#i’m going to make separate posts showing all of them individually

[ink-and-dagger]

Hi Legacy, thank you for your comment and for your compliment about my writing. Unfortunately, Tumblr wouldn’t let me leave this response to your comment under the fic, so I am having to add it onto your reblog. Something I really, genuinely, did not want to have to do.

I hear what you are saying, and am in full agreement with you - tags play a vital role in reader protection, and there’s nothing more frustrating (and in some cases dangerous) than people misusing them.

However, a few words now in my own defence.

I am not new here. I have been writing and posting Silco fics since Arcane first aired back in 2021. It seems more likely in this case that you are new if not to the Arcane fandom then to my blog/writing specifically - so allow me to provide a bit of context which may help, because I don’t believe this case is as cut-and-dry as you believe it to be. I began posting my multi-chapter Silco x Reader fic Drink With Me in January 2022, and updated regularly until its completion in July of that same year. I was extremely lucky in that my story gained a lot of traction and interaction within the fandom throughout that time. People became extremely invested in the Reader character, and would ask me all sorts of questions about her. That’s how Astrid was born. She became a point of reference outside the fic for those who wanted someone to visualise, whilst the fic itself remained strictly a Reader Insert. In the few years since this story wrapped up, my followers have remained invested in the ‘Drink With Me’ universe (again, I’m incredibly lucky and thankful for this), and to this day I receive tons of requests for bonus content set within this universe that I try to fulfil whenever I can. Despite these ficlets being connected to a main multi-chapter fic, most of them can easily be read as a standalone and do not require the context or any prior knowledge of the main fic to make sense. Additionally, as I did with the main fic, they are always written in 2nd person, the character is never referred to by name, and I never use any physical descriptors beyond anatomical ones during smut. If you were to take away any and all tags and look purely at the text alone, it reads as a traditional reader insert, which is why I tag it as such. I include the ‘Astrid’ and ‘OC’ tags for those people who are familiar with the DWM fic and universe and who specifically follow me for this reason, so that they know in their minds that the ficlet relates to the world/timeline of Drink With Me in some way shape or form. I think the point I’m trying to make is that those who are familiar with me and my work will see the ‘Astrid/OC’ tag and go “Ah cool it’s this universe”. Whereas for everyone else I add the ‘can be read as gen!reader insert’ note at the top so that they can go “Ah cool, let me just ignore that character tag then” and happily read it as a general reader insert fic perfectly fine. I hope that makes a bit more sense as to why I tag this way, why I’ve always tagged this way, and why I will continue to tag this way for my Drink With Me adjacent works. If I ever were to write something in 1st or 3rd person or that described the MC in a very specific way, then I would of course not tag that as a reader fic.

Now, so long as we’re here discussing fandom etiquette, I’d like to politely point out that adding your grievance onto the reblog of a specific fic is not a ‘gentle reminder’ - it’s a full-frontal attack on the author who wrote that fic. It would have been far better for you to create your own, separate post addressing the fandom as a whole, or to send me a quiet, private comment/DM on the side.

As I’ve already said, I empathise with your point of view, and I hope you are able to empathise with mine. If the way I choose to tag my work bothers you, then please feel free to block my account so that I don’t show up whilst you are searching for content. At the end of the day we are all individual humans - you cannot expect everyone to interpret/measure/categorise everything in the same way you would, and it’s imperative to take some measure of responsibility for cultivating your own online space, instead of relying on others to do it for you.

What if Astrid find a pic of young Silco by accident hehhehehehhehehehehhe

Snapshot

A Drink With Me ficlet

870 words || Established relationship || Silco x Astrid (but can be read as gen f!reader) || SFW but suggestive || MDNI

“Oh my Gods.”

“What?”

“Oh. My Gods.”

Time has stripped the photograph between your fingers of its glossy sheen and has left the edges blunt and frayed, but you would recognise those features anywhere; no less sharp nor striking through the faded sepia.

“This is you.”

It had slipped from between two ledgers as you’d perused Silco’s bookshelves – an activity more to entertain your idle hands than a genuine search for reading material. The image itself is simple and candid: A young man, seemingly oblivious to the fact his portrait is being taken, sat at a familiar bar, with eyes downcast toward a spread of papers.

That same man looks up at you now from a very similar spread of papers. “What is?”

“This.” You drift over to his desk and perch on its edge, all the while unable to tear your gaze from the photo in your hands. The pitch dark hair swept back into a low bun. The familiar strays – the same ones that even now will always be the first to escape any styling under the combing of agitated fingers – falling forward into his face, only far longer and thicker than you’re used to. His skin, unblemished and smooth, save for the chronic furrow between his brows – etched there long before time and tragedy ravaged the rest.

Silco hums absently; an indication that he acknowledges your discovery but finds little interest in it. You can imagine the man in the photograph making the exact same noise, were someone to distract him from his paperwork for a reason he deemed benign. You flip the photo over. No date.

“How old are you here?”

Silco exhales through his nose, places his pen down with a pointed clack, and extends his hand wordlessly toward you.

“Hah! Do you think I’m wet behind the ears?” you hold the photograph out of his reach, “You can tell just fine from over there thank you very much.”

He cuts you a scathing glance, before leaning forward in his chair with a foreboding creak to peer more closely at the image. His scarred lips purse slightly in thought.

“Mid–late twenties. I can’t say for certain.”

“You were hot.”

“Were?”

“Were and are,” you coo, reclining backwards over the desk into his space, one elbow pitched on his paperwork to hold your weight whilst you flap the photograph in front of his face, “Can I keep this?”

“For what reason?”

“Dirty ones.”

“Hardly necessary,” Silco says, the very corner of his mouth creasing upwards as he catches your wrist to halt your photo-flapping, “You have access to the real thing.”

“True, true, and you can be sure I’ll continue taking advantage of that.” You grin, shoving your captured, photo-wielding arm a little closer to him in emphasis, “But right now I’m talking about some alone time with this guy.”

Silco scoffs under his breath and releases your wrist. You twist onto your front, weight propped on both elbows as you admire the photograph in your grip. You trace a finger down the slender throat of the man in the photo, over the generous wedge of chest exposed by his open crimson collar.

“D’you think he’d notice me? If I came into that bar?”

“Oh I’m certain he would.”

“Yeah?” You lift your gaze from the man in the photo to the one before you – as equally breathtaking. More so. You catch your lower lip between your teeth. “What line would he use?”

Silco hums, low and thoughtful, leaning forward in his chair, closing in on your space. He picks up his abandoned pen, briefly twirling the implement until it’s poised between his elegant fingers like a cigarette. Nib safely facing his own palm.

“After downing the dregs of his drink for courage... he would have approached you.”

With sensual tenderness, he brushes the barrel of his pen along your cheek, warmed metal against warmer skin. Catching at the curve of your jawline, and tracing over your pulse in a way that makes it fumble a beat.

“Cast his gaze over each of your pretty, pretty features. One by one,” he murmurs, slowly drawing the end of the pen down your jugular, down the slope of your collar bone, to leisurely trail through the cut of your cleavage. The corner of your mouth hooks up. The warmth low in your belly coils a little tighter.

“He would have leaned in close,” Silco whispers, demonstrating just so, “Close enough that you’d almost taste the whiskey on his breath.”

Blunt metal drags a purposeful line up your throat, and your lips part softly as he tilts your face toward his with the barrel of his pen flat and firm beneath your chin.

“And asked you – very nicely – to stop leaning on his paperwork.”

You press your tongue against the inside of your cheek while Silco’s dual eyes sizzle with smug mirth. It’d be unthinkable, really – to forfeit either one for the sake of a matching pair.

You straighten and push off his desk, hips swaying as you saunter over to the bedroom with the photograph in hand.

“Well,” you say, pausing in the threshold and turning to him with a smirk, “If you need us, you know where we’ll be.”

[thebonerr]

my curio cabinet :3

[pfhwrittes]

retail hell reader is being bothered by an uncomfortably friendly customer and tf141 handle it in their own ways.

warnings: female!reader (she/her pronouns) isn’t being overtly harassed but you know when a man is being too interested and too friendly? its that. egregious use of scots as inspired by still game, pet names “love”, “hen” and “bonnie girl” used to refer to f!reader.

word count: 1.5k

pairings: kyle garrick x reader, john mactavish x reader, simon riley x reader, john price x reader.

each reader x named character interaction should be read as a standalone but i stuck them all together as they were too short to post individually in my opinion.

