#i wish i had the time or energy to write

[semperama]

I’m so stressed and miserable it feels like there are a couple dozen tiny people inside my head banging on my skull with tiny hammers.

[poorly-drawn-mdzs]

Normal boy spotted.

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[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[seagreenstardust]

Canon-compatible reasons Izuku is like that in 431

still doesn’t believe he can be a hero without a quirk

nothing changed when he WAS a hero so he’s better off helping the next generation learn to be decent humans and heroes

Thinks he failed and the world doesn’t need him to keep trying when the consequences are that bad

Depressed as hell and needs therapy

Locked so deeply in the closet he doesn’t even know he’s stuck there

Misunderstood what Katsuki was actually asking and failed to communicate why he was saying no

Genuinely does not realize what he means to everyone, still, even now

Feels like he’s done nothing but burden Katsuki and take advantage of Kats’s “guilt”-motivated kindness

He wants to prove to Katsuki that he can be his equal again first, before being his partner (even if Kats already knows this Izuku thinks he has to prove it to be worth something)

He genuinely doesn’t have time right now, let him finish the school year and get up to speed again

Realizes he needs to make the rounds to all his friends and let them know they’re important to him, starting with Ocha and ending with Katsuki

They’re actually already together, but it’s a secret

(My personal favorite) Toga replaced him in a misguided attempt to get closer to Ocha

[blighted-lights]

someone needs to grab me by my neck and stop me from making a meta post about idw soundwave and the cassettes and about how his insistence that they are equals (or at least some of them are equals) is in direct contradictory with how he actually interacts with them/how their dynamic is written throughout idw. because as much as i do think they are generally a group that cares and relies on each other (minus ratbat, who has 0 reason to gaf about any of them and vice versa), i,,, ough. its messy.

i do not think this is a weird character writing moment, i actually think it's SUPER interesting to think and talk about. but i can't,, i shan't,,, unless ✍️👀

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[bubblepopsims]

~Bunny Bear Madalyn Marie ft. bunny boop

i couldn't pass up on not putting my bun in these accessories by @1-800-cuupid CC set💘Bunny Bop || VENUS💘

and fits perfectly with my naughty innocent Maddi

[honeycreammilkshake]

hello there honey i really enjoyed your analysis on sukuna and yujis relationship they're so overlooked by the vast majority of the fandom despite being the mcs and it makes me happy some of us appreciate their dynamic i might be unsatisfied with geges overall handling of the story and how it took so long to really focus on these two but he wrote them very compelling despite everything. it makes me frustrated because it could've been even more of a punch if we didn't focus so much on everything else and i adore some characters but it came at the expense of not doing enough with his mcs which even if some people don't want them to be its still yuji and sukuna.

anyhow a small little detail i wanted to point out about 265 is yuji up to that point had been treating and referring to sukuna as a curse, but while in his domain while they're fishing he baits him by saying "cant the strongest sorcerer do this?" and its baiting him obvs and hitting at his ego but he still referred to him as a sorcerer and he's the only one to do so to my knowledge everyone else including himself refers to him as the king of curses, something that he was seen as by everyone since the heian era, a curse, and that he still believes he is right to 268. i really wanted gege to expand on why yuji sympathies with him, we can deduce why and it he clearly does but i wanted to see his exact thoughts what changed, maybe he found out by gojo about his family when he talked to him and realized sukuna was his relative? i mean there's more reasons why he sympathized with him clearly as you very well pointed out in your post but still this is why im dissatisfied with the writing they could've explained it better.

what are your thoughts? i hope we get to focus on yuji at least in the next chapters or im going to lose it. do you have any hope that sukuna ended up accepting yujis offer? i think the scene ended abruptly... i want them back together its so frustrating and while it fits and i can see gege leaving it like that it just doesn't feel right to me

hi, jenjen!! (do you mind if i call you that?)

thank you so much for reading that mess of a post. i had a lot of sukuita feels and just spilled my thoughts in one entire go. it's sad that they're so overlooked because they're unironically the best thing about jjk. like yeah there's a lot of cool characters in jjk but sukuna is literally a god of chaos and devastation that somehow got stuck in the body of an unhinged teenager who would sacrifice his own life for strangers.

they're two different extremes trapped within the same body, but as the story goes on we see they're a lot more similar than they first appear. like yin and yang, the two extremes that often oppose each other but are also inseparably complimentary to each other. there is soooooo much to explore with that dynamic, and i'm forever heartbroken we didn't get to have more focus on these two because they are honestly amazing.

