#i’m talking on screen

[sunny-rants]

the unspeakable crimes I would commit for a funny lighthearted spicy lesbian regency romance with at least somewhat of a happy ending…

edit: everyone recommending books, you have my eternal love and gratitude, and please keep recommending them, but I meant on screen

[my-autism-adhd-blog]

I Need Screen Time at Night to Fall Asleep As an ADHDer

AJ’s Brain

[shepscapades]

Posted to Twitter for the first time in 5 years /silly DSFGNFGB So here’s my atttempt at a more finished piece, inspired by Doc’s newest episode :D

Actually recorded a short timelapse for this one too, so that’s below the cut :D

[soroka-vorona]

Hot gossip on the Nemesis

[potato-lord-but-not]

WHAT IF ???? LESBIANS?????

ok fr tho I’ve been thinking about them. I like to think before moving to Harper’s Hill, Sarah stayed in Arkham for a bit with Anna, trying to unpack everything they learned. After a while, Anna decided she didn’t want to continue poking at this unknowable horror, but Sarah was adamant on finding out the truth. They parted ways ofc, but they stayed closed where it mattered most.

sorry anyway bonus Roland design WAHOO

[withdenim]

So uh. How about that time skip huh. (Corvus composing and performing the best track in the show was so hot of him btw if you care)

[poliffwoog]

The guide fweheuhuieheueuhehehhehehiheh

[telanadasvhenan]

Soap opera on the left, Davrin fanboying on the right

[zwoftt]

YESSUR U ALREADY KNOW YA BBG GOT THEM DORYM MOMENTS

(and other moments i like suspoose….))

everybody/npcs being obsessed with dorian and callin him good looking and stuff, he gets all bashful and orym silently smiles.

orym talking to dorian with such a soft voice when speaking of his opal experience. “i know that was a nightmare for you…” UGHH.

laudna suggests they all have funerals for each other. to say what they need to say. robbie and liam sharing a glance???

whenever dorian interacts with his dragon horse, orym always looks so admiringly at dorian.

the way orym remembered how dorian vowed to not abandon the big task in front of his father, and then repeating that they all are okay with taking on the weight- WHILE GLANCING TOWARDS DORIAN, who nods shortly after.

AGH dorian charming chetney!!! the sillies!!!!

just wanna mention how fucking amazing dorian was playing that music for all of the military/war camps. it shows his character so much. and everyone, including liam, was SOOO into it. the little things robbie chooses to make dorian do, because “there’s no other choice”. matt describing how dorian’s presence just uplifts the entire encampment….

dorian laughing when coming back from his small trip, all jolly and happy, positive about him and his friends and the journey ahead. orym making a surprised but ultimately happy face when dorian arrives.

”is this goodbye?” “no this is a go get em.” BADASS.

not orym’s family members recognizing and greeting dorian immediately. holy shit. sick. unwell. yelling. screaming.

braius dragging dorian away to have a secret conversation with him about the group HAHAHA

DORIAN GETTING JEALOUS? AGAIN, WHEN BRAIUS WANTS TO FUCK ORYM???? dorian also standing up for orym “he is the best of us”…

ashton and dorian chitchatting about opal, apologizing, and just bein dudes!!!! god they’ve come a long way!

so much is going on at the end of this episode. so much. this is going to be so chaotic, and i’m here for it. but also here for dorian storm<3 and what madness he’s going to bring to the upcoming episode of meeting the mighty nein!

[leverage-ot3]

leverage tv/cinematic universe where there are different shows following the different leverage international teams when

[timblrdrake]

Why are you so full of t-boy swag

i think you mean tim-boy swag

[the-wreck-of-1852]

uh oh watching xxi and im so fucking unwell…. NEED to kill the director of this episode because that sequence of flint breaking down in his cabin is SOOOO fucking good. how 3/4 of the scene is shot from behind flint so he’s left in shadow and the only time we see his face it’s only half of it… as if his grief and rage and pain is still something only he can see… and even at the end, when we are so close to seeing his full face, the camera slowly backs away and hides him from view with the table, as if warning us that this view into flint is not for us. we hover so close to the edge— we are right over his shoulder, we see his shaking hands, we see him slump, we hear him sob— but we are not allowed in. the cinematography really reinforces the message that no one, not flint’s crew, not silver, and not even us, the audience, gets to see the shattered man underneath, because that undoes it all. that breaks the illusion of the monster of the high seas. and that’s the last thing they can afford to do now.

[sadquickchristmassnowman]

just in class, being completely normal when my professor clicks to the next slide in her presetation and

wait a damn minute.

THE CAST OF THE 2009 NBC SITCOM COMMUNITY??? what are they doing in the middle of a presentation about culturally responsible music pedagogy 🤨🤨🤨

(read like that one neil gaiman falafel tiktok audio)

[uhbasicallyjustmilex]

alex looking more at ease with kermit the frog than live human guests is my favourite thing

(x)

[noramthe]

Me rn: