sexuality served the usual male gaze agenda. it's like people are so much more comfortable being peeping toms who sexualise and objectify artists when they're not looking, but as soon as the artist does it as part of their whole thing? well now it's inappropriate actually.

he talked about this in a helsingin sanomat interview, saying how he does actually think things revolve too much around sex in the music industry, even though he uses sex and sexual themes himself to sell things as well, and that he sees the irony in saying that. but the difference, in my opinion, is that the way he, or someone like erika vikman for example, is so open and upfront about the sexual themes, that it becomes carnevalistic, it becomes camp. it's not insidiously using sexual and heteronormative objectifying imagery to get people horny. what käärijä does is playful and fun sexuality, and for whatever reason that is so unusual it needs to be talked about separately as something a bit wild and scandalous, and he needs to be asked to explain his actions.

and that's what this song is. he's very clearly saying none of this is accidental. the visuals of his brand, the social media content, the onlyfans thing, none of it is coincidental, accidental or anything other than his perfectly deliberate way of selling sex. and he has talked about these themes before, he has talked about like the rammstein live stuff that inspired him (some of it is pretty hardcore stuff) so to his fans it's nothing surprising that sexual themes are present in the brand and interest him. but he has also talked about how, even if this song is a bit tongue in cheek, he's also serious. and he is right. and for some reason calling people out about the fact that sex makes them buy things, even when it's true, is still.. scandalous somehow.

and he's basically calling people easy lmao. like, i needed to figure out a lil boost to my career and well, i know what will make you throw money at me. and i won't be shy about it either.

i'm getting sidetracked. the song.

and then that is enough to warrant lyrics such as "koko perheen käärijästä koko perheen krapula" meaning "käärijä for the whole family turning into a hangover for the whole family".

but it was all already there! let's not for a second pretend CCC was some sort of family show and a family song. it's not. but people were okay with that, because they could happily confuse the camp and carnevalistic sexuality of käärijä with the campness and carnevalistic nature of eurovision, and because it wasn't more than the suggestive sexual nature of everything else around them. and it was all just fun, when kids came up with their own lyrics to the song because they couldn't understand the references to drinking. so then people took their kids to see him at shows and became scandalised by the adult nature of it all. it's like.. people were fine letting their kids see the everyday media sexuality that we see in every eurovision, fine letting their kids get used to that, and then just sort of didn't think käärijä would be anything different. but he's only different in that in his show and brand, sex and sexuality aren't denied while still blatantly obviously there.

but again, a lot of this is to do with media, and what media normalises and what it doesn't. what it deems newsworthy and what it doesn't.

if in ready to go he's telling haters that i know you want to see me try and fail, maybe even be too embarrassed to try, but baby i'm ready to go, then in sex = money he's saying i know you want to see me naked and i know you want sex from all of this, so here you go, i'll sell you some sex. and then he stands there holding eye contact like what are you going to do with it. what a cunty king.

and there are so many fun and funny little details in this song.

right in the first verse we have "kieli taittuu sköödi föödi." good old sköödi föödi. i tried to find the earliest example of sköödi föödi, but i'm starting to think it might predate the internet, or at least social media. not to bring up köpi kallio again, but they use sköödi föödi a lot in viki ja köpi show, and köpi just happened to tweet about it in 2020, saying he believes sköödi föödi has been around for at least 20 years (someone tried to credit viki and köpi for it). so, what does sköödi föödi mean, you ask. it does not mean anything at all. sköödi föödi is just a sound, a noise you make, when you need it, usually in place of something in a foreign language but not exclusively. in this instance, sköödi föödi is him demonstrating his excellent english skills. sköödi föödi (pronounced almost like a sterotypical tv american would say skirdy-firdy) means nothing and it means everything, whatever you need it to mean.

it is also noteworthy to point out that "kieli taittuu" can be a reference to two different things here. the finnish word kieli means both tongue and language. so he could also be saying that he has a very bendy and flexible tongue, like literally. which, of course, all of europe has already seen. taittua literally means to fold or bend, but it's a common phrase to say, that if you can do something, you bend it (or more like it bends as a result). so literally the line translates to "language/tongue bends sköödi föödi".

the first verse ends in "sekö jos mikä on varma nakki" meaning "that, if anything, is a sure thing". nakki literally means a sausage, a hot dog sausage, weiner sausage, you name it: a small sausage. so translating literally: "that if anything is a sure sausage". it's a common phrase in spoken finnish, nothing unusual about that, but i love that he used it, because it makes the next line hilarious on a first listen, when the chant comes in. so when they start chanting NAK- NAK- i really thought they were gonna shout NAKKI. but no, it is nakuna, naked.

okay still with me? good. let's look at the "tein onlyfans bägin, koko suomen daddy" section next.

i remember when the song came out, people did explain who danny is, but in case anyone missed it, danny is a singer from finland, and he was a MASSIVE star back in the day, especially in the 70's. so to say he is bigger than danny is indeed quite the flex, because danny was like.. the finnish equivalent of elvis, basically. but danny is not just a flex, he turns danny into a clever thematical scheme here (more on thematical schemes in the bananas post, if you're interested). he says "kadulla on kuumaa, ne pyytää mua hätiin" and this is a reference to one of danny's most popular and famous songs, kesäkatu. smart, smart, smart! and then of course "kadulla on puumaa, mut mulla on jo täti" meaning there are cougars on the street, but i already have an aunt. which, that to me reads like both a cunty quip and a himbo line all at once. like shutting down some man wanting to be your daddy by telling him "but i already have a father". i nearly choked laughing the first time i heard the line.

also can i just say, calling himself the daddy of finland? like, thinking about the whole context i talked about at first, how people are comfortable with sexual stuff and sexualising, but not comfortable recognising it or being real about it or celebrating it? yeah knowing all that, he just called himself EVERYONE'S daddy in a song called sex = money, and he's not even wrong 😭

in conclusion: i love this song. and i love the attitude in it. it's like he is looking everyone, from every uncomfortable insecure hetero man, every scandalised parent to every tabloid journalist, straight in the eye and saying "yes, i'm selling sex. why? well i couldn't think of anything else, but then again, why should i? isn't this what you want? this is what you want. i know what you want. i'm your daddy."

like if he truly wanted to, he really could have this country on their knees for him, don't tell me last independence day didn't prove it. as much as he gets crap as well, at the end of the day, he has people under a spell by simply being, well, bigger than danny. and he-man.

now. the placement of the song on the album, right after autiomaa.

i personally don't think that the album builds one cohesive narrative from beginning to end. but i think this can be read two ways: a sad way and an empowering way. the sad way to read it is that he means it when he says he couldn't come up with anything else and his creativity is fried, but sex sells so he does that, and it's a bit mindless. but given the context of what he has had to say about this song, i'm more inclined to read this the empowering way: he has worked on himself and found a way to see things more clearly, and he has found it in himself to even be confrontational about things. the whiplash of the song order i think is more to highlight the fact that autiomaa is a rare glimpse into something different, and now here we go again. to me, sex = money makes autiomaa even more powerful, but autiomaa doesn't change the interpretation of sex = money all that much for me.

you really can't be upset about the song without proving his point. and you can't love the song without proving his point. facts have been spat and points have been proven. absolute king behaviour.

and if you read through this whole thing, i owe you money. cash money, not sex money. well, we'll talk about it.

++

bonus: i absolutely love that he knows how to say "make some noise" on this track, but continues to say "give me some voice" or some sort of a hybrid word between voice and noise, something like.. woise, at his international shows. the king of in through one ear, out through the other. he, she, noise, voice, he doesn't know the differences and does not care.

bonus bonus for the sad bojere bitches:

second verse: "täl alal ei sua kukaa huomaa" meaning "nobody will notice you in this field (of work)". maybe my brain is rotted but this moment reminds me so much of the famous liverpool bojere lunch date video where bojan tries to parrot jere, who is saying "tääl ollaa nyt, tota" and bojan goes "talalaiteta" and then they both proceed to giggle about it like it's the funniest thing anyone has ever said. "täl alal" goes out to you, bojan titanic.