anyhow a small little detail i wanted to point out about 265 is yuji up to that point had been treating and referring to sukuna as a curse, but while in his domain while they're fishing he baits him by saying "cant the strongest sorcerer do this?" and its baiting him obvs and hitting at his ego but he still referred to him as a sorcerer and he's the only one to do so to my knowledge everyone else including himself refers to him as the king of curses, something that he was seen as by everyone since the heian era, a curse, and that he still believes he is right to 268.

your point about that one scene in 265 is so goooood <3

as you said, up until that point yuuji had only been referring to sukuna as a curse, even though that's not technically true. but to yuuji, sukuna is more of a curse than some curses are. this is part of my theory that yuuji is the only one that sees right through sukuna. almost everyone else admires sukuna or only sees him as something to test their strength against.

yuuji is the only one who actually hates sukuna. yuuji even wants to destroy him because he knows sukuna is a murdering, cannibalizing force of death and devastation. and sukuna hates yuuji because the brat represents everything that goes against sukuna's cursed and selfish nature.

they both stand for everything the other hates, yet it's so interesting that they somehow understand each other better than anyone else does. (more on that later >.<)

what i really love about this scene is yuuji's teasing nature. he's not being mocking or sarcastic. he's both stroking sukuna's ego and, with light playfulness, is giving him a kind of recognition (as a sorcerer, not a curse) that nobody else has. you were completely right with that, jenjen.

and it's just so sudden that it happens. actually, everything about this chapter was so sudden and unexpected.

the fact that sukuna is willfully going along with all of this when he would strike down and destroy people for daring to even order him about (like nanako and mimiko). yet he indulges yuuji over and over again.

yuuji is literally telling sukuna what to do, but sukuna doesn't even reprimand him. actually, he pays attention to yuuji. (also i love how everything is always so "special case" and "different" with them like that don't even know how they arrived in yuuji's little mind palace and sukuna looks freaked out about it but he still listens to yuuji, he still does whatever yuuji asks him to... that's truly amazing.)

this scene in particular was really interesting to me. as you pointed out earlier yuuji only ever referred to sukuna as a curse and treated him like one, too. during his conversation with mahito, yuuji says that his purpose in all this is to just kill curses, sukuna especially, as that's the end goal of everything yuuji did.

yet here yuuji is, decidedly not killing sukuna and instead giving the king of courses his entire life story. yuuji's being the most open and vulnerable about himself than he's ever been, and it's all for the infamous king of curses who cares only for himself, the enemy yuuji hates and wants to see destroyed.

yet the way sukuna remains uncharacteristically quieter through all of it, looking like he's honestly reflecting or considering what yuuji just said, and how he gives this meaningful pause after yuuji describes how empty the town he was raised in became. yuuji says he expected it to be that way and sukuna looks almost thoughtful about that.

something similar happens a little bit later on when yuuji's talking about how there's a smaller amount of insects now than when he was younger.

what i noticed about both of these moments is that yuuji is talking about changes that happened for him. changes in the place he was raised and changes in the life he used to see more of that he doesn't now.

sukuna isn't affected by change. he's the strongest, he does whatever pleases him and doesn't care about anyone but himself. but yuuji cares about these little things, these changes that affect him, these small details that stay in his memory. that's such a contrast to sukuna's mindset, which is that every human tastes fleeting. and here yuuji is, sharing his memories about these tiny things with sukuna, these "tastes" that have stuck with him. because it's little details like yuuji losing his slime toy or drinking sweet milk tea when it snows that makes him who he is as a person. but does sukuna have any kind of memories like these? anything that connects him to being human like yuuji? maybe that is why yuuji is showing sukuna all these everyday normal things. he knows sukuna doesn't have memories like this, so maybe showing him yuuji's own might trigger something in him, something deep down. he wanted sukuna to open up with him too, maybe.

all of this is such a strong contrast to how other sorcerers and curses treat sukuna. they only approach him with the intent to try to overpower him or maybe to try to gain his favor. yuuji isn't doing anything like that. he isn't bargaining or making violent demands. there's no fighting. it's the most tender they have been with each other so far. (sukuna not killing yuuji the moment that brat asked him to do anything is sukuna being tender imo... he would have crushed anyone else for daring to do such a thing.)