- -

this customer is making you nervous as fuck. you don't think you've been inappropriate with him in any way, just polite and friendly as you sorted out his refund. the problem is that he's massive, easily taller than simon by a couple of inches and he keeps looming over you blaming his difficulty understanding english as to why he keeps getting closer and closer. he's practically mounting the customer service desk to peer down at you (and you have a horrible feeling he's trying to get a look down your polo top).

you're beginning to panic so you do the only thing you think to do (which admittedly is pretty stupid looking back on it) and make your excuses to leave the customer service desk to find one of your friends. or at least find a colleague who will act as a witness if this guy gets any creepier.

gaz handles it like a champ. as soon as he spots the creep following you around he's there. arm around your shoulders and tucking you into his side at the kitchen consultant's desk. his customer service smile is fixed on his face and he refuses to even acknowledge this giant arsehole of a man, just keeps talking to you softly and shows you the kitchen he’s working on. kyle’s beautiful brown eyes only briefly leave your face so he can point out another favourite part of his design, he never once looks over at the creep. it works to soothe you, especially being so close to him. after ten minutes of being blatantly ignored, the creep walks off muttering under his breath. hopefully he’s left the store but unfortunately it’s around that time that kyle has a couple walk up to him asking him if he’s free for a drop in consultation. before he agrees he checks in with a gentle “you alright if i take this appointment, yeah? come straight back if that guy is still hanging around. i’ll deal with him.” he looks so serious you believe him. you reassure him that you’ll be fine and he gives your arm a gentle squeeze before you separate from his warmth already missing the slightly woody scent of his cologne. before you’re completely out of earshot you hear the couple cooing over how cute kyle was with you and his reply of “well, it’s not exactly hard when she’s one of my favourite colleagues…” and the fondness in his voice makes your cheeks heat up. 

-

johnny nearly trips over you as you’re crouched behind the paint desk. “steamin’ jesus, what’re ya daein’ under there hen?” you hush him quickly and silently with a finger raised to your lips. you don’t want to speak because you know the giant is still out there looking for you, you thought you’d given him the slip near the paint brushes but then he’d rounded the end of the aisle so you darted for the relative safety of the paint desk. johnny crouches down next to you and whispers “are we hidin’ from someone? is it simon?” you shake your head and go to answer him but then your blood runs cold as you hear that familiar accented voice. “excuse me? i was wondering if you might help, i’m looking for the fräulein who was helping me?” johnny shoots a look at you and you squish yourself further into the corner of the desk hoping against hope that johnny won’t give you away. thankfully, johnny straightens up from behind the desk with his most charming customer service grin “sorry pal, i’ve no’ seen her. ‘s only me on the desk the day.” the creep sounds nonplussed at johnny’s thick glaswegian accent (you’ve certainly never heard it ramped up like that in all the times you’ve spoken with him) and a little crestfallen when he starts to reply with “oh, perhaps you’d be good enough to -” johnny interrupts him, voice still pitched in a friendly manner but you can hear an undercurrent of tension “naw, sorry pal. i’m busy pitin’ the hems oan the tins. is there anythin’ i can dae fer ye mixin’ wise?” there’s a moment of silence and you watch johnny’s smile slowly slip off his face, his lips thinning into a stern line. “ah, um. no thank you. perhaps she will find me.” the creep sounds a little nervous now if the uncomfortable laugh he lets out is any indication. “aye right. well i’d best be lettin’ you get oan then eh?” johnny shifts on his feet slightly so his calf brushes up against your arm. after another tense moment you hear the lumbering footsteps of the giant move away from the desk. johnny looks down at you with a mischievous grin, “i’ve got to say bonnie girl, you look a right sight down there.” you only feel a little bit bad when you punch him lightly in the leg and he yelps in shock as the blush on your cheeks spreads down your neck. 

-

simon is less than impressed when you duck under the chain across the warehouse doors and flatten yourself against the noticeboard out of view from the shop floor. “you stupid? chains up which means the forklift is out so you need to be too.” he’s pissed off and thinking about how much paperwork he’ll have to fill out now because you didn’t bother to think about the cameras in your dash for safety. he takes a big step towards you before swerving off to the side to block the customer that has just appeared at the chain. “the fuck do you want?” he practically snarls. ‘this isn’t the fucking caff.” simon squares his shoulders and glares at the oversized dickhead that’s wasting his time. “well? can’t you fuckin’ read? staff access only. and you’re not staff so fuck off.” simon barks at the man, not letting him get a word in edgewise to start bitching about stock or whatever it is that he wants. simon couldn’t give a shit, he just wants the customer (and you) to fuck off promptly so he can start moving pallettes around. the customer just blinks and takes several steps back before turning away. you let out a shaky sigh and thank simon quietly. simon hums in acknowledgement and sweeps a critical eye down your lightly trembling form. “he botherin’ ya?” at your nod he hums again before jerking his head towards the back of the warehouse “go put a hi-vis on and sit in the office, i’ll come get you when i’m done on the ‘lift.”. when simon comes back into the office two paper cups of tea in hand thirty minutes later, you offer him a small smile and catch his lips twitch up briefly before he turns away to plunk his cup down on top of a cluttered filing cabinet. 

-

price practically walks into you as you come flying around the end of the plumbing aisle. it’s unusual to see you so far away from the customer service desk and looking so flustered. “alright, love?” his hand is on your elbow as he asks. you crane your neck round to look behind you, too worried about that customer to enjoy his large warm hand on your bare skin. price straightens up and drops his hand away from you when he spots a customer behind you, in his opinion the customer is moving a little too fast to be considered casual. price bristles slightly when he catches the dark look on the gentleman’s face. oh no, he doesn’t like the look of this one at all. especially when you look at price and mouth “help” quickly. price steps forward and puts you at his back, blocking the creep from getting any closer. “can i help you, mate?” his gruff voice is just shy of sounding friendly and you watch his back muscles shift under the black polo top he’s wearing. “no thank you, i wanted to speak with the little woman some more.” god the customer is weird, you shudder a little at being referred to as a “little woman”. price shifts to block the customer’s view of you more fully as he does you notice the back of price’s neck has gone a little red. “not possible. i need her for a job.” price’s words sound like they’re being ground out through gritted teeth in response. “i’m sure simon would be more than willing to help you.” you jolt a little when you spot simon at the customer’s shoulder. a man shouldn’t be able to move so silently in steel toed safety boots. you catch a brief wince flicker across the customer’s face when simon’s hand comes down on his shoulder, slightly too hard to be entirely polite. “ah, um, yes. perhaps that’s for the best.” simon leads the customer away and you step up beside price to thank him. he looks deadly serious when he turns to face you “any time love.” his stern blue stare softens slightly and you’re sure you catch his gaze flicker to your mouth briefly before he clears his throat and turns away “c’mon then. back to the returns desk with you.”. 

- -

AN: i have very much hidden from customers in the warehouse and behind the paint desk at B&Q. don’t be like reader (or me) and hide in the goods-in area, you will get shouted at for it. 

translation for johnny’s scots: “pitin’ the hems oan” = putting the hems on, meaning to put something in order or to restrain something/someone.

[antiadvil]

early tit shows request

I already posted this in the community tab but wanted to make a separate post so it can be shared more widely.

