#i will never forgive him lol

[soosoosoup]

Funk branch au

Au and branch design by @bbc-trolls

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[grimfantas]

you don't need morals, you need someone like you who can understand

[luyo-mi]

I saw this beautiful hairstyle on Pinterest and smacked it on Leona

[aroaceleovaldez]

Something something Jason feeling like he doesn't quite fit as "Greek" or "Roman" as a metaphor for bisexuality, particularly the semi-canonical bi-coding in his half of experiences during the Cupid scene and how Favonius and Cupid speak to him in parallel to the scenes confirming Nico is gay.

Something something the camps as metaphors for traditionally acceptable forms of relationships and Nico living as a rogue outside of them, rejecting expectation (ergo in himself representing a metaphor of queer identity and living outside of boxes and defined/usually hetero-allonormative/binary ideas of what love/relationships should look like) versus Jason struggling with the expectation to conform to a label and even discussing with Nico both of them remaining at CHB together.

Something something the inverse of Jason shifting away from the camps after he breaks up with Piper, feeling lost and unable to find a place between the camps as he begins to explore his queer identity properly for the first time versus Nico only remaining at CHB because he has entered a relationship. In this essay I will-

[rafyki]

Compilation of all the secret little smiles Jack has for Joke during ep 5

He hasn't forgiven him yet - yeah sure, that's why he keeps looking at him like that, of course

The "i can't believe he got so hurt while trying to help me and now he keeps apologizing to me" smile after treating his wounds

The "secretly listening to him and finding him so cute and nice" smile

The "oh my god he might be talking about me" smile

The "oh woah he's such a good person" smile

And finally the "yeah who am I kidding I had already forgiven him from the start" smile

Really, our boy Jack never stood a chance

[mrsroryhuntzberger]

I have consumed so much Agatha all along today I wasn’t expecting this. Also Disney + can pry “teen is Agatha’s son” from my cold dead hands

[borgialucrezia]

"He's spent the entire time being picked upon and bullied by the family. I think personally from where Juan stands he sees the hypocrisy in the family, how they can do one thing and say another. As far as Juan is concerned he's always had the best interests of the family at heart, however misguided that might be and doesn't quite comprehend why nobody understands that. Nobody seems to understand that what he does, he does for the betterment of the Borgia clan and never waivers from that. He does that in ways that perhaps aren't sanctioned by the church or sanctioned by family law."

[shannonsketches]

I just think Toei gives Vegeta a lot of shit for a guy who's maintained his rank within the top ten most powerful beings in the mortal realm since he was like five years old.

[gece-misin-nesin]

bnha au except the league is a theatre troupe. they all have the same backstories as canon.

[candycryptids]

It's my birthday today (6/14) so I get to be mindlessly and shamelessly self-indulgent and pose myself with my speece's characters Kizuna and Setsuna Shader is I think from [Kore - Pearl's Dream] but I might be wrong, I downloaded that shader before I realized I should make creator folders so I'm not 100%

Kizuna is @zombiesockfuckinglovescardfight Also Sir Cash is here ;v; (the dog)

[sanasanakun]

Gortash acting as an enabler for The Dark Urge is so interesting imo. I can easily see redeemed DU feeling extremely betrayed and angry by it given that they now have a chance to contemplate their past self’s situation. They easily could accuse him like “you say you were my ‘nearest and dearest’ but you never saw how much I suffered? Or did you just not care because my misery advanced your (our) goals? You never wanted to help me? You could have stopped me.” At this point in the story, DU’s come to understand friendship in a way his past self never could have and Gortash’s previous inaction is a betrayal of those values. If he never helped them, then Gortash never truly saw the real them nor understood them.

In my personal headcanon (and somewhat supported by canon imo), I think Gortash tried to helped DU in his own “Gort” way. Aka promising that they’d one day rule as “Gods” which is essentially a promise to DU that they’ll rise above Bhaal or be free of his influence (as others have previously pointed out). However, I don’t believe Gortash has the emotional capacity to help DU in the way they needed. He doesn’t understand it or he might even be afraid to hit that particular nerve. He liked the routine they fell into, so why change it? It is also definitely pragmatic. The Dark Urge’s condition advances their plans. Gortash puts progress and the plan above all else even if it hurts loved ones. He rationalizes his inaction with cold logic, weighing the pros and cons of his intervention. Therefore, I don’t believe it’s necessarily malicious enabling. Gortash acts with the idea of pursuing whatever is more “comfortable�� for him personally and their joint plan.

From my personal experience, this type of enabling is pretty common (at least in my irl situations). They don’t know how to act and are afraid to confront their loved one, so they do nothing. It’s “easier” to do nothing. Definitely would like to write something for it at some point because I feel like this would be a key tension point in their post-tadpole relationship (or lack of). Maybe even pre-tadpole where the Dark Urge just quietly endured but desperately hoped Enver would say or do something to save them, but he never did.