it's just... it's so fascinating how yuuji hated sukuna for being so inhuman before, but now he's suddenly treating sukuna like he is human. he's acknowledging that sukuna was human even if the king of curses doesn't want to be seen as that anymore. and it's beautifully complex and should have been explored far deeper.

i really wanted gege to expand on why yuji sympathies with him, we can deduce why and it he clearly does but i wanted to see his exact thoughts what changed, maybe he found out by gojo about his family when he talked to him and realized sukuna was his relative? i mean there's more reasons why he sympathized with him clearly as you very well pointed out in your post but still this is why im dissatisfied with the writing they could've explained it better.

i am right with you on this one, too. chapter 265 was almost like a dream for me. jjk is hardly romantic at all. even a lot of other action manga includes at least a little romantic subplot... yet the most romantic scenes we get in this series are these date-like interactions between sukuna and yuuji, who supposedly hate each other, yet i guess they're out there doing archery together??

(sukuna getting another perfect archery shot just to impress his demanding little boyfriend <3 i love how serious he looks here, too, he's really playing up that coolness factor)

you also made another great point about how yuuji suddenly took a lot more emotional interest in sukuna now than he did before. i wonder if that conversation yuuji had before gojo died was about sukuna being related to yuuji? maybe part of him lit up on the inside because he actually has family, even if it's the murderous demon god that wants to destroy him and everything that he loves? or maybe he felt some kind of closeness while sukuna was inside of him that he misses now?

i really wish that we got more scenes like this with these two. i want to understand yuuji's thought process for trying to reason with sukuna and to maybe even get him to open up, too.

it's sad that gege took so long to focus on these two again. there were so many more interactions we could have had, so many more meaningful insights into both of their characters.

but this chapter did a lot all in one take.

i said earlier that sukuna and yuuji understand each other really well, and i believe that's true because not only are they the only ones who spent so much time being soul-crushingly close to one another, they also get under each other's skin far more than anyone else does. sukuna loves to torment yuuji because he knows just how caring and compassionate yuuji is. he rubs it in that he killed thousands of people during the shibuya arc and that he possessed the body of yuuji's friend. but yuuji also knows just how to rile up sukuna and he fights sukuna hard, he never gives up, and i think sukuna secretly admires that about yuuji.

and this chapter showed us how they understand each other yet again.

this conversation, to me, shows two very important things. one is that, despite already feeling it's a lost cause, yuuji still tries to convince sukuna to accept the mercy he's showing him, to understand yuuji's perspective as well. but sukuna's response to this is more layered than it first seems, in my opinions.

as we've seen, sukuna uses a lot of backhanded insults and contradicting statements with yuuji. he simultaneously calls the brat weak and uninteresting, but is disappointed when yuuji lost against choso (sukuna was paying a suspicious amount of interest during that fight scene for someone who considers yuuji to be so worthless) and looks reluctantly impressed or even surprised at yuuji's abilities.

yet when anyone else gives sukuna a hard time or challenge, sukuna shows them respect or even gives them praise. he does no such thing with yuuji, at all. in fact, all he does is mock and discredit yuuji, so sometimes the actual words he uses is a roundabout way he's actually acknowledging yuuji getting under his skin. and i think his words here, "i'm astounded at how spineless you are," can be taken as a form of that reluctant and contradicting acknowledgment.

even if sukuna doesn't accept what yuuji is saying, i think he knows yuuji is being sincere. he has to feel like he's guarded against it though, so he easily dismisses yuuji, and that's why my second important thing from this conversation is how yuuji still doesn't give up.

sukuna knows yuuji can kill him. he's getting back up into a corner now. but instead of going in for any kind of demands, yuuji is giving sukuna mercy. a second chance. a choice.

even though he knows sukuna refuses to see things yuuji's away, to accept yuuji's ideals of valuing life, he still offers a chance at mercy for sukuna.

sukuna, who has deliberately proved over and over again that he doesn't deserve mercy or empathy, and yuuji understands this. he accepts that sukuna is unsympathetic and a monster.

even when sukuna is dying, yuuji shows him that mercifulness once more. he's far more gentle and compassionate to him than sukuna deserves.

the fact that he still wants to live with sukuna. either a longing for family or the closeness they once shared when yuuji was his vessel or both. he genuinely cares about sukuna. and i think sukuna knows that.

