#i’m only on ep 6 so no spoilers

[captainswan618]

what will this show throw at me next lmao

[roots-symphony]

why did agatha tell lilia the truth about her only being able to steal powers if she’s blasted first if her entire plan was to get them to blast her so she could steal their powers??

[wadinginthevelvet]

HELLOOOOOO IS IMOGEN GOING TO HAVE A QUEER STORY ARC??!!??????!!!

[chelseawatcheskdrama]

“pride maketh math” is a brilliant slogan.

[revasserium]

hiii i'm a new follower and i love your writing so much

ik u said no requests in ur bio but i just finished reading ur sanji fic.. so even if ur still not taking requests i'd just like to throw in an idea that u may or may not feel like using in the future, up to you (i'm requesting this with opla sanji in mind but if u wanna use it for zoro that's cool too)

k so imagine reader being invited to a friend's wedding, & being excited to go until they find out their ex is coming too (with their partner of some amt of yrs). so now reader is pressured to bring someone w/ them & ends up asking their best friend sanji bc they don't want others thinking they're still hung up on the past.

wedding dress

opla!sanji; 6,544 words, pining with a happy ending, fluff and a tad of angst, flirting, lovesick!sanji, whipped!!!!sanji, no "y/n", zeff is a whole mood, confessions, sanji-appropriate nickname usage, modern!au?

summary: you invite sanji to be your plus 1 at a wedding

a/n: im so sorry this took so long. but. better late than? never? also, there is a tiny bit of rehashing for ep 6 of the live action for sanji and zeff's relationship so... spoilers?

It’s a chilly, overcast kind of day when the call comes in. And in retrospect, Sanji thinks he should’ve known better when he’d seen your name on the caller ID. He’d hesitated, because by god if it wasn’t his New Year's Resolution to get the hell over you this year, but it’s almost December again and he still can’t help the way his heart races at the sound of your voice.

“Hey sweetheart — long time no talk!” he answers after a brief moment of contemplating his entire life, dusting his flour-covered hands on his apron.

“Hey! Sorry for calling so… out of the blue…” your voice is still as sweet as ever, and the way his stomach twists at the tinkle of your nervous laughter makes him want to kick himself. Still, he forces himself to stay calm, clearing his throat as he checks the oven — it’s almost done pre-heating.

“Now you know what I said about actin’ a stranger — just because you moved halfway across the entire world doesn’t mean we ain’t best friends anymore, right?”

It’s what you’d said when he’d been standing at the airport, three seconds from dropping to his knees and begging you not to go. But he hadn’t, because he knew how hard you’d worked for this — for this opportunity abroad, to study art in the birthplace of the Renaissance itself, in the heart of Italy.

“And… you might be able to come visit me, right?” you’d said, rocking on the balls of your feet, your eyes full of what Sanji could only call false hope — which is always, always the worst and most painful kind.

Sanji had swallowed and nodded and said something or other about Europe and fine dining, but there’s a terrible, prickling heat eating up the back of his neck and a voice that’s screaming at him to pull you to him and kiss you. He doesn’t. And he regrets it to this day.

“Ah — right… I’m actually calling because… I’ll be in the area in about a week and…”

Your voice pulls him out of his reverie and he clears his throat, hitches a smile to his face that he knows you can’t see but he’s sure you can hear.

“Oh! That’s great, darling! You’ve gotta come for a drink, I’ll whip up all your favorites — we can make a night —”

“It’s actually for a wedding.”

There are a few moments in everyone’s lives when they learn the true meaning of a thing for the very first time — elation, pride, stomach-twisting guilt, and… fear. True fear, the kind of fear that shakes the muscle from your bones and sends them tingling, threatens to overwhelm you with numbness. Fear, that pushes adrenaline through you like a drug, forces the world into a terrifying, all-consuming focus.

Sanji feels the fear coursing through him, wild and contentious at your words.

A wedding.

Your wedding? Perhaps?

He can’t bear to think of it; he’s so terrified he can barely breathe.

Then comes the moment after, the wave of everything else that the fear had washed away — confusion, anger, guilt (always guilt, for some reason), because isn’t he supposed to be happy for you? For you, the person he loves most in this entire world, to find love, to know happiness. He should. He should.

“Oh.”

Sanji sags back against the hard, metal counter. Almost mindlessly, he reaches into his pockets with shaking hands, digging around for a smoke.

Your breath is soft in his ear, too far across the phone line and a thousand miles of ocean.

“I originally wasn’t even planning on going — she’s not a very close friend — we had like one class together but —”

And within the span of a minute, Sanji also learns relief. The kind that melts the world around you into sizzling butter and champagne bubbles. The kind that makes you want to lie down on the ground and scream.

“— it was so close to your restaurant so I said yes but I didn’t know he was gonna be there and —”

You’re still talking, rambling like you do. And it takes nearly everything inside Sanji to pull himself back to the conversation.

“Sorry, love, who did you say was gonna be there?”

“My ex — you know the one —”

Sanji grimaces, flicking on his lighter with still-shaking fingers.

“Mm, yeah I do. The tall, dark-haired bastard who —”

“Yeah well — he’s gonna be there too and I just —” he hears you swallow hard and take a long, steadying breath. An unnameable something is calcifying in the depths of his stomach as he waits for you to collect yourself.

Curiosity? Why had you called like this, so suddenly, about a wedding where your ex was going to be? Concern? Were you thinking of going back to him?

But slowly, as you stutter through your next few words, the unnameable thing obtains a name — dread.

“— I just don’t think I could do it myself, y’know? And — and you were the one who got me out of it wh-when I decided to break it off with him so…”

Sanji takes a long drag of his cigarette and casts his eyes up at the high, white-slabbed ceiling of the kitchen, scored with long strips of bright, fluorescent lighting that floods the entire room in a direct, unforgiving glow.

He closes his eyes and counts to three.

“Course I’ll come with you, darlin’. It —” he wets his lips, taps off a bit of ash from his cigarette, and sucks in through his nose, clearing his throat of the words still lodged there, “— it’d be my honor.”

Relief — he hears it in your voice, and by gods he can almost see it — the way your whole face would light up, washed as if by the setting sun, your eyes wide and dark, your cheeks flushing his favorite fucking shade of pink and —

“Thank you, thank you, thank you! I really owe you for this one —”

Sanji makes a valiant effort at a nonchalant chuckle; it comes out sounding like a dog with a bit of bone stuck in its throat instead.

“Nonsense — what are best friends for, anyway?”

There’s a tiny pause where Sanji can feel the words best friend scraping along the insides of his mouth, barbed and harsh, leaving his tongue feeling raw and metallic.

“You really are the best friend anyone could ask for,” your voice is soft and honest and Sanji wants nothing more than to chuck his phone into the industrial blender.

You tell him that you’ll send him the details, that you can’t wait to see him soon, that you’ve got a world and a half of catching up to do, that you’ll buy him so, so many drinks, and that you’ll come bearing presents. He laughs at the right times, makes soft noises of consent and agreement, and when finally, finally you tell him goodbye, he clicks off the phone and takes another long drag of his smoke.

And then, he whips his hand back and throws the cigarette butt into the large sink, where it tinks against the metal and sizzles sadly in the murky dishwater.

“Real sucker for punishment, aren’tcha, lil’ eggplant?”

Sanji groans, turning around to find Zeff with his arms folded, the hip to his bad leg propped against a counter.

“Will you fuck kindly off — can’t you see I’m going through a thing here?”

Zeff snorts, clunking unevenly towards him.

“You been going through that thing for the last year and a half since you chickened outta askin’ her to stay so —”

“I didn’t chicken out — I — it was her dream to go to Florence and study —”

“And what was your dream then, ey?”

Sanji bangs his palm against the counter and sighs, “It’s not like I could leave you here with —”

“With what? A thriving restaurant business that I started? A guest list out the door and round the corner —”

“I — I helped!”

Zeff rolls his eyes, “Ah sure ya did, but I never asked you to, did I?”

Sanji huffs, pressing his tongue to the roof of his mouth to stop the torrent of horrible, sad, acrid things he could say and could never mean, so he swallows them back down. When he looks up next, Zeff is still standing there, but there’s a softness around his eyes.

He opens his mouth a few times, but eventually, all he says is, “The oven’s over heatin’.”