TLDR I’m very photosensitive and have tit tickets for November 3rd in Chicago. I would like to compile a list of the flash effects in the show and when they are before I go, so I can know when to look away. If anyone else would find this useful, I can share the list publicly. I'll put the rest under a cut because it's very long and I want any discussion via reblog chain to be legible:

why i need help:

As some of you may know because I bitch about constantly, I have chronic migraine, and one of my symptoms is photophobia that ranges from moderate to severe Literally All Of The Time. On a good day I’m able to hang out in a dim room wearing my tinted glasses and experience no light related pain but even on my best migraine days I still find very bright, flashing, or flickering lights to be very painful to look at or generally exist around. I bought a tit ticket fully knowing there would likely be flash effects in it because WAD did, many of their videos do, ii and tatinof probably did, I don’t remember, and literally every stage production I have been to in the past year did, except for an orchestra, if that counts as a stage production 😂. I literally would not be able to leave my apartment if I avoided everything that triggers my photophobia considering the Literal Sun is one of the biggest offenders so I am really not looking for people to tell me to just not go or whatever. Obviously I hope that my migraine resolves by the time my show comes around (like at least breaking down into individual episodes instead of one incredibly long migraine would be nice), and it’s possible it will, since I haven’t actually gotten to try the most promising treatments yet bc insurance bullshit, but I expect to still be dealing with this two months from now.

how you can help:

So, it would be really helpful if anyone was able to tell me about the flash effects in the show before I go. Ideally, I would like to know how many there are, how extreme they are, how long they last, and MOST ideally, approximately when in the show they happen so I can cover my eyes and look away beforehand (I’m thinking, like, “after they do abc they flash the lights,” not timestamps, since I think that would be much easier for everyone involved to remember. I know this will probably involve spoilers, I don’t mind, I’m currently planning to look at spoilers for the show). I know this is not something people with normal eyes/brains/optic nerves normally remember after shows (even my closest friends who are genuinely trying have failed to warn me about flash effects before) but I am hoping through the power of crowdsourcing i can put together a semi-complete guide to When To Look Away At Tit For Photophobic people. I can share that doc if there’s any interest in it and anyone who is able to “test drive” the document before my show would be very helpful. I’m also willing to keep making changes to the document after my show, if that’s something people would find helpful. If it is though I would really appreciate hearing from you- even if it's just an anon or something, because I'm not going to do extra work if I don't think it will reach anyone who needs it. I'm sure I'm not the only person who's planning to go to tit and just suffer through any flash effects, but I don't know if this post/the document I make will reach any of them (does anyone know if there's an accessibility/disability community on phan twitter??). My tentative plan is to share the document regardless, since it doesn't take much extra work from me, but if this is something that would benefit you please reach out so we can make sure it benefits you too.

a hopefully helpful guide to flash effects:

Another challenge is, quite frankly, most people are very bad at even noticing flash effects if they’re not photosensitive. I get it, as a newly photosensitive person I was genuinely confused about why I left across the spiderverse with such a bad headache, because nothing in it looked like a “flash effect” to me. Some things that have triggered my photophobia before that people may not think of as “flash” effects include: the snow effect in stardew valley, candles (flames in general create a very flickery light), glitch/static editing effects, the sort of stuttery/laggy way video games look when your graphics card is bad, and video that flips through photographs/backgrounds very quickly (this is worse the more different the colors/etc in the photos/backgrounds are from each other but even if it’s done in a more stopmotion kind of way it still bugs me at low FPS. It’s like the video game thing, I’m not sure if there’s an actual word for that). Another thing that commonly bothers people (personally it doesn’t hurt much though it can make me a bit motion sick) is sort of swirly “hypnotizing” gifs.

From the set photos, I think any flash effects would most likely come from the light/rope/wire things, those just look perfect for some kind of sparking/lightning effect which I imagine would be very obvious and easy to spot. The video screens could probably also be a problem but if they’re all at standard screen brightness, unless they all start being flashy at the same time, they’re a much smaller portion of the audience’s field of vision so I don’t think they would be as problematic (though I would still like to know about them!). My worst fear is that they’re playing something really staticky for the entire show, though I hope that at my distance from the stage, the static would be small enough to just kind of blend into gray and not bother me much.

in conclusion:

Yes, this could all be solved if people stopped putting so many fucking flash effects in their shows. I am begging for the entire world to realize that nine times out of ten they are Completely Not Worth It and just putting a “some flash effects may not be suitable for photosensitive viewers!!!” warning on every piece of media ever created does not make their media accessible (hey Netflix! Wanna give me a timestamp to skip or am I just expected to never watch Stranger Things?). But here we are.

[nerdygaymormon]

A podcast episode was recently released of Sheri Dew interviewing Elder Holland, and part of the episode involved him reacting to his "musket fire" address at BYU from 3 years ago. I responded to his remarks in this post.

I was contacted by a reporter with the Salt Lake Tribune who sent me the following: In a recent interview with Sheri Dew, Elder Holland reflected on the "musket" speech and the response he received from it. I am curious: Are they enough? Are they helpful? And what fallout did you witness/experience at the time and in the wake of the address?

I sent a 3 paragraph response, from which they chose 1 sentence. I knew they wouldn't run my whole response, but I thought I'd share on my blog what I sent.

—————————————————

One thing I hope people understand is that most minorities grow up within a culture that helps give them a sense of solidarity, a group of people that they can go back to, usually their family. There’s a sense that I’m learning to navigate being this particular minority within a larger culture. LGBTQ+ individuals are generally without this support. We have a minority experience that’s different because we generally experience this individually. It's an individual process to try to understand ourselves and our place in society. There is stress involved in recognizing yourself as an identity that separates you as an individual minority within your family and within your religion and your university. This makes queer people, especially those who are younger, vulnerable. It's important for queer individuals to know others like themselves, to find a community where they have a sense of belonging and don't have to hide, to feel hope that the future is gonna be better. We need love, support, guidance, acceptance and affirmations. It's difficult to stop hiding and come out and be authentic about our feelings and our experiences if the messages we get are that you are not wanted, you don't belong.  

Just before Elder Holland spoke to BYU faculty and staff 3 years ago, the president of BYU in Provo announced the creation of the Office of Belonging which aimed to root out prejudice of any kind on campus, and then Elder Holland gave his message that he wanted to stop all the ways queer students have made their presence known—no flag waving or protests or sharing some heartfelt words at graduation, no lighting the Y in Pride colors. That was crushing as it feels like just existing is considered problematic, that we are to remain unseen and unknown.

I know several queer individuals who've met with Elder Holland and they have shared that he is caring, he listened to them and cried with them. He is aware of the hurt and pain they experience in this church. His remarks on the podcast reflect the compassion he showed to my friends. I am glad that he acknowledges his address from 3 years ago at BYU caused a lot of pain to LGBTQ students and members. That was important. I wish that the compassion he feels for the pain of queer students and members would be turned into a desire to want a better place for us at BYU and in the Church. 

[blossoms-phan]

Hi! I am a X escapee relatively recent Dan & Phil returnee who loves your posts, you seem so reasonable. I have just been given what felt like a 90 min presentation detailing how my innocent assumption that Dan and Phil were anything other than platonic housemates was incorrect and offensive.

The lecture i was given included every reference that highlighted, amongst other things: their "obvious" separate bedrooms, bathrooms, towels, angles of items shown in bedrooms, closets, mentions of wanting to go out and meet other men, lack of real concern (X words, not mine) at each others medical emergencies and every use of bro and friend that they have said post hiatus. It was very detailed, they were very insistent and I was very apologetic. I decided to flee the X hostility and head back to tumblr, but here everyone appears to think they are together. So now I am confused and don't want to offend a whole new group of people.

I think what set the X people off was i said "partner" as I was under the, I now know, incorrect impression that they went public years ago. Oops. Don't trust the internet is what I have learned from this. I thought all this drama would have died out long ago, but I assume this is a topic to stay far away from still? Thanks

hi anon! first of all, thank you for saying that (still can’t believe I’ve garnered enough attention on here that people specifically like my posts!), I really appreciate it. second of all imma be so real with you I am a person that still primarily refers to “X” as twitter bc I refuse to get with the times so this greatly confused me until I realized there was only one possible platform with those kind of people you could be talking about. i’m sorry you endured that exhausting sounding lecture and welcome you to phannie tumblr with open arms 🫶

i am here to gently reassure you that you can take what dnp say and do and show and form your own opinions about it, don’t let anyone tell you you’re right or wrong for drawing conclusions or making assumptions. however I will also be so bold and tell you why that individual is so blatantly wrong and maybe clear some of your confusion.

