#i would only watch it for her

[oneguardian15]

when i say. i audibly gasped. when i saw elektra!!! in deadpool and wolverine!!!! i fucking GASPED

[poorly-drawn-mdzs]

Hello Madam. Sorry Madam.

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[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?

[luck-of-the-drawings]

THIS THING IS SCUUUFFED AS HELL & ITS ALSO THE BEST THING I HAVE ANIMATED THUS FAR. IM SO IN LOVE WITH EMIZEL. JUST WISH I GAVE HIM MORE STUPID TATTOOS. NEXT TIME THO. NEXT TIME. I ALSO LOVE VEX&VIV SOOOO MUCH. charlies flavor of Deranged is my FAVORITE!!

[judyalvqrez]

there was something really jim henson-esque and campy about how some of the non-human races were portrayed in the new dnd movie that i really enjoyed. they could’ve easily gone the shitty cgi route or just not shown those races up close at all, but no, they said you want a bird man? we’re gonna get you a bird man

[heartorbit]

the star you've longed for

[annalrk]

thinking about akane kurashiki's hypocrisy. like, not just her telling delta "only god gets to decide who lives and dies" but also her bringing quark into the ab game.

it's okay when akane brings a child in a game where he's in danger, where he dies. it's different for her, she has grander goals than hongou ever did. it's different.

it's okay when akane gets to decide who lives and dies, after all everyone who matters lives in the end. isn't that what matters? the timeline where everyone important is okay? it's different.

it's okay when akane is zero. she had to do it, she had to survive and she had to adhere to the time loop. she has to live. it's different.

akane is already such a fascinating character to think about, she's the world's worst heroine. she cares and loves very much, she genuinely wants the best for those she cares about. she wants to save humanity even. she's genuinely justified with her actions in 999, how can you condemn them given the circumstances. and she's a hypocrite because of it all. no matter how justified or self sacrificing her actions are, it doesn't change the fact she's still a hypocrite. how utterly fascinating of a character.

[nellasbookplanet]

I know that after Downfall the perspective of 'the gods are a FAMILY' has permeated fandom on both sides of the kill-all-gods argument, but frankly that isn't all they are and acting as if it's suddenly their only motivation flattens both them as characters and the narrative they (and bells hells) are in.

The Wildmother and The Raven Queen didn't 'let' Lolth get away with nabbing Opal and killing Cyrus because she’s their sister. Come on man, we've already seen that the primes are plenty capable of opposing and fighting their siblings on the side of mortals (is the calamity a joke to you??). I'm not saying the primes aren’t capable of picking the lives of their betrayer siblings over mortals (downfall showed as much) but that's not what the situation with Opal and Lolth was about in the slightest.

They let Lolth 'get away with it' not because she’s family, but because this is the very rare instance of them not only having the same goal, but of them actively fighting for their lives. As far as we know that has only happened once before on Exandria, and that time they also entered a truce to defend themselves. The vast majority of the time, the primes picking their siblings over mortals won’t happen because mortals can’t actually threaten the gods (normally), making the 'they're family argument' a moot point. The primes won’t necessarily agree with Lolth's methods, but they won’t go throwing away both hers and their own champions in a meaningless struggle when they need all their strength to stop the fucking apocalypse.

[accountnotforirl]

i didnt think that i'd ever be properly posting on this account but it's okay also have some anxiety + riley drawings (idk how tunblr works)

ok now some silly pics guys!!

based on if the "sar-chasm" never happened and rileys friends didn't notice her anxiety attacj lol

[moeblob]

A lil guy !

[ineed-to-sleep]

So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again

[waterghostype]

not so tall now are you

[turtleblogatlast]

Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.

Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.

Mikey being paired up with Meatsweats? Yeah that checks out!!

Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…

And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????

[pinkbowsandprettyprose]

So I’ve been watching Dungeon Meshi and uh

I have something controversial to say 👉👈

catgirl + exact same hair, eye, clothing style as quiche = izutsumi is a kishigo love child

[just-your-average-mutant-blood]

Due to popular demand. More ihnmaims shit post I drew for a friend. (Mostly sonic real time fandub quotes)

Yes babe the sweater around my neck does stay on during sex

Part 1

[shima-draws]

Ideal ending to WCI is Luffy seeing Sanji cry and then awakening his devil fruit and unlocking Gear Fifth out of sheer RAGE and saying the classic line of “Who made you cry, Sanji?! I’ll DESTROY THEM!!!” and then proceeding to go on a rampage and fucking absolutely EVERYBODY up including the Vinsmokes, Pudding, AND the Big Mom Pirates. Toss in the trope of came back wrong and Sanji can immediately tell something is not right about this Luffy, whose smile is too wide, whose eyes are too distant, who continues to beat upon his enemies long after they’re down, who seems to take a sick sort of pleasure in hurting others, who grins and giggles and tells Sanji he’ll obliterate anything that makes him cry. Eventually he starts to scare Sanji so bad that even Luffy notices his reaction, and immediately turns on himself because if HE’S the one making Sanji cry then he’ll just have to destroy himself too. And that’s when Sanji finally leaps into action and does whatever he can to reach Luffy—including kissing him. Luckily that was exactly what Luffy needed to snap out of it, and when he comes to the Whole Cake Chateau is in broken pieces, the Big Mom Pirates are battered beyond fighting and the Vinsmokes are nowhere to be seen. And softly, tiredly, he asks if they won, if he can bring Sanji home, and Sanji cries again and says yes, take me home to the Sunny, I want to go home with you.

Meanwhile the rest of the Strawhats are like