Sanji swears and jumps up to tug open the oven door. A wave of hot air whooshes out and nearly catches him in the face. Behind him, he can hear Zeff’s dark, gravelly chuckle, and the dull clunk of his wooden leg.

“You burn the kitchen down, you pay for it.”

And then he’s gone again, leaving the door swinging behind him, and Sanji very much alone with the too-hot oven and a counter full of things he can’t really remember the recipes for anymore.

Nearly a week later, Sanji finds himself standing at the airport, rocking on the balls of his feet, nearly in the exact same place as he’d been a year and a half prior. Except this time, you’re not walking away from him. You’re walking back towards him. He wonders if there’s a name for deja-vu in reverse and comes to the realization that that’s just called… a memory.

And memory seems to work in strange ways now, images superimposing themselves on top of one another — the flicker of a film lens, the bat of an eyelash, the shadow of a smile crimping the corner of your lips. All of this, he sees in the here and now, but he sees it in the air around you too, shimmering and mirage-like — all his memories and dreams of you layered over the shape of you. Your memory like a ghost of itself, trailing behind you as you walk towards him, a shy smile on your face, your cheeks flushed from travel and the cold and —

He doesn’t let himself hope. Not this time.

“Hey!” your voice is just as bell-like as he remembers it, pitched a little higher than it usually is, probably out of nervousness. But it still feels like a kick to the guts. Sanji forces himself to smile.

“Hi, love,” he says, leaning down as you reach him, but the motion aborts halfway because — is it still appropriate to hug you like he’d always done? To press his lips to your cheek or your hairline and revel in the bright citrus of your shampoo, to soak in the butter and cream of your skin like he used to?

There’s an awkward half-second pause before you’re standing up on tip-toe and Sanji’s heart nearly drops out of his ass as you lean in. But then — your lips skim by his cheek and your arms are around him, and stupid, stupid, stupid heart — thundering in his chest like horses or hooves or fists or thumping rabbit’s feet — leaping into his throat and pattering against the base of his tongue as he wraps his arms around you and holds you close. But it’s not close enough. It’s never close enough.

He breathes and distantly, a part of him notes that you still use the same shampoo.

“Hi…” your voice is warm by his ear, a bit muffled, but he can’t help the way it makes him shiver, “It’s… so good to see you.”

He nods, not trusting his own voice to do the normal thing and, oh, you know — work.

“I’ve — I’ve missed you.”

He makes a noise somewhere between a laugh and a cough as he nods again. He feels your arms slackening around him and a fierce, terrifying thing is flapping its wings in his stomach, screeching at him not to let you go. But he does — like he did before.

“I — I missed you too,” he says, though his voice sounds flat and scratchy and he clears his throat again.

A dozen different expressions flicker across the lovely planes of your face and finally, it settles on endeared exasperation.

“Please don’t tell me you still work through like three packs of smokes a day.”

Sanji laughs then, shaking his head as he reaches over for your luggage, “Nah — well, maybe not three but —”

You whack him softly on the arm.

“I actually tried to quit right after you left.”

“You did?”

Sanji shrugs as the pair of you start to make for the exit. He feels your gaze go slanted and shrewd.

“How long’d that last?”

He smirks, “Few hours.”

You whack him again and this time, he dodges out of the way just to bask in the bright spark of your laughter as you chase after him.

“Seriously though, you know how terrible they are for you!”

“Sure do,” he says, tugging one out of his pocket as soon as he clears the airport doors, pivoting left towards the parking garage. You have to jog to keep up with his longer strides, your breaths misting the air between you in silvery puffs.

He makes no move to light it as he helps toss your luggage into the trunk of his car, sliding into the driver’s seat. You huff as you wiggle into the passenger’s side.

“Then why —”

Sanji waits patiently for you to buckle your seatbelt before pulling out of the parking space, one hand on the steering wheel, the other resting soft against the middle console. He slates you a glance.

“Cause,” he says, fixing his eyes back on the road, an easy smirk twisting his lips, “it’s a metaphor.”

You groan, sinking into the seat, “Just because you read John Green one time —”

“Oi, I’ll have you know I read his entire bibliography after you showed him to me.”

“Ugh, whatever you manic-pixie-dreamgirl-loving ass.”

“Yeah, whatever — you actual manic pixie dreamgirl.”

You smile and Sanji allows himself the brief and aching delusion that the past year and a half didn’t happen, that you never left, and that you’d never leave. That you’d always be here, warm and laughing and just within reach.

The rest of the car ride is spent in mundane conversation, in how was your flight and tell me about Florence and how’s Zeff doing these days and I wanna know about your latest dish. It’s light and easy, and Sanji lets it warm the air around him. By the time he pulls into the front of your hotel, all the unsaid words from the past year and a half have soaked through his socks and into his shoes. It sloshes out onto the pale pavement as he opens the car door.

He helps you roll your luggage up into the lobby and tells you he’ll be here at 3PM to pick you up tomorrow. The venue’s just three blocks away.

“Yeah, I’ll see you then,” you say, pursing your lips, waving as he backpedals towards the automatic doors.

“You’ve still gotta send me pictures of the dress you’re wearing — I gotta find a matching tie.”

You laugh, a bit embarrassed, “Right — and here I thought I might surprise you.”

Sanji freezes, eyes wide.

“O-oh! Er — well, you can just — just tell me what color or —” he waves vaguely, “send a picture of a corner of the dress — just so I have something to color match against —”

You nod, eyes glittering, eager once more, “Oh! That’s a good idea — I’ll do that.”

“Great,” Sanji says.

“Great!” you echo, perhaps a bit too chipper.

He gives you one last smile before turning and striding from the hotel, firing up the engine as calmly as he can, forcing himself not to turn and check if you’re still watching him through the brightly lit, sliding glass doors. He allows himself a glance through the rear-view mirror as he pulls away from the drive and his heart skips a beat when he realizes you’re still standing there, right in the middle of the lobby, fingers wrapped around the handle of your suitcase, your eyes fixed on the shadow of his retreating car.

He lights the smoke the second he turns the corner, your shadow no longer in his rear-view mirror.

That night, Sanji dreams in fits and leaps, flashing images and long, sticky streams of could-have-beens —

He dreams of your laughter in a white-tiled kitchen, of powdered sugar and eggshells cracked and leaking on an exposed wood counter, chopsticks clinking against a thick glass mixing bowl. He dreams of your voice echoing off the shower tiles as you sing off-key, the way you used to when you’d sneak into his college dorm for movie night and a midnight snack. He dreams of coffee mugs and errant rose petals and dandelion seeds blowing in the wind. He dreams of dancing with you in his arms in a darkened dorm room that morphs into a bigger room with a softer carpet, one that he’d never seen before but he knows implicitly (like bodies know) is his home — it has pictures on the walls, trinkets lining the far bookshelf, your favorite scarf draped over the back of the well-worn sofa.

In the dream, you pull your head back from where it's pillowed against his shoulder and smile up at him. He leans down to kiss you, his lips hovering half an inch from yours.

Sanji jerks awake to the sound of his alarm, fingers fumbling for his phone, groaning as he smashes the orange snooze button and flips over to bury his face back into his lumpy pillow.

“Ah… fuck.”

It’s not the first time he’s had that dream, and he knows it won’t be the last. But it’d been so real that night, real enough to make him wonder if it just might come true.

He rubs at his sleep-crusted eyes and peers blearily at all the notifications on his screen. There’s a text from you with a picture attached. He clicks it open to find a short message attached to the picture — I really did want to surprise you…

He blinks for three seconds at what looks like a blurry picture of studded black silk before he remembers —

“Send me a picture of a corner of the dress — just so I have something to color match against.”

He allows himself a laugh, swinging his feet out of bed even as he types back — you coulda just told me it was black…

He watches the three little dots appear and disappear a few times, chewing on his bottom lip, before the text appears — well there are different shades of black, right???

Sanji laughs, shaking his head.

sure there are.

A string of tongue-out emojis, followed by an equally long string of middle-finger emojis.

He spends the rest of the morning fussing over which specific black tie to wear before settling on one that he’s quite sure is the exact same shade of black as your dress (and yes, he does have quite the collection of black ties), before tugging his best suit out to press.

It shouldn’t feel so easy, slipping back into the rhythm of things, of texting and smiling and hearing your voice in his head when he reads your texts. It shouldn’t feel so easy to forget the months of radio silence and guilt, the oppressive, resonant weight of what might have been if either of you had done a single thing different that day at the airport — he wonders if he should’ve reached for your hand, he wonders if you’d ever looked back.