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 3.3

John having to get high out of his mind because he knows he's invited Paul to come play with him is so so sad. These are the same guys who used to sit facing each other on a bed playing guitars for hours, and now this is them?

Is John calling Paul “Jack Lemon” a reference to “some like it hot”? Because if so, I have questions. Anyway, when your estranged best friend shows up to hang out with you and a bunch of people, talking about being in love again and getting jizzed on is extremely normal and acceptable behavior.

This jam session is so fucking painful though. Paul's doing his best to just push through and get them to actually play something and John's just too far gone.

My theory: there's two reasons he did this. 1. He's avoidant and the last thing he's going to do is let on how bad he needs John in his life and how scared he is that if John gets back with Yoko that that'll be difficult. And 2. He couldn't live with himself if he didn't. If he'd kept it from John that Yoko wanted him back and later John cried to him about how much he missed Yoko or something? Paul can't have that.

John singing a snatch of Yesterday before a take of “Whatever gets you through the Night”??? Did either of them ever write a song where they weren't thinking about the other? Did they ever have a minute of peace without the other rattling the bars of the cage in his brain?

“Hold me Darling, come on, listen to me. I won't do you no harm.” Duh it's about Paul. Oh my gosh.

And with Bless You I'm always so torn. There are so many obvious references to Paul which the doc points out beautifully, but situationally it could also be about Yoko. Maybe it's about both of them in the same way that don't let me down is about both of them.

Anyway the cosmic visuals are gorgeous.

Why'd you have to phrase it like that though? Twice?

Hall of Fame moment. It's a high point for him career-wise and he chose to pull Paul into his spotlight. Not only to sing Paul's song, not only to name-drop him, but to publicly call him an official romantic title. Not “boyfriend” or “ex-wife” which both could've been much more mocking if that's what he was trying to do. But “fiance”. It's official and respected, but it's still got the lustful, unsettled, connotation that something like “husband” lacks.

Johann Weener, everyone. What a loser.

Everyone who still refers to Lennon Remembers like it's the fucking Bible listen to this. It doesn't go on for the next five years, let alone fifty.

John refusing to walk to blocks to sign the papers when George and Paul flew over the ocean. And only on the basis of astrology. He really didn't want the divorce. My heart aches for him. But he made his bed as they say.

I'm putting on my tinfoil hat again here, but I do just have to point out that one of John's first songs, “Hello, Little Girl,” has a line that goes, “you never seem to see me standing there”. And the earliest draft of WISHST, which was started soon after, answers that line. “I saw you standing there.” (Yes, it said you originally, not her). So maybe. Just maybe. That song wasn't just a Paul song, but a song that John knew Paul had put a message in for him. Okay, I apologize for the insanity. On another note, I do wonder if he ever found out what Paul thought of that.

Interviewer: ≈ at this point, do you like writing by yourself, or do you want to write with Paul again?≈ John: ≈well it's a bit of both. It's the same for Paul. We were talking about it a week ago. Okay, cool. So they definitely talked openly and honestly about potentially writing together again.

John, about their partnership, “There was always the feeling that someone was there if you needed it.” Paired with the gayest picture ever taken and then Paul singing “if I can do anything at all, let me help.” Thanks. I hate it.

John was so excited for New Orleans! What happened? I mean I have my theory based on May's book and the sudden shift in behavior. But it's pretty dark.

You know how crazy Paul is about John in interviews now? How he can't seem to keep John's name out of his mouth? John was worse in the seventies. He's promoting his Rock’n’Roll album, talking unprompted and romantically about how he met Paul, when the interviewer reminds him what relationship he's supposed to be romanticizing right now. So John remembers too and dedicates the album to Yoko who he's just got back together with.

Biconic quote.

Interviewer asks, after John's brought him up, if John's pleased with how well Paul's doing. John expresses his relief that Ringo has "found himself a niche" and then

I really do think that last bit sums up a big chunk of how John feels about Paul, and why he feels alright playing dirty against Paul or slagging Paul off. Why it would have been the furthest thing from his mind that Paul actually struggled or was insecure. Why Paul had to remind him, “I'm only a person like you, love.”

What an insane thing to think, let alone say. What if Julian had heard that? I'm pretty sure Julian and Paul weren't in contact, really at all, until the eighties, right? So John's doing better than he is at this point (I mean he's his dad, he should be). John is insecure about every possible thing and compares himself to Paul in every possible way.

Baby. He needed some serious help. The thing that sucks about being ahead of your time is that you also have to live in a world that's behind your needs.

And then. “There's always a friendly tv channel to turn to that's going to make you feel less alone.” I wonder if Paul “Call Me Back Again, John I know you're not that tired from the baby just let me in the fucking door” McCartney heard this? It's possible with how obsessive they were, but it's also impossible with how busy he kept himself.

Okay, here's the first story we've been missing about Paul experiencing negative emotions. And, of course, as always in this doc, it's paired perfectly with “Don't Let it Bring you Down” which is the musical mission statement of Paul's clenched-jawed smile philosophy.

"I tend to get a bit absolute in my statements." Yes, John. Yes you do. Another quote that Big Lennon fans should keep in mind.

John on the three weeks he took to decide if he wanted to continue the band after the first Hamburg trip: The others were mad because we could've been making money. Yeah, John, Paul suddenly had to work in a factory after he'd thrown away an educated, white-collar career (the first in his family) to be in your band. I'd be pissed too if you just didn't even bother to call. Anyway I just hate how casual John is about it. Someone who never had to worry about money is just never going to get that.

John doesn't even remember a ballpark number of how much they were making. Paul remembers exactly bragging to his professors that he was making fifteen a week in Hamburg. Sorry to go on and on about this right before Paris, but to me it's an important difference between them.

Anyway, the fact that Paris was more than just a vacation for them. The fact that – according to Stuart and John at least – they might not have come back. It's dizzying. They really thought about just running off together. I wonder what made them decide to come back and continue the band.

No offense if you do, but I don't personally believe in this stuff. What would the motivation have been for the tarot reader to tell him that? Either way, fuck him.

Gosh the live version of “Call Me Back Again”. You feel it, physically, how bad he wants this phonecall. And the desperation from such a successful man is fantastic. Literally, John, how did it feel to be the only man in the world that could get Paul McCartney to beg? “Pretty baby” “what can I do?” “Boohoohoo babe.” “I tried the operator, but I just can't get through.”

Reporter at the Wings over America tour: No John Lennon, no George Harrison, and no Ringo Starr, just Paul McCartney. And for everyone here tonight, that seemed to be plenty! Obviously he's loving this praise after all the negative press. Anyone would, and Paul needs it more than most people actually. But I bet part of him is like “stop. Don't say it like that, they already hate me enough as it is.”

How many times has John admitted that he finds Paul attractive? “It was no surprise, you know, when the kids – girls saw him, they go ‘ooh! Ooh!’ right away, you know?”

“I know it's true. It's all because of you.” Playing over this? Are you kidding me? Anyway I've never seen the picture version of this, so I thought I'd screenshot it.

But actually, in a way, the original written lyrics to Now and Then are less depressing than what he sang on the demo. “I know it's true, I'm still in love with you, and if I make it through, it's all because of you,” is obviously sad because they're both married to other people. But at least in that version, John's saying his own personal resilience to life's struggles comes from his relationship with Paul, which is nice. Whereas when John, who is sliding into a self-hating deep depression I'm comparing himself to Paul's phenomenal success, sings “it's all because of you” in a general sense, it almost feels like a callback to the ‘I'm shit and I couldn't do anything but be a Beatle (and ride Paul's boat)’ quote. Which is heartbreaking. I wish he could've recognized his own genius.

But yeah either way it's enough to make your heart heavy. If anyone needs a good cry, just go to the last five minutes of this. That should've been the now and then music video, but Paul's too scared of feelings. Which. You know. Considering how much it affects me, I can't even imagine how much it affects him. So he gets a pass.

“Why must we be alone? It's real love. It's real.”