so that's why it's another insult to undermine yuuji's efforts and empathy when sukuna says this offer is yuuji just "acting the fool" when i think he knows truly that yuuji wouldn't be so unserious about such a big thing.

but one thing that hit me hard is how sukuna calls the brat by his full name this time. something he has never done before. just like yuuji called him a sorcerer that one time too. it's like sukuna's admitting deep down he was touched, but he just can't accept yuuji's mercy. that would kill his persona, his reputation as the king of curses. it would make him more human. and he refuses to be anything but inhuman.

the original japanese had quotes around "curse" and that was important for a reason. sukuna wanted to be seen only as a curse would be seen.

as gojo said. love is the greatest curse of all. and sukuna is the king of curses. so it's very fitting indeed that sukuna died in the hands of perhaps the one person who ever really saw him, or understood him, or loved him.

thank you for your ask btw, jenjenpup. i really loved reading your thoughts on this. thanks for bearing with me on all my rabid rants about these two. i hope i answered your ask well enough.

so glad to have you in the sukuita cult, too <3

[misericorsalvator]

An Epitaph

Henry didn't know where he was. It was cold, freezing, but that was all he could tell, from the sharp chill that tore through his damp clothes, to the frigid air that felt like icicles in his lungs when he breathed. Even if he was someplace familiar, it would have been impossible to tell through the veil of rime in the air, the thick hoar that coated the ground. But wherever he was, he had to find shelter. soon, before his limbs grew any number that they already were and he lost the three fingers he had left on his right hand to frostbite. It took a good deal of walking, trudging through the snow, before he found something resembling sanctuary. A rocky hovel dug deep into a mountainside he hadn't even noticed was there. The crooked mountaintop loomed far overhead like a wind-swept pine tree, towering over the barren expanse and shielding the small patch of land near the cave's entrance from the worst of the snowfall. It was a narrow fit, the opening more narrow than a coffin, but it opened up into a wide chamber beyond, dark, lit only by the little light reflecting on the snow outside.

Panic stabbed at him suddenly. That chamber felt familiar, though he couldn't recall from where. The rockface of the walls was smooth, man-made, and the stalactites hanging from the domed ceiling above were unnatural, all the same length, jagged and sharpened to fine points. But he had no time to waste on the unnerving interior. The weather outside was getting worse, the wind howling like wolves on a hunt, and soon his shelter would be just as cold and dangerous as the outside. He had to think, find a way to keep the warmth in. Henry returned to the entrance. He twisted around in the narrow space as best he could and began piling up snow with his numb hands, stacking it, pressing it into shape, mouthing breathless curses to himself, until he had built a solid wall halfway up to his neck. It should last. He didn't know for how long, but at least for now, until he could catch his breath. It had to last.

Henry slumped against the wall of the cave. The barrier he had built offered some protection, but he could still feel the cold creeping in, seeping through the gaps and cracks in the snow. A damp chill gnawed at his bones, freezing the air in his lungs. He knew he had to keep moving, to do something, anything, to stay warm and awake. He couldn’t afford to fall asleep. Not here. Not now. But his limbs were leaden and his body creaked in protest with every movement. His teeth chattered as he tried to think, tried to remember where he was and how he had gotten there. The harder he tried, however, the more his thoughts seemed to slip away, like sand through his fingers. Panic clawed at his chest once more as he looked around the cavern. The walls seemed to close in, the smooth stone shimmering with a thin layer of rime frost. The ceiling above with the unnaturally sharp stalactites, loomed over him like a mouth full of fangs. He had to get out.

Henry pushed himself off the wall, his legs shaking beneath him. The snow was piling up faster now, further in through the entrance than the wall he had built, and he frantically began to shovel it away with his hands, trying to clear a path through the narrow gap. He shovelled harder, floundered, grappled til his fingers were too numb to move, but for every tiny hopeful opening he made, more snow took its place, as if the storm outside was determined to bury him alive. The cold was unbearable now, seeping into his very soul. Outside, the wind roared, a feral sound that echoed through the cavern and made the air thick with cold. Each breath now was a knife to the chest, each inhale burning his lungs. The snow crawled closer, blocking the entrance fully, and began to cover the cave floor inch by painful inch, forcing the hunter back step by painful step.

