#i wouldn't even blame him

[hotasfahrenheit]

Ray and Boeing are both super ready to keep upping the ante without realizing that they're both insane, but Boeing clearly does not understand how feral Ray is ready to be about Sand and the fact that being in that pool is risking his actual life.

Is Boeing's hair kinda messy here because Ray tried to drown him? Has he ended up at the bar because Ray and Sand threw him out after he tried to cause havoc at Ray's house? Boeing is usually immaculately put together and this is the most split second shot but he's not here, he looks rough for him

Will he ever learn his lesson or will he continue his reign of chaos and just wander off to cause problems elsewhere?

I could watch an entire show about Boeing causing problems and getting into messes let's gooooooo

[sunderwight]

I love fics where Shen Yuan transmigrates into one of Luo Binghe's wives, but consider:

Shen Yuan transmigrates into a female character who has never been mentioned as one of Luo Binghe's wives. However, he looks around, goes "I'm a beautiful woman in the world of Proud Immortal Demon Way" and subsequently decides that he absolutely must be a wife. Alas, curses, what a horrifying fate for an extremely heterosexual young man (who was definitely a man yup except no longer alas), but there is just nothing for it now she's gotta marry Luo Binghe and have sex with him.

Shen Yuan: I can't believe you're FORCING me to marry Luo Binghe

The System: actually user doesn't have to--

Shen Yuan: C L E A R L Y as a beautiful woman I have NO alternative so even if you don't make it an express order, there is nothing else I can do!

The System: marrying the protagonist is not a requirement for--

Shen Yuan: NOTHING ELSE I CAN DO

[iwasbored777]

The worst thing Miguel and Jessica did to Gwen wasn't even threatening to send her home if she ever visits Miles, it's forcing her to choose their side during the chase scene and make Miles never want to see her again and once the chase scene ended they kicked her out. That's the kind of evil that the Spot was trying so hard to become.

Edit: just in case you forgot - they knew that prison and dead dad were waiting for her when they send her back home

[monstermoviedean]

and if i said i understood why dean walked in the nursery, saw an unknown threat staring down sam, and immediately shot at it?

[bluewlnteroses]

i just keep thinking about harley getting to know the truth about why peter is alone and finding out why people don't remember him and for a moment thinking he's glad he got to meet him after everything went down and immediately feel guilt and shame because its not fair peter went through so much pain and had to leave everyone he knew behind but,,,, just thinking about meeting each other before and getting to know peter and then completely forget him makes his feel sick

[cryptiduni]

“white mourning.”

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[cecoeur]

if he wasn't performing and you wanted to fire him why would you then go on to say there's always a chance he could come back if the other two don't work out? why spend all that time falling over yourself to excuse your actions only to then tell on yourself that actually he can perform and he could come back?

[lets-go-banana-fishing]

Will forever point out Eiji's tiny blush when Ash pulls him closer for the shooting training

[vickyvicarious]

“I made a mistake, Kemp, a huge mistake, in carrying this thing through alone. I have wasted strength, time, opportunities. Alone—it is wonderful how little a man can do alone! To rob a little, to hurt a little, and there is the end. “What I want, Kemp, is a goal-keeper, a helper, and a hiding-place, an arrangement whereby I can sleep and eat and rest in peace, and unsuspected. I must have a confederate. With a confederate, with food and rest—a thousand things are possible. “Hitherto I have gone on vague lines. We have to consider all that invisibility means, all that it does not mean. It means little advantage for eavesdropping and so forth—one makes sounds. It’s of little help—a little help perhaps—in housebreaking and so forth. Once you’ve caught me you could easily imprison me. But on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It’s useful in getting away, it’s useful in approaching. It’s particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like.” Kemp’s hand went to his moustache. Was that a movement downstairs? “And it is killing we must do, Kemp.” “It is killing we must do,” repeated Kemp. “I’m listening to your plan, Griffin, but I’m not agreeing, mind. Why killing?” “Not wanton killing, but a judicious slaying. The point is, they know there is an Invisible Man—as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it’s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways—scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them.”