first of all, i think dnp would refer to themselves as anything but "platonic housemates." it all comes back to this but i dare someone to look me in the eyes and be so fr when saying that just because they've never stated in words "we're dating/boyfriends/partners etc" the simple fact that they share a mortgage on a "forever home" together, (according to them) spend literally all their time together, are partners in work/life/play (vacations), share families (dan being uncle to phil's niece) implies anything other than them being life partners. i'd also like to draw attention back to possibly the most blatantly open statement either of them has made about the nature of their relationship, in dan's video titled "basically i'm gay" where he describes them as "actual soulmates" and more. there are lots of people who have been discussing/answering posts about the concept of a "hard launch" recently which i could direct you to and i am of the mind that there's nothing wrong with conceptualizing the idea of a hard launch or them being more open to sharing details of their romantic relationship to an extent, but BIG is the most profound public statement of the nature of their relationship and, in my humble opinion, "the" hard launch as dan QUITE LITERALLY says "more than just romantic" and goes on to say he and phil are private people and that that's all he will say of it for now (keep in mind it's been 5 years since this statement- still relevant but minds can change, specifically theirs in terms of what they feel more comfortable and open sharing in a post-comeback world)

now moving on to the "references" you mentioned. again, highlighting literally any of this as "proof" that they are just friends or whatever is utterly ridiculous but i'll still go through it for funsies. i'd like to challenge this person that claims they have "obvious" seperate bedrooms by saying... what is so obvious about it?? dnp are highly aware that whatever they share with us will be analyzed or viewed under a microscope, so obviously they've carefully chosen which parts of the phouse to show us and they're not going to be like oh yeah this is OUR bedroom where we sleep TOGETHER every night. now i'm aware that yes, the "black" bedroom with dan's closet is more obviously a dan room that has been claimed as "his" bedroom. can't find it to link rn but they have posted a photo of the shelf of that room and while it is mostly dan stuff on the shelves, there was also a photo of phil's family and some of phil's books and items on the shelves. storage? sure, but if someone wants to claim that makes it so obviously dan's room then i can say that having phil's stuff in there could also point to them sharing the space. the room that phil films amazingphil videos in has been called a guest room/bed by them both, and in terms of rooms we've seen that just leaves the green room. imho everything points towards this being another guest room/possibly a room for family specifically to stay when they come- iirc nothing has been said to claim this as phil's room other than the fact that there is a painting by his dad and he occasionally films in there. i'm not going to pretend to know the ins and outs of their sleeping arrangements, but i think for two adults that own a huge house together and spend a lot of time together and have a lot of their own things it's perfectly reasonable to have "separate" bedrooms, multiple bathrooms/their own towels (?? i don't get this one i assume they're referring to the part of the golden pig video but like. obviously they have their own towels wtf lmao) and utter those things more on camera and then sleep together/share spaces in their own time.

once again, dan and phil know what they're doing. they are in control of what they show and share. calling each other "bro" and "friend" is an intentional choice and very much second nature at this point after doing it on camera for years. also it's not wrong or implies that they aren't romantic- i am of the opinion that they are friends first and they know that too. however, in a post-hiatus/comeback world, it almost feels pointed at this point. like a joke. a wink wink, nudge nudge, look-to-camera "we know you know" thing that they're keeping going just because they can.

in terms of the "going out and meeting other men" bit i assume they refer to jokes made by dan in the wad era? again, i'm not going to dive deep into this but dan is a comedian and post-coming out, wad and those other shows were the first time in his life he was able to be openly, unapologetically gay and himself and i think he was allowed to make a few grindr jokes for the fun of it. if dan values privacy in terms of his personal life, i highly doubt he would go around telling everyone he was hooking up with dudes- these are jokes plain and simple. but if you're interested @freckliedan has a wonderful post about dnp and the concept of monogamy/them sleeping with other people that i don't entirely disagree with and that is worded much better than i ever could so. i'd also like to talk to this person bc in what fucking world have they EVER shown a "lack of concern" at each others medical emergencies????? this is possibly the most baffling claim out of all of these to me. dan could not have made it more clear how scared/worried/traumatized he was by phil literally almost dying recently, and there have been more instances than i can count of him just being there for phil during all of his more recent health issues/scares. if this is referring to the eye incident, again i'm not going to pretend i know all the ins and outs of their relationship bc i don't- we know what they tell us. literally everything about this they said in a joking way, i don't know why people got their panties in a bunch- phil sending dan alone doesn't mean he doesn't care about him or anything, i honestly don't think he wouldn't have been much help going and i think they both kind of knew this, they were just playing it up to be a funny anecdote because they're entertainers. it's what they do. they've been making stories out of their lives for 15 years.

this is getting far too long and rambley as i don't know how to rein in my yapping when responding to asks but. i promise you're fine. discussing their relationship isn't "drama" or some forbidden thing, it happens on here a lot actually. except you will find most people on here use critical thinking and what dan and phil knowingly share with us, as adults with brains, to draw conclusions about their relationship based on everything from the way they look at each other to the little ways they tell us they care about and love each other bc they do. and that's not something they shy from now. come join us! don't let people tell you you're wrong for thinking they're partners bc in the nicest way possible, they literally are (if you want to sugarcoat it and say life partners instead of romantic go ahead bc they've literally described themselves as companions through life which is a more poetic way of saying partners imo) and respectfully anyone who thinks otherwise is in denial at this point

[pumpkinsplots]

Writeblr Intro

Hello, writeblr! I finally caved and got tumblr, mostly because I love rambling about my wips and hearing other people ramble about theirs and all of that lovely stuff, so this seemed like a great platform to do that. With that being said, I plan on posting about my wips and ocs, as well as art related to those things, so if that interests you at all, I’d love to see you stick around. Also feel free to call me either Pumpkin or Maria, it’s entirely up to you!

About my writing

I’ve found that I really enjoy writing in a variety of genres, so hopefully at least one of my wips will tickle your fancy. Though I’d say a common thing for me is that I really like to world build, so my wips tend to be sci-fi, fantasy, or magical realism of some variety. Anything where I can put my own spin on the setting is something I’m bound to enjoy writing about.

I write in third person, usually with multiple povs, and I really enjoy character driven stories.

I often like to have a wide variety of ages in the cast, and if I had to pick a favorite trope it would be found family, so that’s usually present to some degree in my stuff.

Tonally, I always include light-hearted moments here and there, even if the wip is very bleak. It provides some levity, and I think it makes the painful stuff hit a lot harder. This is probably partially why I put some thought into each character’s sense of humor.

Most of my wips are geared towards older teens and adults, but I’ll get more into content warnings when I talk about each individually, because it really varies.

I’m one of those writers that kills off a lot of characters, so this is your warning not to get attached /j

I’m demisexual, so at least one character being on the ace spectrum is like a requirement for me at this point.

I’m a plantser, and pretty bad at staying motivated to actually finish first drafts.

About my wips

Falling Up

Falling Up is a sci-if story set in the future where Earth is a utopia where inhabitants experience little to no hardships throughout their lives. The deceased are replaced with AI created to replicate them, and everything is automated to the point where people no longer need to work to make a living. This lack of struggle results in dull, perfect lives and skewed morals. The people crave entertainment, even if it means making others suffer for it. Quasdom, a miniature man made planet initially intended to be used to separate deviants from the rest of the perfect society, is used as a catalyst for entertainment. The people of Quasdom believe that those on Earth are superior to them, and that Earth is a place where any wish can come true. This leads to the tourney, a death game between groups of ten on Quasdom, being viewed similarly to winning the lottery. The winning team gets to go to Earth, after all. Being chosen for the tourney is the luckiest thing that can happen to you. There’s no hard feelings between participants, death is completely painless, and the afterlife will welcome any participants to a better life than they previously had. There’s nothing to fear, so smile and put on a show.

A large cast and lots of character deaths

An exploration of why we get so attached to fictional characters, and how fiction can have an impact on reality

Probably going to be a trilogy

Content warnings include language, some unsettling themes, depictions of mental health issues, and generally things that are more psychological. Despite it being a death game, there’s no gore, like at all. The people on Earth may be desensitized, but they aren’t accustomed to seeing blood, so the tourney is designed with that in mind

Facade

Facade is set in a world where the living world and the spirit world coexist. Due to some actions by the main antagonist, about 20 years prior to the current story, spirits started getting aggressive and sort of going haywire. They possess any person they can, turning the individual into an uncontrollable killing machine. The best defense to this was the invention of a certain kind of mask that prevents possession, and masks quickly became widespread. Since there’s no known way to reverse spiritual possession, the only solution is to kill those that are unfortunate enough to meet that fate. A group led by an anonymous vigilante known as K9 seek to find a way to reverse possession. Many enemies are made along the way, and there are countless obstacles to face.

Its setting is based on Singapore and set in the 90s, though there are many creative liberties taken

The wip is currently pretty no plot just vibes

Themes about individuality vs equality

Content warnings include language and some sexual content

Facade: After Dark

While Facade is currently no plot just vibes, developing the characters led to me thinking of the plot for a prequel. Is it a self-indulgent novella about two of the characters I love? Yes, absolutely. In summary, it’s a romance novella about the the relationship of Leijing and Iris, and their struggles in navigating the wild world of Facade. They have vastly different upbringings and experiences, but their differences bring them together in more ways than one.