[eregyrn-falls]

Gravity Falls Revival Prospects Teased by Disney TV Boss (Exclusive)

By Russ Milheim Posted: June 05, 2024

(From "The Direct", original article linked above.) While Gravity Falls may have ended in 2014 on the Disney Channel, fans are still hoping for a revival—thankfully, that doesn't look too far out of reach, at least according to an update from a top Disney executive. The series may have ended in 2014, but since then, creator Alex Hirsch has published several books in the universe. This included Gravity Falls: Tales of the Strange and Unexplained, Lost Legends, and Journal 3. In fact, another book is even coming out later this year, called The Book of Bill, which tells the story of the show from the perspective of the big bad. However, while books are great and all, a continuation of the show would absolutely thrill the franchise’s fanbase. In an exclusive interview with The Direct’s Russ Milheim while promoting the release of Big City Greens the Movie: Spacecation, Executive Vice President of Television Animation and Disney Branded Television Meredith Roberts gave a hopeful update on a possible Gravity Falls revival. She confirmed that they’re “in conversations with [creator] Alex [Hirsch]” before ending with an encouraging “never say never:” “You know, we're in conversations with Alex. He's about to publish a book with Disney on his project. And we also do some shorts. So never say never.”

What Could Be Next for Gravity Falls? While the update is a small one, plenty of fans will be thrilled to see even a slight glimmer of home. Sure, the new book releases are exciting, but not nearly as much as having the show back. If the show were to return, creator Alex Hirsch would likely want to introduce a new threat other than Bill. Admittedly, that's a high bar to clear. Perhaps a continuation would also age its leading characters, Dipper and Mabel. However, having older leads could transform Gravity Falls into a much different, more adult-based narrative. Either way, there's plenty of demand from fans to see the world of Gravity Falls again. Hopefully, that's something Disney can capitalize on sooner rather than later.

Since this is going around, and I haven't seen it posted here... well, here you go. What does it mean? Nobody knows! It may not mean anything. It's hard to tell whether this is just a Disney exec making noises for promotional purposes or what. I honestly would take this with a grain of salt until or unless Alex himself posts or tweets about it.

(My own thoughts: to be worthwhile, I strongly feel that any new Gravity Falls content would need to have the involvement of Alex Hirsch AND a good chunk of the other folks who worked on the show. People like Rob Renzetti, and others like Matt Braly, Alonso Ramirez Ramos, Emmy Ciceriega, Dana Terrace, Matt Chapman, Jeff Rowe, etc. etc. It would probably be difficult to impossible to get everyone back, unless it was for a very limited project, like a TV-movie or something.

I'm not saying they would ALL need to be back, and I do also think you could find some new folks to work on the project who would be very good replacements for some of the original crew who might not be able to come back. But, I've said many, many times: Gravity Falls was not the work of only one man. I respect the hell out of Alex Hirsch, but, the show that we love had contributions from a lot of other people that went into creating the final product. If what we want is something as good as the original show, then I think it would need input from those people.

And even then, we still have to keep in mind that it can be difficult to recapture lightning in a bottle. Even if they got back a majority of the original team, it's 10 years later (ish), and all of those folks have been through a lot, and most haven't been working with each other. There's a groove that the crew of the show got into at the time, and they'd have to recapture that groove. It would be different in at least SOME ways. Maybe a GOOD different! A lot would depend on the enthusiasm they had for doing it.)

So, we'll see! Keep an eye out, though, for more news.

[messrsrarchives]

How are you so open to so many different ships but draw the line at dramione 😭 (no hate! Genuinely curious as both a drarry and Dramione shipper 🫶)

i can't even,,, i wish i could explain in my usual yappy way i dislike dramione but i can't. i,,, there's no words to describe how thick and well-drawn this line is i just HATE it so much. (prefacing here ofc that idc what people like or dislike none of this is real)

and i mean !! the creativity and commitment? impeccable. yk i really respect people who take the time to craft a character's personality to fit the dynamic! there's a lot of creativity that goes into erasing hermione entirely and forming her into an oc that wou- see i can't be yappy i am now entering aggressive territory

but essentially! enemies to lovers is a trope i won't read and yessss drarry is typically classified as that by most people but there's a big difference between drarry's rivalry and the way that's put forth in canon (blew my mind that harry was straight the first time i read the books) and literal oppression, harrassment and bullying and that's just,,, not a dynamic i like to read. or a situation i can see draco and/or hermione willingly being in without stripping away core parts of their character. we all know that hermione is used in a very self-inserty way (which also,,, yk go ahead! none of this is real i hope people are having fun with that) but it 😭😭 YK WHAT ENERGY IT GIVES ME? 😭😭 yk that one emma watson interview where she's like "he was a bit older, he had a skateboard, he was a bit of a bad boy" about tom felton? that's the energy it gives me of like "*debby ryan smile* i like them baddd"

and from what i have seen and engaged in, i don't fw the dark "romance" genre either. not a big fan of that. actually an avid hater of dark "romance".

and like it's fanfiction !!! i'm sure there's great ones out there, i'm sure people are able to write around the fact he literally says he wants her dead multiple times, watches her get tortured, mocks her appearance, bullies her, calls her a slur (am i forgetting anything?) and shape it into something else but i *personallyyyy* cannot. it gives when your parents told you little boys on the playground bullied you because they liked you and it's like,,, okay well i hate myself right now ! i guess this is what love feels like ! but also i see the appeallllll of like,,, a love that's pure enough and strong enough to defeat "evil" but omg.

okay. i'm done. ESSENTIALLY 😁☝🏻 i see the appeal vaguely but i, much like hermione, would have to be crafted into a completely different person to enjoy it because it's filled with everything i hate. (again, generalising. i'm sure there's decent ones out there but i do not care LOL)

romione? impeccable. i'm trying to think who else i've read hermione with? OH fred!? impeccable. really big into the idea of hermione and percy at the moment ! i've read pansmione and kinda fwed that but it's not my go to. romione is my forever and always

IDK MAN. my image of hermione would never. whereas drarry isn't the same dynamic, they were written with (albeit unintentional) subtext and harry wasn't a hatstall as such but the hat debateddd slytherin yk? and also,,, draco doesn't call him a slur for years YKKKKK

anyway ahem. live laugh love. stopping now before i rant and go too far but if i were to engage in anti culture? it would be anti-dramione. which i don't because i simply block the dramione tags everywhere and move on with my day but yk. enrages me actually. i can't do it.

[sicariodechinchulines]

Damijon headcanon: Dami doesn't flirt, he COURTS.

•We tend to forgot WHERE and HOW Damian was raised. He just doesn't get the concept "Highschool sweetheart". when he first mentioned that, they were at a gala.

"-Im not interested on playdates, that's a waste of time.-" and they nodded because that's SOOO him, but then... "-If someone is interested on my being and dare to ask for my hand, I expect them to be ready for marriage. If not, then is just to be mean a ephemeral game that I won't even bother to remember, they shouldn't either."

Unnecessary to say that reporters we're so fucking excited with that response, so much that they didn't notice Dick Grayson hanging from a chandelier.

• and yes, he had a girlfriend before, even shared some kisses with other ladies and acted like a gentleman for them, but the truth is: he didn't take them seriously.

• Dami was ready for living alone and single, that's not the big deal, but Jon appeared again, and things started to get weird... in an amusing and warming way. Jon was now a mature good looking man, strong and good-natured as always. The little naive and childish boy was gone, and now was a man; a man worthy of his attention, in any areas.

• Without saying ANYTHING about his feels, he started to court Jon in the way he learned was appropriate, the problem is: Jon Kent is not a lady.

AND IS NEITHER SINGLE.

• Flowers, luxurious gifts and expensive jewelry. People started to suspect if Jon became some type of sugar baby for Damian, but when is questioned, Jon unsuspecting, answer "I don't know, rich people are weird"

• yes, people, Damian does HOLD the doors open for Jon, while ignoring the people behind, usually ending on them smashing their faces with the door.

• They rarely travel on cars, but when they do, Dami open the door for him; the bats are BEWILDERED by that.

