#i'm not saying he was right

[thefirstlioveyou]

i think of every asshole moment mike's had the past 2 seasons but then i remember the reasons beneath it all

[yarnzipangirl]

Your reminder that Arthur okayed that John-

John who lost himself in the Dark World for lifetimes and views that experience with such horror he won't talk about it

John who described himself as striving "cracked ribs and bleeding" on his way to humanity

John who was willing to fight for lifetimes to stay Himself

-would lose all of his memories, what made him John, if it got John back to him.

Back to him. Not safe. "I want him safe-" "You want him back".

And upon his return, Arthur tells him this.

RIGHT AFTER HOLDING ONTO HIS IDENTITY BY THE SKIN OF HIS TEETH IN THE DARK WORLD.

And Arthur says, and I quote 'but that doesn't matter now because you're back'.

AHEM?

Intermezzo decision what now?

[poorly-drawn-mdzs]

Hey now, Let her cook!

[abracadaze]

i feel so bad for nikola tesla like imagine spending years beefing with a guy who has conned the public into believing he's some sort of supergenius when in reality it's his overworked employees developing all of his world-changing inventions and you end up dying broke and starving and alone and then 100 years later another guy cons the public into believing he's some sort of supergenius when in reality it's his overworked employees developing all of his world-changing inventions and he's doing it all IN YOUR NAME. he must be rolling in his grave like a fucking rotisserie chicken

[brainrotcharacters]

the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.

[daydreamerwonderkid]

I know WFA is too OOC for some people, but I need that shit right now.

I do love seeing the Batfam beating the shit out of each other. I like how messy their relationships are and I have always loved flawed characters.

But idk, man, Batman #138 just really crossed a line for me and I need a reminder that there are other depictions of Bruce that aren't so fucking heinous.

I'll take this shit:

Over this shit:

Any. Fucking. Day.

[ohmyglobwhatthefrickamievendoing]

The fact that izzy apparently just hangs out in stede's room doing his own thing is so funny because what's he gonna do when stede&ed start fucking?? they're gonna have to lock him out of the bedroom like the family dog that's yowling at the door

[zephyrchama]

I hope demons have sayings that sound really weird and messed up to humans, just as there are many diverse sayings across varying human languages that don't always translate easily.

---01

Lucifer looked up warily as you entered his office before breathing a sigh of relief. "I thought you were Mammon, here to give me another headache."

You strided over to his desk to take a peek at what he was working on. It looked boring. "We both know you love your little brother. What could be so bad this time?"

Lucifer buried his eyes in his hands, brushing his hair aside with the tail end of a pen. "He's been gnawing on my toenails all week."

You coughed in surprise, smacking your chest to loosen up the muscles so that clarifying questions could be asked. "What? Why? How?"

"Just general Mammon buffoonery as usual. For some reason he's especially persistent this week."

"I have literally never seen Mammon chewing on toenails..." Your lip curled back in disgust just imagining it. "Has he... done this before?"

"What?" Lucifer narrowed his eyes, puzzled. "Oh." His gaze softened once he realized what was happening and he huffed in amusement. "Mammon hasn't actually been gnawing on my toenails. It means he's getting on my nerves, as you might say."

You clasped your hands together and sighed, letting a wave of relief wash over you. "Please. Just say that next time."

----02

"C'mon, c'mon! If ya move any slower I'm gonna exfoliate Diavolo!"

You were running as fast as you could, despite Mammon being the reason for your tardiness. You didn't have much to lose, but Mammon could be in deep trouble for missing another morning class.

You wheezed and almost ran into him, not realizing he kindly came back to carry you. "Wh..." After a few deep breaths, you choked out your question. "You're gonna what? To Diavolo?"

Mammon thrust his bag in your arms in a rush and picked you up instead. He spoke as he began running, "yeah. He's gonna have my neck if I'm late again!"

"I get that, but is Barbatos gonna make you wash him...? Or...?"

"Wha? Are you still half asleep? Is that why you're runnin' so slow?"

You leaned your head back against his upper arm to stare up at him in frustration. He couldn't ignore your pouty face inches from his own. Mammon's ears grew red. "Knock it off!"

"Tell me what you mean!" you ordered.

Mammon growled and ran even faster. "What do you mean? I'm just tryna get us to class!"

---03

You scooted your seat closer to Leviathan. He perked right up and froze as you approached to whisper in his ear.

"Levi, XYZ."

"W-w-what? Is that a code?"

"No, XYZ. PDQ."

He reached for a pen and began noting the letters down. "P... D... Q... Got it. What's next?"

You shook your head. "No, Levi, your barn door is open."

"What game are we talking about? I haven't picked up Moondrop Basin in a few weeks."

You made a zipping-up motion with your hand. "Your fly!"

"Oh." Leviathan ruffled the back of his hair and swatted the air around his head. "Is it gone now? I didn't see any bugs."

Though reluctant to be so blunt, you were out of euphemisms. "Levi, your pants' zipper is open."

With an "eep!" he turned away to fix his problem. It took a few seconds. In his haste, the zipper kept getting stuck. He was mad when he turned back around, his face colored crimson. "Why didn't you just tell me? Without turning it into... into some game!"

"I did! XYZ, PDQ, That's what we say in the human world! Examine your zipper, quick!"