I have so much backstory for this pre-established couple and I couldn’t think of a good way to incorporate it into the main story without cutting a bunch of it, so boom it’s a prequel now

I’ve found that working on a wip that’s more low stakes and simple is really fun—I tend to get stressed about my more ambitious plots, so this wip is a great change of pace

Leijing is demisexual with little interest in anything sex related and Iris is an omnisexual sex worker, and the story explores how a world obsessed with all things sex can effect both more sex-negative and sex-positive people

Content warnings include language, explicit sexual content, and potentially triggering subject matters. This is my only wip where it’s strictly 18+!

Lights Out

Sunlight is the essence of life. Without it, the world would wither away. However, a dangerous new life form of unknown origin festers in the light. With long, elegant glimmering limbs, high intelligence, picturesque precision, and a craving for flesh, these organisms pose a major threat to humanity. But for some odd reason, these creatures refuse to step into any area where the sun doesn’t touch. Much of humanity takes to the shadows, building elaborate underground tunnels for civilizations and doing what humans do best—using their resources and ingenuity to adapt.

Has two protagonists that butt heads but start to develop a father daughter dynamic. A young adult girl who’s from the underground and unknowingly part of a cult, and an older man with one leg who’s so stubborn he’d rather fight and die than flee to the darkness

Lots of creepy cult imagery and themes about religious trauma

So much banter of course

Content warnings include language, disturbing imagery, and gore

If you’ve made it this far, thanks for reading! Asks, comments, tag games, and messages are always appreciated, and I’d love to hear about your wips as well!

[canonicallyobserving911]

My response to a comment on AO3 about Buddie.

I haven't posted a lot since mid season 7 because I didn't want to and with all the toxicity that's been in the fandom, I chose to stay away. However, I kept writing fanfic and for the foreseeable future, I will continue to do so.

Recently, someone asked me a question in the comments of one of my fanfics regarding if I thought Buck and Eddie could get together in season 8 and it be handled in a way that would make sense and I provided a long response. Since I like it and it includes a lot of the things I've been wanting to say for a while, I decided to post it here but it's under the cut.

Please note, these are my opinions and they’re based on my interpretations of the show. No one has to agree and it's ok if they don't since everyone is entitled to their own opinions.

My comments about this topic are my own so read at your own risk.