• Needless to say that Jay DOES want to beat the shit out of him. (I don't blame him, if a sort of Arabic prince- heir of one of the biggest fortune in the world- a fucking Robin is trying to conquer MY boyfriend, I would love to beat the shit out of him too.)

Even if he's mad at him, don't see the point on competing with a child, because after all he's not even 15.

• Everyone knows that this boy is weird in SOOO many ways, but waiting 4 years until the object of your courtship is legally able to touch you, is little to much... even for Superman, who lost his virginity in his late twenties.

• Clark never say anything about that matter, first because he doesn't want to feed rumors, and second..

Because if he ADMIT that he would be okay with Damian marrying his son, Batman will KILL HIM.

•Even if he is worried about the future that Damian and Jon hold as best friends or partners, he can't denied that Damian devotion to Jon is cute.

Sorry but Clark is a hopeless romantic who loves his wife DEEPLY

(and he doesn't like Jay at all, he doesn't knows him as much he would like, neither is happy with the amount of info about his son that is on internet now thanks to jay's activism... but this ray of sunshine don't talk about that because, wHAT IF HE IS BEING HOMOPHOBIC OR SOMETHING?? Don't want to stress his boy with that.)

• after the SHOW Damian Wayne gave at that gala talking about his expectations on a partner and the PROPER way of courtship, the rumors about the younger Wayne being a heartbreaker like his father were over. NOW, they love to talk about how amazing and romantic Damian would be as a boyfriend.

When in an interview, a reporter mentioned Tim Drake-Wayne the titular "The teens dream: A prince like Damian Wayne. His thoughts about dating and how court a lady" he dissociated for 1 whole minute.

• the worst-best come now. Still hanging from that titular a journalist did DARE to ask about PRE-MARITAL SEX. (yes, Bruce demanded that journalist, yes, Bruce won.)

"- Isn't obvious? I'm against it, at least for myself. I don't find shame on waiting the proper person to lost your virginity with... even if I fall in love with SOMEONE who isn't virgin anymore, I'll wait anyway."

And yes, that was a hint for Jon. Jon didn't get it, but the press did.

It was funny how teen boys were so spiteful towards him and how teen girls were so delighted. Damian set the bar so high for Gotham boys.

• even with all the gifts and flowers and food, Jon is the ONLY ONE who don't notice. His mother did, his father did, Batman, Redhood, RedRobin and Nightwing DID, even StARFIRE AND THAT'S A LOT. a night after a mission she just said "Correct me if I'm wrong... but the little Robin is courting Superman according his culture standards, isn't?" And the whole Bat Boys just stared.

"That's adorable... a little gentleman!"

• They usually cuddle. It was hard for Jon getting used to it after YEARS gone, but Damian was weirdly okay with it, even pleased Jon can say.

But there was something unsettling. He don't cuddle him as before, instead he do it in a way that makes Jon feel incredibly conscious about himself, but safe anyway.

Damian does it on purpose, holding Jon head close to his chest when they are on the couch, caressing the side of Jon's jaw and lightly touching his temple.

If Jon is being lucky and Damian too tired, he will press his nose against his curls and close his eyes, answering anything with a lazy "mmh"

• Bruce is worried. He's not Clark, he's not tHAT optimistic. He knows his son and how unhinged and dangerous he can be, and see this said devotion as a time bomb. What if Jon is not that good??? Or Damian manage to CONQUER the teen's heart and decide to guide him into a darker path???? Jon probed that he can DIE for him in most of one occasion, Damian is starting to act the same and is unsettling.

Sorry if isn't readable, my mother language is Spanish and i learned English from comics, translator and weirdly poetic AO3 p0rn. If you're that kind, please point out my mistakes or care to give me an advice so I can better my grammar, ty so much!!!!

[plusvanity]

In one of your ask answers from September you wrote: ''I am a bit reluctant to say what I really think of Faust''. I skimmed over other answers as well but you never really spoke on this matter or about him (concerning this) again. Perhaps it's going to be an empty ask because you're still not comfortable elaboring your views on this - which I accept naturally - but I'm just way too curious to not shoot my shot: what do you REALLY think about Faust?

I personally do not have much going on opinion wise when it comes to him, he seems loyal to Øystein's memory (visiting his grave often, speaking highly of him always, keeping his legacy alive and over all being full of admiration for him, which is understandable since Ø could count as his role model, in a way) which is nice considering how people from the BM scene try to paint Ø, stuffing their mouths with his name just for views and/or turning their backs on him after his death ; but I am also aware of the crime he commited and as far as I recall, he never really spoke about it? Which is also why many people despise him (which is normal, absolutely not trying to imply that 'talking about it' would solve the problem!) the double amount, for example you can see it here: https://www.reddit.com/r/rabm/comments/mz7s97/the_lgbt_heavy_metal_podcast_24_emperor/. Anyway, I'm more interested right now if your opinion, if you'd like to share. Thanks!

There are many reasons why I'm reticent in saying what I truly believe about Faust, but I will try to express it in the gentlest way possible. My opinion is not something colossal as there isn't much information available on the subject, but it's definitely a radical one.

I see lately that more and more people have a tendency to make opinions about certain problematic black metal individuals that are 'Øystein approved or disapproved'. In this case, I can easily include Faust. I see people willing to downplay the gruesome and intentional murder that he committed for the simple fact that he was one of Øystein's loyal 'students', so to speak. So, my question for those is:

Does the simple fact that Faust spoke honorably about his mentor make him less of a bad person for taking the life of a man? The most rational answer is no.

I see many people believing blindly that Faust is truly remorseful and that he learned his lesson in prison, and my question about this is: How can you be so sure? Just because he is out now, talking about how he messed up because he was a kid and how much he changed since then doesn't mean that he means his words. Anyone can say anything. You don't know if it's real unless you know that person personally, and even so, he went to prison for first degree murder. I don't think it's far-fetched to doubt his words. Once you're some kind of celebrity, you need to keep your PR good. And if you don't think that everything in this world is business, then you don't really know how the world works, and I apologize for sounding rude.

No one can prove or disprove that his mentality (not action) changed.

It is very expectantly for him to try to clean his image and redirect the attention to other subjects like talking positively about Øystein. I don't say he is not respectful and he doesn't carry on Øystein's legacy, but I'm saying that it's wise to be aware who says what and what might be the reason behind it. There are other people that I'm more inclined to believe their feelings towards Øystein and loyalty are more authentic, like Mortiis for example. This is just my opinion, I encourage everyone to think for themselves.

Maybe I'm too harsh on him and I don't give him many chances, but he is a criminal after all, and I don't minimize this aspect. He didn't kill in self defense, he talked in interviews about 'stomping' on the victim's head, and this is cruelty. Do people think this cruelty somehow goes away over time? It never does. You're either born with it or you learned it. That's not PlusVanity being bitter about what can be changed in people. That's a well-known psychological fact. He is in the ASPD spectrum towards the high end, that's no speculation.

The time spent in prison is the equivalent of a joke because of the Norwegian system. You're basically living like in a hotel there, painting and doing crafts, playing basketball with the guards, living a long vacation. There is little to nothing that a troubled individual can learn and self-reflect in such conditions. I'm not saying that more violent habits are the answer for behavioral change as I strongly believe that violence is primitive and unnecessary, but the only way in which someone can get an insight on themselves is by feeling the equivalent consequences of what they've done.

People question if he killed a man because his victim was homosexual or he if simply killed just to feel how it is like. Both options make Faust just as much of an asshole because he took somebody's life intentionally. When asked about his opinion on homosexuals, he answered: 'Basically I don't care about them (as long as they keep it to their own people), but... what can I say... they are nice to put knives into..' In another interview he describes luring that man to the spot in which he committed the crime. There's always the element of shock-value in the black metal scene, but I tend to believe his words back then were a bit more genuine than what he insists on now because, to be fair, who wouldn't want to clean his image after something like this? Especially because he is still relevant in the scene.

Of course that his peers accepted right back like 'hey, bro! nice to see you again' and many people forgot his dark past because he's famous (to a certain degree). Is he a perfectly good guy now just because he says he is? When talking about antisocial behavior, somebody who did this can always do it again. They have it in them.

To sum it up, from a moral perspective, I don't like Faust and I'm not easily impressed by his post-prison statements because of the gravity of his act. Should he be forgiven or cancelled is not something I will comment about. There is no way to verify what's in his head and talking more about it is simply rambling.

From a musical perspective, he's a good drummer.

That's all I can say.

[lover-of-mine]

I'm not your Lady Whistledown, but the Oliver stuff started very subtly following the joint interview. I think reality hit a few of them following that. They built it up as this big springboard for the ship and when it didn't go that way the, there were no more interviews, or promo for the pair from the show, anger at Oliver started to creep in. It was subtle until Lou closed his cameo, but once they lost their direct contact with him, lots of them blamed Oliver. They believe the show forced him to shut it down. And many believe Oliver had something to do with that. It didn't help that immediately after he closed his cameo he also stopped interacting with or answering their questions on Twitter. And of course Oliver started blocking people as well. There are lots of them who are also freaking out over the SWAT stuff because he's clearly going back to that show, in some capacity, and they don't know what that will mean for his availability as far as 911 goes.

Ryan's interviews aren't helping them either. He's kind of been systematically disproving each of their arguments with every interview he does. The Men's Health interview with Oliver, I think was just what finally broke some of them. He's not going to get on board with Tommy, whether the show gives him canon Buddie or not, he clearly isn't vested in or going to vest in B/T and I think that's getting harder and harder for them to pretend away. I think it's also becoming clear that Lou's enthusiasm for it has certainly dimmed as well, for whenever reason. They're not being fed anything to sustain them anymore because all of it was coming from Lou himself and once he stopped they didn't have anything else to cling too. So being mad at Oliver is all they have left because they're never going to blame or be angry at Lou. So now Oliver, Tim and even Ryan, because lots of them think Oliver would be fine with B/T if Ryan wasn't around, are to blame for everything. Their ship was never about Oliver or Buck. Once Lou made himself available to their fawning and played along with it, all while taking their money, it became a fandom about Lou. Buck was just the character paired with the actor they were fetishizing. Hopefully they follow him out the door.

wait, they are blaming Oliver for the cameos stopping? I mean, I keep joking if it came down to it the production is gonna do what keeps Oliver happy, but to say Oliver has that kind of pull is just a lazy excuse to hate him. Lou was creating a type of publicity that didn't line up with the route they were going. That's even if Lou was told to stop, we don't know that for sure, do we? Dude can just get tired of playing it up not that he got the exposure he could get and now it has run it's course. I have a little prayer circle for him to book something else and not come back, so if he's back in swat, you will hear me cheering, but seriously, the more I learn the more wtf i am. But it does make sense that they built the thing around the shiny new actor and now can't keep up because the part of the ship that actually matters doesn't care, that adds up. I kinda wanna scream tho, Ryan's interviews are because he's promoting a movie. The dude is not getting interviews because of 911, the fact that he can't shut up about buddie doesn't change the fact that he is not there to talk about them. And since the beginning, Oliver keeps talking about Buck being bisexual outside of Buck dating Tommy, and it's crazy to watch the fantasy crumble when there was never to back it up to begin with. Honestly, I do hope that when Tommy goes he takes that part of the fandom with him, because my god....

[romisora]

Reflecting on Romeo and Alfredo's Relationship in Romeo's Blue Skies

This is going to be a very long post as I dig through years of interviews with the creators of the series and spend time reflecting on my own feelings since first seeing this show as a kid over ten years ago; I'm curious to see if there are any other queer fans who resonate with my experience. If you're just interested in reading the staff interview snippets, scroll towards the end.

TL;DR Romeo and Alfredo's feelings for each other were confirmed to be romantic in an interview with the director of the series in 2010.

For some background context, I first saw this series as a closeted queer kid. I had seen other media prior to this that were canonically queer on-screen, but had prevented myself from getting too invested in them. Deep down, it scared me that I was drawn to them and I was trying to convince myself that I wasn't like them. Also, I fall somewhere on the asexual and gray-romantic spectrum and as a result I never had much interest in romance-centered stories in the first place. However, something I didn't realize at the time there actually were types of romantic relationships that I desired, but there was an absence of me seeing them portrayed and allowing myself to be drawn to them.

When I first watched Romeo's Blue Skies, I was not prepared for how emotionally invested I became in the story, especially in the relationship between Romeo and Alfredo. I remember feeling confused why I was having feeling so many emotions while watching, and wondering why I was moved to tears over two fictional characters. At the time, I could tell it hit me on a deeper level than some people around me who I re-watched it with, and I was at a loss for what the reasons were. No piece of media had made me feel this deeply before, and few have come close since then. There's definitely a lot of other personal things about the story and characters that have grown with me over the years that contribute to how much I love this series as well, but Romeo and Alfredo were always at the heart of it. Back then, I tried to merely chalk up my feelings to the two characters having a beautiful friendship, one that I desired to have . . .

Years later, after I had figured out a lot more about my queer identity, I decided to revisit this show which had consistently been in my top 5 favorites even though I had not re-watched it in a very long time. Immediately, I started picking up on all the cues and realizing all the things about these two that had moved me and why it had been the case. The way they talked and supported each other, the way they thought each other, and the emotional intimacy between them. Regardless of anything that was stated on-screen, their connection felt incredibly romantic.

Something to keep in mind, I'm analyzing this series through the lens of the split-attraction model and am talking purely about romantic attraction here, not sexual attraction. If you are not familiar with the split-attraction model and different types of attraction, I recommend researching and reading about it. Being a kid on the asexual spectrum, I think it was precisely the innocence and pureness of Romeo and Alfredo's romantic attraction to one another that struck a chord with me. Additionally, being closeted, I believe on a subconscious level I resonated with the fact that these two were clearly in love with each other, but just like me, they did not understand it themselves either.

There were also a couple moments on my re-watch where my interest was piqued by dialogue nuances which were left out in the fansub translations.

From Episode 24, here Alfredo is saying "Romio ga inakucha dameda" (ロミオがいなくちゃだめだ。), which translates a bit closer to "I need you, Romeo," or "I can't do it without you, Romeo." However, depending on the context, this phrase can have a much stronger meaning, translating closer to "I can't live without you."

From Episode 26, although technically Alfredo is agreeing with Bianca here, his exact words are "Aa, subarashiiyo" (ああ、素晴らしいよ) which is "Yeah, he's wonderful."

Later in the same scene, Alfredo says to Bianca, "Omae mo itsuka kitto, Romio ga daisuki ni naru" (おまえもいつかきっと、ロミオが大好きになる。)

"Omae mo" which means "you too," what he's saying here is actually closer to "You too, will surely grow to like Romeo a lot someday." Potentially, there's a stronger undertone here which could be closer to "You too, will surely fall in love with Romeo someday."

"Daisuki ni naru" can mean either "fall in love with" or "grow to like a lot," and can be romantic or platonic depending on context. Bianca's reaction afterwards certainly feels rooted in the fact that his words fall in this gray area.

Ultimately, regardless if Romeo and Alfredo's relationship was not meant to be seen as romantic, it would not change the reasons why the series impacted me so much. However, on my recent re-watch, I couldn't help but wonder how much of it was intentional since so many creative choices in the show felt very deliberate. Alfredo's quickness to grab Romeo's hand, the gentle touches between them, the longing gazes, the promises, the daydreaming about each other when separated, how romantic the accompanying music tracks feel whenever they were together.

A side note here, two things about this situation can be true simultaneously. There can and should be more platonic male friendships with this level of emotional intimacy, and this should be more encouraged, accepted, and represented. At the same time though, there is no need to deny the queer-coding of these two characters. Both interpretations can exist alongside each other. After all, romantic or not, a huge part of their relationship is based on a strong foundation of friendship.

