#i'm having fun. fuck off LMAO

[prozac-shaped-urn]

lol i love this duo

Gerri gave her a cockeyed smile. Deborah squinted as she looked up at Gerri.

“What?”

“You're really wet for me, aren't you?”

Deborah scooped a handful of water and flung it at Gerri—missing her entirely save for a small patch on her legs.

“Obviously, you were never a softball lesbian.”

“Fuck you, Gerri. Help me up.”

Gerri did as requested, holding Deborah's hand as she climbed up and over the boulder onto dry land.

[bacchuschucklefuck]

dreaming abt sophomore year class swap bard!riz

[batfamfucker]

In the canon in my mind I ignore all the deaths and revivals and retcons and pretend that Jason was the only one to die because every time they kill another batfam member off only to revive them later, it loses its meaning in general, but especially because it's kinda like a slap in the face for Jason's arc every time it happens, as well as for why his relationship with Bruce became so strained. Bruce's grief from losing Jason is one of the most defining arcs of his character. Going from Professional but Warm to Cold and Distant and almost Brutal, being closer to the 'No killing' line than ever, only to be pulled back into the light and forced to open up again when Tim came around.

It goes unsaid that it's defining for Jason, Red Hood, ect. How his views on the afterlife would've changed, how his value of self was affected and relationships strained, how there's likely gaps in his memory.

I hate that every time they do a cheap kill for shock value it completely overshadows the trauma and affect on these characters that was caused by Jason's murder, that deserves to be explored, and that I personally want to see them actually, properly reconcile and heal from.

I would say Damian is the only other member to actually die but it was during his childhood with the League, and I doubt it happened only once. There was a headcanon somewhere about how he had brown eyes but they turned green because of the Pit and the family didn't realise Damian had ever died until they found old baby pictures of him and saw the colour change. I personally really like that idea too. So essentially they didn't know until much later.

Anyway, that's the Batfam storyline headcanon in my mind.

[shima-draws]

I briefly considered a roleswap AU where Cora is the one to be enslaved by the Celestial Dragons and get horribly mistreated by them but then I realized it would be over in five minutes bc if Law saw that he would literally burn Mary Geoise to the ground with ZERO hesitation whatsoever

[gingermintpepper]

hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts

Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.

For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.

The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.

Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰

[andi-o-geyser]

“oh the gods are bad the gods are bad” i actually realized i dont give a fuck. crazy concept i actually realized i do not give a fuck lmaooo. people have lived not liking or worshipping the gods for so many fucking years its actually CRAZY like people honestly just go about their day to day lives. they believe or they don't! big whoop! they just care about the price of milk and if the world isn't ending!!

[yujeong]

back again because another prompt came to me: I love the idea of vegas making pete confront his "nonpersonhood" by either fucking in front of a mirror, or vegas making pete verbalize every little thing he wants vegas to do. very much forcing pete to be present and say what he wants and needs. (in a healthy way)

Hello anon! My sincere apologies for not having answered this in so long, but I didn't have the proper brainworms for it. Also, apologies for answering the second one you sent me first, but I got inspired for this prompt today, so I decided to work on it. Hope you enjoy ❤️ CW: Bondage, Handjob ----------------------------------------------------------------------- There's a man in the mirror. Pete doesn't recognize him. He's tied up—wrists bound by rope, legs spread out on the large bed he and Vegas sleep in every night. His hair is a mess. His cheeks are flushed and his mouth is hanging open. His chest is heaving. He's completely naked; his cock is leaking precum on his stomach. The man in the mirror looks aroused, but uncomfortable. Lost. Out of his depth. But why? He's been in this situation plenty of times before. The position, the anticipation, the ache, it all feels familiar, and yet... "Pete." Vegas is standing next to the bed, his voice syrupy sweet. Pete turns to look at him. A good distraction; he tries to reach him, to lean closer for a kiss. Vegas grabs his face before he does. "No," he says, his smile replaced by a frown. "Not until you look." There's a man in the mirror. Pete doesn't know who he is. His breathing has grown heavier. He looks flustered; his bangs are glued on his forehead, sweat travels down his neck. He barely moves as he's stuck there, staring at someone who seems familiar, but isn't. He shouldn't be. "Look at you," Vegas whispers in Pete's ear. Pete can't understand what he means, but a shiver travels down his spine regardless. And then Vegas licks Pete's earlobe and it feels like a punch to the gut. His body reacts on its own, his voice too. It sounds like a moan, but Pete is too out of it to hear. His eyes are stuck on the man in the mirror, on the horror crossing his expression, on the realization that renders him breathless and aching. He probably started crying at some point, because Vegas is suddenly shushing him and caressing his hair and kissing him everywhere. It feels horrible. Pete hasn't felt this good in ages. Vegas doesn't waste any more time after that. He uses his hand to make Pete come and it feels exhilarating and like Pete is going to die, but he doesn't. A scream escapes his lips when the orgasm comes. It surprises him; it's never happened before. He calms down eventually. Vegas is there to take care of him, to remind him. He was staring at his reflection the entire time.