Henry's mind was reeling. He stumbled further into the cave, away from the encroaching cold, the bones of his legs creaking in protest. The deeper he went, the more the walls seemed to close in on him, the smooth rock pressing down, suffocating. The quiet there was unnerving, an oppressive stillness that made him painfully aware of his own laboured breathing and the pounding of his heart. The silence of the grave. For what felt like an hour, he pushed himself forward against the stone walls, cowering under the stalactites which were now low enough to graze the top of his head. No matter how far he went, the snow followed close behind, blocking the way back. Henry's movements grew slower, more sluggish, until he could no longer outrun it, and that white frost began piling up around his boots. He felt the fight leave him, his breathing weakened, his heartbeat slowed.

Then, from the corner of his eye, he saw it—a single snowflake, delicate and perfect, drifting down from the ceiling above. His breath caught in his throat as he watched it fall, impossibly slow, through solid rock. It glowed faintly in the dim light and Henry’s eyes followed its descent, almost hypnotized, until it landed softly on the ground. On something dark, something that wasn’t stone. He crouched down, his stiff knees cracking in protest, and wiped away the snow, his fingers brushing against a cold, unyielding surface.

A hand.

His hand.

His breath caught in his throat. He was looking at himself, at his own lifeless body, crumpled and broken, half-buried in the snow. The wounds were horrific—deep gashes and punctures that were draining the life out of him-- and the realization hit him like a sledgehammer.

This wasn't real.

The snow, the cold, it was all in his head, growing blurry as his brain ran out of oxygen. And the cavern wasn’t just familiar—it was the place he was dying, right now, in the real world. The place where his body was lying, bleeding out into the cold ground, his blood darkening the stone ground.

For a third time, panic surged through him, but it was laced with a deep, bone-weary exhaustion. The wind howled louder, and now Henry could make out voices, battle cries, screeching and yowling in twisted satisfaction. The snow now poured into the cave through the solid ceiling above, burying everything in its path. He wanted to claw his way out, to escape this nightmare, but his limbs wouldn’t respond. The snow was too thick, too heavy, pressing down on him from all sides. As his vision began to blur, the walls of the cave pulsed, breathing with a life of their own, in tandem with his own slowed breaths. The snow continued to fall, endlessly, burying him, until all he could see was white. And then, from the heart of the storm, he saw a figure—a tall, imposing silhouette that moved with unnatural grace, cutting through the blizzard as if it were nothing. Henry tried to focus, but his mind was slipping, the edges of his consciousness fraying like old cloth.

His final thoughts drifted to Bran. A deep guilt welled up inside him. He wouldn’t make it home for Christmas this year. He wouldn’t see his boy’s face light up when he opened his presents, wouldn’t hear his laughter echoing through the house. Regret gnawed at him, leaving a bitter taste in his mouth. In his last moments, as the darkness closed in, Henry barely registered the sharp pain in his chest—a bite, cold and searing, as if winter itself had latched onto his heart, and his eyes froze over with unshed tears until the world faded and he breathed his last.

In a long-forgotten catacomb in Wales, as the last drop of Henry's blood soaked into the humid ground, something ancient stirred. Beneath the layers of earth and stone, within the crypt that had long been forgotten, a pair of eyes snapped open. After centuries of entombment, something awoke. The blood of the dying hunter seeped into its consciousness, filling it with the remnants of Henry's life, his memories, his regrets. And once the blood had ran dry, the ancient knight rose from his tomb, his eyes burning with a cold, unholy fire.

He tore through the killers, the blood-thirsty beasts who had chased their prey to the ancient tomb, splattering the walls with their undead blood that burnt to ash, until none were left. Then, he looked down at the broken body of the hunter who had unwittingly become his saviour. With a grim sense of purpose, the knight knelt beside Henry’s lifeless form. He whispered words in a dialect long dead, a prayer, perhaps, or a vow. Then, with a reverence reserved for fallen comrades, the knight lifted the hunter’s body and carried him deeper into the crypt, where heroes were once laid to rest, where the knight's own tomb stood, broken apart from within. The hunter was gone, his spirit entwined with the ancient knight’s own, but his legacy would live on, honoured by one of the very creatures he had once sought to destroy.

The knight sealed the tomb with a final, solemn gesture, then left the catacombs behind and stepped out into the warm summer night, into a world which had long outlived him.

[saras-almanac]

BuckTommyWeekend Day 1: Alternate First Meeting

Title:  This seat taken?