He hadn’t. He couldn’t let himself.

He is waiting for you in the lobby at 2:45, wearing a hole into the plush Persian carpet, collecting strained looks from the concierge who had assured him three times in the last four minutes that he’d already rung up to your room and that you’d said you were on your way.

“Wow, you’re early — sorry I took a while — I couldn’t figure out what to do with my hair and —“

Sanji lifts his head and thinks distantly that all those rom-com cliches of a guy looking up, time itself slackening, the room smearing sideways around him, the music going slow, the lighting soft — all of it is painfully, startlingly true after all.

Because there you are, walking towards him, still saying something, but he can’t make out the words anymore because time isn’t really a thing anymore, is it? He can’t focus on that and also the dark glimmer of your dress, the way the neckline skates just beneath your collarbones, barely skimming the skin there before it slips down along the slope of your shoulders in a way that makes his breath unspool inside his chest like loose threads.

And in the slanted, ethereal light of the winter afternoon, your dress looks like it’s cut from a swath of darkest midnight, moonless and scattered with stars.

You blush as Sanji attempts to pick his jaw up off the floor and hitch his lips into something resembling a smile.

“W-wow… you look…”

Your smile is shy as you press your palms against the dress, looking down, “Thanks… you don’t think it’s… too much?”

Sanji shakes his head, feeling dazed.

“No! I mean — it’s —“ his mouth is dry, drier than he ever remembers it being, and suddenly it’s very hard to swallow and Sanji isn’t even sure the muscles in his neck know how to perform the action, let alone force words out alongside it. He struggles for another few seconds, his jaw working furiously as his eyes skitter down and back up the shape of you.

“You look… perfect,” he says, finally, because the word has been ricocheting around his chest like a stray bullet and he had to let it out somehow.

“Thanks — you don’t look so bad yourself,” you say, your voice breathy in a way that makes Sanji’s stomach squeeze.

He offers you his arm, and you glide forward to take it.

He drives the three blocks to the wedding venue in a daze, his mind spinning slow and off-axis, tilted so by the gentle waft of your perfume, the lullaby of your voice as you chatter nervously about this and that and the weather, I mean, can you believe it’s gonna be an outdoor wedding in the winter? He wonders briefly why you’re so nervous, and then he’s reminded of the reason he’s even here at all — your ex will be here. Ah. Right.

“Ready?” he asks, offering you his arm again as the both of you follow the meandering stream of arriving guests toward the paved outdoor garden area where the ceremony is due to take place.

“No, but… you’re here so…” you let out a breath and for a second, Sanji almost thinks he hears the hint of an ache in your voice. An ache like an old scab picked at too many times, like unrequited love, perhaps. It’s an ache with which Sanji is so intimately familiar that he immediately tamps it down and vows not to think about it again for the rest of the night.

There are stiff-backed waiters wandering around with plates of hors d’oeuvres and thin flutes of bubbling pink champagne.

Sanji grabs two glasses and hands you one.

“Cheers, then.”

“Bottoms up,” you say, tossing back the entire flute in one.

Sanji cocks his eyebrows, grinning as he follows suit, smacking his lips.

“Alright then, I guess if that’s how you’re playin’ —”

Your laughter is light, if a little strained, but he remembers how quickly bubbly drinks tend to go to your head and makes a concerted effort to slow down. You make it all the way through the actual ceremony without bumping into your ex, though you do lean over and grab Sanji’s hand as the bride and groom exchange vows — something about love being a choice, one that they promise to make every morning of every day for the rest of their lives — and he looks over to find you misty-eyed, bottom lip caught beneath your teeth.

“Sap,” he whispers, leaning over. It earns him a choked laugh and a half-hearted elbow in the ribs, but it’s worth it to see the tension melt from your shoulders.

Sanji turns back towards the bride and groom, exchanging rings now, and unbidden comes the images of you and him standing where they are — you in a dazzling white gown, him still in a dark suit, but one perhaps of more expensive material and much better tailoring. He thinks about all the things he might promise you, wonders at what you might promise him in return —

“I promise to love and cherish you —” you might say.

“I promise to make all your favorite foods,” he might say.

“I promise not to touch your emotional support le creuset pans.”

“I promise not to make you taste all my experimental dishes —”

“Okay, but what if I want to —”

He imagines the way the crowd would titter, how the officiator would affectionately clear his throat. He imagines Zeff’s warm, well-worn laughter, rough and a little torn at the edges because he’s just as sentimental as the next guy behind all the beard and gruffness. He imagines the crowd smiling up at the pair of you, the way you’d squeeze his hands to get the both of you back on track —

He jerks out of his reverie as you tug your hand away from his to clap, and it takes him a beat to realize that everyone else is clapping and cheering too. He blinks — the bride and groom are kissing, pulling apart as the music swells around them and they link hands to walk back down the aisle.

Sanji clears his throat and hurriedly gets up to clap as well, his eyes trailing the radiant smiles on both the newlyweds’ faces. Another sharp ache sings through him but he feels your hand in his again and he can’t tell if he wants to grip you tighter or pull away. They’d both hurt just as much, wouldn’t they?

“C’mon, let’s get inside — I wanna judge the catering with you,” you whisper, your breath tickling his cheek, and he knows without having to look that you’re standing on your tiptoes, your chin almost propped on his shoulder.

He fights down a bout of shivers and smiles, “My favorite part of any formal event, honestly.”

You laugh, “I know — me too.”

So you spend the entire dinner service whispering to each other about the food —

“God, this steak is so well done I think it just might dislocate my jaw —”

“What’s in this sauce?”

Sanji chews thoughtfully before making a face, “Dunno, but it’s got oregano.”

“Oh the cake looks good though.”

“Yeah, but we both know how much sugar and butter goes into that right?”

You nudge him with an elbow, “Weird, cause I’m pretty sure happiness is also made of sugar and butter.”

“Well for me, it’s always been…” but Sanji trails off, biting his tongue. No. He can’t say that — not now. Not here.

Because for him, happiness has always just been you.

So instead, he swallows passed his own mouthful of regrets and attempts a lopsided grin. And thankfully, your attention is drawn elsewhere by a loud peal of laughter before he has to make a shitty joke about happiness being a well-lit kitchen and a gas-lit stove.

You’re both at least a bottle of champagne deep when it finally happens, inevitable as a summer storm — your ex saunters up to you on the dance floor, sporting a grease-slick grin, eyeing you up and down like a piece of well-cut meat. Sanji is at the bar, grabbing more drinks and you’re catching a breath of fresh air just outside the dance hall.

“Well, well, well — look who it is.”

Sanji turns sharply at the sound of the voice, his eyes narrowing — Asshat. Fantastic. The bartender is putting the finishing touches on two custom cocktails but blinks, confused, as Sanji swipes both drinks out from the bar and casts him a hurried grin.

“Thanks mate, these look great,” Sanji raises the cocktail glasses at the bewildered bartender before hurrying off, slowing ever so slightly as he reaches you, straightening his spine and smoothing out his shoulders.

“Here, got them special-made for you,” he says, pressing the cocktail into your hand, cutting into something that Asshat is saying.

“Oh! Thanks — oh wow, this looks so good!” you beam up at him, taking a sip.

“Oh wow, didn’t know you were still hangin’ out with this guy,” Asshat says, hooking his thumbs into his belt-hoops and jutting out his chin.

You frown, pressing your lips, “Excuse me?”

Asshat scoffs, posturing, “I mean, when we broke up, it was cause o’him right? So I just thought you might’ve realized what a mistake that was and —”

Sanji barely has the time to feel offended before Asshat is gasping and stumbling back. You’d tossed the remainder of your drink straight into his face.

“What the —” Asshat sputters, his fists clenching, but quick as anything, Sanji swipes out a leg that catches him right in the shins and makes him stumble. In one fluid movement, Sanji pushes his own drink into your hand before reaching out the other arm to steady the now flailing Asshat, catching him around the shoulders.

“Whoa there! Seems like you’ve had a bit too much to drink, my friend!” he says, loud enough for the people around you to hear. He thumps Asshat on the back in a would-be kind gesture before tugging him close, still coughing, and hissing in his ear —

“Listen here, you asswipe — you’re gonna turn around and walk away and stay the fuck away from us for the rest of this wedding, you understand? I’ve got plenty more o’this for ya if you don’t, got it?”