Finally, don't start any BS in my reblogs because if anyone does, they'll be blocked like the thousands of others who have been since 7x4. I'm a proactive blocker and I block based on filtered tags for multiple reasons but mainly to keep toxicity away from my blog.

~~~

Thanks for the response. My answer to your question, is yes, I do believe it can happen in the episodes allotted in season 8 for multiple reasons. (These are my opinions.)

First, the stage has already been set for Buck and Eddie to enter a romantic relationship and it has been for years. It was supposed to happen after season 4 but the previous network wouldn't let it so it got delayed. The foundation of the love they have is already there and it has been since season 2.

Second, there's a thing called timing and the window of opportunity is closing. As mentioned in my initial response to you above, season 8 is it for a lot of viewers and I’m not just talking about Buddie shippers. Most of the GA watch the show for the emergencies, therefore there's not a whole lot of time they can dedicate to Buck’s and Eddie’s individual storylines before more people will start tuning out and turning off their TVs. None of the characters are growing professionally so, the show is getting stale with the rehashed storylines especially for all the mains.

Third, since the foundation is set, they need to get rid of Tommy’s character now and let Buck admit on screen that Eddie’s attention is the person's he was after not Tommy’s. It's time to stop using metaphors and underlying meanings and let him specifically acknowledge it without someone coercing him into it. Honestly, I wish they'd let him figure it out on his own without talking to someone else. He didn't end things with the first T.K. in season 5 because he was unhappy like he should have so it would be GREAT if he admits it now.

Fourth, Eddie needs to admit Buck’s the person whose had his heart this entire time. Also, it's time for Buck and Eddie to talk on-screen and discuss the fact that Eddie gave it to Buck back in season 3. He needs to stand up to his parents again like he did before he moved to L.A. and tell them they don't get a do over with his son. Furthermore, EVERYONE is tired of Eddie misremembering his failed marriage and it’s time for him to talk to his son about Shannon. He needs to stop remembering her as this perfect person when they both made mistakes. He should have told Chris about it in 7x1 instead of just giving him the letter she wrote. Chris is not a baby anymore and he should be told about his mother so he can grieve for her and understand she was young and she made mistakes too.

Fifth, Chris going back to L.A. is critical for many reasons but mainly because he’s missing and based on the audience's reaction to the way he wouldn’t talk to Eddie in 8x1, a lot of viewers don't like the fact that he's separated from his dad. Eddie’s a single father and Buck’s been coparenting Chris with him for years. The Buckley-Diazes are an integral part of the show and the longer they keep the three of them away from each other, ratings will suffer. The GA loves their family dynamic too and the absence of it is being felt the same way the absence of Buck and Eddie scenes were felt in season 6.

Sixth, it's evident the showrunner knows all of this otherwise, if the "X" leaker is right and all the former writers have been termed from the show, then he hired new people to breathe new life into it so their story can move along.

All of the points above lead to one thing and one thing only, CANON Buddie and if they aren't going to go there, then they need to admit it so people can decide if they want to keep watching 9-1-1 on their own. The days of people hanging on and watching shows for top billed actors are over. Law & Order SVU is a testament to that. It's been on for 26 years and they’ve been dragging out Benson and Stabler this whole time. IMO, they've missed the window of opportunity for them but they haven’t for Buck and Eddie.

Thanks for commenting and have a great day.

[chaifootsteps]

Keith David recently complimented the hb cast saying when he’s with them he’s in the presence of something beautiful. I think that’s really sweet, because yes, the vast majority of the cast of HB seem like very kind and passionate people. I’m really glad Keith is having a good time, and tbqh I’ve never really had an issue with the cast.

But weirdly there are already people saying shit like “you just KNOW the Hazbin haters are mad lol” and that Keith said Hazbin was his favorite role—

FIRST—It’s really weird that they assume people who don’t like Hazbin think Keith needs to be “saved” or some shit? Keith David is a grown ass man who can make his own decisions. He’s a very very talented individual, who has been in TONS of movies and shows, and has done a lot of really amazing voice work. He’s the best performer on HH imo, and while I don’t like Hazbin Hotel personally, I find it downright bizarre that Stans would assume that we’re like…mad at him or don’t think he can make his own choices??

SECOND—the clip that was circulating did not show him saying Hazbin is his favorite role, he said he’s in the presence of something beautiful with the other cast mates and crew while working on the show (which tbh, I agree with—I really love a lot of the actors/actresses on the show, and I think, all things considered, they did a good job with what they were given. I’m of the opinion that the voice director did a pretty bad job, as a lot of the seasoned VAs on the show sounded kinda off, but I digress)

And hey, if he DID say that on a separate post or clip like. That’s okay??? He’s allowed to like the role??? If it’s his favorite role that’s great!!! That doesn’t automatically mean that everyone who’s ever criticized or disliked Hazbin is wrong in their opinion.

There’s like. This weird insistence I’ve seen in Hazbin Stan spaces where they point to the professionals who have worked with Spindlehorse or started in Viv’s shows and are like “SEE??? THIS REALLY TALENTED PERSON WAS ON THE SHOW!!! SO IT MUST BE GOOD!!!!”

And I mean. That’s still all subjective. I’m so sorry, but it is!! Idk how to tell yall this but great actors and artists have been in some really really bad movies. It’s not really an indicator of if something is SURE to be well written or made. Again, all subjective, but like. Idk Keith David is very very much allowed to think Hazbin is the greatest story of all time and his favorite role ever, and I’m very much allowed to disagree with him on that, but still enjoy his body of work.

My favorite performance of his will always be Childs from John Carpenter’s “The Thing”, but that’s just, like, my opinion, man!!! Who cares!!! Maybe Keith hated that role! That would make me a little concerned, because I’d be worried that he was treated badly or was struggling during the filming, but if it turned out he just didn’t think it was a good movie? That’s okay!!!! Him not liking his part in it wouldn’t take away what I like about it.

Just had to vent that. I really really hate when fans or critics bombard actors from shows in any way, either by being overly familiar in a really parasocial way, or by acting like they’re “owed” something from them.

Either way, love Keith, not a fan of Hazbin personally, and that’s an incredibly normal cold take to have that for whatever reason some people apparently cannot fathom. It’s kind of sad to me that people will see an actor compliment a show they like and immediately go “PEOPLE WHO DONT LIKE THIS SHOW MUST BE SO MAD RIGHT NOW HA!!” Instead of being like “aww yay, I’m so glad the actor enjoys the character”

(In the same way, I really loved Adam Sandler in Hotel Transylvania and Fifty First Dates. Doesn’t mean I have to love every single “grown ups” film, or defend “Jack and Jill” as high art cinema. I don’t understand why people don’t get this Chai. Anyway! Have a great night!!)

Even if we discount the fact that Keith David was probably (rightly) treated like a king on that set just because he's an old guy and Keith David, what the hell do they think he's going to say? "I hope this show and everyone involved with it gets fucked with an iron stick?"

[avayarising]

The Batfam Death Project Introduction

I’m working on a project to find and list every time each member of the Batfam has experienced death, either through dying or by visiting a world of the dead.

Why?

I was curious because I kept finding incidences of DC heroes dying and coming back to life, and the Batfam in particular (though maybe that’s just because that’s where I started looking), and I wanted to know how much there was of this. Jason’s death is the one everyone makes a fuss of, but there are plenty of others and I wanted to know just how many.

And, coming at it partially from the DPxDC side, I wanted to know exactly how liminal the Bats are.

And the answer is: very.

Scope

For this project I’m looking at all deaths of the core Batfamily: that’s Bruce, Dick, Jason, Tim, Cass, Damian, and Alfred; I’m also including Steph, Barbara, Duke, and Kate. I’m not including more peripheral, associate or occasional bat-vigilantes such as Jean-Paul or Helena, nor other members of the Justice League, though I am aware of at least some deaths for many of them. (I could perhaps be persuaded to expand the project…)

The scope includes only the main universe (Prime Earth, New Earth, or Earth-0). It covers all eras from pre-Crisis to the present day, within the main timeline. It does not include elseworlds, imaginary stories, or alternative universes. For example, it does not include deaths and undeaths in DCeased, DC versus Vampires, or Injustice. It considers only comics, not movies, TV shows, radio plays, or other media. My goal is that it should at least be arguable, for any given character, that the same person has experienced all their death events in succession.

Definition of death experience

A character is considered dead if they are depicted or declared dead on panel (and this is not contradicted). They are also considered dead if they have no heartbeat, have no cerebral activity, or require CPR.

The death doesn’t have to be long to be included – brief flatlining counts. I’m including a note of the rough length of time the character is dead for each incident, at least in terms of order of magnitude (minutes, hours, days…).

I’m also including instances where a character is healed in a Lazarus Pit while dying or mortally wounded – in other words, where they would have died very shortly without the intervention of the Pit.

I debated whether or not to include instances of what the comics call ‘brain death’, where there is no cerebral activity, even if autonomous functions continue. In real life, my understanding is that a declaration of death for lack of brain activity requires brainstem death, where even autonomous functions are lost. But I decided in the end to include them, because in both cases where this occurs (both to Bruce) they are referred to on-panel as ‘clinical death’.

In addition to the above, I’m also separately keeping track of any visits to any afterlife or realm of the dead where the character doesn’t have to die to go there (summoning, portal, etc.).

Preliminary results

Bruce dies early and dies often. So far I have several dozen deaths for Bruce, in seventeen separate incidents.

His kids have a more reasonable 2–5 deaths each.

Duke is the only member of the Batfam (core or adjunct) whom I haven’t found any verifiable deaths for. Yet.

Deaths have been getting more frequent over the years, and they’re all getting pretty blasé about it.

Next steps

I’m going to write a post for each character listing and summarising their deaths, with volume and issue references. I’ll then dive into more detail in individual posts for some of the more interesting (to me) deaths and revivals. I’ll create a masterpost so you can keep track of them, and link it here.

Please send me asks!

Acknowledgements

Huge thanks are due to @lynzine and @zahri-melitor for helping and encouraging me with this project, letting me rant at them about this project and the comics I’ve read for it, and finding and suggesting deaths and potential deaths for me to look at. Without your encouragement I would have given up long ago.

The Batfam Death Project Masterpost

[getawayfox]

2023 in review

Thank you for the tag, lovely @wolfpants ! I wasn’t going to do this because to be honest I don’t really like looking back in the fear that my past work will make me cringe. But you know what. I did look back and all I see is ✨progress✨ and that’s a bloody good feeling.