[pardonmydelays]

you know you're too deep in twenty one pilots lore when one of your mutuals asks you to explain it and you end up making powerpoint presentation

[givemewallywestorgivemedeath]

So Mermay is right around the corner…

…what I’m saying is it’s a good time to talk about eel mer AUs again.

Oh hey it is!

Man, I'm still so into submarine pilot Hal Jordan with his crew of green submariners who contract out for the army and do top secret stuff underwater. I'm picturing all the GL's as expert divers who do search and rescues and treasure hunting in their down time and bomb defusal/trench scouting/spying for the army when on contract.

I don't even think this is a real thing but I'm picturing them all in little green mini subs. Like individual ones. Like fighter jets but subs.

Anyway, they're out on a job because the bigger army subs have been getting static interference from an area underwater and they need the experts to go check it out.

What they don't know is that the static interference is coming from Barry, local electric eel mer, who is suddenly stuck in one location because he's got a small child to look after and hunt for.

[spacenintendogs]

Confession: Snotstrid is the only m/f pairing in all history of How to Train Your Dragon that I'm able to truly enjoy, but if I say this anywhere else I'll get bashed on the head (not a joke, this actually happened once). When I found your blog I literally screamed with joy and thanked the heavens, for I am not the only one child of men born with bad taste. Thank you so much for your service.

proud to serve our troops 🫡

[vvelegrin]

i'm really enjoying pathologic 2, actually. i mean, i didn't think i wouldn't enjoy it as much as i was worried it would just, i don't know, muddy the water. and maybe it will, but i'm not really bothered by that anymore. that said, i do think patho 2 took a fairly unsubtle game and increased its unsubtlety by about tenfold.

well. calling og pathologic 'unsubtle' doesn't feel quite right, but i'm not sure what word would feel right. maybe it's 'distinct in its sensibilities'. I think og patho felt more obtuse, whereas patho 2 is like. here. take it. do you get it. here is the information. do you see the themes. i am announcing them to you in such a way that you know that i am saying something thematic. i'm not far enough into the main story of 2 to be able to say that there's less reading between the lines, but it feels very much so far like there's less reading between the lines. whereas the original had a somewhat different... i don't know, affect? it felt like a hostile workplace where everyone recited shakespeare about even the mundane. in patho 2 nothing feels mundane in the first place, everything feels loaded in a way that og patho was but didn't feel, if that makes sense.

but i think that's okay. at the very least, it feels very much like leaning into the 'theater' aspect of it, which is enjoyable. pathologic 2 feels to me more like... bonus content? not to be Stuck Up For Pathologic HD but i enjoyed the feeling of grinding my face against a cinderblock, having to tease out information and conclusions. it felt like a game that you had to figure out, but you actually weren't really doing any ground-level figuring out of much; you're not a doctor, your character is, so the puzzle of Solving the Plague belongs to The Story, whereas the question of What the FUCK is This Town's Deal is your job. it's a very linear game in most respects, but all three playthroughs come through as a thematic package deal.

i so far get the impression that pathologic 2 can be played on its own and be enjoyed in its own right! however it exists to me as like. director's commentary. i'm really liking the playing with different character relationships and alternate things, the expanding of steppe language and the kin, love my worm guys, but i like it because of how it enriches my eternal mind rotation of og pathologic. sorry guys i played the original pathologic and it broke me and remade me in its image. sorry.

[caimitos]

saw a post about projecting your ethnicity onto a character and started missing vespa ilkay. so so bad

[monty-glasses-roxy]

Hey @ntls-24722

Scribbled a Debu in my little notebook and scanned it!

Also this scrimblo I was figuring out the shapes with but the above one is the one I was going for lmao

She looks a bit scared or worried to me lmao didn't wanna leave her out

I haven't been drawing much lately, I've just been getting back to it the last few days so I'm a bit rusty to put it lightly. The Debus are the best things I drew last night by a mile lmao and also the reason I got the scanner working again so uhh anyway I love these guys. Everyone go look at the Debus right here cause they're cool as fuck

[b4kuch1n]

brain also insisted that was played by an employee. despite it being realistically impossible due to how the neck looks in the side shot

[artsycloudysleepy]

Drawing Dump!

oh and meet another OC: lily/iliad (fae/faer, has two names)! fae's the God/Guardian of the Arts in Fabrication (so art, music, writing, dance, and drama). faer design is my fav so far if i'm being honest haha, really like how it came out :D

(nye this is one of the two OCs who i've written with MDD so far! cody also has it - am going to make some human ones too methinks. thanks so much again for the tips!!!)

pppppllllluuuuusssss chara and asriel art i already posted in january but still like enough to promote again now that i uh. actually have followers :3

(also this is TOTALLY targeting a mutual who should really play undertale....................... hint hint hint /silly)

@mylackofgrammaristerrifying @mrrotten @nyenylon hiiiiiiiii hope you guys are having a fun timezone!! what're you guys up to? :)