Sanji scuffs his foot along the gravel-covered ground in a motion that could easily be mistaken as fidgeting, but you know better. And so, it seems, does Asshat, who scoffs and shoves Sanji off him with a glare, but after another second, straightens his drink-soaked jacket, turns, and stalks away.

You let out a long breath, swallowing hard.

“Hey darlin’… you alright?” Sanji turns and bends down to level his eyes with yours.

“Y-yeah — thanks — you didn’t need to —”

“Nah. Course I did — it’s why you invited me, right?” he allows himself a lopsided grin that borders on self-deprecating and you look up, eyes wide.

“No! I — that’s not —”

“It’s okay, love — I promise I’m not offended —” Sanji’s babbling, he knows he is — but he has to, because the alternative of letting you speak, of letting you confirm what he already knows to be true (that you’ve only ever seen him as a best friend, that you love him in all the ways except for the one way he wants you to, in the one way he loves you) is too much. He tucks his hands in his pockets and shrugs up his shoulders, pulling them up towards his ears like armor.

And then you lean in and kiss him, and every single word he’s ever thought of saying just to fill the silence turns to mist and mornings on his tongue. His mind turns blissfully blank and when he regains consciousness (or has he? Because isn’t this the dream he’s dreamt every waking moment of his life for the past… however many years?), he thanks every god he can name that he feels his fingers in your hair, his other hand cupping the soft curve of your jaw. He tastes your uncertainty against his lips and presses in, hoping, praying that if he just kissed you hard enough you might understand.

When you pull away, he can’t help the satisfied purr that curls up his chest at the pinkness in your cheeks and the slightly glazed-over look in your eyes.

“O-oh — sorry I —”

Sanji shakes his head, leaning in to push his forehead against yours.

“Nah, nah, nah — if you tell me that was a mistake now I might just turn around and never speak to you ever again — because don’t you dare —”

You let out a helpless laugh, shaking your head as you reach up to cover his hands with yours. It’s only then that he realizes they’d been shaking. He swallows and he thinks he can taste every single morning after for the rest of his goddamn life in the whisper of your breath.

“It — it’s not, I wasn’t —” you close your eyes and Sanji holds you still, foreheads still pressed. Distantly, Sanji is aware that people are cheering, that more drinks are being poured, that the dance floor is probably a mess. But he doesn’t care. He doesn’t think he’ll care about anything else ever again — why would he? Now that he’s got you.

“Shh… take your time, love… we’ve got all the time in the world.”

He feels the relief take you, and then you’re falling into him, burying your face in the lapel of his suit jacket, probably smearing it with your foundation. Vaguely, Sanji considers framing it when he gets home.

“I’m… I’m sorry it took so long — I’m sorry I didn’t — that I wasn’t…” you curl your fist into the material of his shirt and thump him lightly on the chest, even as he laughs and wraps his arms around you.

“I know, darlin’… I know.” Sanji presses his lips into your hair and can’t help a smile.

Finally. Finally.

Your hair smells like citrus shampoo.

Finally.

“I thought about you every single day,” you admit, your voice small when you finally pull back to look at him again. He thinks there might be tears in your eyes, or maybe it’s just the starlight caught in the thick night sky of your lashes.

“Did you now?” he asks, fumbling for some semblance of normalcy amidst this night of revelations.

You nod, fervently, and god he wants to kiss you again. Briefly, he wonders if he should, if he’s allowed to now. Instead, he smiles and cocks his head.

“So? What changed?” and he can’t help the tiny note of hurt out of his voice, the slightest shiver of disbelief. After all, cynicism is a hard habit to break.

Especially after so many years of practice.

You shrug, sighing, “Nothing — everything. I mean — I’d always… but then I thought — you had your career as a chef and I didn’t even know what I wanted to do with my life. But it —” you lick your lips, and Sanji nearly breaks when you tear your eyes away from his. He wants to force you back, to soak in the dark and bright of your gaze till he can see the world exactly as you see it.

“It’s always been you…” you say.

At this, Sanji does break. He tips your face towards him with a thumb and a forefinger and leans in, waiting for you to pull back, bracing for it. But you don’t — instead, you press in and close the space between you again, and again, and then again.

He wants to tell you — he needs to tell you that it’s always been you too, that there’s never been anyone else. From the moment he first laid eyes on you, he’s known, even though both of you were children back then, and neither of you had any idea what “love” actually meant. He knew then, too.

“Love…” his voice trails off, but you smile, and he knows you know, knows that you can hear it in the rawness behind his voice, in the softness of his breath, in the way it shakes.

You make to kiss him again. But your lips hover half an inch from his and you stop. Sanji sighs.

“What — why’d you stop?”

Your smile is sweet and sharp, honey glinting on a razor’s edge, and he knows that he has you. And maybe that he’s always had you and was just too blind, too terrified, to see it.

“Haven’t you heard? It’s a metaphor.”

Sanji groans, “Fuck your metaphors.”

You bat your lashes, pulling an expression of mock affront onto your face.

“Well at least wine me and dine me first —”

Sanji licks his lips, “What’dyou think I’ve been trying to do for the last ten years?”

Your breath catches.

“Oh.”

Sanji smirks and kisses you again, slowly this time, languid and deep. Unhurried. He luxuriates in the way you go soft in his arms, in the way he can feel the gentle hitch of your breath as he runs his tongue along the edges of your teeth, coaxing you towards him, closer and closer and closer.

The hardest, angriest part of him wants to swallow you whole, bite down just to hear you hiss, to taste your blood on his tongue. To make you feel even a sliver of the pain he’d felt. He tamps it back down — there’s time for that later.

Instead, he forces himself to pull back and allows himself the satisfaction of watching you chase him, pursing your own lips with a bashful look away, your cheeks dark.

“So,” Sanji takes half a step back, puffing out his chest in the best imitation of a fuckboy at a wedding party, “wanna get outta here?”

You let out a helpless laugh, falling into his side. He lets the sound ring through him like so many silver bells.

“Yeah, I’d love that.”

He chuckles, looping an arm around your middle and leaning towards your ear.

“Your place, or mine?”

You roll your eyes, “I’m pretty sure I still have a toothbrush at your place.”

Sanji hums, “You still have a whole drawer at my place.”

You smile up at him, open and happy and sincere, “Then… I guess that’s your answer then.”

[imomnba-x07]

EPISODES CAME OUT EARLY YOU KNOW WHAT THAT MEANS

HERES MY THOUGHTS

SPOILERS OBVIOUSLY

EP 1

- GROVER YOU SWEET CUTIE

- also love that they changed up the office scene to give Percy more of a reason to be mad at Grover

- fight with Ms Dodds was a bit rushed but I think that was intentional for us to feel that same “wtf is happening” feeling Percy feels

- Sally enjoying the Rain, feeling it, feeling connected, was awesome. Such a great visual representation of her connection to Poseidon and the water

- “God? Like Jesus” CRYING ON THE FLOOR THAT WAS HILARIOUS

- “I’m actually 24” Grover. You. Adorable. Nervous. Scamp. Your killing me here 😭😭😭

- ANNABETHS LINE YEEEAAHHHHHH

- THE VISUALS ARE GEORGEUSSSSSSS

EPIODE 2

- ANNABETH SILHOUETTE OVER PERCYS BED RAHHHH

- DIONYSUS CLAIMING TO BE PERCYS DAD IS THE FUNNIEST THING IVE EVER SEEN ARE YOU KIDDING. ONLY EPISODE 2 AND THERES NO WAY THEY CAN TOP THAT SCENES COMEDY THE BAR HAS BEEN SET

- Percy burning the blue candy in hopes of being able to reach his mom and talk to her I am a puddle on the floor I’m deceased I am unwell

- the element of Glory was a genius factor for them to add and it’s makes the characters choices hold so much more value. Everyone has a clear motive at camp now because of Glory and it’s just- MY GOD it’s such a good addition to drive characters actions.

