#i’m so into these visuals too

[motherwench]

fontaines d.c. for crack magazine

Photography: Holly Mccandless-Desmond Art direction: Michelle Helena Janssen Styling: Jordan Dean Schneider Makeup: Theresa Davies Hair: Mike O’Gorman Movement Director: Liam John Hill

[contakaidigon]

WE ARE GOING TO DIE HERE TOGETHER, RIZ GUKGAK

[chloesimaginationthings]

HBEBEBEBEBEB UR WILLIAM DESIGN IS SO SILLYYYYY THAT SKRUNKLY OLD MAN IS GETTING THE CHAIR <3333

The worst man ever 💜

[kr-210-r2700-prime]

transcript under the cut, but frankly i think this is best experienced blind

“if you see something you like, it’s yours!”

[cartoon boing sound effect]

[nervous laughter] “okay!… wait, so…”

“this is big, huh?”

“you’re too nice! don’t worry, i can take it. not the whole thing, thank goodness, that’d be really hard.”

[loud, repetitive metal clanging]

“yes! this is gonna be fun!”

[clanging continued]

“please, go on.”

[clanging speeds up]

“serves me right! that’s it, make me take my medicine!”

[disjointed metal falling sound, layered with Yes Man’s “woohoo!”]

“you really know how to make a robot happy!”

[cartoon smooch sound effect]

“i love you too.”

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[chirpsythismorning]

Yeah a teaser dropping on ST day would be cool. But can we agree that a DNA board reveal would be infinitely better?

[landwriter]

dead boy detectives is a show whose shortcomings and strengths make total sense when you think of it as a comic on tv, ie terribly goofy expository dialogue that sounds way better when you picture it in comic book font with every other word bolded, panel-paced conversation as our heroes figure out something very obvious, fun enormous monster set pieces that used up all the cgi budget which is why all the rooftop shots look Like That, incredible snap zooms and smash cuts in montages that hit exactly like comic panels, and side characters with bland or brilliant characterization that seems to hinge on the metric of ‘how much cunt did the actor put into their line readings’

[critterishere]

(Throws this on the road) here’s a dude facial structure study drawing thing🧚

[foreststarflaime]

I looove how all the funny anime swords in ff7 seem to be made the way they are for a reason. Like sure we can all laugh at how big and unwieldy the Buster Sword is, and how it would never work irl, but like…that’s kinda the point? I mean everyone who’s wielded it is a supersoldier with their strength enhanced like crazy, so the fact that they can wield a sword like that so effortlessly is actually a simple but wonderful way of showing just how strong they are, by showing us rather than just telling us.

And I’ve already said my bit about Rapier, but it being matched perfectly to Genesis in fighting style and personality holds up with all the famous swords, really. The Buster is a big bear of a sword, with a sense of grandeur resting upon it not from any inherent quality of it, but from the love and devotion bestowed upon it—a perfect mirror of Angeal, the wielder it was made for. And as it rusts and gets wear and tear on it over time, it shows the inner turmoil Angeal never lets himself show to others, and as he is forgotten and what he stood for fades more and more the Buster rusts alongside him, and is left as a lonely monument in the wastes. It fits Zack too, when he takes it up—Zack, whose every breath was taken for his friends, loyal to his mentor’s memory until the last, wielding the physical manifestation of that purpose and passing on what he saw as good to another of those friends. And it fits Cloud, who was clinging to ideals perhaps better laid to rest along with his friends, barely even knowing what he was clinging to, and it fits that this isn’t his sword in the end, when in healing he makes the Fusion Sword—even more fitting for him, made of a number of different mismatched blades, pieces coming together to form an even stronger whole.

[rumlead]

what good is a mouth and ears if you only stare? // complicit witness // curly bro is the talk in the room with us?

had the idea for a piece that parallels pre- and post- crash Curly.. ideologically? Or at least to be representative of his body after the crash reflecting his prior actions. Curly pre-crash doesn’t truly listen to concerns about Jim or even have a proper conversation with him, but rather watches things happen (low interference, signing off on his psych-evaluation). Post-crash Curly can’t talk, assumedly has limited/no hearing (mfw ship blow up in my face), and no eyelids— call him the witness the way he be witnessing. He’s doing as much as he would prior to the crash, but now he doesn’t have a choice. There is definitely a more profound way to word it, but you get the point. Probably.

[ksksksrahrah]

[popagan]

‘The rate of which I make art for AO3 fics in the library VS. the rate of me adding in new fics into the library’ makes an unfair battle. 12 pieces in and 90 fics (and counting) in store…. This is not a war I can win….

P.S. I make them simply to decorate my Apple Library with AO3 fics I like (self-indulgence). The drawing is dependent on my mood + what I felt like drawing/trying out, and the content of the fic. It is as subjective as it is NOT indicative of what the fic is like. I highly recommend you check the following fics out yourself.

Links to the fics:

City of Sunshine

see you on the other side;

Like a Promise

All That Hate

Grief

Under the Surface

[kagoutiss]

green beetle black beetle

[aliensfuckmeup]

Another page from the Loop Being Emo In The Woods WIP! The aftermath of the little episode from the previous page I posted. This one’s finished, and I need to think long and hard abt whether this level of detail is like, sustainable for something 15 pages long 😅

This comic originated from wanting to see more straight up sifloop romance, with pining and sad eyes and angsty internal monologues and tropey romcom bits and a healthy mix of drama/comedy. I plotted out a couple funny little one page comics, then got into thinking about character motivations and emotional beats, and now we’re like, maybe 15 comics/scenes/chaoters plotted and storyboarded in this universe? But because I hate keeping things simple, every one of those fucking comics is between 6-15 pages long and dialogue heavy, and I’m getting mired in the characterization of it all (not even counting getting mired in the visual storytelling and the plot progression of it all! And not even getting started on the “still very new to digital art, how does one use procreate” of it all!) Soooo haha I’m in danger :3

If anyone wants to talk in dms or on discord abt this comic and the greater sifloop shipping trash story it’s part of, hit me up! Especially if you know your way around plotting out a story a lil bit. I don’t know how to start conversations online 🙈 but I like to think I bring a lot to the table talking meta, trading wips and other art that I can’t post here, making lil comics from discord bits, and exchanging help with plotting/storyboarding/dialogue/character interpretations.

[fishyartist]

Combined Hyperfixations as per usual

[gothic-mothic]

how did narr even managed to survive outta there irl world before he found stanley again..? bet was confus- anyways, UR ART IS SO SILLYYY N SKOINKY /pos

CW: Panic attack, overstimulation, depersonalization, eyestrain

Begging tumblr to not send this post to the void again

Anyway, The Narrator wasn’t left alone for as long as Stanley was. He followed a familiar stream of thought to safety shortly after he arrived.

To say he was confused would be an understatement to say the least

Also thank you :]