Somewhat related to this, I'd argue that a huge part of why the emotional chemistry between these two characters is so strong is because the story/script writer was a woman and they were both played by women. I joked to myself on my recent re-watch that Romeo and Alfredo have lesbian energy, and later realized that perhaps there were actual reasons why I was getting those vibes 😆

I have the 1996 Megu Extra artbook for the series I had picked up years ago. Since I had been recently been starting to study more Japanese, and Google Lens and DeepL have become pretty good at character recognition and translation, I started to casually read some of the staff interviews in the back of the book. My heart skipped a beat when I read this passage from the interview with the director, Kouzou Kusuba:

(scan of the page is edited to just show the relevant passage here)

Here's a translation I later got from a professional translator:

—It ended up becoming quite popular.

Kusuba: Contrary to my expectations… The fans are maniacs (laughs). Every work has its own fans, but for this one, it really did defy expectations. Well, I do understand the reason. I did depict Romeo and Alfredo in a homosexual-like way. Two men staring into each other’s eyes, or being quick to touch each other. Such depictions were not done previously in the Masterpiece series, and they were quite common here.

The vagueness here was what intrigued me, was he saying they were intentionally gay or just explaining why fans were interpreting them that way? He certainly did not seem to be outright denying the possibility.

I started digging deeper down the rabbit hole of interviews with the staff in various books over the years, burning with curiosity.

I found a couple more interesting vague allusions to the nature of Romeo and Alfredo's relationship in interviews with the script writer and voice actors in the 1996 Megu Extra art book and the 10th anniversary book.

From the 1996 Megu Extra interview with the script writer, Michiru Shimada. Translated with DeepL, edited for readability:

Interviewer: Please tell us about the process of adapting the original story into an anime.

Shimada: At first I thought the story would be a bit hard to follow. But as I worked on it, I think I was able to write something that I never thought I would be able to do. At first, I didn't think it would become this much of a friendship story between Romeo and Alfredo. Of course, I thought that would be the main theme and the climax of the story, but I feel that their friendship, or rather their relationship of trust, went further and further than I had expected.

From the 10th anniversary book interview with Michiru Shimada. Translated with DeepL, edited for readability:

Since I started using the Internet, I found out that "Romeo" had fans, and now that it has reached its 10th anniversary, it still has as many fans as ever. It's very surprising. I am deeply moved that 10 years have already passed, and at the same time, I am filled with gratitude that so many of you remember it. At the time of the broadcast, the ratings were low and I wondered if anyone was even watching the show. So I had no idea that there was a lot of talk among some fans about the relationship between Romeo and Alfredo being "suspicious" (laughs).

From the 10th anniversary book interview with Ai Orikasa and Toshiko Fujita, the voice actors of Romeo and Alfredo, respectively. Translated with DeepL, edited for readability:

Interviewer: So what "Romeo" depicts is the most important part, and in that sense, it is an eternal theme. Even when you grow up, you still think, "I want this kind of friendship," at the heart of it, don't you?

Orikasa: In some ways, it's ideal. I wish I had a friend like Alfredo…. Also, you are drawn to both the innocence of a boy like Romeo, whose hard work is beautiful, and the coolness and fragility of a brilliant but unfortunate boy like Alfredo.

Fujita: Even though they're just boys, there's a deep bond between them, like a romance, right? That's a big theme of Romeo and Alfredo's story.

Interviewer: What do you think is the secret behind Romeo and Alfredo's popularity?

Orikasa: Alfredo is unquestionably cool. Even being unfortunate has a kind of charisma…Romeo, on the other hand, is definitely a blank canvas. He's absorbing everything, but he's desperately trying to survive. He loves people desperately, he desperately wants to do something about it, and he can be clumsy or childish at times, but that's what makes him so charming. As for the relationship between the two, Romeo will never be able to live like Alfredo, and Alfredo will never have anything like Romeo, so they admire each other.

Fujita: I don't know which one of them is happier, but each of them has different qualities that they were born with or things that they acquired without realizing it. On the one hand, I feel like I have to protect them, but on the other hand, I also want to throw them away…That's why Romeo's blank canvas looks wonderful to Alfredo. Perhaps his canvas had been already painted over ever since he was born. They both have something wonderful from the start, but they're both attracted to what they don't have.

…It sounds like we're talking about a man and a woman (laughs).

Orikasa: That's really true. So, I'm sure the fans saw the two of them that way as well. But we were also laughing in the recording studio. There were long scenes where they stared at each other (laughs).

Fujita: That was hilarious. "Isn't it a little too long?" (laughs) We would say things like, "That look in his eyes is not normal."

By this point, I was still wondering if the romantic subtext was actually intentional, or if the creators were just joking around and acknowledging fan interpretations. However, at the very least, I felt I could be satisfied knowing that no one was arguing against the interpretation of them being more than friends. I began to assume that even if the romantic subtext was intentional, the creators would never officially confirm it and would continue to skirt around the topic forever.

Then, to my absolute shock, I found it. Fifteen years after the show aired, in the 2010 World Masterpiece Theater Europe Memorial Book, the director unabashedly confirming the feelings between Romeo and Alfredo were always intended to be romantic.

From the special interview with director Kouzou Kusuba. Professionally translated:

Romeo and Alfredo, the two had fallen in love . . .

With Romeo and Alfredo, that was love at first sight. Without even going into male friendships, the two are lovers. Before they start walking down the road of hardships, when they meet during the apple incident, it was love at first sight. They fell in love. That is the only explanation for having a bond that is that strong.

After Angeletta, Romeo’s heart moves towards Bianca. That is because he saw traces of her older brother, Alfredo, in her. So in the end, it was Alfredo for Romeo.

For comparison's sake, the DeepL translation with my own edits for better readability:

Romeo and Alfredo, they fell in love . . .

Romeo and Alfredo, it was love at first sight. Before you say anything about male friendships, these two are lovers. They fell in love at first sight when they met at the apple incident before they started down the road of hardship. They fell in love. If we didn’t think of it that way, they would not have had such a strong bond.

Romeo's heart moves on to Bianca after Angeletta. It is because he saw in Bianca the image of her brother Alfredo. After all, it really is still Alfredo for Romeo.

There's a crucial bit of info to note about the interview in the original Japanese that confirms it was romance without a shadow of a doubt. The director uses the word 恋 (koi) to describe their love, which is a term that is only used for romantic love in Japanese, as well as 恋人 (koibito - lovers/sweethearts/boyfriends). This leaves no ambiguity unlike the words すき (suki - like), and 愛 (ai - love), which, like their closest English counterparts, can be platonic or romantic depending on context.

Although I didn't need the romantic connection between them to be canon, actually having it confirmed simultaneously fills my heart with so much joy and ache even more. The story hits much harder when viewed through the lens of being an intentional, fleeting childhood romance between two boys who are oblivious to the fact that they are in love with each other. There's a sense of disconnect between them knowing that they feel strongly towards each other, but not realizing what their feelings mean and the people around them not understanding how deep it is either. I certainly had feelings as a kid that I wasn't able to identify as romantic until years later because of compulsory heterosexuality, and I'm sure many other queer people would relate to this as well.

It's beautiful, yet heartbreaking. If you consider it, the way their romance is presented contextually makes sense from both the standpoint of being realistic to the 1870s, time period it is set in, and the constraints of when it was created and aired on TV, in 1995. Especially with Romeo's Blue Skies being a children's show and a World Masterpiece Theater series, there probably would have been no scenario where the creators could have explicitly stated it on-screen. Instead, they poured it all into subtext, which shines brightly.

Romeo and Alfredo never needed to say, "I love you." A few words, a tender gaze and a gentle hand touch between them to me almost feels more romantic than a kiss ever could. It is so painfully evident in the way they look at each other and treat each other that they have a much deeper emotional and romantic bond between them than any other characters in the series.

I think that's what spoke to me all those years ago. The feeling of finding someone you're on the same wavelength with; those unspoken understandings between each other. I saw these two and was struck somewhere deep in my heart with the desire for a relationship like that. Even now, there's a part of me that feels: If I were to find my equivalent counterpart of Romeo and Alfredo, I would be set for life . . .