There's so much going on in this conversation. First, the obvious irony of Griffin telling Kemp how he understands now that he needs a helper he can trust, while Kemp is trying to ensure he gets caught in the next few minutes. Griffin saying that he will be easily imprisoned once caught but that he's hard to catch, as Kemp frets over whether they will be able to catch him now. That's pretty obvious, and both funny and also sad. It's perfectly understandable for Kemp to want Griffin to be caught even before he talks about this plan, but it sucks that Griffin's sincerity is just completely bouncing off him. Griffin is for the first time trying to make a connection with someone (something that could potentially turn this situation around) but he's been rejected from the start.

But there's also... what is Griffin talking about? This goes from 'yeah, Griffin, you shouldn't be going it alone' to 'no Griffin not like that holy shit' real damn fast. And it's really interesting in the context of the rest of his behavior, because... this really doesn't seem to match it throughout most of the book so far.

Griffin has used plenty of violence before now. He defaults to threats or physical harm when he feels too vulnerable or powerless. But while he's been reckless and careless with it, there has never really been premeditated malice to anything he does. He's not scheming evil upon others. He's mostly reacting, again, often in what seems a kind of panic. When he gets most violent, at least. He has done harmful things with forethought, but those are mostly limited to theft, and are informed by selfishness and a lack of consideration/awareness of potential consequences.

He also has been consistently motivated by curing his invisibility. He wants his resources back, and privacy/freedom to work in order to do just that. He very quickly decided making himself invisible was a shortsighted mistake, as he encountered drawback after drawback in the immediate aftermath. He also wasn't motivated by any particular single goal of seizing power when he made himself invisible. He was deeply depressed and clinging to 'seeing it through', and then panicked when he came into conflict with his landlord. His paranoia about his invention was intense, but that too is linked to him seeking control over his own life, not others' as such.

So then, why this turnaround? Well, last chapter he said this:

"I had one hope. It was a half idea! I have it still. It is a full blown idea now. A way of getting back! Of restoring what I have done. When I choose. When I have done all I mean to do invisibly."

So, now it seems Griffin's motivation has shifted. He no longer wants immediate relief from invisibility. Instead, he wants to do things while invisible first. He wants to establish a Reign of Terror, to take over a town by utilizing his invisibility in the only way he can see it being of practical use: murder and the spreading of fear. But he says that as a 'must' as 'judicious'. So it's still not for the pleasure of it. Then, why?

First, I frankly don't believe Griffin is actually capable of enforcing the kind of siege he describes here. Physically maybe (depending on how unprepared others are), but emotionally I don't think he could keep it up. He'd collapse, he'd succumb to the guilt he clearly does feel at times. When he's not in a constant state of high emotion (largely fear, which with Griffin transitions seamlessly into rage) he wouldn't be able to keep murdering people so coldly and logically. He can of course work himself up over time, and can hold a grudge, which might be enough to get him started enacting this plan, but I don't believe he could see it through all the way. Still enough to do monstrous things, of course, just not enough to be effective at establishing his goal. (And even that shows his typical lack of forethought. Does he think that no one else would help them? That this town would just succumb to him in total isolation?)

But why does he even want it? I think it actually reflects all his same motivations until now. He feels cornered and he reacts badly, lashing out at others. As the rejection builds all around him, as his options dwindle, as his fear and helplessness grow - he consistently reacts by escalating and proving everyone's worst assumptions about him correct. And right now, even though he has found Kemp and thinks he can mostly trust him, it's not enough to make him feel safe. There are lots of people actively hunting him, now. And he can't just stay in Kemp's rooms forever. He would hate the idea, would feel imprisoned. He doesn't think much of stealing from others, but absolutely hates being stolen from (and he has so little, that the loss feels correspondingly huger), especially something like his books which contain the key to freeing him. So being here is a brief reprieve but he's still deeply afraid. And that makes him deeply angry. And so he wants revenge, he wants to punish them (in general, who make him feel afraid - and Marvel in particular, who has 'betrayed' him).

He also quite likely knows even with his idea it will take an unknown but likely significant amount more time to perfect his cure. So even if all he wanted was to be cured, he would need a safe place to work until then. And the tension is so high right now, his fear of being betrayed is so strong, that I don't think he believes it would be possible to do the necessary work unless he has the town cowed under his invisible heel.