Fandom:  911 (ABC)

Pairing:  Buck/Tommy

Summary:  Buck and Tommy meet at a restaurant for the first time. For the prompt: Alternate First Meeting for @bucktommyweek

Notes: There’s so many potential first meetings for these two both within canon and outside of it. I’m behind on writing for this weekend so just went with one that’s a bit quicker, but will probably expand on in the future before posting to AO3. (And/or might do more potential first meetings because there’s so many options and not all of them will lead to them actually being together at that specific moment in time, but it’d be fun…)

Buck sat at the bar, pretending to check his phone while he glanced over at where Josh and his date were sitting. Josh was seemingly having a good time, plus his date was pretty cute, so maybe this would be a win for him. Buck hoped so.

“This seat taken?”

Buck startled and looked over and saw a man—a very attractive man—stood next to him, inclining a hand toward the stool next to him.

Buck shook his head. “N-no. It’s all yours. I mean, if you want it.”

The man smiled and sat down. “Thanks. Just need to wait for my order.”

As he sat down, Buck noticed a logo on the side of this man’s jacket, one that looked incredibly familiar as it was on Buck’s own work clothes.

“Woah. Is that an LAFD jacket? Are you a firefighter?” Buck asked excitedly.

The man smiled. “Yeah. Work at Harbor station now though. Mostly flying planes and helicopters rather than running into any burning buildings.”

“That’s so cool. I’ve always thought being able to fly a plane, like pilot one, would feel like you have super powers,” Buck said. “Does it feel like that?”

“I suppose that’s a good way to look at it,” the man said. “I’m Tommy, by the way.”

“Evan Buckley,” Buck said, reaching out a hand. Tommy shook it, even at the awkward angle since they were sitting so close together. “So when did you learn to fly?”

“A while ago, back when I was in the Army,” Tommy said.

“Have you always been air support for LAFD?” Buck asked.

“No,” Tommy said. “I was on the ground or many years, but just felt like I was missing it. Transferred to Harbor five, six years ago now. I really missed flying so it was a good choice.”

“I bet,” Buck said. “If I could fly, I’d probably never want to be on the ground.”

“Well, I can give you a tour of the place if you’re interested,” Tommy offered kindly. “Show you some of the toys, how things work.”

“That would be awesome,” Buck said. “But I don’t want to trouble you. I mean, you’re just waiting for your food and I’m talking your ear off about work. I-I’m sure the last thing you want to do is talk about your job after just getting off a shift.”

“I wouldn’t offer if I didn’t mean it,” Tommy said. “And I could have always ignored you or told you I didn’t want to talk about work if I wanted.”

“I guess,” Buck said. “I forget sometimes that not everyone likes talking about their job.”

“So then I guess I have to ask, what do you do?”

“Oh, um,” Buck rubbed at the back of his neck. “I’m a firefighter.”

“No kidding,” Tommy said with a laugh. “Which station?”

“The 118,” Buck said proudly.

“Now you’re fucking with me,” Tommy said. “I transferred to Harbor from the 118.”

“That’s crazy! So you do you know Cap? Captain Bobby Nash?” Buck asked.

“Yeah,” Tommy said. “He was just getting settled there when I transferred.”

“What about Hen? You’ve got to know Chimney. I think he’s been there since it was built.”

Tommy smiled and his nose crinkled and Buck had never seen anything more adorable in his entire life. “Howie and I go way back, from before he was called Chimney. And Hen, she’s one of the best firefighters I’ve ever worked with.”

“They’re the best,” Buck said. “It’s so crazy that you know them too!”

Buck glanced over at Josh again. He’d be furious with himself if he got distracted by this god-like man sitting next to him when his friend needed him. Still seemed to be going well.

“I don’t mean to pry, but I do have to ask,” Tommy started, “You’re not stalking those men, are you?”

Buck whipped his head over to look at him. “What?”

“It’s just, I saw you watching them when I first got here. And now you’re looking over again. Just checking things are… all right,” Tommy said.

Buck felt himself blush a bit because he was the world’s worst undercover wingman. “Okay so one of those guys is my friend, Josh. He’s had some rough luck dating and he was feeling a bit nervous, so I offered to come and hang out at the bar while he was on his date. Just in case anything happened, he’d have back up or whatever he needed.”

Tommy blinked. “You’re giving up your night to sit alone at the bar just in case your friend’s date turned out to be an asshole?”

“Yeah. I guess,” Buck said.