[project-sekai-facts]

yo, do ya have any favourite lyrics and/or line distributions? akito getting multiple lines about dogs is neato

Hoshizora no Melody has my favorite lyrics in the game it's not even a tough choice. I love how well every character's arc is conveyed through only a few lines it's so good. Emu could never and would never leave PXL (her grandad) behind, and WxS was able to finally change things for her and help her protect it. Rui was outcast his whole life and he came to accept it as something that would never change - it wasn't until WxS (Tsukasa) reached out to him and let him be passionate about his dreams without judging him that he was finally able to turn things around. Tsukasa throws his all into theatre (making people happy) and it's something that is so deeply ingrained as a part of himself, but WxS let him actually pave the way to make his dream a reality. Nene was too shy to face anyone and couldn't get over the things in her way (her past failures), but she was able to rediscover her passion for singing and is able to sing for everyone once again.

The prechorus parts too, Emu and Tsukasa sing the part about realising that the world can make people smile because both of their dreams are to make people smile. Emu and Rui singing about the world giving life back to things they'd given up because Rui gave up on the thought of belonging and Emu was going to have to give up the Wonder Stage. Rui getting the part about celebrating the colors of the world because his dream is to create shows that anyone can enjoy regardless of identity.

As you said I think Akito getting lines about dogs is a nice little bit of recurring irony. I particularly like this example from Gekokujo that conveys his unwavering determination and drive even when he's faced with forces pushing against him really nicely. Also just Gekokujo's lyrics as a whole I think reflect the event so well.

N25 probably has the best lyric game like there's so many good examples from their songs. Particular favorites would have to be Engeki for summarising basically Mafuyu's entire life in such a gut-punching way, and Tricologe for a similar reason for Hoshizora in that it just does such a good job of representing every character.

IDSMILE/lower parallels my beloved <3

Gunjou Sanka is another favorite of mine. If you couldn't tell by now I love stuff that either tells a story or describes a character. Or both. All of Gunjou Sanka is so good and really packs a punch with the emotions but I really like the first verse and prechorus here where it describes the basics of each main story in just one or two lines each. I especially love the Leo/need segment about being able to believe in wanting to stay together since they've moved on from their pasts and are reuinted now.

And how could I forget Mr. Showtime. This one has such clever lyrics and I love the use of parentheses to add secondary meanings to certain parts. The whole song is perfection but I'm particularly fond of this section here, specifically the last line because it understands Tsukasa so much better than like half the fandom does. Theatre is something that Tsukasa genuinely dedicates everything to, in some ways (every way) it is his life. Phoenix is a great example to demonstrate that because it highlights just how much it means to him and how he's willing to put it above everything else, including his own wellbeing, to try and overcome the obstacles he faces. At the end of the day though, even if it's tough and can feel like it's taking too long or isn't worth it, the roadblocks he doesn't anticipate are the ones that help him improve most and get closer to his dream than anything else.

also just this one lyric from Showtime Ruler I love character development. Karasuyasabou actually says that's his favorite in the song, and he talked quite a lot about the lyrics for the rest of the song in his corocoro interview. I'd suggest giving it a read because it's pretty interesting what he says about how he wrote it.

this is getting a bit long so i'll stop here haha

[aphelio-mara]

its actually so good to hear someone else out there is lying awake at night thinking. “omega earth has a valorant legion fan convention.” and “i wonder how many shitty movie productions exist in omega earth that completely ruin an agents character.”

like. imagine turning on the latest big hit movie about your life and saving the world and theres a horrible romance sideplot of you and your best friend. hilarious. mortifying. the rest of the legion doesnt let it go for months, until the next big scandal drops and focuses the attention onto the next poor soul

going absolutely insane to the point that i made a whole scenario based on this because YES YOU GET IT 🫵‼️

can you imagine phoenix getting promised a biopic in the aftermath of his heroism in aiding lisbon (pearl)

he's ecstatic; sage, omen, and jett are all supportive, save for the lighthearted teasing every once and a while by them and the others

the day of the premiere comes and he's bubbling on the red carpet, giving fist bumps and side hugs to his friends and colleagues that attended, the paparazzi going particularly crazy when he drapes his arm over yoru (he chalks it up as them being excited that yoru even came with his elusive persona)

the movie begins and phoenix is impressed. the plot flows well, it highlights aspects of his life and personality that's meaningful to him, and the acting is incredible! he doesn't even comment on the fact that every time movie him and movie yoru interact, the vibe of the scene changes in the smallest ways into something more...sentimental? oh, who cares, the movie is cool!

he doesn't even pay mind to the fact that when movie him was in peril, movie yoru had an entire scene of him rushing to the communication room, trying to reach him. he doesn't say anything when the end of the film comes near and they have a conversation with yoru hugging him. i mean, they're good friends beyond their public rivalry, he wishes that yoru actually hugged him during that time. this is such a nice homage to their friendsh—and they're kissing

phoenix feels heat rush up to his cheeks and ears as the tips of his hair flicker ever so slightly with sparks, turning immediately to yoru who's looking at him with the same unspoken "what the fuck"

jett is laughing her ass off and sage looks like a proud mother until her face falls when she realizes that the whole subplot probably isn't real and either 1.) phoenix and yoru's relationship just got outed or 2.) phoenix is Not Gay (the prior option sounds much more plausible to her)

the legion pr team has to physically stop phoenix from answering any interviews after the premiere. his face is plastered in the tabloids the very next day, the yorunix hashtag is trending everywhere, and thousands of dms are entering his social media accounts about how it's okay to be gay ("i know it's okay but are we gonna ignore the fact that they think i'm dating him???")

jett and sage are masters of deflection when asked about it, omen doesn't leave hq enough to be caught in an interview, and yoru himself is back to being too elusive for paparazzi to catch him...and poor phoenix is left to rethink his entire dynamic with one of his best friends

the rumors only die down after almost half a year of not entertaining questions about it, being ultimately overshadowed by another wave of seasonal "bisexual chamber" allegations (they are not allegations at all, chamber knows what he likes but god does he likes to see people speculate)

and hey, phoenix isn't mad anymore. it helped him discover a new part of himself, after all

not the being gay part though; it's the fact that he's probably helplessly in love with yoru and he has no fuckass clue what to do about that 💀

[authoralexharvey]

INTERVIEW WITH A WRITEBLR — @sleepyowlwrites

Who You Are:

M.J || She/her

I'm a relentlessly optimistic affectionate creative who will impart love to the world through whatever means possible, and this includes my writing. And it shows, because all my kids are either full of love or in desperate need of it.

What You Write:

What genres do you write in? What age ranges do you write for?

Action, Adventure, Contemporary, Fanfic, Fantasy, Poetry. Young and New Adult.

What genre would you write in for the rest of your life, if you could? What about that genre appeals to you?

Fantasy, it's always been fantasy. Even my contemporary pieces have trace elements of fantasy in them. I like having rules in my worlds, but ones that I made up instead of science or society.

What genre/s will you not write unless you HAVE to? What about that genre turns you off?

Romance. I sometimes think about trying it, but I quickly turn away. There's nothing about romance that is fulfilling in a way that I couldn't find elsewhere. It's just not enough for me. I want everything else, everything in the wider love spectrum, all the kinds I personally treasure in my own life.

Who is your target audience? Do you think anyone outside of that would get anything out of your works?

Anybody, but especially people who have emotions that refuse to be processed. I'm hoping to help them process those emotions through the lens of character. If a reader isn't ready for striking combinations of whimsy and weight, or unexpected feelings, then they might not jive with my stories.

What kind of themes do you tend to focus on? What kinds of tropes? What about them appeals to you?

Mental illness, friendship, hurt/comfort, the mortifying ordeal of being known, purpose, trauma, personal choices, siblings, raw depths of emotions, and shenanigans. One of these is not like the other. I like to put relatable qualities in fantastical realms and make it intimate. I want you to indulge, and I want you to think.