- love that they made Luke and Annabeths relationship a clear sibling dynamic, much better then Annabeths crush in the books

- CLARISSE YOU DID WONDERFULLY AND CAN DO NO WRONG IN MY EYES IM SUCH A STAN

- ANNABETH READING PERCY LIKE A BOOK AND BEING SO SOCIALLY AWKWARD AND ALSO LOOKING AT HIM LIKE 🤨 PLEEEASSSEEEEE THAT WAS SO GOOD

- ANNABETH CALLING PERCY SUNSHINE???? ARE YOU KIDDING ME THAT WAS SO- OH MY GOD

- love that you can visibly see the adrenaline take over whenever Percy fights. His face shows you he doesn’t fully understand how he’s doing this but his body’s natural instincts kick in and it’s just 🤌🏽✨

- ANNABETH PUSHING PERCY INTO THE WATER BECAUSE SHE NEW HE WAS THE ONE TRULY 6 STEPS AHEAD OF EVERYONE

1000000/10 INCREDIBLE PHENOMENAL SHOW-STOPPING AMZING NEVER THE SAME COMPLETELY UNIQUE

[grace-williams-xo]

RAMBLING THOUGHTS AFTER FINISHING PART TWO. GONNA ADDRESS MY P1 THOUGHTS FIRST. SPOILER WARNING.

1 & 2: I think Debling could’ve worked in the second half, and I’m kinda sad Cressida didn’t get a happy ending. The Creloise fell of a CLIFF after ep 5 but I think it could still be saved

5: no cishet man has ever loved his wife more than Anthony Bridgerton I’m gonna be ill

6 & 12: kanthony’s absence was felt BAD in the finale, I think their reactions to LW were sorely needed. Also Jonny and Simone have both said they’ll be at every sibling’s wedding and stick around for years but they missed Francesca’s??? Also felt their absence too much then. They’re both booked and busy I think we’ll continue to only get a couple episodes a season from them

8: Francesca did get to thrive happy in pt 2 my baby I love her

9: I think they managed to disconnect the mondrich plot even further like 😭 once again, I don’t mind them their plot just feels very empty

10: Pen and Delacroix CONTINUE to be my fave duo I love them so freaking much and they can never get rid of it

13: Portia’s growth this season continued to be 10/10 I loved her and Penelope’s relationship it really showed what it’s like to be closely related to people you oppose and the process of needing to forgive and understand them for your own peace of mind

14: that was not how I was expecting Colin to find out about Whistledown

15: Marcus felt a little rushed in part two but I think I need to watch the whole season together to fully decide

17: this was indeed the longest 27 days of my life I got Covid day after it dropped lmfao

MY ~NEW~ THOUGHTS:

We finally got character development from Cressida and if they write her out I’ll be inconsolable (as will Jessica Madsen)

I hope they paid Golda Rosheuvel good for her feet exposure. Worth more than titties in this economy

I feel the need to tell everyone that £5000 in 1815 is in the realm of £500,000 today and we cannot brush over the fact Penelope has made herself the equivalent of a literal millionaire

Anthony has two moods ‘I’m obsessed with my wife’ ‘I want to win this game’ like it is comical how drastically different his facial expression is in the game of charades compared to pretty much every other scene

Anthony saying the marriage is perfect and not hard work and Kate being like BOY I will humble you,,,, doing the lord’s work I love her so much

At some points I felt like Francesca was fighting Anthony for ‘Violet’s least favourite child’ award lmao

John saying he’s off to look at the wainscotting was unfairly funny

Cressida in the red dress is even better than I imagined fuck even if she’s not gay then I am

Peneloise back together the universe is healing I love my babies all we need now is creloise lovers and peneloise friendship simultaneously I don’t like it being one or the other sue me

However much Brimsley is getting paid isn’t enough,,,, Hugh Sachs the man that you are

I adored Penelope’s wedding dress so much and as bitter as I am still about no kanthony wedding in s2, it felt kind of right somehow for Polin to be the first wedding we properly see in this show

Most of the costumes and makeup feel like they got worse,,,,, big ‘I hired a 14 year old’ energy. I don’t need historical accuracy but I would like a modicum of care and the costume/hair/makeup dept looking at a single historical reference from before 1850,,,, please

We all got the bi Benedict we’ve been asking for and I appreciate it, and recognise that he needed Tilley to explore that, but I still would’ve preferred if they first main queer experience was not a threesome

If they go straight into benophie in s4 (which idk, I’m so torn bc I feel like F, E and B all could work well next season) then I also feel like bi Benedict was just them throwing a bone for 5 mins but meant nothing

The CONTENTIOUS Michaela Stirling,,,,, I was undecided until I saw it but that was the definition of gay panic from Francesca and it worked so well I am so excited.

As your resident peerage expert, it is much easier for women to inherit titles in Scotland than England so I wonder (not that anyone on this show knows anything) if that was a reason they chose Francesca to be sapphic [general peerage info and female inheritance info if you care]

On the above, if they can canonically end racism with one marriage then they can end homophobia with one marriage as well

We all know Eloise was the easy and obvious choice to be the queer love story but part of me does kind of like them not taking the easy route, and them going something more unexpected, but that doesn’t mean I don’t want Creloise/Sapphic El like they had eight children let’s be honest

Finch’s sneeze and Phillips’s “now Varely! The bugs!” were unfairly funny

Everything Lady Danbury said to Penelope about suspecting her and what not felt very in character and you can fight with the wall idc

Did they tell us the name of Polin’s baby boy???

Hyacinth saying she thinks of Gregory as the family pet,,,,, girl you an icon walking amongst mere mortals

Predictions I got right:

Anthony didn’t kill Colin, but “are you gonna duel your own brother” lmao I was on the right track

I knew Polin would win the Featherington baby race and I love that for them (but why were Prudence and Phillipa pregnant most of the season, barely showing, Kate was showing almost immediately, and then in the epilogue the sisters all had baby’s similar-ish ages???? Give the writers room a calendar please)

I SAID FROM DAY DOT THAT THE FURNITURE THEY BROKE FROM SEX WAS A CHAISE I CANT FIND THE POST BUT I KNEW IT I FUCKING KNEW IT WHERE DO I COLLECT MY PRIZE SOME OF YOUR GUESSES WERE TRULY FUCKING COOKED

Okay that was too long if you made it this far I’ll make you cookie ily

[m-a-d-e-l-e-i-n-e]

Finally gave it up on episode 4 because everything about the season was irritating me and I didn’t want to keep wasting time on it anymore. Anyway can you guys believe this great show ended after just two seasons 💔

I think people’s opinions on new shows/movies count as spoilers cause I haven’t been able to watch the new Umbrella Academy yet but I saw like two people online say it’s bad and now I don’t even wanna watch it tbh

[hannah-0730]

Spoilers for AAA ep 6.

So, I have a lot of feelings about this episode!! I do not think that was really Agatha’s trial. There’s no way. If it is her trial, then it was incredibly rushed, and lazy to have been the trial for the main character of the show. And it being THE shortest episode is so sus. I feel like it was a trick by the Salem 7 to get them to leave Agatha behind. There was no real purpose or team work to the trial.

I don’t think it was an illusion. I think Alice is really gone. But I don’t think we’ve seen Agatha’s real trial. Not only (as others have mentioned) did it not follow the format of the first two, but it didn’t test Agatha’s knowledge of the craft.

She’s clearly the head witch. She has led the other two trials and they have successfully completed them because of her ability to help them. Agatha is the one who made Jen realize she could do the spell. She’s the one who helped Alice come to terms with the fact that she needed to play the song. She’s led them the whole time.

I’ve even seen a theory that she’s a spirit witch. (Spirit as our guide) which for me, means that her trial is every trial. Because they have to successfully work together to complete them. They are all her trial because if she can’t band them together and lead them through it they would fail. She might have a bigger test of being head witch later down the road that we aren’t being given a clue to. And I would assume it would be revealed next episode.

Also, fuck Evanora. Agatha was clearly born with dark magic and it scared her. So she tried to repress her daughter and that’s why Agatha cannot control her absorption magic. It’s like a feeding frenzy for her. She was so upset when she killed Alice. And no one believes that she truly doesn’t mean to (except Rio) I feel like Agatha’s real trial will be learning to control her ability.

Fuck Billy for turning on her so fast and not believing her when she’s proved that she genuinely gives a shit about him. Even with knowing who he was. For how long I’m not sure.

Also: Rio is going to be pissed the fuck off that Billy threw her into the mud to die. She was already pissed and didn’t want to leave her with her mother. And I bet she just magics her and the other two back up.

And Agatha thirsting over her during their broomstick ride?? Kill me now.

I just need it to be Wednesday again because they have some explaining to do with this damn episode.