So I put together some stats and surprised myself with those as well, because the whole year I felt like I was struggling with motivation and thought that my engagement with fandom was lacking but actually, these stats show a different story. So here’s what I did:

✨ART

I made 31(!) art pieces in 2023. Out of these, 8 were for fests and 6 inspired by fic (Nightcall and Terrible People by wolf). I drew Drarry together 14 times, Draco 7 times, Harry 5 times, Ron twice, Teddy once and Fleur/Ginny once. My absolute favorite piece of art is (as usual) the very last one I made: fortune teller Draco for my fic “on the cards” (and I am cheekily counting it, even though I posted on Jan 1st, because I did draw it at the end of last year).

✨WRITING

I’m decidedly *not* a writer, so it feels a bit funny to even mention this, but here it goes: I wrote 3140 words, all of them in the form of drabbles: 14 for hd candyhearts fest (more on this later in a separate post) and 8 microfics, my fave out of those being “Changes”.

✨REC LISTS

I made 6 reclists, 4 of them in a response to lovely asks: drarry get-together, favorite tropes, outsider POV + bonus, art recs and 2023 favorites. I also made 51 individual Quick Quotes Recs posts (masterlist here).

✨MODDING

I was a co-mod in 3 amazing fests. I will take the oportunity to link their masterlists because the works are just incredible: dronarry masterlist, bodice ripper masterlist, unleashed masterlist.

All in all, a busy year. I love seeing these posts from everyone; reading everyone’s lovely fics, seeing gorgeous art, and just basking in the chance of being in this wonderful community. I hope 2024 will be just like that too! I wish everyone a year full of creative spark!✨

PS: I think that everyone has already done this but if you haven’t and want to, consider this your no pressure tag! (I’m looking at you @crazybutgood 😉)

[otaku553]

kk wow you went so much more in depth than i thought but that was awesome. sending another but pls take all the time you need to answer this one.

i don't think i realized you had a colored version of two of them til today because i was going off of the sketches you posted at the start of the month. the one that caught my eye in that and who i have a different perspective of now that i've seen full color is the shortest hero. you mentioned that the clothing didn't come from any one culture, but if you have an answer it would be cool to hear: what's the long cloth hanging off of the waist belt of this hero called? or, if it's part of the belt, what's the name of the full thing?

[ also a more in-universe follow-up: am very curious about the symbols all four have on their clothing and what your thought process was behind each. i'll settle for the shortest hero's butterfly-esque symbol if you just wanna do one (: ]

Thanks for sending another ask!! This is probably going to get quite long again!

So first, to answer the question, there’s actually not a very easy answer for what that long cloth is called! It shows up quite often in fantasy outfits and armor of knights, and you might sometimes find it being called a tabard or a surcoat online. Really though, it’s closer to something called a monastic scapular, which is a western Christian garment that hangs over the shoulders and goes down to the knees.

The tabard is usually some form of light tunic or jacket worn over chainmail and underneath armor, and I think in fantasy armor the stylization of it as longer and thinner towards the bottom eventually turned it into a pretty common thing? But the point is that it’s usually attached to something hanging from the shoulders and not just from the belt. But having something hanging in front of the crotch from the belt does have some precedence in the Roman pteruges, so this might be where that kind of belt fabric came from.

So in the hero of yore designs, the pieces of fabric hanging from the belts aren’t actually very historically accurate, and follow more the trends of fantasy outfit design. But mostly they act as a sort of conisistent point between all the heroes that shows each hero’s insignia. This sort of hanging centerpiece of fabric has been a pretty consistent part of my designs for a really long time, though in my previous Kirby designs this mostly took the form of some part of a double breasted coat, like so:

But yeah! On another note, while the hero of dark’s outfit isn’t based on any specific culture, the hero of soul’s (the butterfly hero) outfit definitely is based on Japanese clothing! The very long sleeves are based on furisode, but there are some liberties I took with the whole design as a whole, I.e. the pants are based on hakama in construction and shape but don’t actually have all the pleats a hakama should, and have added slits for style. You generally also wouldn’t wear hakama with fancy long kimono I think, nor would you use a tasuki with it. Tasuki are generally used to keep the sleeves out of the way while doing activities, while long sleeves are more ceremonial and decorative. I did intentionally keep the sleeves very long on the design, however, for character reasons that I might go more in depth in if I ever make an individual outfit breakdown post.

I’m sorry I didn’t get around to answering about the symbols! I also have a lot of thoughts about them, so I might also make a separate post about that haha

[threecheersforinking]

My Favorite Character from each of my Favorite Anime

Hi! I’ve done a few separate posts about my top 10 anime and my favorite anime characters, but I decided I’d combine those ideas into one post and try and pick out my favorite character from each of my favorite anime. This is going to be hard because I know I have multiple favorites for most of these, but I will do my best. Let’s go!

Fullmetal Alchemist: Brotherhood- Hohenheim

I usually cycle between Ed, Hohenheim, and Mustang being my favorite character, but recently it’s been Hohenheim. I think he’s both under appreciated and misunderstood by the FMAB fandom. Long story short, I love characters riddled with guilt (not sure what this says about me lol). If you’re interested, I’ve already written a whole post about how much I love him!

Revolutionary Girl Utena- Utena

I always shift between Utena and Anthy being my favorite, but I really have loved Utena from the start. I find it very compelling how she hides her internal anguish behind her cheerful, positive persona.

Toradora- Taiga

I’ve already written so much about Taiga (in this post, spoilers) so there’s not much else to say besides that I’m the number 1 Taiga defender. I love her, she reminds me of myself in some ways, she’s great. I think she’s the perfect example of a ‘flawed’ protagonist.

Chihayafuru- Chihaya

Chihaya is such a ray of sunshine, comic relief, and a total fuck up, and yet she is an incredible karuta prodigy and the protagonist of the show. She is also one of the most realistic neurodivergent-coded characters I’ve ever seen. I think it’s fun how she defies expectations as well; she has the appearance of a beautiful cool model, but as soon as other characters talk to her they realize how much of a nerd she is.

March Comes in like a Lion- Hina

There are a lot of sub-plots and semi-important characters in this show, but the side character that I was always the most interested in was Hina. I think the way she is so open about her emotions is inspiring, and as she goes through hardships it’s nice to see how she matures while also maintaining her cheerful attitude.

Your Lie in April- Tsubaki

I haven’t watched this anime in a long time, but I do know that when I first watched it my favorite character was Tsubaki for sure. Her unrequited love plot line was heart wrenching and compelling.

Love is War- Ishigami

I also cycle between a few favorite characters in Love is War (I adore both Shirogane and Kaguya of course) but at this point in the story in the anime, Ishigami is my favorite. I think he is such a realistic portrayal of an insecure, awkward teen, and I love how noble and selfless he is behind the scenes.

Haikyuu- Kageyama

What else is there to say, truly? I loved Kageyama the second he was introduced. His dynamic with Hinata is what makes the show, and his stubborn, cold personality is something I tend to be drawn to when it comes to my favorite kinds of characters.

Madoka Magica- Homura

Sayaka is a really really close second, but after finishing the series for the first time I couldn’t get Homura’s story out of my head. Her determination and willpower are honestly unmatched, and each new watch of the show makes me appreciate her more.

Monster- Dieter

I feel like Dieter may seem like an odd choice for a favorite; as you may expect, Tenma (many people’s favorite I’d assume) is probably a close second for me. But I think I liked Dieter so much because he was proof that love and support are capable of saving even the most traumatized individual. He was so cute and I loved how much he loved Tenma.

If you made it through this whole thing, thanks for reading! Also, I highly recommend watching all of these, I’ve linked my spoiler free reviews in the titles if you haven’t watched them and are interested in finding out more.

Thanks for reading!

-threecheersforinking

[amondark]

So I decided I want to try posting something to join in on the convo on here, might be fun!

A though I was having today:

I think Byun Minho might, albeit a bit hypocritically from early SB OG quotes, actually enjoy some domestic labor tasks (cooking, cleaning, washing clothes, ect.)

In parts where it shows his apartment, it’s clean and well organized, with clear thought into where everything would go and be placed.

Nothing seems out of place each time we see his own space, which means he does regular upkeep to his own space, and that makes sense when I really think about his background, this is probably the first place he’s ever had of his own (since most East Asian background children don’t love out of their parents houses until they either buy their own or get married), and he maybe finds a sense of peace in building his own life for himself, I remember him sort of lingering on the thought of his own place a few times in the Sidestory, maybe because it was the only place he really got to express his personal identity in a living space, everyone else he lives with already fills up their own spaces, leaving no self expression for him to take up any literal space, because they don’t actually want him there personally, he’s just there to fulfill a function. They don’t want him to be a human being.

Also it makes sense why in later installments, he’s unsatisfied with doing the same thing for somebody else, it’s because it doesn’t contribute to his own success in Doona’s case, instead it contributes to her success in not having to maintain her own space herself, and also she emotionally benefits from having a clean space to be productive in (which I imagine would be incredibly helpful since she wouldn’t have her mind on it at all, even if she doesn’t actively think about it, but she definitely notices it with Woo Haesol).

With Wookyung it seems to be more to keeping the other complicit, if he isn’t upset it makes the situation less dangerous for Minho, so he contributes in that way to make Wookyung feel cared for, it’s a survival tactic to ensure his own safety, also I really think with this cooking section it’s a little interesting because Minho actually might be relieved to be doing this portion of it since it’s pretty much his only realm of self expression in this hostile, unstable environment he’s in, it’s the only piece of himself he gets to have here, it’s really saddening but also enlightening, but maybe I’m just reading the vibe wrong too.

Edit: I also see a lot of vegetable dishes here too, and when I think about some of the time that it takes to cook something like that (sometimes I cook for myself), there’s a lot of those sort of individual or picky sorts of things there, chopping it up, cooking each separate vegetable in it’s own way, making sauces for some of them, ect), part of me also wonders if he was also trying to draw the time out as long as possible, it’s just a thought.

I just find this fascinating honestly, how much you can pick up from a character in just the small details about them, I’d be interested in doing some breakdowns of other things if there was traffic for it at any point, but also what do other people think? I’d be curious to know!