What themes or tropes can you not stand? What about them turn you off?

Romanticized abuse or toxic relationships, romanticized mental illness or disabilities, fake redemption arcs, poorly realized characters or cheap twists, and sex. I'm entirely uninterested in sex. There are too many things I dislike to think of them now that I've been asked, but they're just preference. Don't backtrack on character growth for the sake of drama, please.

What are you currently working on? How long have you been working on it?

That's a trick question. I work on multiple projects at once because that's what my brain prefers. My longest wip is 10 months old and my oldest is almost 7 years.

Why do you write? What keeps you writing?

I've always talked my thoughts aloud to make them make sense - my adhd doesn't think in sentences, so it can get very jumbled in my brain - and stories are an additional way of explaining the world or people to myself, or explaining myself to other people, or of explaining nothing but exploring the unnamed. I write because I feel these things anyway. Might as well share them.

How long have you been writing? What do you think first drew you to it?

Since I was 9, so 20 years ago. The same reason as above, and also my mom said I was talented. I was decidedly untalented in various other areas, so I jumped on that talent and went for it. I do still think I'm talented but I'm a good writer because I kept at it. I have the skills now to back up the talent. It’s very gratifying.

Where do you get your inspiration from? Is that how you got your inspiration for your current project? If not, where did the inspiration come from?

Anywhere, and I really mean it. I can't tell you how many times I've been sitting at a stoplight, or cleaning, or watch Chicago Med with my mom bemoaning the horrible writing and poof! Idea. It just comes to me. Little bit gift, little bit curse, really.

What work of yours are you most proud of? Why?

Hard to say. Everything. The ones that barely exist and the ones that don't make sense anymore. The poetry from 2010 that is simply terrible. The ones from 2020 that are full of grief. The stories that change form but won't leave me alone. The ones I just invented. I'm proud of of it for impacting me, the audience I write for first.

Have you published anything? Do you want to?

No. Yes? It's not the only end goal like when I was 14. It's an idea I like to entertain. I'm currently happy just to be writing along with work.

What part of the publishing process most appeals to you? What part least appeals to you?

I'd like to self-publish first, and that means learning and doing new things, which I hate. I'm 29 and I still hate it. The upside would be more control, the downside would be more control.

What part of the writing process most appeals to you? What part is least appealing?

Least appealing is finishing. Most appealing is starting and middling. I'm also afraid of worldbuilding because it tends to squash my writing drive for some reason? I'm working on it.

Do you have a writing process? Do you have an ideal setup? Do you write in pure chaos? Talk about your process a bit.

It's pure chaos. I rubber duck until sentences settle like dew in the morning, and then I sometimes collect it to make tea, and sometimes I just watch it evaporate. Both activities are important. I write until I find a plot, and if I cannot find one, I will let the tea sit and grow mold. Sometimes I have to throw it out. Sometimes I recycle, plant flowers, and grow new stories. It's chaos. I love it.

Your Thoughts on Writeblr:

How long have you been a writeblr? What inspired you to join the community?

2018 - I converted from a kpop blog - I wanted to get back into writing original fiction again, and I wanted my writeblr to be my main. So. I did that.

Shout out some of your favorite writeblrs. How did you find them and what made you want to follow them?

How. Am I supposed to pick. Some? I found everybody from following a few people and seeing who they followed. I usually follow on a whim, and then make friends after. @zmwrites, @akindofmagictoo, @blind-the-winds, @oh-no-another-idea, @ink-fireplace-coffee, @avrablake, @chayscribbles, @mel-writes-with-her-dragons, @artbyeloquent, @writing-is-a-martial-art, @ashen-crest, I have at least 80 more people I could mention

What is your favorite part about writeblr?

Making friends and adopting each other's blorbos! And reading some truly excellent stories, obviously.

What do you think writeblr could improve on? How do you think we can go about doing so?

Initiate interaction. If you want asks, send some, if you want tags, tag people, if you want readers, read stuff. There's no guarantee of reciprocity - I'm often too tired to respond enthusiastically even when I'm happy to see a post - but the more we engage, the more we are engaging. Wow, I'm a writer.

How do you contribute to the writeblr community? Do you think you could be doing more?

I try to send asks whenever I see people asking, I post prompts lists and invent tags. I start conversations and make friends that way. I could be doing more, but it’s a balance between doing more and not breaking my boundaries. I talk to people all day at work and expend social energy. As an introvert, I have to not overreach or I get anxiety and burnout. Life's a balancing act, and writeblr is no exception.

What kinds of posts do you most like to interact with?

Tag games? It liberally depends on the day. I struggle the most with reblogging others' writing. But I'm getting better!

What kind of posts do you most like to make?

Writing memes or relatability, or new tag games.

Finally, anywhere else online we may be able to find you?

Not anywhere that I use frequently.

[sugdenlovesdingle]

I tried vibing some sunshine your way! I'm in England and we don't seem to get much of it these days, so maybe that's why it put me in such a good mood today.

I'm the same as you, only got into 911 properly after 7x04 (though I'd watched lonestar since the beginning - apparently everyone hates Rob Lowe but I still see him as Sam Seaborn from the west wing (one of my all time fav shows) 😂).

I've got no idea why there are so many interviews either, and maybe it's adding to how bad some of them are? Like it's diluting whatever messages Tim et al are trying to convey because they're doing it every week and there's only so many teasers you can keep coming up with?

If the current plot resolves with Tommy coming back by hiatus, or by the end of 8B, then the earlier interviews about hurdles to overcome, deepening the relationship, their romance being a romcom, Oliver saying he likes slow burns, etc etc will all make sense - but then the intervening interviews since then will look like total bullshit/outright lying? Idk, I know alot of interviews are by buddie 'journalists' and words can be misquoted and written with a bias, but some of them still seemed pretty clear the current relationship is over. Plus there's the interviews mentioning plots to come that definitely never happened, so I think I'm just back to wanting to ignore them as they cause too much unnecessary stress.

Plus why focus on the stress when the fic and speculation is fun. I've enjoyed mpreg before but never this much 🤣, for me it's the combo with the angst of a breakup makeup that makes it just chefs kiss.

And finally a robron question as I am pretty out the loop with it, do you think there's any chance of Ryan coming back on the horizon??

Sunshine from England?? No wonder it didn't work! That's too rare to send over!

I never watched Rob Lowe in anything before Lone Star really. Not REALLY. sometimes i see things and i'm like 'wait... he was in that???" - i did see some gifs (i think) of him and lisa edelstein in another show where they *also* played a couple. I don't remember what show that was though. But yeah -i've always preferred lone star over the OG. Even now every monday is like "oh hiii babies!!" And i don't think the fandom is as fucking rancid as the og fandom can be. (not the bucktommy fandom - i love everyone in this club, but you know what i mean) I've never seen anyone so *violently* hate tarlos and send hate to Rafa or Ronen just because they're not the person they think the other half of the couple should be with. Even my fellow Nancy/Marjan shippers (all 5 of us) who don't want Nancy with Mateo don't go around harassing Jules.

ANYWAYS - the interviews are bullshit. I mean Tim teased tension between henren and madney over mara, he teased eddie being the third wheel and buck not having time for him, he teased buck leaning on Tommy with the Gerrard of it all - none of that happened. And if you look at the quotes from Lou's interview especially it's more up in the air like "i have a job lined up, i'm going back to SWAT, and a few other things coming up and if they call me to come back i hope i'll have time" he never said he definitely 100% will never ever ever come back as Tommy. That's what the buddie baiting "journalists" turned it into.

And yes speculation is half the fun! I mean how many speculation fics has this fandom written the past six months? Or this-never-happened fix its. Or Tommy-was-there-after-all- fics. Keep 'em coming people! I'm not keen on mpreg fics though but hey if you're all having fun with them - have at it! I know how to blacklist and keep scrolling ;)

As for Ryan coming back... I REALLY hope so... but realistically speaking... i don't think so. But if emmerdale wanted to prove me wrong and give me Robert Sugden back for Christmas, i wouldn't hate that! just FYI @ soap gods