Tommy smiled at him, shaking his head fondly. “That’s really sweet of you.”

“I’m just helping out a friend,” Buck said, feeling uncomfortable. “I’d do it for anyone.”  

Before they could talk any more, a waitress came out with Tommy’s food, stealing his attention. Their chat was less than 10 minutes but Buck felt like he could have spent hours talking with Tommy. He tried not to be annoyed that his food came and he was going to leave—the man had probably just gotten off a shift, probably a twelve or thirty-six hour shift, based on it being night. Tommy deserved to grab his food and then head home to eat and crash.

It didn’t mean that it didn’t suck though. But it’s fine. Buck would go back to checking his phone and keeping an eye out for Josh.

Tommy placed a hand on Buck’s shoulder. “Well, it was a delight to bump into you and I enjoyed our conversation. You made the end of a long thirty-six hours speed by as I waited for my food.”

“I’ve been told I do that,” Buck said, completely distracted by the weight of Tommy’s hand on his shoulder.  

Tommy laughed like Buck had told the funniest joke he’d ever heard. He removed his hand and smiled. “And I’m serious about giving you a tour if you want.”

“I’d like that,” Buck said. “Um, should I call the station?”

Tommy smiled again and shook his head. “It’ll be easier if you just let me know directly. I can make sure there’s time and be the one to give you the tour.”

Tommy reached down to grab the pen sitting on top of his receipt and then scribbled his number on a napkin. “Take care, Evan.”

Hearing Evan come out of Tommy’s mouth was surprising, but surprising in a good way—in a way that Buck wasn’t going to think much about right now. “Yeah. Yeah. Uh, you too, Tommy. I’ll—I’ll text you.”

“Sounds good.” Tommy grabbed his bag. “Oh, and good luck with the rest of your date.”

With that, Tommy laughed a little and then walked out, leaving Buck sitting there, carefully holding the napkin and wondering exactly what was happening with fate right now. Maybe his luck was turning around.

[terresdebrume]

Currently rewatching 13 going on 30 and I can't help but want a Payneland AU with this premise tbh x)

[fatewoven]

//

[orlesianhennin]

I’ve said pretty much everything I can on Briala and Vivienne’s parallels but like… I really think they should’ve interacted at some point they have so much in common

[doomxdriven]

"I am Rudbornn, Captain of the Exequias, and I have come for your life."

[syn4k]

Two Idiots, One Body | next

"Has anyone seen Beef?" Grian asks, sprinting over, face a perfect mask of concern. "He's supposed to be here by now." 

Iskall looks up from where she's fiddling with a hinge to squint at him. It's 9am. First day of Hermitcraft Season 10 and the sun still hasn't hit the peak of the sky. It's been an hour since the world hummed into existence, all fresh dirt and generating stone and trees growing in a snap like they'd been here forever, and Beef is late. Beef is never late. That's the rule: when the new season starts, you're there. 

Iskall is there, even though he kind of wishes he's not. Her head's weirdly foggy and his vision keeps drifting in and out of focus, but hey, that makes sense, right? He's been sick for three days. Everything gets gummed up when you're sick. 

Amongst the crowd of unusually antsy Hermits, someone yells Grian's name and he runs back off with a muttered apology, wings barely a bump on his back this early on. 

--

The rest of Day 1 goes normally enough. 

Grian runs the intro as smoothly and professionally as always and everyone runs off to get their gear. Doc and Cub have a villager trading hall set up in four hours. Ren organizes a caving session. Iskall is assigned to a group with him, Mumbo, and Stress. On the surface, it's a perfectly normal first day of the season, with the chaos and confusion and absolute lunacy that comes trotting naturally alongside 26 hermits being in one place. There's two new people here, after all, and they must be introduced properly, says Grian, grinning devilishly. 

Still, no matter how many times Iskall blows his nose, the fog stays stubbornly stuck in her brain. And no matter how low the sun dips towards the meeting point of earth and sky, a little blazing ball of Atlas to paint the sky a thousand shades of night, Beef does not log on. Everyone tries to ignore it. Most people succeed. 

Iskall goes to bed that night tired but happy, brain whirling at a million miles per hour, adrenaline fading and leaving his limbs to ache with the full force of the workout they were just given. As she drifts off to sleep, he chuckles. He can almost hear Beef grumbling about missing out on the first day already. 

[icewindandboringhorror]

recent lounging babey images