[autumnslance]

Hi! I’ve been trying to make an introductory post for my WoL, but when I tried doing so freeform it ended up overly long and full of rambling. I’ve searched for templates all over the internet, but the only ones I can find are in the general style of D&D character sheets that include irrelevant information about stats while not properly dedicating space to the actual character traits. I saw the format you used for your OCs, and it seems to be about what I’m looking for. Is there any chance you could provide a blank template along those lines for me and others who might have the same problem?

Funnily, while I keep them all similar, I didn't have a template before now. Also reminds me I need to do some updating and revision on my own OCs, it's been awhile and they can use a refresh for character and plot updates.

I recommend making static pages over posts; easier to track and edit. I am a stickler for organization, so keep my pinned post to the bare basics with links to the profiles and other pages, to keep from stretching the post to a mile long, in part, and to keep the info where it's easily read and relevant. Also because mobile app view won't show one's theme and links, and the pinned post is more likely to be seen and accessible than a sidebar or menu.

I have tutorials on how to set a custom theme (and access full blog features) as well as how to create those static blog pages. Tumblr may have made some updates since, but the gist is the same, and the Help pages have newer details if necessary.

I do urge keeping colors and format simple, accessible, and reader friendly, including screen reader friendly. A row of asterisks or tildes as a separator line are usually individually read out by screen readers, as is the code used to make those fancy hard-to-read gothic letters folks use for "aesthetics." In a lot of my profiles, I split sections with images of the character (which should also use alt text if we're trying to be kind and inclusive, and it's to the point of a profile page anyway).

I think I will put the intro and template here in the post under a cut, and then in a Reply Comment add a link to the Google Doc version, cuz of how Tumblr is about external links. An actual blank copy-pasta is on the GDoc, what's below has some thought processes for each section for guidance.

This a pretty modular template, that can be added to or subtracted from as needed. Move descriptive blocks around as they seem more or less relevant for your OC, substitute things that make sense over things that don’t; this is just a starting point!

I see these as broad strokes; a quick introduction and general overview of your character, meant to give an at-a-glance idea of who they are. It’s handy for other writers and artists, and even oneself for keeping track of some details. I recommend practicing succinct writing here; these blocks should each stay between 100-300 words or thereabouts. Use links to other pages and tags to point toward longer details and stories (and keep them handy for yourself!). It also makes it much easier when you want to revise things when characterization marches forward, or if you want to retcon something entirely.

But these are all just my opinions and ideas on how I approach OC profiles after making them in some form or another for about a quarter century. Make it as long or short as it needs to be, change it up, go nuts, I ain’t your mom, and so on 😉

-

Statistics: The basics; barebones, at-a-glance stat blocks, handy for quick reference. Can be added to or shortened as needed. If a stat starts to word wrap on a standard screen, trim it and move that extra detail to the “Description” paragraph below the list.

Race: (for FF14 fantasy possibilities) Nationality: (or Ethnicity, whatever works. Where are they from, as that helps shape them?) Height: (both feet/inches and centimeters are handy here) Eyes: Build: (I prefer this to weight, as that’s ridiculously variable depending on one’s build, which is more important visually anyway; are they broad, stocky, skinny, muscular, stringy, etc) Hair: (color, type, texture, preferred lengths and styling) Skin: (sometimes I fold scars into here, if there’s nothing too outstanding) Scars: Voice: (how do they sound?) Nameday: Age: (depends on your personal timeline for your OCs, but I recommend an age range over specifics; mid-20s, 25-35, late teens, a little over a century, etc. Less updating and fits with the handwaved time bubble anyway) Disciplines: (what are their main job[s]? The adventuring or professional skills they’ve learned?) Hobbies: Birthplace: Current Home: Occupation: (Their actual day job, different from or part of their disciplines?) Signature Items: (A particular weapon? A piece of jewelry? Always wear a specific coat?)

Description: A very short "immediate impressions" type description; what would someone "on the street" see when meeting/looking at your character on a typical day? Taking some of the info from the stats but then how you want those barebone facts to be seen; is the OC elegant, or rough? Expensive clothes or simple attire? Any particular smells, or sounds? I recommend around 100 words.

Biography: Very brief, general overview of the backstory that led them to the point where they become a story protagonist (adventurer, the WoL, or other roleplay archetype). Don't have to go into great detail, keep it short and simple; it's a blurb that sets up how they got here in broad strokes. I think my longest bio is around 300 words, and it probably shouldn’t go over that here.

To get more details, one can always link to specific stories, or to a tag. I have multiple OCs, so I might make my tags something like "Aeryn Backstory" or "Iyna Lore" or "Punchy History" or some combo thereof (I usually try to keep them consistent though for ease).

Persona: What face do they present to the world? How are they perceived by the public, acquaintances, coworkers, family, actual friends? Some of these answers will be the same, some may change depending on if and how they code switch in various social situations.

From there, what lies underneath the surface? What are some general internal attitudes, traits, feelings?

A hundred words for outward demeanor and another one hundred for innermost self ought to cover the general broad strokes.

Romance: If so inclined, details about the OC's relationship details; sexual and romantic orientations, relationship history, current situations, how they view and approach intimacy (or not!).

Links to relationship tags or stories or art can work well here, too.

Echo: Does the OC have an Echo at all? Is it a "typical" Echo, or do they have some special abilities, some things they're better at than others? How does it affect them, how do they feel about it?

This is another section that may be a free space section to remove or swap to something else relevant to the character.

Hobbies: The stuff outside of work and heroics. Ways they relax, special interests, side jobs, things they enjoy, and so on. This can be an expansion of the listing in the stat block, or you can cut out one or the other to avoid redundancy.

Companions: What’s their chocobo like, or do they have another favored mount? What pet(s) do they have? Are they practically a Disney Princess? Have a familiar? Do they prefer arcane entities? Technological constructs? Or do they eschew companions entirely?

How to find the OC in game: This is where I list things like realm and data center, and addresses for the FC house and personal house or apartment. Not necessary if you don't want folks to go looking.

Links: The links can be scattered through the post in relevant sections, or gathered together here. I tend to put my basic tag for the character, if I have an aesthetic tag for them, their story tags, any links to art references or other miscellaneous items I want easily found for myself and others. I often put this close to the top if a profile is longer and I want those links to be quick referenced.

OOC: Any particular notes one wants to make about the character from a meta perspective. Can also be combined with the Links.

[rocketboots564]

Here is part one of my thoughts, notes, and reactions to Red Versus Blue Season 9 as a first time watcher!

Yes, I have heard the news about Rooster Teeth. No I will not let that stop me from binging this series one way or another!

The rest of each individual season will be posted separately instead of being a reblog of the first post… mainly because I saw how egregiously long my post on season 8 was.

Season 9 Part 1:

Epsilon… what do you mean nobody’s called you “Director” in a really long time? Sir, season 8 was probably just a couple months ago… I think…

I don’t know how much time has passed from S8 to S9

FIRST OF ALL TUCKER, CHURCH IS CABOOSE’S BEST FRIEND

Wait… how can you get winded if you’re an AI. I mean I know Epsilon is in a memory unit, but does that mean he relives everything in a human body too?

It does make sense that Epsilon doesn’t really know how to use a Rifle. Sure, Church (or Alpha? Imma stick with church) didn’t know how to properly use it either, but he did know how to adjust the scope.

“Torqued in my pants” pffft…

WOAH TUCKER?! You did WHAT IN ALONE TIME? WHAT THE HELL’S “ALONE TIME”? 😦

Erm… what the Metal Gear? I unironically love this stealth mission thing. And knowing South Dakota… I wonder how long it’ll take for this to go tits up…

I’m betting five to ten minutes

also, YESS THE BIG BUCKS BUDGET OF ANIMATED CG SCENES RETURNS.

South MY GOD LISTEN UP?! HAVE YOU NEVER PLAYED ANY STEALTH GAME?! Set up the MOTION DECTETORS!!!

As someone who’s had years of experience sneaking past light sleepers in the dead of night for snacks and video games… I could do this better than you South Dakota.

SOUTH THIS IS WHY WE SET OUR SOLITON RADAR!!! I mean motion detectors… sorry I got Metal Gear Solid on the brain

MY GOD THE ANIMATION?! THE TAG TEAMING?! What happened that got South Dakota to eventually abandon North Dakota?

I too could take 50 of them South… in a fight… definitely a fight

Oop I saw that in the background! Who’s that?!

OOH THEY BAITED ME WITH THE BLACK ARMOR! They almost made me think it Tex… it’s actually well… whoever this cyan lady is

Supportive Sarge? He WANTS to hear the blue perspective? He DOESN’T want to command and yell at his subordinates?

GRIF? CLEANING? Actually I could get behind Maid Grif.

“I actually like being talked down to” woah WOAH SIMMONS?! 🤨 real, me too…

I mean… at least Donut’s still kept his accidental yet somewhat intentional innuendos. And, also his diary apparently…

Damn SHUT UP SOUTH DAKOTA! SHUT UP!! NOBODY HEAR WANTS TO HEAR YOUR SHIT!

North? WHOAH ANIMATED FACES?! NORTH DAKOTA WITH THE CLUTCH!!

Medics = bad luck. Honestly… yeah for you guys they are.

THE PHOTOSHOPPED WET FLOOR SIGN AND MOP IS KILLING ME

The ultimate OTP battle: Caboose x Sheila versus Caboose x Email

Listen… Tucker… never in a million years will I ever call you Professor Fuck

Damn the Freelancer Program only has ranked mode? No wonder they’re all assholes

CONNECTICUT? SHE’S CT? Yeah I can see why you’re so mad about your low rank… you’ll get your shit rocked by Professor Fuck of all people. Fuck it… it’s a funny name

So like… you know you’ve got absolutely dogshit rizz when Caboose has a better shot at dating someone than you.

Speaking of which… Caboose is now in my top 5 of the most dateable guys in this show. Like take this quote from him:

“I just really want to meet someone nice. Someone who appreciates me for who I am not so much because I’m pretty but because they really want to get to know me…”

HOW HAS THIS MAN NOT WOOED THE HEARTS OF THOUSANDS?

Tucker has NO rizz…

Oh wow Epsilon, just drop the existential dread on your teammates like that with no warning. It is a damn good thing your teammates either don’t understand it or don’t care.

Huh… seems even in a memory unit in which everyone is different fate still finds a way to make Grif lazy and sarcastic again.

Then again, that’s kinda happening with the rest of Red Team as well, minus Simmons and Lopez

Also, LOPEZ IS BACK! And this time is immediately beefing with Simmons… or rather the other way around.

“I’ll show you who’s likable and funny, and who people like” SIMMONS BABY ITS YOU! YOUR THE ONE I LOVE! YOUR THE ONE I NEED!

I just like Simmons… a perfectly normal amount…

Conclusion: this season already fucking ROCKS I LOVE IT! HOLY SHIT THIS IS AWESOME!