“I don’t agree to this, Griffin,” he said. “Understand me, I don’t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don’t be a lone wolf. Publish your results; take the world—take the nation at least—into your confidence. Think what you might do with a million helpers—”

This line is also key. Kemp urges Griffin to confide in others. All his considerations of the usefulness of invisibility were from the perspective of a lone man against a cruel world. Very selfish and very assuming of a hostile environment. This too is reflected in Griffin's treatment of the few people he has reached out to - Marvel and Kemp. In both cases, he seeks understanding and sympathy. But he also seeks it at metaphorical gunpoint, by threatening them with what he could invisibly do to harm them. It's because as much as he may pour out his heart to Kemp here, he doesn't fully trust him. He doesn't fully trust anyone. By collaborating with them, all he is doing is giving them power over him, and that means they have power to hurt him. So instead he clings to his own power to hurt them first.

In Griffin's eyes, there is no such thing as an equal relationship. There is such thing as trust rewarded, or even given freely. And so in order to ensure his own safety he has to be the one in charge. He has to convince Kemp that they will both reap great rewards, he has to be able to hurt him and get away should anything fall through.

It all ties in perfectly with his backstory of being an outsider (albino, not socially adept at all), and being poor (in many ways powerless). And of course, it is such a self-fulfilling prophecy of terrible outcomes. If you only give violence, you're only getting violence in return. Someone has to let their guard down first, someone has to be willing to trust and be vulnerable for things to ever change. But Griffin is convinced that would be a mistake to ever fully do. And as much as I want to tell him he's wrong, his experiences corroborate that view. Everywhere he goes, he's experienced rejection and hate, or nosiness and distrust at best, no matter how much he tries to be on his best behavior. Every time he even partially lets down his guard or reaches out to others, they turn on him. And of course so much of that is because of the way he never fully relaxes, the way he always keeps a threat hanging over their heads, but he's not gonna see that. All he's gonna see is that he's been right all along. That he truly is in this alone. That he has to be selfish and he has to hit first and hit harder because he is outnumbered and if they catch him he won't be able to get away.

[radiantmists]

binged both chalice of the gods and the hidden oracle in the last few days and tbh i don't care if zeus would blast me to bits, if he were real it would be on sight

[thosewildcharms]

I'm still in a delirious state of mind about Rick and Michonne, that we got 6 eps just about them... cant really believe that of all the shows the walking dead provided us with the best ship ever! But i will never forgive twd that we never saw Michonne talk to Rick about Andre, ESPECIALLY after Carl died. All this years later and im still bitter about it, sorry for ranting in your inbox, love reading your thoughts on Richonne 😘

oh, thank you so much anon! and please feel free to vent and rant in my inbox anytime!

you know despite being bonked over the head repeatedly by the promotional materials and danai/scott/andy themselves being like THIS IS AN EPIC LOVE STORY! ABOUT RICK AND MICHONNE! A LOVE STORY ABOUT HOW RICK AND MICHONNE LOVE EACH OTHER IN A WAY THAT IS EPIC! 6 EPISODES ABOUT RICK AND MICHONNE BEING IN LOVE, EPICALLY! i'm still reeling over how well we were fed. apologies to future!me but nothing is ever going to top this. and from the zombie show no less! can you believe!

and i'm with you about andre. sure, she did *technically* mention him (or rather, the experience of losing him) after carl's death in this scene and while i'm confident that she and rick talked about andre off screen as well i still would have loved to see it. there is a tragic lack of scenes in general where michonne is comforted and taken care of emotionally (let alone physically) and/or gets to talk about her past at all, let alone about the entire child she lost i think she is owed that. hell, I think an andre mention would have fit in perfectly somewhere in towl, where michonne's POV was much more present and the grimes family as a whole was such a focal point. the way they brought carl back into the narrative in such an integral way was beautiful and i love that they honored his memory the way they did. i think it would have been a nice parallel if andre had been brought back up as well. because there is not a single doubt in my mind (and probably not in michonne's mind either for that matter) that if andre were still alive rick would have loved him like he was his own. so it would have been really sweet, for example, if he had been paid tribute to in some way as part of their family even if rick (and we as the viewer) never got a chance to know him.

[sysig]

Party (group) party (celebratory)! (Patreon)

[worstloki]

sigyn that married loki like ages ago so when it comes out he's jotun she's like. 'well it's a bit late to do anything about that'

[charles-leclerc-official]

It's baku all over again. miscalculated, mismanaged. get too comfortable thinking they are on the lead. something out of their control happens and they are pressured by a mclaren and end up losing position

I feel like Baku involving an illegal Mclaren rear wing that was specifically very strong there made it a little bit different

[ozonecologne]

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