Thoughts???

[thedynamic]

Okay okay spoilers but NO cause the entire ENTIRE point on ep. 6 was to show how the life hawk thought he was supposed to have is inherently wrong for him and how it’s hurting everyone around him and how Tim is the piece of his life that he is missing to make it correct again. How Lucy is heartbroken and angry and how Hawk is always pretending and so unhappy and how Tim is confused and scared and lonely and how Hawk’s son is so mad at the world because his parents are too wrapped up in their little web of lies to even pay any attention to him and the sense of wrongness we feel throughout as audience members because they are PURPOSEFULLY holding Hawk and Tim’s relationship at a distance to us because that’s what Tim is doing to Hawk in the narrative and ugh ugh ugh how Tim and Hawk make a fantastic parenting pair because Tim brings out the best in Hawk and how Lucy could’ve found real happiness if she wasn’t with Hawk and how Hawk and Tim would’ve had real happiness together like literally I’m in SHAMBLES

Ep. 6 is a hard watch because it HAS to be a hard watch to make the point that their relationship is the only thing that will ever be able to make them who they’re meant to be

[writing-for-life]

Sandman Predictions

So we’ve been speculating wildly what the remainder of The Sandman might look like on here and in our community (join us!) for a while.

And I thought it would be fun to put my predictions to paper (so to speak) so I can be embarrassed about them later and laugh at how wrong they were 🙈

Taking all the casting announcements and BTS in consideration I’ve collected like a magpie (check out my #sandman S2 tag), I will have a stab at it…

Only 12 Episodes or Aiming for Renewal?

Both is possible, but I am more and more leaning we’ll get the whole thing in twelve episodes in two batches of five each with two wraparound episodes (one will be AGoY/THCoL in the middle, one the last three issues of The Wake).

We know the episode names for six episodes that are directed by Jamie Childs. That doesn’t mean they were in order, or that there won’t be other directors involved. It wouldn’t surprise me if they at least went for female writers/directors for AGoY/THCoL, and if that’ll be the episode that separates (or rather connects) SoM and Brief Lives. So here comes my totally unhinged prediction for 12 episodes, including the titles we know (mind you, they might also be working titles). The chapters from the comics are to be seen as fluid and not absolute, because there are a lot of scenes that are not linear in chronological terms and will probably be shuffled around a bit:

Batch One

“More Devils Than Vast Hell Can Hold” (that title is a direct quote from AMND): A Midsummer Night’s Dream, SoM Prologue & Tales in the Sand flashback

“Season of Mists”: SoM ch. 1-3, ch. 4 is getting dropped

“The Ruler of Hell”: SoM ch. 5 through Epilogue

TBA: AGoY & THCoL “Brief Lives”: Brief Lives ch. 1-3. Maybe the first parts of Thermidor (could also be ep. 5).

“Brief Lives”: Brief Lives ch. 1-5 “The Song of Orpheus”: Brief Lives ch. 4-6 and The Song of Orpheus segueing into

“The Song of Orpheus”: Brief Lives ch. 6. Bast is an excellent cut to SoO. “Family Blood”: Brief Lives ch. 7-9. Parts of Thermidor will also be in there.

Batch Two

“Family Blood”: Brief Lives ch. 7-9 TBA: TKO ch. 1-4

TBA: TKO ch. 1-4 TBA: TKO ch. 5-7

TBA: TKO ch. 5-8 TBA: TKO ch. 8-10

TBA: TKO ch. 11-13

TBA: The Wake (all of it apart from…)

TBA: Sunday Mourning/Exiles/The Tempest

Edit 19/09:

[strikeouts in text done on same day]

So I’ve read The High Cost of Living again over the past few days because it didn’t want to leave me alone, and I’ve now convinced myself we’ll get it as a side-plot to Brief Lives in episodes 4-6, and that we’ll get tiny bits of AGoY, (mostly to set up Wanda/Ruby for Brief Lives and Hazel/Foxglove for THCoL) as a side plot to SoM in episodes 1-3. Spoilers ahead, so skip if that’s not your thing:

Both Sexton and Orpheus have a death wish. I don’t want to drag this out too much because the post is long enough as it is, but suffice it to say, Sexton rethinks after spending a day with Didi/Death, while Orpheus is granted his wish. And this is what ultimately sets Morpheus on his own path. The meaning of “So live” would be beautifully contrasted that way because it has different meaning to different people, depending on their own experience. Add to that Death spending a “brief life” for one day herself, and I can somewhat see the vision.

Failing this, THCoL could also be a special in episode 13 that hasn’t been announced yet (I’d rather have Overture though if I’m honest).

In more detail:

A Midsummer Night’s Dream and The Tempest will be bookends, one before SoM, one after The Wake (they don’t necessarily have to be full episodes, they could be half each and make up roughly an hour combined. It really depends on overall runtime).

We’ll kick off batch one with Season of Mists (maybe the prologue and will also be in episode 1–there are several points in AMND that would make good cuts into SoM), and Tales in the Sand won’t be a full episode but incorporated as flashbacks (maybe around the family dinner). After we conclude SoM, we’ll get one episode of AGoY will be a side-plot to SoM, as per above (if it happens at all), and leads into THCoL as a side-plot to Brief Lives as per my edit above, because there’s a through-line in there for Fox and Hazel, plus we can set up Wanda/Ruby for Brief Lives.

Bonus 1:

Johanna will be somehow involved in SoM (she’s the Hellblazer after all), and we’ll get her to hook up with Murphy. No need for a longwinded introduction of Thessaly. Or, failing that, we just cut out the love interest completely, Morpheus does his moping session because Nada rebuffs him again, but Jo will still take Thessaly’s place as the crone.

We’ll move into roughly three episodes of Song of Orpheus/Thermidor and Brief Lives from there. Wanda will die in Brief Lives like Ruby, not in AGoY.

We finish the first batch with Morpheus alone on his chair after you-know-what 😩

Second batch: TKO and The Wake. Little bits of World’s End will be woven in where it fits, maybe already in the first batch as well. Same goes for little bits of standalone issues from Fables and Reflections.

Jo will take Thessaly’s place and protect Lyta because she’d just believe it’s the right thing to do (she also sympathises because she lost Astra). Whether she also holds a deeper grudge depends on if they set them up as having an affair or not.

My guess is four episodes TKO and one for the Wake. Sunday Mourning and Exiles will be done in one episode. The movie concept art that Jill Thompson did ages ago showed Daniel in the distance on the beach with the other three, and I think that’s a good tie-in point to lead into Exiles. Even the Tempest might fit in there if they make the last episode more feature-length. And you’ve got your two Shakespeare bookends.

Bonus 2:

Hob will be reinstalled to his narrative purpose because at least half the fandom will drop him like a hot potato and ship Morpheus x Cluracan instead. Because:

If you think 12 episodes are tight: Yes, if you want to see every detail and issue of the comics. But not everything you see in a graphic novel translates well to screen, plus you don’t perceive time the same way. What takes ages to read can be something like 30 seconds in a film. Add to this that the movie that never happened was conceptualised as a trilogy if I’m not mistaken, so probably 6-8 hours planned runtime in total. So they always had a definite idea how to streamline it, and they were planning for it before. 12 episodes with 45 to 60min each give us more to play with than a movie-trilogy (plus we can already take the time off that we spent on S1). I think it’s doable, but of course it means tightening arcs and dropping stuff.

However, I’ll be honest with you: With all that’s been going on, and having seen that they filmed right through until the end, I’d rather have them wrap up now. Because I honestly can’t see a S3 happening after all that’s already been cancelled and put on hold because of you-know-what (I’m thinking of Disney shelving The Graveyard Book and Amazon putting GO on hold and sitting on the Audible despite it being finished).

But also: These decisions have likely been made long before these considerations even became an issue: Renewal was on a knife’s edge, and choices were made back then we can only guess at. Scripts aren’t written over night, neither are sets changed around wildly on a whim (plus actors aren’t just tied to one project and can’t just willy-nilly change their schedules). And some sets for TKO were already confirmed and booked in May. So they were always going to do what we’ve seen in BTS shots. It’s not a sudden development.

In any case: If they aimed for more seasons than two, I think this prediction could still hold in general, we’ll just get it more fleshed out. In that case, I’d say 10 episodes of SoM and Brief Lives (5 each), and A Midsummer Night’s Dream and THCoL as standalones with the rest as side-plots woven in (that includes AGoY). Then S3 comprising TKO and The Wake with more space for standalone episodes and World’s End. Maybe even Overture as a special. I very much doubt they would go for more than three seasons in total though.