"That's so dumb!" he seethed, punching his knee. "What a spumid flaming cabbage. Your sayings are so weird."

---04

"Ready for the next one?"

"Hit me," you told Satan.

He grimaced from across the desk, raising his eyes from the paper to look at you in concern. "What? No, I'm not going to do that."

"Not literally, it's a human saying. It means 'give it to me,' or something like that."

"Oh." Satan jotted that down in the margins of his own notes before reading off the next phrase on his list. "This is one of my favorites. It's a colorful saying, but if you're really mad at someone you can call them a snot-cobbling banshee. I like to say this while cursing their next three generations."

You wrote that down. "How often do you use this saying?"

"Not too often. Well, maybe once a week with my brothers. It goes along with this next phrase which implies someone is dangerously stupid. Barbed dingbat."

You nodded. You were truly learning so much on this cultural exchange program.

---05

Asmodeus came into the kitchen as you were preparing dinner and wrapped his arms around your neck. He looked exhausted.

"Careful, I've got a knife, don't want to accidentally nick you," you warned. "What's up? Long day?"

"Like you wouldn't believe." Asmodeus peeped over your shoulder to look at the vegetables you were cutting. "I'm so glad you're home. You know, all day, all I could think about was..."

He proceeded to say some incredibly vulgar things. Detailed depictions of debauchery. Irredeemable acts of indecency that cannot be repeated on this blog. It made you put the knife down in a tizzy.

"Are those more demon idioms?" You snickered awkwardly and wiped your hands on a towel. "I've been learning about your sayings recently. Can't say I've heard those ones yet."

"What? Oh, no." Asmodeus lifted your hand, raising it to his lips to lick a stray fleck of vegetable skin off your fingertip. "These aren't sayings, this is just stuff I've wanted to do all day."

---06

"I could just eat you up."

This was something Beelzebub said often, and something he repeated again today. His hands were occupied with a fresh four-pounder with cheese, but his eyes kept drifting from it to watch you shoot paper balls into a wastebasket.

"You know, humans have the same saying. Isn't that funny?" You bounced up to grab some of the wads on the floor that didn't make it into the basket, to try again.

Beelzebub swallowed the mass in his mouth. "Really?" he asked between bites. "I thought you guys stopped doing cannibalism, mostly."

"Uh." You missed your throw. What should have been an easy shoot bounced off the edge and rolled away from the wastebasket. "Yeah, we did. Just so we're on the same page, you're saying I'm cute, right?"

Beelzebub was concerningly quiet as he chewed.

---07

"Are you on your way back to class?" Belphegor stopped you in the hall. You hadn't even seen him there on the ground, curled up next to a shady pillar.

"Skipping class again?" you asked. "I thought you liked magic theory."

"Maybe," he yawned. "It's too easy sometimes."

Belphegor fished around in his pocket for a second before pulling out a tightly folded-up sheet of paper. He offered it up. "Can you turn this in for me? I don't want my grades dropping over late homework."

"Sure thing, but it might be better to turn it in yourself. I heard Barbatos is doing random checks in all classes this week. He'll notice you missing."

"Nah." Belphegor's head drooped down as he prepared to doze off again. "If you see him, just tell him I'm being flerchen in the garden."

That sounded innocent enough. "Okay. What does that mean?"

"Means I've got the sniffles," he lied.

---08

Barbatos' eyes grew big and he placed a hand over his heart, furthering crumpling Belphegor's homework sheet in the process. He looked around to make sure nobody overheard before leaning in. "I must ask that you never say that again."

Behind him, Diavolo's palm was clasped over his mouth as he struggled not to draw attention with loud guffaws. He had his back to the classroom, shoulders shaking uncontrollably.

"Why not?" You nervously shifted from one foot to another. You'd been had.

"It's not a topic I can explain here. Perhaps you and the Young Master should excuse yourselves for now. I'll come collect you both later."

Barbatos readily escorted you and Diavolo out of the room, shutting the door behind you so that class could begin without interruption.

"I'm just the messenger," you tried to defend yourself. Diavolo's fit of giggles was renewed. He grabbed on to your shoulder for stability while doubled over, trying to ride out the laughter.

"Did... did Belphegor tell you to say that?" He wiped a tear running down his face. You furiously nodded.

"Haha! Do you remember where he's hiding? I'd sure like to have a word with him."

You couldn't tell if Diavolo was going to praise Belphegor or tear him a new one. Perhaps a mix of both. However, the curiosity over what you said was overwhelming. You wanted to know the full extent of what it meant before seeing Belphegor again.

You decided to bargain with the prince. "I'll show you, but first you have to tell me what that means."

[inkskinned]

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

[jkvjimin]

PARK JIMIN & KIM NAMJOON ↳ MMM (Mini & Moni Music)

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[exoexid]

was watching khadija mbowe's reaction to "not like us" so these are some of my favorite comments of people theorizing about what j. cole might be up to these days:

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[poorly-drawn-mdzs]

Ooh, you want to know what happens at the gay bar run by ex-pirates, ooh...You'll just have to read Tiger Tiger to find out...

(Inspired by this Disco Elysium comic)

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[polinsated]

3.01 -> 3.05 | colin + smugness vs. sincerity