[tarmac-rat]

The Man Who Killed Jason Foreman

[cream-and-tea]

oh man the judge/calliope and pallas&agnes thoughts are really eating holes in my brain tonight,,,,,,

[luckycharms1701]

got a response to my last post and fuck if i didn't pull my computer out at one in the morning so i could do this particular topic justice

my "time to talk about family dynamics in tmnt" button was pushed real hard, and i don't get enough opportunities to talk about this

So let's talk about Leo's position in the family in the Bayverse movies. That's right folks, we're pulling out capital letters for the leader in blue, because this is a topic I am super serious about. Full college paper levels of serious. Gonna need to know how you want your sources cited.

This is a fascinating take tbh, and I would love to hear more about how you came to this conclusion. Allow me to show you why my position is different.

First:

I think this image says a lot. Leo's a daddy's boy long before anything like parentification could possibly come into play. Also it's really cute, look at him loving his dad!!

Second, let's talk parentification. Boiled down to its basics, parentification is when a child, usually the eldest, acts like a secondary or replacement parent. This is the part that really gets me, because I just don't see any evidence of it in the movies at all.

We do get to see some scenes from when they are kids, and no where is it suggested that Leo is anything other than another one of the boys.

Sure, Mikey hides behind him when play-fighting with Raph after the buck-buck scene, but that's just younger sibling behavior. No where is it implied that this happens because anyone expects it of Leo. That, I think, might be the closest to "parentification" that occurs in the movies.

The thing is, I don't think Leo has been the leader very long at the beginning of the 2014 movie. Honestly I wouldn't be surprised if it's a move Splinter made just before or even as the movie starts. Leo's and Raph's argument really solidifies that for me:

Raph: And who put you in charge?

Leo: You know who did.

This smacks, on Leo's part, of someone borrowing another's authority to shore up their own. That tells me that Leo at least does not feel that he has this authority on his own merit, that he's new to leadership. Raph senses this like a shark in bloody water, and he pushes because there's vulnerability there. (more on this later *rubs hands together in glee*)

I think that there is evidence in the 2016 movie that Leo is relatively new to a position of authority as well. His struggle to maintain the delicate balance of his brother's personalities and the fact that he allows his own personality to get in the way of being a good leader are prime examples.

These are pitfalls that a parentified person would already have experienced and would be able to avoid, and so they wouldn't have happened if Leo was parentified.

Third, let's talk about Leo and Raph.

So, my position here is that Leo and Raph DO have a normal sibling relationship, at least as normal as it can get when you are turtle mutants living in the sewers with only each other for company.

Anecdotal, I know, but I have a bit of experience with a similar dynamic to the one you assigned to them. I am the oldest of three, and my sister (middle) and I did NOT get along as kids. It got to the point where I thought as teens that once I left the house we would never talk to each other ever again.

Perceived favoritism was definitely an issue in my and my sister's relationship. Is it an issue with Leo and Raph? I honestly don't think we get enough time with Splinter in the movies to determine that concretely. It's definitely possible, but I believe something different is, either concurrently with or instead of favoritism, at play here.

I know it's easy to forget because they look Like That, but the turtles are teenagers. They are immature and don't always know how to express themselves. And Raph in particular struggles because he feels so strongly. It can be hard to control it when your emotions are strong like that, don't ask me how I know.

However, he gives himself away at the end of the 2014 movie. "Every time... I pushed you beyond your limits, it was because I believe in you! I believe in each one of you!"

Remember when I said that Raph sensed Leo's vulnerability and pushed on it? We've come back baby! I am firmly in the camp of 'both Raph and Leo are good leaders in their own way', and I think this is part of what makes Raph a good leader.

Sometimes Raph is actually annoyed at Leo for whatever reason, being told what to do the most common I think. But!! Remember, Raph also believes in his brothers, Leo included. So he puts Leo on the spot in a mostly controlled environment to help him learn how to be a leader. There's a lot more I could say here, but that's a Raph post, and this is about Leo.

So is it favoritism, Raph's need for independence, or Raph pushing Leo that causes tension in their relationship? I think it's a bit of all of that and more.

There is a fourth section to this post, about Splinter, but it is now almost four in the morning, I have to get up in like two hours, and I already fell asleep once while writing this. But know that in this iteration at least, Splinter is a decent single father of four boys, he did not parentify Leo, and any favoritism is unintentional.

Anyway, in my house we spend a lot of time talking about how much Leo loves his dad.

[thefloatingwriter]

relating to your reblog.. no one actually gets beetee i fear. minus you mostly. but the consensus of him being a chill tech guy and not in part a mass murderer both in the arena and in the rebellion & also pretty morally grey in a sense? yknwwww. yknw!

yes yes yes. all do this yes. he’s morally gray. it is so obvious he is morally gray it is practically written on his forehead. his morals are definitely questionable. that is so obvious and yet…

at this point i think i need a therapy session simply so i can rant about other people’s interpretations of beetee. because. do you even understand him. did you even read the trilogy. like i don’t even know what to tell some of you at this point except that you just don’t get him like i do.