So these are my predictions, now I’d love to hear yours…

[carigm]

A BREAKDOWN OF THE POTENTIAL S5 EPISODE TITLES!!

Okay, so today entertainment journalist Jeff Sneider shared some alleged insider info about S5 of ST, mainly directors and titles of the first 6 episodes.

Here’s a screenshot

It’s important to keep in mind that this guy isn’t always the most reliable, and considering he also said he believes S5 could come out before the end of this year, let’s not take any of this too seriously. (Many cast members have mentioned they’re filming until December of this year so that’s literally impossible). The information about the possible directors I believe is correct, because it’s been circulating around from other sources too.

The episode titles I’m less convinced about because it’s also possible the Duffers could’ve put out fake episode titles in case they leaked. I remember for S2 all the episodes titles they announced were changed later on lol. But for the sake of fun, here’s an analysis of all of them:

1. The crawl (only confirmed title) is a very broad, open title. It personally makes me think of the UD and vines, or maybe even the idea of Vecna crawling back to life. Could also be an allusion to the military.

2. The Vanishing of ___ Wheeler is arguably the most insane one. The journalist said he wasn’t revealing the actual name of the person because it’s a spoiler ofc. My gut tells me it’s gonna be Holly, mainly because of the recast and her supposedly being involved in the hospital plot, which we have guessed takes place in episode 2. Could explain why she’s suddenly “more important” this season, especially if she’s used as a plot device of sorts. Could also tie into what Ted’s actor said in a podcast back in February about the first episodes being a rollercoaster of emotions, and that comment he made about Ted having a soft spot for Holly. It would be a perfect tie in for Karen to find out about the UD as well. The implications of naming the episode the same as the first episode, which is so intrinsically tied to Will, is very interesting. It’s also a new connection/tie between the Byers/Wheelers that I assume will bring the families closer together. I don’t think it’s about Mike because I doubt he’ll go missing in ep.2, or be dragged to the UD just like Will was. It would be an interesting concept but I doubt it. I also don’t think Nancy’s gonna go missing. Karen could be interesting but I doubt it as well. Ted would be an incredibly funny choice. Imagine he just goes missing while at the house 😭 Nonetheless, I think Holly is the clear choice here, and I do very much worry for her if she goes missing. Mainly because while Will survived this, I’m not sure they’ll do the same for Holly :(

It also ties into Vecna’s threat to Nancy against her and her family.

Here’s an interesting leak from the same anon that leaked the hospital stuff (which seems to be correct)

I think this could be the very same scene Holly goes missing.

3. Turbow Trap 😭 This one is utter nonsense. I have no idea what a Turbow is, so I assume it’s gonna be a code or nickname for something. Absolutely clueless here.

4. Sorcerer is incredibly interesting, and imo a clear allusion to Will. His D&D character being a cleric, basically a wizard. Could also be a reference to Vecna imo. Or both 😉

5. Shock Jock is clearly tied to the radio station plotline. Imo the title could be a reference to Steve, Jonathan, or even Murray (he fits that eccentric, somewhat annoying personality quite well) In case you guys don’t know a shock jock is like a very eccentric radio host.

6. Escape from Camazotz is another crazy title. He’s a figure from Mayan mythology who’s a bat spirit. That immediately makes me think of Eddie, but also Steve ofc. However, camazotz has a larger meaning that goes beyond “bat spirit”, it’s also a representation of death and night. So the title seems to be alluding to someone escaping from death or a perilous situation.

Even more interesting perhaps is that kamazotz is a name of a planet in A Wrinkle Time. It’s the planet where IT resides, the mind controlling antagonist of the narrative. So I guess in this comparison Kamazotz is the UD, and IT is Henry.

[abitcaughtinthemiddle]

Okay so I thought I’d share some of my theories for this season now with the benefit of having seen the first 3 episodes. This is just what I think based on the threads being pulled at so far. I think some of these have already been thrown out there so forgive me if I repeat something everyone is already guessing (‼️CAUTION: campaign 1 spoilers for show only folks‼️)

There’s no way they’re nixing Glintshore and it’ll be the catalyst for Vex to admit she loves Percy (true love’s nat 20). I think they’ll do a similar thing to Vex’s death where we end one of the three episode releases with his death- leaving us waiting a week for the next episodes (and I know Laura is gonna fucking kill the voice acting for this scene) so I think it’ll happen either episode 6 or 9 (I’m guessing 6 so they can get Ripley out of the way to focus on Raishan)

I think the chroma conclave arc is ending this season and we’ll see a lot jam packed in episode 12 to set up the Vecna Whispered One arc (based on the opening credits with the siphon/portal being shown at the end)

I think we’re going to get The Bard’s Lament at the end of the season (ep 12 after Thordak) and the fact that Pike is the only one who has checked in on Scanlan about his daughter - and Scanlan’s anger at Vax (who technically knows that Scanlan has a daughter but has never followed up with him about this) and Vex (who’s been railroading him and his ideas most of the time) are going to be the biggest points of contention. Maybe we will get a Scanlan “what is my daughter’s name?” jab instead.

This is just fan service and something I just really want to see- but with the dynamic shake up between Vex and Vax being the ones pushing away the person they love, it would be so nice to have a scene with Percy and Keyleth mooning over/venting about the twins to pay homage to their friendship in C1 (let them be drunk besties together please!)

For vestiges, I think we’re not going to get Whisper at all (Vax having two vestiges in C1 was awesome but kinda OP imo and with the time constraint I think they’ll just leave Whisper out entirely)

This is a wild guess based on nothing really (just the talks of grief and facing fear being huge themes this season) but I think we’re gonna get the disintegrated Vax moment this season so we know for sure he’s on borrowed time. (it would be diabolical for Vex for it to happen so close to Percy’s death but I wouldn’t put it past them - they serve us pain on a platter and I say thank you every time) And since The Matron of Ravens has this ability to show Vax the future - we won’t necessarily need to know about The Whispered One threat to give reason for Vax to stay longer. I mean how angsty would it be to have them think Vax is going to die after they kill Thordak and then when he doesn’t, they learn about The Whispered One? (Oh it’d be so juicy but this theory is founded on nothing but my insane need to create the most pain possible this season in my head)

Anyway these are just theories from my unhinged mind.

[raygirlramblings]

Did what they did with Jade and Pey'j in Captain Laserhawk bother you, too?

SPOILERS AND RAGE BELOW

I AM SO ANGRY YOU HAVE NO IDEA

Beyond Good and Evil fans got SHAFTED BAD. THEY GOT DONE SO BAD AND IM LIVID.

All these muppets going ‘lol the Rayman fandom must be so upset about Laserhawk’ and NO.

NO WE ARE THRIVING WE ARE SO CRAZED AND STARVED AND WE ARE ON CLOUD NINE THAT OUR BOY GOT ALL THIS SCREENTIME

In the first trailer for Laserhawk Rayman was an EASTER EGG. We didn’t even know if he’d have a role with speaking lines until the second trailer. AND WE WERE OK WITH THAT! If baby bean was just a background element to expand the world we would have been happy for the crumbs. But no! Our boy got a full speaking role with a CHARACTER ARC IN A SIX EPISODE SHOW. He got BACKSTORY and RELEVANCE TO THE PLOT. And he DIDN’T GET KILLED OFF.

All that for a character we were expecting to get NOTHING from.

But JADE?!

PEY��J???

They were front and centre from the first trailer. They were established as being as central as Dolph and Bullfrog and WHAT DID IT GET THEM.

Jade gets taken out in ep 2 of 6, and Pey’j goes down the next episode.

At LEAST Pey’j went down being exactly what I expected him to be. A kind protector trying to make the world better. Trying to stop conflict. Trying not to take his pain and suffering from the loss of a girl he loved deeply out on an unfair world. He died a noble if pointless death and from Bullfrog’s expression alone we can see how much it hurt.

JADE GOT NOTHING. Jade died when we barely knew her. We needed more of her. We wanted to see her shine, see more of this wonderful awkward tomboy with a gentle heart. We needed to see how she interacted with others. She DESERVED BETTER. SHE DIDN'T EVEN GET ANY FINAL WORDS.

AND DON’T GET ME STARTED ON THE ‘I HAVE FEELINGS FOR YOU’ SCENE OR I WILL SNAP AND PUNCH SOMETHING. AAAAAAAAAAAAAAAAAA.

In a show where I watched my favourite childhood character swearing, wielding guns and doing sushi and blow off a hookers back THIS JADE AND PEY’J SCENE IS WHAT MADE ME CRINGE.

I am willing to forgive so much from this show. So much of it was a wonderful, ridiculous, beautifully animated rollercoaster.

But implying any kind of romantic sentiment between these two characters only to kill one of them off in the same episode was so damn weird. It was wrong on so many levels. There was NOTHING WRONG with their older mentor/young ward relationship. It could have been great. I don’t understand why they did this. It didn’t add pressure or gravitas to the situation, we KNOW Pey’j would do anything for Jade, HE DOESN’T HAVE TO HAVE A CRUSH ON HER FOR THAT TO BE REAL.

And seeing Jade and Pey’j in Dolph’s VR dream sequence just felt so hollow. We needed at least an episode to establish any kind of team energy from these four, but we didn’t so seeing Jade give Dolph a pep talk about relaxing more came off as flakey and not good enough for a character who deserved better. They didn’t even establish what Jade and Pey’j were supposed to bring to the team. Pey’j is just ‘the tech guy’ in the same episode he dies. Jade has to play a femme fatale against her type but we don’t even get to see her being her best. To quote Rayman ‘IT’S NOT FAIR’.

Oh boy.

I feel a little better getting that anger out. I’m just sad. I’m sad we lost them. They deserved better.

[katshelluvacritic]

Not sure if you've seen the finale of the show yet because I'd love to hear your thoughts on how absolutely useless Charlie was once again

I’ve pretty much all the eps for season 1 so you don’t have worry about the spoilers.

As for the ep, I’mma just immediately rip the bandaid off and say that I had to watch it again to remember what happened, yet my brain is still kinda processing it again so I’mma type this to the best of my ability and if I do miss some parts I do apologize.

To start off with one of the things I didn’t like that included Charlie (mostly a personal nitpick) was her “battle fit” (if you could even call it that)

I feel like it should be self explanatory but I’ll explain anyway; for one, the fact that Charlie wearing what I like to call “the evil star butterfly cosplay” just doesn’t make sense to me. Like even though I don’t like Vicky’s fit either, at least she’s wearing something that could cover her skin to lessen the risk of cuts and injuries.

Charlie however is not only wearing a dress but also HIGH HEELS, which realistically would prob have her dead from the spot because for one, you can’t run in heels and two, like I said before she’s at higher risk to be injured compared to Vicky.

Like I’m honestly shocked that she only got a few rips from her clothing and a few bruises, like I get she’s the princess of hell but damage is still damage.

Not only that since Charlie is a princess then, wouldn’t she have access to wear royal armor??? Assuming she did (because there’s gotta be a reason to where she got that shield from), why didn’t she just wear that???? I feel like it would’ve been the most logical thing to wear since after all, YOUR GOING TO WAR AGAINST DEMONS.

Also speaking of the shield, why does she only have a shield and nothing else? You would think that since she’s the princess of hell she’d have some sort of weaponry but no.

She just guards herself a shield while occasionally throwing up magical fireworks like if that’s gonna do anything. Like, I get all niffty did most of the time was stab already dead angels before she killed adam, but at least she actually tried to do some damage compared to Charlie.

And then Razzle and Dazzle.

Listen, I can understand her not being able to save sir pentious because she was trying to protect Vicky and a lot of stuff was going on but why did she summon them? Isn’t she the daughter of lucifer? Wouldn’t she have transforming powers or something to get up there

I mean we’re shown in this gif that he can transform into different animals as he so pleases and can EVEN GROW WINGS.

Wouldn’t Charlie technically have those abilities? And even if she doesn’t have those abilities, these fuckers have guns and cannons with them that could shoot/blast Adam down.

Also gotta love the fact Charlie just stays on the roof of the hotel and watches the Lucifer and Adam fight happen UNTIL ADAM RAY BEAMS THE HOTEL IN HALF, ONLY FOR HER TO BE SAVED BY LUCIFER was so dumb. Women do SOMETHING WHY WERE YOU JUST STANDING THERE????

then like the ending. Omg the ending…

“Omg guys I lost sir p and the hotel guys, I failed” PENDEJA. YOU DID JUST DICK ALL DURING THAT WAR OTHER THAN WAVE SOME SHIELD AROUND WITH SOME FIREWORKS. CRY HARDER. BOO HOO I GUESS.

And I just gotta say, I doesn’t entirely include Charlie but like these parts of the lyrics

What???? Tf you mean redemption may take a while???? We’re still going with that??? After the war against heaven you guys just had??? Did Charlie forget what happened in episode 6, where like there was some shit about heaven being a lie and this evil place???? Why are you guys still trying to redeem sinners when YOU Charlie, realized heaven is evil???

But don’t worry, they rebuild the hotel guys! They can live happy ever after right?

Even though like… let me check my notes…. Oh right! Angel is still stuck with valentino, husk’s soul is still taken away by alastor! Oh yeah, I guess viv forgot about that part I guess.

I know I’ve already said this to friends of mine but ngl this episode especially just reminded of this one page from sonichu where Chris and his chars execute a guy in an electric chair but make it viv’s characters and Adam/heaven.

But uh, yeah. I don’t like Charlie, I don’t like this episode, I don’t like this series. I don’t know anymore.

[cecilysass]

Hello! You once told me that I could always ask you for fic recs so here I am! I’ve only seen up to S2E17 so idk if you have anything that doesn’t deal too heavily after that. Minor spoilers/references are okay, just nothing major. I’m also not a smut person generally. If you can’t think of anything that fits those criteria, feel free to ignore this! I hope you have a lovely day:)

Okay, I am SO EXCITED about this question, but also nervous, because I don’t want to accidentally include something that will spoil you. I am going to throw a few recs out, and maybe others will think of more?

Universal Invariants by syntax6 This is so, so good. It’s a classic. A novel-length casefile, plus an AU riff on season 1 and 2 through the abduction arc, so I think you are entirely good with spoilers. The big change from canon is that Scully is still with her boyfriend, Ethan. (If you don't know Ethan, he is a character that was originally in the Pilot but cut from the actual show.) There are... other changes from canon, but you’ll see. There's some smut, but it’s not the focus. And there's a sequel to this, too, which you will definitely eventually want to read, but you're going to have to finish season 5 first.

the progression (and regression) of first names by skuls Scully works through some early identity issues in relation to Mulder. This author (skuls) is always delightful, always recommended.

Center Mass by kateyes224 This fic provides a painful, in character explanation for what might have happened between them after the Pilot that could have resulted in so much subsequent slow burn. Hot and angsty, but not really smutty.

Early On by sunflowerseedsandscience This is also an AU season 1 with Ethan, but this one is more focused on Scully slowly feeling her attention stray from Ethan as her relationship with Mulder develops. It's a series with ten (short) parts. It's very engaging. There are some smutty parts.

Eight Things That Could Have Happened In Oregon by Stephen Greenwood No spoilers here, only things that didn't happen but might sound like spoilers. This is wistful, a little sad, beautiful, odd. The First Year by mldrgrl Their first New Year's Eve, not long after the Pilot. I love the hesitant vibe here.

Still Feeling My Father Ascend - cecily_sass This is my own fic, so I am being kind of a self promoter recommending it to you. But it’s a Beyond the Sea post ep, and I know my own work pretty well lol, so I know there’s no later spoilers, or only really minor things that won’t be meaningful until later. It was written for a prompt for an early season fic exchange.

And I'm not going to recommend it exactly, but I do want to mention that one of the first works of XF fanfic was actually written in 1993 and published online in 1994, so during season one. It's called The Sound of Windchimes by Sarah Stegall. It's got some serious CW (noncon) and some pretty wild content (I've read it), but if you're brave or curious and interested in fan history, you can check it out. Here's the fanlore page, which includes links.

***

Obviously I can come up with SO MANY MORE fics as you get further along. So just let me know. I would say most XF fic is probably written about seasons 5 / 6 / 7 for whatever reason, so once you're in that range, everyone can give you tons. Anyone have any other favorite early season fic they can recommend? It's sometimes tricky because sometimes early MSR has later details embedded in it...